#cause the spn heaven is as fucked as good place heaven

[quietwingsinthesky]

Also Uriel surviving means he would have met Jack eventually and that would have been so fascinating and funny to me. TFW is concerned with ‘oh no will Jack turn out to be good or evil?’ which is mostly just code for ‘how human is he going to act?’ Meanwhile Uriel is babysitting him like Crowley from Good Omens going, “and remember, we may crush humans underfoot because they are destructive and terrible, and we are angels.”

[minalblood]

Ok so my brain decided to deepen its own damage last night as I was rewatching The Winchesters (season 1) finale so buckle up it’s a long one fellas.

So I was listening and when I heard Keep on Rambling come on during the bar scene with Joan, my mind went huh, I wonder where this is placed in the album. So I went and checked. Mainly I was curious cuz usually an album tells a story and Jensen made it pretty clear that unlike the previous two albums where they were just trying shit out, this one was meant to be more consistent and have a clear throughline. So as I said, I checked.

It’s the 6th song btw, the 1st of the 2nd half of the album. I kind lost it after that tbh. Let me explain why ok:

So if we go by the logic that the album tells a story and we tie it to Dean (and destiel cuz duh tbh) we have this shit happening: Right Kind of Trouble - you can tie this to SPN directly, this is Dean realizing that Cas is basically it for him despite the constant fights they’ve been having and more so allowing himself to acknowledge that. Basically this is the Purgatory apology. Like legit this song is to me what Dean really wanted to tell Cas, that Cas didn’t allow him to. This is a love confession itself, one that says I know I fucked up, but If you give me a chance again I will do so much better cuz you’re it for me, we match. Like look at this shit guys:

Like this is pure divorce era Deancas and you can’t tell me otherwise, but more specifically, Dean thoughts as he eventually apologized in 15x09 The Trap.

Then we got Forever ain’t Long. This for me can of course still be about the divorce era, sure, but more so it feels like 15x18 Despair and regretting having gotten to this point and now it being too late to change anything cuz Cas is dead. Like how much clearer can it be? Like it’s literally a plea for time to turn back and for the relationship to go back to being as it was before all the mess Chuck and just the divorce era caused, but cannot since Cas is dead (Take me forever/forever ain’t long). And also, just this song screams Despair to me, it’s one of the saddest ones on the whole album, it reeks of grief. And it’s a direct call for Cas with the heaven line off the bat:

Also this part? This is mindspace for sobbing on the floor and 15x19 vibes for me.

Next is Every Light, the ultimate Dean song right? Well specifically this ties into 15x19 - telling Chuck he can just have his ending, just bring Cas back - and more importantly, and it’s also something I think we all heard, it’s about what shall not be named, the fucking 15x20 finale. I don’t need to bang on too much here but like, it’s even more than that. Because with TW 1x13 we find out he decided to stray from heaven while we were still mid ep 15x20 which means these are him going, hey I need to do sth about this, I need to figure out what’s wrong here, make sense of it and make it right cuz fuck this, I ain’t just taking this shit hand I’ve been given. Like I could literally put the whole song here but like imma put just some:

This is pure intergenerational trauma banging around in his head.

Ain’t no telling is next on the list and this is now heading into Winchester territory a bit, but not quite fully there. I see it as a continuation of the above aka I don’t want to go, but now that I’m gone and it’s not good, why is it not good, who am I after all, does anyone really know and does it really matter? And by anyone I do mean Cas tbh cuz like yea, it would make sense. The song literally says hey, you love me through all of it, despite me not always being sure who tf I am or how far away from each other we are, but we are still going to take advantage of every second we have. Basically this to me feels like a retrospective of the divorce arc put into context by the confession and this restlessness and need to find something Dean gets while in heaven. Like the 1st verse if soooo Dean I just can’t.

Ok now we get into shady waters a bit because You make me Blue is a bit of an outlier tbh, which considering I think this was written just by Steve, it makes sense, buuut I can still fit it in here seamlessly like this: this is sung to Chuck. This is the realization or resolution to the question posed by Ain’t no telling essentially. This unsureness of self isn’t lying with Dean alone, this was brought on by Chuck and his machinations so the anger in the song matches perfectly. Again, all of this til now has been gearing up to leave heaven but still on the road so to speak, still matching the 15x20 set of events, but his mind is running and trying to make sense of things. And what do we get with this song? We get “I’m finally happy being free/me”. We get a concretised sense of self once it’s been made clear in Dean’s mind just how much Chuck fucked with him (and if you’re a Chuck Won truther like me, how much Chuck is still doing, has the realisation that maybe Jack isn’t quite Jack here cuz sth is clearly wrong, but it doesn’t matter anymore, he knows who he is so Chuck/Jack’s influence can’t affect him anymore). And again this is the one song that matches least, but if we take it to be Dean having trusted Chuck to not be the villain (see him going to shoot Jack for that and promising to bring Mary back), then this still fits for me.

And now that we close this chapter we get to our 1st offender again: Keen on Rambling and the 1st one that is without any doubt taking place during The Winchesters. Like the whole song states everything that we’ve just been told happened throughout season 1. Like ok, verse 1 is deciding to leave heaven even though heaven is meant to be a place to rest (find peace whatever). Then verse 2 is giving the AU he finds himself in with the Akrida a nudge in the right direction (I’m sorry with the calvary in tow??, headed southbound for the season???)  And finally we get to the last one which to me is meeting the Core 4 but especially Mary and John and giving them the journal (I have a story to tell — do tell). So yea, but he’s not done tho. The song is constantly saying to keep on rambling so there’s more to do to get to where he needs to be, he’s still restless. But it is the beginning of this next chapter and the beginning of the second half of the album like I said. It matches soo fuckign well tbh and I’m going a bit insane here so take all this with a grain of salt tbh.

Ok so now that we’ve reached the current point in the Dean story we have 4 more songs. Which to me is basically where Dean needs to get to. 

And honestly a bit of Sweet Escape still fits into the finale for season 1 of TW so let’s get to it. This one is very much saying I’ve been caught red handed and people are trying to keep me contained but I refuse to stay put cuz there’s still shit I need to do/find. Like this is where my Chuck Won truthing hits worst tbh, but it could just be the Jack’s non interference thing too as well tbh, but the other voices that need to be drowned out are def Jack here, who took him back to heaven at the end of 1x13 of TW so this is basically saying you may have gotten me back here, but I’ll break outta the inclosure anyways, you can’t stop me, I’m not done. And with the 1st verse’ ending it feels like not only is he not done, but there’s a plan in motion here. Also I CANNOT overstate how much the 2nd verse makes me think of the Empty.

Return to Me is self explanatory tbh, but I’ll ramble a bit here too. This one answers the question of what he’s searching for, why he can’t stop moving, what’s missing for him to be happy. And what’s missing is a person that he lost aka Cas. Like I really don’t even need to say much here, this song is literally Dean going hey this is what I need to be happy, this is how that can happen. It fucking has the lakeside and raincoat mentions, it’s blatant tbh. And moreso, the last verse is just a reiteration of what we all lost our shit about with Watching over Me aka how did I not know you loved me back, how did I miss that until it was literally too late. 

Restless Man is a prayer to me basically and also the song I relate to the most tbh. So I’ll try not to get lost in the meanings here. But basically it’s Dean asking Cas to give him the space and reason to slow down. Not stop, because it’s still Dean and he can’t do that, but to give him a place or person where he can feel safe to take a break, where he can just be, where he can learn how to just be instead of constantly needing to do everything for everyone else. To have a place where he can just focus on himself a bit and what he needs and wants and how to embrace being happy. And more than just that, it’s saying that he’s finally ready to allow someone to take care of him for a bit, to have a place where he doesn’t need to be constantly on guard.

And it wraps up with Velvet Sky which in this case is the happy ending. Happy not because there’s “peace when you are done” like Jack says, but because now they have a place of their own to go to whenever they are weary of the road. The 1st verse to me is referring to Dean travels through the multiverse - literally seen all the land, every beach and grain of sand  because he literally went and saw all the possibilities for things, saw the wide expanse of the multiverse in search for this place and this person that he can now be with. And it’s not peace here, the sea is angry still, but it’s what works for them. It’ll never be perfect and it doesn’t need to be, Dean just needs this place and person to be free to just be himself and that no one else can reach or affect again, have his story be his own. 

So yea, this is the insanity my brain concocted last night after rewatching The Winchesters season 1 finale and having a random thought about Radio Company. And like I could’ve left it be and not traced any connections, but they fucking used the song in the show and then used Ramble On as the song to send the episode off. I couldn’t just ignore the relevance of that. 

But anyway, none of this could be accurate at the end of the day, but I had to get it out cuz it was stuck on repeat all night. Let me know what you guys think.

[semiramis-audron]

I had so much hope for getting a good Metatron when they introduced the character in Supernatural and then they absolutely massacred my boy and you couldn't go into the Metatron tag without getting an absolutely depressing amount of vitriol, name calling and death threats/wishes for the character.

Zero nuance... Just "I hate Metatron and I wish he would be torn limb from limb for all eternity in a Prometheus way"

Because Fans don't like it when you interfere with their gay ship.

I was super looking forward to Good Omens when the TV series was announced, cause this Metatron had place for character development.

And then they gave his part to Gabriel. Adam doesn't even mention Methuselah in his Tadfield Airbase scene.

But I was like... Okay I get it just a minor character.

And now season two rolled around and my immediate thought seeing Gabriel loosing his memory and getting a happy ending was:

a young man made out of golden fire. They could just have kept Jon hamm as Metatron. This should have been Metatron.

People crack shipped the book Metatron and Beelzebub before we even had the series. Of course not as much because they were so minor characters...

But okay, there is a good reason they had to get Gabriel, you can't as easily throw metatron out of heaven... And I was glad we got more of him in Episode 6... And he didn't even do something inherently bad.

He just interacted with the gay ship and... they broke up afterwards... Oh no...

And the Fans went apeshit with their theories. And barely anyone plays with the idea that maybe Aziraphale is just a dumb lovelorn fool in a Rom com and those Can and do make incredibly stupid decisions because the plot demands it.

And because there are so many theories and Aziraphale is clearly perfect and we can't let anyone negatively influence the gay ship... Metatron must be an evil coffee roofier

So another Metatron the fandom hates...

I've seen so many death wishes and "Metacunt"s already. The tag is absolutely vitriolic...

And it hurts my heart, because we have no actual base to hate him this much. Just suspicions.

And I don't trust Neil enough anymore to actually make this a nuanced character instead of just "dude who abuses his power and his mean to the gays"

Also I swear to god if any of you fanatics are going after Derek Jacobi as a person and as an actor like the Spn fandom went after Curtis Armstrong, attacking him as a person for the crime of playing a character you have beef with... I will lose my fucking shit and report any post like that!

[sallysetoncore]

i unironically think billie should have won

[autisticandroids]

yknow those episodes where a character's whole personality gets split into 3-5 different distinct separate bodies? what bodies would cas have? I feel like it'd just be a mess tbh, imagine 5 different castiels all of them loving dean to a certain extent but showing it VASTLY differently. one cas would literally want to murder the others lmao

okay so i don’t actually think this trope would be an effective tool for analyzing cas? he’s not conflicted enough in himself. he’s too impulsive, too singleminded, too uninhibited. like, in the end, cas always ends up doing whatever he wants. there aren’t multiple discrete voices vying for control, really, or rather, if there are, one is always significantly stronger than the others. like in the end cas will always end up eating raw meat off the floor, you know? he’ll do what he wants. if i was going to do personality splitting i’d do it to someone intensely internally conflicted, like dean.

however, because i’m in an essay writing mood today, i’ll answer a question slightly to the left of the one you asked. cas may not be internally conflicted, but he is intensely changeable. these two things are related, actually; the same impulsivity and singlemindedness that mean he doesn’t have a ton of internal conflict at any given time mean that different ideas sound good to him at different times, because he isn’t really thinking about, say, what future-him will think of them. and he’s not really trying to maintain an image or identity. he’s just doing what feels right at the time, which is very different at different times and in different situations.

anyway, that in mind, i think a lot about ways to bring together many alternate versions of cas which sort of correspond to different times in the show.

i have a fic in my head about a bunch of cas-es pulled from alternate timelines by some kind of spell. so this would be set during the widower arc because the basic impulse here is to show dean a very bad time. just absolutely put him through hell. also, all the alternate timelines are different because different stuff happened, not because cas made different choices, because if we’re torturing dean it has to be like 5x04, the changes in cas can’t be cas’ fault. they have to be dean’s or just like, the universe’s (which makes them dean’s).

so dean is trying to bring cas back, and he finds some kind of spell that can bring someone “from another world.” and he tries it because hey. can’t hurt to try. anyway i’ve thought a long time about different versions of cas i would put in this and here is what i have. in order of when the timeline split off.

- a cas who never raised dean from hell. think 14x13 “lebanon.” this one i’m not too sure about, like, this could be fun, but i don’t know if it’s different enough from the next one. like this castiel would have lived through the averted apocalypse and subsequent general fuckery that happened as an angelic footsoldier, which would actually be pretty interesting now that i think about it, especially since all that stuff would have gone down soooooooo differently without cas specifically for your average angel footsoldier. like cas has PERSONALLY caused more upheaval in heaven in twelve years of spn than there seems to have been in millennia. so he would be the point of view of a normal footsoldier from a totally other world.

- a cas who died mid season four, and is pulled out of the empty in 2017 by this spell. i’m not sure when this cas died. my thoughts are (1) killed in on the head of a pin by alistair, (2) killed during his torture in the rapture, or (3) simply never resurrected after lucifer rising. (3) makes the most sense, but that cas has already thrown away everything for dean. i prefer the idea of a cas who loves dean, is already on the brink of disobedience for him, but has not yet taken the plunge. both on the head of a pin and the rapture are great places for this, and they both have strengths and weaknesses. if he died in the rapture, he was killed by heaven, which is fundamentally more fun, but he was also really very much over the edge already. if he died in on the head of a pin, he wasn’t killed by heaven, but he is perfectly teetering on the brink of falling for dean. regardless of when he died, the purpose of this cas is to be horrified at all the various and myriad ways he has destroyed and corrupted himself for dean in the other timelines.

- possibly endverse cas, who would have died in 2014, but like s4 cas, would have been pulled from the afterlife by the spell. i’m not so sure on this one. we as a society love endverse cas but i dunno what purpose he would serve. maybe endverse cas didn’t die in 2014, and instead was imprisoned by lucifer, because, you know. he’s the only brother lucifer has left. so he is very excited to see dean alive and well, since his dean is dead, and, not being an angel, cas can’t bring him back. the purpose of this cas would be to horrify dean that cas loves him and needs him so much, and to disgust the other cas-es with his neediness.

- a cas who was in some way on better terms with dean during s6. maybe dean and cas ride off into the sunset together after swan song instead of dean going to live with lisa, maybe dean prayed to cas while he was with lisa because he missed him, who knows. either way, cas has dean’s help with the angel revolution in season six from the start, and never goes to crowley. the plan cas and dean come up with to beat raphael includes breaking into the cage and stealing the grace of michael and lucifer, freeing sam and adam in the process. incidentally, it also involves cas possessing dean, because if cas is gonna eat archangel grace to become more powerful, he’s going to need a stronger vessel. so cas and dean have a whole like. midam situation happening. they’re a double archangel together, and godstiel never happened so none of the other terrible apocalypses that stemmed from that happened, and everything is pretty cool where they’re from, and also they’re obviously uhhhhhh SOME kind of together. the purpose of this cas is to upset dean because this cas shows how much better everything could have been and how much better his and cas’ relationship could have been if dean had simply been more considerate of cas in s6, and also freak dean out with how uh. close. this dean and cas are.

- a godstiel who managed to swallow purgatory without swallowing the leviathans and remained god. he’s probably soooomewhat less scary and murdery than canonverse godstiel because no leviathans, so you know, not as many angel purges or massacres on earth. and he probably went and fixed sam’s wall within about three days because cas is prideful but he does NOT like it when dean is mad at him. so they did kiss and make up, and so this cas would have had dean to act as his morality chain. but he’s still very scary and godstiel. and also he refers to dean as “The Beloved” you know. his purpose is to freak everyone out, because he’s scary, but also, for the past cas-es, because he is a terrifying abomination that they could never imagine becoming, for the future cas-es, because he is a reminder of their worst selves, and for dean, because he is a reminder of how dangerous cas is, but also because he uh. obviously has some feelings about his dean. unclear if they are consummated or not.

