#cause like. there's NO WAY that didn't kill people right

[save-the-villainous-cat]

hurt//comfort with hero or villain tending to the other person’s wounds please….. tyty..

"I..." The villain felt their hands shake. How on earth were they supposed to handle this? Them being here in the hero's house was already too much contact, too much of a mistake. The villain was a mess, that much they could admit.

But was it because they had failed to do their job? Or because the damage they had caused was (inexplicably) too much for them to fall asleep to at night peacefully?

"Hm," the hero said. They closed their eyes. Jogging pants and a simple shirt had exchanged the fancy clothes from yesterday's evening and they sat on their couch, messy hair falling into their eyes. "Here to finish the job?"

The villain didn't find the right words. To be more precise, they didn't find any words at all.

In the back of their mind, the villain laughed at themselves for missing, but another part of them cursed themselves for picking up the gun in the first place.

It had been a simple order. To kill a target.

Killing people for money was merely work for the villain, nothing more. They had never had any ill feelings towards their victims, had never questioned what they were doing. It was as simple as it could get: a simple request, a simple answer, a simple amount of money. But when it had been clear to them that it was the hero, the person who got in their way regularly, they had felt worse than ever.

Although yesterday was already somewhat of a blur, they could remember the horrible feeling in their gut when they had seen the hero at the party through the spotting scope.

Their enemy was highly skilled and the villain had felt like a coward. Like someone who stabbed them from behind. The hero deserved a good and fair fight, not this.

Once the hero had been alone on the balcony, looking over all the other buildings, the villain had made up their mind. Their enemy had looked calm. Peaceful even. They had placed the glass of alcohol on a table nearby. They had leaned against the metallic bannister of the balcony and had stared into the villain's direction, almost as if they could sense them.

They could remember the way the hero's hair had moved in the wind. How tired they had looked, how the fresh air had cooled down the blush on their face.

So, for better or for worse, the villain had taken in a deep breath, aimed at their target and…missed the hero's head.

They had shot their shoulder instead. Had watched the hero's surprise, the quiet gasp, had watched as they had fallen to their knees, had looked around. Confused. Panicked. Desperate.

And the villain had stayed there on the rooftop, hadn't dared to move.

The hero had stood up, gone inside as quickly as possible, had grabbed their jacket and excused themselves. They had left the party without anyone noticing they had been injured and no one - the villain assumed - had gone after them to check if everything was alright.

The villain supposed the hero was good when it came to lying, when it came to excuses.

Now, the villain stared at them. Why were they here? Why hadn't they done their job?

It had been a clear shot. One entry wound, one exit wound. Not deadly. But very, very nasty. Why had they missed on purpose?

"You're bleeding," the villain said quietly. The hero's eyes followed the villain's gaze and together, they stared at the hero's shirt which slowly started to get drenched in blood.

The hero sighed.

"Shit. That's my third shirt this morning. Do you know how difficult it is to get blood stains out of clothes?"

"I...I am aware, yes." The villain didn't know what to do with their hands, they didn't know where to move, what to say. They had never been this stunned, this incompetent. But the hero acted instead of them. They headed for the bathroom and the villain followed like a dog without any hesitation.

"Thank you for missing, by the way," the hero said. They took off their shirt while they were walking and the villain did not miss how much they struggled with their injured shoulder. The villain wanted to touch them, wanted to help but in the last second, they withdrew their hand and the hero didn't even notice the villain's intentions.

"I'm a lousy shot," the villain said.

"Everyone knows that's bullshit." The hero came to a stop in the bathroom and the villain nearly bumped into them when they set a foot in the room.

The room looked like a scene from a horror movie. Blood was everywhere, bandages were everywhere. Pills were scattered on the ground, bloody clothes were hanging over the sink, the toilet, the bathtub.

"Excuse the mess, will you?" The hero crouched to pick up the green first aid kit.

And the villain didn't know their body was capable of those feelings. With their heartbeat in their throat and their heart sending waves of pain into their chest, the villain feared for a moment that they had gotten horribly sick in the last few hours. Judging by the dark circles under the hero's eyes, they had spent most of the remaining night here in the bathroom, trying to fix two wounds. One of which they could barely reach.

"Sit down." The villain managed to keep their voice steady. They swallowed, tasted bile. They were...angry?

"Just give me sec-" Not at the hero, though.

"No. Sit down. Right here, right now," the villain ordered. They put their hand on the hero's healthy shoulder and pushed them down until there was no protest. Once that was done, the villain kneeled behind them, put a flat hand on the hero's naked back and observed the doings of their bullet.

The wound on the hero's back was barely treated - it had been bleeding long before the villain had noticed the bleeding on the other side. Dark reds, fleshy pinks and sickly blues mixed together and created a gruesome painting the villain had seen too many times before but could barely handle now.

"You need to see a doctor," the villain decided.

"Pff, I'm fi-" The villain put minimal pressure on the red and purple bruises around the wound and the hero gasped hard enough for the villain to fear they would throw up any second.

"I can't tell how much your shoulder blade is damaged. If the bone splintered..."

"I'm fine," the hero said.

"I can stitch the wounds but that's all, you need to see a doctor nonetheless."

"I have never needed a doctor."

"I am not asking nicely," the villain said and this time, their voice cracked. The hero turned their head to look at them but the villain's attention was on the wound.

Or maybe they were too afraid to look at them.

"Honestly, I am not a resentful person, but let's not forget who did this in the first place."

The villain leaned back a little, the words stuck in the back of their throat.

"I'm..." They couldn't, they simply couldn't say it. They started to whisper. "It's just a job."

"Just a job," the hero sneered. They grabbed a clean cloth and pressed it into the open wound they could reach. Without another word, they grabbed the needle, cleaned it and gave it to the villain, along with some thread. "...like I said. I'm not resentful."

The villain got to work and pierced into the hero's skin. They could hear the hisses, the weak laughs to overshadow the pain. It wasn't pretty - soon enough the hero’s blood was running down the villain's fingertips but they did (somehow) manage to fabricate some decent stitches.

"...you don't have to say it. I forgive you either way," the hero said through gritted teeth. "And it doesn't matter anyway. You're...you are here now."

Once the villain was done, the hero turned around and the villain, for the love of them, couldn't look the hero in the eyes.

"But it was an order, wasn't it? You didn't just decide to shoot me."

The villain cleaned the needle and started again. This time, however, they could see the hero's grimaces, not only the pain in spasming muscles but also the pain in their eyes, the exhaustion between their words. And that made it more difficult.

The villain wanted to touch them, to comfort them. But they couldn’t, just like they couldn’t apologise to them.

There was something wrong with them, something broken within them. What kind of person couldn’t whisper a simple apology?

"Yes, it was," the villain said. Their hands were still shaking a bit.

"I was pretty drunk when it happened," the hero admitted. "And my adrenaline was kicking in immediately. At first, I barely noticed. Once I was home, I was crying instead of screaming. Didn't wanna wake up the neighbors. I honestly thought this was it."

The villain didn't answer. Their heart was heavy enough and even though the hero didn't consider themselves resentful, forgiveness was still arduous to ask for and even harder to deserve.

"Please," the villain said. "Please, just hate me. It would make this a lot easier for me."

"I'm not here to make it easier for you," the hero said and with that, the villain finished the stitches and felt even worse than before. They supposed they deserved it, but whatever peace of mind they had longed for, the hero didn't give it to them.

Instead, they gave the villain undeserved compassion, horrible understanding and infuriating kindness. It was enough torture for the villain already.

[gloveslut]

oda died. chuuya has no idea.

babe, i'm back. ... hey, what's going on?

i'm leaving.

you're what? 'samu, did something happen?

stop fucking using that tone. or my name.

what the fuck? can you explain?

explain what?

everything?!

you knew it was only a matter of time. i don't know why you act surprised.

you don't wanna talk about it?

no.

...where to?

none of your business.

but osa- listen, you swore you wouldn't- ever-

i didn't swear shit to mafia.

...fuck no. that's not how you talk to me, you fucking piece of shit.

get off of me.

you're leaving me too! you swore shit to me!

you're nothing more than one of my mistakes.

i know you're lying, fuck, what's gotten into you?

i'm not lying, i can't bear even looking at you now.

but why? dazai, it's unfair to-

oh, and you're always fair to me? i know you're seeing someone else.

...who? tell me who told you that and i'll rip them apart, because it's fucking bullshit.

you're bullshit. all of you. it's your nature. quit playing the victim.

this is ridiculous-

and what are you gonna do about it? beg for me to stay? again? aren't you tired?

you know what? i am. because saying shit like that out of blue is too low, even for you.

i need to pack my things, get out of my-

who's blood is that? the hell is-

mine! it's mine cause i felt uneasy! stop sniffing around, you're not helping!

this doesn't look like- like- you know, there's too much of it, dazai, i don't understand-

you don't need to understand, chuuya, please, stop trying to get closer. you're not special. i'm not gonna take you with me so we can run off into the sunset.

but you can't do it completely on your own, god, are you even here with me?

i'm the one thinking critically right now. i can get killed otherwise, and i'm not gonna be alone.

