#can mess artists up a lot

[lunaryhues]

Me: "Can I please use all this energy to draw on an actual project"

My brain: "You will draw the same character over and over and you will like it."

Me: "Okay."

[catgirlkirigiri]

Encountered the sketch for this again after three years and dropped everything to finally do it the justice it deserved

@circle-of-fire

[facelessscar]

He moves ✨flamboyantly✨

[misty-wisp]

1 for Asuka :3

What memory would your OC rather just forget?

...maybe having a molotov cocktail as your ranged weapon isn't the best idea after all.

the splash damage could really hurt someone.

[twentyfivemiceinatrenchcoat]

thinking abt tattoo artist!sugu and the codependent relationship he forms with his (least) favorite customer

[always-a-slut-4-ghouls]

When I was making my first trying-to-be-serious ocs it was in the start of the 2010s (and I mean the START, 2010-2012) and there was a big “anti Mary-sue” movement on deviantart (the website I spent half my internet time on and was posting my art on) and I liked to make my character designs pretty extra (although compared to modern stuff they look pretty normal) so I started to get self-conscious. At the time though I was watching soul eater (and there was another thing I’m forgetting and it’s really frustrating me) and I saw that it was popular with a cool art style and the characters were extra AF, so I was like “okay. Maybe, as long as I can draw my character often and consistently it doesn’t matter if they are wild!” and you know what? Early teen me was RIGHT. Not about many things, but about this in particular she was!

[radioconstructed]

⌖ HI, HEY, HELLO! IT’S ME, hi, I’m the problem, IT’S ME, SIMULCASTING LIVE ON AIR and LIVE ON CAMERA! I almost NEVER DO THAT! Are YOU tired of scam calls? I SURE AM! Let’s make these CLOWNS our little APRIL FOOLS! TUNE IN for WILD IMPROV, VOICE ACTING, SCAMMER MALDING, and COVERS OF THE SCAMMER PAYBACK SOUNDTRACK! ALL DAY!

[outeremissary]

💕 self-love time! talk about which ones of YOUR creations (edits, artworks, fanfics) you like the most then send to other creators to do the same 💕

(this got terribly ramble-y. apologies.)

Ah, this is difficult. Putting self-deprecation aside, I've accomplished a lot in the past year that's been significant improvement for me in terms of visual art. I guess that I really like the Valentine's art? Which is good since due to a series of mishaps it wound up framed next to my desk (realized I had no safe storage for it that wouldn't smudge it to hell and back) so it would be very sad if I wound up hating it.

I really loved the Crystalhue art I never finished as well. The sketch was really cute and it had the most complex composition of any large scene I'd done at the time (and probably since).

And it's silly, but I did really enjoy the letter I wrote back to you. I always struggle with Balthazar's voice. It was a helpful exercise even if it turned out messy. I'm sorry for not continuing the chain better. But thank you for the opportunity despite my unsociability. Lately I've been doing other art that I really liked too, so I'm surrounded by cute expressions right now. There's a beautiful smile to my left and some terrible (affectionate) smirks to right. Hopefully I can finish things in a reasonable time this week to share :) It's been a long while since I last did sequential art, so I'm always excited even when it's simple.

Ah, and recently there was a lot of really good art with Vio (@mountainashfae's character, as always), so that's lovely. This was messy (and color made it messier) but I still like it because 1) it's cute and 2) I challenged myself a lot to try things I always wanted to draw but avoided because I just thought I couldn't do them well. Well, the omnipresent mistake hiding eraser speaks to the imperfection, but I'm still happy.

I'm seldom satisfied with what I make, but I try to see it as a good thing. I'm always growing, perhaps. My therapist thinks it's like living with a curse though. ^^;;

[queerstudiesnatural]

yep, looks about right

[cuteniaarts]

Young Haya WIP ft. backstory rambles in the tags

[soyoursoulisgreen]

5, 11, and 30 for the artist ask meme!