- a cas who naomi never rescued from purgatory, and who stayed there. hasn't spoken to another being in half a decade, has not recovered from his emotionally destroyed state in purgatory in s8. believes at first that the spell is his dean rescuing him, and is crushed when he realizes he was wrong. like endverse cas, his purpose is to show dean how much cas needs him and depends on him emotionally, and how he (dean) is capable of destroying cas, as well as his guilt for leaving him in purgatory and how lucky he is that his cas got out. this is especially noteworthy since the guilt for leaving cas in purgatory is part of the reason dean is trying to get cas back.

- a cas who stayed human after season nine, and has built himself a small human life over the next four years. he has a job and an apartment and friends outside the winchesters and yes, he still goes hunting after work sometimes, and he's still in contact with dean, but he is also independent in a way no other version of cas has ever been. he exists to freak out dean because dean has never seen cas independent of him. he is also fairly bitter at dean since dean did kind of stop spending time with him when he was no longer useful, and our dean feels guilty for that.

- a cas who showed up twenty minutes later in 10x03, finding sam dead and dean gone, and had to chase down demon dean, and has now spent three years following demon dean around as his tragically adoring stalker, because he hasn't found a way to resurrect sam yet and he doesn't want to put dean through the demon cure until he can save sam because he doesn't want dean to experience that guilt, but he also adores dean and wants to keep an eye on him and keep him safe and also keep him from doing anything too heinous, so he just covertly follows him around the country and watches from a distance as he commits various murders and fucks his way through every local bar scene. and occasionally cas finds dean something to kill, when the mark gets hungry, and drops it in his path. his purpose is to freak dean out with the lengths cas would go for him, and the depths cas would sink to.

anyway. lebanon cas and season four cas are horrified and perhaps disgusted (lebanon cas more than s4 cas) by ALL of the later cas-es, and how far they’re fallen, all of it for dean. godstiel and archangel cas being abominations, endverse cas and s9 cas being fallen, even purgatory cas and demon dean’s cas for their total dependence on dean.

purgatory cas and endverse cas are just happy to see a dean, even if it’s not their dean. demon dean’s cas, too, in a way. he’s happy to see a dean who is still human, who he can still have as a friend.

human cas is pissed to see that he was right, that dean would have stuck by him if he’d still had his powers, that this version of dean is doing spells to try and bring his cas, who is still an angel, back, whereas he and his dean only see each other once every couple months.

everyone is terrified and disgusted by godstiel, as i said before.

they’re mostly kind of thrown by archangel cas. a lot of them are jealous. godstiel is furious because how dare anyone, even an alternate version of himself, take dean as a vessel (even if dean likes it). godstiel isn’t really there, though, he resisted the summoning and just sort of popped his head through to see what was going on, and he goes back to his own reality pretty fast without murdering anyone.

also to be clear dean has not at this point examined or acknowledged any feelings he may have about his cas besides “friendship,” nor has he wondered what feelings his cas may have for him. given how many of the cas-es were clearly in some kind of relationship with their dean (endverse cas, archangel cas) or just openly in love with their dean (godstiel, purgatory cas, demon dean’s cas), dean is forced to reevaluate the nature of his and cas’ relationship.

[markpellegrinoimagines]

Nomorefortnite requested: Hi!!! Could you please do a spn Lucifer x reader were he is staying at the bunker and she comes back from a witch hunt but the witch cast o spell on her to want to have sex with Lucifer and she's all up on him trying to convince him to do it with her and he finally gives in. Sorry if this is a lot I never requested before. Love your page!!

Warnings: smut, slight dub-con due to witch craft. (Don't worry she actually likes luci) biting, feather play

^@^$&@

Y/n pov.

I'm burning up, this witch hunt went up as well as the titanic sailing up shit creek then exploding before finally sinking. Witch bitch did some sort of hoodoo bullshit, and I've felt like my blood was boiling underneath my skin since. My hands are clammy and shaking I could barely keep the car going straight on the road.

"I swear to that drunken fuck, that if I die from a car crash after surviving Neverending apocalypse's, im gonna fuck heaven or hells shit straight the fuck up, cause that's bullshit!"

My car comes up on the turn onto the hidden dirt road to the bunker. 'Finally a chance to rest and find out whatever he'll she did to me." I hurriedly pulled the car into the bunkers garage and park in my spot. Unclasping my belt, I open the driver door and climb out walking around to my trunk to pull out my travel bag. The heat grows stronger and starts building up in my gut the closer I get to the inner bunker door. I have to stop and press my hands into my belly before I could even open the door. Trembling unbelievably hard my hands close around the know and shakily push open the door.

My feet begin dragging me towards the direction of my room, I pass room after room, ignoring the curious looks thrown my way by angels, Demon and human alike. I could hear deans voice speak up, but it goes in one ear and out the other, I give him a shaky wave and stumble down the hall. I'm almost to my room and my beautiful heavenly bed, when passing by a door to my right a mouth watering lewd inducing scent meets my nose.

With that one whiff my whole body goes into over drive, if the heat was bad before this was devastating. Sweat dripped past my brow my e/c eyes dilated until you barely see past the pupil. The table travels from my hands until my entire body is set to vibrate. I could feel something inside me quake to my core.

Then the feel of something sends mortified shock to my brain, a wet slick begins to coat my legs as the pain becomes unbearable.

"What the hell is that smell," with an uncertain determination I quickly turn to my right not checking what door it is and all but slam it open in a half mad frenzy to find the source.

Lucifer pov.

"When is the human girl getting back...she's been gone for over a week...she the least annoying mortal in this forsaken place."

I lounge back in my bed nest, examining my nails as I tune out the noise of the Winchesters fretting about another big bad evil that's suddenly popped up.

"Honestly it's everyday with these mud monkeys at this rate." I'm given no warning before my door is swung ajar nearly slamming against the wall, I was quick to my feet ready for attack or lecture.

"..y/n...what is the meaning of this...why do you look like you just got done listening to one of my fathers 'wise' lectures?"

Her dazed eyes stare into my own crystalline blue. 'Something is wrong...'

Her mouth parts in a breathy groan, "luce..what smells sooo good-" she cuts herself off as she stumbles forward almost blindly until she is suddenly tripping face first into my chest, her entire body shaking.

"Your burning hot! Are humans supposed to be this warm?"

"Mmm your skin feels so good luce...please keep touching me."

"No, we need to tell the winchesters.." I grab her shoulders as soon as my fingers touch her skin she sags into my touch a lewd moans dripping from her mouth, eyes rolled back into her head with red coating her cheeks.

'Fuck she was a sinful sight...what! She! Is! Human!'

"Get a hold of yourself you little pesky mortal, I dont have time for your issues!" I take the small twinge of worry blooming in my chest and squash it deep down, denying its existence.

"Luci please...I need you.." her hot nimble hands drag down my back, hitting inbetween my shoulder blades a dragging a gasp from my mouth. With that one move what remained of whatever control I believed I had around the human girl snapped.

3rd pov.

Y/n had no warning before her body was slammed down onto the bed, her mouth forced open by a frozen forked tongue. His chilled fingers running up and down her sides messaging into her hips mapping her body into his mind. She was going to be his after this, he needed to mark her as such.

His soft lightly chapped lips traveled from her own down her chin and across her neck. Leaving nibbles and sucks in his wake. Her mind was flooded with burning pleasure it was almost to much. Teeth sink into flesh. A mark to stay. Light hickies covered her flesh as he continued his abuse on her neck sucking and biting in-between.

"Mwah! Lucifer!"

Growl~ a loud shuffle and a bang of a door with a hand snapping over her eyes is what she is next aware of. A bright light shines lightly between his fingers, "Again! Say my name again!"

"Lucifer please! I'm so hot, please, I need all of you.." her little begging pleas cause the large wings now hanging from his back to shutter wantonly.

When the light dies down he rips his hand from her face and without a second to lose and a snap of his fingers there was no longer anything separating there bare bodies.

His cold body presses up against her molten skin, his finger slide down between her thighs finding there goal he slips two along her nethers, stroking and stimulating her preparing her for his vessals rather well endowed nature.

"Beg for it, tell me how much you want me, how much you want to be stretched and trained for me alone."

Her eyes roll with lust her hips pushing against his own trying to temp him into taking her already.

"Lucifer, please, im all yours, im burning for you!! It's all I can think about all the time!"

A smug smirk crosses his face at the information, "is that so? Than have me you will." With no further hesitation lucifer leans into her body positioning himself before bottoming out in one thrust. The headboard of the bed slams against the wall leaving cracks with his strength. A wailing moan echos in his ear.

"Don't stop! Please don't stop. I want all of it lucifer!" One of his hands wraps around ger that pushing her into the bed as the other balances on the pillow next to her head. His hips roll with every thrust, her fingers bury into his ash stained feathers.

The bed shakes and strains against his strength, y/n could feel the bruises that were going to be there in the morning. Through half lidded eyes and pantingoans of ecstasy she gazes upon his gorgeous wings and flexing muscles of titanium. His jaw clenches with the pleasures wracking his body.

He was close, sweat trails down his chest, he leans his body down, wrapping his arms under her back holding her close as his wings encase them both.

"Mine, mine, mine!!" With a deep resonating growl lucifer reaches his end, pressing his hips flush with hers as she tightens around him in her pleasure.

Her skin was starm unnaturally warm but no longer boiling as they lay there catching their breath.

Y/ns hands come up to his cheek her lips parting to speak, "luc-" the door slams open followed by a girlish screech of horror, Gabriel had heard her scream and rushed into the room.

"BLEACH I NEED BLEACH....EYYYEESS!"

^@^#^^@

It's been forever since I posted. I'm sorry. Pc troubles!

[ambiguousdisorderken]

in your expert opinion what are some of the most destiel-heavy episodes of spn? i stopped watching around season 7 and have no interest in engaging w the plot of the show at all but i’m in the mood for some gay yearning ykwim

Hi anon! Thank you for reaching out to me about this, I’m, no-joke, very flattered. I’d seen a couple posts on this same question, very thorough and detailed lists on Destiel-centric episodes, but at the moment I cannot find any of them, that would’ve answered your request much faster. So, in advance, sorry, my reply is probably coming in extremely late, but I did write this from scratch, so yeah.

Even though storylines in SPN can be very shitty and hollow, I do feel that to get the full Destiel experience -that long-drawn yearning- one would have to watch the entirety of the show, even if Cas isn’t in the episode or if there’s no explicit mention of their relationship/bond because it gives you a better understanding of them as characters and of how their relationship affects the narrative.

Now, you mentioned you stopped around S7, which is completely understandable and justified given the Dick plot game was very weak and, in my opinion, annoying (so little Cas!). I’m going to start listing from S7 in case you want to refresh your SPN before jumping straight into unseen episodes. Also, since you mentioned no interest in the plot and are specifically craving those sweet crumbs of gay yearning, I’ll skip most one-sided / too subtle episodes and cut to the chase.

Lastly, I hate spoiling things, but you’ve probably seen it all on Tumblr. I tried to keep the episodes’ descriptions short, as it might come in useful. Stuck to key words, quotes and/or little comments.

 Season 7

7x01 – Meet the New Boss: Godstiel, sincere apology. Cas: “I'm gonna find some way to redeem myself to you.”

7x02 – Hello, Cruel World: Mourning. Trench coat melancholy. The heart-wrenching eulogy: “Dumb son of a bitch.”

7x17 – The Born-Again Identity: Emmanuel!Cas, reunion, longing, hurt.

7x21 – Reading is Fundamental: Honey!Cas, hug, hurt, reunion, that painful SORRY (board game) scene.

7x23 – Survival of the Fittest: Honey!Cas, forgiveness, adorable, wified Cas. Dean hits us with: “Nobody cares that you're broken, Cas!" but also “I'd rather have you, cursed or not.”

Season 8 (this season is so good and Destiel is the driving motor of it, I swear. If you can, watch it complete.)

8x01 – We Need to Talk About Kevin: Dean in Purgatory looking for the angel.  Cas is referred to as “your [Dean’s] angel.”

8x02 – What’s Up, Tiger Mommy?: HUG!!!, Purgatory reunion, face touch, very romantic. Monster: “ You'll find your angel there.” //  Dean: “Let me bottom-line it for you. I'm not leaving here without you.”

8x05 – Blood Brother: Cas vs. Benny cat fight lol. Dean: “Cas... we're gonna shove your ass back through the eye of that needle if it kills all three of us.”

8x07 – A Little Slice of Kevin: Cas comes back from Purgatory, but before that Dean starts seeing him in places. Very tragic; hallucinating your dead significant other trope. Has That boner scene. Dean: “I did everything I could to get you out! EVERYTHING!” Cas helps Dean see what truly happened in Purgatory and not his self-altered memories. PACKED!

8x08 – Hunteri Heroici: Hilarious, romantic, intimate. Dean and Cas have an heart to heart. They actually communicate. Cas “I’ll watch over you.”

8x10 Torn and Frayed: They work a case together, and when I say heart eyes…

8x17 – Goodbye Stranger: THIS. EPISODE. Dean “I need you.”

8x19 – Taxi Driver: Separation. Naomi to Dean: "You're hoping Castiel will return to you. I admire your loyalty; I only wish he felt the same way."

8x22 – Clip Show: Lack of trust, hurt, tense interactions. Romantic too (basically, Cas gets Dean an apology basket).

8x23 – Sacrifice: Meaningful conversation and a gay couple hit by Cupid parallel. Dean “So this is it? E.T goes home?"

 Season 9

9x01 – I think I’m Gonna Like it Here: Dean prays to Cas IN.A.CHAPEL. Worry, longing, separation. Dean “Please, man, I need you here.”

9x03 – I’m No Angel: Human!Cas and jealous!Dean.

9x06 – Heaven Can’t Wait: Human!Cas TEXT-BOOK LONGING. GAY AS FUCK. Gazing, touching, they even TALK (for real).

9x09 – Holy Terror: Adorable Cas, flirty vibes, happyish, funny. Cas: “Cas is back in town!”

9x10 – Road Trip: Cas comforts Dean, Cas and Crowley bitching at each other, overall protective!Cas.

9x18 – Metafiction. Cas finds out about the Mark of Cain.

9x21 – King of the Damned: Hug, strong boyfriends vibes.

9x22 – Stairway to Heaven: Cas gives up an entire army, for Dean. Metatron about Cas “He's in love………………………. with humanity.”

9x23  – Do You Believe in Miracles?: At this point, it’s canon stated that Cas will do anything and lose everything if that means saving Dean. Metatron to Cas “You draped yourself in the flag of heaven, but ultimately, it was all about saving one human, right?”

 Season 10

10x01 – Black: Demon!Dean and sick/brokenhearted Cas in a slutty robe missing his man.

10x03 – Soul Survivor: ICONIC. Angel on Demon action! Cas turns down Hannah because he’s too gay and in love. Intimate Deancas talk.

10x05 – Fan Fiction: No Cas, but Destiel references. 

10x09 – The Things We Left Behind: That.Lunch.Date. Deancas introduction to co-parenting.

10x14 – The Executioner’s Song: We get Daddy Murder aka Cain. This is a Pivotal episode to understand Dean’s character development. Plus, it has Deancas interactions.

10x16 – Paint It Black: No Cas, but Dean opens up in confessionary; repressed BISEXUAL AS FUCK.

10x18 – Book of the Damned: Charlie meets Cas. Gay energies everywhere. Cute domestic little scene.

10x20 – Angel Heart: PARENTING! Essential to understand Cas from this point forward.

10x22 – The Prisoner: Just… just watch it. One of THEE Destiel episodes.

10x23 – Brother’s Keeper: No Deancas interactions but it’s the finale, and I recommend watching it because next season takes off literally right from here. No time jumps.

 Season 11

11x02 – Form and Void: Could skip to the very end which is when Cas comes back.