...you can't just throw it at me like that. can i at least know when it started?

when what started?

well, your falling out? i guess i should've seen it coming with the way you hated introducing me to literally anyone.

i'm not here to fight about it with you.

but you accused me of cheating first thing i came in, idiot!-

i'm not- i was talking about him.

who? ...odasaku? ... fuck, i'm sorry for assuming- whatever, you do realise he's not gonna be here for you forever?

...chuuya, please.

i'm not trying to scare you off and obviously i'm not any better but-

please stop. some... people were here, but they left, and it's not so bad. it's gonna be fine and we're gonna find the best place to hide, i don't care what you think of it, we're gonna be- fine-

honey... i didn't mean to make it worse, it's o-

no it's not! you know nothing about me or my friends, i'm begging you- just- fuck off-

i know it's hard and-

don't touch me! ... god, just go away.

...so you mean it.

yes. i fucking do. now leave. you can get suicidal and stick around this burnt house as long as you want later.

...fuck you. i can't stand you anymore.

oh yeah? news to me.

yeah, cause i fucking loved you! i put everything i had eating me from inside away and stayed with you up untill this point. i made my whole life evolve around you. jesus, i even grew my hair for you!

uh-huh.

and guess what! i never fucking liked it this way. i barely got anything out of whatever we had going on. you didn't even wanna give it a name. cause i'd eat it up. and i did.

right.

fuck, dazai, can't you have a heart for a minute?

yeah no, not around someone who thinks of me as crazy, but thanks.

i don't- what the fuck are you talking about?

all the... nice treatment you gave me was always based purely on the fact that i'm fucking broken and that you should fix me. not only it's incredibly fucked up, you also just can't. you always play god here and there but you don't carry the power of one, not even close.

now, i didn't even-

chuuya, please. i'm asking kindly. i can easily get it over with, but i don't think it'd be either rational or pleasant for you.

...just like this?

yeah. just like this. if you can't accept that you're not needed, then you earn all the hostility. i'm done with all this shit. let us both finally have peace. ... that look doesn't exactly evoke peaceful feelings in me.

i... i have so much to say, to- to ask before- and there's not enough time- huh, it seems like it's never the time. i don't know if i should waste my chance, though.

i mean, if you realise how useless all of our conversations ever were...

...

woah. okay. ... one last question.

if you promise to never talk to me again, go on.

...did you- it's hard not to- ...well, i know someone died. i just have to know, are you the cause?

yes and no. unfortunately, i didn't get to kill anyone this time. but i'm also at fault. great one. i'm at hurry. so may i be excused? ... you better not show up in my life later on. not necessarily because you're so distractive, it's just the way it- it has to be. have fun around here, but be cautious. you never know where your line's gonna end. or when you're gonna lose someone. i guess it would be even more heartbreaking to you, 'normal people'.

wait, are you saying-

i thought you stopped bothering me. ...nevermind. do whatever you want.

i can't believe you're doing this to me.

please, move.

dazai- baby, i was only trying to-

now, you shut it and let me go or i'll slit your throat with this shiny thing. ... cool. oh, and... your letters or anything like that will never reach me. we have nothing to discuss. nothing that is worth the effort. i also think you said everything you wanted to. ...thank you- for, uh, not whining too much. see you in hell.

[raevnq]

I've been seeing people shame mxtx for writing sex scenes in her own books. They say things like "it's so unnecessary" or "she's fetishizing them" but I don't think so. In fact if you analyze her books you understand it actually helps develop/expand more on their relationships and the characters themselves.

I'll go down the line starting with svsss

This was her first book published. The first time luo binghe and Shen qingqiu get.... Intimate it's because Shen qingqiu wants to help binghe. We already know Shen qingqiu holds him in high regard though some doubt he actually is in love with binghe. To me the scene shows his devotion and love for binghe. Luo binghe when the scene first begins isn't himself. Shen yuan knows this as well. Throughout the whole story he had been in some sort of denial. Saying things like he himself is straight or luo binghe is destined for a harem. Leading up to the scene we read Shen yuan kinda realizing/acknowledging he has feelings for binghe. While it's not spelled out plain as day it is there.

Svsss has the most backlash when read. From people saying the main couple has no chemistry to the papapa scenes. This scene and another (🍾 if ya know ya know🫡) get the MOST criticism. Now I'm not gonna lie and say I got why she wrote these scenes right as I read them. I'm also not saying people aren't allowed to have opinions. I am just tired of mxtx being painted as a weird person for writing these scenes cause some people don't like to analyze things.....

Anyway sorry I got off track😅 the scene between binghe and Shen yuan develops Shen yuans relationships and character. It's the final interaction between them that makes it click to Shen yuan that binghe is a real person who struggles and not just the character in his favorite(most hated) novel. He sees binghe as a person and wants to help. People say the scene was very non-consensual but Shen yuan is the one to initiate. He starts kissing binghe to distract him and when it starts becoming more than kissing he's okay with it. When binghe snaps out of his trance-like state he's HORRIFIED by what he did. Luo binghe would never harm Shen yuan. He asks why Shen yuan didn't push him away or kill him(🙁) and they have a heartfelt scene where Shen yuan tells luo binghe he matters and is loved.

Svsss is a tragedy written as a comedy. Most scenes are overlooked because Shen yuan's way of coping is humor. We only see things from his pov and he also likes to overlook or push past things when they get serious. This scene gets the most criticism because even he can't joke his way through it. He can't be light hearted because it's like a flip is switched and he realizes this is real, these people are real, and I care for them. Not to say he didn't know there were times he was like "oh, this is my life now" but subconsciously he's not taking things seriously. This scene cements this for him. Which is why the scene is so heartbreaking. It's not just "oh we had sex and saved the world" it's him seeing things as not a game clearly. Even if he jokes about it later you can see the change in his mindset. He loves and cares for these people and now they don't just feel like NPCs to him. They are not just a means to an end. They are REAL and that scene helps it finally click for him.

I was gonna do all of them but I'm actually starting to get mad soooo the next two will be later 😅

[thestrangesthell]

Afterlife Jobs and Civil Service

Seen a few theories and "plot hole" accusations flying around after Beetlejuice Beetlejuice and thought I'd add my own hypothesis on what the deal is with jobs in the afterlife.

This will contain spoilers for Beetlejuice Beetlejuice.

TW: This post will discuss suicide. Please only proceed if you are comfortable.

The short version: I think (for the most part) jobs are a choice and available to those who need to hang around due to unfinished business (even if they themselves don't know what that is). I think those who commit suicide do have to work for some time as it wasn't their time to die yet. They can't just board the soul train and move on to better plains. Instead, (and though rather sour in the mouth), they're met with the shock that it isn't over. This is Beetlejuice, after all. Death and life is hard.

Now, for the long version (and it really is long), read on!

Despite the fact I do personally think it's canon that those who commit suicide end up having to work (at least for a while) in the afterlife, we can't believe that purely because Otho said so. Firstly, the guy is living, pompous and has zero evidence for that statement. Secondly, he's not a credible source. He may have been "one of New York City's leading paranormal researchers until the bottom dropped out in '72," but his interest in anything can be boiled down to obsession with image and aesthetic more than a desire to get into the nitty gritty.

What we as the audience do see is people working in the afterlife that could have died by suicide.

There's the Road Kill man ("Thanks, I've been feeling a little flat!"), Juno (*who I will come back to) and most obviously, Miss Argentina. These people are working and likely (if not outright confirmed) died by suicide.

It's a weird thing to pick up on, but what about the skeleton workers?

Besides being a great visual gag, there's not really a clear indication of death by suicide here. We could, of course, suggest they died this way and have since been "worked to the bone" - as this is the Beetlejuice franchise after all, and lord knows pun-based humour is...well, pun-damental - but no other ghosts seem to have permanent alterations to their state. In the Beetlejuice universe, once you're dead, you're stuck that way. (Unless you get your soul sucked that is).

Well, that clears things up, right?

Maybe not.

For a long time, a lot of us in the fandom accepted the whole "in the afterlife they become civil servants" thing because, well, that was what we were told. But with the recent instalment of Beetlejuice Beetlejuice this is now dubious.

Why?

Betelgeuse himself.

Betelgeuse was largely assumed by many to have died by suicide. Various headcanons over the years include strangulation, hanging, poison, drowning, electrocuting himself - the list truly goes on. part of his charm is the mystery. But with the sequel, it is suggested that he died by poison from another. Delores.

Why is this an issue?

Well, if Betelgeuse didn't commit suicide, why was he Juno's assistant?

I have two theories for that.

