#coal harbour

[ltwilliammowett]

Moonlight over Coal Harbour, 1888, by Dale Byhre, 2024

[sherrylephotography]

@sherrylephotography Picture taken May 32, 2022

“Flower Lady” is a statue in Coal Harbour's Devonian Harbour Park,

Vancouver BC Canada

"Nothing can dim the light that shines from within." quote by Maja Angelou

picture posted December 2022

[rickchung]

2023 Vancouver International Wine Festival x Canada Place x Waterfront.

[VIWF] returned for eight wine-soaked days of fun. Known as "the largest wine festival in the Americas", VIWF wined and dined thousands of attendees at its various tastings, pairing meals, and signature events across the city.

Bottega Gold Prosecco / Jamoneria by Arc Iberico Imports / Nakano Sakagura Umé

[aintquiteright]

Conventional by ecstaticist

[pennanbrae]

Lights in the night.

[filmap]

Fresh Mimi Cave. 2022

Park Coal Harbour Park, 323 Jervis St, Vancouver, BC V6C 3P8, Canada See in map

See in imdb

[katanra]

Contemporary Patio - Patio

Patio - huge contemporary concrete patio idea with a pergola

[theundercoversquid]

Little Lamb PT2

Pairing:  Luca Changretta x Reader

Summary: Maybe Luca wasnt the butcher, maybe he was the savour

Warnings: I saw the request from @birdyman-momon at 11:54 p.m., and by 12:33, it had been written and formatted! So I hope it is good and that you enjoy it! For some strange reason, the inspiration hit, and I couldn't not write it! (I am publishing this before I have the opportunity to talk myself out of it!)

Part 1: Little Lamb

Masterlist

If someone had told you three years ago on your wedding day what your future held for you, you would have scoffed at them. There was no way that being married off to Luca Changretta would be a good thing for you. No, you would have laughed and said that your family had signed you off to a life of mystery. You would have told them that your family had thrown you to the wolves. That you were a Lamb sent to slaughter.

But no, you would be wrong. Getting married to Luca Changretta would be one of the best things that had ever happened to you. On your wedding night, Luca never even touched you. The closest he ever got was to drape his jacket around your shoulders.

He never forced you to do anything that you were comfortable with. He let you lead at your own pace. Doing things how you wanted to do them.

The day after your wedding, he took you on a date. Showering you with gifts and his attention.

As if he could sense your apprehension, he did nothing to make you uncomfortable. You could tell that he wanted to return home to New York, but he did not pressure you to do so.

So when, 6 months after being married, you told him that you wanted to go home to New York with him, his face practically split in half from the grin.

His accent was thick as he told you about all the things that he wanted to do with you and all the places that he wanted to show you. You could feel his excitement catching on, and soon, you could feel yourself smiling along with him.

And well, going to New York would be something that you would never regret. The moment the ship left the harbour, you felt as if a weight had been lifted off your shoulder. You were no longer a Shelby. You were a Changretta, and you knew that Luca would never make you do anything you didn't want to do. He would never do to you what your family had done to you.

So when he carried you over the threshold of your new home, you gave yourself up to him in the most primal way. Bearing your body and soul for him. You let him see all the ugly bits and all the beautiful bits, and never once did he flinch.

Life only got better from there. You settled into life in New York. Surrounded by people who loved and appreciated you. The air and the atmosphere suited you far better than the coal-infested air of Birmingham. A place you vowed never to return to as you cut off all contact with your family. While they had given you Luca, they had thrown you to the wolves, knowing that you could be ripped apart.

Life only continued up from there, with you and Luca renewing your vows on the third anniversary of your wedding. So you could both properly celebrate your union, surrounded by happiness and the people that you loved.

Right then, on that day surrounded by a family that loved you, you would have told anybody willing to listen that it was the best day of your life, that there was no way it could get better.

Whilst you may have been right. You were also wrong. As life had much more happened in store for you. Surrounded by your husband and his family. But most importantly. Surround with the love of your husband.