11x03 – The Bad Seed: Cursed!Cas. Dean takes care of him, even wraps him in a blanket. He also cradles his face. Extreme Hurt/Comfort. Jacting joices rejoice.

11x10 – The Devil in the Details: Could skip but has Casifer in it. Interesting to see his dynamic with Dean.

11x18 – Hell’s Angel: Casifer. Dean "It? It's not an it, Sam, it's Cas!"

11x23 – Alpha and Omega: Huggg! Cas willing to go on a guaranteed suicide mission with Dean. Very tender and sad.

 Season 12

12x02 – Keep Calm and Carry On: ANOTHER HUG! Dean presents his boyfriend to his mom<3 Soft and romantic.

12x09 – First Blood: Reunion hug<3, Cas pining… as in he counts his every minute without Dean.

12x10 – Lily Sunder Has Some Regrets: Direct parallel with canon couple. Crystal-clear mutual affection. One of the best. Angel Ishim to Cas about Dean “I'm gonna help you. I'm gonna cure you of your human weakness same way I cured my own… by cutting it out.”

12x12 – Stuck in the Middle with You: A dying Cas confesses his love. “I love you. I love all of you.”

12x19 – The Future: We find out Dean gave Cas a MIXTAPE!!! Very romantic and full of yearning, also worry and what could be seen as a betrayal (ish…).

12x23 – All Along the Watch Tower: Hands down, one of the most distressing Destiel episodes. Cas dies.

 Season 13

13x01 – Lost and Found: This is the worst because you have Dean trying to assimilate Cas’ death. Core of Dean’s widow’s arc. Jack introduction, that’s their new kid.

13x02 – The Rising Son: Widow’s arc (you could skip it, but why would you?).

13x03 – Patience: Widow’s arc (you could skip it, but why would you?). Dean to Sam “He manipulated him, he made him promises, said, ‘paradise on earth’ and Cas bought it and you know what that got him? It got him dead! Now you might be able to forget about that, but I can’t!”

13x04 – The Big Empty: Continuation of widow’s arc and Cas wakes up in the Empty. The Empty to Cas: "I know who you love. There's nothing for you back there." // Dean to Sam “I need you to keep the faith, for both of us. ‘Cause right now, I… Right now, I don’t believe in a damn thing.”

13x05 – Advanced Thanatology: Suicidal and hopeless Dean gets his win. Cas comes back. Gives me the chills.

13x06 – Tombstone: COWBOY BOYFRIENDS!

13x14 – Good Intentions: Happy and fun Destiel scene. So Very Married.

13x23 – Let The Good Times Roll: Season finale, Dean talks about retiring (plans include Cas of course) and just very nice to see them interact.

Season 14

14x03 – The Scar: Reunion.

14x08 – Byzantium: Deanand Cas dealing with their child’s death, then bringing him back by Cas making a deal with the Empty. IMPORTANT EPISODE.

14x09 – The Spear: Cas uses the royal We – married behavior.

14x10 – Nihilism: Dean is stuck in his own mind, and Cas and Sam try to bring him back. Cas “Please, you have to -- you have to try to remember, because the people in your life -- in your real life, out there -- we need you to come back.”

14x12 – Prophet and Loss: Dean gets his very own Dr. Sexy, aka Dr. Cas.

14x14 – Ouroboros: Basically another date (their kid tags along) and They TALK. Very intimate and established marriage vibes.

14x18 – Absence: Shits starts to go south. [ Dean: “Who cares what Jack said? We don't know what happened! But I swear, if he did something to her, if she is -- (points to Castiel) Then you're dead to me. (Castiel looks crushed after Dean says that).]

14x20 – Moriah: Tense and very upsetting. Relationship very damaged.

 Season 15 (I would advise watching the entire season because it relies heavily on Destiel. They’re the heart and the emotional motor leading the plot onwards.)

15x01 – Back and To The Future: Deancas’ in the aftermath of their kid’s death. Tension gets worse.

15x02 – Raising Hell: Tension rises, this is very intense. Cas “Dean. You asked, "What about all of this is real?" We are.”

15x03 – The Rupture: Breaking point ends in divorce.

15x06 – Golden Time: Painful phone call which speaks volumes about the current state of their relationship at the time. Also, good to see where they’re standing and how they’re coping.

15x08 – Our Father Who Aren’t in Heaven: Strained relationship so obvious they’re offered couples’ therapy.

15x09 – The Trap: MASTERPIECE. Back to Purgatory. Can (and is) taken as Dean’s love confession (because it is). 

15x12 – Galaxy Brain: So married. Little domestic date, you can see LOVE written in their faces.

15x13 – Destiny’s Child: AU!Dean and Sam. Not a yearning episode per se, but AU!Dean? SO GAY.

15x17 – Unity: God reveals that the only act of free will in any universe he ever created has been Cas choosing Dean.

15x18 – Despair: Cas confesses his love to Dean.

[katsidhe]

could you do 9.10 and 9.13 for episode reviews.

Love your takes btw.

9.10 Final Thoughts

well, well, well, if it isn’t my old friend season 9. God I love season 9. buckle in. 

Plenty of what season 9 tries to do with angel drama falls flat, but plenty of it doesn’t. It’s at its strongest when interrogating the ways that the angels are looking for personal purpose, rather than folding themselves into various suit-clad factions. In this episode, we have Gadreel, Abner, and Thaddeus, all with very different takes.

Thaddeus is the most boring of the three—a straightforward narcissist and sadist. (Lucifer will follow in his rockstar-impersonating footsteps in s12. SPN clearly has a dim view of the music industry.) We don’t care when he dies, and we aren’t meant to.

Abner’s found a family, and he’s let go of revenge. He’s clearly found peace and happiness—but it’s stolen.  I’m ambivalent about this. I guess I could take his word that his vessel was abusive and therefore deserves to have been permanently body-snatched, and I guess I could believe him when he says his new family loves him, even though they clearly don’t know what he is or what he’s done. His regard for humanity as something other than a project is… uncertain. Even if everything is as sunny as he explains to Gadreel, there is fundamental selfishness and short-sightedness here. Get what you want, Abner says, and never let go.

Gadreel asks Abner if his vessel is happy. This reveals both Abner’s scorn for his vessel, and Gadreel’s uncomfortable awareness of and respect for Sam (and his bartender vessel, who Gadreel stares at, and who accepts Gadreel back easily).

Gadreel! OF COURSE Gadreel’s gotta be the scapegoat for Lucifer’s release, HAHAHAH. I love him to pieces, oml. Seriously, the Sam parallels could not BE more blatant. I’ve talked about this before, that it makes the earned antipathy between them all the more alarming, all the more visceral. The big sticking point is that Gadreel’s years of pointless torture came prior to his “redemption” arc, rather than as a consequence of it. Gadreel has all of s5 Sam’s despair and helpless anger and self-loathing, all of his drive to set things right at any price, and all of it is amplified by his trauma.

Sam and Gadreel’s relationship is defined by its liminal spaces. Gadreel threatens to tear Sam apart, but he does not, even when he is tortured. He locks Sam away in a dream rather than force him to watch him kill, or to suffer. But when Sam forces Gadreel out, Gadreel leaps instantly on telling Sam he is weak, reciting back Sam’s fears and Gadreel’s own. This reads like Gadreel is aiming quite a lot of his own self-pity and self-hatred at Sam.

Cas’s murderous rage at Gadreel when his identity is revealed is fun. It shows that Heaven’s PR team did a good job, for one thing. But Cas is furious because it’s specifically Lucifer. And the Apocalypse, and all the attendant suffering, his and Dean’s and Sam’s. It’s a personal wrath.

“Stupid for the right reasons…” oh, Cas, your scarcity of positive human role models is showing. Also, Cas’s particular brand of reassurance here isn’t actually something Dean has a problem with. He expresses regret over having been tricked—he says he’s stupid, he says he got played—but he’s never in doubt that his intentions were good. He’s never in doubt that he did the righteous thing. He’s never in doubt that he’d do it again.

Dean apologizes to Cas for barring him from the bunker. (Sam will not receive an apology.) Cas compares what Dean did to Sam to what Cas did by trusting Naomi. There’s a key difference here. Cas’s moral compass is not the problem; it’s his critical thinking skills.

Crowley, Cas, and Dean are a hilarious trio. (Also, I really hope that Cas’s pimpmobile got to Heaven too, like the Impala.)

Crowley being genuinely sorry that Kevin’s gone and his willingness to risk his life to help Sam are the best two moments of the generally weak Crowley-has-human-blood plot line. They feel earned. [also Crowley’s ‘I told Kevin he should’ve run!’ is both accurate, funny, and sad.]

Let’s talk 4.21 parallels! I mean, first, the glaringly obvious: Sam locked down to be purged of something supernatural; Sam suffering; Dean unable to bear Sam’s tortured screams; a very atmospheric fan. Dean walking away.

and then, of course, there’s “at least he dies human.” Right off the bat, Dean tells Cas he’s going to kill Gadreel. Cas, concerned, says that this will kill Sam too; Dean, sounding tortured, says he knows. Now, obviously, Dean doesn’t kill Sam. He doesn’t even get particularly close. But it’s really interesting that this is the first thing Dean brings up! He declares unprompted that he’s ready to kill Sam rather than leave him possessed. Which is both a recapitulation of the save-him-or-kill-him mantra, and an ironic twist on the decision Dean made in 9.01. Then, Dean knew Sam would rather die than be possessed, but had him possessed anyway. Now, Dean has decided instead that Sam must die because he is possessed. Obviously Dean’s opinion on the possessing entity has changed in the meantime: Sam’s hasn’t, but Sam’s isn’t what matters. 

Dean reaches new levels of PEAK IRONY when he declares that Cas should possess Sam too. Cas has to actually point out that Dean can’t, in fact, volunteer Sam’s permission. Because apparently Dean had forgotten, lmaooo. Crowley, on the other hand, is happy to oblige. Dean directs Cas to burn Sam’s tattoo off.

The language of this entire scene is so sexual. I mean, it’s Crowley, of course it is, double entendre is his first language. But this theme recurs again and again. Here it is just more pointed than usual. It is queasy.

Gadreel has Sam trapped in a Dean-type happy place—a hunt with ghouls and cheerleaders, no organic produce to be found. And I don’t think it’s because Gadreel doesn’t understand what Sam likes. I think it’s because Gadreel’s aim was for Sam to feel comfortable, not blissful. It smacks of Hallucifer, just a bit—using the verisimilitude of Dean’s louder moods rather than trying to appeal directly to Sam’s contentment, because of his always questionable, always a question, sense of reality. If things were too smooth, too cheerful, Sam might just be suspicious. Sam is easier to trick by proxy. 

The HORROR of this episode for Sam: Gadreel washing someone’s blood off of Sam’s hands. Crowley pushing needles into his brain. Sam’s body and life as a bargaining chip as Gadreel threatens to kill him, and then as Dean threatens to kill him right back. The quiet heartbreak as Sam remembers Kevin’s death, as he realizes the magnitude of Dean’s betrayal. But the worst part of it, I think, is somehow still Sam’s face when Crowley comes to get him in the dream where Gadreel stashed him. How his expression just crumples as Crowley tells him he is trapped in a lie, that his mindscape is once again a prison, that he truly cannot trust his reality. The sheer devastation of this on top of Sam’s history, plus the knowledge that Dean did this—and he pulls himself together and puts his foot on Gadreel’s neck and casts him OUT anyway. Sam Fucking Winchester.

and then the Bridge Scene. The lighting, the staging… it’s fucking gorgeous. It’s one of those scenes where I knew as I was watching it for the first time, seven years ago, that it was going to be something. I held my breath and still hold my breath. I can’t take my eyes off the way that Sam is shaking slightly, the entire time. The way he can barely meet Dean’s eyes but he does it anyway. He SAYS HIS PIECE, says it clearly, says it with an even tone despite what he’s gone through, despite the holes in his head that were healed seconds ago.

I love the gentleness between Sam and Cas here. I love knowing that 9.11 follows this. I love that there is no question that Cas will leave with Dean—he is staying with Sam, to heal and support him, even after he spent this episode mostly reassuring Dean.

Dean does not start this conversation to apologize. He starts out with the intent to DELIBERATELY egg Sam on: “come on, let’s hear it.” It’s an incitement, because Dean wants Sam to act angry, so that Dean can feel more justified in leaving. Sam does not rise to the bait.

Dean has an excuse for every point Sam has: I had no choice, you were dying, it’s not in me, he saved your life. He says, “I did a bad thing with bad consequences and I would 100% do it again, anyway, bye.”

And then the most infuriating thing: Dean is in the wrong, so he tells the person he’s wronged, ugh, I’m just such an awful poisonous person, I’m going to burn for this. It’s so clearly wrong-headed. Intentional or not, it’s such an obvious invitation for Sam to comfort him that it might well have been embossed. If this were in e.g. season 15, or if the crime he’d committed had been less awful, I can easily hear Sam’s reassurance: no, Dean, I promise you’re a good person, we all make mistakes. It is the most toxic way possible to frame a potential apology.

The textual theme of Dean-as-poison (and, for that matter, the consequence of Kevin’s death vs. the initial crime of the possession) is an intentional muddying of the waters: Crowley, Cas, and Dean himself all bring it up in some fashion, linking some fundamental aspect of Dean himself rather than Dean’s choices to Kevin’s death. Crowley is trying to be cutting; Cas is trying to be supportive; Dean is both excusing himself and camouflaging that fact in his exhausting self-loathing. There is a complicated interplay of what the text says about Dean’s guilt and what it condemns; this pattern continues throughout s9, and reaches its apex in the next several episodes. Dean’s love as a condemning feature rather than a redeeming one is one of my favorite things about SPN, and s9 has it in HIGH gear.

But, here, at least, Sam doesn’t rise to this bait either. “Don’t go thinking that’s the problem, ‘cause it’s not.” The problem is obviously, achingly, exhaustingly clear. Sam’s spelled it out in this very conversation: you tricked me. You lied to me. You got me possessed when I was willing to die. But Dean, and a fair portion of the audience, can’t hear it. So he doesn’t. And they don’t, and they pretend that this line is some sort of puzzle! a cliffhanger on a conversation unfinished! when it was the conclusion, not the beginning.

image that is now inextricable from 9.10

[jawritter]

30 Minutes In Heaven

Summary: Your life, like many hunters before you, was cut short. You had no idea at the time the Fates that were at play in the universe were really those of dick angles and egotistical assholes with massive god complexes. And you also had no idea that they were really the reason you lost your life, and you had no idea why… Until around 30 minutes after you made it to Heaven.

Pairing: Dean Winchester x Reader

Characters: Dean Winchester, Sam Winchester, Reader (Y/N), Jack Kline

Warnings: SPN SERIES FINALE SPOILERS!!!! IF YOU LIVE UNDER A ROCK AND HAVE NOT SEEN IT YET DO NOT READ THIS FIC!!! Brief use of Christian biblical text at the beginning as a reference. Language I’m sure, because hello, it’s me. Slight angst, mentions of character death all over the place, past, present, and upcoming. Some fluff. I don’t want to give too much away.

Word Count: 2722

A Huge fucking thank you to @miss-nerd95​ for Betaing this fic!! You’re a lifesaver!!

A/N: Okay, this was a fic I started before the Series ending, then when it ended I dropped it like a hot object because I just couldn’t finish it, and struggled with the fact that I could easily tie in the canon Dean Winchester ending. Then one of my Patreons requested an ending that placed the reader, Dean’s soul mate, given to him once he made it to Heaven to give Dean the happy ending he deserved, well that’s when I decided to go back and finish it, give Dean and the reader a reunion over there. I was originally going to just post this to Patreon, but I feel like we ALL needed this, so I’m going to be posting it to tumblr and wattpad as well! I hope you all enjoy this one, as it was a bitch to write I’m not gonna lie.

**MASTERLIST**   **BECOME A PATREON**

2 Peter 3:8 Says But, beloved, be not ignorant of this one thing, that one day is with the Lord as a thousand years, and a thousand years as one day. 

