#clem kadiddlehopper

[atomic-chronoscaph]

Red Skelton as Clem Kadiddlehopper and Maila Nurmi as Vampira - The Red Skelton Show (1954)

[ducktracy]

glad to find out clem kadiddlehopper was a real thing and not just. something made up from a figment of my imagination

[thebrixtons]

I know that it's just a nickname for Clementine, but every time I see "Clem," all I can think of is Clem Kadiddlehopper, and then I start sniggering and any drama in the post is totally lost on me!

i just looked him up and 😂 i’m wheezing!! now i can’t stop thinking about him looool

[classicfilmfan64]

1952. Red Skelton was a clown but he had talent as a dramatic actor. I paid to rent a stream on YouTube, of this hard-to-find film, I couldn't find it, on DVD. WOW. I had no idea that Red did drama. This is great and sad. He showed his dramatic side, here. Before this film, in real life, Red had successfully stopped drinking alcohol, he had a problem. FROM THE DESCRIPTION: Think of Red Skelton and chances are you think of Clem Kadiddlehopper, The Mean Widdle Kid, or Freddie the Freeloader. These and other Skelton comedy creations have tickled the funnybones of generations of TV viewers. But in The Clown, the legendary comic touches movie audiences in a surprisingly different way, combining his unique buffoonery with heart-tugging drama. In this tragicomedy based on MGM's classic The Champ, Skelton portrays Dodo Delwyn, a once-great comedian whose gambling and boozing have reduced him to fairground clowning. Tim Considine (former Mouseketeer and My Three Sons star) plays Dodo's eight-year-old son, who is wise beyond his years. He inspires Dodo to strive again for stardom...this time in that exciting new medium called television. Watching Dodo's hilarious TV antics is much like watching Skelton's own show, which was then in the second year of its extraordinary 20-year run.

[cinema-tv-etc]

“Just the facts, ma’am” — “Dragnet” (1951 - 1959) (1967 - 1970)

“Ladies and gentlemen: the story you are about to hear is true. Only the names have been changed to protect the innocent.” Such a cool opening for one of the most memorable “cop” TV shows of all time. Sgt. Joe  — My name’s Friday. I’m a cop — Friday (Jack Web) and his detective sidekicks (played by Ben Alexander and Harry Morgan) managed to keep us glued to the television with their subtle tactics in apprehending criminals because all they really needed in their quest was... just the facts. So cool. Dum, de, dum, dum! Check out this very cool short video.

“Stifle it, Edith!” — “All In The Family” (1971 - 1979) Archie Bunker (Carroll O’Connor) had a way with words. He called his liberal son-in-law,  “Meathead”and his faithful wife, “Dingbat “ (and he insulted about every stereotype you can name) without getting his hand slapped from the politically correct community. He was so lovable, though, right? Whenever his wife Edith (Jean Stapleton) had an opinion, he managed to stifle her — most of the time. Check out the time she stifled him here.

“Who Loves Ya Baby?” — “Kojak” (1973 - 1978)

Kojak (Telly Savalas) was probably the only New York City detective on TV who made the Tootsie Roll Pop sexy. And, didn’t he start the bald head craze? (OK, Yul Brenner in the “King And I” helped get this trend started).  Who loves Ya, Baby? We do, we do!  (Look here for clip.)

“Good Evening” — Alfred Hitchcock Presents (1955 - 1962)

Maybe you had to be there, but no one could grab an audience with an introduction quite like Alfred Hitchcock. His “series of unrelated short stories covering elements of crime, horror, drama and comedy about people of different species committing murders, suicides, thefts and other sorts of crime caused by certain motivations” kept us coming back for more each week. It seems like seven years just wasn’t enough for this film director and his spell-bounding stories.  Take a look at his one-of-a-kind introductions here.  