Tag list: @birdyman-momon @miojodetomatin @siriuslyblackonback

[disco-archetypes]

SHIVERS - All around you, rain falls on the great city of Revachol. Rain drips from the eaves and floods the gutters, washing the filth away.

SHIVERS - Winter's grip on the city is loosening. The spring thaw is here.

YOU - Finally. What now?

SHIVERS - Your shirt sticks to your chest. The shoulders of your disco blazer grow heavy. The cold finds its way in under your skin. You shiver, and the city shivers with you.

YOU - What is in the west?

SHIVERS - Sheets of rain over the water. A flight of stairs leading into the ocean. Wave after wave washing the coast of Martinaise, with its motorboats and gently swaying reeds.

SHIVERS - The ruins of a half-sunken seafort crumble on an inlet. Beyond the Bay of Revachol, ghosts rise into the sky.

YOU - Who are you, ghosts?

SHIVERS - The skyscrapers of La Delta, the financial district. Faint golden light seeps from the office windows.

YOU - What is down the shore?

SHIVERS - Urban coastline, rain dripping off eternite-covered roofs. Cinder blocks left over from half-finished construction. A defunct research and development building once seized by revolutionaries. An old wooden church stands on stilts above the water.

YOU - And beyond that?

SHIVERS - Coal City, end of all lines.

YOU - Run your fingers through your dampened hair.

SHIVERS - Your hair is an oily mess flecked with ash from neighbouring coal plants. Smoke stacks rise somewhere in the distance.

YOU - What's in the east?

SHIVERS - The great gates of the industrial harbour are locked. A chill runs down your back. You shudder like an animal trying to shake water from its hide.

YOU - Clench your teeth to stop shuddering.

SHIVERS - Behind the gates -- heaps of supply crates. Red and blue metal shipping containers slick with rain. The Greater Revachol Industrial Harbour is an artificial mountain range. Immense wealth resides within, and immeasurable poverty in its shadow.

YOU - And beyond that?

SHIVERS - La Drisienne, King Dris's Passenger Harbour. Cruise ships flanked by dock arms. Cranes watching over the mouth of the river distributary.

YOU - What is across the distributary?

SHIVERS - Couron, the lower middle class. Distributary after distributary cuts the city blocks in half. Seven-story buildings trail off into the rain.

YOU - What is beyond the Couron?

SHIVERS - A silvery curtain of rain over the houses. The class divide.

YOU - What's in the north?

SHIVERS - Capeside apartments -- tower blocks crowd one another, 4.46 mm bullets still lodged in their war-torn stone walls.

SHIVERS - Hallways collapsed from the mortar hits of a war that was lost long ago. Clotheslines go to waste in the rain. Radios play.

YOU - And closer to here?

SHIVERS - A yard. Rain falls onto the roof of a woodshed. Filthy water pools around a body. Droplets of rain slip from the dead man's cold cheeks.

YOU - What's in the south?

SHIVERS - A traffic jam. Rain thrumming on the roofs of motor vehicles. Inside, drivers watch water streaming down their windshields. The statue of a king shudders, he too is cold. The canal bridge has been raised.

YOU - What's on the other side?

SHIVERS - The road ascends; a raised motorway loops above the ghetto. Beneath its concrete columns -- a sea of rooftops, woodwork, and tar stretches northward. Four-story buildings as far as the rain can fall. The snows melt in Jamrock.

YOU - Why am I not there?

SHIVERS - To be in Martinaise, where no one goes. At the run-off point of a long-forgotten canal, in the whitest part of town. In the shadow of the day the Revolution failed.

YOU - What am I doing here?

SHIVERS - Standing in the rain, looking north, where Jamrock Rock City stretches inland.

YOU - Where do I live?

SHIVERS - On a street there that flows like a muddy river in the snow, with fire traps rising on either side. A film rental opens its doors to the rain, an armoured motor carriage rushes past the corner where you used to walk together... Suddenly, the hair on your back rises.

SHIVERS - YOU CANNOT RETURN.

YOU - Shudder, look further...

SHIVERS - In the rain-swept distance above the rooftops of Jamrock, a re-purposed silk mill stands perched above the motorway exit. Precinct 41 hunches in the rain.

