#could probably compare their characters more here but i'll just do it in a separate post sometime lol

[bigkickguy]

wip - trying to doodle my rarepair on the beach and i can't stop trying to make emo ideas happen so im spitting out here to get it out of my head eustace and isaac could be cute !! just let them have their peace and quiet!! I'm starting to rotating them in my mind !!

[rallamajoop]

Translating the original RE8 trial scene storyboard

RE8’s bonus DLC concept art pack includes a couple of pages of an early storyboard for the trial scene, dating to back when Miranda was still going to be a foreign researcher rather than a village native, and Ada Wong was still part of the cast. Though the text is all in Japanese, I had a crack at translating it ‒ it makes for a fascinating comparison to the finished game.

Images and translations are under the cut below – but here’s the dot-point version of how this older storyboard compares to the finished one.

Instead of Miranda, the trial is overseen by a masked figure called only ‘shaman’ (祈祷師). Instead of lycans, the trial is attended by numerous villagers, all eager to see Ethan punished.

This may be the big one: the shaman claims an ‘Adam-sama’ has been angered by Ethan’s (unspecified) crimes. My best guess at this mysterious ‘Adam’ is that it might be a name for the megamycete. Whoever he is, all the 'Eve' connotations of Eva/Eveline (and even the Rose flasks) suddenly start to sound a whole lot more significant.

Even here, the trial is dominated by Dimitrescu and Heisenberg fighting over who gets Ethan – or at least who gets his body, after his execution. Dimitrescu still wants his blood, while Heisenberg presumably wants him for soldat-material. Moreau briefly makes his own bid, but he just wants to eat Ethan.

Donna’s one act is to apparently stop time at a crucial moment to speak directly to Ethan without anyone else hearing – though this seems to be an illusion she creates while contacting him psychically. No sign of Angie, who probably isn’t part of the game yet.

Rather than escaping through Heisenberg’s gauntlet, Ethan is rescued by Ada Wong (disguised behind a plague mask). I’m guessing Heisenberg’s role as pseudo-ally hadn’t fully developed while Ada was still supposed to be involved.

Conflict between the lords seems to be framed more as conflict between separate houses/families. Heisenberg makes a reference to ‘us Heisenbergs’ (perhaps this is from the time when his mother, father and twin brother were also supposed to be characters?) and Moreau to his ‘Kuku-family’.

Though the name ‘Heisenberg’ does appear, he’s mostly called ‘Geek’, while Moreau is ‘Half-fish-man’ (半魚人), and Donna is simply 'Spirit' or 'Ghost' (心霊). Lady Dimitrescu is the only character who is actually called that (though it’s mostly abbreviated to just ‘lady’). I could not tell you why a Japanese dev team would decide that ‘geek’ was a good moniker for their heavy-metal-Frankenstein-wannabe, but here we are. (Note that most of the game files associated with Heisenberg are still labelled ‘geek[something]’, so clearly this was a moniker that stuck. Donna’s files are almost all called ‘ghost[something]’. Moreau and Dimitrescu mostly get shortened/mangled into 'moro' and 'domi'.)

Heisenberg and Dimitrescu actually come to blows over Ethan in this version, with Heisenberg launching his hammer at her and seemingly killing her, or at least blowing her away. But I think we can take it as read that even in this version, she'll show up okay and be back to torment Ethan later.

Oh, and did I mention this little addendum at the end which hints at Miranda doing some kind of surgery on Chris? WTF?

Standard disclaimer for all my Japanese translations: I’m nothing like fluent, and rely on online dictionaries for a lot of harder vocabulary. Corrections from anyone better qualified are welcome.

Okay, on to the actual translations! I'll include the full pages as we get to them, but I'll also break them down into smaller chunks so I can share and translate smaller chunks as we go through.