“Would you believe... “ — “Get Smart”  (1965 - 1970)

“Get Smart” (battling the forces of KAOS) had an embarrassment of riches in the catchphrase department. Maxwell Smart, Agent 86 (Don Adams) kept his co-hort, Agent 99 (Barbara Feldon) and the Chief (Edward Platt) on the tips of their toes every time he opened his mouth. “Would you believe” these words of wisdom: “Missed it by that much!,” “Sorry about that, Chief,” and “I asked you not to tell me that.” Yes, we would believe anything you say, Agent 86. Take a peek at these “Get Smart” funniest moments here.

“To the moon, Alice!” — “The Honeymooners/The Jackie Gleason Show” (1951 - 1959) Who could forget the wild and crazy antics of New York City bus driver Ralph Kramden (Jackie Gleason), sarcastic wife Alice Kramden (Audrey Meadows), NYC sewer worker, Ed Norton (Art Carney) and his wife Trixie (Joyce Randolph)? These four feisty Brooklyn residents tested each others patience on a daily basis which was the reason millions of viewers tuned in once a week. Needless to say, Alice Kramden knew how to draw blood which is why Ralph gave her the what for... “One of these days, Alice, you’re going to the moon!”   “Just One more thing...” — “Colombo”  (1971 - 2003)

Peter Falk made “Colombo” a household name with his unique way of solving the “whodunit” mystery in this clever television detective show. The Fashion Police would have a field day with this disheveled, cigar-smoking detective. (Oh, that rumpled, beige raincoat... how we loved it.) The criminal always thinks he/she has the upper hand in the investigation only to be caught up in the web of Colombo’s increasingly intrusive presence. Just when the suspect thinks all is well,  the polite detective (who always gets his man/woman), has “just one more thing“ to ask.

“Goodnight, John Boy” — “The Waltons”  (1971 - 1981)

This Great Depression Virginia mountain family sure knew how to grab our hearts. Each episode focuses on the “family of John Walton Jr. (known as John-Boy), his parents, John and Olivia Walton, their seven children, and John’s parents Zebulon “Zeb” and Esther Walton. John-Boy (Richard Thomas) is the eldest of the children (17 years old in the beginning), who becomes a journalist and novelist. In the signature scene that closes almost every episode, the family house is enveloped in darkness, save for one, two or three lights in the upstairs bedroom windows. Through voice-overs, two or more characters make some brief comments related to that episode’s events, and then bid each other goodnight, after which the lights go out.”

“Let’s be careful out there.” — “Hill Street Blues” (1981 - 1987)

“Hill Street Blues“is an American serial police drama that chronicled the lives of the staff of a single police station located on the fictional Hill Street, in an unnamed large city, with ‘blues’ being a slang term for police officers for their blue uniforms.”  In the opening, Sgt. Phil Esterhaus  (Michael Conrad) does the police roll call, concluding with his signature line: “Let’s be careful out there.”

“May God bless.” — “The Red Skelton Show” (1951 - 1971)

“The Red Skelton Show” was mainly known for the comedy sketches performed by Red himself which included an array of comedic characters (Clem Kadiddlehopper, San Fernando Red, George Appleby and Freddie the Freeloader). He also had guest star performers including John Wayne, Phyllis Diller, Jack Benny... the list goes on forever. His opening monologue often included his two favorite seagulls, Gertrude and Heathcliff. At the end of each show, he ended it with thoughts that went something like this.

“Lucy! You got some ‘splainin’ to do!” — “I Love Lucy” (1951 - 1957) That crazy redhead we affectionately know as Lucy Ricardo (Lucille Ball) was never at a loss for words... or hair brained, good-natured mischief. Her cohort, Ethel Mertz (Vivian Vance) was somewhat skeptical at times to play along, but the two BFFs made life interesting for their respective spouses, Ricky (Desi Arnaz) and Fred (William Frawley) to say the least. When Lucy tested Ricky’s patience one too many times, he screamed the only phrase that came to mind (each time): “Lucy, You got some ‘splainin’ to do!” Don’t we all use that phrase ocassionally when we get pissed at our significant others (no matter what gender they are)?