5. Estimate of how much of your art you post online vs. the art you keep for yourself

It's increased over time! Well, actually, it's been a bell curve, kind of. Maybe more like a roller coaster lol. Obviously before I was online I wasn't sharing any of the stuff I drew; I drew for about seven years before posting anything - casually, for my own entertainment - and then for a while I was posting almost everything in some form or another; if I didn't post the original doodle, it was because I cleaned it digitally! But I got pretty burnt out on that haha - it does still come and go in cycles lol. Nowadays I probably keep back about 30% of what I draw? Although it can be hard to quantify - if you upload to an audience of zero, is it actually online? Haha ♪ Or an audience of one! Just because it's shared using the internet as a middle man, does that count as "posting"? :0 I don't know! I think it's an interesting question tho!

11. Do you listen to anything while drawing? If so, what

Yes! It really depends on what I'm drawing; my go-tos are always Reddit story readings since I don't have to think too hard about picking one, they last a while, and they keep my auditory brain occupied while my hands and eyes are busy. For a couple days of Requestober, especially the Portal/Stanley Parable days but also the song prompt, I was listening to themed stuff - GLaDOS lines, Narrator lines, the aforementioned song haha. I hate having to stop to pick the next thing! It makes editing my footage harder and throws off my flow :P

30. What piece of yours do you think is underrated

A lot of my Law Abiding Citizen stuff probably - LAC is such a good series!! I wish more people would see it/were still into it. We're few, and I was late to party, but my love still burns! If I had to pick just one thing tho, I think it'd have to go to one of my Just Desserts comics - I cried while drawing it initially, and I still think Charm's transition from her smiling-crying face to her angry-crying face is so well done ♥

[amalasdraws]

https://www.tumblr.com/bigmammallama5/732632789726478336?source=share do you have any tips on how to detect ai and deepfakes?

Good question and I'm gonna be honest, it's not always easy and it will only get harder and harder. I'm just an artist who has spent their personal time to dive into this topic and study images. I'm still learning and there is a lot I don't know. But let me show what I know. This will be long, but I will make a summary at the end! So far, even with ai having become better and better there are still almost always some things wrong with an image, and they all have a very specific look to them. So let me try to show you some and point out some of them.

As we all know, a biggest struggle ai had were hands. And even though here and there we still see messed up hands, I say "had", because the hands is actual a good example on how ai is improving and will only get better. Still, looking at pictures that show more hands is always worth it, because somewhere in the back there will be most likely at least one messed up hand.

Another issue a lot of ai still has is hair though!

It's very obvious still in many ai "drawings" and in those otherwise well rendered portraits. Hair starts to blend with the ears a lot, or with the clothes.

There is also often this very odd look between something too sharp and way too blurry

There is often a very specific texture to the hair. I actually do not know the artistic or specific name for it. I can only describe it as this weird sharp feeling that makes it look oddly pixely, and then you have areas where it's very blurry. And the kind of loops and almost flame like looking hair we see in the last pic out of the three here is also something very common with ai.

As an artist I know we make mistakes too! The way I draw hair is flawed too! But it's not only that it's flawed here, but it's following always the same pattern and falls into the same issues over and over again, no matter who is "creating" the image. Those flame like loops are a common one, next to the odd blends and weird sharp and blurry textures.

But ai is getting better, and we not only have "art" and something that tries to be a drawing/painting, but photos too.

A lot of those "photos" have a very specific texture and look to them! Again, it's not always the mistakes, but the very specific optic too. A lot of the images are oddly smooth, too rendered, with always blurry backgrounds. And when you look closer at the background you will see the mistakes! The crowd behind Jesus is a hot mess once you look closer. Bob Marley's hair has the same issue than I described before. Lincoln is surrounded by people with messed up hands and don't even get me started on the faces behind Caesar.

So a lot of ai images look alright on a first and quick glance, but as more time you spend with them, as more mistakes you will notice. The wehre is Waldo of ai horror.

And those "photos" shared here are still very obvious. Not just the mistakes and messed up details but the very specific aesthetic too.

Those images get better and better and as less details you have, as less mistakes you have!

With photos like this it becomes harder and harder. There are not many details and no hands. Not many mistakes can be made. Also the very obvious plastic looking smoothness isn't so much here anymore. It kinda still is...but differently. And always the blurry background!! Sometimes the hair is still a giveaway. Collars and clothe straps are also often still a giveaway upon close look. As is jewelry. Earrings will be different and necklaces often don't go all the way around, just end, or blend with the hair or clothes.

Often details on jewelry is also blurry and not shown properly. This is a trick with many details. With jewelry, batches, hair, ears, text. So it's often blurred out and not shown properly because ai doesn't know what to really show here.