You had never known  the gravity of that one verse of scripture from your time on earth. It was the only thing that resounded to be true in all that you had experienced once you had made it to Heaven. There was no way of truly knowing exactly how long in earth time you had been here, but something deep down in your heart knew that it had been a very, very long time. You would venture to say it had been close to ten years, but again you couldn’t be sure. 

For you, it had only felt like 30 minutes. 

In that 30 minutes a whole lot of things had taken place. You hadn’t even gotten settled into your little cubicle here before the place began to shake. Then talks of falling angels and power flickering were happening. There were whispers of new gods and old gods, there were whispers of the devil and his death. There were whispers of all manner of things as you stood with your head to the wall of your childhood bedroom. 

One name you kept hearing was Dean. 

Dean Winchester. 

You had been a hunter in your former life, and you had heard of the Winchesters before. Part of you wanted desperately to know what was happening on earth, what could Dean Winchester have done to literally cause Heaven to quake? 

You had tried to find a means of escape, but you seemed trapped in this room, no matter how much you tried to find a way out. 

Then before you even had time to panic, another rumble shook Heaven, and people were saying something about a 'darkness' that had befallen of old. A darkness that had overtaken Dean. That were the longest five minutes of your life. The angels talked of the righteous man that had once shed blood in hell now bathed in it on earth to save the world. 

Over and over again you would catch snippets of stories, passing and confusing glimpses, while you remained trapped behind the all too familiar walls of your prison cell. 

You screamed and pounded, but it all went ignored until a sudden bright light consumed you, almost blinding you completely. 

The next thing you knew, you were standing in a little cabin type of house. One you had always dreamed of having-one you had always hoped for but were never foolish enough to believe you could have due to your lifestyle, right down to the stone fireplace in the corner of the little living room that oozed warmth, and the bookshelf that lined around that, upon closer inspection, had many of your favorite books. 

There were birds chirping outside the windows, and the sun was shining. There were beautiful mountains off in the distance, and for the first time a profound calmness fell on you. You didn’t have time to ponder your sudden release from your prison before a voice behind you made you turn on the spot, old hunter instincts kicking in like they had never left. 

“Hello,” it said, and you turned to find a young boy in a white jacket standing with his hand raised in an almost alien-like greeting and a warm smile on his face. 

“Um-hi,” you responded, slowly taking a step back, more than weary of everything, for it could be an angel or even a demon in this place. 

“Oh, don’t be afraid of me. I’m Jack, Jack Kline,” he said, settling himself against the arm of the old leather couch in the living area of the cabin. 

You had heard whispers of his name before too, but knew very little of him aside from the fact that he seemed to be in the same circles with the Winchesters. His name had been whispered a lot amongst the angels passing down what you could only assume was a hallway by the small room you were trapped in. 

“What do you want?” you questioned him defensively, looking around for anything you could use in case you had to defend yourself against, uh-whatever he was. 

Jack nonchalantly clasped his hands together in front of his lap. Looking around the little cabin fondly, almost like a proud decorator would look at his finished product before his eyes traveled back to your own. 

“This place is cozy, it’s perfect, it’s everything you and he deserves,” he said, grinning at you in an almost childlike manner. It was confusing, and you wanted to run, but for some reason you held your ground. 

“I asked what do you want?” you asked again, and this time Jack nodded before meeting your gaze knowingly. 

“You have no idea who you are, do you?” he asked, the same kind smile on his face. 

You said nothing, just waited there ,watching him for any sudden movements. Jack stood and made his way around the cabin, and looked outside the window next to you, admiring the scenery around with innocent wonder you had forgotten could even exist. 

“You were cheated out of life, Y/N Y/L/N. You were cheated out of a lot of good things you were meant for. You were killed before your time because my grandfather was angry with Dean and couldn’t control him, so he took you away from him before he could ever even have you. In doing so, he took away Dean’s only chance to have any happiness or peace while on Earth.”

Jack turned to face you while you froze up, him seemingly unfazed while you tried to make sense of this riddle he was giving you. Sensing your confusion, Jack gave you a moment before finally speaking again. 

“Do you remember how you died, Y/N?” he asked, and you tried to. It was all really hard to remember. You knew you had been on a hunt that was supposed to be a simple Salt and Burn, but since the Winchesters had opened up the gates of hell a few years back, it wasn’t always what it appeared, just like it wasn’t that time. It was a trap set up by demons, and while you couldn’t remember the pain you went through, or the details of your death, you know that they had been your end game. 

“Chuck sent those Demons to kill you so that Dean would never meet you in this life, and he intended to keep you locked away here forever so you two couldn't get together even in heaven. You were Dean’s soulmate, see. A rare and beautiful thing in the cruel world my grandfather built. You would have grounded Dean, given him a family of his own, a reason to fight against the darkness that he never should have been forced to take on in the first place. If you would have been his, the way you were intended to be, then Dean would never have become a Demon, he would have never had to let go of Lisa or even go to her in the first place, and he wouldn’t be on his way into a warehouse right now to die alone with his brother as witness on a crude piece of rebar.”

Your eyes widened as you struggled to keep up with what this teenager was telling you. You were Dean Winchester’s soulmate, and this Chuck had you killed so that you would never meet him. There was supposed to be no tears in Heaven, or at least that’s what you were always told, but you could feel them slipping down your cheeks as images of what could have been flashed before your mind, no doubt controlled by  whatever power Jack had. 

Images of a little boy in Dean’s arms, images of sensual touches, passionate filled moments, images of yourself and Dean old and sitting on a porch in a rocking chair with your grandchildren played in the yard with a dog that Dean called Miracle. It was all stolen from you. It would never be yours, you were robbed of this man and the life you could have shared together, it was earth shattering. 

“What happened to his Chuck?” you asked, sudden fear gripping you that he would find you free of your prison, and destroy you utterly. 

“Dean defeated him, he’s cursed to live life alone and die as a lowly human. I promise you, it’s more than what he deserves.”

Jack made his way to the front door of the cabin, opening it and stepping out on the porch, leading you to sit down on one of the old wooden rocking chairs, as he took a seat next to you. “He should be here any moment now,” Jack said, smiling at you before looking down the long dirt road almost longingly. 

“What happens when he gets here?” you asked him, following his line of sight, your heart already longing for a man you never knew you missed. 

“He gets to have the heaven he deserves, with you.” 

The ground underneath you seemed to rumble lowly, and Jack’s smile widened as he stood from his perch in the chair next to you before looking at you excitedly. 

“He’s here, Dean’s home,” he said, giving you a smile before stepping out into the open driveway, looking back over his shoulder before yelling at you, “Wait here!” and disappearing on the spot. Leaving you alone with birds singing happily, and your heart pounding in your chest. Images of what should have been still fresh in your mind, and for some reason no doubt at all that he’d be happy to see you here, a reassurance residing in your soul you never understood until now, but knew it was meant to be there all the same.

“Come home to me, Dean,” you whispered to the passing wind, settling down to wait on the man that had saved the world, and now was finally ready to lay down his weary, war beaten heart in the hands of the one person he always longed for, but was forced to do without, you.

Dean’s POV: 

“Right here!” Sam said from the passenger seat of the Impala as Dean turned the wheel into a driveway of what looked like the perfect little farmhouse in the middle of a beautiful clearing not far from where his parents little place was nestled. 

As soon as Dean put Baby in park Sam threw the passenger door open, the front door of the house opening to reveal Jess in a long white dress. Dean had a hard time suppressing the smile as he watched his little brother run into the arms of the woman he had always loved. He was finally home. Sammy was finally happy, and that made him more happy and at peace than he ever thought would be possible. Dean waived to his little brother before he and Jess disappeared inside his new home, leaving Dean alone yet again in the Impala. 

This place, it was almost perfect, but even still Dean felt like a vagabond. Putting Baby in drive he made his way down the road a little ways back to where he’d started, Bobby no longer sitting on the porch, but he was sure he could hear him and Ellen laughing just off in the distance as he killed the engine. 

Everyone had their place, but Dean. Dean didn’t have a home or a long lost love waiting for him, and he felt something he thought he wasn’t supposed to ever feel again in Heaven. He felt lonely. 

“Hey Dean,” Jack’s voice cut into the fog of his self pity, and Dean spun in the driver's seat to find Jack smiling at him in the back, a smile breaking over Dean’s weather beaten features, revealing the eye crinkles deep in his sun kissed skin that Jack had missed seeing, and didn’t get to see nearly enough while they were both on Earth.

“Jack! You’ve done a great job man! This place is everything anyone could dream of, you and Cas really outdid yourselves.” 

Dean’s gaze locked with the boy in life he’d hated almost to the point of death, and all he could find now was utter and complete peace staring back at him, and he wondered if he would get to the place where he could feel the same peace everyone else seemed to feel.

“Dean, glad you finally made it,” Jack said, leaning forward in the seat and looking around to the road and pointing for Dean to drive up the gravel path hidden in the trees. Dean did so without question, putting his beloved Baby in drive, and pushing onward until a little cabin tucked away in the hallow appeared just in sight. You were sitting on the porch, watching, as if you were waiting for him, and as he turned to Jack in confusion Jack just smiled as he once did when he tried to give Dean his first Christmas present, only more deep and with more pride. 

“I don’t remember her,” Dean murmured, turning back to look at you as you were  standing up slowly and making your way to lean against the rough cut railing of the porch, eyes tracing over Dean’s cars almost fondly. 

“That’s because you never got to meet her while you were alive. She was stolen from you Dean, long before you ever got the chance to find true happiness.” 

Dean’s face contorted with confusion, but Jack simply placed his fingers to Dean’s forehead lightly, showing him all the things that could have been, and should have been, but never were, just like he did to you. When Jack was done, one giant tear rolled down Dean's face as he uttered the only thing he could have thought would possibly have been able to take something so precious away from him, so willingly. “Chuck.” 

Jack nodded  and looked back at you where you were waiting for Dean to finally get out of the car. 

“This, Dean, this is the Heaven you deserve. This is home. This is peace. You did good Dean, and now it’s time for you to have everything without any terms or conditions.”

Dean’s eyes traced over your features and his heart swelled in his chest. He could feel it, the magnetic pull, the piece of him that was always missing beckoning to him to come home and lay his weary soul to rest. “Y/N,” he murmured before looking back at Jack. “How do I know her name?” he asked. Jack just smiled, looking into Dean’s eyes knowingly.

“Go home Dean, she’s been waiting for you for a long time.” With that Jack disappeared, leaving Dean alone in the car. 

Slowly, Dean pushed the door open, and his eyes met yours as a smile spread across your face. He was perfect. He was everything you had missed and didn’t know you needed. He completed you.

You were the deepest piece of his soul that he had always missed, you were the reason his heart was beating now, and had always been the reason he got up and fought every day to get to the rest that he had found now. You were home, his home. 

Dean placed a large hand to the side of your face as his arms wrapped around your waist, pulling you close to him, and brushed your hair away from your face. His green eyes bore into your own with more emotion and love than you had ever felt in your life. There was no darkness there. There was no hurt, or self loathing, there was no weight of the world, there was no more fight and heartache. There was nothing but love and resounding peace that would last for the ages. 

“I’m sorry I took so long, sweetheart,” Dean said, his lips brushing yours as you melted into his hold, humming at the warmth of his breath against your skin. 

“S’Okay Dean,” you tell him, wrapping your arms around his broad shoulders as the two of you just held each other there in your little piece of Heaven. You finally had all you’d ever need. Dean had you, and your warrior was finally home.

Forever Tags: 

@deandreamernp​

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@miraclesoflove​

@deanwanddamons​​​ 

@rvgrsbrns​​ 

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@i-love-superhero​​ 

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@writers-whirlwind​

@peaches007​

Jensen and Dean’s Babes

@msmarvelouswinchester​

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@supernatural-bellawinchester​

[incarnateirony]

Hi!

Sorry for troubling you with this but I wanted to clarify something for myself. In those posts where you were answering people's questions about, whether Cas's got himself a soul or was saved by Jack, and were saying that it all was in the script, which leaked a long time ago, and all over your meta. But how can people, who didn't read the script and your posts, work it out? Like was there something on the show which said how souls are created through feelings? Because it seems a bit of a stretch that the authors made, for example, so much obvious that Cas's confession was love confession but failed to deliver some at least visual evidence that he got to heaven (with some spec of light in the Empty or something). They had to give some verbal or noticeable visual evidence of the process of creating a soul or Cas going to heaven.

Or we were supposed to get this from the fact that souls don't go to the Empty?

Everyone explained it with Jack because they have seen him an episode before calling desperately for Cas because he missed him and then getting the abilities to bring him back.

Figuring out the soul option from only TV episodes requires analysis if it is even possible, which i don't think, the authors thought the audience would do.

So what do you think about it?

Sorry for the length. And thank you.

So here’s the deal: do I imagine somewhere, in the depths of official business notes even beyond script drafts, there may even be a “yeah sure whatever jack brought him back” to answer any questions to the same suits that can’t tell what the fucking Roadhouse is much less more nuanced story beats? Sure.

But here’s the beats.

Check my #Shadow and #Cosmogenesis tags to begin--but in summary: the shadow is both a protogenic and personal psychological concept of the unformed or unaddressed self, and As-Above-So-Below, of the unformed and unperceived world. That is to say-- everyone and everything has a shadow. If you check out Jung, he explains essentially that the shadow is everything we repress about ourselves or fear addressing.

Now, look at the Occultum, where Jack reclaimed his soul; as Cas put it: “Loosely translated: In order to be in the occultum, the occultum must be in you.” -- but also remember the same episode highlighted “Occultum” is just Latin for “hidden.” -- They made an entire funny trade-off about that. 

See, with the alchemy theme on the year, the original cipher reads, in Latin:  “Visita Interiora Terrae Rectificando Invenies Occultum Lapidem,” or in English, “Visit the interior of the earth and rectifying you will find the hidden stone.” 

The motto originated in L’Azoth des Philosophes by the 15th Century alchemist Basilius Valentinus. But in alchemy, the shorthand is that the earth is symbolic of the body, and the hidden stone is the perfect soul. 

Naming it the Occultum in Latin, and highlighting the latin, then randomly transcribing it in Enochian for Castiel to be the one to get that line spoken was incredibly poignant: they streamlined the symbolism with his “roughly translated” commentary, but the sentiment remained. Given, the gnostic dweebs in our server, when we realized Jack literally ATE IT:

Either way, Jack disappears into the occultum within him to unlock his hidden soul, where the serpent asks one of the prime questions of the journey of the self: “Who Are You?” -- in rectifying what is found there, Jack rediscovers his soul and is reborn.

But the Occultum isn’t only JUST this literal place. It’s a place, it’s a thing, whatever it is, it’s powerful. That was the core key to come in contact with it, but the moral of the story is simple: the kingdom of heaven is within you all along. 

But first we have issues to rectify.

The stages are simple. The Shadow asks, “Who are they?” in its dawning state, lacking self identity. On a cosmogenic level, this is where for example Chuck and Amara come to be. On a personal level, this is when we look both outward at other people for identity and even almost disassociated from ourselves.

“I know what you hate, I know who you love, what you fear, there is nothing for you back there.” - Castiel’s shadow on an individual level reflected this in a detached third person sort of way, even if the reflection itself is incredibly personal. The speech is “I speak in order to affirm we are the same.” -- I’m you, you’re me. But if the shadow is rejected, we do not address it.

The Animus, or basic ego, asks “Who am I?” it’s the first stage of wondering. The speech phase is marked “I don’t speak as I don’t dare.” By the next phase (Anima, the superego or dawning soul), it’s “Who are you?” and the speech phase is “I speak as I don’t dare to remain silent.”

On Castiel’s journey, this comes through things like the prayer group where he talks about rediscovering who he was. In the raw initial text, it was coming to realize that he became a father and found a family. But later, 15.18 -- as we approach a stage called Rubedo or the Magician -- has the question “Who art thou”. The speech stage is “I speak in order to hear what I have to say.”

Now, Dean for example had his share of this journey even if it was less about gaining a soul as SPN gives him one as a human birthright but more in repairing the damages on it and also learning when to let go. The four phases are also associated with birthing phases. And death phases. Rubedo is death and birth at the same time.