“Yada, Yada, Yada” — “Seinfeld” (1989 - 1998)

Let’s give a big round of applause to Jerry (Jerry Seinfeld), Elaine Benes (Julia Louis-Dreyfus), George Costanza (Jason Alexander) and Cosmo Kramer (Michael Richards) for giving us the best nine sitcom seasons of our lives. Did you know it was actually George’s new girlfriend, Marcy, who came up with the “yada, yada, yada” expression? If you don’t do anything else today, watch this Seinfeld montage.  

“Come On Down!” — “The Price Is Right“ (1956 - 1965) (1972 - Present)

I don’t care how old you are, you have heard — at one time in your life — a game show announcer say, “Come on down!” You know the game show: “The Price Is Right.” And you know the master of all game shows: Bob Barker. The point is, no matter what year you were born, somewhere, on some network, “The Price Is Right” has been on your radar. Unless you live in a third world country. Check out this “Come on down!” video with Bob Barker.

“Sock it to me.” — “Rowan and Martin’s Laugh In” (1967 - 1973) The comedy team of Dan Rowan and Dick Martin hosted this psychedelic, fast-moving comedy series that featured series regulars Lily Tomlin, Ruth Buzzi, Judy Carne, Goldie Hawn, Arte Johnson, Jo Ann Worley, Gary Owens, Alan Sues and Henry Gibson. Judy Carne became the butt of the joke when she said, “Sock it to me.” They doused her with water or gently assaulted her with rubber objects. Be careful what you say out there.

“Dy-no-mite!” — “Good Times” (1974 - 1979) “Good Times“ lets us in on the lives of Florida (Esther Rolle) and James Evans   (John Amos) and their three children, J.J. (Jimmie Walker), Thelma (Bern Nadette Stanis) and Michael (Ralph Carter). “Episodes of Good Times deal with the characters’ attempts to survive in a high rise project building in Chicago, despite their poverty” ... and hilarity ensues. Fess up, you know you said the word “Dy-n-Mite!” every time something good happened in your life back in the day, thanks to the adorable J.J. (Although nobody says it better!)

“God will get you for that!” — “Maude” (1972 - 1978)

Who remembers that “Maude“ was a spin-off from “All In The Family?” Yes, Maude (Bea Arthur) was Edith’s cousin —  who  somehow got the spunk gene in the family.  And who remembers that Maude was a “liberal, independent woman living in Tuckahoe, NY with her fourth husband, Walter (Bill Macy)?” And if you didn’t know all that... (say it).

“De Plane, De Plane” — “Fantasy Island” (1977 - 1984)

Picture it: a remote tropical island resort where all your dreams come true. Well, not exactly. There were glitches in those wishes. Mr. Roarke (Ricardo Montalban ), assisted by his adorable miniature side-kick Tattoo (Hervé Villechaize) had the best of intentions of making his guests live out their fantasies, but what kind of show would that be if everything were perfect? You could count on one thing. The beginning of each episode,  a plane arrived with their (we’re presuming rich) guests. Tattoo always alerted Mr. Roarke, by pointing up to the sky, announcing: “De Plane, de plane!” Welcome to Fantasy Island.

“What U Talkin’ ‘bout Willis?” — “Different Strokes” (1978 - 1986)

“Different Strokes” starred Gary Coleman and Todd Bridges (Arnold and Willis Jackson), Conrad Bain (Phillip Drummond) and Dana Plato (Kimberly Drummond) who were perhaps one of the first racially mixed families on television.  Arnold didn’t hold back when Willis came up with some bizarre and/or surprise monologue that got his goat. “What u talkin’ ‘bout, Willis?”  Too cute!

“Book ‘em, Danno.” — “Hawaii Five-0” (1968 - 1980)

This may be my all-time favorite detective show based in Hawaii (sorry “Magnum P.I.”). And it may well just be because of one of my all-time favorite detective catchphrases: “Book ‘em Danno.” Detective Steve McGarrett (Jack Lord) worked so well with Danny Williams (James MacArthur) in each episode to put the bad guys in hand cuffs. (And who didn’t love that theme song!? Check it out here and turn the volume up and enjoy!)