It's often really just the small details and when we scroll down quickly we will miss them. Like the wedding ring on the middle finger, the pens on top of a closed pocket, the batches that are always blurry, messed up faces that blend with a blurry background.

And sometimes it's so subtle that I could only really tell that right is the ai image in comparison to the real photo on the left. The real photo shows hands clearly and even when things are blurred out it doesn't feel that it's done to hide things. The ai image on the right hides the hands. There is also a very dead look in the eyes :D

And here I could only tell because the text in the back doesn't make sense. Even blurred out we should be able to make out something here

And after seeing a lot of ai images I recognize the kind of blurred out bg in combination with a very smooth and well rendered foreground/characters.

And here the only giveaway is a closer look at the backgrounds as well

To summarize it:

Ai and fake news rely on a fast living world. We are being bombarded with tons of information and messages daily and we scroll past quickly. But the best tool, for now, in detecting ai is taking our time! Those images get better and better but so far there are still always some things off!! Especially in the background!

Hair. Often weirdly smoothed out and oddly sharp at the same time

Hair often blends with the ears or the clothes

Details are blurred out.

Jewelry doesn't match (example earrings). Details on metal often blurred out and never shown. Necklaces blend with hair or the clothes, and don't go around the neck.

Background is always blurred out.

In this blurred mess there are often hidden very messed up faces and/or hands.

A very specific smooth and yet too sharp/too rendered aesthetic combines with an always blurry bg.

Text, especialyl in the background, is not legible and doesn't make sense.

Backgrounds are often (so far) the dead giveaway. Somewhere in the back things become muddled and messed up. This shows also very well in ai decor/architecture. There will be odd lines that don't align or align too well. Curtain poles that end in the furniture, a plant that is behind a lamp suddenly having leaves in front of the lamp. As longer you look as more you will notice.

Conclusion:

Take your time with images! Sit with them! Especially when it's framed as important and political news. Is it ai and propaganda, or did it really happen? Don't fall for the quick buzz and outrage! Some things are obvious right away but with others you have to take your time. And it's time you have! If you are still unsure if a pic is real or not, do some research on top. Image reverse search. Can you find it anywhere else? Are other news outlets sharing it? Does the image/message make sense? For example there is now a deepfake of Bella Hadid voicing support for Israel. Ask yourself, does this make sense? If it feels out of line compared to previous behavior, do some research! Media literacy is not just as being able to recognize a fake or real right away, but being able to do research. To question things! Don't just take every post online for face value. Even when shared by a mutual you trust. They might have been tricked!

There are so many information online and it's great to have access to so information, but it's also difficult to wade through all of it. Media and truth are a weapon and it's being twisted and bend used to manipulate. Always has! But ai and so many people being able to post and share things, it becomes bigger and bigger and more dangerous. So don't just take everything that is handed to you and share it further no questions asked. Media literacy and being able to think for ourselves and do the research is important!! And as research becomes harder and harder, as sources are being messed up with ai and other fake news, it's even more important to sit with the images and study them. See the flaws, the mistakes. Compare it to other news and images.

This got long, and I started to ramble at the end. Sorry But I hope this helped

[eufezco]

THE MUSE

Benedict needs to practice female form. Naked female form. And who better to help him than his lifelong friend?

Benedict x fem!reader (smut with plot, friends to lovers) + no use of y/n. english isn't my first language (!)

Benedict didn't know how to ask you.

You had been friends for a long time, your families were practically one. Always so united, your mamas took walks every afternoon, gossiping about the ton and your fathers had been friends since childhood. You and Benedict were bound to meet.

You and he grew up together. You were friends with his siblings, you had held sleepovers with his sisters and won cricket matches against his brothers. Lady Violet Bridgerton loved you like a daughter and your mother loved Benedict like a son.

But your friendship with him had always been special.

When you were twelve, you ran away together to camp on the riverbank, just because Benedict wanted to draw the moon reflecting in the water at night. The following year, despite the scolding you received for your river adventure, you and Benedict sneaked onto private land just to pluck a few petals from the summer sunflowers to get him the perfect shade of yellow.