Notice closely Castiel’s dialogue with Dean; in Purgatory, in a stage reflective of the shadow called Nigredo, where their relationship had rotten and putrefied, he took a knee into Albedo, connected to Animus. I don’t know why I get so angry. It’s always been there. And I can’t stop it. You’re my best friend and I just let you go. No matter how hard I try, I just can’t stop it. I’m sorry it took me so long to say it. Cas, there’s something I have to tell you. 

But I don’t speak as I don’t dare/you don’t have to say it.

Castiel turned around in his own awakening and answered this prayer. He addressed why Dean has these self worth and anger issues and how worthy he is of love.

This, just like several other visuals on the year (15.09, 13) are symbolic of something called the Marriage of the Minds. If Grace/Mind is embodied in Castiel, which also mirrors the divine feminine (hence calling the light Rowena parallel in both his death and what he does post-rebirth), and well--Soul and humanity has always been Dean, which is also the solar emblem. Their union gives life to the World, which they just kept kicking us in the teeth with both the phrase of over the year and the visuals in 19. Cue, planetary zoomout, for reasons.

But this also falls into the shadow’s “threat” to Castiel: When you let the sun shine on your face, that’s when I’ll come.

Castiel poured out his heart and, well... soul, basically, about Dean. He changed because of Dean. He carried his torch of right and wrong and what it meant to love because of Dean. Dean changed him. And the moon and mind was full of light reflected in the soul, because of what they did and learned for the Whole World. For love.

A phrase from the corpus hermeticum is, “The cause of Death is Love, but Love is All,” and All itself is another macro/microcosm: the All is the Shadow when perceived, the universal soul, it is essentially--in SPN terms--heaven, unadulterated by the whims of the demiurge that was Chuck. It is the place where souls are born -- as the occultum, the garden, led to Eden, which DSOTM also tells us some see as god’s throne. It’s that we all have a throne inside of ourselves. 

Castiel in subsuming Death in an act of love addressed his every fear and repressed issue of himself, and came to learn that Happiness wasn’t in the having, it was in the Being, it was in the Just Speaking It. The just tweeting it out.

But if you track back to those cosmogenics tags, Being comes from the Prima Materia, and the Prima Materia once perceived is the light of the world that is the soul. Souls are real, everything else is perception. People, families, we are. 

The Empty is both a cosmogenic paradox and a place within ourselves of our own hollowness -- those things we won’t let ourselves have or feel, but without it, we will never be complete. The idea embodied in the occultum is opposite of that, but also within all of us. It’s nowhere-everywhere-in-us. It’s a matter of asking: Who are you? Who am I?

“You think that’s what you are/That is not who you are.” Castiel addressed, but instead told him of love, and the world, and being the most loving man he would ever meet. “That is who you are.”

In this moment Castiel addressed both himself, and even Dean’s issues. Castiel answered who he was and, at the same time, helped Dean come to peace with who *he* is. And that sacrifice and moment would not be in vain. So it was time to stop the anger, and the desperation, and to live on as intended, and eventually let go in peace come his time. 

Sam’s path on this was always leading opposite and always leading him towards earth. Not in a bad way either. It’s fine to do that. Sam had his own chance at individuality told in the future-story. 

But it’s about the Shadow integration, about the difference in Being or Absence and knowing what is Good, in about the peace we can find in all of ourselves to be complete. 

I do feel a bit sad that the plot end had to be diverted; they generally addressed the idea of Dean needing to speak at the end of the road. But the original point he “had to tell you” and got shut down on never manifest, to the expectable disappointment of all. But I guess that’s what eternity-ever-after is for. 

“Castiel is At Peace.” -- At Peace. Heaven tag. Not the Empty. “Mary Winchester is At Peace”, remember that? And teaching the guys to let go and move on because she was at peace?

Even souls can burn out--that’s what demons even are after all. The fact that Dean’s story long walked parallel to the threat of wandering into the Empty isn’t a fluke either. Because of his own issues the concept reflects. But he didn’t. He went to heaven. And probably has 15.09 and 15.18 to thank for that in the subtext.

Integrating with the shadow to become a complete persona (Jung) or soul (general alchemy) aka gold (also general alchemy) doesn’t leave regrets to even sit there and dream about. In fact, the entire heaven structure and division--even that’s perceptual. Check out the Axis Mundi meta on that. Chuck protected his Thought Box against the shadow and it needed summoned, but anybody notice it’s fine on rolling through heaven? It’s up to the rules in each chamber there. It’s just the flipside of the garden/throne/heaven-- it’s not being At Peace. It’s not being full. It’s not being your complete self. It’s just Absence (14.18, the soul.)

The Shadow haunted Castiel as his fears, and when Castiel lacked self worth and to some extent invited death and suffering, it reflected those desires. But in addressing the reasons for having them, it turns into another form of Being entirely.

[demenior]

Dem’s Big Post About The Spn Fics Part 1/2

aka The Wrap Up to celebrate To Exist Again and To Become a Man now being finished!

(This will be a long post. This is your only warning.)

Admittedly this is a bit of a weird thing to be doing, but I wanted to try it out for 3 reasons: 

I love talking about my own work and 

It functions really well as a self-reflective tool for me to improve on, and 

I can answer some big questions people might have because there was a LOT of worldbuilding in these stories. 

We’ll start off with reflective stuff, and move into the juicier world-building focused stuff later into the post. There will be major spoilers for both fics to come!

To begin with a funny anecdote, Why Did I Write These Stories?

I was beginning to write and work out the story that I wanted to write for Spn (what will now be To Destroy a Man. As I was writing the scene, I realized I had a LOT of ideas and while I was trying to avoid as much exposition as I could, it became quickly apparent that I was needing to create my own au (this scene eventually became chapter 34 of To Become a Man). A short prequel seemed like a good idea, to quickly hash out the ‘prior’ events that I needed to go through so all the readers could be on the same page. While plotting out prequel points, I realized Sam and Dean were going to have drastically different experiences during the same time period, and I was trying to figure out who’s pov would be better for which scenes, and how to keep momentum when they’re going through such radically different types of changes. Ultimately I decided to split their povs, which I also thought would be a fun project! And I naively assumed each pov would take about 2 chapters each, rounding out to maybe 15k total.

I had my ending points: Dean n Cas soul-merged and (basically) married, Cas on the lam from heaven and a complete anomaly, and Sam juiced up full of powers and a weird mix of archangel and antichrist but still 100% human and ready to fight God. 

Now I needed to add weight to these changes, so I wrote 200k of build-up.

Am I proud of these fics?

OF COURSE I AM!!! These are the longest fics I’ve ever written AND finished AND in the fastest freakin turnaround ever (both were finished writing, barring edits, in like 6 months holy shit)

I didn’t write a single scene that I “didn’t” want to write. If I had trouble writing it, as in it was fighting me, I scrapped it. Most obviously was the scene in Dean’s pov where he and Sam were intended to meet some other hunters and Dean declines working with them because he’s nervous about being outed as queer. It was meant to be a good scene! I wanted to introduce some new characters! But it just wasn’t working so I said ‘thank you, next!’. 

But it means this story was an absolute joy to write. Because for a while all I was doing was ‘if I wanted to write one scene into supernatural, what would I write?’ and then just DID that!! It’s why there’s a lot of ‘Salmondean do dumb shit or have really dumb heartfelt conversations’ scenes.

Would I change anything?

If I’d been less eager to start sharing, I might have planned out the story beats a little tighter so there were less ‘soft’ chapters and a draw/pull for people to come back and keep reading. I felt Dean’s story specifically lagged at points and could have used some tighter editing (there was a noticeable lull in directed movement between Dean n Cas getting together, until Sam corrupts Amy).

I also probably would have held Sam’s story until I’d finished Dean’s so I could make the two line up better! Probably could have inserted more scenes into Sam’s fic that way, and made sure things were a little more consistent. In an ideal world one concept I had was to release 1 chapter from each pov every week that would correspond to the same time frame so we’d be getting real-time SalmonDean pov narrative. Unfortunately that didn’t work!

The biggest takeaway overall is for me to focus more on what moves the plot, and to make my scenes do more than 1 thing so I can cut down on wordcount and increase my efficiency. 

Of course every writer will find things they want to fix in anything they’ve ever written, so these are minor “mistakes” at best. I’m so dang proud of these fics. 

Onto more interesting things!

How Did I Put These Fics Together (because it’s different than anything I’ve ever done before)

Normally when I write a story, I plan out the beats I need to hit, see where I need to insert any kind of foreshadowing/buildup, and then write from A to B to C and so on and so forth. Hence, this is why I can normally post things as I complete chapters, because it’s all a linear progression. 

For these two stories, rather than linear plot/a normal story structure, I just sat and free-wrote any and every scene that came to mind and then pieced them into a kinda-linear form like putting a quilt together. You’ll note that this is why there’s not a lot of internal callback or a feeling of sense of time flowing within the fic (save for points where I went back and specifically edited it in). How long does the story take place over? Hard to say! Your author has the barest grasp on linear time even on a good day (how many times did I say ‘see you on [wrong day]’ at the end of chapters lmaaoooo)

This also meant EXTENSIVE editing on the back end once I decided in what order I wanted my ‘quilt pieces’ to be. Hard to say if this is a bonus or a negative!

But I did want to try and capture the vibe of the lives they lead, as a bit of a ‘slice of life’-style story, when the slice of life is the profound weirdness of the Winchester roaming life, and how things are status quo- until everyone almost dies oh shit!! And then they have to keep living because no therapy we die/undie like Winchesters. Do I think I captured this effectively? Hmm. Good question. 

Dem where the FUCK did the inspiration for a lot of the magic and creature weirdness even come from?

Honestly? Music, primarily. And completely mishearing lyrics!

Nightwish ‘Ever Dream’: the line is ‘my song can but borrow you grace’ and because my brain is scrambled eggs on a good day, I heard ‘grace’ ‘song’ and ‘borrow’ in that order and have had, for YEARS, the mental image of Cas borrowing Dean’s soul to power himself up for battle.

From there I’ve always been enamored with the ‘wavelength of celestial intent’ descriptor that Cas drops in s6 for “what he is”. 

I also really like ocean metaphors mostly because I’ve been obsessed with the ocean and things in it since I was like… 5??? So really this was me just rolling with what I know lmao. I love using (somewhat) accurate scientific metaphors for very intangible things!

I was also finishing my degree in biology/ecology while writing these fics and I think it shows

Stars ‘The Night Starts Here’ gives us the series title and the fic titles. Except for ‘To Exist Again’. TEA was almost titled ‘The Upwards Fall’ because I wanted all 3 of the Main Stories to have titles from this song, but I couldn’t make anything else work in tandem with the series name ‘The Love It Takes’ while also working for Sam’s personal story. So Sam, as always, is the rebel <3

Stars ‘Up In Our Bedroom, After The War’ is basically the vibes of the whole story. TFW has been, literally, to hell and back!!! There’s a bit of melancholy and sadness, a lingering dark, but the chance of a bright new tomorrow and a soft start.

Let’s Talk About Themes in The Story! What were you looking to accomplish? 

My earliest notes for TFW are, as follows:

Dean’s journey of self-discovery (who am I when I’m not trying to be Dad?)

Dean wants to settle down! He wants a big family! He wants to be domestic!

Basically: Dean doesn’t want to have a short life of hunting. He wants to live!

Dean’s journey of realizing he’s bi, and him accepting that

Dean’s relationship to Sam is both older brother/parent 

And continuing Dean balancing these roles while also letting Sam be an adult 

Dean’s Big Issues/Fears about never being good enough for people to want to stay with him (these are effectively highlighted in that Cas thinks he’s not useful enough to be wanted)

Sub Plot:

Castiel’s autonomy

Cas’ fall from grace, to trying to restore Heaven, to wrecking it further

He’s majorly depressed by the end of s7 (before purgatory)

Wants to stay in Purgatory but doesn’t tell Dean

Remains depressed after leaving, but resolved to keep living on because he’s clearly meant for something

After the seraphim reveal: does he have free will?! How does he grapple with this? How does he live in a way he can be proud of?

And lastly

Sam gets his powers back CAUSE THATS HOT

where tf did they go????

he got them from Lucifer?????

sleeper agent??????

Sam is The Chosen One

Accepts that he is More Than Human and to celebrate all parts of him

Lucifer and Sam friends?? Work together????

Sam needs autonomy in his choices/his life

If you compare these to the overall arc of TFW within the two stories, I think I got a lot of them! But you’ll also note a lot of these things aren’t concrete goals that are easily measurable (ex: Dean wants to learn to bake pie. In chapter 1 he starts a fire in the kitchen. By the end of the story he finally makes A Good Pie.) part of the lack of concrete milestones was why I felt it was important to tell Dean (and Cas’) story by going back to the point they meet, in s4! Dean’s gradual change towards his feelings for Cas, his relationship to Sam (heavily influenced by the s7 events of this fic) and then his own relationship with himself were such slow burns that I felt it would be a disservice to try and cram a change like that into a timeline like “1 year”.

I felt like these subtle changes and adjustments actually felt a lot truer to life-- people often change in very small, gradual ways over time, even without realizing it and often times not consistently! If only we could all gain skills like the sims, where we can easily level up and remain at that high level of performance! 

So the Guy Who Ate Satan, A Celestial Nuke that Developed Sentience, and Dean walk into a bar…

Sam’s story in Spn The Show has always been a ‘chosen one’ kind of narrative. Sam is living with one foot in the realm of the monsters, and I wanted to bring that back full force! It really makes sense for him that he should only continue to grow in power, might, and magic!! As the story progresses.

Cas also got a power up! I do desperately love in the show that he was kind of a grunt/nothing angel, and so even when he defected to TFW he was a huge help for them, but in the scale of things he was an annoying fly to most other angels. It really worked for the underdog story of s4/5. In this I wanted to give him a power up, and originally it was actually going to be close contact with Sam that eventually changed Cas into something unknown (you can still see traces of this in ch34 of TBAM, where Death remarks ‘Castiel could be [Sam’s] first creation’. But for a combo of reasons: how Sam’s magic needed to have intent, the entire concept of free will and consent, and how much I wanted Dean and Cas to have their effect on each other, I decided to go with the route that Cas has actually always been something angel-adjacent rather than becoming something new. TFW/Supernatural has always been about free will and making your own story, so I amplified that with Cas.

Dean has always been A Normal Guy, which is part of the appeal of him and Sam (2 normal dudes!) taking on the Very Not Normal. As explained above, Sam’s story is ‘normal guy finds out he’s the chosen one’ and so, in a story about very large concepts and huge monsters and acts of magic, I felt it was very important to keep Dean as normal as possible. To the point it became a running gag to me, personally, in that ‘no matter what cool shit happens around him, Dean has to stay as Just A Guy’. And it’s a very humanizing role that allows the story to have the scale it does!

What were the most important themes in your story?

Sam’s Autonomy

I wasn’t even going to include the plot about Lucifer’s death in this story— that was going to come up in a later story, actually! And rather than Sam having ate Lucifer, the original idea was that they’d become a SamandLucifer entity (this harkens back to a concept I wanted to write when Swan Song first aired). 

That storyline would have involved a lot of mental ‘Sam and Lucifer discuss what it means to live, which one of them is more worthy of life and if they do deserve to destroy the world for the pain they’ve been forced to go through, just to create the dichotomy of good and evil for everyone else’ discussions. There would be a lot of talk about how Sam hates and fears Lucifer for the pain Lucifer put on Sam, how Lucifer hates Sam because he and Sam are the same but Sam’s brother loves him anyways, etc. 

Ultimately that was scrapped because Sam’s entire story in the show is always about how the world and everyone around him manipulates him and that he never actually gets to make choices about his own life or body that aren’t influenced or part of someone elses’ design. And that always bothered me that Sam was never allowed to be himself without having to be ashamed of it, and I wanted to make sure that Sam’s triumph of being proud of himself/proudly choosing to exist (again) was evident in his story

In the end I needed Sam to have this visceral win over his tormentor. As the story shows, in this case Lucifer was abused and put into a position where he was incapable of empathy and could only express himself in violence. Sam even understands this! But it doesn’t change the fact that Lucifer tortured Sam in unimaginable ways for thousands of years. 

