#cast member information

[welcome-to-neighborhood-park]

Wally Darling and Home

Playfellow Engineering prides itself on the accuracy of Neighborhood Park's cast! Meaning few changes were made to the characters' original designs. Wally's only noticeable differences are his height and small apple details. Home is life size replica of the original source.

Characters Information Below

Ah Wally Darling, the main character and very face of Welcome Home! He's kind and easy-going, and the friendliest neighbor around. He's always excited to show visitors around the Neighborhood and would love to join you in seeing all his friends!

Wally doesn’t have his own attraction other than his Apple Picking Ride, rather he free roams the park itself and interacts with everyone. The Neighborhood is his attraction! He’s also known to leave drawings scattered about the park. We don’t know how he reaches the roof of Eddie’s tour truck, but if you look up you might see the little vandal’s work! Wally always carries extra crayons and will happily give you a pack if you ask nicely.

Wally’s The Most Apple Picking Ride is exactly what you think it is! Visitors get to take a ride through a small apple orchard on decorated Apple Picking Baskets. During the ride, the baskets slow down to a snail’s pace to allow taller riders to reach out and pick apples on nearby branches, without leaving their seats of course! [Picked apples are not edible. Picked apples are exchanged for 1 edible apple at the end of the ride.]

Height: 48 inches with hair. Top of head is 42 inches. Eye Color: Black Age: mid 20s Additional Details: apple shaped buttons on cardigan, pants pockets, embroidered apple on one end of necktie

Sentient. Aware.

Home is in the center of the neighborhood and certainly the liveliest house around! Home has agreed to hold the showcase of all things Welcome Home. Home is not just Wally’s house, but also a museum showcasing the original show and park's history. He guides visitors through the tour with the help of a translator as he opens doors and waves his curtains!

Original records, scripts, merchandise, and more carry all the memories from the show and is truly the Heart of the neighborhood! All the props on display were lovingly donated to the museum by the owner, such as Eddie donating his original mailbag, he always keeps a spare after all! [There are no puppets in the museum. Strange.]

Height: 13 feet Eye Color: Black

Sentient. Aware.

[scarland-artbook]

Last but not least! Our 7th category 💃

[silentgrim]

https://www.tumblr.com/silentgrim/758555644672557056/httpswwwtumblrcomsilentgrim75855516772986060

He’s a Zionist for starters

he actively advocates for Palestine, has raised donations, and has donated millions himself to Palestinian funds—

[biocrafthero]

Some more Wolves Den playlists just dropped! Some songs are from the non-spoiler playlist too because they fit the vibes.

Temperance

The Chariot

The Star

The Moon

The Devil

(The list/names are referring back to this post btw :3)

[whatithinkaboutdarkshadows]

Episode 508: Old tricks

In #473, we saw that wicked witch Angelique had traveled from the eighteenth century to the year 1968 to reimpose the vampire curse she had once placed on old world gentleman Barnabas Collins. In a single day, Angelique met Barnabas’ distant cousin Roger, bewitched him, and married him. This secured her a home in the great house on the estate of Collinwood. Barnabas lives in the Old House on the…

[elv--eyera]

Searching for more information definitely isn't going well

[bat-the-misfit]

half of the world talking about the barbie movie, the other half talking about nimona and then there's me, Uncle Bat, still waiting for the goofiest teen mystery movie brazil will ever make

[captainkippen]

just leave all the heartstopper kids alone. they are not objects for your entertainment. they're people. have some basic fucking respect.

[catwomanofzolar]

can i be on ride the cyclone tiktok without actually being associated with the ride the cyclone tiktok fanbase

[chronosbled]

{ I think this border is pretty nice to be honest, and I like the way it makes my icons look as well. }

[unproduciblesmackdown]

i went through this account’s handful of videos from this show, and i’m pretty confident that’s will roland, next to harrison chad as quince, despite the view being mostly obstructed from the angle this whole time. he’s Most Visible for a moment at the very end lol. since the costuming is just a buttonup and tie w/no especial “it’s This character, or Any character” cues, i’ll guess he’s “will roland” at this point, though that doesn’t mean he wasn’t appearing in some other capacity earlier. every pre-2018 xmas wrole cited in that tweet has been accounted for, but that doesn’t mean he hasn’t been some of those characters more than once, as is definitely true for uncle peenie appearances

[welcome-to-neighborhood-park]

Last But Far From Least, Sally Starlet

Playfellow Engineering is thrilled to introduce Home's very own, out of this world, show stopping star herself, Sally Starlet! The star is the same she always was but with an added flair to keep the theater spirit aglow!