SHIVERS - Your vision blurs. You wipe your face with your hand. The rain stings your eyes, making you look up and blink.

YOU - What's above?

SHIVERS - More coalition aerostatics. Way up there -- where rain forms -- rotors flutter silently. Your sight clears.

YOU - What's below?

SHIVERS - Collapsed storm drains. Old sewage systems flooded with rainwater. Hidden weapon caches from the Revolution. Doors leading down to Le Royaume -- the catacombs to which, for three centuries, they delivered the blue-blooded dead.

YOU - "Motherfucker." [Finish thought.]

SHIVERS - These spring thaw will not last. The winter will return to Revachol.

[allthecanadianpolitics]

Hundreds of pro-Palestinian demonstrators gathered outside the downtown Vancouver hotel where Prime Minister Justin Trudeau was speaking Thursday night to pressure him to cut off Canadian military support for Israel. Dozens of demonstrators lay under white sheets outside the Westin Bayshore hotel in Coal Harbour, where Trudeau was speaking at a private Liberal Party fundraiser.  Surrounding those on the ground, several hundred more were seen waving Palestinian flags and signs saying "Free Palestine" amid the ongoing Israel-Hamas war in Gaza. Organizers with the grassroots group Independent Jewish Voices (IJV) said the event was to show solidarity with Palestinians and call on Canada to do more to end the conflict. 

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Tagging @politicsofcanada

[ltwilliammowett]

This is the Sweepstakes, a Great Lake Schooner built in 1867 in Ontario.  She lies in Big Tub Harbour, in the Fathom Five National Marine Park, in Tobermory, Ontario

Not much is known about her except that she transported coal in 1885 and damaged her hull.  But the damage was too big to repair and her design had become impractical. Therefore everything valuable was removed and she was sunk to a depth of 7m.

[clove-pinks]

Franklinheads, what is your top pet peeve when it comes to perceptions of the [historical] Franklin Expedition?

Mine is 100% the "most advanced technology of their day" concept of HMS Erebus and Terror. I think the origins of this are in the 1980s, when Owen Beattie's ice mummy exhumations propelled the Franklin Expedition into the spotlight. JUST LIKE THE SPACE SHUTTLE CHALLENGER!—this was the pat comparison of the day. You could definitely draw some parallels if you tried hard enough, but no, I don't think the Space Shuttle Challenger is a very good analogy.

There was pretty much nothing unique or particularly new about the technology in Franklin's ships—not the tinned food, not the desalinator, not the heating system, and definitely not the puny steam engines—and Franklin's men knew this! They were aware that Erebus and Terror were beat-up old warships, one of the ships fought in the War of 1812 before most crew members were born! Fitzjames called them "old tubs," and Le Vesconte jokingly compared them to 17th and 18th century fictional vessels (Red Rover and Water-Witch).

Steam frigates with hundreds of horsepower were built even in the 1830s! But they couldn't carry fuel lasting for years; whereas Franklin's men had ~13 days of coal for their 20-horsepower engines, which at most might get them out of a harbour in unfavourable winds. As a child I read books that made such a big deal about the steam engines, I really thought they would be under steam all the time, crashing through the ice with their Advanced Technology just like the space shuttle.

If anything, the Franklin Expedition is part of a tradition of the British using obsolete ships and technology for polar exploration. Compare Terra Nova with the latest technology of the 1910s: she looks like the relic of an earlier age that she was.

[rickchung]

2022 Vancouver Fall Home Show x VCC West x Waterfront. (via Jenn Chan)

Coastal Lounge designed by Studio Haines Interiors.

Blue Grouse Wine Cellars booth.

[whencyclopedia]

The Causes of WWII

The origins of the Second World War (1939-45) may be traced back to the harsh peace settlement of the First World War (1914-18) and the economic crisis of the 1930s, while more immediate causes were the aggressive invasions of their neighbours by Germany, Italy, and Japan. A weak and divided Europe, an isolationist USA, and an opportunistic USSR were all intent on peace, but the policy of appeasement only delivered what everyone most feared: another long and terrible world war.