Page 1

[Ethan wakes up to find he can't move because his handcuffs are chained to the floor]

[Ghost-nobles and villagers buzzing in the church]

[Banging noise as shaman bangs his staff]

Shaman: "Everyone, quiet!"

[Church falls silent]

Shaman: "I have heard from each of the lords. This man's crime threatens the very foundations of our family! Lord Adam is furious! To allow this man to live will bring disaster upon the village! Only his death will appease Lord Adam's anger!"

[Cheering from the crowd]

Lady Dimitrescu: "In that case, after the execution, the Dimitrescu family shall receive the victim. My daughters haven't had nearly enough blood to drink of late."

Geek (Heisenberg): "Oi, wait a minute. From what I've heard, you witches have had it your own way long enough."

["Geek" burns Ethan's hand with a cigar]

Geek: "Us Heisenbergs will be taking this one, got it?"

[Ethan shrieks in pain]

Lady: "Didn't you have several victims sent to you just the other day?"

[Half-fish-man (半魚人) walks up to the Geek]

Half-fish-man (Moreau): "Oh, grant him to my Kuku-family, I.. I want to break him open and eat his insides!" (Note: I think Moreau's actually saying something even more colourful here, but I'm having trouble translating it)

[He approaches Ethan, parasites emerging from under his hood]

["Geek" halts him, brandishing his hammer]

Half-fish-man: [Groaning noise]

Lady: "I will not allow you two to do as you please!"

Geek: "Hm, how to settle this?"

Half-fish-man: "Oh, oh…!"

[Rising noise of cursing onlookers]

[Geek raises his iron hammer]

Page 2

[The moment he throws his hammer at Lady Dimitrescu, a halucination begins and time seems to stop. Direction and focus of camera fits the spirit]

Ghost (Donna, in a voice no-one else can hear): "….(You… have summoned him… receive your reward…)"

[Reality returns]

[The hammer pierces Lady D. and blows her away, part of the church collapses. Panic as villagers fall or die]

Geek: "Don't worry. Your corpse will become my plaything."

[A mysterious masked figure appears and fires three shots into Heisenberg, five into the shaman]

Masked figure: "Run!"

[Cuts the chain holding Ethan to the floor]

Geek: [getting up] "..what the…?"

Shaman (still full of arrows) yells to the villagers: "What are you doing! Don't let them escape! After him!"

Masked figure: "This way!"

[Still handcuffed, Ethan runs through passages before finally making it outdoors]

Page 3

Masked figure: [while reloading crossbow] "Your daughter is alive. Go get her back, okay?"

Ethan: "What are you…"

[Masked figure sees someone coming from behind] "No time, go!"

[Ethan screams as he's thrown over the railing]

[And here endeth the storyboard]

Page 3 Addendum

This brings us to the latter half of Page 3, which contains only a single column of panels. Remaining space features an extra half-page of Miranda in her original foreign-scientist incarnation, pictured with what I assume were some of her experiments. There's some text on these too ‒ hand-written rather than typed, which made it a right bastard to figure out. But I had a crack anyway, because even at a skim-read it had me going, "wait, does that say the monster is Chris?"

Yep, it does. The captions (as best I could make them out) read "Miranda's paranormal organism experiment" (奇生体の実験) and "After plastic surgery on Chris' face" (クリスの顔に整形後).

This only raises so many more questions. Is Chris actually working with Miranda, or has she captured him for experiments? Is she repairing Chris' face after some horrific accident? Is she altering some monster to make it look like Chris Redfield? Or ‒ in a far more entertaining possibility ‒ was this meant to be an in-game justification for why RE7's Chris looks nothing like he does in RE8?

I have no answers for you, but you can really feel how much this game changed in development just from these little glimpses of what might have been.

