Can we talk about the fact that Queen Khessa only started screaming after her head had already dissolved? What kind of spell is that?! Makes me wonder if Aaravos actually killed her or, idk, sent her to the nightmare dimension.
Honourable mention for the fact that Khessa didn’t utter a single word after Aaravos’s appearance, although one and a half minutes passed before her death. She was shook (and rightfully so).
The whole scene at the Sunforge was just great all around.
listen listen I want Ted to stay in Richmond as much as the next girl, I just think that everyone posting about how he shouldn’t go home for ‘just’ his son and how awful a plot line that would be really doesn’t know much about…you know…having kids…
No desire for my favorite character to be the best striker, or even for two characters whose relationship goes far beyond platonic to get together, can compare to the desperate need for professional psychological help in Blue Lock.
I like to think that Gorgug hangs out with the seven the way Zelda hangs out with the bad kids. You know that horrible awkward feeling where you only know one person at a party? It’s like that but everyone else at the party is inseparable and they keep teasing you (in a good-natured way) with jokes you don’t understand, and all you can do is smile and nod and try so hard not to embarrass yourself in front of these people you perceive as way too cool for you.
I need a fic of 704 from Tommy's perspective of first re-meeting the 118 -> how he became friends with Eddie -> listening to Eddie bring up Buck in every convo they have -> Evan coming on the scene and making a mess of things -> the kiss.
Please and thank you. I can offer two cookies, 1 kudos, and a rambling comment.
thinking abt amity somehow finding luz and hunter in this timeline... insane.
shes at the door and her and hunter immediately start cursing at each other like??? what the fuck?? and since i bet amity would be in her scout uniform, i think camila would make some quick deductions. (they sent a child to kidnap my children? hello?)
but then luz comes at the door and is like "!!! amity!!!! :D" and instead of hunters usual insane protectiveness hes. oddly ok with this? and it takes exactly five seconds of amity and luz looking at each other for camila to pick up some vibes. (is the cult.. not homophobic? is this why her and hunter arent a thing? (shes wrong but efforts appreciated))
thinking about camila trying to glean the specifics of luz and hunter's paramilitary bunker doomsday death basement cult through context clues is So Fucking Funny. this poor woman. she's like statistically speaking they were almost certainly fundie christians but like. WERE THEY NOT FUNDIE CHRISTIANS??? luz doesn't even know who jesus IS.
i think if amity showed up at the door, after everyone had been introduced and it was established that there was no danger, camila would privately sit luz down and be like, "okay. luz. baby. you know i don't push you to share things you aren't ready to, you know i want you to feel safe and comfortable here above everything else. but luz. if there's, like. an entire schoolyard worth of kidnapped children living out in your former basement being tortured by a cult somewhere. Do You Understand Why I Need You To Tell Me About That,"
With Birthdaygate pretty much confirmed, here are two moments from 4x02 Vecna's Curse that hit different...
(1) First we have Jonathan stopping Will as he goes into Rink-O-Mania to tell him something. Will turns around quickly and almost looks, dare I say, hopeful?
But why would that be the case? Unless of course there's something Will's waiting for Jonathan to say, that he hasn't said yet? Happy Birthday perhaps? Surprise Will! We didn't forget your birthday! We're coming in! We have a party planned and everything! Meet you inside! (interesting that there were birthday decorations in there as well...)
Unfortunately, all Jonathan does is tell Will that they'll be back to pick them up at 6:00. And so Will goes from sad, to hopeful, only to go back to looking sad again...
I think a lot of fans attributed Jonathan's concerned looks in this moment as him knowing about Will's feelings for Mike. And I do still think that's present, especially as he's telling Will they'll be there to pick them up later. In that specific moment he sounds sympathetic like Sorry buddy, that sucks.
However, the look Jonathan makes after Will turns away, as Argyle starts driving off, doesn't look like sympathy or pity from someone witnessing unrequited love. It looks like confusion and almost deja vu being experienced by Jonathan himself. As if he's forgetting something, but doesn't know what it is...
(2) Next is at the very end of Will and Mike's fight. Mike sort of echoes the same level of frustration he had during their rain fight, when he said It's not my fault you don't like girls. We know the scenes parallel each other, and how after both of those things are said, there's this silence that takes over, making clear that this is as far as they can go, otherwise they might risk hurting each other beyond fixing. We see both of them make faces of deep emotion here, because they probably are also being reminded of their fight last summer.
And so Will's options here were to, either (A) take it even further and risk hurting Mike more than he's hurting him, or (B) just don't say anything and let the argument end there before it gets beyond repair.
But the thing is, it almost looked like Will was going to say something. He quite literally mouths the word But-- only to cut himself off all together, looking defeated.
Here's what I think. THIS would have been the perfect moment for Will to say, But, you forgot my birthday, Mike. If it was genuinely something as simple as Mike and everyone simply forgetting and needing a reminder, without any supernatural implications involved, I think this would have been the moment to do it.
It would have also mirrored their rain fight even better because it would have been Will saying something and likely walking away, leading to Mike being like OH SHIT I have to fix this! I messed up.
But we all know it's not that simple.
As far as Will knowns, EVERYONE forgot his birthday, not just Mike. And so him calling out Mike here, might have felt slightly unjustified in that it wasn't just him who forgot.
It's almost like they're not the problem here, he is. (WILL POV ANGST)
That's what truly makes the scenes at Rink-O-Mania so heartbreaking. Because it wasn't just about Mike and El ignoring him, it was the fact that it was his literal birthday. All the most important people in his life, who used the literal memory of his birthday to bring him back bc they cared about him so much in the past, have now apparently forgot about him in the present.