“Say the secret word and win a hundred dollars.” — “You Bet Your Life” (TV version, 1950 - 1961)

Groucho Marx was probably the first choice to host this quiz show that featured a show chocked full of competitive questions — and some hilarious conversation. As it turns out, the comedian was the perfect host. As in all quiz shows, there is money to be won. But, with the right “word,” a contestant could win an extra hundred big ones. All they had to do was say the secret word. Easy Not so fast. How many words are in the English language? But we loved to hear Groucho announce: “Say the secret word and win a hundred dollars.” Sometimes they did. And that was seriously exciting.

“Say goodnight, Gracie” — “The George Burns And Gracie Allen Show“ (1950 - 1958)                              

https://www.huffingtonpost.com/entry/catchphrases-classic-tv-shows_b_8142724.html

[kwebtv]

Robert Louis Ridarelli (April 26, 1942 – April 5, 2022), known by the stage name Bobby Rydell,  Singer singer and actor who mainly performed rock and roll and traditional pop music. In the early 1960s he was considered a teen idol. His most well-known songs include "Wildwood Days," "Wild One" and "Volare" (cover of an Italian song by Domenico Modugno, "Nel blu, dipinto di blu"); in 1963 he appeared in the musical film Bye Bye Birdie.

During the 1960′s, he performed on many television programs, including The Red Skelton Show, where a recurring role was written for him by Red Skelton as Zeke Kadiddlehopper, Clem Kadiddlehopper's younger cousin. He also appeared on The Danny Thomas Show, Jack Benny, Joey Bishop, and The George Burns Show. He was a regular on The Milton Berle Show and was a panelist on To Tell the Truth in 1964. On October 6, 1964, he made a guest appearance on the episode "Duel" of the television series Combat!; it was Rydell's first dramatic acting role.

In 1963, Rydell starred in an unsold television pilot called Swingin' Together produced by Desilu Productions, which featured him as the frontman for a four-piece rock 'n roll band seeking their big break.  (Wikipedia)

[healthycoffeeguy]

Check out The Red Skelton Show… on Mercari!

Check out what I just listed on Mercari. Tap the link to sign up and get up to $30 off. https://item.mercari.com/gl/m81752874283/

This variety show aired on NBC and featured unforgettable characters like Clem Kadiddlehopper, the dim witted country hayseed, Freddie the Freeloader and the speechless wanderer. From one sidesplitting sketch to another, this collection from the clown king of comedy is sure to have you in stiches.

Episodes. 1) Freddie And The Spies

2) Cauliflower Goes Hollywood

3) The U.N. Show

[sohannabarberaesque]

I bet you didn’t know that Quick Draw McGraw’s voice was based largely on Red Skelton’s country-bumpkin character, Clem Kadiddlehopper--seen here in a classic “blooper” in which a cow as was brought on stage actually relieved herself(!) on screen, and With Hilarious Consequences (as they say between Land’s End and John O’Groats).

[inthemomemt]

Yes, Donald Trump is... The first sign of recovery is admitting you have a problem... Congratulations...

— Clem- Yosemite Sam -Kadiddlehopper (@ClemSkelton) August 18, 2020

[ducktracy]

130. let it be me (1936)

release date: may 2nd, 1936

series: merrie melodies

director: friz freleng

starring: bernice hansen (emily, hens)

this has an interesting backstory. bing crosby has actually SUED warner bros over 2 cartoons. it’s common knowledge that he’s at least sued over one cartoon, which is bingo crosbyana, also released in 1936. however, he also sued over this one too—and lost both. you’ll see why, but he sued over unflattering depictions of him. bing would be a common celebrity featured in many a cartoon, as well as fellow crooner frank sinatra. if i remember correctly, i had heard that he didn’t like his portrayal in frank tashlin’s iconic swooner crooner, the only porky cartoon to get nominated for an academy award. so, with that! crooner bingo has won the hearts of millions, including country bumpkin emily. emily’s husband isn’t too enthused when bingo and emily start hanging out with each other and get too close for comfort.