You and Benedict were very close. Of course, there had always been rumors about what kind of relationship you two had and that Lady Whistledown had only added more fuel to the fire writing about you two in her pamphlets. You and him never cared about that, and neither your families but it was true that you two have had to face some uncomfortable conversations with them about it.

That's why Benedict didn't know how to ask you. You had a lot of trust in each other, you had always supported his artistic vocation but perhaps this was too much.

—Oh, thank God you've come. I am in need of a model —. It was the first thing Benedict said to you when you entered his studio. The maid closed the door behind you, leaving you alone with him. Thank goodness the Bridgertons' service was very discreet, if anyone found out that you and him were alone in a room it would cause quite a scandal.

—Good evening to you too, Benedict.

—My apologies. Good evening —. He leaned to kiss your cheek.— I need a model —. He let you know one more time.

—How have you been? Very stressed from what I can tell —. You tried to have a normal conversation with him before you paid attention to what he required.

—Indeed.

You sighed. —Well, what is it? I thought we were going for a walk.

He nodded. —We can go outside later. But I need to get this done by tomorrow and I feel like I'm losing my mind.

—And...?

—I need practice female form.

You slowly nodded. You were aware that Benedict had been recently attending this art academy, you were happy that he was finally able to pursue his passion and you couldn't deny that within the characteristic desperation of the artists, he looked very attractive. Benedict's hair was a mess, his white shirt was half-open, his sleeves were rolled up. He would never have allowed himself be seen in society like that and you were grateful because otherwise he would have all the girls after him.

—And you want me to...?

—Pose for me.

You weren't quite sure how to do it but it seemed easy and fun. All the times he had drawn you, he had done it when you were distracted, reading, having tea with his sisters... The pencil moved effortlessly across the paper when he saw you laughing with Daphne or playing with the cards that Colin had brought back from his trip to Spain. He was already too embarrassed to admit each time he drew you and Anthony teased him by saying that if he didn't propose to you, he would show you his drawings, and Benedict's heart skipped a beat because he knew that his older brother was not known for being a joker.

Benedict still didn't know how he was going to ask you, maybe it was better to just let it out.

—And what shall I do? Just stand here? Like this? —You laughed and made a dramatic pose like the ones you saw in the paintings in the gallery you visited together.

—I need you to ...

Benedict swallowed nervously. He looked down at your dress and then directly into your eyes. You raised your eyebrows, waiting for him to finish. You also looked at your dress to see if there was something wrong with it.

—Benedict I don't think I understand what you are trying to say—

—I need to practice naked female form.

Benedict immediately noticed your horrified face. He wanted to go back seconds ago when he hadn't even asked but if it wasn't you, who would it be? —I will not draw your face. No one will know it is you. It will be purely professional, I just need a few minutes.

You bit the inside of your cheeks and decided to trust him when he said that it would be for professional purposes only. The unfinished nude sketches that made your cheeks burn when you saw them as you entered his studio showed you that Benedict found no inspiration in the bodies of the academy models. After a nervous swallowing, you nodded and Benedict's face lit up. He hugged you but you didn't have time to hug him back because he quickly went to prepare the canvas.

—Is the door locked? —You asked him as you shed the little jacket that covered your shoulders along with your gloves. Benedict rushed off to lock it and before he returned to his position behind the canvas. You called his name and gulped, your hands failing in their attempts to unzip your own dress. —May I please get some help?

—Oh, yes, of course. My apologies.

Benedict stood behind you, his fingers brushing the skin on your back as he began to slowly unzip it until the dress slid down your body and fell at your feet. Benedict felt like he had to look away, as if in a few seconds you would not be completely exposed to his eyes. He offered you his hand to help you get up on a small pedestal that he had in his studio. Once you got rid of your underwear, you felt vulnerable but not as vulnerable as when Benedict ran his eyes over your body from his position and with the paintbrush already in his hand.

He let out all the air he had in his lungs, he couldn't take his eyes off you. Benedict could not deny that he had imagined it on many occasions, but reality far surpassed his imagination.

—What... What should I do, Benedict? —You hugged yourself.

—Put your arms down and stand like that. You look perfect, darling.

Your cheeks burned after that. You did as he said. His brow was slightly furrowed in concentration as his eyes went from the canvas to you and back to the canvas. Benedict asked you to turn around and he squeezed his eyes tightly after seeing your bare ass. Purely professional, this was purely professional, he had to remind himself.

