#captured views

[transbirds]

Blue Jay (Cyanocitta cristata)

© captured views

[birdygotback]

Woodhouse's Scrub Jay (Aphelocoma woodhouseii)

© captured views

[passerine-free-pass]

Woodhouse's Scrub Jay (Aphelocoma woodhouseii)

© captured views

[theminecraftbee]

Joel turns around. Martyn is standing there. His eyes are a burning red that gives Joel the heebie-jeebies. If anyone would know to be scared, it's Joel! He would! He'd recognize a mad dog if he saw one anywhere!

Anyway, all of that is to say that his high-pitched scream had been totally justified. "Oh my word Martyn what are you doing here?" he says, clutching his hand over his heart, several feet further back than he'd been thirty seconds ago.

Martyn snorts. "Is the sign not for me? Figured there was no one else it could be for."

"The what?"

"The sign."

Joel turns around. Outside his base, the other Mounders have hung a helpful banner: "SORRY EVERYONE YOU LOVE IS DEAD <3".

He'd told them it was kind of rude, hanging that up. Sort of made light of the whole thing, really. His wife and Mumbo and Jimmy had died, guys, don't be idiots about it. Bdubs had loudly told him that he was TRYING to be helpful, Joel, geez, why don't you appreciate his efforts? Pearl had shrugged and said they don't exactly make cards for this kind of thing. Joel's pretty sure they do, actually but...

Sorry everyone you love is dead. Hah.

"My wife is dead, Martyn," Joel says.

"Who, Lizzie or Jimmy?" Martyn says, weirdly dark. "Anyway, my husband's dead, so--"

"Your what?"

"Mumbo and I got married one time. Everyone forgets that for some reason."

Joel has to think about it a while. "Huh."

"Yeah. Anyway, you've still got the other Mounders, huh? Don't know what you're crying about. Thought the sign had to be for me. Thought I'd show up. Get cake. Kill some people. You know how it is."

"If there's a TNT minecart in my base, the first thing I do after I turn red is kill you," Joel says.

"That's not really how it works this time," Martyn says.

"Yeah, well, screw you," Joel says. "Also, they didn't make me any cake. I should ask them for that next. Hah. A cake."

"You know, maybe don't ask for that? Parties tend to go wrong in this game."

"And who's fault is that, huh?"

"Hey, don't look at me! Or, do. Since I'm going to kill everyone, on account of everyone I love being dead and all. Really convenient excuse for murder, that. I should use it more often, if it didn't involve the crippling grief," Martyn says.

"Oh, please. At least you tend to have people to love in the first place," Joel snaps.

"Oh, right, that is your curse, isn't it?" Martyn says. "Sorta broke it last time, but you do tend to get isolated and a bit crazy. Hey, I wonder if we're the ones who traded, actually what with the whole wolf thing."

Joel blinks. "What?"

"Oh, we're all cursed," Martyn says. "After all, They like it better that way. Hey, do you think Jimmy's curse transferred to Lizzie, got cancelled out by the fact Lizzie tends to die stupidly, or got broken? Personally, I'm thinking random fluke, when it comes to canary nonsense."

Joel stares at Martyn. His throat is dry. "What?"

Martyn stares back. "Hey, I'm the mad dog this time," Martyn says. "You probably shouldn't be the one growling."

"Well then, you should stop saying stupid shit," Joel says.

"Stupid? Please. It's obvious everyone is cursed. Nothing to be done about it but to play into the--"

"NO ONE IS BLUMIN' CURSED," Joel shouts, his vision suddenly red and blurry in a way it shouldn't be when he's still on yellow. "NO ONE IS BLUMIN' CURSED. THERE'S NO SUCH THING! YOU'RE JUST, JUST MAKIN' UP REASONS IT ISN'T ALL A TRAGEDY THAT EVERYONE I LOVE IS FUCKING DEAD, MAKING UP REASONS THAT IT--NO ONE IS CURSED! IT JUST HAPPENS! IT JUST HAPPENS! IT JUST FUCKING HAPPENS! AND WOULDN'T IT BE BLUMIN' NICE IF THERE WERE A HIGHER POWER BUT THERE ISN'T SO SHUT THE FUCK UP ABOUT CURSES!"