a gaggle of lovestruck hens crowd around the outside of a radio station, all trying to listen to the warbly strains of bingo crosby’s (as he’s not so subtly named in this cartoon) voice. sure enough, mr. bingo is recording the title song “let it be me”, cozying up to the microphone and putting on his shtick.

no hen is immune to bingo’s charming voice. a flock of adoring hens crowd around a radio, complete with a framed photograph of bingo on top, as if the radio is some sort of shrine to a feathery, crooner god. one hen in particular struggles to join in with the crowd, almost like a kitten trying to squeeze in with the rest of its litter to get some of its mothers milk.

elsewhere, a scene reused from i wish i had wings (and would again be tailored in wise quacks to fit daffy and his wife) has an adoring hen embracing her own personal photo of bingo while listening to the radio. her husband walks in, and quickly she hides the photo behind her back. the husband demands to see what it is she’s hiding, turning off the radio so she can give him her full attention. she eventually gives up and peeks out of her hands in giddy embarrassment as the husband ogles at the photo. to say the least, he isn’t too pleased—he throws the picture on the ground and stomps all over it for good measure, leaving her in tears. the plight that is bing crosby!

bingo wraps up his recording session, and struts outside of the radio shack, parting the waters that is his adoring fans. he tips his hat and tugs on his bow tie, bidding them a sly “good morning, girls.” the hens giggle and guffaw and blush in response, as if every single movement he makes is the funniest thing in the world. bingo meanders along his way, accompanied by a lovely underscore of “i wanna woo”, which would be prominently featured in the opening portion of porky’s romance. bingo, ever the charmer, coyly tosses his boutonnière to his fans, and a cock fight ensues as the hens tackle each other for the flower. an oldie but goodie for sure.

some nice juxtaposition: we fade out on the calm, cool, and collected bingo crosby and fade in on a hayseed, dopey farmer who is clearly the opposite in every which way of the former. he merrily struts along with a bouquet of handpicked flowers. he knocks on the door of a rural house, and out comes a quaint little country bumpkin hen. a precursor to the dopey voice kent rogers and later mel blanc would perform in their cartoons (very beaky buzzard-esque), the rooster guffaws “ah-i-i bought you some posies, emily,” dragging his feet around as he giggles while emily smells the bouquet. emily squeaks out a “thank you!” as the two yokels flirt together.

there’s a lovely undershot of a long, fancy, quite frankly intimidating orange car rolling down the dirt road. it’s none other than bingo, honking his many horns (each imitating his voice, giving a “booboobooboo”—a favorite to use amongst all WB directors with their interpretations of bing) to mark his arrival. emily cries “ooh, there’s mister bingo!” and drops her flowers as she rushes over to the end of the driveway, her husband obviously hurt.

bingo screeches to a halt at the front of their driveway. emily is tickled pink to see him, and her husband... not so much. bingo tips his hat and croons “good morning, my pretty maid.” she giggles and covers her face as bingo checks her out for a prolonged amount of time, evidently to his liking. a great visual as emily’s husband (i guess moreso boyfriend, but we’ve gone this far already so i’ll just keep it as husband loosely) literally turns green with envy, kicking the ground in aggravation. “how’d you like to go for a ride, baby, and i’ll show you the sights of the city?” a country bumpkin going out into the city—joy! emily eagerly accepts bingo’s invitation and hops right in his car. with that, the two speed off and the poor rooster is left to his own devices.

a very creative transition: fade out on the bewildered rooster. soon enough, the black screen is showered with balloons, confetti, and noise. fade in to a nightclub filled with rowdy patrons. emily and bingo are situated in the back, eagerly surveying their surroundings. bingo offers emily a glass of wine, but she refuses, shaking her head no. instead, bingo resorts to charming emily with a few “booboobooboo”s, and she’s wooed enough to take a sip. wow, what a lovely guy. just a great guy. regardless of bingo’s nefarious intentions, emily coughs and sputters after just one sip.