[drawnfamiliarfaces]

Okay, I'll continue talking! So as we all know, RC9GN frequently involves characters being turned into rampaging monsters through no real fault of their own. And then there's Evil Julian, who was a whole thing. What I'm saying is, the Ninja cast are not strangers to the idea of people being forced into evil the way Chase was... but I don't think Chase goes around telling people about his tragic backstory unless he's trying to make a point. So, like, do any of them know Chase is technically under the influence of a mind-altering substance? That he didn't want to be like this, he just didn't want his best friend to leave him behind? Under what circumstances might the First Ninja find out? Under what circumstances might Randy find out?

Of course, what happened to Chase is definitely not the same thing as what happens to people under the Sorcerer's influence. For one, it's a lot more permanent. It's pretty clear in Xiaolin Showdown that Chase is too far gone and can't be cured at this point, if he ever could have been. The only way to stop him from ending a haughty, self-centered dragon would be to stop him from drinking the soup to begin with. And he's still himself on some level. As you said, he still has honor, he can still care, he's still capable of independent rational thought. It seems less like possession and more like very targeted (evil) brain damage. At the same time, this does mean it's technically possible for Chase to turn his back on what he's become. He may never be who he was again, but he can still change, as Omi believes he can. Though jury's out if he believes he can change. Anyway, there's a lot of drama to be wrung out of this, especially if the First Ninja realizes he probably would have liked the man Chase used to be.

Also, I'm just saying, the First Ninja denying that he chained up his evil husband to stop Chase from hurting people while he searches for a cure to the curse that makes Chase evil would be very funny.

OKAY OW HANG ON LISTEN The idea of First deciding to chain up Chase not just because he is an evil menace, but also in order to find a cure for his transformation, hit me so unexpectedly hard in the feels, like FR DUDE???? OW???

(Even if it is a bit of funny mental image AND the wording 'targeted evil brain damage' made me snort so hard, oh my god im so sorry.)

There is an argument/theory about how technically Chase doesn't need to constantly drink the Soup (based on how in alternative future, captured by Jack, Chase didn't drink it in captivity, and as soon as he was released he was kinda bordering on 'feral' lizard mode - Soup helps him keep in control AND keep ahold of his human form, rather that he is absolutely dependant on it), but he does it because he is, well, basically addicted to it.

SO it would be more of First chaining his Evil Brain Damaged Addict of (totally not a) Husband in order for to find a most likely nonexisting cure to his cursed (????) transformation. The ANGST POTENTIAL of it.

And your first points are so interesting and absolutely valid! Chase's situation can be compared to Stank-ification, but you know what would make an even more interesting comparison? The Sorcerer himself.

I think we often forget that technically, Sorcerer situation is him being separated from his humanity and twisted into an immortal monster by Chaos Pearls, because he - as the Peddler - made one decision, one mistake, after being seduced by power greater than him. Sounds familiar doesn't it?

Of course there are a few key differences here:

Sorcerer is literally separated with his human self (soul perhaps??) that is trapped in Land of Shadows, while Chase's humanity seems to have been surpressed and/or muted by his Draconic Self. (or perhaps stolen with his soul by Hannibal, which is a popular theory about how exactly Roy Bean/Soup turned Chase.)

Chase's change is permanent. While Sorcerer situation is possible to fix - it literally happens in the finale.

BUT!!! no one actually knew it was possible to fix before. At least no one gave any indication that it was a known fact about Sorcerer's humanity still existing somewhere in Chaos Realm/Land of Shadows.

I'm pretty sure First/Norisu Clan believed that the Sorcerer was a human changed and twisted into an immortal by chaos. Impossible to kill and impossible to return to normal - that's why he was imprisoned. To keep him contained.

I mean, couldn't First Ninja, after capturing The Sorcerer, try to get his human self from the Land of Shadows himself, if he knew? After all he had access to a Chaos Ball! But he didn't know there was anything to be recovered, that the Sorcerer could be actually unmade just by reuniting him with his human half.

(At least thats my personal HC, but im pretty sure the canon show just retconned/fumbled a bit the whole Sorcerer resolution lol.)

