#c+c music factory

[littleplasticthings]

Things That Make You Go Hmmm…, C+C Music Factory, 1991

[diamondbrickz]

with apologies to snake pool; a low-effort horrible intersection between jock jams and indie rock

[archoneddzs15]

Sega Mega CD - Power Factory featuring C+C Music Factory

Title: Power Factory featuring C+C Music Factory

Developer: Digital Pictures

Publisher: Sony Electronic Publishing Company

Release Month: October 1993

Catalogue No.: T-93035-50

Genre: Interactive Music Video Editor

The same crap as those INXS and Kris Kross discs. And by the way, the Mark Wahlberg disc was not released in Europe. Who the fuck thought this would make for a decent video game? There's almost no interaction at all - the supposed key factor behind FMV games - and the paltry three songs offered mean game time is severely limited. That's even assuming that players can actually stay interested long enough to make any of them into decent videos. I think the only challenge Power Factory offered me was a test to see how long I could refrain from turning off my Mega CD. This is not the kind of game I want to think about when I look at the little add-on, and it's no wonder that FMV games have such a bad rep with gamers to this day. Oh well, back to my 50th time with Sonic CD, here I go.

[honeyjets]

T H I N G S T H A T M A K E U G O...

[dailyrickastley]

From the Smash Hits magazine, you can read the whole issue here

[segadriven]

Added a Mega CD game to the collection today that I didn’t have. Power Factory is another multimedia title in the Make My Video franchise that features music by C+C Music Factory. Phil LaMarr features in some of the interstitial video sequences

[eye-of-the-purricane]

EVERYBODY DANCE NOW!

[domono08]

While listen to Their to last album, I decided to draw this as a gift for Robert clivilles and David Cole to thank them for all the great music they gave us.

[duranduratulsa]

On the turntable today...

Christopher Cross (1979)

Hard To Hold Original Motion Picture Soundtrack by Rick Springfield (1984)

Gonna Make You Sweat (Everybody Dance Now) by C+C Music Factory (12" Single) (1990)

Footloose Original Motion Picture Soundtrack (1984)

Frehley's Comet by Ace Frehley (1987)

#christophercross #hardtohold #hardtohold40 #rickspringfield #candcmusicfactory #gonnamakeyousweat #everybodydancenow #gonnamakeyousweateverybodydancenow #footloose #footloose40 #acefrehley #frehleyscomet #70s #80s #90s #records #album #LP #12inch #12inchvinyl #vinylrecords #vinyl

[joffartac]

C+C Music Factory - I Found Love

[essential-music]

In the vibrant landscape of early 1990s dance music, Gonna Make You Sweat (Everybody Dance Now) by C+C Music Factory emerges as a pulsating masterpiece, a track that doesn’t just invite movement but demands it with an irresistible force.

Released in November 1990, this song is a sonic juggernaut, weaving together a tapestry of vocal prowess, rhythmic precision, and production ingenuity that sets it apart as a benchmark of the genre.

At the heart of the track lies Martha Wash’s commanding voice, a soulful R&B beacon that slices through the mix with electrifying clarity. Her delivery of the iconic “Everybody Dance Now!” is less a suggestion and more a rallying cry, infused with an intensity that ignites the listener’s urge to move. Complementing her is Freedom Williams’ rap, a playful yet confident counterpoint that struts across the beat with swagger. His cheeky lines, like “I’m just a squirrel tryin’ to get a nut to move yo butt,” inject a dose of humor, grounding the song’s high energy in accessibility. The lush backing vocals, layered with choral richness, amplify the anthemic quality, creating a sense of collective celebration that feels like a packed dance floor in auditory form.

The composition itself is a brilliant fusion of genres, blending the gritty edge of rock guitar riffs, the soulful depth of R&B, and the infectious pulse of pop-infused dance beats. This alchemy crafts a sound that’s both versatile and universal, capable of resonating in clubs, gyms, or living rooms. The driving 4/4 rhythm, propelled by a robust bassline and razor-sharp drum programming, locks into a tempo that’s perfectly calibrated for sustained movement. From its explosive intro—a sonic jolt that grabs attention instantly—the song maintains a dynamic structure, weaving rap verses, soaring choruses, and chant-like hooks into a seamless, high-octane flow.

Behind the scenes, producers Robert Clivillés and David Cole wield their craft with visionary precision. Their production is a masterclass in balance, marrying electronic flourishes like synthesizers and drum machines with live instrumentation to create a sound that’s both polished and vibrant. Every element—vocals, percussion, bass, synths—sits distinctly in the mix, yet harmonizes to form a cohesive whole. The result is a track that feels as fresh today as it did over three decades ago, its clarity and energy undiminished by time.

Lyrically, the song thrives on simplicity and motivation. The repetitive, chant-like phrases—“Let the music take control,” “Let the rhythm move you”—are designed to unite listeners in a shared mission: to dance. These words, paired with the rap’s rhythmic cadence, prioritize energy over complexity, perfectly aligning with the track’s purpose as a dance floor catalyst. The lyrics don’t just encourage movement; they create a communal experience, inviting everyone to join the rhythm.