enter a curvaceous, beautiful turkey with an impressive fan. my first instinct was that she was a mae west caricature, at least by looks, but she appears to be french, and the mae west caricature would have played much heavily on her voice. a doppelgänger, perhaps! regardless, the singer launches into “i’ve got my eye on you”, and bingo is immediately taken with her. she approaches bingo and they flirt together, much to the chagrin of a neglected emily. she gives bingo’s sleeve a few haughty shakes, to which bingo motions at her to buzz off. thusly, emily breaks down into tears, bingo summoning a waiter to kick her out. what a charmer!

indeed, emily is booted onto the streets, bearing an imprint of a foot on her behind. “TIME STAGGERS ON” bellows a time card, and we’re transported to the wintry city streets. emily attempts to peddle some violets in the midst of the harsh storm, but receives no takers.

meanwhile, her hayseed rooster husband(?) paces around in his home anxiously. he sighs longingly at a framed portrait of emily, unable to discern what she sees in that stupid crooner. his thoughts are echoed as the radio broadcasts the vocals of mr. bingo himself, once again warbling “let it be me”. the rooster is furious and slams the radio to the ground, the radio giving a few last dying “booboobooboo”s.

time to take action. the rooster courageously wraps a scarf around his neck and prepares to brave the storm as he opens the door. however, the storm is much stronger than the rooster’s determination, the wind blowing him back through several doors in the household and out of the back door. instead, the rooster marches out into the streets from the back of his house. his march grows only more hurried and vitriolic as visions of bingo dance in his head—visions of wringing him by his spindly little neck.

the radio shack pops up in sight, and the rooster storms right in. bingo’s croons are put to a halt and are replaced by the sounds of offscreen, comical violence as the rooster pummels him behind closed doors. i wonder why on earth bing tried to sue them. hmmmmmm. the rooster takes care of his duty, but is hardly fulfilled. he treks glumly along in the snow, still longing for his dear emily.

he can only sulk as he treads on, ignoring the squeaky voice of some random woman selling violets on the street. he halts. sure enough, it’s his beloved emily, freezing her feathers off. he bellows “emily!” with outstretched arms, and emily happily responds “clem!” (clem kadiddlehopper?) as the lovebirds embrace.

time marches on, and our heroes now have a happy family. clem reads by the fire while emily knits, both watching adoringly as their chicks playfully cheep and chase each other, a fitting underscore of “home sweet home” furthering the coziness of the scene. relaxation is disturbed when one of the chicks begins to sing, sounding awfully similar to a familiar crooner as the chick gives out a few “booboobooboo”s. he’s quickly shut up as an offscreen book is hurled at his head. iris out.

i enjoyed this cartoon! friz’s cartoons are getting better and better, and this one made me smile. just knowing that bing tried to sue warner bros for this cartoon definitely adds to the appeal. it seems he wasn’t too great of a guy himself (which is a shame, i love his music), so this is almost cathartic. bernice hansen does a great job of voicing emily (like always), and whoever did the voices for bingo and clem also deserve recognition. lots of funny gags, such as clem turning green with envy and the bastard child at the end. i’d say go watch it! if anything, it’s worth watching knowing it sparked a lawsuit.

link!

[jeffreyjerfay]