The main causes of WWII were:

The harsh Treaty of Versailles

The economic crisis of the 1930s

The rise of fascism

Germany's rearmament

The cult of Adolf Hitler

The policy of appeasement by Western powers

Treaties of mutual interest between Axis Powers

Lack of treaties between the Allies

The territorial expansion of Germany, Italy, and Japan

The Nazi-Soviet Pact

The invasion of Poland in September 1939

The Japanese attack on the US naval base at Pearl Harbour

Treaty of Versailles

Germany was defeated in the First World War, and the victors established harsh terms to ensure that some of the costs of the war were recuperated and to prevent Germany from becoming a future threat. With European economies and populations greatly damaged by the war, the victors were in no mood to be lenient since Germany had almost won and its industry was still intact. Germany remained a dangerous state. However, Britain and France did not want a totally punitive settlement, as this might lead to lasting resentment and make Germany unable to become a valuable market for exports.

The peace terms were set out in the Treaty of Versailles, signed by all parties except the USSR on 28 June 1919. The Rhineland must be demilitarised to act as a buffer zone between Germany and France. All colonies and the Saar, a coal-rich area of western Germany, were removed from German authority. Poland was given the industrial area of Upper Silesia and a corridor to the sea, which included Danzig (Gdánsk) and cut off East Prussia from the rest of Germany. France regained the regions of Alsace and Lorraine. Germany had to pay war reparations to France and Belgium. Germany had limits on its armed forces and could not build tanks, aircraft, submarines, or battleships. Finally, Germany was to accept complete responsibility, that is the guilt, for starting the war. Many Germans viewed the peace terms as highly dishonourable.

The settlement established nine new countries in Eastern Europe, a recipe for instability since all of them disputed their borders, and many contained large minority groups who claimed to be part of another country. Germany, Italy, and Russia, once powerful again after the heavy costs of WWI, looked upon these fledgling states with imperialist envy.

In the 1920s, Germany signed two important treaties. The Locarno Treaty of 1925 guaranteed Germany's western borders but allowed some scope for change in the east. The 1928 Kellogg-Briand Pact was signed by 56 countries. All the major powers promised not to conduct foreign policy using military means. In 1929, Germany's reparations as stipulated by the Treaty of Versailles were reduced from £6.6 million to £2 million. In 1932, the reparations were cancelled altogether. This was all very promising, but through the 1930s, the complex web of European diplomacy began to quickly unravel in a climate of economic decline.

Continue reading...

[prototypesteve]

People say that romantic love and sexual desire is what makes us human, but I think what makes us human is our shared need to gather at the east end of Stanley Park at 9:00 PM Vancouver time to watch an automated canon fire a ceremonial blast of sparks and flame across Coal Harbour.

[she-posts-nerdy-stuff]

Analysing my favourite lines from Six of Crows chapter by chapter: Chapter 4

Same as usual: famous or popular quotes being missed doesn't mean I don't like them it just means I don't have anything new to say, and some quotes will not have explanations because I just like them I don't really have anything to analyse

“Inej knew the moment Kaz entered the Slat” - first of all I think it’s relevant that this is our second chapter from Inej’s POV and both of them have begun with the focus entirely on Kaz, the first one being the infamous “Kaz Brekker didn’t need a reason”, which she immediately disproves to be factual and instead shows as something created by the opinion of the many who don’t really know Kaz and disputed by the few, herself included, who do. To some extent it’s possible that the same action is being completed with this introduction, since it’s actually less about Inej being aware of Kaz’s presence than it is about her being aware of the Dregs’ acknowledgment of him. Secondly I find it an interesting parallel between the pair, that Kaz recognises Inej’s presence despite no-one else knowing she’s there whilst Inej recognises Ka’s presence because everyone knows he’s there. This not only summarises their drives, for Inej to melt into the background and stop being noticed for her physical appearance and instead valued for her skills, and for Kaz to be seen, to rise to prominence, and to be noticed by Pekka Rollins, but also tells us about their particular gifts for reading people. Kaz reads individuals incredibly well, he explains this in many of his quotes about lock picking and blackmail and we also get the brilliant idea of the way he notices everything about a person down to their scent and the story that their scent tells (I’ve written before about the relevance of him being bothered by the fact that Inej doesn’t have a scent but in the Bathroom Scene he comments on how he can smell soap on her), he sees small details, tells, and nervous ticks and these things give him a massive advantage in the control he exercises over individuals. Inej reads crowds, she sees collective responses to people, events, or objects and uses that response to evaluate the thing that caused it, she doesn’t notice tells until Kaz suggests she looks out for them but she is able to very quickly assess Kaz’s chances of success, and how quickly those chances change, when he faces the Dregs at the Slat and leads a coup against Per Haskell in Crooked Kingdom.