SO just imagine. First learns about Chase's past. And he is freaking aghast. Here is another twisted by evil, but while he and his brothers failed to save those changed that they first encountered (the 'killed first stanked monsters' theory tie in!), they managed to save those that came after. And if First could, he would have tried to save The Sorcerer, no matter how much he hates him. But... Chase is different. There is still something of humanity left in him. Perhaps he can save Chase.

And from Chase's pov? He sees how Ninja saved Stanked people, and he doesn't even consider those situations as similar to his. Sure, people are turned into monsters, but he was turned into a monster by his own choice, there is nothing to save him from. (Isn't there?)

But he watches as First releases those people from the clutches of chaos, watches as he tries so hard to save them... And maybe it makes him yearn, that someone tried just a little bit harder to save the 'him' before he made that choice.

And if First cages Chase and says: "I want to help you. To Cure you." It will certainly enrage Chase - because who does this man think he is, tryin to contain and cure THE Heylin Prince of Darkness, like he is some halpless trapped commoner??? He came to be long before this man's Clan existed and he will be there long after this man will become dust.

But also... maybe deep deep deep inside, Chase is... confused? and pleased? - that someone like Fist Ninja grew to care enough for him to try and save him, even if there is nothing to be saved.

So they would be at this standstill, where First is trying to help a cause that isnt quite possible to fix, and Chase is... well, being Chase.

But, yeah, certainly another amazing thought process from you Anon <3, I've been trying to answer this ask for so long, because every time i start to write i get overcome with emotions about those scenarios like...damn. It's funny, but also the possible drama of all of this... hnnnfgggg

[mirroredmemoriez]

Werewolves designs and other shit

Got bored- Remembered I have free choice to make posts on anything I want... So here I am with opinions no one asked for. As the title suggests, it's about werewolves. Starting off, I don't believe I need to explain what a werewolf is. However, I'll put it out there that in most descriptions and depictions it's meant to be a humanoid wolf. I say this because you'll find that in some movies or books it's just a person turning into a giant wolf with no human features or movement such as standing on two legs. (Or like a minotaur situation where the body is a human, but the head is a wolf.)

Here I've collected just human references and anatomy- This is so I can make comparisons and such. Humans vary heavily in the way that we look, due to things such as lifestyle and genetics. At base level, of course we're HUMAN. However, things like our body types, hair texture, eye colour or shape and yada yada all can change the way we look and create differences between us and somebody else.

This is the same for wolves, though maybe not as noticeable compared to humans? Mostly things like their size, coat colour or thickness and etc is what separates them from one another. Looking at their head shapes also can show what species they may be. Generally, they're a pretty lean animal seeing as wolves are known for their running endurance to hunt prey. Being too big would slow them down... I mention this because some depictions of werewolves people make them too muscular in my opinion? It's like they're hairy body builders. Speaking of werewolves- Let me try draw this post back to where I started it! First I wanna look at almost shifted werewolves, so not fully transformed.

(Also I will be using depictions and characters which aren't labelled necessarily as a ''werewolf'' but share many features or similarities. For example, Bigby from The Wolf Among Us.) The common things we usually see is an increase in hairiness, canine growth and eyes becoming highlighted- Usually yellow, though sometimes the werewolf maintains their natural eye colour. We also have ears becoming pointed and the area around the eyebrows and forehead starting to protrude more. All of these things when done right I enjoy in a werewolf design! Though, it's a given that some do it better than others... One of my favourite werewolf designs and transformations has to go to the movie An American Werewolf In London.

This to me is one of the PEAKS of werewolves in media. I could probably make a full post on just this movie... It's one of the most iconic designs and for good reason. Not to mention, I love practical effects, especially in horror. One of my dreams is to make a movie with them. Enough gushing though. What do I like? Well, it's grotesque nature really. A transformation shouldn't just be BAM you're a ball of fur in my eyes. The amount of change is crazy and so glossed over.