With that in mind I didn’t like the idea of Lucifer and Sam having “co-ownership” of their new identity, so I made the choice that Sam had to be the survivor. This tied in well with Sam’s new crusade to restore free will to the universe, because he’s breaking the narrative of his own story!

While Castiel wasn’t a pov character, his own autonomy and free will was equally as important. You’ll note that many, many paragraphs and conversations revolved around that theme and that in the end Cas followed himself (and love!) which ensured his freedom of self <3

The Brothers are WEIRD PEOPLE!!!! And Codependent to a Worrying Degree, but It’s Also How They Survive

It’s very hard to show “unusual” relationships when you’re writing from the pov of the two people who don’t think there’s anything weird about their relationship. Sure, they say ‘yeah it’s probably weird that we still share a bed’ but that’s kinda more in line with ‘I had a nightmare and I want to be close to the person who makes me feel safe’. Hashtag normalize co-sleeping when you need it!!!

From there I did try to point out how the boys have a weird perception of lifestyle in the little things they did. 

From thrifting everything from clothes to appliances to books (thrifting is a valid lifestyle! It’s incredibly handy when you’re on a budget.) 

To never actually having condiments or knowing how to use a dishwasher cause they’ve lived in a car, a motel room, or squatted in old houses their whole life.

I tried to have them wear each others’ clothes or casually swap things as much as possible. They live out of each others’ pockets!

Also the brothers are just weird people!! It’s hard to show from their pov, cause they don’t know how far off from normal they are, but like…

Everything about Sam and Amelia was NOT right like holy shit those two were wilding in their grief. They are very lucky things worked out for them and that they got to be hashtag Weird Girls together

Dean explicitly, in the story, gets horny after killing stuff!! Violence has done a number on his psyche and he’s gotten some wires crossed that maybe shouldn’t have been, or maybe could be worked out in a safe space but… uh… how likely do we think Dean is gonna go find a safe space to deal with any of his shit???

LOVE!!! Love is truly what this whole story is all about

If you’ve read the stories, you know how much emphasis I put on love. Love is the strongest force in the Spn Universe! It’s what averted the apocalypse and saved the world (Swan Song), it’s what created free will (Cas’ entire arc!) I love love!!!!

I went out of my way to not put any definitions on platonic love vs romantic love because I think love is love is love and how you express that is the difference. Neither is more powerful than the other because LOVE is powerful!! Sam and Cas are the most important people in Dean’s life and he loves them equally! He shows this by giving Cas kisses and stealing Sam’s socks.

It’s a personal pet peeve of mine when I have to hear explanations like ‘I love you, like a brother’ or ‘I love you, but like, as a friend because I’m a lesbian and you’re a man’ etc etc in media. If you have to continuously define how your characters love each other, then I don’t think you’re doing a good job of portraying their relationship. So you’ll see that I never put those parameters in any conversation. Dean DOES muse that he loves Cas differently than he loves Sam or Bobby, specifically because there is a romantic and sexual tone that his feelings for Cas takes, but not because he loves Cas more or less than he loves Sam or Bobby.

Which means, if you haven’t realized it yet, the Series + Fic Titles are meant to be a complete sentence because the power of love IS the thesis of this series:

The Love It Takes To Exist Again (Sam’s journey!)

The Love It Takes To Become a Man (Dean’s journey!)

The Love It Takes To Destroy a Man (TBA)

And now for fun stuff. Behind the scenes!!

What’s Something People Probably Don’t Know?

The demonic fungal/hydrothermal vent growth on Sam’s arm was thrown in literally as I was posting the chapter because I had just finished a 48 hour cram session of writing a report on tube worms for an ecology class (I was chanting my tube worm song as I wrote it) and it ended up being a HUGE hit with both readers and myself. But it was so last minute I had trouble fitting it in more throughout the rest of Sam’s story!

Cas’ orders? That may or may not have bound him to Dean and removed his free will? Were written into Sam’s story and I went ‘oh SHIT that’s compelling’ and then left them there as a ‘guess I’ll figure that out when I get to Dean’s story lol’

Originally Dean and Cas were supposed to get together after having their souls bonded, and have been in a UST limbo the entire time before that. Mostly because I think the entire concept of ‘we just got married of the soul I guess we should try dating?’ is very funny. CLEARLY the two of them were way more eager to fall in love than I anticipated (thank you Cas for your honesty) but you can still see shades of this original idea here and there (especially in ch35 of TBAM)

I never intended Dean and Benny to connect so well!! Benny was going to reunite with Andrea, she was going to live, and they were going to go off into the world and leave the story. And, uh, here we are. I’m still debating if I need to adjust the relationship tag or not haha. Polyamory is fun, especially when I was planning for Sam to be the polyamorous brother...

Speaking of, I can’t believe I forgot about Sam and his sexuality! If I rewrote TEA I would have had Sam contemplate more on his lack of sexual appetite due to trauma, up until he meets Benny and he gets to rediscover how he wants to be a sexual person

Many of Sam and Dean’s absolutely stupid sibling conversations were lifted near-verbatim from conversations I’ve had with my siblings

And lastly...

Dem where’s Kevin????????????? Where is our sweet baby boy????????

He’s SAFE!! He’s in the Hunter pipeline somewhere cause Sam handed him off to Bobby’s people. He and his mom are safe and at some point they probably got rib sigils like SalmonDean did against angels, but for demons. I didn’t have room in this story for him!!! But my baby boy is SAFE and I want to get him back to university because it’s WHAT HE DESERVES!!!!

To that point: god there were/are SO many characters that I just didn’t include in the story so far because I didn’t feel comfortable including them without stalling the story for them. To that point: pretty much everyone who is alive/dead in s8 is that way in this story, except Bobby who gets to live.

[Check Out Part 2 for reader questions!]

[amwritingmeta]

15x20: New Beginnings

I’d like to speak of the cause and effect of the ending.

I agree that the execution could’ve been skewered just a tiny bit and it would’ve made the overall impression more palatable, but assuming production was at the very least hampered by COVID restrictions, we know that this wasn’t actually Dabb’s final vision. It’s what we’ve got, though, and it still leaves us with a lot of tying up of narrative threads. 

How?

We have a final image of Dean and Sam together and I understand why this is irksome and why it feels regressive. Here’s why I think it actually isn’t:

Dark Side of the Moon tells us that Dean and Sam are most definitely not soulmates meant to share a Heaven. Dean’s memories are focused on Sam while Sam’s memories are completely devoid of Dean. Dean also needs to find Sam (and is helped to do so by Cas). Ie. they brothers are not in a shared Heaven, the way Jimmy and Amelia and Mary and John are highlighted to be.

We also know that Heaven’s system is basically a prison for the mind of the souls of those who have died, right? You get stuck in your best memories. This is simply Heaven’s idea of benevolence, because Heaven, and the angels, have never understood how much choice and free will matter to humanity.

So. No matter how much Dean and Sam succeeded in saving the world throughout our narrative, they were still always headed for forced separation and this prison for their minds and being filed away behind one of those white doors, in essence ceasing to exist, and the point of all their trials and tribulations would have been what? Living a long and happy life, only to die and go to what Dean wouldn’t have chosen for himself with a gun to his head? Eternally brainwashed into thinking he’s content? 

Can you think of anything more horrible to be waiting at the end of their road?

So the point to this ending we got is, to me, gloriously clear and it’s this:

The journeys of these men, throughout this entire narrative, made the new Heaven possible. 

This new Heaven, where there’s freedom of choice and endless possibility for exploration. Where human souls are now granted an afterlife worth actually living, where everyone can reconnect with the people they’ve cared about, the people they’ve loved. 

(Buddhists have six Heavens and believe life exists on multiple planes meaning when you die you simply transcend to the next plane where there’s more living to be done) (Swedish children’s author Astrid Lindgren explored the death of two brothers through sacrifice and illness in her novel The Brothers Lionheart and in the mythology of this book the first Heaven one enters just after death is called Nangijala, and once you die in Nangijala you move onto Nangilima and so on) (etc.) 

What we get in the Supernatural mythos is that there’s no more prison for the mind. No more only soulmates get a shared Heaven: ie. family genuinely doesn’t end in blood.

So look at what this means for the entire structure of our narrative and our character journeys -->

The Road 

If Dean and Sam hadn’t been codependent, they wouldn’t have made those bad choices that brought Cas into the narrative. 

If Cas hadn’t been influenced by Dean to rebel and start making bad choices of his own, he never would’ve made Heaven fall apart by trying to stitch it together and teach angels free will and stepping into a leader role he wasn’t quite ready for, and he wouldn’t have begun on the journey that brought him right to the moment when he expressed his need of bringing back a win for Dean, and for himself.

That win, turns out, was Jack. 

Cas’ faith in Jack, Cas fighting for Jack, Cas feeling responsible and stepping into the Good Father Figure in order to keep his promise to Kelly and protect Jack was what led to Cas making a bad deal with the Empty, but that bad deal also left Cas with the opportunity to save Dean’s life when death was threatening to break down that door and kill them both.

The remarkable truth that’s added to this moment is that Cas’ journey has brought him to a place in his progression where he’s no longer afraid of his feelings, he’s no longer questioning them or thinking they mean a weakness he shouldn’t let define him, because he realises that what he needs isn’t Dean to love him back for that love to be real, to be valuable and valid. His fear of alienating Dean through loving him is the lie. That’s where his happiness stems from, him recognising and finally embracing this truth. 

Because the love he feels isn’t a weakness. It never was: it’s his strength. It’s always guided him, even when he didn’t realise it.

And the strength of it lets him tell Dean exactly how he sees him and that he loves him, and opening up to and being honest with himself is what allows Cas to integrate with his shadow. The Empty takes him, but Cas is at peace, because he no longer fears and avoids his unconscious, he no longer needs to engage in suppression and repression of his emotions, and so his shadow no longer holds any sway over him, which is a fact given to us by how Cas’ ending in this narrative means him being free of the Empty. 

A freedom that never would have been granted, never would have been possible, without his faith in, his fighting for and his protection of Jack.

Cas’ words to Dean makes Dean begin his final steps into integration as well, meaning Cas’ declaration of love directly affects the outcome of the fight against Chuck, because Dean wants Cas back, but it’s not everything he’s focused on, since it shouldn’t be everything he’s focused on. 

It can’t be, since there are bigger fish to fry, and because of Cas’ view of him, Dean is opening up to his true self, to trust, to having faith in himself, which allows for a letting go of the need for control and thinking it’s all on him and everything is his responsibility or everyone dies. 

Thanks to this, we get Dean in teamwork mode with Sam and Jack, the three of them together figuring out how to manipulate Michael into bringing Chuck to them in order for Jack to de-power him. 

Dean’s integration is complete, and given to us through the symbology of his inner child (Jack) sucking the power out of his shadow (Chuck) and is then underlined by the ego (Dean) telling his de-powered shadow that it’s to be forgotten. Dean’s shadow, which has fed on and also fuelled the need in Dean for repression and suppression, no longer holds any sway over him. 

And Dean’s understanding and embracing of his true identity is highlighted by how he refuses to kill Chuck. 

Because that’s not who Dean is: he’s not a killer. He’s internalised Cas’ view of him. Cas’ truth making way for Dean’s own truth to shine a light. 

Dean is done with self-denial. And self-destruction. 

Which is what 15x20 is all about: that lack of self-destruction and the finality of goodbye.

Because Dean being shown to accept the finality of the loss of Cas has such direct bearing on Dean’s ability to accept the finality of saying goodbye to his brother.

The Greatest Love Story Ever Told

All of this, all of it, is because of and thanks to Cas’ LOVE for Dean. 

Thanks to the moment that allowed Cas to express it and to SEE Dean for who he truly is. 

Thanks to the moment of Cas’ integration we get Dean integrating.

And it’s so beautiful that it’s the loss of Cas this time that allows for Dean to do this, because he’s always plummeted into despair without Cas. His progression has slowed to a crawl without Cas in the narrative. His entire sense of self, his entire source of faith in anything, being drained out of him. 

This has been romantic and lovely and fabulous, but it’s also so unhealthy. 

Dean being shown to mourn, to want Cas back, to expect Cas at the end of that phone call, only for him to move away from the need and want to have Cas back, recognising that it’s possible Cas’ return is now an improbability and choosing to look to the future, because now he’s feeling worthy of a future, this is such an important detail for the love story to move from profound bond territory...

(where Cas used the bond forged by Heaven as an excuse for why he kept hanging around Dean) (Dean was his charge, his mission, he was meant to protect him) (a view shattered by Hester in S8) (and properly dismantled by the human!Cas arc) (at least the way I see it because that’s where Cas got that love he feels brought into actual stark relay like oh fuck I’m in love with him)

...to the healthy, selfless, loving side to that bond, which isn’t about self-deception, miscommunication and fear, but about blowing all of that apart, letting feelings flow freely, opening up to the truth of them, the strength of them, and these two men being able to finally free themselves of all those past doubts by embracing their true identities.

I realise there’s frustration that we only got part-textual Destiel. I felt it too. But I never expected canon Destiel. I hoped and wished, but up until Cas’ declaration of love, I questioned whether the studio would be onboard, and it turns out they weren’t okay with making SPN an overtly queer narrative. Was Cas’ declaration of love baiting or BYG? I hope my meta reading in this post will tell you how little I feel it was.

So then. Letting go of the initial shock of it all, I’m leaning on what I did expect: the love story so strongly highlighted in the subtext that we were all left with zero doubt that we’d been seeing it there for a reason.

Subtext is part of the text. For any writer worth their salt, subtext is more important than the surface text. Text without subtext is flat and dull. The text we’ve been dealing with for fifteen years has always had layers upon layers.

These final three episodes, as I’ve already pulled on above, brings it in spades and our subtext tells us plainly:

Dean Winchester is in love with Castiel, just as much as Castiel is in love with him. 

How does it tell us this plainly?

Cas is finally able to integrate because he opens up to the truth he’s carried with him for so long: his love for Dean. Unconditional. He no longer needs Dean to say it back, to validate the emotion, Cas is realising that happiness in the feeling itself, in acknowledging it and allowing it free rein. Cas moves into making peace with himself, for himself.

Now, we know Cas loves Dean because, well, declared, but why is it plain that Dean loves Cas back?

Firstly, because of the episode being entirely structured around people in love losing one half. That’s as much of an in-our-faces use of mirroring as underlining of the subtextual love story that we’ve ever gotten from Berens. 

Even stronger than the mirroring, for me, is the fact that Cas’ love for Dean allows Dean to finally move into integration. 

Cas’ words infuse Dean with a sense of self-worth that immediately paves way for him beginning to have all that faith in himself that Cas has always represented to him. The build from 15x18 through to 15x20 is like a gentle moving away from Cas being the external source of Dean’s faith, to Cas’ love and expressed faith revealing Dean’s internal source of faith in himself.

A source which has been suppressed and repressed out of a whole layer of different fears, which have in turn brought on the belief that a toxic masculinity armour was necessary for survival and that all feelings are weaknesses, but because of Cas’ faith in him, because of Cas’ expressed love, Dean is able to no longer need an external source of faith, because he’s now internalised and embraced the truth of what makes him who he is.

Just like Cas is shown to do, we’re given Dean recognising that the love he feels isn’t a weakness, but a strength, because Cas’ words is about Dean’s capacity for LOVE. It’s this love that takes away Chuck’s ability to tell Dean who he is. 

No one can tell you who you are -- you choose who to be. 

For his entire life, right up until that moment in that room with Cas, facing death (literally) all Dean can see himself as is someone who can do nothing and who knows nothing except how to give into his anger (he’s never been able to control it because he’s never recognised the source of it) and find something to kill.

This view of himself has been constantly whispered to him and reinforced by his unconscious, his Shadow-side, who’s kept Dean thinking that he doesn’t have good things last for him, ever, so he can’t have love in his life or a future to look forward to, because he doesn’t deserve it. A perpetual emotional roundabout where his Shadow-side has stayed in complete control.

One might argue this has always been the source of Dean’s anger: his inability to dare open up to his true identity that has kept the toxic masculinity armour in place, kept the performance up, kept him more often than not lying even to himself of who he is and who he wants to be, because he never felt there was a choice in the matter. 

