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neptuneiris · 3 days

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Cruel Summer (03/10)

Against the Tide

pairing: modern!aemond × fem!reader

summary: at Crown's family tensions rise and you keep running into a person you shouldn't talk to. but both he and you can't help testing the waters.

words: 9.3k

thank you to @peachysunrize for being my beta reader, she also helped me in the previous chapter and I forgot to mention her, but finally here she is. love you bestie!❤

previous part • series masterlist

I am so excited for you to read this chapter! from the next chapters onwards, what we have been waiting for begins (forbidden love)🤭 and I want to thank you once again for all the support you are giving to the story, you guys are amazing and you don't know how much I appreciate it🙏🏻 now enjoy!

warnings: half smut, language.

Sunset's Pier stretches along the boardwalk, a vibrant and lively place, especially on summer evenings.

In the distance, waves break gently against the pier and shore pillars, while palm trees sway in the cool ocean breeze.

Wooden planks creak under the feet of visitors, while the smell of the sea and freshly made food fills the air.

The stores lining the pier are clearly divided, some full of luxury, with glittering windows displaying designer dresses and accessories. And there are other more modest stores, where prices are more affordable.

Or as it would be technically said among the locals of Sunset's: stores for the rich and stores for the poor.

After an exhausting afternoon trying to surf with the boys, Alysanne drags you into the stores, excited to find something nice for tonight's party.

The two of you walk between shop windows, exploring the options, especially in the stores where you can both afford to shop. But Alysanne stops in front of one of the more expensive stores.

You watch as she gawks at a blue bikini on display on the mannequin, the color as deep as the ocean at sunset.

"Look at this!" she exclaims excitedly, almost pressing her face against the glass, "It would be perfect for tonight's party. If only I had the money to buy it," she murmurs between excited and disappointed.

You smile, understanding the desire. The bikini is really beautiful but it is obvious that the price must be very high.

"Don't you have any savings?" you ask her.

"No," she laments, "I used it to fix my phone, did you forget? I can't afford to buy a new one so I have to fix the one I already have."

"Well, I guess I—

A high-pitched laugh interrupts the conversation and when you both turn around, you instantly recognize the people.

Perfectly coiffed black hair and shiny red hair. All those impeccably dressed girls, with expensive handbags, gold accessories and designer sunglasses; Baratheon and Lannister.

But you distinguish precisely Floris Baratheon, Aemond's girlfriend.

All of them in a group watch you both with a mocking face for two things; for being in front of a store like this and for being longing for the beautiful blue bikini.

And even though they don't know you, it doesn't matter that they bother you for the radar of recognizing poor people, because the difference between you and Alysanne is too big compared to them, who can afford to shop here.

Especially since the top you are wearing at the moment is torn on one side. You don't see much but they've already seen it, as well as inspecting your dirty, old tennis shoes.

"Do you really think you can buy anything here?" speaks precisely Floris with a venomous tone, with a sneer as he looks at the bikini and then at both of you, "It's a shame you can only look. Not everyone has the privilege of affording something so nice."

"Yeah, maybe someday you can get it... in the next millennium sales."

They laugh among themselves, clearly enjoying the moment of superiority. And you clench your jaw, annoyed, especially as you watch Alysanne lower her gaze in humiliation.

"Excuse me, do we know you?" you inquire.

You obviously know them, but you won't indulge them.

"Oh dear, everyone here knows us, especially me," Floris says superiorly, adjusting her sunglasses.

"Even your kind know who we are," Cerelle also speaks with clear contempt.

Alysanne regains her composure and you instantly notice.

"Yes, we know you are such a bunch of idiotic, shallow people for thinking that the price of clothing defines someone."

"Some of us have more important things in life than spending money on something so insignificant," you too stand up for yourself and your people.

They all let out a laugh, where Floris takes a step toward you.

“Yeah, sure. The poor always find an excuse to justify their misery. How pathetic and sad," she feigns an exaggerated pout.

"I'd rather be poor than be as empty as you," Alysanne next to you snaps at her.

She arches an eyebrow at her, amused and clearly entertained, as she folds her arms in her arrogant attitude.

"Empty, huh? Well, it's better to be empty than desperate, like you two. Keep dreaming of things you can never have. But don't worry, being poor and living on the filthy side of town, dreaming is free."

"And who do you think you are huh?" Alysanne lunges at her, "You think because you are rich I can't break your face or what?"

You quickly stop her holding her by the arm, worried and of course, Floris recoils back with a frightened face and her friends don't take long to instantly surround her, shielding her as if they were her wall of protection.

"Not so talkative and brave now huh!?"

"Hey, Aly," you hold her back, "Stop it. It's not worth it."

Floris and all of them look at you both with despise.

"See? They're all savages," she says without again getting too close.

"Oh yes, very savage, just because we're defending ourselves from you making fun of us and making us less," Alysanne tells her firmly and in a defiant tone, "But you can't even defend yourself. So I advise you to talk less or I'll break that pretty rich girl face of yours."

It is clear that Floris wants to say more mean words, but she stops when she notices someone else walking towards the group, completely oblivious to the situation and you also recognize this person; Helaena Targaryen.

She with her usual calm, appears near you, but stops just in front of another nearby store, casually observing a clothing through the glass without noticing the tensions.

And you curiously notice how Floris, upon seeing her, remains silent for a moment. Then you guess that she doesn't want to show her true colors in front of her sister-in-law.

"Let's go," she orders in a lower and less confident tone than before.

Her friends obey without another word and begin to walk away, but not before giving your cousin a last contemptuous and disdainful glance at your side.

And you too, of course.

Helaena also leaves with them as they approach her, her silver hair shining in the sunlight and moving with impeccable grace.

Alysanne lets out a frustrated sigh next to you, still angry.

"I can't believe those idiots think they have the right to treat us like this. And all because of what? For not being rich like them?" she inquires in disbelief, "Do you realize how stupid that is?"

"Let them stay in their bubble," you mutter, feeling just as irritated, "We're not rich but we're better people than they are."

Alysanne takes a deep breath, shaking off the adrenaline of the moment, then you both go your own way, trying not to let this thing that happened ruin your day.

Especially since you have another party tonight, unfortunately with those girls, but it's not like you're going to be with them.

And just as ten o'clock at night falls, Cregan's car and the excited shouts of the guys rushing you to get into the car can be heard practically all over the street.

Alysanne again shushes them, as your uncle and aunt are asleep, as well as most likely the neighbors, and you both quickly get into the car amidst laughter and scolding of the guys.

Then Cregan's car speeds up and soon all of you are walking into the Crown's side.

The party is as always; on the beach. And it's everything you'd expect being among the rich. The DJ can't miss, the clean beach, the pier, the yachts and the smell of alcohol mixed with the sea breeze, among other substances.

Tonight you decide not to focus on the people around you and together with the guys, sit on the white sand, while Cregan and Sam go for as many beers and bottles of champagne as possible.

Alysanne is also not in the mood to be inspecting and lusting after Pandora accessories on all the rich girls that are here. So the two of you relax.

Chase lights the bonfire in the center and pretty soon everyone is drinking, talking and laughing, enjoying the party and nothing else.

Every now and then some guys come up to greet Cregan, who greets them back without much enthusiasm and returns to the group, where you notice how attentive he is especially to Alysanne.

You don't say anything and just continue drinking, laughing at the guys' jokes and burning a few marshmallows, when then... you feel it.

A piercing look on your face.

You don't doubt it's a girl inspecting you, so you don't think anything of it at first. But then... it's as if that look burns you and wants to see through you, sending shivers through your whole body.

You look around, just out of curiosity, but when you raise your gaze absentmindedly towards the direction of the yachts, to the part of the deck specifically, your eyes meet piercing blue eyes.

Then you see him.

Aemond Targaryen.

Time seems to stand still and you feel more of the weight of his gaze, that same weight you felt last night on the pier, when he caught you.

You also feel a surge of nerves course through your body, with your heart racing as you remember the night before. It's not fear, but it's something close to it.

Because now he's caught you here too, at a party of his people, at Crown's.

And the weird thing is that you didn't expect it and you feel so silly about the fact. How could you not think that he would be here and that the two of you would probably see each other after last night?

Even though it's no longer a probability, he's seeing you right now and sees what you're doing; pretending to be one of them.

You watch as his gaze briefly sweeps over the guys you're with and honestly... you don't know how to feel about it. Technically, you're not doing anything wrong here either, are you?

‘Then why do you feel so embarrassed?’

His piercing eye again focuses on you and you, for some strange reason, don't look away and neither does he. It's as if the two of you are caught in a game you can't avoid.

No one seems to notice the silent exchange between the two of you, except you and him. But you know that talking to him, getting close to him in public, is impossible.

You know it and you know he knows it too. It's like a law in Sunset's among its locals but more specifically among those your age; the rich and the poor can't be friends.

You bite the inside of your cheek, even without both of you looking away, where both of you are too far away to say anything to each other, but the looks say it all.

Then, it is he who looks away when Floris holds his face and kisses him softly on the lips, claiming his attention. You feel a sting of something pinch your stomach and you force yourself to stop focusing on him as well.

You try to refocus on what the guys around you are saying, but you can't, not now that he's here too.

You didn't tell anyone about what happened last night with him on his pier, because nothing really bad happened, except the fact that you almost got caught.

It was just a conversation with the son of the richest man in the whole country and heir to his fortune, nothing more.

Although the memory has followed you ever since.

Unable to help yourself, you look at him again, where you see him surrounded by his friends and also distinguish his brother, Aegon. And of course, Floris, sitting on his lap.

He is no longer watching you but you wonder what he might be thinking now that he has seen you here too.

'Probably nothing.'

You think, since for him, what happened on the pier was just a conversation, a small slip in which you both sought some solace and nothing more, an insignificant moment.

What else could he think of having shared his time with a Black Waves girl?

You let out a long breath and your eyes roam his features, as the same thoughts from last night return to your mind when you were also slyly admiring him.

'He is so handsome.'

You think as you also admire his short silver hair and see a silver chain peeking out from between the collar part of his shirt, with that simple accessory making him look so ridiculously good.

But you cannot pass Floris Baratheon unnoticed, on his lap, talking to him and leaving from time to time some kisses on his lips or on his cheek.

You shake your head, clearly being impossible, since he belongs to a world that is not yours, to a social class that would see you as an intruder if you even tried to approach.

So you can only think that what happened on the pier was just a one-time thing, a quirk and a moment that you must now bury in oblivion.

Aemond Targaryen, as a child, does not remember a single moment when his family did not attract attention.

He does not remember a single moment where his mother did not ask him, as well as his siblings, to accompany her and his father to an event in the town for work and simply to see them all together as a perfect and powerful family.

He has forgotten the countless times where his father, Viserys, introduces him and his siblings to his associates and all those important people more as trophies than as what they really are; his children.

With Aegon the introduction is brief, for after all, no one expected his first eldest son not to follow in his same footsteps as his older first daughter did, Rhaenyra.

But Aemond knows that Aegon is... uncontrollable.

As a teenager he began to show signs that he didn't want to go into business or anything like it or anything relatively formal.

As much as his mother, Alicent, and even his own father and grandfather Otto tried to scold, persuade and convince him, it only caused Aegon to back away from the idea and start doing whatever he pleased.

For him only desire has always been to simply live life and find out what he really wants.

Then there is Helaena, who followed the same path as Aegon but in a more controlled way and with different aspirations to life though just as flattering, which is to study marine biology.

And finally there is him, Aemond Targaryen.

He saw the whole process of his older brothers in deciding not to devote himself to the business or rather empire that his father has built. With Aegon it all turned out to be a disaster but Helaena was more persuasive.

So someone had to do it, follow in his father's footsteps as Rhaenyra did, but this time a man, a son and that had to be him.

Daeron still lacked time to decide and grow up some more. So he watched as his father began to despair and have fights with his mother and everyone at home for not being able to choose the aspirations and decisions of his children.

So it was he who calmed the storm at home when he announced that he would apply to college to study business management to carry on the Targaryen legacy, just like Rhaenyra.

His father was overjoyed, as was his mother and for the first time, in that small moment, Aemond felt that he was finally receiving that recognition and appreciation from him.

But then he realized that it was never worth it.

After searching for so long for a way for his father to finally see him for what he is, his son, when that moment came it wasn't worth it and it didn't make him feel any better.

Because Aemond knows deep down that only his father was happy for him out of convenience, to mold him to how he wants and because that way, he is just another piece on his board.

And it became quite clear to him the moment his father expressed his idea about the Baratheon's.

Viserys, even with all he has and having an advisor at his side like his grandfather Otto, wants more.

And Borros Baratheon is that more by being the owner of the most important commercial fleet operating along the entire Pacific coast of all. Viserys needs to transport freight for its big company, which is what Borros does.

Viserys needs freight for his great enterprise, which is what Borros is all about. But Borros Baratheon is a difficult and greedy man who also wants more, even to Viserys Targaryen himself.

So he and his entire team focus on an easier target that will get him to the finish line; his daughter, Floris.