Character Information Below

Sally Starlet is a shining star with a bright imagination to match. The most exuberant neighbor in Home, Sally’s a firecracker with a passion for theatre and adventure! Once a bright star in the sky, Sally fell down to Home to be somewhere she could truly shine. She’s Neighborhood Park’s very own shooting star! Sally is always promoting and hyping her next grand performance and will hand out programs for the upcoming show to anyone willing!

Sally’s theater is the place to go to see all the talent in Home! Stage plays, singing, dancing, and more can be seen right here in this very neighborhood. Sally directs all her shows with her neighbors filling up the cast. When there’s not a show visitors can tour the theater and see what makes it shine. You can even find Sally herself enthusiastically telling visitors all about her spectacular shows! Also in the theater, visitors can get face paint and be stage ready with the help of our makeup artists!

One Star’s Journey is an exhilarating ride that tells the story of how Sally discovered Home and fell from the sky! Become a shooting star with this out of this world experience! From her early days shining in the sky, to the fantastical high-speed drop, Sally’s One Star’s Journey is sure to knock your socks off! This ride is the second in Neighborhood Park with the highest measurement requirement.

Eye Color: Blue Height: 4'8" or 56 inches Age: late 20s Additional Details: red and white tap shoes, star shaped spats, matching white buttons on overalls, blue feather tucked between rays (like behind the ear, but she doesnt have ears), glows in low light, back orange rays can spin

Sentient. Unaware?

[s0dium]

Warning: Gojo fucking you in his domain

You are suspended in the celestial infinity of Unlimited Void, your senses ensnared in the vast expanse that mirrors outer space itself.

Oh, and you are being fucked.

Stars and distant galaxies cast a surreal glow, as raw, boundless information floods your mind, yet in this bewildering cosmos, you are not alone. Gojo, stands ontop of you, inside of you, his touch a grounding force against the sensory torrent threatening to consume you.

"Come one baby stay with me, I know you feel good I know."

You cant even open your mouth to respond. Gojo's presence becomes the eye of your storm. His fingers brush against yours, and the chaos that raged within you calms instantly; his touch shields you from the domain's crippling effect.

Now, all you can focus on is the feeling of euphoria coming from your core. Each of his thrusts, every time he drags his dick in and out of you, it is enough to send you to a euphoric grave. His rhythm is slow, and careful, treating you like you are glass that could break at any second. But his thrust are hard, the tip of his dick hitting a spot inside of you with such perfection your toes curl from the pleasure.

Gojo's eyes, those endless pools of blue, lock onto yours, and in this realm where time and reality seem to bend, he leans in. The kiss is a contradiction—both a surge of adrenaline and a peace beyond measure. Pleasure, intense and unbridled, washes over you, each sensation amplified by the void that engulfs you both but cannot touch your shared moment.

"God you are so beautiful." He murmurs and you almost cum right there and then from his words. And you do. As your nerves ignite and you fall off the cliff of pleasure, you can feel him, really feel him. Feel the twitch of his member inside you, feel his length scrape against your walls with delicious friction. Your tongue falls out of your mouth and your eyes roll back. Your whole body experiences this orgasm with such unbridled force that you shake. It's maddening. It's euphoric. It's him.

[jadevine]

Preindustrial travel, and long explanations on why different distances are like that

Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/

I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.

Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember

Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my

--

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.

If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

—

UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.

But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!

Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.

Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.

The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.

Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )

[reyalvr]

SHE’S MINE | 00

CATCH ME, I’VE FALLEN IN LOVE FOR THE FIRST TIME.

synopsis ┊ thrust into the spotlight, ken sato had easily become the next big thing tokyo had seen in decades. alongside his fame came the inevitable string of rumors, of which sprung forth scandals and discrediting information against his image. of course the obvious and most rational solution would be to address them like every other celebrity, but this was ken sato; nothing would ever be rational with him, which is how you wound up with a ring on your finger and the sato name in your papers.