Benedict grabbed a wooden chair and walked over to you. Your heart skipped a beat once he was so close to your naked body and he felt the exact same. He placed the chair next to you and invited you to sit on it. He nodded slowly when you did, focusing on the new position of your body. Benedict went back behind the canvas and made a few sketches.

He cleared his throat. —Would it be possible if you... Could you spread your legs?

Your cheeks grew hot and you squeezed your thighs together.

The knot you had in your stomach got tighter and you felt your chest rise and fall slowly thanks to your deep breathing. You straightened your back in the chair and you did as Benedict asked. You felt the air of the room caressing you in that warm and wet area and he held his breath, his chest puffing out as your legs slowly opened for him.

—You are beautiful, darling. Do not be ashamed —. Every new inch he discovered of your body made you look more perfect in his eyes. It was as nice to see you as it was to paint you.

Your cheeks grew even hotter but this time it wasn't just your cheeks, your whole body was in flames starting with the area between your legs that was so exposed to his eyes.

—Could we try another position?

You nodded, relieved, you were sure it was painfully obvious the way you had gotten wet and you just hoped he was busy enough to not notice.

He dropped the paintbrush and got up from the stool on which he was sitting. Benedict felt the knot in his stomach grow tighter with each step he took closer to your naked body. You moved in the chair out of nervousness. Benedict leaned slightly over you. —May I? —He asked before touching your leg. His voice made you shiver, he was so close, you felt his hand brush against the skin of your thigh. You nodded and looked up at him while he repositioned your leg. Benedict's eyes meet yours, so helpless, his lifelong friend, was that innocence in your eyes, or was that...?

Lust.

Your hand grabbed the back of Benedict's head and pressed his lips against yours. His eyes widened in surprise but immediately after, his hands went to cup your cheeks as he fell to his knees in front of you. You opened your legs so he could place himself between them and be closer to you. The shameless hands of your friend traveled down your neck until they reached your breasts. You moaned against his mouth once he gave them a gentle squeeze, the soft palm of his hand brushing against your nipples.

Benedict left a trail of soft kisses from your cheeks to your collarbones and your breasts. He took one in his mouth as his hand played with the other, his tongue moving in circles around your nipple and sucking on it at the same time. Your breathing quickened and your lips parted to let out soft moans when Benedict's teeth brushed your sensitive nipple.

He let go with a pop sound and watched you gasp for air. Benedict placed his hands on the inside of your thighs and caressed your skin there before he slowly pushed them to open even further. His hands prepared you for him, his eyes asked for your permission. You nodded and Benedict flashed you a smile, that was all he needed. He peppered your thighs with kisses, taking small bites and kissing your sore skin afterwards. Your breathing deepened as his mouth got closer to where you needed him the most. He was so close he could smell you and oh Lord, his dick got hard as a rock at that moment.

You took a sharp breath when he licked from your entrance to your clit and savored your juices in his mouth. The image was completely sinful, his blue eyes were locked on you while his lips sucked on your bundle of nerves, his hands forced your legs to stay open for him. Your head was thrown back, your mouth was open in a perfect "O" form, your fingers digging into his scalp. Once he noticed the desperation in the way your hips rolled against his mouth, two of his fingers entered you easily. You stifled a loud moan, throwing a hand over your mouth.

Benedict hummed, sending vibrations to your clit.

—Talk to me. How does this feel? —He required.

—So good. It feels... —You bit down your lower lip, his fingers sank deeper. —It feels like heaven.

He was satisfied with your answer.

Benedict fucked you with his fingers until you had to grab his wrist to get him to stop, it was too much. Your legs closed around his head but his lips were still attached to your clit and he didn't stop until he heard how your moans turned into whines and cries, not until he noticed how your back arched off the chair and your chest rose and fell uncontrolled thanks to your panting. Benedict didn't stop, not until he felt how your pussy was clenching so hard that almost pushed his fingers out of you and he heard you moan his name one last time as your grip on his hair tightened.

He gave you all the time you needed to catch your breath, kissing your legs and intertwining his fingers with yours while you came down from your high. Benedict's blue eyes were locked on you making every effort to later recall every single part of you.

—How are you feeling, darling? —Benedict stood on his feet and held your hands so that you would stand up as well. Before you could answer his question, you both realized how your legs were shaking and laughed. At the same time, you felt Benedict's grip on your hands grow stronger to keep you from falling.