Any of his daughters would have sufficed, but considering Floris is about the same age as Aemond and his father had already seen her get her hopes up for him at events, it was the perfect idea.

At first Aemond refused. For the moment he had no intention with any girl, especially any of the Baratheon sister’s. But his father insisted.

Viserys explained to him how much he needed such a partnership and asked him to start asking her out to eventually formalize and make the deal with his father easier.

Aemond tried to help him find other alternatives, tried to make him understand that he didn't want nor could he play with Floris' feelings in that way to achieve a partnership.

But none of that helped.

His mother sided with his father, with the difference that she was more sensible on the subject and asked him to try and take the time to get to know her, that maybe he might really like her.

So he had to give in and before long, he was in a formal relationship with Floris Baratheon.

And now this is his life.

Not that much has changed, but there are these fights at home between her mother and father because there's really no love between them.

There's also fighting between his father and his siblings over the choice of what they really want to do with their lives while they're all attending events to pretend to be this perfect family that they are.

And he's in a relationship with a person he doesn't really want to be with and as soon as the summer is over, he's going off to college to study with pressure and expectations on his shoulders for a degree he doesn't really want to study.

But as anyone in Sunset's would think, both Crown's and Black Waves; the Targaryens are perfect.

“Hey.”

A voice pulls him out of his thoughts and he looks up as he sees Aegon approaching him, shorts on, sandals, a white t-shirt, sunglasses and phone in hand.

"I was looking all over for you. What are you doing?"

He lets out a long breath and closes his book to place it back on the shelf.

"What do you want?"

"Get dressed. We have a party tonight," he lets him know, then starts typing on his phone.

"Another one?" he asks with a serious look on his face.

"What?" he becomes indignant, shrugging, "Come on, it's summer. And everyone will be there. Cassandra told me Floris is going."

"I don't want to go."

He looks at him with a frown.

"What are you talking about?" he asks him blankly, "You're going to stay here reading these stupid books all summer? You're going to college for another two months!"

"Helaena and Daeron will go with you, I don't understand why you want me to go too," he tells him grumpily, choosing another of the many books in the library.

"Helaena is sick and Daeron promised to stay with her to watch movies," he tells him as if were the gravest sins in the world, "Come on, man. Come with me. And I won't ask you for anything again, this will be the last time, I promise."

"That's what you always say, like I don't know you," he says as he picks up a book and sets it on the table, "You're just so fucking annoying."

Aegon lets out a frustrated groan.

"Come on, don't be like that. You'll have more time to read and be doing these boring things you like to do," he tries to convince him, pointing to the books.

But Aemond says nothing to him and, of course, Aegon starts to throw his tantrum.

"Aemond," he complains, "Come on, please."

And the sound of his voice is already starting to annoy him, especially being in the library.

“Aegon—

"Come on," he interrupts him, insistent, "I really don't want to stay here and listen to dad yelling and fighting with mom all night, man."

Aemond lets out a long breath again and with nonchalant movements watches his brother over his shoulder, looking serious and now slowly becoming resigned.

And soon enough, they are both already in his car, driving towards the Lannister house.

Normally he wouldn't have agreed to come, but he recognizes that Aegon is right and the truth is that he doesn't want to stay at home listening to his parents' quarrels either.

Even though his house is huge, the shouting echoes through the halls, and then his father in all his anger goes against Aegon as well, where Helaena intervenes, then Daeron and finally him to try to calm the waters.

And he's tired of it.

Just last night another one of those fights happened, his mother was almost in tears and Helaena too, while Aegon and his father were shouting all the worst things possible at each other.

And that's why he decided to go to the pier after he failed to fall asleep.

As he drives, his gaze softens as he remembers you.

He still doesn't understand how a girl like you, from Black Waves, for a whole year was going to his family's pier at midnight without being discovered.

He doesn't understand how you did it either and he's not sure he wants to know. He was about to call security, of that he has no doubt, especially considering the robberies some of his neighbors suffered.

Because that's what he first thought, that you were a thief and he was trying to do something with his yacht.

However, it was something in your fear and pleading, perhaps also that you didn't have something suspicious on hand to try to do harm and the sincerity in your gaze after silently evaluate you that he saw to finally understand that you weren't doing anything wrong.

It was bad to cross over private property but other than that, he saw you earlier, before he approached from a distance, sitting on the edge of the pier looking out over the horizon.

But he still had to make sure and it all turned out very interesting.

That you were on his pier, risking that you could be caught, simply because that place gives you peace and quiet, caught his attention.

It seemed... unusual. Something out of the ordinary. Maybe because you're a Black Waves girl.

But still, it's something he's not used to hearing from others in appreciating something so simple and plain but so meaningful to that person.

And being there with you... everything in his mind disappeared.

All his excessive thoughts, frustrations, pressures, expectations and stress disappeared for a moment, which is very difficult for him to do in the midst of all the storm in his mind.

And strangely, because he shouldn't have, he spent a nice time with you, an unknown Black Waves girl, even if he didn't show it much at the time.

He doubts that was a good idea, to let you stay and still tell you that you can keep going to thepier. But technically... nothing bad happened.

And doubt that I'll ever see you again, last night was just a coincidence, besides that shouldn't happen, right?

In the town where you both live, a poor girl and a rich man can't even be friends. And much less he can afford something like that because of his family name.

Again his thoughts are interrupted as they enter the area where the Lannisters live and Aegon immediately chatter excitedly about how amazing the party looks.

And soon enough the two find themselves walking onto the beach and onto the Lannister dock.

It's the same as always, there's really nothing new, just decorations, DJ, open bar with bottles of vodka, wine and champagne as well as beer, cocktails and the smell of cigarettes and weed in the salty air.

All the people are dancing and getting drunk, as well as there are other people having mini bonfires, drinking and burning marshmallows.

When a group of people catches Aegon's eye on one of the yachts, he takes no time at all to drag him along with him.

And just like that he meets Floris, who greets him very happily with a hug and a kiss on his lips, which he tries to reciprocate as genuinely as possible.

Aegon goes off to find a girl to stick his tongue down her throat and he stays on the yacht with Floris and his friends.

Quickly some of his friends offer him drinks to cheer him up and he declines as he has to drive, so he only chooses to light a cigarette, wanting the night to pass quickly.

And so the hours pass, with nothing really interesting going on around him and Floris sitting on his lap, trying to keep up with her to also try to be a good boyfriend.

But all he wants to do is go home.

"Are you okay?"

Floris' voice brings him out of his thoughts and he turns his head towards her, where she watches him with a small smile on her lips and with one of her hands starting to stroke his short silver hair.

"Yeah," he tells her in a low murmur, then takes another sip from the only bottle of beer he'll be drinking tonight.

"Are you sure? I didn't even know you were coming. I texted you and you didn't respond," she says making a pout.

And he avoids looking instantly annoyed.

It's not that Floris is a bad girl, she really tries because she really loves him. But he doesn't feel the same and doubts he ever will, though he tries.

"Yeah, you're right, sorry, I was busy in the library," he explains briefly.

"At the library?" she repeats confused, "Why?"

"I'm getting a head start on reading books for college," he again explains as briefly as possible.

Luckily she doesn't say anything more on the subject but continues to sit on his lap and try to get him to talk, even though he's not really having any of that right now but he doesn't want to be rude to her either.

So when she starts talking to one of her friends, he looks in all directions, scanning the party without again finding anything interesting.

But then in the midst of analysis he sees it.

Or rather he sees you.

A few meters below him on the sand, confused, he immediately recognizes you, sitting among a group of guys and a girl with a bottle of beer in hand, laughing and talking to all of them.

And again he wonders; what are you doing here?

And you can't blame him, he really doesn't get it, it was surprising enough seeing you on his pier, in the most exclusive and private area of all Crown's as to also see you here, on the Lannister's pier, a Black Waves girl mixed up as if you were one of them.

He sweeps his gaze over all the guys you're with and is more surprised to see you talking and laughing with Cregan Stark.

Then he gets it all.

He's the one who gives you access, as well as your friends and that girl you're with, who he assumes must be your cousin from what you told him last night, all except Cregan belonging to Black Waves.

And there you are, again not hurting anybody, but pretending to belong to Crown's.

All the guys you're with are certainly having a great time and so are you, while he again focuses on Cregan, from whom he honestly expected it.

He doesn't include himself much with the guys from his part of town, sometimes he talks to him or Helaena, but nothing more. Now he knows why.

And somehow he can't take his eye off you.

He watches you curiously, analyzing you, seeing that you have guts, just like your cousin and your friends, to take risks like this.

At any moment anyone could expose you if they watch you too much, but you don't seem to care about that, nor do the others.

And then, his gaze meets yours.

He sees you freeze for a moment, as if you are once again trapped by him, which actually you are and he, for some reason, doesn't look away and neither do you.

Memories of last night invade him again and he can guess how you must be thinking about it too.

But he can also guess how you again feel exposed and how terribly nervous you must feel. As if you are afraid that he, now that he has seen you here too, will expose you once and for all.

But it is as if it were a game of stares, as neither of them look away from each other. It's not as if they can talk, the distance is too much, also considering that he is on top of a yacht.

But what if this were not the case? Would the two of you talk?

Aemond knows perfectly well that they wouldn't.

"Hey, did you hear what I said, babe?"

Floris makes him turn his gaze away from you to focus on her as he feels her turn from his cheek with her hand towards her to plant a soft kiss on his lips, wanting his full attention.

And he awkwardly reciprocates as his attention is still on you.

But he forces himself to take that attention away from you, especially as he still has Floris sitting on his lap with both arms around his neck, glued to him.

And it's here that he assumes, as you do, though he doesn't know it, that what happened last night was just a one-time thing, two people seeking refuge from the world on the pier one night.

But that's all.

The two of you must not know each other, you can't talk or be seen together, mostly because of different social classes, which leads to pretending that the two of you don't know each other and haven't spoken to each other even once.

And what happened that night, on the pier, didn't happen.

A pile of dishes are placed in front of him on the table in the huge back garden of his house which is basically on the shore of the beach, having a spectacular view of the ocean, the beach, the pier, the cliffs around and also the huge houses of his neighbors.

His mother thanks the cooks, who retire and leave his mother, father and him alone.

Aegon must still be asleep, Daeron too because he probably stayed up watching movies with Helaena all nigth who is still very ill. So he is the only one who joins the breakfast.

He looks carefully at a message from Rhaenyra, which is accompanied by two PDF books.

'These books helped me a lot when I first started studying, you can read them if you want to before you go to uni so you have an idea of everything you will learn.'

Aemond reviews both books, both over 400 pages, being very dense material and being exactly what awaits him at college, but he also knows it's important.

He runs a hand down his neck and responds to her text.

'Thank you, Rhae.'

Ever since his older sister knew he would be going into business as well, she's been supporting him.

It's not like from the beginning the two of them had a good relationship, especially since she's the daughter of their father's first wife and there was no first-rate bond, neither with him nor with her other siblings.

But now that she has a family and he has matured enough, at least more than Aegon, that relationship has slowly begun to be forged and maintained.

Besides he is grateful to receive genuine support. Especially from her, already an expert on the subject and with whom he will probably lead the Targaryen empire in the future.

"Are you going to have breakfast, son?"

His mother's soft voice causes him to look away from his phone screen and set it aside, having no interest in responding to messages from Floris or a few of his friends who were with him last night at the party.

"Yeah, sorry."

He tries to catch up with their pace, making himself his cup of coffee the way he likes it.

"Rhaenyra tells me you're planning to take a management course in the middle of summer, son," his father says, catching his attention, "Is that true?"

And he doesn't ask it in a bad way, on the contrary, it surprises Aemond to see how he has pride in his eyes.

"Yeah, well... I think they'll do me good before I go to college."

"Yes, very good idea," Alicent says, watching him proudly as she notices all his dedication to his study, as it has always been.

"Oh yes, of course," Viserys agrees, without hesitation, "Have you found the right course yet?"

"I'm still working on it."

"But..." he frowns slightly, watching him not entirely convinced, "How are things going with that girl... uh... Floris?"

He immediately feels an uncomfortable sensation in his lower abdomen, stirring in his chair as he runs a hand over the back of his neck, biting the inside of his cheek and trying to maintain a normal appearance.

"Good," he replies briefly, without looking at him, "Everything's fine."

"Yeah?" he asks seeing his reaction, "You've been hanging out with her?"

"We were together last night," he says without wanting to go into details, wanting to get that topic over with.

And Alicent also sees how his son is starting to react.

"Floris usually comes in often during the day," she tells her husband in a soft tone with a cup of coffee in her hands, "You don't see her because you're at work."

"Well, that's good to know," he says pleased, though not entirely satisfied, turning his focus back to him, "I fully support the idea of the course, it will definitely do you good but... you can't neglect that girl. Your relationship with her is very advantageous to the company and very soon her father and I will start having meetings."

He brings a hand to the back of his neck again, staring at a fixed point on the table as he presses his lips together, controlling his emotions and what he really wants to say to him.

His mother stares at him, alert, not wanting him and his father to have fights too. But it is clear that he too is already reaching his limit.