The transformation literally has bones extending along with all the muscles and tissues alongside. Don't even get me started on what the organs may have to be doing? A human heart could not support a werewolf body, it just wouldn't be big enough... That muscle would literally have to increase in size to be able to deal with the power behind the body of a wolf. Yes, I'm aware they're supernatural and I shouldn't try heavily to apply science to them... However, I don't care? A TRANSFORMATION WOULD BE HORRFIC AND PAINFUL, SO IT SHOULD BE SHOWN AS SUCH! It's also why I headcanon that turned werewolves have the chance of just dying straight up with their first transformation, compared to ones just born as a werewolf because of how extreme the change is. Anyway! Some more designs.

I think what some suffer from, is leaning either too close to a human and or leaning too close to a wolf? They can't find a balance and at times it's like a worse rendition of the Cats movie.

Like here, the werewolves from The Quarry almost lean into some classic vampire depictions. The teeth I like! But the lack of hair and flatter snout just means it's not really screaming WEREWOLF at me.. More so a general mutant. (QUICK ADD! A flatter snout doesn't always break a design. It's just when other features such as hair are also lacking that it starts becoming less wolf in nature to me.) We've also got a more recent werewolf to look at... Which is Enid from the Wednesday show. Because fucking hell, that was a disappointment? She ended up looking like a mix between the Ice Age baby and Diego the saber tooth tiger.

They did her so fucking dirty... And it would actually be very simple to fix! This could be salvaged- It just wasn't. Somebody saw that design and green lit it and whoever you are, why? I think I'll end this here now because I've reached the image limit... If anyone has any questions about certain things I've mentioned, feel free. I also want to state that this is pure opinion and by no means supposed to spread hate towards anything? It's your world, if you wanna draw your werewolves like the Sims 4, who am I to stop you? THIS IS MAL OUT! AND IF YOU'VE READ ALL OF THIS YOU'RE SOMEHOW MORE UNHINGED THAN I AM CURRENTLY. (I MAY MAKE A PT 2 AS I DO HAVE MORE THOUGHTS AND MENTIONS TO MAKE.)

[genericpuff]

What is your advice on handling criticism?

I saw your response to a critic on Lore Rekindled in the sub and it's very good and you could say, professional.

I have a big problem of people-pleasing, so if I get critcism (eventhough it's very polite), I get very sad at the fact there's fault with my work (I also suffer from perfectionism). It will drastically change how I see my work, and in the end I give it up 😭

fam i got teased tf out of for making it so wordy LOL

I totally get that struggle though, I know it probably doesn't seem it at times, but I do have the 'ole RSD (Rejection Sensitive Dysphoria) due to being ADHD/autistic, so I totally relate to the whole people pleasing thing. It's hard to feel like something you made isn't making everyone happy! But that's also ultimately not what it's for. You can't make everyone happy, and your art doesn't deserve to exist any less just because some people don't find it their cup of tea.

I've definitely had to like, disconnect my work from myself over the years to get better at taking criticism. Not to the point that I get apathetic, obviously I should be invested in whatever I'm working on, but enough that when people criticize my work, it's not necessarily an attack on my own self.

And if they are clearly just out to attack me, then I dismiss the criticism, it's of no value to me.

Unless it's something that's specifically a result of my own values or biases bleeding into the work, most of the time it's people literally just saying, "I like this work, but I feel like it wasn't as strong as it could have been here and here" and that has nothing to do with me as a person, I'm just still polishing my skills and those outside opinions help to target specifically what needs improving. I think we as artists pour a lot of ourselves into our work, especially when we're just starting out, so it can be hard not to take criticism as an attack or rejection of yourself, but we have to ultimately remember that we are not 100% of our work. Even with works like LO, while some of the criticism I give of it is indicative of Rachel's values and personal preferences as a person, a lot of it is also just about the work itself and how far it's fallen beyond what I assume Rachel intended from the beginning.