Firstly, in line with this entire post - he died after Delores poisoned him and then chose to work up from the bottom to become Juno's assistant. He claims himself that his heart was pretty much blackened before he met Delores, so what's to stop him from wanting to take over in the afterlife after finding himself there ahead of his time? He probably feels robbed of life and hella opportunistic. It would support the theory of unfinished business and explain the random jobs we see him doing in Beetlejuice Beetlejuice. From Guide to working Immigration, man's got one hell of a resume.

Then there's my second theory, which muddies the waters quite a bit.

We didn't actually see him die after he was poisoned.

I'll let that fester for a bit...

Ready to move on?

Let's talk about *Juno!

Juno, my beloved.

Despite recent questions surrounding her cause of death, I do personally feel the cut on Juno's throat was self-imposed. The issue fans have with how deep the cut is can be answered fairly reasonable. This is more practical rather than an effort for believability. Beetlejuice is high camp and smoke pouring from the throat of a ghost only adds to its ridiculousness. Plus, it helps back up my theory that those who commit suicide are required to do some type of work in the afterlife to make up for their shortened time on earth.

The reason I believe this is that Juno seems to really hate her job - or at least hate the crap that comes with it. If she had chosen to be a caseworker, (or been given a job similar to what she did when living), we'd perhaps see her be a little more understanding to everything that was going on. Instead, she's burdened by her paperwork, sick of having to deal with issues from baby ghosts and their "routine hauntings," and the poor woman is constantly haunted by the knowledge that Betelgeuse is out there.

(While we don't know their history, we do know that Betelgeuse ended up with a bit of a liking for Bio-exorcisms. I don't think she believes him evil any more than she considers him a nuisance, so we can only assume he got caught up in trouble that threatened Juno's line of work, leading to him getting fired.)

The real reason I can suggest that jobs are largely a choice are the recent additions to the Beetlejuice universe. I'm talking about Richard, Wolf Jackson, the Shrinkers, the Janitor and all of Wolf Jackson's squad, (plus a handful of others). They all have jobs, with some having more legitimate jobs than others.

This is where my theory really comes into play.

I think all of the above characters (possible with the exception of the Shrinkers) chose their jobs. Why? They have unfinished business - just as Barbara and Adam had unfinished business in Beetlejuice.

(Of course "they found a loophole and moved on" but this is more-so to explain their necessary absence in Beetlejuice Beetlejuice. From a lore perspective, they could very well still be haunting the house for another 89 years. I (like many others now) believe the loophole was unfinished business. They had the family (Lydia) that they wanted all along and when she moved on with her life, they felt complete. Next stop: The Soul Train and The Great Beyond.)

When looking at these new characters, here's what I theorise for each of them:

Richard - Unfinished business: a family reunion. Richard died in the Amazon, away from Astrid and likely didn't get a proper goodbye. After saving her, thus seeing her once more, he could move on. It's possible too that he's not going to move on after Beetlejuice Beetlejuice due to waiting on more family to see again. But we don't know that, so I'll keep it short.

Wolf Jackson - Unfinished business: "keeping it real." Wolf Jackson seems slightly in denial about his situation. Janet has to continuously remind him that he in an actor because he gets too into the bit he's currently doing. I think the man gets completely convinced he is a spy/detective/investigator/whatever it is he is hyper-fixated on becoming. He's method, dedicated to his craft and won't move on until he feels he has fulfilled every cast-type possible for his range. He's gunning for a Gross-cer.

Wolf Jackson's squad (including Janet) - Unfinished business: supporting cast. Judging by how useless they all are, I'd hedge bets that they are actors too, waiting for their "big break" or recognition to feel satisfied with life (or death). In the Toonverse, celebrities are canon. If these universes are more aligned than previously thought, this could be a possibility.

The Shrinkers - Unfinished business: think big. These poor sods got on the wrong side of a witch doctor (although I really do think a certain B-man is to blame for this). We saw what happened when the portal to the living world opened. Those suckers saw a bid for freedom and went for it. I'd wager that they're somewhat forced to work for Betelgeuse. Maybe he's promised them 'head' (not that kind) if they do his dirty work. After all, he got his head back to normal size. Who's to say he hasn't promised them the same if they work for him? (Let's hope they read the fine print in that contract).

The Janitor - Unfinished business: a taste for revenge. To be honest, I think this guy either died by suicide or totally on accident. Either way, it was from ingesting something toxic. He's got a hankering for bleach and chemicals, who's to say this was just in death? I think he was content working in the afterlife, consuming these deadly toxins with zero repercussions.

Much of the same can be said for the Dry Cleaner. People need their clothes cleaned, he was good at it in life. Why not carry on if you're not ready to go?

Speaking of ready to go...

All aboard The Soul Train!

Another key point in Beetlejuice Beetlejuice is that (aside from Astrid, who was semi-forced to board), The Soul Train is something you board when you're ready to depart. Maybe some people are forced here and there, as there are guards stationed, but we are also reassured that Hell is an option for those who do truly fucked up shit.

(It's worth noting also that The Soul Train has other stops. The Pearly Gates, Elysium and another stop (my memory fails), all of which were DELAYED. Time works differently in the afterlife; maybe some people get jobs because the wait is truly an eternity.)

WOW, you made far! Congratulations for enduring my ramblings, here's a beetle for your trouble 🪲

After all that, here's what we do know:

If you died within a certain radius of your home, you're left to haunt it for 125 years.

If you died by suicide (and if Otho is correct), you have to work for an unspecified amount of time as a civil servant in the afterlife.

If you died via a horrific accident (Wolf Jackson, Janet and Richard), jobs are there for you and you don't even need the credentials to back up your experience.

You cannot leave the afterlife unless you are confirmed "dead dead", board the soul train, attempt to swap souls with a living person or get sent to Hell.

In summary:

Jobs are available in the afterlife. There's no expectation to "work" but there's not much else to do. If you're not ready to leave the afterlife, (perhaps you're still processing death, waiting for loved ones to meet you on the other side or even enjoying the weird and wonderful atmosphere), why not get a job?

Well...unless you're forced into one by a horny poltergeist. But that's a whole other post.

But hey, what do I know? I'm only living.

[necrotic-nephilim]

I’m gonna be honest I didn’t realize the new 52 messed with Kon that much till I read your post and now I can’t get over the potential. I’m a Tim/Kon girly at heart so I would devour anything you write exploring the 52 vs typical Kon. Also Time being in a clone sandwich is 👌.

the new-52 messed Kon up SO bad it's ridiculous. like, to the point i would personally argue he's a completely unrelated character to pre-Flashpoint/Rebirth Kon. his personality, his suit, his origin, all different. the only real similarities are the name and powerset. and even New-52!Kon's powers are slightly different from pre-Flashpoint!Kon. New-52!Kon is a clone of a future version of Jon Lane Kent, cloned by N.O.W.H.E.R.E. to provide genetic material to Jon Lane Kent, whose body was not handling being half human/half Kryptonian well, it was a whole thing. New-52!Kon is also where we get the infamous "Kon-El means 'abomination of the house of El' and Kara basically named him a slur in Kryptonian culture" tidbit, because that is the only time that's canon. (originally Kon-El was a name gifted by Clark to accept Kon as his family way back in the 90s) he also never went by Conner Kent. New-52!Kon just straight up didn't have any real human identity or connections, outside of being very close to Tim and some Titans.

the very TLDR of Kon's history is: during post-Crisis/pre-Flashpoint, a clone called Superboy is created by CADMUS. at first, he's considered to be a clone of a dude named Paul Westfield and is not Kryptonian whatsoever, he was simply made to look like Superman and only has Tactile Telekinesis as a power. then, it was made canon that actually he was a clone of Lex Luthor and Clark Kent, but Lex hid this fact and slowly, Kon developed more Kryptonian powers. he's given the name Kon-El by Clark, and is taken in by the Kents, getting the name Conner Kent. then Flashpoint happens, we get the New-52, and we're given the above version of Kon-El, who is a clone of Jon Lane Kent, created by N.O.W.H.E.R.E. who has mostly very strong telekinesis powers and some Kryptonian powers. he's with the Titans for a bit, then at the end of the New-52, he kills some aliens and feels bad about it so he decides to fuck off and is never seen again, it's presumed he's dead but never confirmed. then Rebirth happens and DC makes Jon Kent the current Superboy, we get Supersons and all that, and it's assumed that no version of Kon-El exists. just at all. he's not around whatsoever, Jon is our only Superboy. *but* in 2019, we get a new Young Justice run and the pre-Flashpoint Kon-El is back, and we're given the explanation of: Kon got accidentally teleported to this alternate realm called Gemworld and then Flashpoint happened, and since that was a Crisis Event that changed the timeline, the poor lad got *erased* from the timeline, causing most people to *not fucking remember him* and for him to remember a timeline that no longer exists. some of the Young Justice team vaguely remember him, Ma and Pa Kent remember him, but notably, Clark *does not remember him*. it's not an issue of "Clark ignored Kon in favor of Jon" it's an issue of "Kon was erased from the timeline and didn't exist for years bc he was stuck in Gemworld and Clark just doesn't remember Kon or Kon's timeline" which to me, is far more tragic but i digress. since then, Kon has been back and is present in most significant Superfamily runs, with his own recent mini-series, Superboy: Man of Tomorrow. (which was very good btw)

so basically: the New-52 fucked Kon up so bad they wrote him out of comics for years and then brought back the pre-Flashpoint version, but never *explicitly* killed the New-52 version off. so hypothetically, it's possible that there are currently two characters existing in the DC universe named Kon-El who have been Superboy. and like i said above, one of New-52!Kon's only real significant relationships was with Tim, it was the only thing the New-52 managed to get right about Superboy, his closeness to Tim. they have a *lot* of moments that read incredibly queer. and ofc, it's just outright confirmed in Dark Crisis: Young Justice that Tim had a crush on pre-Flashpoint!Kon at some point. so while comics are intent on pretending New-52!Kon doesn't exist, i am intent on putting Tim in a clone sandwich.