However, Aemond knows that he has more self-control, besides he's already into all of this, so he has no choice but to accept, again, what his father tells him.

"Is that what you want me to do?" he asks him in a low tone, honestly feeling tired.

"Of course," his father states sternly, as if it were obvious, "We must have all the most suitable people possible in the company. And the Baratheon's are crucial to our expansion."

Aemond looks up, but says nothing, because he already knows the speech. The Baratheon's, power, family and company.

"Yes but that really isn't the most important thing," his mother interjects again, "After all, Floris is a very nice and pretty girl. I can tell she really cares about you, son."

He can't help but purse his lips at that comment. He knows Floris isn't a bad girl but she's not exactly nice either. And that doesn't change the fact that he's not interested in her.

"Yes and for that very reason you must not ruin things with her," his father insists, "We have to partner with her father and you can't let her slip through your fingers."

"Viserys," his mother calls out to him with mild reproach.

"You know how important this is, Alicent," he begins to say with reproach in his tone, "I have already lost hope in Aegon. It seems he will never change and will be a good-for-nothing for the rest of his life, taking nothing seriously."

"Don't talk about your son like that," his mother scolds him.

"I'm not going to live forever and someone has to take over the company and support this family. But that doesn't matter to him in the least," he continues, "Daeron is still young and I'm thankful that at least Aemond has taken the same direction as Rhaenyra and me."

Aemond says nothing as his mother continues to reproach, annoyed to hear how Viserys refers to her children, especially Aegon.

And he remains silent, fed up with these discussions, family pressures, expectations and being the only one of his children whom his father seems to trust.

And the worst thing is that he can't say anything, because he knows very well that his father considers him as his last resort and in a way... he doesn't want to fail him and he doesn't want everything in his family to explode.

Even if it means he has to sacrifice his own life for the good of the family, he has to do this and it's not worth arguing with his father because it's no use and he's not going to change his mind.

His father starts to raise his voice, his mother too and he ends up going to his room with his morning already ruined, annoyed, tired and grumpy.

And when he tries to distract himself, to occupy himself with his own personal matters so as not to think too much, just at that moment Floris comes to visit.

Just now he doesn't have the capacity to want to be around her, or anyone in general, he just wants peace and quiet, but considering the conversation he had with his father, he is not able to ask her as nicely as possible to come another day.

"I was with Cerelle at my house but I got too bored, even though I told her to meet me tonight at the beach."

She begins to talk as she starts pacing all around his room he just sits there with his desk in front of him and a few books open.

"I also talked to Royce, he said he would be coming for a visit soon. My dad is still mad at him for leaving but I'm sure he'll get over it. I also heard that Jeyne wants to have a party the next week and..."

And so he listens to her voice continuously, talking about everything she did and didn't do in her day, while he puts a hand to his forehead and lets out a long breath, trying not to sound irritated.

"Oh and I went to the mall with Cerelle. I bought a beautiful bag and clothes for our trip to Hawaii," she says excitedly, "My dad has already arranged everything and my family is so excited for you to come with us. I'm also..."

Her voice slowly fades slowly, becoming a distant murmur, as he sinks deeper into his seat and stares at a spot in his room.

His brow furrows and his mind drifts further away from the conversation.

He can't find a way to tell her to stop talking without looking rude and frustrated, but the last thing he wants to do is listen to her right now and the last thing he wanted was for her to show up at his house this day.

He has enough going on in his family lately, especially with his father and he's not in the mood to be dealing with people right now.

He's fed up with everything and all he wants is to be alone while a wave of mental exhaustion washes over him. He wants to get away from everyone for a moment, to have no one bother him so he can have peace and quiet.

"Aemond."

The hand on his shoulder and the voice so close to him brings him back to reality. He blinks and raises his gaze to Floris, who watches him in confusion.

"Are you listening to me?"

"Yes," he says awkwardly and clears his throat, "Sorry," he says, turning his gaze to the front and stirring in his chair.

But she raises her hand towards him, placing it gently on his cheek and Aemond tenses immediately, as she forces him to look at her again gently but firmly enough.

"Are you sure? Are you okay?" she asks him genuinely concerned, "You didn't seem to be listening to me."

"Yes I was and I'm fine, don't worry," he tells her trying to sound convincing.

But Floris is having none of it.

"Is it because of your father or college?"

The silence that follows is palpable as he averts his gaze and removes his hand from her face with a nonchalant gesture. He says nothing but it's clear she's hit the nail on the head.

And Floris lets out a long, resigned sigh, already expecting that. For it is so typical of him not to confide his thoughts and feelings to her.

She's tired of her own boyfriend raising this constant wall between the two of them, where he doesn't want to open up to her. It hasn't been long since the two started dating but still, despite being a couple, there is no trust.

"Aemond," she murmurs his name softly and unexpectedly takes a seat on his lap, wrapping her arms around his neck.

"Floris," he calls her name awkwardly as well, trying to shake her off, "Wait, I don't—

"You know you can talk to me about anything," she interrupts him, her tone insistent but with a gentleness that she hopes will soften the situation, "I mean...I'm your girlfriend and I'm here for you whenever you need something, talk or anything."

He lets out a long sigh, feeling the weight of her insistence and the firmness with which she remains sitting on him.

The feeling of oppression invades him, both physically and emotionally.

"It's not... I don't..." he tries to speak, "Look, it's not that I don't want to tell you, but..." he gets frustrated, not finding the words or even the will to talk to her, "It's a lot of things."

"You can tell me," she insists, "Come on, babe. I just want to help you," she says as she begins to stroke his hair.

He close his eye for a moment, his patience quickly wearing thin.

"I don't want to talk," he makes it clear to her in a cold, resigned, tired tone.

She shrugs.

"Then we won't," she says simply, accepting that, "But I want you to understand that I'm here for you."

"Yes, I know," he says without even looking at her, running a hand through his hair.

"We can always do other things," she mentions with a certain tone that Aemond understands instantly.

And before he can do anything, she is already kissing him.

The kiss starts slow and soft, while he has difficulties to reciprocate at first, but Floris doesn't stop and pulls the back of his neck towards her, deepening the kiss.

And he with all the mental chaos he has, tries to reciprocate as best he can, trying to forget at least for a moment.

Floris' hands begin to move down, sliding her fingers slowly over his chest while her other hand gently stroke his hair. Aemond tries to lose himself in the sensation, in the moment and let himself go, so he places both hands on her waist.

She begins to move slightly on top of him, her breathing becoming more agitated and her tongue making its way between his lips, wanting more.

He tries to keep up with her and when Floris begins to rub her center against him, his body responds automatically, letting out a slight grunt without stopping the kiss.

Floris' need is evident and when she brings one of her hands to the edge of his shirt and pulls away from his lips, she watches him with full intent and desire in her gaze, her lips red and swollen.

"I want you now," she murmurs against his lips.

He doesn't say anything, just watches her, truly not so sure. But then he thinks: fuck it.

He's tired and exhausted from carrying the weight of everything around him. He just wants to forget, if only for a few moments. So when Floris starts to take off his shirt, he allows it.

She kisses him again with more intensity and he responds with more fervor than before.

Her hands begin to roam all over his naked torso and he stands up, both hands on her thighs, leading her towards his bed.

Soon Floris is on top of him again and feels a spark of electricity run through his skin as her hands touch the edge of his shorts, but before that happens, she slowly pulls down the straps of her dress.

Aemond watches her wordlessly, with his dark eye and indecipherable expression, as Floris complacently takes her time, enjoying every second, wanting him to desire her.

The straps fall and the top of her summer dress slides off, revealing her breasts. Aemond swallows hard, a mixture of desire and bewilderment passing through his body.

She leans into him again to kiss him, as she takes one of his hands and places it on her breast, prompting him to caress her.

He does so, almost mechanically, trying to let himself go and lose himself in the moment, as she rubs herself against him again, making him more aware of how he begins to get hard, his breathing hitching.

But when Floris' hand descends and slips under his shorts, touching him, it is as if his mind wakes up and sends an alert throughout his body.

Suddenly, he stops kissing her and takes her hand roughly, stopping her. Floris watches him confused and half-naked on top of him, still shaken and not understanding anything.

"Aemond?"

He closes his eye tightly and lets out a deep sigh, shaking his head and bringing a hand to his forehead, clenching his jaw.

"Fuck," he mutters.

"What's wrong?" Floris asks him without understanding what has changed so suddenly.

But he doesn't answer, just shakes his head again and pulls her hand away, to also gently brush her off of him.

"I'm sorry," he says softly.

Floris watches him from his bed, still with confusion on her face and quickly adjusts her dress, covering her naked body.

Her breathing is still rapid, but not so much from desire, but from the feeling of rejection that is infiltrating her. And again, for an instant, she thought this would never happen again.

But here they are, him pulling her away and her heart broken again by the humiliation.

"It's been a while," she murmurs, lowering her gaze, “Y-you don't..." her lips tremble, "You don't touch me."

He doesn't look at her, he can't.

"I know. I'm sorry," he says in a low tone, the apology falling with a tone of resignation.

He picks up his T-shirt that's on the floor and puts it on, bringing a hand to his hair, ruffling it in frustration. And Floris watches him still completely confused.

"I just don't get it," she insists, "We're a couple. We should... be okay, I don't know," she says confused, "And I don't understand you. You don't talk to me, Aemond."

Aemond rubs his forehead, the pressure behind his eyes growing. He doesn't know how to explain, doesn't know how to put into words all the thoughts that suffocate him.

And he can't tell her that he doesn't really want to be with her either.

"I need to go," he says flatly.

"What?" she moves quickly, catching his arm, "No, please don't go," she tells him, her tone full of pleading, "I think we should talk."

"I can't, Floris. Not now."

Without trying to be abrupt, he releases his grip and Floris, unmoving, watches him as he takes his phone and car keys without another word.

And he walks away, leaving her alone in his room.

He has no doubt that he will be in trouble for this later, maybe she will mention what happened to her sisters, eventually it will reach her father's ears about her having problems with their relationship and then it will reach his father's ears, demanding explanations from him.

He's not supposed to let her get out of his hands, as his father says, but now he really doesn't care about that.

He doesn't want to be with her and he shouldn't have let that happen. He should have stopped everything the moment she started kissing him.

Sex has been off the table for a while now. He has only slept with her once, when they both started dating for the first time.

He barely remembers it. It was after they both went to a party. He drank a little more than he normally does and assumes that's why what happened at her house happened.

And mostly it hasn't happened again because he doesn't have the interest. He doesn't feel the need with her. And just when he thinks it will finally happen when he lets himself go, in the moment he can't do it because it's feels wrong and pushes her away, leaving the action half done.

And it's not her fault, it's his doing. But he knows that if he explained it to her, she wouldn't understand.

But just like that, another new frustration joins the storm in his mind.

Now he walks towards the pier, the only place where he feels he can breathe. The sound of the waves gently breaking against the wooden pillars, which is the only thing that accompanies him as he sinks into his thoughts.

He doesn't expect anyone to follow him or look for him there. In fact, the last thing he needs is someone else demanding something from him.

For now, he doesn't want to be the perfect son, the boyfriend who should be attentive or the future heir to the family business. What he desperately wants is to escape the expectations that stifle him day after day.

He leans against the wooden stand and stares out into the deep, dark ocean, letting his mind wander, as he feels all the frustration wash over him and in an instant, he pulls out his pack of cigarettes and lights one.

He inhales deeply, letting the smoke invade his lungs, seeking in that sensation a temporary relief from the pressure he constantly feels.

He enjoys his solitude, he has been used to it since he was a child. In many ways, he prefers it and finds it easier.

It is only now that he feels he is getting closer to his family or at least his siblings since his father has put more pressure on everyone. But he has not approached in the way he had hoped.

Aegon is not serious enough to broach the subject and evades his family in clouds of alcohol, parties and girls. Halaena is more independent and wrapped up in her own world, with her way of coping without getting swept away.

Daeron doesn't yet understand the gravity of the expectations that will one day fall on him. And Rhaenyra... she's away with her own family.

And friends... he has no friends. At least, not genuine ones. They are not people he can trust without their own interests involved.

And if he were to talk to any of them, it would be the same as with Floris; an empty conversation, full of awkward silences and expectations.

That's why at times like these, he strangely wishes he had someone to talk to. Someone who doesn't look at him with judgment or see him only as the heir who has to do his duty.

He needs someone who sees him for who he is, without expectations, without judgment. He just wants to be himself, wants to be just Aemond, without the unbearable weight of expectations.

'What would that be like?'

He wonders with genuine interest and even a certain... longing. But he knows he'll probably never know. Not with the life he has.

He inhales deeply once more, the smoke mingling with the salty wind, enjoying the fleeting respite this place affords him. Then in the midst of his peace and quiet, the wood creaks softly under the footsteps that are not his.

He frowns and looks toward the entrance to the pier, thinking maybe it must be some of the security men, but then... he sees you.

He frowns more and attentively, he watches you walk, back straight and with cautious steps, as if trying not to make noise as you walk away, unaware of the creaking wood betraying you.