“The worst part of the Barrel […] Most of the buildings in this part of the city had been built without foundations, many on swampy land where the canals were haphazardly dug. They leaned against each other like tipsy friends gathering at a bar, tilting at drowsy angles” - I love the description, I love the imagery, I have a deep obsession with worldbuilding… this is just great, like I don’t really know that’s there’s anything to say it’s just great

“Inej’s room was on the third floor, a skinny slice if space, barely big enough for a cot and a trunk. But with a window that looked out over the leaked roofs and jumbled chimneys of the Barrel. When the wind came through and cleared away the haze of coal smoke that hung over the city, she could even make out a blue pocket of harbour” - ok first of all I’m obsessed with the imagery and the description, and second of all I’m actually just going to copy and paste a post I made a while ago about the window because I find it an incredibly important detail for Inej and I think this is worth saying again:

‘I find it really interesting that Inej’s favourite part about her room at the Slat, despite it being “barely big enough to fit a cot”, is that she has her own window. I think this is important not only because all the windows at the Menagerie were barred, but also because the whole idea of a window is representative of the difference between her life in Ravka and her life in Kerch. Travelling through Ravka, she had no need or want of a window because she was part of and at one with the outdoor world, free to explore it and enjoy it as she saw fit, but in Ketterdam windows and rooftops are her way of travelling the city. They bring her a source of hope and connection to the life she lost whilst simultaneously being her method of completing jobs for the Dregs to slowly claw her back to that very life. So in a way, the window has become a physical manifestation of both a veil of separation between her and everything she’s ever loved or cared for, a literal sheet of glass between her and her world, and of a hope for salvation to return to that love and care.’

“If you had a gripe, you settled it outside where you didn’t risk interrupting the hallowed practice of separating pigeons from their money” - I love this quote so much but I also think it could be interpreted as quite sarcastic on Inej’s part; she talks a lot about how “nothing [is] sacred to the Kerch except trade” and finds a lot of their traditions baffling since their cultural attitude and religious attitude are both so different to the ones she was raised in. This could be seen as a subtle undermining of the culture that abused her whilst appropriating her own culture of peace, which is of course deeply ironic of them, and also reflective of the battle constantly waging inside her over the morality of her surroundings and the core moral code she knows she has broken and will continue to break because circumstance has left her no other choices - possibly linking to the way she specifically considers more fear of her parents not forgiving the actions she’s taken since leaving the Menagerie than what she was forced to do whilst imprisoned there

“I didn’t hurt you none. It was just words” - this is Rojax’s response to Inej punching him in the face whilst wearing brass knuckles after he insulted her, demanded money that neither she nor the gang owed him, and then tried to grab her collar. Now ignoring the money since to be fair we don’t know how much he stole and how much his pay cheque should have been so we don’t know if it evens out or not, the important thing here is that Rojax fails to identify his ability to do Inej damage by calling her “little girl” (words Tante Heleen weaponised against her), referring to her as though she’s Kaz’s property, and threatening violence towards her. I don’t think Rojax meant to affect Inej in the way he surely did, but I do think it shows so well that there’s a massive lack of understanding in the Barrel for the kind of pain that people like Inej have experienced and carry with them, especially since she herself comments on the way even though she hid the scar from her Menagerie tattoo “they all knew it was there”. I how this makes sense I’m not sure if I’ve articulated it quite right