Benedict leaned in and kissed your lips in the sweetest possible way. The tickling sensation in your body that you felt when you were naked in front of him had turned into a different kind of tickling, now focused on your stomach. It was so familiar, you had felt it so many times when you looked at him but now, with his lips on yours and his hands treating you with so much affection and care, it was different.

You could confirm that it was not only lust but also love.

You hummed against his lips. —Wait, did you finish your drawing?

Benedict shook his head. —But, please, do not worry about that. I will help you get dressed —. You frowned confused and he gave a quick kiss to your lips so, as he had told you, you would not worry. —I can finish later. There's no way I'm forgetting your body, my dear.

[creatingblackcharacters]

Lesson 7: "That's the Black one!"- Imagery and "Black-Coded" Characters

Now, you see me writing it!! I'm writing the lesson on Black-coded, non-human characters!! Y'all better go tell your friends and reblog, y'all been asking me forever about it!

This one was a bit hard for me to write. It didn't feel… New. It felt like a regurgitation of everything I'd already discussed. I was honestly confused every time people sent me questions; I thought we all understood how it worked. But I realized: that's not a bad thing! We can consider this an application of everything we've learned so far, because that’s all coding is, is an application!

The Definition

Coding (in media): giving a character or a group certain traits (physical or cultural experiences) that are similar to/that of a real-world specific group, without explicitly saying this fictional group is the real-world group. One may or may not mean to do it in their writing (which is where the opportunity for racist stereotype can leak in).

E.g., “queer-coded characters” gets used a lot on Tumblr; whether accurate or not, it is understood to mean that the blogger sees their/a queer identity portrayed by that character, or that the character was written with ‘queer’ traits in mind. Another example; Darwin Watterson is a goldfish in a world with no humans, but Darwin is Black-coded. The Fishmen in the One Piece Live Action are fantastical creatures, but they are Black-coded (of a very specific type of Black person; even!)

Youtuber KermitCurry explains and reinforces what I’m also going to explain here, but with a cool drawing of (the gorgeous) Grimmjow. She’s a Black artist and animator; go check her out and support her!

Here is a list of a few characters both canonically and Black-fanonically Black-coded:

When Coding Characters as Black

To keep it simple: if the rules apply when designing and writing a Black character, the same rules apply when designing and writing a Black-coded character! The moment you decided that this nonhuman entity was going to resemble a human group of people, you were obligated to be aware of the cultures and stereotypes of those people!

You can’t have a Black-coded character, emphasize a stereotype of Black people, and then say “oh, well, it’s not actually racist because they’re actually a cat-wolf creature!” Yes, it is. You’re still being racist, and upon noticing or being told, there’s no need to be defensive about it- just acknowledge ‘ah yes, I’ve messed up, I'm sorry for my actions’ and then actively work towards a better design or writing that does not include those things.

Example: Hair

Let’s say you want to draw hair on a fish-like Mer species, and you want them to be Black-coded. It would still be racist to give that Mer-woman pickaninny hair, even if "well they're not really Black!" You could find fancy fish scales or seaweed or something fish related to draw ‘Black hair textures’, so that we understand what it’s visually supposed to represent while still being fantastical. Or a robot! Someone mentioned tubes for locs, and you could do curly wires for twists. It's possible! Get creative!

I’ve been asked numerous times about Black hair on furries. Not that I’m the most educated on furries or furry culture- I am not- but they’re already anthropomorphic animals that talk, have human hobbies and habits, and often have pretty rainbow colors. It should not, then, warrant a complaint of “unrealistic” if you respectfully add Black hairstyles to them.

Example: Species

The point about furries actually brings up another good point. Watch out when you're coding Black characters on animals or animal-like species. Often people will have the “dark-skinned, struggling with balancing their humanity monster” Black/Black-coded, and the “pale skinned monster that somehow understands this battle more than them and can save them from themselves”. This is rooted in racist imagery.