Then he wonders what you are doing here and why you are leaving.

He remembers that he told you you could come back but doesn't understand why you're leaving. And before he can stop to think about what he is doing, he calls out you'r name.

"Y/N!?"

You stop immediately, your body tensing as if you've been caught doing something you shouldn't, again.

You bite your lips nervously and slowly turn to look at him, some sorrow on your face as he continues to stare at you in confusion.

And well... he's already caught you, again, first here two nights ago, yesterday at the party and now here again, so what's the point?

"I'm sorry," you say, "I-I... I didn't see you on my way over here," you explain, "And well... I thought you might want to be alone."

Your gaze focuses on his, and for a second, the whole world seems to shrink down to just the two of you, as if you were the only ones on the beach, under the dim lights of the pier.

And he doesn't say anything to you, he just watches you intently. And you take that as a sign to leave.

"I'll leave you alone," you assure him in a soft tone, starting to turn away.

And again, Aemond without thinking, decides to stop you.

"Wait," he says finally, in a soft voice, "You don't have to go."

You watch him carefully and curiously as you tuck a lock of hair behind your ear, a little unsure.

"Are you sure?"

He says nothing, just gives you a slight nod and you, hesitantly, finally take a step towards him and then another, beginning to close the distance to join him at the end of the pier.

An anticipation and excitement begins to grow within you, with the sea breeze and the sound of the waves enveloping you.

You feel a slight tension begin to grow between the two of you. It's not uncomfortable but it's not easy to ignore either. And both Aemond and you know that you are both walking on uncertain ground.

But neither of you can help it.

series taglist:

@zenka69 @strangersunghoon @deliaseastar @thefireblaze @kythefangirl25 @p45510n4f4shi0n @saturnssrings @bellaisasleep @primroseluna @tinykryptonitewerewolf @barnes70stark @tssf-imagines

#aemond targaryen #aemond targaryen fanfic #aemond targaryen x reader #aemond targaryen x you #aemond fanfiction #hotd aemond #aemond targaryen x y/n #aemond x fem!reader #aemond x reader #aemond targaryen fanfiction #aemond one eye #modern aemond #modern hotd #modern au

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mysteriousauthor448 · 2 days

Text

What if Class of 09 Flipside was made by a Woman?

I liked Class of 09. I liked it's snappy dialogue, I liked it's social commentary of high school and women's experiences with creepy men and adulthood, I liked how it gave such a compelling main character where you know she's awful yet acknowledge that she has her reasons without justification. I like Class of 09, both the original and re-up. What I don't like though, is Class of 09: The Flipside.

Setting my personal disgust with the feet routes and the 'Palestinian slave trade' comment aside, the writing in Flipside just is completely different from the last 2. Instead of focusing on the biting social commentary of the woman experience, it instead prioritizes shock value with only some form of substance (e.g, jecka seeing nicole's suicide, jeffrey's death, the ending messages apart from the creator) And you know what else sucks? We never actually got to explore Jecka properly of who she is as a character, her relationships with her family, friends, former friends...Sure, we get doses of her life like her dad which does do what the game promised: Change how we saw the Class of 09 story before. We now understand why Jecka was terrified of the cop's yelling, not only because an powerful authority abusing his power but also experienced it before. See, this was the stuff I expected from Flipside. This was what the game should've prioritised in. Instead, it seemed like the creator would rather showcase his fetishes and spite people that don't like him or the game. From that there on, I keep thinking to myself: 'you know, this game would've been better had a woman wrote this.' But can they?

I'm a woman experienced high school before, even tried to fit the class of 09 writing style on my characters in my own personal time. Given how a lot of class of 09 fans are disappointed with the new game and I want to get into writing publically, I figure that I be the one to rewrite Class of 09 The Flipside in hopes of re-capturing the essence of the first two games alongside the game's intentions itself. Even though it's still in development, I've already outlined the routes/endings so far for you all to get a peek:

Route 1/Ending 1 - Invasion of MySpace: The foot route will be replaced by Jecka taking and making videos/pictures in order to make money after being fired from her job. Think of it like a late 2000s or early 2010s version of OnlyFans. This would help remain the social commentaries of men’s creepy behaviour to women alongside how their safety is affected. There’ll be an option of whether to go to the creepy man’s house or go home. If she goes home, she finds Nicole giving her dad a handjob with a dead expression. It ends with Jecka killing herself and implies that Nicole followed her too (not half naked though, just in regular clothes cuz I'm not a freak unlike someone)

Ending 2 - MurderSpace: If Jecka chose to go to the creepy man’s home, she gets murdered and placed like a doll in the man’s basement.

Route 2/Ending 6 - Breaking the Wounded Heart: Jecka finds herself to work with Karen and Ari at Dominos. Overtime, they start to form a bond and Jecka herself starts to mature and finds Nicole to be unbearable. Jecka finally breaks off her friendship with Nicole and cuts forward to the future where Jecka currently lives a peaceful yet boring life, reflecting on the past with Nicole, wondering if she’s really better off without Nicole because while she’s now in a stable life without the chaos, it's the chaos that entertained her: Nicole entertained her. And now it’s all gone. But in the end, it suggests that things are much better with Nicole gone as it cuts to a phone beeping and Jecka looking down at it with a smile while Ari is by her side. Yes, this is the route where Jeckari is canon. I know this sounds too sweet for Class of 09 but I want it to still match the vibe with it being less shocking but more real in a way. Something too realistically depressing but still mundane. This is what I planned to be the saddest but best outcome of the game. The most real I should say.

Ending 5 - Was it all worth it?: If Jecka chooses Nicole over her new friends, it ends with her and Nicole being homeless smoking drugs in an abandoned forest with Jecka reflecting on whether or not she made a good choice with Nicole before commenting on needing a Xanax to distract her from the regret and pain.

Route 3/Ending 3 - Fuck Men!: Jecka gets into a relationship with a presumably kind-hearted gentleman. Nicole tries to warn her but Jecka won’t listen. She then is coerced by the man into doing sexual favours for his economic gain, making her become a sex trafficked victim.

Route 4/Ending 4 - Drunk Drive Delivery: Same route where Ari dies but instead the ending changed to Jecka being arrested for 6 months where the ending monologue would showcase her conflicted in anger and regret. Plus, it plays more to the idea of Jecka ‘dying at 21’ logic with being forced to work: adult party culture: that kind of thing.

I'd be happy to hear any feedback or/and ideas for this rewrite.

#class of 09 #co09 #class of 09 jecka #class of 09 the flipside #class of 09 the flipside rewrite

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yuurei20 · 2 days

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I might be dumb but what happens to 4th year students? They’re mentioned but we don’t see them on campus(?) and they can’t play spelldrive? Is it like they go to another campus or??

Hello hello! Thank you for this question! 🏫

We get some information about the fourth-year students in Book 5, where Crewel explains, "At Night Raven, students spend their senior year at internships and research placements related to their magical professions."

Both Crewel and Riddle mention the fourth-year students being on-campus for the culture fair, but we never meet anyone!

Both Ace and Grim comment on never seeing them at the school, and Trey explains that "The typical M.O. for four-year magical academies is that seniors go off-campus for hands-on learning."

Riddle provides more detail:

"Some people apply to shadow a certain special team in an administrative organization, while others leave to excavate or explore ruins, or to decipher ancient texts. Still others accept internships with magic related businesses."

We learn a bit more in Book 7, and the orientation for off-campus internships is the catalyst for the entire Book 7 story! 🥳

Crowley explains:

"The internship program is 100 percent mandatory...Each stint is three months, or one quarter. You can choose up to three internships over the course of the year. It's perfectly valid to devote all three quarters to a single, in-depth internship, as is choosing a different internship each quarter to gain a wider breadth of experience. The internships are at businesses, research institutes, and foundations that cooperate with our school...Be aware that your options will differ based on your electives, class credits, and grades. And in addition to interviews, some internships have special exams you must pass to be eligible. Each quarter, you must receive an evaluation of a B or higher at your internship and submit a report. You will not get credit without those two things. If you receive credit for two of the three quarters, then you'll qualify to take the graduation exam."

Concerning Spelldrive: you are very much correct!

While both game- and novel-Leona say that he intends to participate in the Spelldrive tournament the following year, novel-Jack points out that he isn't going to be on campus to do so:

"Both Malleus-senpai and Leona-senpai are gonna move up next year, so they won’t be here for the tournament anyway. We’re lucky we only had to compete with that monster athlete for one year.'

-Twisted Wonderland the second novel (fan translation)

So it seems that presentations at the cultural festival are tied into the internships themselves, so they are allowed (and maybe mandatory?) but Spelldrive tournaments are not? 🧐 Possibly!

#twstask #twisted wonderland

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green-tea-in-absinthe-bottle · 18 hours

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Rocking me in the arms of the ocean

Dan Heng as your boyfriend headcanons

General masterlist

Having Dan Heng as a boyfriend includes:

🐲 Him being overprotective over you. He always makes sure every single one of his friends is safe and doesn't mind protecting them with his own body, the same will happen with you. When it comes to his mate his protective instincts get even more intense. Make sure to thank him for taking care of you with a kiss on his cheek and try to not make his heart anxiuos too often.

🐲 Him taking care of you in every other way as well. All his life since escaping Xianzhou he had to prove he's usefull enough to keep him on board, and he brought that attitude both on Astral Express and to your relationship. He can't stand doing nothing, his hands are always busy. As your lover he will do little acts of service on daily basis, like making you a breakfast or massaging you.

🐲 He loves massages cause they give him excuse to touch you for a long time. Most of his life he spent just reading about things but never being able to experience them. He wants to explore all those things now, always hungry for knowing more of the world and more of you. Very touch-starved man. To the point where he shivers at slightest brushing of your hand against his. Please hold him.

🐲 He especially needs to be held during his nightmares of Blade. Your touch brings him peace and grounding. Don't say anything, just touch him.

🐲 He's a very smart guy, especially book smart. This trait can be very hot. You can ask him almost any question, he will know the answear. Walking encyklopedia. He learns new information very fast as well, especially when he's as excited about the topic as he is about you. So expect him to know more about you than you remember telling him.

🐲 That makes him great at choosing presents. While he isn't the richest guy out there he surely knows how to invest his money into you. As a workaholic he has enough to spoil you from time to time. All his gifts are high quality and well thought of.

🐲 Some nights both of you will have a problem to fall asleep. He will cuddle you tightly and tell you the stories from Xianzhou legends he liked to read the most during his captivity. Sometimes he will sing for you quietly. It's very important to him that you listen. He loves you so much he wants to bare his soul to you.

#honkai star rail #hsr dan heng #dan heng x reader #dan heng #x reader

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mythalism · 12 hours

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still just verbally processing my own feelings about this but i think the crux of it for me is less the decision itself and once again the way it is being sold to us. if you want a blank slate - fine. do it then. set the game 100 years in the future when all of the characters are already dead. dont put varric and harding in. maybe we meet an old, gray kieran with mythal's soul, idk it doesnt matter but anyway you can have the exact same story with solas and rook and all of the companions and have the "blank slate" you so desire. market it as such; not a direct sequel, but a solas-centric spinoff. i would have loved that game and enjoyed it immensely. but they didnt do that. the foundation of the marketing since 2018 has been solas and varric- returning characters from past games. the devs have said over and over and OVER AND OVER that the inquisitor is integral to the story. that its the "inquisitor's story too". that it was always going to have to involve solas and the inquisitor. but........ also that nothing the inquisitor did was relevant? what? its literally the writes wanting to have their cake and eat it too. you cannot make a disconnected blank-slate game about a new cast of characters when literally 1/3 of your cast is RETURNING CHARACTERS. you have been using those returning characters as the face of your marketing campaign for over 5 years. you have emphasized how much it serves as a direct sequel to inquisition's DLC. you have been banking on our attachment to these characters and our emotional investment in this world to win our attention, and eventually, our purchase. and now... a month before release, you pull out the rug from under everyone and say... actually we wanted a blank slate :). its duplicitous. i will still undoubtedly play and enjoy this game. i love solas and i have no doubt i am going to love learning more about him, a game that explores his history like this is pretty much my dream. but they should have sold me this game as THAT from the start. it is a drastic deviation from one of the core components of the dragon age franchise, and whether you believe that is for the better or for the worse, to only reveal the extent of that deviation 36 days before release is unfair at best and unethical at worst.

#veilguard spoilers #damn when am i gonna run out of things to say about this.... never probably LMFAO #im honestly over it bc i have been grieving for days now already but the way they spoke about it in the article really rubbed me the wrong #way

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wilcze-kudly · 3 days

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Thoughts on…

https://www.tumblr.com/miss-sweetea-pie/731463633376313344/zutara-lens-vs-kataang-lens?source=share

Is it fair to even mention Zuko seeing as Katara never had feelings for him?

Honestly, I find it kinda funny that OP is sorta telling on themselves by seemingly primarily viewing Jet's storyline through a shipping lens, a stepping stone for Kataang or Zutara.