The emotional and physical impact of Gonna Make You Sweat is undeniable. Its relentless energy surges through every beat, sparking an instinctive need to move. Whether it’s the heart-pounding bass or Wash’s commanding vocals, the song captures the listener’s body and soul, making stillness impossible. This universal appeal, coupled with its choreographic synergy, cements its role as a dance anthem that transcends borders and generations.

In its technical innovation, the song also leaves a lasting mark. Its influence on the early 90s dance music scene is profound, paving the way for future blends of hip-hop, house, and pop. The track’s structure, with clear cues for movement, makes it a choreographer’s dream, while its production techniques set a standard for the genre’s evolution.

Gonna Make You Sweat (Everybody Dance Now) is more than a song—it’s a sonic force, a celebration of movement and unity crafted with meticulous artistry. Its vocal power, genre-blending composition, pristine production, and infectious rhythm converge to create a track that doesn’t just make you sweat—it makes you alive. In the pantheon of dance music, this is a timeless triumph, a testament to the enduring power of a beat that commands the floor and refuses to let go.

Year: 1990

Composition/Lyrics: Robert Clivillés, Frederick B. Williams, David Cole

Producer: Robert Clivillés, Larry Yasgar

[my-chaos-radio]

Release: December 18, 1990

Lyrics:

… Y'all want this party started, right?

Y'all want this party started quickly, right?

Y'all want this party started, right?

Y'all want this party started quickly, right?

Play that beat, play that beat. Bang!

Play that beat, play that beat. Bang 'em!

Play that beat, play that beat. Bang!

Play that beat, play that beat. Bang 'em!

Go, go, here we go!

Go, go, here we go!

Go, go, here we go! Ah!

Freak out!

Enter the jam,

The party is packed and I rap.

Girls wall to wall.

There's my man hangin' out at the back.

So I cruise, slide through the dance floor.

I never seen a club so "hype" before.

Get on the mic and get raw,

back to back, front to front,

door to door.

Ev'rybody dance to the new sound:

rock 'n' roll, soul to soul.

Now, bring it on down from the bottom to the top

and the top to the bottom. Hmmm.

I got 'em.

People ev'rywhere, they jump,

they think, they hear,

they shake, they jam their ear, oh yeah.

So, loosen your body and let me take control.

Let's rock and roll.

Here we go. Here we go.

Here we go. Here we go.

Here we go. Here we go.

Here we go. Here we go.

Here we go.

We're gonna rock and roll.

We're gonna move your soul.

We're gonna make you groove.

Ev'rybody move.

Ev'rybody move, yeah.

Ev'rybody move, yeah

Ah' Freak out!

Whether you're into club or dance or rap or acid,

come on, get with it.

That's it.

Throw your hands in the air.

Scream, "go, go, go."

Rock 'n' roll will grow and flow and yo,

it will develop into a new form,

break the norm, get warm

and then swarm come back again,

tear it up and transform from

B.B. king to Bo Diddley.

Ed Sullivan was on the T.V. screen

to be seen with the Beatles

and The Jackson Five.

The Who, The Doors, The Rolling Stones

and even I've dibbled a bit to get wit'.

Helpin' to prove that it's legit, yet

parents dissed it back to the days

the same way the dissed rap.

Are you amazed? So D.J.'s

let's rock and roll

Play that rock and roll:

rock plus funk and soul

get on up and dance, Yeah.

We're gonna rock and roll.

We're gonna move your soul.

We're gonna make you groove.

Ev'rybody move.

Ev'rybody move, yeah.

Ev'rybody move, yeah

Ah' Freak out!

Get on up.

Get on up. huh.

Get on up.

Get on up.

Get on up and dance, yeah.

Play that beat, play that beat. Bang!

Play that beat, play that beat. Bang 'em!

Go go go go go go go go.

Go go go go go go go.

Ah! Freak out!

On the dance floor is where we all get raw

like a kid in a candy store.

So, get up, get out your seat and arise.

Ev'rybody, ev'rybody up and get "live".

The C+C Music Factory is mastery

and full fo jams that have to be pumped

'til your ears get sore.

Live from Brooklyn out to the California seashore,

we came to rock and roll,

to get on down to somethin' funky with soul.

Rob and Dave seduced it and I juiced it,

spruced it, mass produced it, and you proofed it.

Party people, if your havin' a good time

and singin' along to my rhyme,

this goes out to the young and to the old,

let's rock and roll.

Songwriter:

Here we go. Here we go.

Here we go. Here we go.

Here we go. Here we go.

Here we go. Here we go.

Here we go rock and roll.

We're gonna move your soul.

We're gonna make you groove.

Ev'rybody move. Ev'rybody move, yeah.

Ev'rybody move, yeah.

We're gonna rock and roll.

We're gonna move your soul.

We're gonna make you groove.

Ev'rybody move. Ev'rybody move, yeah.

Ev'rybody move, yeah.

We're gonna rock and roll to please your soul.

Roll and roll to please your soul.

We're gonna rock and roll to please your soul.

Roll and roll to please your soul.

Robert Clivilles / Freedom (frederick B.) Williams

SongFacts:

👉📖

[musiquariumology]

The 5 Shocking Lip Syncing Scandals That Ruined C+C Music Factory Overni...