#can be interpreted as just canon for now

[wildoctober02]

he really didn’t wanna make it messy . he really , really didn’t , but the boy gone cray !

(hehe totally not brewing up an au .. /lh) (might color this later lol)

[sysig]

How far did you get? (Patreon)

[pinkd3mon]

First meeting (Kirby Star Allies)

[delizbin]

Personal take but totally inspired by the ff Fine Line by the amazing @firstdragonlady

[13eyond13]

love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world

[reiverreturns]

can’t stop thinking about the fact that phoenix, as a female character, is not once used as a emotional wayfinder for rooster or the audience. i’m not yet over how damn COMPELLING it is as a facet of her character.

so phoenix is presented from the off as someone with an obvious close connection with rooster, and through her perspective we see bits of their history - deadpanning him when she nails him with the pool cue because he didn’t tell her he was stateside (and she’s not angry or disappointed, she clearly didn’t expect him to); how she gets out of the way for rooster and hangman to face off (she’s knows what’s coming but also that it’s not her fight); the way her face lights up when rooster sits at the piano (because she knows him well enough to know what makes him happy and how he expresses it). 

these moments all tell us things about phoenix and rooster’s friendship, but none of it serves to solve rooster’s problems or help him work through his emotions. phoenix never steps into that role. you could argue she gets close when rooster admits to her that mav pulled his papers, but even then phoenix doesn’t sympathise or validate rooster’s anger. she pauses, considers, and only asks “why would he do that?” - the one question rooster should be asking but doesn’t, the one his anger’s been pushing him away from for years.

and i just love that. phoenix isn’t there as a character to serve others, she isn’t a woman that exists to push forward the arc of a male protagonist. she’s there as the architect of the web that pulls all of these pilots and their shared histories together. she’s there to show how friendships can be deep and sustained and caring without being emotionally crippling. she’s there to show that knowing a person isn’t the same as understanding them. she doesn’t know rooster fully, but kneeling on the tarmac she understands him better than anyone in the world.

to illustrate my point by comparison, think about penny. to mav she’s a reminder of the past (one he’s constantly wrestling with because he can’t forgive himself for what’s happened, whether he’s earned the blame or not.) she steers him back towards what’s important and inspires his action when he has a crisis of confidence after cyclone pulls him out of the programme. the grand goodbye before mav goes on the mission in his dress whites with the cavernous black sea behind them is the cinematic equivalent of holding up a sign to the audience that says ‘you should be sad and worried! this little man’s in danger! hope you left room for catharsis after dinner.’

now i’m not saying one is better than the other (i stan penny and will hear nothing bad about her.) both characters serve purposes in the narrative that progress the plot. all i am saying is that it would have been so easy for the writers to write phoenix as that feminine emotional touchpoint for rooster and the audience. they could have inserted a scene after rooster and hangman’s fight where rooster starts to sift through his complex emotions about mav and his dad with her. they could have had a shot of her flying back looking distraught after rooster goes back for mav. what they did instead; in making her the connective glue of the group, using her to colour in their unseen past relationships and dynamics; is force rooster’s arc to come from within. and i’m telling you, the entire freaking movie is stronger for it.

so yeah. i really love phoenix. can you tell?

[dying-marshmallo]

🪼 idk how many more times I can ignore it

[redysetdare]

every time i see a post that is like "ughh why cant we have aspec characters who aren't aroace for once" I have to do a double take like "is the aroace rep in the room with us right now?" because genuinely....where is all this aroace rep y'all are complaining about? Why cant i find it yet it's apparently the only aspec rep we get?? You admit that TV never says the word aromantic so where is the aroace rep. So far I've pretty much only seen canonically asexual characters and not much else buddy.

[boilingrain]

There’s something silly to me about Bluestar x Yellowfang

It’s just “yeah Firestar’s moms should date”

Old women with tragic backstories and the very orange boy they separately adopted

[nateriverswife]

I just realised that "L, on principle, never got involved in a case unless there were more than ten victims or a million dollars at stake" is something that's only stated in Another Note, so, following my logic, I can simply not consider it canon. I've always found it a bit weird to be honest and out of character for L. Considering that he does his job mainly for "fun", setting such requirements would only limit his choices.

[bayesiandragon]

Not sure I care enough to engage with the post, but to read SVSSS + extras and come away with the interpretation that SJ doesn't care about why YQY failed to save him, just that he did fail, and therefore would never forgive him or change his behavior towards him if he learned the truth, feels off-place to me. It seems to lean into the view that SJ doesn't actually care about YQY, just sees him as a useful tool, and thus couldn't be hurt by the supposed abandonment - with that interpretation it would then make sense to think he would neither care nor change his behavior (towards YQY) upon learning what actually happened.

[mando-din-lorian]

I was so worried that they were going to full on write Din’s covert off as an actual cult this is season, and I’m so so happy that’s not that case so far.