because i do think it's fun to play with Tim having genuine feelings and potentially a relationship with both of them. and the fucked up nature of him not fully *remembering* his relationship with pre-Flashpoint!Kon (which is a canon thing, in YJ(2019) Tim has vague memories of Kon he's struggling to piece together and understand why he cares about this guy he doesn't recognize so much) and how frustrating that is for Tim. he knows he loves Kon, but it's all foggy besides that. and so it's even *more* fucked up if Tim dated New-52!Kon before he got emo and ran off into the unknown. obviously in canon no one has told current Kon about New-52!Kon bc comics are doing the good ol' tried and true of "sweep that shit under the rug" but for fanfic, i think it's fun to ask the question of: would anyone *tell* Kon? especially Tim? who now remembers dating both versions of them? would he admit to Kon that briefly, he had another Kon? how would Tim cope with that and move on? personality wise, they could not be more different. they dress and act and look different. they're not the same person, but there's certainly a questionable factor of Tim's dating history including two Kon-Els.

the idea i've had for a while is Tim slowly starting to date pre-Flashpoint!Kon again. it feels familiar and like home. and Tim has grieved and accepted that wherever New-52!Kon is, he doesn't want to come home, he didn't love TIm enough to stay and try. so Tim takes the Kon he has, and genuinely has a happy relationship. like for once, life is good and things almost make sense for Tim. but then, of course, New-52!Kon comes back. he decides he wants to try again and he finds Tim. only to find well. he's been replaced. and technically, he's been replaced with the *original* that he didn't even know *existed*. and if being a clone is bad enough, that just makes it a hundred times worse. because imagine knowing you're actually the second Kon-El your boyfriend who you never *technically* broke up with fell in love with. that's gotta give you some kind of complex.

so i think it's fun if both Kons try to step back and let the other Kon date Tim. both of them have reasons to feel like the "replacement" or "fake" Kon, and it makes them incredibly awkward with each other. do they count as the same person? bc they definitely don't *feel* like the same person to each other, but with weird timeline stuff, who can really say. them settling on an awkward throuple that's really meant to be Tim just dating them both but somehow they end up dating each other too is so fun for me. they both feel like imposters to the Superboy name but are so deeply in love with Tim Drake, it's the one thing truly connecting them. and then of course, Tim feels bad in that somehow, he's betraying both of them for having feelings for the other. but they make it work, with a lot of awkward angst and miscommunication. i just think it'd be fun. very difficult to write to get all the weird timeline nuances down in a way that's understandable in a fanfic (bc you can't just. infodump like i did on this post) but doable. also difficult to tag, because even though i argue these are two different characters, i'm pretty sure Ao3 groups them under the same character tag. so it'd be difficult to convey it's not *really* as selfcest-y as it would imply. comics, man. DC will never acknowledge New-52!Kon again, and he's admittedly a terrible adaptation of Kon-El, but. i think he was sort of neat in his own right and i'd *love* for DC to just inexplicably bring him back and make the current Kon deal with the consequences of all that. and them make Tim kiss them both. obviously.

[justkidneying]

I see throat punches in media sometimes, and I wanted to explain why this is such a devastating (and illegal) move. Throat punches are no joke. I've always been taught that in the same way you would never point a gun at something you don't want to kill, you would never punch someone in the throat that you didn't want to kill.

Structure of the throat: the anterior part of the throat is very tender and unprotected. Out front you have the trachea, and behind that you have the esophagus. The thyroid cartilage (this is your Adam's apple) sits at the level of your voice box (larynx). About an inch above that, usually hiding up in your jawline, is the hyoid bone.

The Hyoid Bone: this is a horseshoe-shaped bone that freely sits in the anterior part of the neck (it's not connected to any other bone). It protects the airway, helps maintain neck posture, and assists with chewing, tongue movement, swallowing, and speaking. It's really bad to fracture this bone.

Throat Trauma: with any anterior neck trauma, there is going to be a lot of bruising (ecchymosis) and swelling (edema) in the laryngeal tissue. This swelling can compromise the airway, and the person can literally just die from that. If the force is in the right place and great enough, the hyoid bone will fracture. The bone will usually be fractured in several places. This is likely to also cause asphyxiation. You may also see hemoptysis (coughing up blood).

*I want to note that in strangulation injuries, the hyoid bone is commonly fractured. However, it's only found in 1/3 of homicides from strangulation. *

Timeline: okay, so obviously, the person may just grab their throat, choke, and die. But do you wanna know the part that freaks me out? The fact that patients can be asymptomatic for up to 72 hours (THREE FUCKING DAYS!!!). That's scary because the patient can be fine, they think they just have some bruising and a little swelling, then their throat starts spasming and they die of asphyxiation (crazy, right??).

Fighting: okay, back to fighting. Throat punches are not allowed in any combat sport, not even in no-holds barred (unless it's some weird kumite where you can kill your opponent). But, in normal combat sport this doesn't usually even happen on accident, because most people 1) tuck their chin and 2) know not to EVER punch someone in the neck. If it does happen, people will probably talk about it (like when a rabbit punch is thrown).

The only time I have seen a throat punch is with a kids' class (like 4-8 year olds) and that habit was quickly corrected. I think the only time it is ever appropriate would be in a life-or-death situation, but depending on the laws in your area I have no idea if it would be legal then (because you're probably going to kill that person).

Anyways, main point: don't punch people in the throat, like, ever. They may die, even if it is three days later.

[relicsongmel]

Your honor my client simply wanted to fuck around and find out

[talkorsomething]

want to cut my hair again like you wouldn't believe. What are the possible consequences of going bald

[justacupcakewithablog]

Because I can't get over it

Ppl on this site: Yeah when you hit 50 you should kill yourself before you get to old so you're not a burden on your loved ones or to society

Me: Okay but like...you saying that is like not only agiest but ableist right? Cause like you do know there are young people that have to deal with the same issues older people do? And if your solution is to just kill off the old people that mindset also means you'd have to kill off the younger people too? There are young people who can't get around or need care takers and help doing tasks like bathing or going to the bathroom, it's not just an old people thing...

[inutaffy]

"i didn't want to talk in front of archie and the others .... as it turns out, peabody had a lot to say. the bounty on your pal Archie, it's not just on him. it's on anyone who's with him or is helping him. which means there is a target on your back now too jughead. it's the same if he goes back to riverdale. archie's dad, archie's friends, everyone is at risk. which is why you got to cut him loose."

"im not just gonna ditch archie, mom! he's my best friend."

here's how j/archie can still win

[inavagrant-a]

I was today years old when I found out there's people out there who didn’t think that the death of the blacksmiths in Inazuma was not something Scaramouche did.