But sure, let's go with this narrative.

OP claims that Jetara could be seen a foreshadowing to Zutara, as they say that Zuko ans Jet have some similarities. And I suppose that can be true on a surface level. As OP says: Rugged teenage boys with traumatic back stories. But franky, other than being mildly edgy and also having been through some sort of trauma, there's not much there.

In fact, if you compare Aang and Jet, I think you'll find many deeper similarities than just "bad boy with questionable morals".

Aang and Jet have both experienced great loss at the hands of the Fire Nation. Aang losing his entire people and Jet losing his parents and village, presumably leaving them both alone in the world and with a lovely case of survivor's guilt to boot.

Jet and Aang are both kids who were forced by the war to take up positions of responsibility over their fellow victims. Aang, of course, being the Avatar and being fated to end the war. While Jet takes up a leadership positions, persumably gathering kids orphaned and hurt by the Fire Nation, leading them and keeping them safe, while also fighting back. Let's not forget that the reason Jet decided to flood that city was because the firebenders occupying it were planning to burn the forest Jet and the Freedom Fighters resided in, forcing them out and putting them in danger.

We also see a very sweet parallel of Jet encouraging Katara's confidence in her waterbending skills, which is something Aang does on numerous occasions, showing us exactly what affection Katara values in a potential partner and that both Jet and Aang not only believe in her skills, but also intuit her needs.

This is why Katara fell for Jet and why she fell for Aang. They're both protectors and heroes of the people, they're both victims of the Fire Nation who chose to stand up against it. They're revolutionaries, rebels, downright rabble-rousers. They both value communities, and do their best to uplift and defend their fellow victims, something Katara does as well. And they both connect with Katara over not only encouraging her in her own abilities, but also in their shared trauma, which leads me to my next point.

Aang works so well paralleling Jet, because both Jet and Aang were written and posited to parallel Katara. This aspect of Jetara is one OP completely neglected to mention, I suppose due to the fact that it doesn't hoist up Zutara as a ship.

Katara and Jet connect over their trauma very early in the episode, and I think this is where Katara's interest in Jet due to his role as a Freedom Fighter turns to a genuine connection over shared trauma.

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever. Katara: Sokka and I lost our mother to the Fire Nation. Jet: I'm so sorry, Katara..

Katara, Jet and Aang share many similarities, which is why I suppose these two boys were Katara's only explicitly confirmed love interests. Just like Aang and Jet, Katara is community oriented, a voice for victims and the marginalised, a fighter for the good of the people.

Seeing these parallels almost makes me wonder if the design team took this into account when making Jet's design colours mainly blue and orange, colours assvociated with Katara and Aang. Though Jet's colour palette is more muted and darker, perhaps signifying the erosion of his morals due to his trauma.

Jet goes astray when he begins to value the fight over the people he is fighting for, something Aang and Katara actively go against, prioritising human life and their moral integrity.

Atla explores the concept of victimhood and how it affects our morality in various ways, especially when it comes to victims of war. The particular focus of this theme is Katara, as we see the writers often connect her to victims who lost that morality, in order to showcase her character. Hama and Jet both serve as excellent foils to show what Katara could've been if she wasn't as kind and compassionate as she is. The crowning jewel of this storyline for her being, of course, the Southern Raiders, which bears callbacks to both Jet and Hama.

But as much as I want this post to be about Katara, OP has other plans, so let's go back to their arguments for Jetara foreshadowing Zutara.

OP makes an argument about how both Zuko and Jet break Katara's trust, testing her charcter, which is a good point, albeit they conveniently omit Hama from the circle of people who connected with Katara over shared trauma and then betrayed her trust.

Can't imagine why. Is it because Hama isn't hot, isnt it? Op doesn't fancy a nice morally compromised gilf, I suppose. 😒 we used to be a proper country.

OP also claims that the show portrays Katara as too trusting, and even claims that the shows message in Jet's case is, in their words: So from a k.ataang lens it leads more towards the lesson that katara need to stop letting these “bad boys” break her heart, “dumb girl your too trusting just give the sweet guy a chance”.

Which is quite the claim, since I actually really enjoy that Katara is never portrayed as being in the wrong, or 'dumb' for trusting Jet, Zuko and Hama. In fact, the three of them are made to look like assholes for taking advantage of her.

The thing about Katara's trust of Jet, Zuko and Hama isn't that it comes from a place of foolishness or naiveté. It comes from empathy and connection. She connects over shared pain ans trauma with these three and she wants to make a connection to alleviate their pain. It just so happens that Zuko is going through his disaster boyfailure era, while Jet and Hama are morally compromised by the horrific events that brutally formed their mentalities.

Anyways, to wrap this point up, can Hama be an honourary bad boy too I think she deserves that

Another argument of OP is that Jet's death could foreshadow Zuko almost dying in the finale and that is could teach, in their words: how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love.

Now, this is interesting, because Jet's death very clearly connected to Aang's actual death and then ressuraction via Deus ex Katara. However, unlike the theme of pure romance OP proposes in their post, the canon storyline uses these events to feed more into Katara's personal development and stoyline, that of her fear of loss and helplessness, on which I elaborate here:

That is not to say that this storyline doesn't affect Katara and Aangs romance, but I like that the main focus is Katara's meantality and trauma. Because the thing with Katara and Aang's storylines and development is that they intertwine and feed into each other but aren't overshadowed by their romance.

OP continues to speculate that the jetara storyline through a kataang lense is that "bad boys" will break Katara's heart and that she should just "give the nice guy a chance".

I find this a gross twisting of the nature of multiple characters, relationships and storylines.

First of all, reducing Jet to a "bad boy" is fucking demeaning and kinda disgusting. He's not an edgy boy who smokes in the school's bathroom and rides a loudass motorcycle. He's a traumatised child soldier, caring for other children and desperately trying to stop the advance of an army that already has like 3 genocides under its belt. His morals getting messed up in the process doesn't make him a bad boy, they make him a realisitic victim. A kid who tried his best but became misguided.

In the same, paragraph, OP also claims that, despite the message of the show being that everyone is capable of good and evil and that everyone deserves a chance, because people are complex, Jet is not afforded that dignity and understanding.

AND LET ME TELL YOU LET ME FUCKING TELL YOU

That was upsetting.

Because Jet's redemption was shown so wonderfully and symbolically, to the point where sometimes it makes me more emotional than Zuko's.

In B2 we see that Jet has left the forest (persumably bcs the firebenders did burn down the forest) and his entourage has shrunk to just Longshot our trans queen Smellerbee 🏳️‍⚧️. We are told that he is looking for a new life in Ba Sing Se. So far so good.

It seems that the Gaang intervening with his plans has definetly made him rethink his actions. And he's looking to start a new, kinder life. Even going so far as to remove himself from the fight against the Fire Nation, something he had previously been so passionate about, perhaps because he recognised that it brought out his uglier side. Hell yeah we love a king who can recognise his flaws and strives to better himself.

Jet: I've done some things in my past that I'm not proud of, but that's why I'm going to Ba Sing Se: for a new beginning. A second chance.

Despite not being on the frontlines anymore, he's still a hero for the people, straling food for the ferry passengers from the greedy captain. Noice. He immediately takes an interest in Zuko, assuming as many, that Zuko was a victim of the Fire Nation like him, due to Zuko's scar.

Jet: You know, as soon as I saw your scar, I knew exactly who you were. You're an outcast, like me. And us outcasts have to stick together. We have to watch each other's backs. Because no one else will.

I find this SO endearing because atla places such emphasis on the connections and solidarity between victims. And Jet is no exception to this, having taken so many children orphaned by the Fire Nation (or just orphaned as seemed to be the case with the Duke) and also connecting over being hurt by the Fire Nation with Katara, the same way he thinks he is connecting with Zuko. (Jetara and Jetko should parallel each other actually instead of Jetara and Zutara)

Now things turn south when Jet realises that Zuko and Iroh are firebenders, which while showcasing that Jet's need for redemption hasn't healed his trauma (not surprising) around the Fire Nation, I can't really blame him. Like, he's seen the worst of what firebenders can do, why on earth would he stand by and let them infiltrate the city that refugees flock to in order to escape the war. And yeah he sounds like a raving lunatic, but he is right. Zuko and Iroh are firebenders.

From then on, Jet is used as a pawn by Long Feng and the Dai Li, but he still does his best to help the Gaang, seemingly holding no grudge against them for ruining his plans of mass murder.

We see a nice lil trauma flashback of Jet's childhood trauma, giving us a tangible illustration of his motivations and pushing us to sympathise with him. We see him and Katara share a sweet moment as she literally alleviates the pain of the memories. This scene can not only be read as romantic but as another example of solidarity and support between victims in atla.

But it's in the bowels of Lake Laogai, as Aang and Jet face off against Long Feng, that we see the symbolic redemption for Jet really come to its crescendo.

Long Feng, compels Jet into fighting Aang, directly paralleling Aang and Jet's previous battle in the Jet episode. Aang is trying to solve the situation peacefully, even while Jet is trying to hurt him.

Aang: Jet, it's me, Aang! You don't have to do this! Long Feng: I'm afraid he no longer has a choice.

[...] Aang: Jet, I'm your friend! Look inside your heart! Long Feng: Do your duty, Jet! Aang: He can't make you do this! You're a Freedom Fighter!

And I can't not think how the brainwashing pushed Jet into an almost identical situation as his grief and anger did all those years ago. It's a decent comparison, I suppose. Both stem from a painful, stressful situation, influence his actions, pusging him to do things against his usual morals, turning him away from the caring, idealist Freedom fighter he is.

But this time, Jet breaks through the thing clouding his mind. He remembers himself. His trauma, his friendship and care for the freedom fighters and his connection to Katara. He sadly pays the ultimate price for this.

And while I dislike this plot point, because as a rule of thumb I dislike when a character gets a redemption arc and immediately dies or redeems themself by dying, but I can appreciate this scene for how it defined puts a lot of care into showing us the change in Jet, his perception by the gaang and his role in the story.

Katara tries to heal Jet, but is pessimistic(in the commentary of this episode, it's mentioned that there could be a few explanations as to why she didn't use the spirit water.) Here, Jet urges Katara and the Gaang to go find Appa, leaving him to essentially die.

And it's as the Gaang leave, we can compare the ends of the two Jet storylines. In Jet, the last time we look upon Jet's face, it is twisted by anger and rage. In Lake Laogai, he wears a sad, but reassuring smile, and somehow looks at peace.

When Katara first had to leave him in Jet, her expression is one of betrayal and disappointment. In Lake Laogai, she looks to be preparing to grieve, almost as if she were trying to hold back tears. She's conflicted and sad in both scenes, but for different reasons, showing how Jet has redeemed himself in her eyes.

Where in Jet, we leave Jet disgraced and in turmoil, in Lake Laogai we leave him dying, yes, but also a hero, kind and brave, and free. And I like to believe that the second is the real Jet.

Ok this just turned into me gushing over jet, but I think this was important to highlight the significance and uniqueness of Jet and Katara's relationship. Presenting it as "the proto-Zutara" is a disservice to this complex, heartwrenching storyline. And that was kinda gross of OP. Shame on them.

I also think OP is mistaken by labelling Aang as just the "nice guy" whom Katara should "give a chance to". Aang is indeed a nice, kind person and this is something that attracts Katara, because she's also a good person and she values such traits. But this is not the only reason Katara falls for Aang. Like with Jet, she connects with him over shared trauma. He enables her growth, respects her as a teacher, offers her comfort when needed, is her friend and supporter.

Katara is not "giving him a chance" their relation simply progresses very slowly and in a slightly unorthodox manner. We see that Katara has a growing crush on Aang, blushing over him and getting incredibly jealous when other girls try to get with him.

I also like that Aang and Jet are never pitted against each other and Aang is never jealous of Jet. In fact Aang seems almost just as infatuated with Jet as Katara lol (jetaang rights babey).

OP also claims that a lot of people misinterpret TSR as Katara being manipulated by Zuko and "needing Nice Guy Aang to save her". Which is something I've talked about a few times. I don't believe Zuko was consciously manipulating Katara. He was simply trying to build a relationship with her because she was very adamant on hating him. And because he didn't know her that well, he tried to help by projecting his own needs and anger over his mother's loss onto her. Which is very 16 year old boy of him.

And I don't believe Aang was even trying to "save" her. I think he was simply trying to help Katara think through her actions throughly before she did something rash that may haunt her forever.

Aang bringing up Jet also seemed more like a : "hey remember when we saw a guy betray his morals due to his grief pain and trauma despite being a kind and good person with an good goal?" Which I think is a kinda understandable thing since it happened like twice to them already. And remember that Aang has also experienced how destructive his anger can be and he knows Katara's morality and idealism well enough to know that what she is planning is way out of character.

OP tags this post with "I swear zutara gives the show so much more depth" and while I don't want to deride the ship as a whole, the themes and storylines OP gave don't really bring that much depth into the show. It simply repurposes the arcs and storylines that served to either explore Katara, or the concept of victimhood and morality into serving a romance.

