Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
Once you stop thinking about queer people's labels as strict indications of what's in their pants and who they do/don't bed and instead view queer people's labels as how they interact with the world, you'll find that you'll get along with queer people better and treat them better, I think.
sketch page time, but make it medieval! I was messing around with a composition for a knight, and the blacksmith and the jester and also the lady (who is an assassin) were some early early early ideas for characters! someday they may even exist in a story that has a plot.
Periodic reminder that unless a person specifically and clearly tells you it is okay to tell others they are trans or queer, you should err on the side of caution and assume they do not want you to tell people (especially random people!) about their transness or queerness.
You have no idea, generally, why somebody doesn't talk openly about their trans or queer status, and you have no idea, truly, how somebody might react to that information. The most progressive person out there is still capable of harbouring incredibly negative thoughts about somebody's queer status.
just saw a take that basically said its islamophobic that greeks dont culturally identify w the empire that conquered them, occupied them n forced their culture on them. now i can retire from the internet bc ive officially seen everything
people being like "hunter needs structure and stability" respectfully hunter DOES need stability - in that he needs an environment where he's no longer afraid of the people around him & is confident that he'll always have a safe place to stay n safe people to call - but the kid absolutely DOES NOT need structure. if anything hunter needs LESS structure. this is mister "teens are probably into the same things as me, like authority and rules" please be nice to him.
my absolute favorite hunter darius dynamic is one with like, hunter asking to stay out late on a school night or whatever bc luz has some cool-as-shit event happening in the human world that he wants to attend & darius is just like "you can do whatever you want forever" & hunter's like "aren't you...??? going to....??? give me a curfew????"
darius: why would you need a curfew?
hunter: because i-! what if i'm TIRED before SCHOOL
darius: then you can skip a day.
hunter: [HORRIFIED GASP]
darius: kid. look. you already extensively weighed the risks and benefits of going to this thing on a school night. right?
hunter: ......i did make three charts.
darius: and you determined that the benefits outweigh the risks. with your three charts
hunter: .....yes
darius: ok.
hunter:
darius: so.
hunter:
darius: in conclusion. you can do whatever you want forever.