[beemovieerotica]

struggling with how to word this, but putting it out there anyway:

i can fully understand the posts on here from a lot of americans being tired of "vote blue no matter who" posts when the #1 thing that people are constantly (and sometimes only?) addressing is how the republican party is going treat trans/queer people if elected.

it's part of an unfortunate pattern of prioritizing the effects on a demographic that includes white + upper class people, when people of color and those in the global south are actively and currently being killed or relegated to circumstances in which their survival is very unlikely

it is genuinely exhausting to witness this, and i was also on the fence about even participating in voting because i a) felt like it didn't matter and b) every time i voiced being frustrated with the current state of the country, white queer people would immediately step in with "but what about trans people!" -> (i am mixed race trans man)

and i say this with unending patience toward people who do this, because i know that it's not something they actively think about. but everyone already knows how the republican party is going to treat queer people. you are probably talking to another queer person when you bring up project 2025. the issue is that, for those of us who aren't white, or for those of us who are but who are conscious of ongoing struggles for people of color worldwide, the safety of people around the world feels more urgent than our own. that is the calculation that's being made.

you're not going to win votes for the democratic party by dismissing or minimizing these realities and by continually centering (white) queer people.

very few people on here and twitter are actually talking about issues beyond queer rights that concern people of color, or how the two administrations differ on these issues instead of constantly circling back to single-issue politics. this isn't an exhaustive list. but these are the issues that have actually altered my perspective and motivated me to the point of committing to casting a vote

the biden administration has been engaged in a years-long fight to allow new applicants to DACA (Deferred Action for Childhood Arrivals, the program that allows undocumented individuals who arrived as children to remain in the country) after the Trump administration attempted to terminate it. the program is in limbo currently because of the actions of Trump-backed judges, with those who applied before the ruling being allowed to stay, but no new applications are being processed. Trump has repeatedly toyed with the idea of just deporting the 1.8 million people, but he continues to change his mind depending on whatever the fuck goes on in his head. he cannot be relied on to be sympathetic toward people of hispanic descent or to guarantee that DREAMers will be allowed stay in the country. biden + a democratic controlled congress will allow legal challenges to the DACA moratorium to gain ground.

the biden administration is open to returning and protecting portions of culturally important indigenous land in a way that the trump administration absolutely does not give a fuck. as of may 2024, they have established seven national monuments with plans to expand the San Gabriel Monument where the Gabrielino, Kizh / Tongva, the Chumash, Kitanemuk, Serrano, and Tataviam reside. the Berryessa Snow Mountain is also on the list, as a sacred region to the Patwin.

i'm recognizing that the US's plans for clean energy have often come into conflict with tribal sovereignty, and the biden administration could absolutely do better in navigating this. but the unfortunate dichotomy is that there would be zero commitment or investment in clean energy under a trump-led government, which poses an astounding existential threat and destabilizing force to the global south beyond any human-to-human conflict. climate change has caused and will continue to cause resource shortages, greater natural disasters, and near-lethal living conditions for those in the tropics - and the actions of the highest energy consumers (US) are to blame. biden has funneled billions of dollars into climate change mitigation and clean energy generation - trump does not believe that any of it matters.

i may circle back to this and add more as it comes up, but i'm hoping that those who are skeptical / discouraged / tired of the white queer-centric discourse on tumblr and twitter can at least process some of this. please feel free to add more articles + points but i'm asking for the sake of this post to please focus on issues that affect people of color.

[psychotrenny]

The thing with 9/11 is that no one cares that much about the death and destruction itself. Buildings fall down and people die all the time, including in the US. Like at the height of the COVID-19 pandemic you had entire 9/11s worth of USamericans dying on a regular basis. If all that damage was caused by an earthquake or faulty building practices or whatever, there wouldn't have been nearly as much fuss about it. It's not as if the insane response from US population was a matter of "two building fall down"

The reason why 9/11 was so upsetting to the US population was their widespread feelings of Imperialist Chauvinism and the subsequent outrage at seeing it so openly and violently defied. The US was at the height of its Imperialist power at the turn of the millennium, a hegemonic superpower that was dominant in some way over more or less the entire world. Whether they'd phrase it in such a way or not, most people in the US were very well aware of this; as far as they were concerned the US was truly the greatest country on the Earth. For some this was a point of pride, for others it was a simple fact of the world. This made them feel secure; bombings and mass killings might happen in those "shithole nations" of the earth but it couldn't happen over there. The US military could wipe entire cities off the map and like maybe that was good, maybe that was unfortunate and maybe it meant nothing at all. Either way that was normal; the violence flowed from the Core to the Periphery.

Until one day it didn't. One day a group of people from that Periphery, from some shithole group of nations, struck back. Now the sorts of destruction they'd seen on TV were happening right outside their window; the US got the smallest taste of the sort of brutality they had long inflicted on the rest of the world. And they did not like that taste at all. The US people as a whole went mad with grief and rage, not at the death of any people but the death of their sense of unquestionable safety and superiority. And the only hope of getting that feeling back was to inflict a revenge so terrible that no one would dare resist or retaliate again.

If bloodshed was how they'd built their empire, only more bloodshed could keep it safe. And this time they didn't even have to feel bad about it. It's not as if the US empire had ever given the world any peace, but now they had the perfect pretense to escalate it to levels not seen in decades. If they talked about this isolated and comparatively limited attack as though it was some great invasion, the US government and its supporters could take all the moral high ground of "self defence" even as they slaughtered impoverished peoples on the other side of the world. So it made sense to treat the 11 September attacks as though they were the greatest tragedy of all time. 9/11 didn't break the US psyche, it just made them express it in a more shameless way. It's not as though genocidal Imperialist violence was anything new to the USA. Afghans were just the new Apaches; the "Middle East" a new "Wild West"

[mickandmusings]

third times the charm

pairing: tyler owens x f!reader

word count: 3.8k

summary: life has a funny way of putting people in your path, and ultimately making them part of your life. but what happens when the one person you never want to see stumbles in over and over again, a disastrous tornado tearing up your path of moving on?

aka: the two times tyler owens enters and, consequently, leaves, your life at the wrong time, and the one time he comes at the perfect moment and finally stays.

warnings: reader is described in a feminine manner; why are we ignoring his bull rider trope? cause i'm not babes xx; angsty mainly, but fluff too; lovers to enemies back to lovers (sorry); this author knows nothing about tornadoes or weather so sorry

shoutout to megan moroney and her banger new album where this title and idea come from :)

-

i.

"What do you mean you're leaving?!"

Tyler shuts the tailgate of his red pick-up with a loud slam, the cowboy hat on his head nearly flying off with the force. Y/N stood just a few feet away, her arms crossed over her torso as her chest heaved in short, shaking breaths. The sunlight hits her just right, and the gold chain around her neck glimmers in the sunlight. It catches Tyler's attention from the corner of his eye-it had been burned into his mind from the moment he'd bought it with a chunk of his earnings from last year's rodeo. The chain was delicate, simple, but the charm had been the main appeal: it was gold, the same shade as the chain, but in the center of the small heart shaped pendant sat a capital 'T'. She'd worn it since he'd given it to her for a birthday present, and it had been the center piece of even their most intimate moments-her bare beneath him with only the glittering jewelry adorning her as he had her unraveling under his touch. Even the thought of it had heat traveling up Tyler's neck, and he swallowed down the feeling, along with all of the guilt bubbling to the surface.

"I'm leavin', simple as that."

"Ty, I-I don't understand. You get bucked off one time and you're giving up?! You've been riding since we were kids, I-"

He turns to her, emerald eyes blazing with an emotion he couldn't put a label on.

"I didn't just get 'bucked off', I almost got my head trampled in case you forgot!" His voice is laced with anger. He's not angry with her, he's angry with himself. After a series of unfortunate injuries in last month's local rodeo, Tyler knew he couldn't ride again, it would kill him. He'd spent the last few weeks in physical therapy and doctor's offices just to make sure the damn bull hadn't left behind more than scars.

It was better this way, he could leave his town behind, and forget about the deep, gut-twisting feeling of failure that sat like acid in his stomach. But leaving his hometown also meant leaving her.

Tyler had fallen for Y/N their junior year of high school, and they'd rarely been seen without one another ever since then. She was sweet and shy to his brash and confident, his biggest supporter-always sitting in the stands for all of his rides-whether he was the talk of the town or stumbling home, his shotgun rider, and the girl who wore his heart (literally and figuratively) on a chain around her neck. Looking at her now, with tears lining under her gorgeous eyes, he wanted to just forget all of his plans and pull her into his arms. He wanted to reassure her that he'd stay here, that he'd give her the life that he'd promised her-apple pie and babies, the perfect picket-fence life she deserved.

"Tyler, you-you can't be serious! W-What about your parents, your plans, hell, Tyler, what about me?!" Her shoulders now moved as she let out shuddering breaths, eyebrows furrowed as she grew frustrated. "Tyler Owens you promised me, you promised me a farmhouse, and a wrap-around porch, a-and babies! And now you're just gonna take off to God-knows-where to what? Storm chase?"

She stops and lets out a dry chuckle. She'd been 'chasing' with him before, vivid memories of him scaring her shitless chasing tornadoes in his truck, only to 'apologize' to her by making love in the backseat after the storm had passed. Through their time together, she, too, had grown to love the storms. Y/N took her camera into the storms with them, more than ready to capture the freakishly beautiful moments of pure disaster before it struck. She'd stand in the pouring rain next to him, laughing as wind whipped hair around her face. He'd snap a picture of her with her own camera that she'd set aside and she'd roll her eyes. They'd been happy, bonded by a mutual love of mother nature's chaos and one another. Now, she turns her back to face him, shaking her head as her bottom lip trembles.

"Ya know, I should've listened to everyone who told me to stay away from you in high school, that you'd just hurt me. I didn't believe them, not one bit, because I know you. You're running because you're scared. You don't have to run, Ty. You've never run from your fears, for God's sake you ride them! What the hell are you thinking?!"

Tears stream down her face, and Tyler feels his resolve slipping. He hadn't thought it through, not really, and now as she stands in front of him, he realizes he's only hurting her more and more. He needed an out, he needed to skip town, no matter who it hurt.