He's panting. Martyn is staring at him. He stares back, a snarl on his teeth, the echoes of wolves and of grief, grief, grief, grief playing at the back of his throat.

"Joel?" Martyn says, hesitant.

"My wife is fucking dead. My best friend is fucking dead. One of my new possible best friends is fucking dead. Sorry about your husband, I guess? Get out."

"Bold thing to say to the guy who can kill--"

"I SAID GET OUT!"

Martyn stares at Joel a moment longer, and Joel finds he's not scared of the madness in his eyes at all.

Martyn leaves.

Joel realizes he's crying. The tears turn into giant, ugly sobs. Sorry everyone you love is dead. Sorry everyone you love is dead. Sorry everyone you love is dead.

"I blumin' hate caring about people," he says to no one at all through choked breaths, and he kicks a rock at the banner for good measure. It pokes a little hole through it and bounces off the dick-shaped tower behind it.

"Someone really should have made both of us a blumin' cake, they should," he says next, and he sits down until Pearl runs over, having heard the shouting. His face is red and his vision is still swimming. She stares at him, gathers him in her arms, and cries with him, and for the life of him, he doesn't know if that's any better.

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[solardrake]

bny's updated ref for 2023!

[gummi-ships]

Kingdom Hearts 2 - The World That Never Was

[zytes]

7.15.23

[solcarow]

seafood trio portraits !

+ some alts. with spoilers !

[cherry-flavoured-thot]

"Child of man, may I see some of your sketches?" Malleus' question surprises you, for two reasons. The first that moments before you were sketching him, which you had assumed he hadn't realised considering he hadn't look in your direction once.

The second that you hadn't even mentioned to him that you even drew sketches. But you supposed the sketchbook and pencil in hand did make the latter rather obvious. You aren't sure if you want him to see your sketchbook, a singular drawing of him would be easy to explain away, but the several, page consuming ones, would be a bit more complicated.

"I would appreciate it if you would even permit me a single glance at the current page in front of you." As if reading your thoughts, he gives you room to reject his curiosity, and while part of you considers doing so, his inquisitive expression is enough to show him the page in front of you.

"I was sketching you." You confess, heart beginning to pound as his expression refuses to give away any of his thoughts as he examines the various sketches of him on the page. Eventually he looks back up to you, a smile tugging on his lips.

"I am honoured that you would chose me as a muse." Your face feels hot, searching in your brain for a reply that doesn't give yourself a way.

"Well you're a rather good one," is not what you want to reply with. It hints at too much, it peaks his curiosity further, you can tell from how his eyes drift to the corner of the page. But if he figures that this isn't the first time you've drawn him, he doesn't voice it. "Anyway, I should really get going." It's an excuse, you really don't want to have to explain why you don't want him to see the rest of your sketchbook.

"Of course, thank you for showing me your sketchbook." He pauses, meeting your gaze before continuing. "It's fascinating to see how someone else views you."

"I hope you didn't find it offensive."

"Nonsense, I'm flattered. You seem to view me quite favorably, if your sketches are anything to go by." Part of you wants to say that he doesn't even know that half of it, but the way that he stares at you, his lips curled up into a smirk. Makes you think that he may be onto you.

[markantonys]

THE WHEEL OF TIME | 1x06 → 2x06 → 2x08

[lesbeet]

vernazza, cinque terre, italy (june 2023)

[thefrsers]

Caitriona Balfe during the JW Anderson fashion show(9.16.23)

[theartoffresco]

[pjoinorangeandpurple-abandoned]

pjo in orange and purple: a series of daily polls with only two choices

we don't need gray (reddish-brown) areas where we're going

here, we ask the question "which one is more true?" instead of "which one is true?"

reblog for sample size!

send a suggestion for something in tlt to @drberfarious (guidelines here)!

[sodantics]

I need to repost my favourite Grian I've ever drawn here actually. Sand restock for the beloved season 7 barge