I've also learned to separate helpful from unhelpful criticism. I'll use Time Gate as an example because I've gotten way more input on that series than Rekindled (just because I've actually like, intentionally sought out criticism for it). A common criticism in the past was that there weren't enough backgrounds and the story's pacing wasn't concise. It sucked to hear at the time, especially the backgrounds one, because I'd heard that one time and time again... but it was literally because I wasn't doing anything to improve them. You know what stopped those criticisms? Drawing backgrounds more LOL And I still suck at backgrounds tbh but I feel like I've definitely improved compared to the first few volumes when I was just drawing characters on top of white constantly LOL

old and busted:

new hotness:

(i think there's like a 4-5 year difference between these two pages. and the backgrounds STILL aren't perfect in those newer volumes but they still feel more finished than the older panels did)

So that was helpful criticism! My art wasn't as strong as it could be in a few specific places that people were clearly able to pinpoint, so I did what I could to improve those places and I'm still working on it.

Unhelpful criticism has just been either personal attacks (not valuable) or statements that are basically asking the comic to not be what it is, criticizing things that are features, not bugs. Things like "well I think the story is too anime-like", "it's a lot to try and read", "why don't you draw eyelashes on the girl character", etc. which are criticisms of things that I know are intentional. The story's anime-like because that's the story I want to write. It's a lot to try and read because it's intended to be a longform series for people who like reading longform series (people like me!). I don't draw eyelashes on Uzuki because she would look terrible with them LMAO (we even made a joke about that later on):

(the hilarious part is that that comment was definitely made with the idea that all women should have that makeup look, meanwhile mitsuhiro's pulling off the look so much better and he knows it LMAO

And actually, the example you're referring to where I responded to crit in the ULO subreddit, is also an example of unhelpful criticism, though the person who posted it definitely didn't mean any harm by it, but the crit was literally "why aren't Persephone's boobs big enough" which I thought was pretty funny. She still has boobs! I just don't draw them popping out of her top like Rachel does LOL I also don't give her the exaggerated pinched waist or broken spine that Rachel often gives her because that's all just to, again, emphasize her boobs, and it's often unnecessary, especially in a comic that's being marketed as a feminist piece of work, yet is often drawn completely through the male gaze. So yeah, that was definitely crit that wasn't really beneficial because it was literally just about Persephone's cup size lol

I know it's easier said than done, but when you feel that sadness coming on in response to criticism, remember that that criticism exists to help you, not hinder you. Considering you've been getting polite criticism, that means the people giving it likely have your best interests in mind and want to see your work improve. The only way to do that is to learn how to critically analyze your own work, and the only way to do that is to surround yourself with works whose quality you want to achieve, and get outside opinions. And if that criticism isn't in good spirit, then toss it aside. If it's not going to help you, then it's not of any value to you. And yes, it will take practice, there are still times I find myself getting overwhelmed, but ultimately I can't control what anyone else says or does, only what I do. So I funnel that into my work and I always keep moving forward.

Be at peace with the process of learning and improving, because you never stop having to learn, there's always something new to improve, and that shouldn't be taken all doom and gloom "I'll never be perfect", that's literally just the process and beauty of being an artist, there's always something new to learn and that's something that should be exciting!

Think about whenever you give criticism or have personal critiques of other comics. I'm willing to bet most of the time, you have those opinions with good intentions, you're not trying to attack anyone. So why not give yourself the same grace?

...holy shit, I forgot Uzuki's lipstick in the bottom right panel- （；´д｀）ゞ

[pudding-parade]

@echoweaver

Figured I'd do this this way instead of adding to the comment pile. :) I should've made a separate post with my whining, but…meh. What's done is done.

But yeah, not so much "medical drama" as just…stuff. I had a liver transplant in September. I haven't specifically talked much about it here because...I don't know. I guess I thought if I didn't talk about it it would be less...I don't want to say "depressing," because I'm not depressed, and I don't want to conflate being temporarily down in the dumps with depression. Maybe "difficult" is the right word.