"I'm thinking that I'm a fuckin' failure at everything, no matter what I try! The only thing I'm good at is storms, chasin' them, getting close enough to see something! I fail at everything, Y/N/N, and if I stay, I'll just fail you, too. Over and over."

"Tyler, you've never failed me," she brings her hands to either side of his face, her thumb brushing a cut that still hadn't scarred over from his fall. Her eyes were blurry and her hands trembled. "Please, stay." Her voice was hardly a whisper, pleading desperately.

"You know I can't."

She nodded solemnly, wiping tears so she could take a final look into his eyes. She gave no warning when she launched her arms around his neck, all but hanging onto him like a child. He hugged her tighter than he ever had, and when she let go, he placed a final heated goodbye kiss on her lips. Y/N looks at him, her brain screaming pleas to make him stay, but she simply kisses his cheek before speaking.

"C-call me when you get there?"

He takes one last glance at her, taking her in completely, as if trying to memorize her. His eyes land on the jewelry adorning the spot just below her collarbone, the gold shining in the sunset, knowing he'd never see it on her again-if he ever even saw her again.

"You'll be the first person I call, baby."

Y/N's call never came.

She spent the summer miserable, but refused to take off the gold chain she hid under shirts. It burned her skin in a metaphorical sense, but she ignored it, just like the heartbreak that had festered into deep resentment for Tyler Owens. She'd decided to take off to the local university for a clean start, somewhere new, somewhere his ghost wouldn't haunt her. Things had begun to look up, and she found herself smiling again. The morning before her first day of classes, she almost took the chain off, but couldn't bring herself to do so.

When she spotted his tall figure sitting a row ahead of her in her Intro to Meteorology class, she pretended not to know who he was. It was only fair, he'd done the same to her. For a reason that neither of them could vocalize, they begin to hate one another. Without knowing it, Tyler had become the storm that had sparked her into chasing after danger forever, the one that had left destruction so fatal she wasn't sure if she'd ever recover.

-

ii.

"You've got to be kidding me."

Y/N rolls her eyes and nearly throws her laptop across her dorm room when she looks down at her field partner pairing. The name in bold stares back at her like some sick joke.

Tyler Owens.

She shuts her laptop with a force that could shatter glass and slams her face into her pillow to let out a scream that could have easily been heard four counties over. The universe had to hate her.

With one glance at her watch, she hops from her bed and packs her duffel, her camera slung around her other shoulder. After silently praying that this storm takes her away in one quick swoop, she opens the door to her room and stumbles down the stairs to the lobby, where he was waiting for her outside the double doors. She can already feel her skin flaming with anger when she catches sight of his towering frame, baseball cap thrown backwards over his head.

"'Bout fuckin' time sweetheart, thought the storm would pass before we even got out there!"

"Oh, kiss my ass, Owens."

She rolls her eyes and climbs into the red truck she had once been a permanent fixture in, feeling almost like nothing had changed since the last time she'd crawled into the passenger side. She had half a mind to let down the driver's side visor to see if her picture still sat inside it, but Tyler climbs in the second she thinks about it. The half hour drive is uncomfortable, silent, and laced with tension so thick both halves of the couple begin to wonder if the air supply is getting thin. But as the storm approaches, both of their eyes are locked on the massive twisting figure just ahead of them. Y/N reaches for her camera, focusing the lens as best as she can through the windshield of the truck. She sighs when the view is less than satisfactory. Without much thought, she begins to move the window crank on the door to let down the window.

"What the hell are you doin'?" Tyler's voice breaks their silence.

"What does it look like, Owens? Getting a better shot." Her body hangs halfway out the window, camera leaning out the window as she moves the lens and clicks.

"Get your ass in the truck, I'm not payin' your hospital bills when you fall out and I run over you."

She rolls her eyes and ignores him, almost her entire body hanging out the window.

"Okay, okay, get in the truck, I'll get you closer, Jesus."

She pulls herself back into the truck and rolls the window back up as Tyler moves forward down the muddy path, closer to the storm now building ahead. The wind and rain grow more intense, shaking even the bulky vehicle that could easily withstand even the most treacherous of conditions. The spiraling tunnel only moves at a more pummeling speed, and Y/N's sharp shout fills the air.

"Stop the truck!"

He hits the brake and before the truck even stops, Y/N's rolling out of the passenger side, camera raised as she captures a monster of a storm. Tyler finds himself silent, momentarily distracted-her hair blowing with the force of the wind, the smile drawn across her face, and the long sleeve button down she'd been wearing was slipping down her shoulders, exposing her tank top and-wait-he raises an eyebrow, his heart stopping. Against her neck sat a gold chain he knew too well. It stops him completely in his tracks, shocked that she still wore his initial around her neck. The sound of a roaring train pulls him from his thoughts and sends him leaning out his own door.

"Y/N," he's shouting over the loud winds. "GET YOUR ASS IN THE TRUCK!"

The barrel of wind only gets closer, the fierceness of wind making Tyler's heart race. The girl outside his truck, however, only smiles wider, raising her camera for another shot of the approaching storm.

"I'M FINE, TYLER. WIND'S NOT EVEN THAT BAD!"

Tyler huffs as his voice, raspy from yelling, shouts again.

"THAT WASN'T A REQUEST, SWEETHEART. GET YOUR ASS IN THIS TRUCK!"

She ignores his shouts, only squinting her eyes at the horizon as the wind picks up another notch, making the shirt now halfway down on her arms blow like a flag in the wind. Tyler gives her a minute to comply, hoping this was just a momentary phase of her being stubborn. After five minutes, Tyler cursed and stomped out of the truck over to her. He says nothing, picking her up over his shoulder.

"TYLER! WHAT THE FUCK?! PUT ME DOWN, ASSHOLE!"

He doesn't give in to her retorts, simply swinging her door open and shoving her into the passenger seat. He gets into his driver's side and slings his arm on her headrest, turning to back the truck around.

"What the hell is wrong with you?! Do you have some sort of sick kink where you get off on ruining my life? I had a perfect shot, it-"

"You had a perfect shot of getting sucked into a tornado is what you had, Y/N. You're gonna get yourself killed gettin' that fuckin' close!"

"Like you would care." Her voice isn't even a mumble, and Tyler hardly hears her over the sounds of the storm.

It sends a jab of pain through his heart he doesn't expect, and instead of saying anything, he lets her stew in anger in his passenger seat. When he drops her off at her dorm, she agrees to email him her half of the project, and a week later he receives it.

He opens the email to find exactly what he imagines, the most spectacular shots of a storm he's ever seen. After the report and photos are submitted, the two never speak to one another again. They both graduate under the same Arkansas sun, but lead different lives in the same area of the country. Y/N swears she sees his truck pass her every time she goes out to shoot, and he sees her in every girl that stands in a field with a camera.

Y/N would never admit that she has a burner account subscribed to his livestreams, or that she laughed and smiled as she watched him hoop and holler with his ragtag group of friends, memories of the chases they once went on filling her mind more fondly than painfully these days. And if she had one of the red and white shirts with his stupid cartoon face plastered against it, well, no one would ever know.

When Boone and the rest of his crew would stop for food and rest breaks, if Tyler saw her name plastered in a newspaper or magazine, he'd put it on the counter next to his plethora of snacks. He'd never admit he'd cut her articles out of them and kept them in a small scrapbook that lived in his glovebox, right next to the picture of her that once lived in his visor-only because a magazine cut-out clip of her lived there now, her smiling with a massive twin barrel storm behind her, the gold chain peeking from the shirt was wearing.

-

iii.

"Ty, man, this one's a beaut! She's unreal!"

Boone's voice filled Tyler's ears from the passenger seat, but as Tyler looked out at the horizon, his attention was far from the brunette that sat next to him. He saw her car before he saw her-the same rink-dink, decked out, black Subaru she'd had in college, meaning she was here on her own, not for business.

His green eyes darted to the field across from where it was parked, spotting her instantly as she stood in the tall grass, hair blowing as she brought her camera to her face, crouching down to get the perfect shot. She shook her head when she pulled back from it, enjoying the sight in front of her.

Tyler puts the truck in park and all but barrels out of the door, his boots taking him towards her, but not nearly fast enough.

"Jesus, who's that? And why's she got Ty all in a tizzy?" Boone leans over to Lilly, who gives him an incredulous look.

"That's Y/N Y/L/N, she's a storm photographer, apparently he's got some fan girl crush on her or somethin', he keeps her work in a binder."

"Holy shit! Tyler knows the Y/N Y/L/N?"

Tyler would've blushed and denied Lilly's statement vehemently, but he was too far away to hear. Instead, the whipping winds and the sound of Y/N's delightful laughter filled his ears.

"She's a beaut, huh?" Tyler's voice carries over the noise, falling on Y/N's ears. She takes a breath and turns to face him for the first time in years. She nods slowly.

"Yeah, she's gorgeous. Got some great shots."