I think there’s so much more nuance to Din’s covert that a lot of fandom don’t give it credit for. I swear, some of ya’ll act like Din is being held captive by his covert (and Bo too after the recent episode) and it’s like…they’re not.

The Armorer literally told Bo that she’s been redeemed by the way of their Creed and if she WANTS to she can join them (for however long she wants to be there), but she is free to leave any time she desires. No one is going to hold her captive there.

Same with Din. Yes, he broke his creed and became an apostate, but they didn’t hunt him down and strip him of his armor. This is the Way they follow and they’ve survived so long—have been together so long—because they stuck to is to rigidly. I love how faithful Din is to his Way. I love how much it means to him. The covert is his family. Of course he’s going to fight for it.

I don’t know, some peoples relationship with Din’s covert in this fandom is weird. Like yeah, it’s not perfect, but it’s not a full-blown cult keeping all its members locked away from the rest of the galaxy. They’re a people on the brink of extinction and doing what they can to survive.

I just think we’ve gone so long with just fanon content that it’s skewing perception on canon content.

[infizero]

scar is NEVER beating the hopelessly in love with grian allegations i fear

[hadesknockedupintheunderworld]

Ngl it's weird finishing the Knuckles tv show and going to tumblr about it only for people (even who I consider bigger name fans) who also watched the entire show to claim that it "confirmed Knuckles Wachowski"

Like

I'm sorry

Did you somehow miss the part in the last episode where Knuckles had a whole montage of hanging with the Whipple family and Wade and saying "home" or something?

[jack-kellys]

actually i’m gonna speak on the “versions” of newsies for a min

the only two “versions”. are broadway and 92sies. we do like actually know that right. because those are two different plot lines with different events and entirely different songs.

west end? not a version. it’s a production. it’s new staging and orchestrations which is different for us, and certainly fresh character interpretation, but at the end of the day that’s what it is— interpretation.

so the “livesies and west end are diff versions” (which already doesn’t make sense because then wouldn’t bway and tour be slightly different as well with that argument) is kind of. just. a weird separation in the name of—speaking as a writer here—maybe “keeping the work we already have”. like oh i wrote racer this way but now he’s this way.

guess what! doesn’t matter. it’s a character. there’s no- like no version besides bway script and 92sies script. what you draw character from are the actual words spoken- and yeah, staging will influence you bc if it doesn’t that’s weird, but it’s not a different character. are we. do you get me.

mainly my worry is othering, and personally this fandom cannot afford to do that w/ michael’s jack kelly, because then i’ll become violent and no one wants that :/ a new person playing jack doesn’t make it an other, different jack it just makes it yet another millionth interpretation of jack. yk. like do we get what i’m saying here

[mishapen-dear]

genuine question but is there any fandom where a character is well written by the majority. im thinking about fandom culture and the spread of frustration when people dont write characters well but. honestly in all the fandoms ive been in there's only like, a Select number of authors who i trust to write Well, let alone write Well AND In Character. character analysis and writing and getting inside characters' heads are all separate skills (all of which are trained by roleplaying fyi can CONFIRM playing pretend with your friends is good for you). there's been more than once where I've disagreed with an interpretation that others agreed with, and then I turned out wrong. or i turned out right. like it doesnt matter WHO is right it just matters that differences in character analysis exist, so even if you DO write well AND write in character, your in character is still going to be someone else's out of character

there's this sort of. vibe. that to play in the sandbox you Need to be able to make a castle, and if you can't make a castle then you shouldn't bother, and it completely dismisses the idea that youre in that sandbox to PLAY in the first place. there's this Weight of disappointing someone if you can't build something that they like, but that forgets that you aren't there to build them a castle. like, be KIND. if you disagree with someone then please make an effort to do so kindly. i dont give a shit about fandom discourse but there is a reason kids get removed from sandboxes if they keep throwing sand in people's eyes. but if they don't like your misshapen sand pile, then youre not obligated to change it. even if you yourself end up hating that same sand pile later- youre not building a legacy. youre playing. and sometimes the result of that play is out of character drivel. theres a reason there are so many authors and so few who i like to consistently read and thats because everyone is Fucking Around in their hobby space. hash tag brag or whatever but i can build castles. ive built several that im v proud of. ive also dug holes in the sand for fun and then tripped on them when trying to get up. I often dug a hole and then got up and fucking- whoops, its a castle now, and i didn't realize i'd made something to be proud of until after the fact. the whole time while creating shit i was Convinced it was bullshit that didn't make sense. and then other times i was Convinced it was bullshit and then i was Right and i can look back and go. huh. ew. but it doesn't matter what the end result was, because i had fun playing in the sandbox

this wasn't meant to turn into a ramble but i have Feelings about bad art and art that's badly perceived and how public perception can screw with your head and how making art youre proud of is fucking. it's so difficult!!! it's hard!! it's really fun, which is why i try to make it, but i promise you it is Okay to not tryhard creativity. even if you CAN, it's okay not to do it all the time. or ever, even. fuck around find out have fun etc