Which is... fine, if that's what you consider deep I suppose. I just think it's obvious that OP had clear biases when coming up with their post. And like, biases are fine, we're writing meta about a kid's show not a fucking reseaech paper, I'd be a hypocrite if I called OP out on having preferences.

But it's obvious that OP did their darndest to present Kataang in the least favourable light and didn't even try to consider giving it a shred of anything but a cursory, critical glance.

If I were to talk about their "Jetara foreshadowing Zutara" idea with its "bittersweet lesson how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love" like they talk about Kataang, I could say (altering OP's text here):

"So from a Zutara lens it leads more towards the lesson that katara need to stop holding a grudge towards these boys who hurt and used her, “dumb girl you need to forgive them quickly cause what if they suddenly die and you realise you love them and regret it“ .

...which sounds like some manner of abuse apologism. I don't think OP had this in mind, but it just shows how easy it is to paint a benign message into something shitty if you're just salty enough.

I think that wraps this up. I can vaguely understand what OP meant, and it's a cute concept for Zutara shippers, I just don't know why Kataang slander had to get dragged in here. Since while OP seems fairly invested in Zuko, they visibly have a little issue giving thought to Katara, Aang and Jet's storylines.

Which is sad, especially in Jet's case, since he doesn't get nearly enough love from the fandom. So here's the little note from the atla cookbook that made me really emotional over Jet lol

HE COOKED FOR THE FREEDOM FIGHTERS AGH OUGH AGH

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descendant-of-truth · 3 hours

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That said, I do think that Shadow Generations being such a more carefully cultivated exploration of Shadow's past compared to what the original Generations was for Sonic is... not doing Sonic himself any favors

General audiences are already kind of under the impression that Sonic as a character is fundamentally not that deep or interesting, and Generations was written during a time that really, really wanted to prove that notion right. Sonic "being deep" was what, seemingly, caused so much critical backlash, so to counteract that, they gave us the blandest cutscenes Sonic has ever had the displeasure of being in.

But that's not really what Sega is trying to push for, now. Frontiers wanted to be more serious, with a mature, down-to-earth Sonic. The movies gave him an origin story that inherently makes him a lot more complicated than usual. Prime put the focus on his emotions and gave him a character arc that lasted the whole show. The IDW comics can get extremely serious, and we're treated to Sonic's inner monologue as he wrestles with difficult choices. They clearly want Sonic as a character to be interesting to people, not just a vehicle for action and quips.

But putting the old Sonic Generations in the same package as the new Shadow Generations is inherently portraying them as equivalent experiences. When Sonic explores his past, it's no big deal - just another day on the hero job! Absolutely nothing worth exploring on his end when it comes to meeting his past self and revisiting his memories! Nope! No need to use time travel as a way to explore his core values as a person who prefers to live in the moment and not be bound by his past, no siree!

Oh, but Shadow? Now that's the actually interesting character! Revisiting Shadow's past is such an exciting event that it requires the whole year to hype up, and Sonic's just so boring in comparison, isn't he? Who really cares about Sonic beyond his surface-level characteristics anyway, right? The Sonic Generations remaster is more of an accessory to what's essentially Shadow the Hedgehog 2 at this point, and that bothers me.

Sure, Sonic doesn't have "a backstory" like Shadow does. But the past that we explore in Sonic Generations isn't his literal origins, but all the adventures we went on with him. Imagine how much depth you could wring out of him if you just took those events as being legitimate parts of his life that he has feelings on! Feelings we could explore!

But because it's a remaster instead of a full-blown remake, all of this effort they're putting into Shadow's campaign is nowhere to be seen in Sonic's. Can you imagine how good of a package deal this would be if Sonic's character was given this much care and respect, too? Like, we have two Sonics, but Shadow is getting more than double the favoritism.

And the fact that this is only going to continue to push the idea that Sonic is just. incapable of being interesting, or even really affected by what happens around him is really frustrating. We already have the movies and Prime drastically changing his demeanor and core traits for the sake of making him "able" to have character development, and as much as I love those versions as characters, it's really doing a disservice to who Sonic is supposed to be.

The last thing we need is for Generations to come out again and make the Sonic from the games seem like the least interesting version of him. Bringing Shadow up should not involve dragging Sonic down - they're supposed to be equals. But this game doesn't seem to be showcasing that very well, on account of essentially being two games written by different people haphazardly mashed together.

People being introduced to the series through this game are going to have such a skewed perception of what Sonic is like as a person, as well as what he's like compared to Shadow, and that just. makes me kinda upset not gonna lie

#sonic the hedgehog #shadow the hedgehog #sonic x shadow generations #sonic generations #sxsh generations #Make no mistake I'm looking forward to the new Shadow content with all my heart #but WHEN will my boy Sonic come back from Mischaracterization Hell

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simplynims · 2 days

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I remember awhile ago an anon over on audio roleplay confessions mentioned how in audio roleplays the audience seems to forget the 'roleplay' aspect of this type of media. As in you're playing a 'role' of a character in whatever series you're listening to and people tend to forget that when said listener character does something they deem as out of character for themselves.

It got me thinking and I've noticed that I really enjoy it when the listener characters have more defining personality traits and a bit of backstory! It's a much more engaging experience to listen to, especially if the listener character has a lot of their own flaws shown in the writing. I've also noticed that in this specific genre of content, a lot of creators are very hesitant to give any negative traits to the listener character other than faint sweetness and a blank slate that the audience can project their own characters on to.

I'm not going to bash anyone who likes this style of writing with what's supposed to be a self insert, but at some point it does get boring when their default actions in every other video falls back onto those same characteristics. I know it can be limiting especially since the listener is basically the y/n of audios and they want to be inclusive. But when creators realize that they don't need to confine themselves creatively with this, it's a much more fun experience for them AND the audience.

A great example of this type of listener character is Dennys from Escaped Audios. What I really liked about her is that she's a bit of a hot mess, an alcoholic, implusive, has lowkey anger issues, the type of girl that could absolutely give you a mean left hook and overall a character that 'says' and does INTERESTING! THINGS!! You don't know much about her but that's where you, the audience, can insert your own details in because you have the bases of her personality shown through out the My Greasefire Life series to use to blossom your own creativity!

Another example of this is Darlin' from Redacted Audios, you can tell right off the bat through the first few episodes what kind of person they are. They're hard headed, stubborn, distant, a fighter who cares heavily for the very few people they trust and love. Not only that, we're given a bit of backstory of WHY they're like this but it's vauge enough so that the audience can still put themselves in the shoes of Darlin'. It suits so well with the story line because they have depth!

A few more honorable mentions I'd like to also add in is Faithful from Good Boy Audios, Casper from YuuriVoice, the villain listener in Fall of Titans from Pebbles ASMR, etc etc. I know it can be difficult to pull this off without someone complaining that it's not immersive, but people are always going to have something to say whether that be negative or positive. Have fun with it and explore those options!

#escaped audios #good boy audios #pebbles asmr #redacted audios #my greasefire life #the bastard warrior #yuurivoice #audio roleplay #asmr rp #simplytalks #Long ramble sesh but I wanna listen to more variety of listener characters #Let them be bitches!! Let them be assholes!! Let them have sad backstorys!! Let them be weird overall!!#You will have so much more fun writing them this way and it'll be a lot of fun to listen to trust!

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creatingblackcharacters · 22 hours

Note

A favorite character of mine is Daja Kisubo from the Circle of Magic series, by Tamora Pierce. This series is about four children who are orphaned and brought to the Circle Temple to be raised, where it is discovered that they all have unusual magic that works through crafting or the elements, called ambient magic, and follows them as they grow and become some of the most powerful mages in the world.

(Cover art of Cold Fire)

Daja is a Black girl and a Blue Trader (ocean going) whose family died when their ship sunk in the storm. Daja is the only survivor and so is considered bad luck and sent away to the Circle temple. At the temple she meets the other three main characters who become her foster sisters and brother, and the two dedicates who become their foster mothers. She also discovers her own magic is in metal and fire and smithing when she meets her mentor, an older Black man and blacksmith, Frostpine.

(Art by @minuiko who has amazing art for this series and Tamora Pierce's other books too)

Daja has always been my favorite because she's strong and steady for the outside world but with her new family and mentor you can see how deeply she feels and the love and support that she gets from them. Also she's so wildly powerful and makes such beautiful crafts and becomes such a good teacher when she's older (also I got my degree in metalworking/jewelry so now we have that in common).

The series itself has such good world building and a really excellently fleshed out magic system. The first quartet, aimed at younger readers, features the main four as the children become a family, develop their powers, and start to heal the trauma that brought them to the temple in the first place, with Daja reuniting with the Trader people and being able to reestablish bonds, even as she stays with her temple family.

The second quartet has the kids splitting up as journeymen, traveling with their teachers to develop their skills. Each of them finds a mystery to solve and students to teach. Daja's students end up being two mixed Black girls (twins) who are very different and stretch both her patience and her own skills as she has to find separate ways to teach them (much to Frostpine's amusement), as well as solve the mysterious arson cases that are on the rise in town.

In the later books, as young adults, Daja and her siblings reunite and struggle to connect the way they did so easily when they were children. We also get to see her explore her sexuality and discover that she's a lesbian, which was so awesome when it came out and young me read it back in 2005.

These books and Daja especially have always been super important to me since I was a kid, and now honestly I've made myself need to go reread them.

Hot Chocolate: BLACK WOMEN IN FANTASY LET'S GOOOOO! I always love to see this because they have just as much right to magical powers as everyone else dammit! Anyway this story sounds WONDERFUL, I might make it the next fiction book that I read with my mother, After we read Children of Virtue and Vengeance. Anywho, the story reminds me of one of the D&D campaigns I'm playing in where; 4 of us became foster siblings and are now supporting each other, while figuring out what's the deal with our essentric and powerful king. Not to mention figuring out our place in these positions of power. Daja sounds delightful, and her power set sounds like the Orisha Ogun. I love everything about this!

#september challenge #post your favorite black characters!#creatingblackcharacters #black characters

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sitp-recs · 2 days

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Between the Power Lines by @tackytigerfic (M, 3k)

For Harry Potter, all roads eventually lead to Draco Malfoy. Or: this is not an AU! It's just Harry and Draco meeting by chance in an imported food shop in Connecticut and going on a road trip together. Featuring motels, cacti, Americana, and a hefty dose of pining.

In New Orleans, they got drunk on Bourbon Street, and Malfoy danced on his own (arms bare, laughing; Harry could have watched him all night) and later on, so late it was almost morning, they let themselves into the St Louis Cemetery—Malfoy unpicking the lock so sweetly—and walked around until the sky was pink-edged with the promise of another day’s heat. Then they sat on the steps of a crypt, watched over by sightless eyes of the statue of an angel. She looked exhausted rather than sad, Harry thought, and that made a lot of sense when he thought about his own longstanding, dull-edged grief.

It’s been ages (or 2 years) since I last wrote a rec for Tacky (I usually write for other readers, except when I’m reccing friends - then I write for them) and their birthday was the perfect excuse to put my reccing muscles back to work. I almost bailed out because I know this is one of T’s own faves and “what if I don’t do it justice?” but that tired angel banner has been sitting in my drafts for 3 long years and it deserves a proper rec!

Where to even begin? Anyone who knows Tacky is aware of their superb prose - rich and nuanced, compassionate, effortlessly funny, with a strong sense of place and a soft spot for suds scenes and filthy m-rated sex I mean devastating romance. Their writing breathes heart and personality, very much like Tacky themself. So knowing that this fic came out exactly as they intended it to should be enough to make you go read this right now, but in case you need further incentive, see below all the reasons why this oneshot is so special to me:

1. The *vibes*: if you thought that 3k is nowhere near enough to build the sexiest, most intriguing Americana atmosphere you’ve seen, think again. The aesthetics are impeccable here, decorating the beautiful and strange landscape - cacti and cheap motels included - into something peaceful and desolate, an overarching melancholy making it even more compelling. The dialogue is brilliant but the silences are just as loud and meaningful, with a quiet intimacy and a dreamlike quality that make you feel as if you're intruding a memory.

2. The romance: at this point everyone and their dog know that pining!Harry is Tacky's jam - they luxuriate in making us all suffer with him until the realization that Draco has been loving him back all along slaps us in the face. Harry is so stupid and desperate and wanton, I love it. And the way Tacky reinvents this delicious trope to make it work in new angsty ways blows my mind. Imo the slow burn is particularly effective here, a feat in any 3k story, because the narrative gives us so much character insight. We learn all the little things that make these two lonely boys tick as we watch their ever-changing perception of each other evolve from a tentative truce to reluctant confidants to a comfortable, easy love that comes naturally and earned. We often get those bits of information from imagery and emotions alone, no dialogue needed, and a road trip is the best way to explore those dynamics in a smooth, unhurried pace.