genre ┊ fake dating, fake marriage, idiots-to-lovers, friends-to-lovers, mild angst, chaotic fluff, smut

pairing ┊ ken sato x fem-PA!reader, ken sato x fake-wife!reader

warnings ┊ mild cursing, eventual smut, mentions of alcohol, all events in ultraman: rising take place a year after kenji moves back to japan, RUMORS isn’t related to anything that happens in this series

word count ┊ 798

author’s note ┊ YAY i finally wrote it! i really love the fake dating/marriage convenience trope and i’ve been itching to write it with kenji. this is highly inspired by one my favorite books of all time, terms & conditions by lauren asher! if you enjoy fake dating i highly recommend reading it. as mentioned at the top, this is only the prologue! i'll be putting out part one and the series masterlist asap hehe... as always, happy reading!

prev. | next

SOMETIMES YOU WONDERED IF ANYTHING YOU SAID EVER STUCK WITH KEN. For the past year and a half, you had the supposed “dream life” that every assistant yearned for. It confused you, really, as you tried to ponder on what part of your job was envious. Were the late nights drafting NDA breaches so desirable? What about the press statements after altercations, were those résumé worthy? You let out a deep sigh as you watched Ken from the TV in his dressing room, crossing your arms as you sunk deeper into the couch.

He was on a press tour for his latest collaboration, his overconfident persona charming everyone left and right. You had to physically stop yourself from rolling your eyes when he used his signature flair to charm the show’s host. At least he was sticking to the script… for the most part. He wore the product, threw in a few adlibs, and of course, flirted. Be it a talk show host or a random photographer on the street, Ken always found a way to leave people smitten with him- save except you. 

It’s not like you were actively trying to hate him, he just made it so easy. At first you thought it was just some awkward phase, like he was just trying to adjust to working with a new team. But then he just kept doing the same things over and over again. A brawl with an opposing team member? Just another Sunday night. A rumor about having a fling with yet another supermodel? Sounds just about right. 

“I mean of course I have to thank my team,” Ken’s voice cut through your train of thought. “It was a dream of mine to play for the Giants as a kid, now I actually get to do it.”

Tone it down, asshole. You thought to yourself, noting the sarcasm laced in his words. Of course the general public wouldn’t have caught on, but you had no doubt his coach and the other players would. Then again, he’d been relatively untouchable because of his rank in the sports world. You poked your tongue into your cheek, shaking your head as you sat through the rest of his interview. The clock on the wall counted down the remaining time, the bright red numbers casting a reflection on the screen. Two minutes left, and all he had to do was to keep the act up…

…Until he didn’t. Nothing could’ve prepared you for what was about to happen next. 

“Now I don’t want to hold here any longer, but you know I have to ask it,” The host teased, almost like an overexcited child ready to tattle. “Any special someone back home?” 

Ken chuckled, just like he usually did when asked the question. “Cheeky question,” He paused and grinned, his eyebrow raised slightly as he shrugged his shoulders. “What if there was?” 

“Well, is there?” The host pushed, his tone eager to have the Ken Sato answer such a juicy question. He gestured toward the crowd before he continued. “I mean there are a lot of fans here today who would love to know more…” 

“Yeah? And if I said yes, then what?” He replied, his smile growing brighter and his eyes shining. 

The crowd cheered even harder, itching to find out the truth. You shared the same sentiments, trying to figure out what the hell Ken was up to now. Did he have a girlfriend? If he did, why didn’t anyone know about it? You stood up straight now, your right hand deathly gripping the remote. What the hell do you have up your sleeve, Kenji Sato? Your inner voice seemed to yell as you waited for him to speak up. 

“I mean only time will tell, yeah?” The host replied, leaning back in his seat. “C’mon Ken, it’s not nice to keep secrets.”

Ken mimicked the host’s moves, leaning back into his sofa chair as well. He shrugged his shoulders, licking his lips as he fiddled with his fingers. He bit the inside of his cheek, and though it was brief you caught it. You knew that look; his look of contemplation. Your grip on the remote was still taut as your breathing seemed to quicken the longer he waited. Granted it was only a few seconds, but those seconds felt like hours. 

He tilted his head slightly then, his eyes staring directly at the camera. It slowly zoomed closer to focus entirely on him, and he let out a small laugh before he finally replied. His gaze was strong, and it almost felt like he was actually looking at you.

“Yeah, yeah I do.” He finally said, throwing in a lovesick smile for good measure. “And she’s the best damn thing in my life right now.”

reyalvr © 2024 … do not repost, alter, or steal my work.

[dduane]

Hello.

I've seen you posting detailed information about the WGA strike and wondered if you had any suggestions as to how those of us not directly involved can show our support for the Union?