Truly allowing himself to recognise and feel all that longing for love that’s been like a tight ball in his chest always, meant giving into weakness meant getting Sammy killed or himself or both of them meant failure.

But the only way to beat back and conquer our Shadow-side is by recognising and accepting our flaws and no longer feeling unworthy because of them.

That’s what Cas’ words and his love does for Dean. 

That’s right there in the subtext: Dean, even in the moments before certain death, being unable to open up to the truth of who he is and what really drives him; Dean needing his external source of faith, this man that he’s loved for a long time, to tell him that how he sees himself is wrong, to afford him a different view of himself, to bring the truth to light so that Dean can finally feel worthy it, because Dean couldn’t beat his Shadow back on his own, his dark view of himself was much too ingrained for that.

It had to be Cas. The narrative tells us it always had to be Cas. And so it is Cas who saves Dean from himself. And saves Dean’s life. And saves Dean from having to spend his afterlife in a prison of the mind.

Love wins.

And Cas only ever entered the narrative due to Dean’s need to Protect Sammy at all costs, because that has always been such a huge identity marker for Dean, his entire self-understanding and sense of self tied to whether he can keep his brother alive and out of harms way, which, as he grows up, then translates itself into Dean’s enormous capacity for selflessness and caring about others. 

His core trait was never weapon, it was shield. It was protector. Stemming directly from all that love he carries around and can’t allow himself to feel because it means weakness and that means death and that means he’s failed and is worthless and around it has always gone.

And would always have gone, too. If not for Cas.

Love fucking WINS.

I mean. DAMN! It’s so gorgeous.

(this angle still holds even if Dean in any way was ever meant to actually reciprocate in that scene, because it’s made so clear to us how Cas never expects Dean to say it back) (if Dean is meant to say it back and the love story is meant to be textual that would be mind-blowing head-exploding joyful news) (but it doesn’t change the subtextual move away from unhealthy holding on to healthy letting go) (the textual would only ever strengthen the fact that we have subtextual confirmation) 

But what about...?

Yeah, but what about that ending then? What about the last twenty minutes? What about all the focus on the brothers? 

Was the execution of the finale perfect? No, I wouldn’t say it was, but I could see, when I watched the finale again on the 21st, that there was efforts made to make something good enough. Something geared toward tying our narrative up as best as possible with the means presented to Dabb. 

I understand why people feel stuff is missing.

Because stuff is missing. Dabb told us they had to change the ending, that they were supposed to have a whole lot of people back to populate Dean’s Heaven. Found family galore. Misha said the same thing. They couldn’t (I’m not going to speculate on why, it’s just clear that they couldn’t) and so the ending had to be modified. To me that’s fairly plain in how it’s structured.

Did they have to focus so hard on the brothers?

Well... given the restrictions, I think this was the only way to end this narrative, because the story has always been centred on these two brothers and the bad choices and sacrifices they’ve made, and the blood, sweat and tears they’ve shed in order to remain together.

Their absolute inability to let the other go actually kick-started their onscreen journey.

Because this is a story about dependency, and letting go of that dependency to make way for a healthy, equal coexisting; which is what, to me, that final shot is all about.

Should Cas and Jack have been there? Sure! There will always be stuff missing from the final two eps that I’ll wonder about. Like, if Cas was never meant to be in the story (as per Misha he was but let’s say for argument’s sake) then why didn’t Dean just ask, very calmly, in 15x19 of Jack our New God: “What about Cas?” and then Jack our New God could’ve answered gently, but plainly: “He’s at peace.” Simple. Why didn’t we get an establishing of Eileen as Sam’s wife? And it would’ve helped so much to have Charlie and Stevie reestablished in the visual narrative as alive, however plain it is to me that Jack will have brought them back with everyone else who were away-ed by Chuck.

Sure, there could’ve been more.

But what I love about that final shot of the brothers is this canonical fact:

It would not have been possible without Cas. 

Cas learning and growing and integrating to the point that he knows exactly how to fix the home he’s broken more than once, and how to bring free will, at long last, to Heaven, to the benefit of humanity.

And Dean’s little sideways smile (his “I want this smile”) when Cas is mentioned, when he realises that Heaven is different thanks to Cas, well, isn’t that just the darnedest thing? 

*forever headcanon that Dean was expecting to see Cas again somewhere somehow he just didn’t know when and now... here Cas is* 

When Cas went, it took a little time to adjust, but Dean let go of Cas and didn’t make a deal and didn’t go crazy or self-destructive, there was no nosediving into depression, because Cas’ words made those types of coping mechanisms no longer necessary. 

Dean drinks and indulges at the start of 15x19 because he’s still processing, but by 15x20 Cas’ words have been fully internalised, Dean has integrated, and he’s looking to the future. Set on living, because otherwise he’d render Cas’ sacrifice meaningless.

Dean’s death has zero blaze and glory to it. He didn’t expect this day to be the day. But it is. And he accepts it. And because he does, because he’s open and honest with his brother, because he tells Sam all the words he needs Sam to carry with him, gives Sam all the faith in himself that Cas left Dean with, he’s brought to a Heaven that has been readied for him by the love of his life. 

Cas is right there. And he’s been waiting. And he’s used his time well, because Heaven is now the afterlife that Dean deserves. The ultimate salvation. Love and happiness and companionship and LOVE LOVE LOVE. Forever.

If that isn’t the biggest reward for the both of them after everything they’ve been through, I don’t even know what is!

Sam arriving is a given, but I have to say I genuinely do not see Sam as living his life in pain and grief. He’s happy. He loves his kid. He’s a good father. Just like Dean was, and Bobby, and Cas. All the Good Father figures threaded through 15x20. And this narrative has been about these two brothers. It ending on them together, at peace, feels fitting. 

Yeah, but shouldn’t Dean have gotten to live his life?

Sure, this is my interpretation 100%, but Dean’s death feels softly ironic and fitting because it is unexpected. 

I can’t hit on this enough: there’s no blaze and glory.

Dean was ready to make the most of life, but through accepting death and accepting separation from Sam, Dean is brought into the same moment Cas was brought into, a moment of recognising what’s important, where Dean opens up fully to vulnerability and hands over his trust and faith in that Sam will be fine without him, which pushes Sam into the same integration that Cas’ words afforded Dean. Voicing trust and faith will do that for a person.

And Sam’s arc was always dependent, narratively, on the progression of Dean’s arc, so it makes a lot of narrative sense that this needed to happen for Sam to get pushed out of the nest and forced into having proper faith in himself. Because there’s no other choice. 

He’s left doing what he has to and it results in a balance between that family life he’s always wanted (foreshadowed in 15x01) and staying aware of and raising his son to be aware of the reality of their world, given to us via the tattoo on Dean Jr.’s wrist. (oofta I wish he’d had a different name but since everything had to be done in the visual narrative it’s the easiest way to connect us with Dean still being present in Sam’s life so I get it)

There’s also that romantic in me that feels as though Dean is greatly rewarded for all his suffering and struggles, for all those years of living his life in fear and feeling as though he doesn’t matter by not only bringing him into a Heaven he made possible, but by reuniting him with the love of his life and this time they’re equally immortal, equally made of light, equally eternal, equally integrated and balanced and ready to accept all that love and happiness.

That just makes me fucking happy. For them both.

Bring on the New Beginnings

The fact that the narrative has opened itself up to being interpreted as somehow glorifying death or saying that happiness can only be found in death is distressing, but I hope that the threads I’ve pulled on here gives enough of a basis for me to say how I truly feel like this is simplifying why the choice was made for Dean to die.

It’s not about happiness only being found in death. 

It’s not about devaluing living your life, it’s about the idea, the soft hope, even the narrative promise that death, for our characters, not for humanity as a whole, but for these specific men, who have always avoided it and made bad deals and feared separation and been brought into a crisis of identity (Dean because he doesn’t know who he is without Protect Sammy as purpose and Sam because he genuinely and continuously seem convinced that he can’t hunt without Dean to lead the way) whenever death has touched them have now reached a point where the separation is an accepted part of life.

And this acceptance is rewarded: because the separation isn’t forever.

Death is not the end. It makes way for new beginnings. For all three of TFW. Actually all four, because of course Jack is included in this endgame.

There’s a transformation that takes place, thanks to them integrating. They get to transcend what’s come before and move onto the next plane of existence together. 

Together.

TFW 3.0!

Death on this show has always been about a moment of rebirth, of entering a different leg of their journeys.  

I don’t find it out of place at all that the ultimate moment of death for our characters mean just that. 

Not an ending, but a new beginning.

In conclusion

Could there have been more? As said, yes. Absolutely yes. But I doubt Dabb isn’t aware of that. I don’t think this is the ending he originally intended. It might have been a brothers focused ending, because I think Dean was always meant to die and go to Heaven, but Dean’s Heaven was meant to be a celebration of found family. 

The subtext of this narrative is what I’ve been reading and what I’ve been hooked on for four years, and what I’ll continue to be hooked on for the rest of my life, I’m fairly sure. I wish it could be celebrated, the way it always has been, the way we’ve always known to look deeper.

I hoped Supernatural would turn out to be a vehicle for overt representation. I always hoped that, and believe that was what the writers wanted. The fact that we didn’t get overt bisexual Dean and Destiel as unquestionable canon was distressing to me too and I’ll always think of this ending as a missed opportunity and I wish the CW would learn and fucking do better already. 

I understand the frustration, I understand the anger, I just wish we could all look at the richness of this ending and everything it says about the narrative, about our subtext, about our love story, about our character journeys, and lean into the treasury of it.

And omfg we got Cas as canonically queer. 

We got a main character on our show that is overt representation, on a journey towards a moment where he gets to express love and hope and clarity and this in turn moving through and enabling the integration of Dean and ultimately of Sam as well.

Truth begetting truth. Happiness begetting happiness. And love saving the day.

So, my friends, I will say this: saying that all the writing is bad, or claiming that there’s no depth, nothing to pull on, that it all just plain sucked, that doesn’t quite cut it. These three final episodes, just as any episode ever of this goddamn show, contain all of those layers and layers, especially when looked at together and certainly when taken into the context of the show as a whole.

And yes, you are, of course, more than welcome to your own interpretation! 

To finish I’ll quote Bruce Almighty: 

Lovelovelovelovelovelovelove!! 

[theyarebothgunshot]

Another heteronormative S4 viewer whose eyes popped right the fuck open when cas burst through the barn doors and dean promptly stabbed him in the heart lol. No lie that dean/cas had a significant impact on the shattering of my heteronormative lens forever. (And no matter how much pain the ship brought over the years I will always be grateful for that reason)

So yeah. This acey/straighty straighty had major 👀👀👀👀👀 at jenmish chemistry from their first ep. I was onboard the cockles train by their first hellatus.

Anyone who doesn't see the insane chemistry was just sticking their heads in the sand for the last 12 years imo.

amazing shfsdh i love hearing all your origin stories!!

'stage chemistry' anon came back as well but it's a bit long and has a minor buffy spoiler in it (tea anon is watching for the first time and has somehow managed to avoid a lot of big spoilers hfsdhfhsf) i'm putting it under the cut!

'stage chemistry' anon here! With years! I got here with years! For starters, i am not american and while i'm not straight i didn't know abt bisexuality until Willow in Buffy. So, i see a few epis of spn on tv, think scarecrow or hookman and i like horror and when i get my own laptop i search for the show. It's on it's fourth season at the time i start watching, i believe. Anyway, i really like the show, could've done with less bro drama but whatever. Castiel happens, so cool! I put the chemistry into the box of 'they're such great scene partners!'. Siren episode happens, i raise my eyebrows but when it comes to the brother aspect of it i want to bleach my brain. (i know people have tried to explain it away and it's a good epi for proof that dean is bi but i still can't get past of the implication that he has hots for his brother, just no) so i delete that epi from my memory. Ok, season 5 is sooo good and i'm watching as epis come in and i actually search for youtube content, see J2 goofing around and a few fan vids, but i still remain GA. Then there's the heaven epi with implications that Sam and Dean share heaven and again, just no. But overall amazing season and finale for the series. And then there's season 6. Why is there season 6? is my question. But i stick by it. There's some stupid jokes abt Castiel and Dean. I don't like them joking abt it, cause it feels like making jokes on the expense of gay people, but okay. 6x20 happens. Ooh, he, umm, loves him? But the betrayal is so awful. Cause it isn't just Cas betraying Dean, it felt like the show was betraying the audience. It was all so one-sided and unexpected. I still went to season 7, cause i wanted to see Misha as the big evil of the season. And then he dies in second episode. I stop watching live. I still binge a few epis in a row at some points but they lose me completely when Bobby dies. Then i see some comments abt how Cas has come back on the site i had been watching on and went to see and he came back! Dean keeping his coat was another eye-brow moment. But then they left him. Anyway, watched the epis i hadn't seen and was exited for s8. No Cas. By episode 2 i believe Dean had killed him or smth (cause of how cagy he was and how much it effected him). I stop watching again, but can't resist for long. Dean refuses to leave him behind and i'm like 'when did you start loving him back?' and then, oh man, that epi when he comes back. On one hand i wanted Dean to dream abt him like that, on the other, i wanted him back for real. I guess i had started 'shipping' them gradually, but i had no idea wtf shipping is at the time. Still very GA. The crypt scene comes along, i gotta watch away cause, you should know, i'm not into actual 'i-love-yous' and melodrama. I like to think abt it and create scenarios of my own, but i get bored seeing it in shows. I like it a lot more when it's shown in actions and veiled a little, creates more suspense. Anyway, they're family. I had thought season finale is gonna be Cas breaking free but i guess he's sidelined again, even though his story in season 8 was the most interesting part of it for me. (i thought the tablets and closing hell was so stupid, you had peace and all, why go around poking with a stick?) From then on, i wasn't watching live anymore. I checked in a few times a year and binged several epis in a row. Then comes season 11. I start watching live again and i go to Youtube again, watch a few crack vids, watch a few destiel vids, watch sdcc panels. Castiel says yes to Lucifer and i'm like wtf i need a new episode right now! I need more content! And then i come to Tumblr. I peak around, block a nasty bronly, curate my dash. I read a beautiful meta abt Dean being bi and everything clicks into place. They are in love! So that's the story of how i started shipping destiel. But cockles, just, I started to actually watch the panels. I saw a few gifs on my dash, I saw posts abt polyamory. I still tried to stay away from the cast opinions and stuff, i've never, never been interested in actors' lives. But they continued to lure

me in. Their panels are hilarious and you can see they really care for each other. Once you get past Jensen's grumpy man act and once you get past the performance Misha constantly puts on, you start to understand them a little bit. Most things can be explained away by them just joking around and being entertainers. It's all the tiny things put together. It's the things you know are not for audience. I slipped in casually, just observing. I still don't have a 'need' to know, i don't ship them as far as shipping goes. I just take them as they are. They are so sweet on each other. I love to see that. They are also dirty-minded as fuck. Especially with each other. And then there was 'Mish. Dee.' What else am i to think of that? I just hope they're happy and i love seeing them together because they love being together. No matter what their relationship happens to be. long story short: i blame Youtube and Tumblr and the hivemind that is fandom. and Andrew Dabb for making Cas say yes to Lucifer.

absolutely amazing thank you for sharing sfjhjsdfs

[princessconsuelapark]

my ultimate Sam and Dean are soulmates playlist | 61 songs, 3 hr 59 min

I started putting this together over my summer SPN re-watch, and I thought I'd share it with you all, so we can all cry over our Wincest feels together. It has all the usual cliché songs, and some of my own favourites. (Very country-heavy, so if that's not your thing proceed with caution.) I'm a writer, so lyrics are very important to me - I linked them for every song. All songs are individually YouTube linked, alternatively you can find the Spotify version above. I included some comments and explanations for all my choices, as well as quotes from the show. Happy listening! | Last updated: 18 November 2020

Carry On My Wayward Son by Supernatural: The Musical Cast // lyrics // Cliché and all that, but a good place to start.

Somewhere Only We Know by Lily Allen // lyrics // Even as children - as tumultuous and layered their relationship has always been - it was just the two of them, alone, in their own little world. I Found by Amber Run // lyrics // I found love where it wasn't supposed to be.