I have mentioned it before in response to an ask, but if the only people you find yourself coding as your ‘monkey/animal/monster/beast’ creations are Black and/or dark-skinned, you are- however intentional it is or isn’t- replicating a racist, dehumanizing pattern in league with King Kong and ‘ravishing the white woman/body’. I’m not inherently ‘rugged and masculine’ as a queer Black woman, thus meant to be pushed into the werewolf role. Black men aren’t beasts that can’t control their violent impulses, thus meant to be pushed into the animalistic role. Why do you think Black bodies being beast-like is sexy? Why do you think we are not physically capable of delicacy? Of gentility?

This doesn’t mean that Black characters can’t be werewolves or those sorts of creatures- but you need to be writing/designing with intent, and that means recognizing when you just ‘thought it looked cool’, and that thought turned out to be a racist belief upon further reflection.

Example: Skin

Let’s say your demon species has dark grey skin bc they're rock people or something- yes, the grey skin is because it's a demon species, we recognize that it's not desaturated brown skin. Fine. But God forbid that this grey-skinned ashen group of Black-coded characters are the unequivocal villains? And everyone else that isn’t Black-coded are the ‘good guys’? But ‘it’s okay, because they’re not Black, they’re grey!’? Yes, this is still racism. There’s no getting out of it.

Example: Intelligence

If your Black-coded species is the one that is ‘less cultured’, ‘talks funny’, supposed to be ‘stupid’, or in need of some good (white) character to ‘change their ways and become better people’… Just don't do that. I should not have to say this. Black people are not less intelligent, or ‘more inclined to brawn over brain’, 'more likely to act out of instinct', ‘in need of more education/direction’, or every other reason that was used to justify our enslavement and now, present arrest and imprisonment rates.

Example: Culture

This segues from my last point on intelligence. There’s arguments on coding species that are meant to be "savage" or "inhuman", giving them stereotypical loin cloths or tattered clothes and having them "need to be saved". Now, I'm not informed enough about D&D to make valuable commentary on the existence and history of orcs. However, if you've decided to create an Orc culture, and it's clear that your imagery is taken from Black and/or Indigenous cultures, in addition to the language of savagery and white saviorism itself… That's extremely racist. And if you're thinking "Ice, of course no one would do that in 2024", Yes. Yes, they would. The bar is low, but don't ever assume people can't, don't, and won’t find a way to limbo under it.

Black and Brown people don’t need to be ‘saved’ from our own cultures or ‘introduced’ to anything. We don't need to be 'made better'. If that’s the narrative that you find yourself buying into while you write your story, Black or Black-coded characters, you need to step back and evaluate.

How This Imagery Lasts

Jim Crow Museum- Racist Cartoons and Anti-Black Imagery

This is obviously not everything I could put here as a example, but I wanted to offer a small example of how heinously racist imagery has made its way into the present. From depicting Serena Williams as an overgrown, childish, large-lipped Black woman (and whitewashing Afro-Japanese woman Naomi Osaka into the ideal, victimized blonde white woman), to Lebron James’ Vogue photo (this Black, married man now suddenly slave to the intensity of ball and white women for this cover), to the entirety of the Black Pete festival in the Netherlands.

This is imagery and behavior that evolves and lasts. What you put to paper will have an effect on someone else's ideas. You might not even think you believe these things, but someone looking at your art or reading your work will think you do! You should not want to be evoking any of this, coded or not, regardless of ‘if there’s a human involved’ because frankly… well, people already don’t see Black people as humans. We need to be treating our Black and Black-coded characters with care, and that means doing good research and avoiding replicating caricatures.

[steddieas-shegoes]

pop goes metal

for @corrodedcoffinfest prompt 'alternate universe'

rated t | 964 words | cw: language | tags: famous corroded coffin, pop star steve harrington, flirting, getting together

🎤🎤🎤🎤🎤🎤🎤🎤🎤🎤🎤🎤🎤🎤

"No fuckin' way are we working with him," Eddie argues with their manager. "You're always so worried about our image and then you go and have us doing a song with a fuckin' pop artist?"

The manager, Anthony, rolls his eyes. "It'll broaden your fanbase. You know who spends money on shit? Women. You know who likes Steve Harrington? Women."

"Does he even write his own shit?" Gareth asks.

"Does it matter?" Eddie turned to him with a glare. "Even if he writes it, it's not our style."

"Maybe we could at least hear what he's trying to work with us on?" Jeff, always the calming presence, asked towards Anthony.

"He sent over a sample before we sign any agreements."