Her throat feels dry as his eyes peer down at her. She finally braves a look up at him.

"Um, I'm not studying it or anything, just bored, really. I'll let you and your crew have her."

She gives him a small smile, but he notes it's genuine as she caps the lens on her camera.

"It was good to see you, Ty. Good luck."

"Y/N, wait. I-I need to ask you somethin'."

She pauses her steps, turning back to face the man in front of her. For a split second, he looks just like the younger version that had left her all those years ago-the hat, the belt buckle, but none of that same all consuming fear.

"Sure, go ahead."

"Why do you still wear it? I saw you, that time in college, and when you did that shoot outside of Kansas City, the picture they published of you, it-you can see it real clear."

Y/N stills, pushing back hair that's blowing in the wind as she looks at him. She could say a multitude of things-how she wore it because she'd gotten so used to always wearing it. That she wore it because she wanted to hold onto him the only way she could. She could lie and say that she used it as a good luck charm. None of them would be the truth, and she was sick of lying to him, so she simply told the truth.

"Well, all the best chasers, they carry their first storm with them, right?"

She pauses, realizing how vague that was.

"What I mean is, without you taking me through my first storm I never would've done this. I was terrified of them, and you and that stupid red truck of yours showed me how beautiful they can be, and now I capture their beauty for a living. I never would've had any of this without you, so-"

She shrugs, giving him a small chuckle. The silence suffocates as he looks at her.

"Tyler listen-"

"If you're gonna apologize, don't. I'm the one that should apologize, I left you all those years ago. That was real shitty of me, and I didn't give you a warnin' or a reason why. So, I'm sorry, for all of it."

She nods, giving him a smile. The quiet floods between them again, and she pushes back her hair again before she speaks.

"I-I watch your videos, y-your livestreams. You're still crazy, but it reminds me of when we used to chase, and you'd scare me to death, and then you'd, uh, 'apologize' for it and, sometimes it's like I'm there with you."

He laughs with her.

"I-I've got every newspaper and magazine clippin' you've ever been in. You're pictures they're-breathtakin', it feels like you're standin' in the field right there next to you. I guess that's just because I used to be and memories, ya know?"

She nodded, giving him a sweet smile, one that sends his heart racing. They both turn their attention to the horizon where the storm seems relatively calm, at least by their standards.

"Uh, Y/N? I'm sorry, I promised you somethin' all those years ago, and I never made good on it. I think about that a lot, and-just-I'm sorry."

"I forgave you a long time ago, Ty, we were kids." She pauses, tilting her head as she looks at the storm brewing. "Besides, I don't think I'm cut out for that life anymore, I like life on the road. I mean, where else do you get moments like this? The storms back home are wonders, but nothing like this."

"I agree with you there," he chuckles. His heart pounds, and the words slip out of his mouth before he can stop them. "I miss you though."

She cuts her eyes to his own, as if waiting for him to explain himself.

"You were my original chasin' partner, ya know? Plus, when things got scary, you never flinched, not really. This reporter I've got now? God help us all, can't stand much more than a strong wind."

Y/N laughs loudly before she shakes her head.

"Well, you might be in luck. I hate working for that magazine, I really, really do." She turns to face him, camera pulled close to her chest. "The Tornado Wranglers hiring? I'm looking for a job. I have a portfolio if you need it, references too."

Her statement is laced with sarcasm.

Tyler finds himself laughing now, a wide smile plastered across his face.

"I'm familiar with your work, have it on good graces that you're just what we're lookin' for. Lucky for you, we've always got room for one more, that is, if you'll have us. I gotta warn you, those over there are a handful."

"If they're anything like you, I'm likely to fall in love with them instantly."

Y/N doesn't register the words stumbling out of her mouth until they'd already filled the air between them. Without a word, Tyler grabs her hand, pulling her in closer than people who have a history like theirs should. His calloused fingers reach out to the gold pendant lying on her neck, moving it back and forth between its fingers. It had withstood their time apart-it was scratched and a little weather-worn, but, then again, so were they.

"The clasp broke about a year ago, the rest is all original. Pure gold, willing to sell it for a good offer. The guy at the pawn tried to undersell me, I know what I've got."

Tyler's chest warms, that sarcastic, witty humor he'd missed back in full force.

"Do you take alternate forms of payment?" He pulls her in by her waist with a cocky grin.

"Depends, Owens, what did you have in mind?"

He cocks his eyebrow, giving her a sort of contemplative look as his hands rest on the small of her back, hers around his neck.

"Well, I still owe you about-," He lifts his hand from around her and pretends to count on his fingers. "A billion apologies, we could chase this stunner of a storm, drop these characters back off at the motel, find us an empty field, and I could apologize like I used to...maybe?"

She shakes her head and pulls him in for a heated kiss. They're both smiling so hard its hardly a kiss, but the feelings are there.

"You've got yourself a deal, but I'm keeping the necklace."

"Wouldn't have it any other way, baby." He kisses her head, pulling her back towards his group of friends, who were now whistling at the pair, obviously catching the interaction. "Fair warning, after he finds out just who you are, Boone's likely to fall in love with you."

She raises her eyebrow, pulling away and heading towards the motley crew ahead of her.

"Guess you'll just have to chase me next."

-

taglist:

@fraaaaankiiiiieee

[simplyholl]

Filthy

Summary: After a long mission, Bucky needs you.

Pairing: Bucky Barnes x Avenger F. Reader

Warnings: Smut. Minors DNI. 18+ ONLY.

See my Masterlist Here

"Would it be too crazy if we slept together?" Your sweet voice replayed over and over in his mind. He hadn't flat out refused your offer, but he hadn't said yes either. Now as he laid under the rubble of the bomb Hydra had detonated, it was all he could think of.

You were friends, one of the only people besides Steve to make him feel welcome on the Avengers. The others were wary of him, and he didn’t blame them. He had done unforgivable things as The Winter Soldier. Now he was fighting for the right cause. He couldn't help the reoccurring nightmares of the horrors he encountered in his past. He didn't want to get too comfortable in his new life, the one Steve helped him obtain because he was scared The Winter Soldier was still lurking around in his brain somewhere.

That's why he never dated. Sam would tease him, telling him he could have anybody he wanted, but he settled for his hand every night. Bucky couldn't afford to get too close to anyone. Especially someone who was weaker than him like the opposite sex. He was scared he would lose control while being intimate and hurt or even kill his partners. So he never let anyone get too close, until you.

You came bouncing into his life unexpectedly. You were brought on the team shortly after him. He would never forget your first day. Steve introduced you to everyone at the morning meeting. You were all smiles, your bubbly personality instantly drawing him in. The others were making comparisons between the two of you immediately. You were so happy, so upbeat all the time and Steve was the only one who could get Bucky to crack his cold exterior and actually smile.

Despite your differences, you got along great. Which was a bonus since Tony liked to pair you together for missions. You worked well together, complimenting each other in ways you had never thought of. Who knew almost dying together every week can cause you to form close bonds? You were spending all your free time together. You introduced him to your favorite films, some of them were awful, but he would never tell you that. You would stay up late together watching old reruns of 90's sitcoms for comfort after long missions. Bucky would go shopping with you, holding every bag you had and never complaining.

The team thought something was going on between you. Why else would the cold super soldier follow you around like a lost puppy? They put Steve up to asking about it, but Bucky denied anything but friendship. There had never been anything happen in the whole year you knew each other. You never sat too close or crossed any boundaries, never thought about it until a month ago.

One of the longest, most dangerous missions you had ever been on finally came to a close. There had been too many casualties and you were upset. Even the comfort of your warm pajamas and favorite movie didn't ease your mind. Bucky thought you needed to be alone, so he told you goodnight and headed for his room. You called after him pleading him to stay with you. You couldn't be alone, not after that.

He hesitated, he never stayed the night with anyone because of his nightmares. Tony even gave him a pass when a mission required room sharing. He was the only one who didn't have to pair up. He was afraid he might hurt you or scare you during his sleep. He tried to tell you, but you couldn't be swayed. He found himself under your fluffy pink comforter on heart shaped pillows, surrounded by a mountain of stuffed animals but he felt oddly at home.

You tried to cuddle up to him, but he scooted away. He didn't want you too close to him while he was asleep just in case he had a nightmare. But you didn't care. You told him if he attacked you in his sleep, you would blast his dick off. That made him a little less worried. "How do Tony and Clint do it?" You asked as you wrapped your arms around him, trying to snuggle the grumpy super soldier. "Do what?" He relaxed a little under your touch. "The whole normal family thing. They have a wife, kids, the works, and they are the only ones. The rest of us can't keep a relationship for more than a month, and some only do one night stands. It's hard being a hero when you have to give up stuff like that."

Bucky considers your words carefully. "Is that something you want?" You throw your leg over him, trying to get comfortable. "Eventually, I want to settle down. I'm thinking at least ten years from now, not any time soon. It's just hard to tell who is asking you out for the right reasons or because you're famous. I can't tell you how many phones I've destroyed after dates because they were trying to live stream the whole thing. Is that why you don't date?"