3. The journey: this is truly an immersive journey, not only physical as we keep jumping from one destination to the next, but also emotional, as we learn more about their vulnerabilities and desires the more they gravitate towards each other. This story shows that being far away from home can be both freeing and grounding, when you’re stuck with your hot enemy someone who knows about your darkest hour. It gives you the chance to heal and visualize a different future without forgetting your past or letting go of that which has shaped who you are. I love their chance encounter and how this poignant 30k love story is told in such impressive economy of words.

TL;DR: if you’re a short form fan and prone to melancholy like me believe me when I say it doesn’t get any better than this. The whole road trip shebang mixing grief, romance and nostalgia wrapped in Tacky’s lush writing is a gift to any reader and an elegant work of art. Enjoy!!!

#drarry fic rec #phew it only took me 3 years #didn’t have the chance to revise so apologies for any typos #hbd pal!! ily

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randomspagetti · 1 day

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{The End/A Compilation on This Project}

Summary:

I don't really like the climax I came up with at the time so I'll be adding a new version here. So if It differs from the images that's why, I feel like I made the pages during a time where I just wanted to get the comic over with so it kinda feels generic and half baked.

Starting from our last point, with the words of encouragement from the Light of Resolution and the steel force will to get his dad back, Choco manages to land a powerful strike, surprising the ancients and phasing Berserk Cacao.

This leaves space for the ancients to also be able to help, Pure Vanilla gives both Choco and Holly buffs while Holly holds the line and protects them from incoming attacks. By doing so they're able to get closer. Finally, a combined attack is hit to where something finally seems to happen. It's powerful and cuts into the indoor wall of the citadel. The smoke dissipates and all that is left is just Cacao.

They're all pretty suprised, but Cacao still has some lingering curse corruption on his body and his breathing is shallow. Hearing the loud crashes from the room the watchers (and Caramel) run in to see the ... interesting situation that had unfolded.

We then cut to Cacao sitting in a hospital room, he had woken up a bit earlier and is trying somewhat to recall the events of the previous day.

Holly and PV soon walk in with mugs, not expecting him to be up. They're caught off guard but soon calm down and get to chatting. Cacao finally admits he's not really doing all so well with both his kingdom and his son over the course of the conversation.

He also sort of opens up about more sensitive issues he's been through, thought he doesn't hold that topic for long given it's just too much for him at the moment. Holly understands where he's coming from and offers some words of encouragement, while PV tells him they're going to look into something for the curse and to actually help Cacao mentally.

Cacao reluctantly agrees.

It ends a bit more open ended with your own interpretation of how Cacao deals with his issues being set, though there would be a few aftermath pages exploring the relationship with the characters shown after the events of the story, this one for example is Cacao and Choco doing pottery painting.

------------------------------------------------------------

Some interesting facts, and stuff I made that didn't make it into the final cut:

-In my discord server berserk Cacao was often referred to as "The enemy spider"

-I often used their hands (so many hand drawings) as a way to show more of their character, Holly has hand scars while PV has a redness around his nails from stress. I like to add a human aspect to each of them so the reader can relate

-Berserk Cacao has had so many iterations before the final one, I just couldn't decide what I wanted him to look like!

-Each character has a different way of showing their thoughts/flashbacks! Caramels are more center focused given her only thought in that flashback was of the loud crash, Choco's are blurry given his eyesight, and Cacao has flashbacks and thinks in grayscale! You can actually notice this more during the dinner scene, this has it's own reasoning but it's bit more darker

-Most of the sketches were 10x more funnier than the finished project but I had to make it realistic

-Affogato was originally going to make it into the comic as a background character, but I felt it was too OOC for him given his devious crimes

Onto the darker stuff-

TW: Implied Abuse, Blood

-Everyone knows about the cut panels but there was actually an entire page scrapped too, originally this would follow along with the Light of Resolution convo (I will now refer to it as the LOR) but I scrapped it for a few reasons.

-Firstly I felt like it didn't add anything and only just re-established something the reader already well knew from both Holly and Cacaos statements, secondly I just felt like it was OOC for how I wrote the LOR. The LOR is in part Cacao. He is Cacao's resolution made physical. This would be his story to tell because he is a part of Cacao. It is Cacao in a way. I also felt revealing his face felt kinda eh and just didn't fit. So for those reasons I chopped it

-Cacao's curse wound was actually bleeding in this scene, though it's a bit hard to see with the shaders

That's all! Thank you everyone for being on this journey with me, I appreciate each and every one of you, you truly helped me expand my art horizons

#curse!au #dark cacao cookie #dark cacao crk #dark choco crk #dark choco cookie #hollyberry crk #hollyberry cookie #pure vanilla crk #pure vanilla cookie #berserk dark cacao #dark cacao kingdom #cookie run kingdom #cookie run #art #caramel arrow crk #caramel arrow cookie #i love you all and i wish you all the best

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bluetoes-andstuff · 3 days

Text

A Hidden Desire

Chapter 2 - Once Upon A Time

Summary: Once upon a time… you wish to be rescued. Your rescuer is not who you would expect, but he hears your plea and rushes to your aid.

Rating: T (Eventual NSFW)

Word Count: 4.4K

Relationship: Caesar x Fem!Human Reader

Warnings: Mentions of abuse, implied sexual abuse

Previous Chapter

***If you are under 18 I would advise not reading, this is not an explicit chapter but this will be a story that explores nsfw themes later on. Best to just not go down the path to begin with. Be safe***

You wake up to the familiar, harsh reality of this dreadful camp after a long night of restless sleep. The tent you’ve recently started to call home is a tattered, makeshift structure, barely held together by willpower alone. In short… It was a mess. The fabric was worn and stained, letting in drafts of cold air with every slight breeze. The ground beneath you is hard and unforgiving, littered with pebbles and uneven clumps of dirt, and a thin blanket being your only comfort against the harsh chill.

Your pitiful collection of dirty, ripped clothes lie in a pile across the tent beside your other meager belongings. It didn’t amount to very much considering your camp’s habit of spontaneously uprooting, forcing you to leave behind whatever you couldn’t carry on foot.

The subtle aches of your body greet you as you slowly sit upright. You glance down towards your legs, covered in your baggy sleep pants, the gross memories from the day prior surfacing. You reach forward and wince as you slowly roll up your pant leg to expose the nasty gash bordered by a developing purple bruise. That was going to make it kind of difficult to get your chores done today.

You poke at the sore bruising. The entire area burned and you had a feeling it was going to be a difficult healing process. Your stomach spasms with a loud grumble, bringing to attention the hunger that gnaws at your stomach, and you push your face into your knees with a soft sob. Sometimes the reality of your situation just hits you all at once, and you can’t do anything more but cry, because what else can you do about it? You’re stuck here, and you’ve come to accept that now.

Your few personal items scattered about were almost like remnants of a life from a distant memory. A life you can only see through the eyes of childhood, reflected upon by a maturity brought on not only by age but circumstance. Abuse and misfortune is all you’ve known since the plague first took your parents six years ago. Even if you happen to escape this camp of abusers, you’re bound to stumble across another one eventually. It’s just how things worked now and you’ve come to accept it.

As you step outside, the camp comes to life around you. The air is thick with the smell of sweat and unwashed bodies, a smell you’ve sadly grown quite accustomed to. Everywhere, men are hollering and laughing, a general hum of conversation and jokes. You keep your head down to avoid any unwanted attention. You’ve resigned yourself to a life of torment, but that didn’t mean you wouldn’t try your best to avoid it at all costs.

Your first task of the day is to fetch water from the nearby stream. The bucket is heavy, and your arms tremble as you carry it back to the camp. Your injured leg adds a whole new level of difficulty, slowing the process to almost twice the time it’d usually take. No one takes care, or even notice, of your limp, or the constant grimace on your face. No one offers help, but you didn’t really expect them to.

As you pass by one of the larger tents, a man you’ve come to know as “Tommy” steps out. He frowns at you, and roves his eye up and down before scoffing.

“Don’t be so dramatic, kid. It ain’t that bad. Move faster.” His mouth actually upturns into a snarky grin and he laughs, but you know it wasn’t because it was a joke. You don’t say a word, because you know better than to argue. So instead, you nod quickly, pick up your pace and try your best to walk as normal as you can.

Back at your tent, you set the bucket down and begin cleaning the pile of boots piled up beside it. As you take a careful seat, another couple of men pass by and toss their boots into the large pile without even a simple word or glance at you. Your hands are raw and blistered, but you work diligently. The sooner you get it done, the sooner you can get out of their line of sight.

As you scrub the dirt from the boots, your mind drifts as it usually does during these mindless chores. You escape into your recurring fantasy world, surrounded by lush green meadows, and wildflowers dancing at your feet. The air is crisp, the sun warm against your skin.

In these moments, you felt a fleeting sense of peace and comfort, a stark contrast to your reality. These dreams were a sanctuary; your final cling to sanity. A place where you could escape from the harsh reality of the fear and pain dominating your life. You longed for someone to come and take you away, to offer you the love and protection you had never known. Something you were rarely able to even receive from your own parents.

The daydreams, although always slightly different, always revolve around a particular event; a savior, someone strong and kind, coming to rescue you from this nightmare. The thought brings a faint smile to your lips, a giddy excitement as your fantasies bring to life a futile hope. You know better than to cling to such dreams. In this world, hope is a dangerous thing, a fragile illusion that can shatter with the slightest touch.

Yet, despite everything, a small part of you refuses to let go. It’s the part that dreams of freedom, that believes in the possibility of a better life. You hold onto that hope, even though you know it’s fruitless. It’s what keeps you going, what gives you the strength to face another day because maybe, just maybe, if you hope hard enough, your dreams just might come true.

****

Caesar led his group through the dense forest, the sound of thumping hooves muffled by the thick underbrush. The horses moved with practiced silence, their riders alert and watchful with weapons ready. As they neared the human camp, Caesar raised his hand with a quick sign and the group quickly dismounted and scurried up the nearby trees in a practiced order, their movements fluid and silent to blend seamlessly with the shadows.

From their new vantage point, Caesar observed the camp below. It was a sight he’s seen many times before through the years when humans got brave enough to venture into his territory. The area was a stark contrast to the natural beauty surrounding it, a blot of harsh order amidst the chaos of the forest. Tents were being set up in a precise, almost militaristic fashion, each one identical and devoid of any personal touch, fabrics worn and stained from years of constant use.

A crude fence was already being erected around the perimeter, its jagged edges a clear statement on their intention of permanence. Caesar was quick to note the weak points —areas where the wood was hastily patched or still unfinished. These would be the entry points for his attack if it came to such drastic measures.

Inside, commands and varying conversation were barked out, and the occasional burst of cruel laughter echoed through the camp. Not one voice he heard was that of a kind man. These men were not just survivors, vying for peace and a desire to live; they were predators, hardened by years of conflict and driven by a relentless need to dominate. Caesar had become well accustomed to men like this through the years.

This was all he needed to know to proceed. This camp was a place where fear would soon rule, and any semblance of humanity had already begun to fade. They needed to prevent this camp from becoming a permanent blight on their forest, and if they didn’t act now, they would only become stronger.

He was just about to pass on his orders to Koba, but a sparkling “light”, so-to-speak, caught his eye.

A human woman—You. Enveloped in an innocence so rare to find amongst humanity. You moved with a grace that stood out amidst the harshness of your surroundings, your beauty a stark contrast to the brutality of the camp.

Your clothes were worn and ripped, not at all a compliment to the beauty you possessed. You deserved far better. Caesar pictured a blue dress, to compliment the vibrant color he’s sure you held in your eyes. A flowy material, soft to the touch, to tease and foreshore the softness and gentleness of the skin it hid beneath.

His chest tightened and his stomach began to burn and roll as he watched you. It had been a long time since he had seen a human woman, especially one as alluring as you. Your hair, though unkempt, shone in the dim light, and your eyes, even from a distance, held a depth of emotion that drew him in. A desire to speak to you, touch you, and hold the entirety of your attention.

You carried a heavy bucket, your steps unsteady, revealing a soft, yet pronounced limp, causing a strain in every movement. He noticed the dark bruising on your arms and the way you cower and flinch when a man shouts and laughs at you.

It angered him in a way he wasn’t familiar with. It was fervid and dangerous, as he didn’t know if this was an instinctive emotion he’d be able to contain. He knew in his mind that any rash move could endanger his group, but that burn drew a curtain between his mind and heart. They needed to act fast before his anger called on him to do something stupid.

Caesar turned towards Rocket and Koba perched on branches beside him. Rocket was still focused on the camp and the guards spread around the perimeter, mouth parted open as it usually was when in deep thought. Koba, however, wore a scowl as he looked down upon the camp.

“We need to be careful,” Rocket eventually signs, his hoots of caution low and urgent. “There are many of them.”

Koba grunted in agreement, but his eyes were hard. “Humans are dangerous,” he signs, his expression filled with disdain. “We need to act before they do.”

Caesar’s mind raced as he considered their options, the thoughts of you begging to pull his attention away. “We need a plan,” he grunts as he signs. “We can’t just charge in. We need to create a distraction, something to draw the men away from her.”

Without any thought to mask his true intention, Caesar reveals his thoughts as they are and his chest immediately convulses with a weird nervousness as he stares at his two friends, waiting for their reactions.