Not to mention, the story not blatantly acknowledging his birthday being forgotten in the narrative of s4, means that it was framed this way bc the whole point was they only wanted it to be hinted at in s4, saving it as a surprise revelation in s5.
And so, if Will did say here, but Mike, you forgot my birthday, how would that have impacted the conflict in s4 and Vecna's plan as a whole, specifically for Will? All it would have taken was them connecting the dots after that, figuring out Vecna's plan before he could even reach Will, rendering s5 plotless?...
S5 is likely going to jump right into this, there's too much incriminating evidence about unused footage at the Rink-O-Mania location. It also fits with them not mentioning it in s4 if it's intended to be an early s5 revelation.
TBH with all the storylines going on in s4, them exploring the depths of Will's connection to Vecna just wasn't an option, bc they wouldn't have been able to do it justice. He needs to be front and center for that.
thinking about how gorgug + kristen perceive both their own deaths & each other’s, and how that impacts their relationship. bc i feel like freshman year kristen was too caught up in her newfound knowledge of the nature of her own god to truly clock & process gorgug’s internal revulsion of where he went after he died, & freshman year gorgug wasn’t familiar enough with the complexities of other people to truly lock onto the sorrow buried within the chaos of kristen’s upward/downward/sideways spiral until she was seemingly on the other side of it. & i wonder if they’ve ever really talked about it (unlikely), or if they’ve just cracked very few jokes that didn’t land and decided to never quite do the work & dig through that part of their relationship. but there’s a kinship there; kristen specifically singles out gorgug to tell him she died again, and gorgug apologizes that he wasn’t there with her this time. gorgug takes one of the finger bones off kristen’s newly/long-time decayed corpse to have an anchor to something in the world. despite the fact that they were in different places after death, having been together during it means everything.
anyways what i’m trying to say is i think they should talk about it.
ENOUGH of this fucking roland rat vs basil brush nonsense. theyre two bad bitches with equal slay, stop pitting them against eachother and let them kiss.
WHY THE F*CK DID MIKEY SUGGEST THIS PLACE TO FIGHT TIGERCLAW!??
Look at that! It's straight up like something out of Saw or Amnesia! It's horrifying! A TABLE SAW? SRSLY? WHY DID SWEET MICHELANGELO SUGGEST THIS!? WHY DID HE KNOW ABOUT IT!?
There is so much nuance to the ep 6 scene between KJ and Lauren, I can’t get over it.
the motion older!KJ makes as they walk out, reaching for Lauren, realizing just in time that they are, in fact, in her hometown in Ohio and cutting short before she can land what was probably going to be an instinctive kiss
KJ coming in hot with the world’s most polite “hello!” and managing to make what must feel lightly like small talk for thirty seconds before dropping her voice to this shy, slightly-terrified question
the inability to hold eye contact. the faltering, wordless noises. the way she blinks like she’s seconds from just passing out in the middle of this theater--that is exactly how it feels to come out to someone for the first time. the edges of your vision go a little fuzzy, your heart is in your throat, you genuinely feel shaky, and all of that is so present in this performance
the sense of mild defeat in how she just lands on “movies” instead of “girls”, like she’s embarrassed she can’t just say it
the gentle ah hah expression on Lauren’s face as she realizes what this petrified kid is trying to ask her, and how smoothly she doesn’t correct her--just rolls with this safe code word
KJ’s nod and very tiny “uh-huh” without moving like any part of her face. like she’s reverting to standing as still as possible, protective coloring coming up in every inch of her frame
Lauren actually taking a minute to think about it before answering. and and then not giving the answer KJ asked for--”how did YOU know”--but what KJ actually needs to hear. what any kid in her position would: not everyone will get it, but everyone’s journey is their own, and there is no rush
(again, this is why I’m so delighted they wrote it the way they did--KJ and Lauren, not KJ and older!KJ, because older!KJ would have a definitive answer to give. it might be “I always knew, in the back of my mind” or it might be “when I was eighteen and kissed a girl for the first time”, but whatever the answer, it would cement KJ back into a box. this is your future, immutable, and there is no journey you could take that I haven’t already gone on. I’m so fucking glad they didn’t do this, that they let her have the reassurance that any timeline is the right one if it’s hers.)
again, that flutter-blink/quick breath combo that looks like she’s gonna pass out--but this time, there’s relief in it. it’s less “how do I say this Huge Thing” and more “oh thank god, she knows what I’m asking, she knows without me saying, and she’s being kind”
It is beautifully put together, such a gentle way of saying to this baby gay, “Nobody can tell you who you are except you, but whoever that winds up being is so okay. Listen to yourself. Trust yourself. You will be happy, I promise you.” It is a critical bit of advice so many queer people just don’t get, and to write it into KJ’s story is one of the show’s biggest kindnesses.
putting my thoughts under the cut in case people dont want to spoil themself on arle voicelines
currently obsessed with the view our current harbingers have of the Tsaritsa. both childe and arlecchino greatly respect her even if arlecchino is dubiously loyal to the Tsaritsa at best. they both talk about her as a figure who is gentle and compassionate, completely at odds with both the organization she allows to commit horrible acts (dottore. its a lot of dottore. he canonically took children from the hoth under the old knave if they were no longer considered "useful" and used as test subjects). shes described as someone with no love left for her people yet the harbingers we've heard talk about her never seem to describe her in such a manner. of course, childe mentions she had to harden herself to complete her goal, but he still notes that shes too gentle. the more we learn about her the more i want to meet her purely because she is contradictions all the way down and its great!!! taking whatever scraps i can get and its perfectly in line with my characterization too so i stay winning