“People were watching now, so she hit him again”

“It would’ve been easy enough to turn away when they called her names or sidled up and asked for a cuddle, but do that and soon it was a hand up your blouse or a try at you against a wall” - this again emphasises that there’s no real acknowledgment of Inej’s experience as traumatic but almost as intriguing or even erotic, and it reminds the reader of the rampant misogyny that travels through the Barrel not only in the dehumanising treatment of women and children in the pleasure houses but also in the cultural attitude as a whole. Although no-one sees Inej as a less threatening force because of her sex, it’s undeniable that the Barrel sees women as something to be conquered or won, and we also see this reflected by the upper classes in the attitudes of merchants and in Van Eck’s marriages.

“Nothing was sacred to the Kerch except trade” - laughing at myself because when I talked about it earlier I didn’t realise this quote was in this chapter

“Inej like Rojax, but right now he was just a frightened man looking to feel bigger than someone”

“Still clutching his cheek like a stunned toddler”

‘ “You look exhausted. Will you sleep at all tonight?”

Jesper just winked.

“Not while the cards are hot. Stay and play a bit, Kaz will stake you”

“Really, Jesper?” she’d said, pulling up her hood, “If I wanna watch men dig holes to fall into I’ll find myself a cemetery”

“Come on, Inej!” He’d called after her as she passed through the big double doors onto the street, “You’re good luck!”

Saints, she’d thought, if he believe that he really must be desperate. She’d left her luck behind in a Suli camp on the shores of West Ravka. She doubted she’d see either again” ’ - this conversation is so important in developing the reader’s baseline understanding for Jesper’s situation and addiction, and it’s not something I see people talk about a lot. Other than Kaz staking him and Jesper calling himself “a creature of habit”, this is the first concession to Jesper’s gambling “habit” being a genuine and debilitating addiction, and I think it’s important for us as the reader to so early on see that Inej, someone whose opinion Jesper so highly valued and someone he is evidently so close to, is unable to talk Jesper out of the card game - in fact the entire conversation to me gives the air of there having been many previous conversations where she tried and this one being one of many following where she’s all but given up. She expresses her opinion on the situation with the beautiful cemetery line, she directly confronts him in the issue by asking if he’s going to sleep tonight, and doesn’t hold back on pointing out that the addiction is having a physical impact on his health by saying that he looks exhausted, but she doesn’t make active strides to pull him away from the game. I think Inej has reached a point where she accepts that it isn’t her job to try and fix the people she cares about, but that doesn’t stop her from wanting to. She desperately needs Jesper to hear what she means through what she’s saying, and if he isn’t going to then she cannot stand by and helplessly watch his self-destruction. Jesper on the other hand seems to seek support in her and her presence because of his fears surrounding failure and not being cared for by others as much as he cares for them; he knows Inej leaves because she can’t help him and can’t watch him, and he knows that her trying to help him would make little long term difference as he explains in Crooked Kingdom when talking directly about his addiction, but that doesn’t mean that the cruel, self-destructive, disparaging part of him isn’t taunting him with the idea that she’s leaving because she doesn’t care about him and because she doesn’t want to help him, and that fear/pain only makes him feel more hollow and only makes him need to play more. Again I hope this makes sense it’s starting to feel like I’m just rambling

“Inej moved aside a bucketful of cleaning supplies that she’d placed there precisely because she knew no-one in the Slat would ever touch it” - I couldn’t cope in the Barrel. There’s no way I could cope with the fighting anyway, but if I by some miracle survived it would only be for the general lack of cleanliness to finish me off

' "This place is like anything in Ketterdam. It leaks,"

Inej could've sworn he looked directly at the vent when he said it. ' - I love this so much because Kaz never mentions anything about this himself but it just so fluidly becomes part of the way he's always aware of her presence. There's also never any surprise at meeting her right outside the closet she's hiding in immediately after the conversation with Haskell so I think we get the idea that's quite routine, and it begins more and more to introduce us to this quiet dependence Kaz and Inej have on each other without addressing it; there are so many things that they each know the others does but never mention, and I think generally speaking they both know that the other knows as well but their ease with one another doesn't require voicing it aloud - if anything it may even rely on keeping it silent, since neither of them are in a position yet where they can admit to themselves the need to rely on someone/the care they feel towards each other.