Fade Into You by Mazzy Star // lyrics // Unhealthily codependent Weecest vibes.

I Wanna Be Yours by Arctic Monkeys // lyrics // Secrets I have held in my heart / Are harder to hide than I thought. Something's Gotta Give by Christian Kane // lyrics // Wanting to get out of town as a metaphor for Dean wanting to act on his feelings for Sam? Yes, please. Christian Kane being a country god? Absolutely. The fact that this man was actually on SPN as Dean’s freaking love interest, and Jensen and him got to sing together still makes me the happiest person on this planet.

Don't You Wanna Fall by Frankie Ballard // lyrics // So, I love the lines Fall down here where an angel should know better than / To walk around this world with me, because god, Dean so often thinks he belongs in Hell, and is terrified of forcing his little brother into anything he doesn’t want. But still, he can’t stop himself: Don’t you wanna fall? (Shoutout to any Destiel shippers out there, because what a perfect song for you guys too, wow.) Thinking of You by Christian Kane // lyrics // Dean, just before Sam leaves for Stanford. (Link is for the Leverage version, because I love that show, and because Eliot Spencer is an angel. Funnily enough, Alona Tal was actually in that very episode, and did actually sing this song - you can find that here.) Hold On by Limp Bizkit // lyrics // I'm waiting for you, I know you're leaving / I'll still adore you, you never need me. LOST BOY by Troye Sivan // lyrics // Thinking about little Sammy’s stolen college admissions guide. Arms of a Stranger by Niall Horan // lyrics // Some jealous!Dean, while Sam is at Stanford angst.

Walking Away by Lifehouse // lyrics // Silence is all we have to give / And the memories of a life I wish we'd lived.

San Francisco by Niall Horan // lyrics // Listen, it’s a song about pining and not being able to let go and love in San Francisco. I mean, where do you expect my mind to go? Stanford Wincest all the way. How Did You Know? by Jedward // lyrics // I don’t wanna hear a bad word about Jedward, they are good lads. It’s a cheesy song, but hey, I love it. Sam comes back. Well, here I am / I couldn't stay gone. Drive by Halsey // lyrics // All we do is drive / All we do is think about the feelings that we hide. And the California never felt like home to me line! So perfect. "We made a hell of a team back there." (01x01 Pilot) Belong by X Ambassadors // lyrics // This is where Sam belongs, really. Riding shotgun, in his brother’s car, on the open road. Link is a fanvid that makes me feel things. Go and watch it, because it’s everything.

You Could Be Happy by Snow Patrol // lyrics // “Sam, you were right. You gotta do your own thing. You gotta live your own life.” (01x11 Scarecrow) Do the things that you always wanted to / Without me there to hold you back, don't think, just do.

Big Black Car by Gregory Alan Isakov // lyrics // "Who was that?" "My brother." "What did he say?" "Goodbye." That soft, disbelieving, confused look on Sam's face when Dean tells him he's proud of him. When it turns out Dean loves him enough to let him go. It should make him feel happy and free, it should make him loathe his childhood, defiance should fill him to the brim. Instead it makes him run straight back to Dean. (01x11 Scarecrow) Hey Brother by Avicii // lyrics // Faith. (01x12) Link is a fanvid, because reasons. Oh, if the sky comes falling down, for you / There's nothing in this world I wouldn't do. Sober Me Up by Frankie Ballard // lyrics // Sam always seems to make the world all fall into place. (Sort of 02x03 Bloodlust vibes?) But baby when you kiss me all the demons seem to disappear.

Always Gold by Radical Face // lyrics // “Killing this demon comes first, before me, before everything.” “No, sir. Not before everything.” (02x07 The Usual Suspects) And they said you were the crooked kind / And that you'd never have no worth / But you were always gold to me. Sold My Soul by Zakk Wylde // lyrics // Bit on the nose, but my god, how fucking real. (02x22 All Hell Breaks Loose: Part 2) Let Me Sign by Kirk Matthews // lyrics // "Well, then let it end!" & "I'm gonna take care of you." (02x22 All Hell Breaks Loose: Part 2) Follow You by Bring Me The Horizon // lyrics // “I mean, you sacrifice everything for me.  Don’t you think I’d do the same for you? You’re my big brother. There’s nothing I wouldn’t do for you.” (02x22 All Hell Breaks Loose: Part 2) Say Something by A Great Big World // lyrics // "I just wish you'd drop the show and be my brother again. Cause... just cause." (03x07 Fresh Blood) Take Me To Church by Hozier // lyrics // “This obsession to save Dean? The way you two keep sacrificing yourselves for each other? […] Dean’s your weakness. And the bad guys know it, too.” (03x11 Mystery Spot) Outlaws of Love by Adam Lambert // lyrics // "You're my weak spot. And I'm yours." (03x16 No Rest for the Wicked) Everywhere we go we're looking for the sun / Nowhere to grow old, we're always on the run / They say we'll rot in Hell, but I don't think we will / They've branded us enough, "Outlaws of Love". Wanted Dead Or Alive by Bon Jovi // lyrics // Well, I had to include this one, for obvious reasons. (03x16 No Rest for the Wicked) In Other Words by Ben Kweller // lyrics // Dean's going to Hell. Sam's not okay. In his eyes I see the fear. Real With Me by Cady Groves // lyrics // Dean is not dealing well with remembering Hell. Sam is upset that he's not opening up. And it was never about what you were not / But I don't know how much longer I can hold on. Devil's Backbone by The Civil Wars // lyrics // None of it matters. Leaving for Stanford, choosing Ruby, the demon blood, that he’s Hell’s chosen. Dean will always come for his brother, no matter what.   Stay by Florida Georgia Line // lyrics // Sam leaves. It's fucked up. "Hey, you, uh... wanna take the Impala?" Dean doesn’t trust him, not like he used to, but he would say anything to make him stay. (05x02 Good God, Y’all) Hotel Room by Calum Scott // lyrics // They die in a motel room. They find out they share a Heaven. Sam can't find the words to explain. He wishes Dean would just give him time. (05x04 The End) So I kind of wrote a ficlet about this...? Read it if you fancy. Here Tonight by Brett Young // lyrics // The Wincestiest Wincest song to ever Wincest. The lyrics! Sometimes they can just take a minute to sit on the hood of the Impala and watch the stars, Apocalypse be damned.

I Hold On by Dierks Bentley // lyrics // “Sam, it’s okay. It’s okay, I’m here, I’m here. I’m not gonna leave you.” (05x22 Swan Song) Dean believes in his brother, and I’m a sucker for pick-up truck metaphors Lifeboats by Snow Patrol // lyrics // The look on Dean's face when he hugs Sam, when he realises that Sam's back, that he's alive. (06x01 Exile on Main St.) Potentially also some Purgatory vibes. Wild Horses by The Rolling Stones // lyrics // The moment Sam turned up on his doorstep, there was no question he'd choose him. Choose him over Lisa and Ben. Choose him over everyone. “But the minute he walked through that door, I knew. It was over. You two have the most unhealthy, tangled-up, crazy thing I've ever seen. And as long as he's in your life, you're never gonna be happy.” (06x06 You Can’t Handle The Truth) Heavydirtysoul by twenty one pilots // lyrics // “Pick one... Sam’s soul or Adam’s.” “Sam.” (06x11 Appointment in Samarra)

H.O.L.Y. by Florida Georgia Line // lyrics // Oh, this song. A bit of religious irony and whatnot, but my god. The lyrics are everything. You're the healing hands where it used to hurt immediately makes me think of how Dean helped Sam turn the pain from his scar on his palm into “stone number one, and build on it”. (07x02 Hello, Cruel World) I mean, Sam can't even tell what's real anymore, but he trusts his brother. Blindly and with everything he has, because that's who he is. But then there’s also Dean making his promise in the church, and Sam choosing him over dying in 09x01 (I Think I’m Gonna Like It Here). God. Just. I love this song for Sam and Dean.

Through The Dark by One Direction // lyrics // "We'll figure it out, okay? Just like we always do." (08x23 Sacrifice) Leave Out All The Rest by Linkin Park // lyrics // Sam is okay with sacrificing himself. He is ready to die. When my time comes / Forget the wrong that I've done. Demolition Lovers by My Chemical Romance // lyrics // “There is nothing, past or present, that I would put in front of you... I need you to see that." (08x23 Sacrifice) Okay, but look at the lyrics, and try and convince me this song is not about Sam and Dean. Love Will Tear Us Apart by Fall Out Boy // lyrics // "You wanna know what I confessed in there?" (08x23 Sacrifice) TALK ME DOWN by Troye Sivan // lyrics // The look in Sam’s eyes changes, his face falls. "How do I stop?" He chooses Dean like he always does. (08x23 Sacrifice) Brother by Kodaline // lyrics // “Come on. You and Dean? That’s something special, don’t you think?” (09x08 Rock and a Hard Place) Link is a gorgeous fanvid, go watch it and cry. Little Lion Man by Mumford & Sons // lyrics // Dean really messed up this time. Gadreel fall out stuff. Sam breaks up with him in a motel car park in Wisconsin. (09x12 Sharp Teeth)

better off by Jeremy Zucker & Chelsea Cutler // lyrics // "Something's broken here, Dean." (09x12 Sharp Teeth) & "No, Dean, I wouldn't." (09x13 The Purge)

I Can't Go On Without You by KALEO // lyrics // Sam taking Dean’s body home, laying him on his bed, drinking by himself in the dark. (09x23 Do You Believe in Miracles) I Won't Give Up by Noah Guthrie // lyrics // "I am going to save my brother." (10x01 Black) Sam never gives up on Dean. Brother by NEEDTOBREATHE ft. Gavin DeGraw // lyrics // “I never even said thank you, so…” “You don’t ever have to say that, not to me.” (10x04 Paper Moon) Link is another beautiful fanvid, because I can’t help myself. Sittin' Pretty by Florida Georgia Line // lyrics // Sam's sunshine and he’s endless planes of warm skin, soft long hair, and sometimes Dean looks at him. Really looks at him. (No, okay, but the Chevy line really made it for me.) Blood Brothers by Luke Bryan // lyrics // "I don’t need a symbol to remind me how I feel about my brother.” and "The two of us against the world!” "What she said.” (10x05 Fan Fiction) I don’t know, country songs just make me think of Sam and Dean, okay.

I Will Follow You Into The Dark by Daniela Andrade // lyrics // “This is my life. I love it. But I can’t do it without my brother. I don’t want to do it without my brother. And if he’s gone, then I don’t…” (10x18 Book of the Damned)

Golden by Fall Out Boy // lyrics // Dean is so so broken. “No, there is no other way, Sam. I’m sorry.” (10x23 Brother’s Keeper)

Church by Fall Out Boy // lyrics // This whole song screams Sam and Dean to me, and initially I thought of Sam’s Wall breaking down, but then I got stuck on the lines And if death is the last appointment / Then we're all just sitting in the waiting room / I am just a human trying to avoid my certain doom and that’s so clearly Dean killing Death, unable to murder his little brother in the end, because his devotion to Sam runs too deep. (10x23 Brother’s Keeper) In which the SPN writers and Pete Wentz really should get together and discuss over-the-top religious imagery. You are doomed but just enough. Right Back Home by Lifehouse // lyrics // “We are home.“ (11x04 Baby) Be There by Seafret // lyrics // "Bring him back. Bring him back and take me instead." (11x17 Red Meat)  You're my way out / You're my way through / And I can't, I can't / Be without you.

Only the Brave by Louis Tomlinson // lyrics // “I need him, he needs me.“ (11x23 Alpha and Omega) With or Without You by U2 // lyrics // The absolute poetic tragedy of 12x09 (First Blood). The way they don’t even have time to really look at each other after six weeks apart, that they are both ready to die for each other without a moment of hesitation.

I Won't Mind by ZAYN // lyrics // “I'm good with who I am. I'm good with who you are. Because our lives? They're ours and maybe I'm too damn old to want to change that.” (14x13 Lebanon)

Fine Line by Harry Styles // lyrics // "Just us.” (15x19 Inherit the Earth)

[idatebucky]

LIST OF WRONG THINGS IN THE SEASON FINALE, a really long thread:

starting with my favorite character, castiel. ok so now we know jack did get him out of the empty — why the hell didnt he say a hi or tried talking to the winchesters? he could help jack AND say hi to his friends of 12 years he died to protect.

the winchesters did not give a FUCK about what happened to cas. it's like they were sick of trying to get him back and just??? stoped???

just... the homophobia. they used castiel to get audience on the last episodes (which worked). that's queerbaiting on a next level. they didnt acknowledge his confession, dean didnt even seen to notice it??? that's so wrong I cant even put it into words.

THE WHOLE VAMPIRE FIGHT/ DEANS DEATH SCENE.

SERIOUSLY WHO WROTE THAT AND THOUGHT OMG THATS SO GOOD?????

dean spent the whole series WANTING to die because he felt like he didnt deserve anything good and that he should die to protect his little brother. a good character arc would show him learning to love himself and actually LIVING a good life which he never thought he deserve but still got it. THAT would be good, THAT would be a great message to the fans who struggle with depression and other mental health issues.

I wont talk further on the dean thing because I'm getting mad.

the whole funeral to dean was SHIT?? he had a lot of great friends and family with him, sam would never be alone at his funeral. apocalypse world bobby and charlie would be there, jody and the girls (claire especially, who treated dean like a father)... there were so many people who loved dean and would be there mourning him, it didnt make sense for sam to be alone.

I actually liked the joined heaven thing if they had explained it better. the bar was great but he never went to the bar since he spent 30 years driving the impala waiting for sam??? the codependency???? thats not healthy????

I'm not even going to mention how cas absolutely would be there in deans heaven.

they made the supernatural slogan "family dont end in blood" (which is a hell of a good line) but in the end they literally killed or just didnt show people who weren't blood related. castiel was part of the family, jody, claire, they were all family and deserved to be treated as such. mary and john were terrible and abusive, they dont deserve a place above the rest just because they're blood related to dean and sam.

spn should stop trying to redeem john. he was an abusive father who didnt deserve to be in heaven since he caused 99% (if not all) of deans mental health issues. the message that people should forgive their abusive parents just because they "tried" is horrible.

btw mary was a terrible mother. she was good when she was you know dead. but when she got back she just used every opportunity to leave the boys, further deans abandonment issues and make sam feel more like an outsider in the family since she barely spoke to him.

still not over the homophobic, ableist ending. it wasn't a good ending for both dean and sam, it wasn't good for castiel (WHO'S ALSO A LEAD CHARACTER THANK YOU VERY MUCH), it wasn't good for eileen, it just wasn't good. the only person with a good ending was jack — which I'm happy since he's also one of my favorite characters ever.

they made a bad ending for the sake of making the fans angry and it was just disrespectful to everyone, including the actors who worked their asses off and dedicated almost 2 decades into the show.

anyways fuck supernatural and fuck cw, that homophobic, racist, ableist and misogynist network.

[toxicsamruby]

Honestly I think people refer to it as a suicide because textually in the show dean repeatedly states that he can't see the light at the end of the tunnel, that he's gonna die young and bloody and he views this through a lense that if he dies, then at least Sam can get out and live the suburban picket fence dream. And then he gets impaled fighting a stupid MOTW tells Sam to let him go and the show reinforces his POV because Sam does live said happy nuclear family 50's dream.

Obviously death means nothing on spn so it doesn't really matter so he's not actually committing suicide but honestly I think it's the implications that his suicidal reasoning from earlier seasons ends up being true that sticks in people's craw.

But I think saying that it was a suicide might be going a bit far because the text doesn't really support it.

no like i definitely understand where the impulse is coming from cuz dean HAS been textually suicidal before and if death was permanent and mysterious and had the same stakes as it does in the early seasons or in other shows then it would be true that killing off dean and calling it a happy ending would be fucked up. but death has zero stakes whatsoever and like u said dean isnt actually committing suicide ANYWAY. it’s literally just a cheap version of the good place ending except not even cuz at least there is a form of permanence in the good place ending supernatural is just like ok we need to end the show so we’re going to stick them in heaven bc thats the only way it’ll be believable that theyre not causing the end of the world every year