Bucky tenses, explaining how his past as The Winter Soldier scared him away from anything like that. "So you haven't been having sex because you're scared you will hurt someone?" He nods and you giggle. Bucky looks at you like you've grown a second head. "I'm sorry Bucky, that's ridiculous. Your arm must be so tired! Oh my God! Do you use the metal one?" His silence makes you laugh harder. "Bucky there are super powered women you could have been sleeping with this whole time. People who could at least put up a fair fight if something like that happened, but you're okay now right? I thought the code words didn't work anymore." You rub his back soothingly.

You gasp as an idea hits you. "Would it be too crazy if we slept together?" It was like word vomit. You didn't mean to say it out loud, but you couldn't take it back now. Bucky is so still that you think he's fallen asleep. Thankful he didn't hear your unhinged suggestion, you lay your head down to go to sleep.

"You mean that?" Bucky asks after a few minutes of silence pass. "If it wouldn't hurt our friendship then, why not? I trust you. And I could hold my own if things went sideways. Plus, I'm a lot hotter than your hand, you have to admit that." The quip earned a chuckle from him. "Can I think about it?" He asks, his seriousness taking over. "Of course." You snuggle back into him, sleep finding you more quickly than you would've liked. That was a little over a month ago, neither of you brought it up afterward. You figured he didn't want to hurt your feelings, so you let it go.

Steve grabbed Bucky’s hand helping him to his feet. "I thought we lost you back there." He says leading him to the quinjet. On the ride home, Bucky thought about his life, how unhappy he had been lately. He thought of you and how he kept you at arm's length to protect you from himself. You were always so open to him, always letting him know what was on your mind. When you suggested the two of you sleep together, he was shocked. Of course, he wanted to but he couldn't. You were too sweet, he was jaded. He would end up hurting you somehow, he was sure of it. But you weren't scared of him, you trusted him.

Bucky thought of all the times he laid alone at night, masterbating when he could have went home with someone instead. He always turned them down, he couldn't risk it. He lived too dangerously. He could lose his life any moment saving the planet from the next alien attack. Wasn't it time he started living for himself? He had his mind made up when the quinjet landed. Steve told him to go get the cuts on his face and arm examined but he ignored him.

He almost ran to the elevator, not bothering to wait for Steve to get on before pressing the button to shut the doors. When it finally stopped on his floor, he walked by his room, stopping three doors down right outside of yours. He should have cared that it was three in the morning, that he would be waking you up, but he didn't. He tapped on the door loud enough to wake you.

He regretted coming straight here as he waited for you, he should have went to his room to shower first. His leather jacket was dirty and torn. There was a small gash on his arm that had finally stopped bleeding. His face was filthy and according to Steve, he had a cut there too. He probably looked terrifying. He thought about leaving to clean up, but then he heard the pitter patter of your feet as you approached the door.

You pull it open slightly at first, to see who is outside, opening it wider when you see him. He steps inside as you shut it back, locking it behind him. Bucky looks around the dark room noticing the glow from your tv. Your hair is messy, you must have been sleeping fitfully. His gaze drops to your body, you're wearing a black t-shirt that stops at your hips and black lace panties.

"Are you okay?" You ask taking in his disheveled appearance. You turn to get something to clean his wounds, his vibranium hand catches your wrist. "Bucky? What hap-" He picks you up with one arm, holding you close to his body as his lips crash into yours. He walks you to the edge of your bed, tumbling on top of you as your back hits your fluffy pink comforter.

"Do you still want this?" He asks, his voice rougher than he intended. You can't think clearly, not with him on top of you, caging you in like this. His blue eyes search your face as he waits for an answer. Your panties grow wetter with each second that passes. Your nipples are peaked under your shirt, desperate to be touched as you press your chest to his dirty leather jacket. "Yes" You somehow manage to whisper your confirmation.

His mouth is on yours again, rough and demanding, almost desperate. You cup his face with your hands, "Slow down, I'm not going anywhere." You assure him, breaking the kiss. He groans, hating the loss of contact. "Can't" He rasps, his face nuzzling against your neck. He nips and kisses the sensitive skin there, his tongue licking from your shoulder to your jaw.

His flesh hand travels to your chest, rubbing his thumb over your clothed nipple. He keeps kissing his way back down your throat until he reaches the collar of your shirt. His metal arm grabs the top, slipping underneath to get a good grip on it. He rips it down the center with little effort.

You gasp as the cold air hits your now exposed chest. But you're not cold for long, Bucky's lips capture a nipple between his lips tugging and sucking like his life depends on it while his flesh hand toys with the other one. You're not sure what has gotten into him, you never expected it to be like this, like he needs you.

He kisses a trail down your stomach to your panties. They aren't exactly see through, but they don't hide anything either. His vibranium fingers dig into your hip as he lowers his face, his pink tongue licking up the center of your soaked panties. You whimper underneath him, your fingers sliding in his hair, pulling at the short strands.

He grunts as he licks you through the lacy material. You try to close your legs around his head, hoping to bring yourself more relief. Bucky's steel grip on your hip tightens as he brings his flesh hand to your thigh, pulling it off him. He opens you wide, continuing his desperate assault on you. "I need more, please." You whine, needing to actually feel him against you.

He thankfully takes mercy on you, removing his hands to grab both sides of your panties. "Lift your hips for me." You do as your told, and he slides the unwanted garment off of you. He drags you to the edge of the bed, lowering himself on his knees in front of you. He parts your thighs, metal hand returning to its rightful place on your hip. You place your leg over his shoulder, taking a deep breath as the anticipation makes your skin prickle.

His hot breath on your soaked core makes you tremble. You feel him smirk against you. "I havent even touched you yet and you're shakin' like a leaf." A dark chuckle escapes him and he dives in. His tongue flat against you as he gathers your slick, bringing it to your clit and swirling it around. He moans, loving the way you taste. He wraps his lips around your most sensitve part, drawing you in, causing your hips to buck upward.

His grip on your hip tightens, a bruise beginning to form under his thumb. "Be a good girl for me. Stay still." His voice is soft, gentle, a complete contrast to his actions. He alternates between sucking you roughly and licking you slowly. You squirm underneath him, you're so close. He suddenly stops, removing his face from you.

His flesh hand rubbing your stomach, before laying his arm on you forcefully to keep you from moving. "I said stay still." He growls, his tongue swiping your clit before he sucks it between his lips once more. It takes every ounce of concentration you have to not writhe against him. You've never seen him like this so needy, almost feral. He's like a wild animal slurping you down like you're the first thing he's eaten in weeks. You don't dare to disturb him. So you lie as still as you can, letting him have you.

He needs this. He needs you. He flicks his tongue expertly over your clit, sendng you spiralling. He holds you down as he takes all he wants from you. He's not satisfied until you come three times. Your legs are wobbly, you couldn't get up if you had to. Tears stream down your face from how intense it was. He finally stands, unbuttoning his pants, sliding them down just enough to free himself.

He adjusts himself between your legs, filling you up. You gasp, grabbing onto his grimy leather jacket for support. You wonder why he didn't bother with getting undressed, but you don't mind. You love how dirty he is. How the filth on his jacket rubbing against your bare chest is the sexiest thing in the world right now. How you can see the cut on his arm, dried blood on his sleeve. You don't know if it's his or some Hydra asshole's, and you don't know which is hotter.

His hair is disheveled. His face is scraped, dirt from the mission caked on him, remnants of your arousal still on his mouth. He fills you completely over and over, holding you as close as he can. His pants rub the back of your thighs as he pounds into you. You caress his face, "Can I be on top?" You ask quietly, afraid you'll offend him some way in his feral state. He flips you so his back is on your mattress. Normally you would be upset that your sheets were getting dirty, but you didn't mind at all. You place your legs on either side of him, sliding down his length. Your ass hits the fabric of his jeans as you take all of him.

You look behind you noticing how big he looks on your bed. His leather boots covered in mud, hanging off the edge. A gush of arousal floods his lap, his hands hold your thighs, pulling you closer. You begin to lift yourself up and down on him, your legs still shaky from your earlier orgasms. Bucky notices you won't be able to keep it up for long, so he clutches your hips, taking over. He thrusts underneath you, your hands land on his shoulders needing to steady yourself. You love that it's giving the illusion that you're in control, your body on top of his, but he's calling all the shots, moving your body like he owns it.

You've never felt so full. It's as if Bucky can read your mind, his flesh hand pressing on the bulge he's making in your stomach. He works you harder now, his vibranium thumb coming between you to swirl your clit. Your vision goes blurry, stars bursting behind your eyelids. You come with a loud cry of his name. He follows shortly after, spilling inside you. He holds you close, as you listen to his breathing slow down as he drifts off to sleep while still inside you.

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[izzysarchivedblogs]

i think greer should be unhinged.