"You're smart Brekker, but you need to learn patience," - this line always catches me out a little, but I think it's actually just giving us another hint to the extent of disconnect Haskell has from the real experiences of his gang members. We already know Kaz to be a patient character at least in some of the situations we've seen so far, and he goes on to prove himself as immensely and genius-ly (I have no idea what the real word for that is, work with me) patient in his processes and his plans - particularly in Crooked Kingdom when he explains that "you don't win by playing one game". Remember it's in chapter TWO of Crooked Kingdom the Kaz puts the plan to hand Wylan his father's fortune into motion, we just don't know it until after the auction for Kuwei's indenture. Kaz does have a quote somewhere about how too many people aren't patient enough in committing crimes and that's how they end up making mistakes but I can't remember it exactly (I'm working off my audiobook at the minute so I can't flick through and find it), if any one knows it feel free to comment it because it's a great quote and a really interesting reference for this! My point here is that we know Kaz is a very patient person yet Haskell, someone who would appear on the surface to work so closely with him, is accusing him for a lack of it. Because realistically, Haskell has no idea of the everyday workings of the gang or anything of the scope of work Kaz puts into it, and I htink this is just another of the many unsavoury characters building hints we have to encourage the reader to develop an immediate disliking for Per Haskell in this scene.

"But you'll get your twenty percent" - it took me a while to actually think about the money and why the total is 30 million but the main six characters are only getting 4 million kruge each because honestly I won't lie it just didn't occur to me to actually think about the maths. Like I was vaguely aware that didn't add up but I didn't really think about it. But let's talk, because 30 million kruge split between 6 crew members should have meant each character receiving 5 million kruge each (30/6=5). But Per Haskell is owed 20% of any money that the Dregs earn, so he's taking some of the money. On the surface, does 20% seem like an unfair margin? Probably not, considering that theoretically the Dregs members owe him money, live at the Slat seemingly rent free, and are his employees in a business taht has to make money somehow. Personally I odn't think it's a great business model, but I literally know noting about business and also that's not really the point right now. The point is that on the surface 20% doesn't sound wholly unreasonable, and it doesn't sound unreasonable in this conversation. It's not until later, when Kaz offers Inej and Nina 4 million kruge to join the Ice Court Heist that it really occurs to us that they're kind of getting screwed over. Because 20% of 30 million kruge is 6 million kruge. SIX. This man is about to make 2 million more kruge by sitting around in Ketterdam playing with a ship in a bottle than any of our main characters are about to make for nearly dying a thousand times over and successfully infiltrating the Ice Court. What is interesting to me is how the decision of the money is made, because it seems that we're regarding it as if the income is solely Kaz's so he's paying Haskell is twenty percent then choosing to split the remainder between his crew, which seems to make sense since he was the one who was approached for the deal and the one who was offered the money. But if the money had been offered to hte six of them, the financial implications could have been far more complex. Wylan and Matthias aren't members of the dregs, so they would have no need to lose 20% of their income. They would each take 5 million, whilst the other four took 4 million and gave Haskell 1 million from each of their hauls. SO HASKELL WOULD STILL MAKE EQUAL TO THEM. Wylan and Matthias would come out marginally richer than the others, which neither of them were particularly bothered about anyway, and Haskell would still have done nothing and successfully screwed over Kaz and the other Dregs members. And I'm not saying they would've gone for that, because I don't doubt that Wylan and Matthias would have suggested splitting the income the way they do in the book anyway, but I'm saying it's so important that ultimately the person winning here is always Per Haskell. But what's really interesting about Kaz is that not only does he never question the suggestion of splitting the money evenly when he could have easily claimed more for himself as the person who made the deal nad hired on the others, effectively putting himself in Haskell's position except with more involvement, but even when he cuts Haskell out of the business he keeps none of the 6 million kruge for himself, instead splitting it between Rotty and Specht for their smaller roles in the Ice Court Heist. Kaz represents so many things that Per Haskell doesn't, and in that way he comes to represent key things that Pekka Rollins isn't as well, since the book makes strides to show Haskell and Rollins as effectively representative for all the gang leaders. Even though Rollins appears far more involved and on the ball than Haskell, when Inej attacks him in the final chapter of Crooked Kingdom he is forced to question the last time he "felt real pain" since no-one dared to actually fight him any more. I really hope this makes sense because it's very rambly and I'm starting to think I just explained fairly straight forward maths for no real reason.