Okay, bearing in mind that all this is entirely subjective at the moment (and so far lacking any more useful input from other sources): a few thoughts.

This will be my third WGA strike. (My first one was in 1988, just after I'd made my first live action sale—s1e6 of ST:TNG). And the thought keeps occurring to me at the moment that this time out, there's a potentially gamechanging player on the field that wasn't there before: truly pervasive social media.

(Adding a cut here, because this goes on a bit...)

In 2007, social media as we now understand it was still in its cradle. Now, though, those of us who're striking can make our voices much more widely heard. And so can those of us who're not, but just want to show solidarity. Last time, the AMPTP was able to do pretty much what it wanted without the public noticing or having even a medium-profile way to make their feelings known. But this time? Not so much.

So as an otherwise uninvolved person who wants to show solidarity, I'd start with something seemingly low-value. If I was on Twitter, I'd start routinely tweeting about the strike and my support for it—not obsessively, just persistently, a couple/few times a week—using the Twitter hashtags that are gaining ground even now, such as #DoTheWriteThing (and of course #WGAStrike). I would make sure I was following @WGAEast and @WGAWest, to keep an eye on what's going on.

Additionally: I would start politely, but repeatedly—again, maybe once or twice a week at least, and not stopping—tweeting the various major players in the AMPTP, especially the streamers: Amazon, Netflix, Hulu et al. I would start suggesting that their current attitude toward the WGA's contract negotiations is not only unrealistic but potentially (for the AMPTP) bad for business. (And self-destructive, too, as if this goes on much longer in this vein, they'll be seemingly eagerly casting themselves as The Baddies.) I would suggest that their bad behavior, if not amended by them coming to the table to bargain in good faith, might start affecting both my interest in their shows and my willingness to keep paying unreasonable people for access to them.

I should emphasize here that so far there've been no formal calls from anyone for boycotts or subscription cancellations. For the moment, this strikes me as wise. The point for WGA-friendly observers, right now, would be to keep what's happening to the writers visible: to keep bringing it up: to refuse to allow it to be swept under the rug. The "They only want two cents on the dollar!" angle seems potentially useful the more it's repeated. The point is to keep the repetition going: to make it plain, day after day, that the other side's being not just unreasonable, but greedy. Day after day, and week after week, and (if necessary: please Thoth may it not be...) month after month.

And tweeting is hardly all that can be done. Email is cheap and easy. But actual letters, written on actual paper and mailed, can still create a surprising amount of attention in a corporate office. (The saying in TV used to be that for every person who actually writes in about an issue, there are ten, or a hundred, who feel the same way but never got around to it.) Write letters to all the AMPTP members' CEOs, and make your feelings on the WGA's core demands politely plain. ...Especially when those CEOs collectively made almost three-quarters of a billion-with-a-B dollars in salaries last year, when many of the writers working on their shows can't afford rent.

After that: here's another thought, a little more physical. If by chance you're in an area where one or the other of the Guilds are picketing: turn out and support them! Honk when you pass: and if you're interested, show up and offer to walk the picket lines with them. These things get noticed. (In 2007 a bunch of us, both Guild members and non-, caused significant astonishment by turning out to picket AMPTP members' offices in Dublin.)

...Obviously not all that many people are going to be positioned, in terms of location or their own work and time commitments, to show up physically. But online? Find ways to keep this issue visible. The AMPTP wants this to go quiet, wants people to get bored with it, wants people to find reasons to blame the writers. They've tried spinning the story that way before. Don't let them pull that shit. Find ways to back those who're calling them on that, publicly. They do respond to this kind of thing (though they may strenuously deny it). If enough attention continues to be paid by the general public, they will blink—if sometimes excruciatingly slowly, as Disney began to blink over the dispute tagged #DisneyMustPay.

As viewers, and as viewers who pay for subscriptions to things, we far outnumber them. Help be a part of making the AMPTP understand that this quest for a truly fair deal is not going to go away. And the longer they try to act like the Guild's negotiation positions are beneath their notice, the more it's going to hurt them, and the stupider and greedier it's going to make them look.

...That's all I've got for the moment, as I need some lunch. :) ...But I hope this has helped. And thanks for your concern, and your desire to stand in solidarity with us! It's so welcome. :)

ETA: here's a link to the Guild's social media toolkit, for those who'd like to change PFPs or icons, etc., to show their support.