Eddie sat down in the chair furthest from everyone else, crossing his arms over his chest.

"Now, this isn't an official recording. Just what he did on his phone on his tour bus with his acoustic guitar. He arranged the bass already for Frankie, too, but said he's open to whatever Gareth feels is right for the drums." Anthony pressed play on his phone and the room was filled with strumming and a surprisingly raspy voice singing what was clearly a chorus.

Eddie could pretend he hated it, and maybe the guys would agree with him and they'd never have to speak of this again.

He couldn't hide his reaction fast enough, though.

His jaw dropped as he listened to the lyrics, surprised to find that they weren't just about going to a club and dancing or being in love.

Steve's voice broke at the end before there was shuffling and the recording stopped.

Eddie felt everyone's eyes on him. He closed his mouth and looked down at the floor, tapping his fingers against his arm.

"It's not bad," he finally said. "Not sure why he needs us, though."

"Apparently, his brother is a huge fan of you and suggested he try to work with you."

"I think we should do it." Jeff said, a note of finality in his tone that Eddie knew he wouldn't try arguing with.

"Yeah, can't hurt." Frankie shrugged.

"If he's giving me creative freedom on the drums, how can I say no?" Gareth smirked.

"Guess we're working with the pop diva, then."

****

Steve Harrington was nothing like what they expected.

He showed up to their studio in sweats and glasses, holding a tablet and a bottle of Tylenol. They started to introduce themselves as he found a spot on the couch.

"I'm really glad you guys were willing to work with me," he said after he shook everyone's hand.

Eddie stared.

"My uh, my brother, Dustin, he's kinda why I wrote this song and I know it means a lot that you agreed to be on it," Steve continued. "So, thanks. Hopefully it doesn't ruin your vibes or anything."

Eddie felt every wall he built crumbling with every word Steve spoke. God dammit, this man just had to be sincere and hot and talented, didn't he?

"Nah, we're gonna sound great together." Eddie smiled at Steve's wide-eyed look. "You wanna show us the whole song?"

Steve nodded, pulling something up on his phone. Another recording, this one more professional and included an electric guitar.

"Robin was the stand in for the electric while I did bass."

"So you can play bass?" Frankie asked, leaning in.

"Yeah, but my preferred instrument is piano. I just don't do a lot of slow songs. Guitar is what gets the women interested, or so they tell me," Steve smiled awkwardly. "But feel free to change some things up. I'm totally open to suggestions."

But really, it was damn near perfect as it was. Frankie made one tweak during the bridge, but Steve ended up loving it more than the original and told him so with a grin.

"You're a fuckin' genius!" He exclaimed.

Gareth started messing around on the drums while Steve and Eddie worked on the first couple of lines.

"Something still doesn't feel right," Steve mentioned.

"Maybe we change the rhyming pattern?" Eddie suggested. "You've got ABAB. Might work better to do AABB. Some of these words can be moved around to make that work."

Steve stared at the notes app for a moment, then looked back up at Eddie, beaming smile making his eyes squint.

"I could kiss you!" He shouted. As soon as he realized what he said, he blushed, looking back down at the phone. "I mean, thanks. That's a great suggestion."

Eddie searched Steve's face, coming to the conclusion that there was probably a good reason why Steve didn't care about what women liked when it came to his music.

"I have a pretty strict rule about kissing people I work with," Eddie said slowly, quietly so they wouldn't be overheard.

"Yeah, no, that makes sense. I didn't mean to make you uncomfortable or-"

"But we won't be working with each other for long, right?" Eddie continued, letting his hand rest on Steve's thigh. God, he was muscular.

"Um. No I guess not."

"Rain check, then. Until we've finished our professional relationship." Eddie couldn't believe he was suggesting this. Showing interest in a pop star. What's next? Dating one? Marrying one?

"Are you saying you wanna kiss me, Munson?" Steve suddenly sounded more confident.

"I'm saying we've got work to do before I can get my hands on you." Eddie tapped his thigh before pulling away. "So let's get to it."

"Dude! I got it!" Gareth yelled, interrupting their moment.

"Be right there!" Steve yelled back, not looking away from Eddie. "Might break a record for fastest recording time ever just so I can kiss you," Steve added quietly to Eddie before standing and walking over to Gareth.

"Well, fuck." Eddie sighed, smiling to himself.