Anyway...I've needed a transplant for about 10 years, my original having been badly damaged by asymptomatic hepatitis C that I unknowingly had, until the damage started making me really sick. I probably originally contracted it from a blood transfusion I had in the 80s, before they tested donated blood for Hep C. Medication as well as a special diet and supplements helped with the symptoms of a failing liver for a while, but this past spring things started to go downhill more quickly and the meds, etc. weren't helping as much.

I had a matching living donor, a relative of my husband's, who wanted to do it and who was finally approved for it. (She'd been deemed too young before.) And I was at the point of, "Do it now or else you won't be healthy enough later to survive the surgery/recovery." So, I did it. And like I said, I know it will be good in the long run, but right now it just kind of sucks. (Though it is nice to be not quite so yellow. I actually have eye whites now, yay! And I look less like a character from The Simpsons. Also also, I can legitimately say that I'm part Mexican now. LOL )

I'll spare you/everyone the gorier details, but I spent almost three weeks (as opposed to the one-week-or-so that's normal for transplants) in the ICU due to rejection issues (which is why my immunosuppressant dose was very high), and then once finally released I was under a "no contact" rule. As in, no contact with anyone but my husband, who was also not allowed contact with other people or else he wouldn't be allowed contact with me. (Thank goodness DoorDash exists now or I don't know what we would have done for food.) The only time I could leave this place was to go directly to a car to be driven directly to a doctor's office where they have a special process/set-up for people in my situation, and it's just nuts. People who went batty during covid lockdowns had it easy compared to this.

So it's been….rough. I don't really care about not being able to see people so much, frankly, but I do not like being cooped up inside. My latent claustrophobia has become not-so-latent of late. At home, I can sit out on the deck or I can wander about or ride my horse for miles in the wilderness without seeing another soul, but not here in a city. Cities suck. If I'd had more time to arrange things I would've at least rented a place with a patio/balcony, but since it was very short-notice, what we have is the best we could get, and it's not very good.

The good news is it's getting better. My immunosuppressant dosages are being lowered and I have no signs of rejection yet, so… *fingers crossed* And I'm down to twice-a-week appointments instead of literally every weekday. So, as of this past Friday I'm now allowed incidental contact, which means I can walk the streets or be at outdoor venues if I stay away from people, especially children (because they go to day care/school and tend to carry all sorts of interesting illnesses), as much as possible, but I can't be indoors for long periods with lots of people, so no stores, movie theaters, restaurants, etc. But this is why we're considering a zoo trip tomorrow. My doctors probably would consider it more than "incidental contact," but at least it's outdoors, close by, and it shouldn't be too crowded since it's winter and the kids aren't out of school for Christmas yet. They also have wheelchair or scooter rentals, so I don't have to walk the whole thing, and I would just be happy to be out in an environment other than a doctor's office for a day. So, I'm pretty sure we're going to do it. Because fuck it.

But anyway. Yeah, I'm trying to be more active online. It was hard for a while because with a giant healing abdominal incision and bruised-up everything, sitting up for long periods of time was a no-go, but I'm doing much better on that front. I've actually been playing No Man's Sky more than Sims, just because it's a space exploration game that makes me feel more like I'm "out there" than Sims does. But, I'm also trying to get back into the simblr momentum. I want to get back to playing the Random Legacy I started, because I can post about that more easily than the weird-o saves I usually play. LOL It's just hard to feel motivated right now, I guess. But we'll get there.

And you know what? For a movie that's supposed to be a comedy, Lilo & Stitch makes me bawl my eyes out. And that scene that I quoted is the "worst" in that regard. But it's still one of my favorite movies. :)

[alicewritingstories]

Whumptober Prompt Fills Part 9: Breath

~Also on AO3~

No. 15: “I don’t need you to help me I can handle things myself.” | Makeshift Bandages | Suppressed Suffering | “I’m fine.”