Both Koba and Rocket give him a weird look, before looking down at where Caesar pointed. Right there, on the outskirts of the camp is a young human woman, and both apes look back to Caesar who now seems to act as a young chimp caught in the midst of a bout of mischief: guilty.

“What do you mean, “her”?” Koba signs emphatically “what about her?”

“She cannot get hurt,” Caesar quickly defends. “She is innocent.”

“How?” Koba retaliates, “she is human.”

“No, she is victim of humans… just like us.” Caesar doesn’t plead; he never pleads. But at this moment, he needs the others to understand. You cannot get hurt… he can’t allow it. And they need to understand.

Rocket nodded thoughtfully, cutting Koba off before he pursued the argument. He trusts in whatever Caesar decides. “We could use the horses,” he suggested. “Send them running through the camp. It will cause chaos and give us a chance to get her out before we attack.”

Koba’s scowl deepened. “Why risk our lives for a human?” he asked, hissing with contempt. “They are not worth it.”

Caesar looked back at you as you scrubbed away at men’s boots, his resolve hardening. “No one deserves to suffer like this. We will help her.”

He wants to help, he tells himself. It is for you, not for him. He expects nothing to come of this. He will not touch you, he will not pursue what he’s been wanting. He will not be selfish.

Rocket grinned, his eyes lighting up with excitement. “And while they’re distracted, we can take out the guards,” he added. “Quick and silent.”

Caesar nodded, ignoring Koba’s glare. “Good,” he said. “Rocket, you handle the distraction. Koba, you and I will take out the guards and get her. We move on my signal.”

The group nodded in agreement, though Koba’s reluctance was palpable. They moved into position, each ape taking their place in the plan. Caesar’s heart pounded with a mix of anger, determination, and maybe just a little bit of misplaced excitement. You deserved the world, he knew it, and he would make sure you got it.

Caesar watched as Rocket and a few others moved to enact the distraction, leaving him and Koba in position. His eyes returned to you and never left, your every movement drawing him in. He could feel Koba’s gaze boring into the side of his head, but he ignored him in favor of watching you. He would savor every moment he had to gaze upon you, because who knew how much longer he’d be able to. You were cleaning those boots with a quiet determination even despite the pain he could see etched on your face. But he could also see a glimmer of hope that refused to be extinguished.

Suddenly, one of the men approached you from behind. Caesar’s muscles tensed, nostrils flaring with a possessive huff. The look of a predatory male was universal across the animal kingdom and humans were not an exception. The man grabbed your arm roughly, yanking you to your feet, causing you to buckle on your bad leg with a soft cry. He yanked you again even as you tried to pull away, but his grip continued to tighten, his voice a low, menacing growl.

“C’mon sweetheart, you remember what happens when you put up a fight,” the man teases, his eyes raking over her with a lecherous gaze. The panic that overtook you was palpable, and you struggled harder in the man’s grip.

If Caesar was not so distracted by the occurrence of events, he would have noticed Koba’s accompanying growls of dissent and anger.

But his own heart was pounding in his chest, that surge of protective rage flooding through the very veins in his body. His muscles cramped with the restraint to act. Because if he didn’t act he knew something terrible would happen to you, something he didn’t dare want to think of. His vision narrowed, focusing solely on the man as he began to drag you, a poor little girl, across the camp while your body wracked with pleas and sobs. The world around Caesar seemed to fade, leaving only the burning need in his gut to protect what his heart had already apparently claimed as his own.

His nostrils flare with the heavy breaths and pants that leave his being, lips turning up to bare his teeth.

“Koba, stay,” Caesar whispered aloud, his voice tight with his barely controlled fury. He didn’t bother waiting for a response. With a roar that echoed through the forest floor below, he leaped from the trees, propelling him into the camp. He lands on the ground, immediately ducking into a roll to keep momentum, barreling forward on all fours towards the man his eyes are set on.

The man turned towards him, shock and panic flashing across his face at the sight of the approaching ape. His grip on you releases and you stumble back in fear. You gasp in shock as Caesar’s body collides with the man’s, the force of the impact sending him flying several feet away and left sprawled out on the ground.

“Do not touch!” Caesar barked, his canines on full display for the rest of the camp to see. An act of disobedience was an open invitation to be mauled by the towering ape king and they knew well what that meant.

You sat on the ground, cowering, knees tucked close to your chest as you tried to fit yourself beneath a nearby stand.

Koba had stayed back to watch the entire scene unfold, his eyes wide with shock, his usual disdain for humans momentarily forgotten. He had never seen Caesar act so impulsively, so stupidly. Without care for his own safety

The man Caesar had thrown scrambles to his feet, a newfound bravery at the sight of his comrades surrounding them, but Caesar was on him in an instant, vaulting forward in all fours once more. He grips the front of the man’s shirt, lifting him clear off the ground. “You will never… touch her… again,” Caesar spits, voice low and dangerous. His muzzle inches closer, his teeth bared to where the tips of his canines nearly brush against the man’s turned cheek.

The man whimpered, his bravado shattered. “Please, don’t kill me,” he begged, his voice trembling.

The other men surrounding him begin their onslaught, and he throws the one in his hands across the camp, sending him flying through one of their tents. He turns and positions himself between you and the others. He could see you trembling behind him, eyes boring holes into the side of his skull.

He would prove himself to you. He will prove he will protect you; that he can. You will see that he can provide you what you need.

The first man lunged at Caesar with a club, swinging it with all his might. Caesar raises a hand and halts it in the air, caught in his fist, and he tugs the man forward to hiss in his face. He yanks the club from his hands then swings his other arm around into the man’s gut, sending him skidding across the rocky ground.

Another came at him with a long knife, slashing wildly. Caesar grabbed his wrist, twisting it until the knife clattered to the ground and the fragile bone snapped in his grip.

He had no care to be gentle.

***

Koba watched the chaos unfold, his eyes narrowing. He knew Caesar was strong, but even he couldn’t take on so many men alone. It baffled him why Caesar stood to protect a mere human woman who hid so cowardly behind him. However mad Caesars actions appeared, Koba would stand by his king no matter the circumstance, so he shook off the distracted thoughts and flung himself into a hurried descent.

He rushed towards where Rocket and the others were waiting for Caesar's signal. He hoots to get their attention as he approaches. “Rocket!” he signs urgently. “We need to go now! Caesar’s in trouble!”

Rocket’s eyes widen and he hoots in alarm. “What happened?” he asked, him and the others already moving towards the horses.

“Humans attacked him,” Koba signs, approaching his own horse. “He’s trying to protect the human woman, but there are too many of them.”

Rocket didn’t need to hear more. He mounted his horse in one swift motion, the others following suit. He howled, a command the others knew well and they spurred their horses into a gallop, racing towards the camp.

The sound of hooves thundered through the camp as Rocket and the others burst through the unfinished barricade. The men surrounding Caesar turned, immediate panic descending upon the group at the sight of the approaching apes. Rocket leaped from his horse, landing in the midst of the fray with a fierce battle cry.

Caesar, bloodied but unbowed, felt a surge of relief as his friends joined the fight. Rocket tackled one of the men without hesitation. The other apes followed suit. And Koba, despite his earlier reluctance, fought with a savage intensity, his anger and resentment for the humans fueling his attack. He knocked a man unconscious with a single blow, grinning down at the bloody face left in his wake.

“Are you alright?” Koba signed to Caesar on his approach, his gentle hoots gruff but concerned.

Caesar nodded, then turned towards you who he still stood in defense of. “We need to get her out of here.” You remained huddled behind him, completely at loss to the signed conversation as you stared at the two apes with a wild, frightened look in your eyes.

The fight ends quickly. The few men remaining had fled not too long after the others arrived.

Watching the last of the men flee, Caesar turned to you behind him, his scowl immediately softening as he crouched low to the ground. “Safe,” he grumbles softly, offering one of his large hands to help you up. You hesitate for a long moment, your eyes wide and teary.

“Safe,” Caesar reiterates, pulling his other hand to his chest in a gesture to himself. Your eyes darted around towards the other apes gathered around him, lip beginning to tremble pitifully before reaching out a trembling hand. Caesar reaches the rest of the way to gently grasp onto your dainty fingers, pulling you forward gently to help you rise to your feet.

The moment your hands touched, he felt a spark igniting a dormant flame in his chest; that same warmth he felt earlier. Your hand was so small, so delicate, the skin so impossibly soft against his rough, calloused palm. More so than ever imagined it could be. He wondered how it would feel if you would thread your fingers through the fur of his chest and up his shoulders, down his arms… it makes his body spasm with a shiver.

He could feel your innocence, your vulnerability, in that simple contact. It was as if your very essence was communicating with him, whispering of the pain you had endured and the hope you still clung to.

Your small fingers trembled in his, as you gripped tightly to his fingers. Your fear and hesitance shivering through your body… yet your fierce grip clinging to his hand ignited something fierce within him, a desire so strong it took his breath away. He didn’t want to let go. Holding your hand felt like holding a fragile piece of light in a world shrouded in darkness. Letting go felt unthinkable, as if releasing your hand would mean losing a part of himself.

He wanted nothing more than to draw you closer to him and embrace you, blocking out the fears and uncertainty that swarm your mind as he nuzzled his face into the soft skin of your neck and breathed you in. But he doesn’t— he won’t… instead his eyes linger on your bruised and weary form, and the desperation in your eyes.

He didn’t want to let go… but he knew bringing you back to his camp could be dangerous, not just for you, but for his people. And he knew if he did bring you back, who knows how long he could cling to the control he had over his desires.

So he gently released your hand, your own hovering in the air, frozen in the moment he released her.

“Go,” Caesar grumbles, his voice heavy with reluctance, nostrils flaring with the internal frustration and restraint. “Find a…safe place… away… from here.” He gestured towards the forest.

You stared at him, confusion and conflict bleeding through her gaze. And then you spoke to him for the first time, a meer whisper of desperation, voice soft and sweet. “But… I have nowhere to go. I-I-I… Please, don’t leave me here.”

Caesar’s heart constricted at your words, heart beating rapidly, like he was in fear for his life. He wanted nothing more than to protect you, to keep you safe, to hold you close and never let go. But he also knew his own limitations, his own fears. Bringing you back might mean losing the little bit of control he’s been clinging to. It wouldn’t take long before his instinct and desire won over and he became possessive and controlling. It was a risk he couldn’t take. He couldn’t put you into a situation like that, you deserved better.

His lips crinkle in apology, eyes softening towards you. Then he tips his chin in a gesture for you to go and he turns towards his own horse to leave. But before he could take more than a few steps, you throw yourself forward, body colliding into his as you grab his arm, your small fingers digging into his fur, brushing against the rough skin beneath. “Please,” you begged, your voice breaking. “I have no one else. I-I…Please.”

Caesar stopped. He turned his head and saw the desperation in your eyes. The way you trusted him, needed him. The way you wanted him, even if you didn’t realize it yourself yet.

Rocket and the others watch in silence, all in awe at the sight of their leader buckling beneath the plea of a human.

Caesar’s chest heaves with his heavy breaths, his resolve finally cracking. He couldn’t just send you off, not when you had nowhere else to turn. And if you were asking to come with him… then it wouldn’t be his fault what might happen. It’s not him, deciding your fate for his own selfish reasons.

“Alright,” he said softly, his voice filled with a gentle determination. “Come.” He wraps his arm around your waist, pulling it from your grip to ease you forward towards his horse. He can feel the warmth radiating off you, the tantalizing brush of his fur against your clothed skin. One of the other apes holds the horse in place as you two approach and before you can so much as try to climb up on your own, Caesar grips you around the waist and lifts you effortlessly onto the stallion’s back. You squeak softly at the sudden movement, and you grapple forward once seated to grasp onto the horse's mane. Caesar can’t help but smile at your innocent anxiety and mounts behind you to ensure you wouldn’t fall.

The other apes around them mount their own steeds and Caesar grabs the reins with one hand, the other wrapping around your waist to pull you back into his body, slotting you so you sit comfortably between his legs. He spurs the horse forward with a soft hoot to direct the others to do so as well, and you grip tightly to his forearm as you move forward, pressing your back further into his chest to steady herself.

Caesar smiles and tightens his hold as they pick up pace to a gentle trot. He never would have pictured things turning out this way… a human woman pressed so closely to him, holding her, smelling her, feeling her against him. He already knew he was going to have a difficult time controlling himself.

In the midst of his thoughts, you lean back slightly, your body relaxing into his as you get lost in your own. For the first time in a long while, you felt a glimmer of hope. This ape, whoever he is, is safe… you are finally safe.

Taglist: @night-shadowblood-writes2 @edynmeyer1 @chermg @httpvomitello @hrlzy

**Thank you all very much for reading. I’d love to hear your thoughts. If you want to be added to the tag list let me know. Next chapter is when it starts to get pretty good, so stay tuned XD**

#caesar pota #planet of the apes #caesar planet of the apes #ape culture #caesar x human reader #caesar x reader #caesar and rocket #ape society #pota fanfic

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