"Rich as Saints in crowns of gold" - ok I love this because it shows us so much of what Kaz, or if we assume this is a common saying then the Kerch or just citizens of the Barrel, think of the Saints and of religious iconography. We know from the King of Scars duology, the Lives of Saints, and probably to some extent Shadow and Bone that the Saints' lives were not ones of riches, fame, or power, but Kaz exercises this idea of people turning themselves into religious icons for crude, financial purposes. I actually wonder if the way he views them is a kin to the way I've talked about viewing Jarl Brum as a reader, and I think that it's really important to hear this from Inej's perspective because we're already heightened to such an opposite idea by the overall style and tone of the chapter.

"And why Pim? The thought shamed her a bit. She could almost hear her father's voice: So eager to be the queen of thieves, Inej. It was one thing to do her job and do it well, it was quite another to want to succeed at it. She didn't want a permanent place with the Dregs, she wanted to pay off her debts and be free of Ketterdam forever, so why should she care if Kaz chose Pim to run the gang in his absence? Because I'm smarter than Pim," - First of all shout out to the Inej narrator of the soc audiobook because she nailed the intonation of "I'm smarter than Pim" I love it. Second of all we get this really interesting implication of Inej's moral code here, because as I've talked about before her morality is incredibly important to her and the necessity of crossing that line to survive has wreaked havoc on her emotional and probably mental states. She sees a clear distinction between doing what she has to in order to survive and enjoying what she does and I think this is possibly her 'new' moral code to cope with the inability to control her life and stick to what she considers her core moral values.

' "What would you say to 4 million kruge?"

"Money like that is more curse than gift,"

"My little Suli idealist. All you need is a full belly and an open road," he said, the mockery clear in his voice.

"And an easy heart, Kaz"

That was the difficult part. '

"We'll be kings and queen, Inej. Kings and queens,"

"Kaz was not a giddy boy smiling and making future plans her. He was a dangerous player who was always working an angle. Always."

' "I'll need Wylan waiting at the Crow Club tomorrow night,"

"Wylan? If this is for a big job..."

"Just do it," ' - Inej throws so much shade on Wylan early in six of crows and I always seem to forget and then be caught off guard when she's just complaining to Kaz that he's useless and Wylan's like '... I'm right here,'

"One moment he made her blush and the next he made her want to commit murder,"

' "Fence it,"

"Whose is it?"

"Ours now," ' - I shouldn't find this romantic, should I?

"Move the DeKappel we lifted from Van Eck's house into the vault. I think it's rolled up under my bed," - pleaseeeeee he doesn't even have the painting up, the audacity in this boy know no bounds. I talked a lot about the DeKappel when I was writing about the last chapter so I'm not going to detail it here, but everything about it makes me so happy

"Please, my darling Inej, treasure of my heart, won't you do me the honour of acquiring me a new hat?" - first of yesssssssssss we love, and secondly I wrote a whole thing about Kaz using sarcasm as a defence mechanism and the complexity of his inability to express emotions a while ago with particular focus on this quote and a few others so if you want to you can find that on my page or I might be able to tag people on it or whatever if you can't find it because it was some time ago now

' Inej cast a meaningful glance at his cane.

"Have a long trip down," she siad, then leapt onto the bannister sliding from one floor to the next, slick as butter in a pan. '

Thanks for reading, hope you enjoyed and that my scattered thoughts made at least some sense <3