ANNOUNCEMENT! I'm creating a new show called Something Sketchy with JerFay! It will premier October 25 at 10PM at iO Chicago! It will be a drag show dedicated to classic and iconic sketch comedy/TV moments. Think Lucille Ball, Carol Burnett, MadTV, SNL, original material, etc. I am looking to book/hire 3/4 queens and 1/2 kings to put together a 60-75 minute show where we reenact some of our favorite sketches and maybe create an original piece or two. The pay will be $50 (could potentially be more depending on ticket sales)! IF YOU ARE INTERESTED in being considered for this cast (which will most likely rotate each show - which will be every other month), please submit your name, social media, a list of 3-5 of your favorite TV sketches/moments (think of anything that is iconic TV comedy to you), and a video of you reenacting (either lip-sync or speaking live - your choice!) the appropriate clip mentioned below. Please send all of this to me at jerfaywtf@gmail.com with SOMETHING SKETCHY as the subject line! ACCEPTING SUBMISSIONS UNTIL AUGUST 5. Queens: Please record yourself doing 1:00-3:00 as Lucy from this clip: https://www.youtube.com/watch?v=cwkzNclZR4s&t=4s Kings: Please record yourself doing 1:40 - 3:40 as Clem Kadiddlehopper from this clip: https://www.youtube.com/watch?v=R3Jlxm9aX3A&t=294s PLEASE SHARE. #drag #dragqueen #comedyqueen #comedyqueens #dragqueens #auditions #dragshow #comedy #instadrag #instaqueen #chicagodrag #chicagoqueen #instacomedy #sketch #sketchcomedh #somethingsketchy (at Chicago, Illinois)

[thewebgirl]

Write, right?

I’m feeling a bit anxious. I don’t remember what grade it was but they made us write and write without editing or re-reading what we wrote really. Pease allow me to have this post to puke my wordage all over this page. 

Hi hello. My name is Michelle, Michi, Michelley, in some cases Clem Kadiddlehopper. I mess up things, like I’ve already re-read and edited this.....but I’m honest, and try my best to learn from my past choices. I am 20 something and I am coming towards the latter of the spectrum. My mom always called me a late bloomer, though I’ve also been told I’m an old soul so maybe that’s why my favorite word is juxtaposition? Ugh I’m distracting myself but I’m learning distraction is just as important as attending your needs, as long as you are practicing what do they call it, oh yeah, moderation. Lol. I have a hard time with that but I SWEAR I’m practicing. 

I’m visiting home tomorrow. I’m fan terrified. I’m scared to see my mom. What if I make a face and it hurts her feelings. What if this is the last time I see her? What if I can’t handle everything and I have a break down and everyone feels like I’m a tragedy case. I’m so worried I won’t be strong enough somehow, that I’ll be weak and cry and people will treat me differently. Because I;ve always been the strong one. I’ve always been the person who had the voice that could still rooms. I don’t now tho. When I get around her something comes over me. Like she is my child. Does that make sense? probably not.

Other than that anxiety I’m in the middle of cleaning my house. My friend will be house sitting and watching my fur son. I’ve been hardcore doing areas for a week now, but it’s still not as nice as I want it to be. I found myself calling myself “my mother”. Because she would make sure the house was SPOTLESS before anyone came over (asian ya). 

Our shipment is coming in. It’s mostly big things but I guess they need someone to watch the front. I have to come in around 12 or 1 maybe 2 (this job is 98% impromptu work) and my friend will be coming over to pick up the keys, see the house, and meet my puppy boy around 230. How amazing for my anxiety right?

So I guess that’s why I’m here. All these thoughts are swirling though my head and I needed a place to put them. I like blogs because you can always look back on them and re-read how you felt, what you thought, what you were experiencing that you possibly aren't anymore. 

I feel a ~brittish accent~ beht buhuh. I feel kind of a come down, like warm. I used to get in my head a lot about being “crazy” and shit. Like my thoughts were too chaotic for even myself to handle. I find the inner voice inside my head can be a real bitch. But I have to fight it with the louder voice of encouragement. It’s not easy to believe in yourself, believe me. Or don’t. Lol. 

Okay okay I haaaaaave to clean now. I have to make the house all kine pretty pretty and get ready for work. >_< BUTTTTTTT Hawaii tomorrow!! My grandma turns 90. NINTEY. NINE DECADES. Like yes bitch let’s go genes. I’ll catch up with you later!

xoxo

-webgirl

[jokersjottings]

Red as Clem Kadiddlehopper explaining 'Pedestrian Polo'! It's the only game I play when I drive through Gotham. Heh. 

[askvaudeville]

Good ol' Red! Sure, I remember 'im! Always liked the Clem Kadiddlehopper sketches he did. Like dis one, fer example:

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