No. 24: “I’ve got a head full of chemicals; mouth full of ridicule.” | Goodbye Note | Neglect | “I thought they were with you.”

No. 31: “I thought that I was getting better.” | Emptiness | Setbacks | “Take it easy.”

Warning: Brief mention of alcohol use, chronic cardiac and respiratory issues, internalized ableism

Central character(s): Sky, Twilight

As the stars were coming out and the last echoes of the Picori Festival's fireworks display were fading away, the Chain started to drift back together at their chosen campsite in the forest. Tomorrow they would travel on to visit Four's grandfather - Four had gone on ahead with his father to give him some time with his family before his other family descended on them - but tonight would be spent under the stars as usual.

The chatter among the little group was lively as they compared their experiences. Warriors was flushed and slightly giggly, relaxed after the entire bottle of something alcoholic that he'd drunk during the fireworks. Wind, meanwhile, couldn't stop showing off the beautifully-crafted knife he'd won, tripping over his words as he admired it and related his triumph in a quoits-throwing contest.

Twilight heard Legend drop the good-natured observation in Warriors' ear that the young hero really shouldn't have been allowed to join contests alongside ordinary children, but he agreed as Warriors said sleepily that it was good to see Wind act like a child for once.

"What did you do with Sky, Twilight?" asked Wild suddenly, looking up from where he was laying out ingredients for dinner.

Twilight looked at him in confusion. "Me?" he asked and looked over at Time, who was also looking confused.

"I thought Sky was with you, Wild," said Time. "I was about to ask you the same question."

Twilight blinked. "I thought he was with you," he said. "Didn't you go looking for souvenirs for Malon and Sun?"

Time shook his head. "I thought he was going around the food stands with Wild."

"I didn't see him after we separated," said Wild, sitting back on his heels. "I thought he went to watch the horse races with Twilight."

Out of all their Hyrules, Four's was one of the safest, but that didn't mean a missing hero was something to be ignored. Time eased back to his feet with a soft groan and started putting his just-removed armor back on, saying, "He's probably fine, but let's go and check. Wind, Twilight, and Legend, check north, south, and east respectively; I'll take the west. Return in an hour even if you haven't found anything. Hyrule and Wild, stay here and finish setting up camp."

"Shall I check the elixir supply?" asked Wild seriously.

"I hope we won't need healing, but it's worth knowing. Likewise, Warriors, I hope we won't need you to be sober." Time chuckled as Warriors shot him an unfocussed look that he probably intended to be irritated. The remark lightened the anxiety that had been starting to thread through the air, but didn't take it away entirely and as Twilight set out into the darkening forest, heading for the south side of the town, he could feel it twisting somewhere in his gut. He was sure Sky hadn't followed him when he set out through the busy streets, following the sound of hoofbeats and cheering. He really thought he'd heard the other hylian agreeing when Time had said he was going to find a gift for Malon.

What if he'd been wrong and something had happened to Sky when he was separated from the group? How long had he been missing?

Twilight tried to push down the worry. If one of them was going to disappear for a few hours, this was one of the safer places for it to happen. Most likely they'd find that Sky had simply lost track of time or forgotten the rendezvous.

It wasn't like him to have forgotten, but it wasn't impossible in all the noise and excitement of the festival.

And was it more or less likely than that something had happened? There had been no sign of so much as a keese anywhere near the town, but it wouldn't be the first time a member of the Chain, taken unawares, had fallen victim to hylian enemies of one of his brothers. Four had as many enemies as any of them with the exception of Wild and Warriors, who had significantly more.

Twilight gritted his teeth. A crowded festival… someone would have noticed the fight Sky would have put up if attacked.

He was sure he'd gone alone to look at the horses.

He was sure Sky hadn't come with him.

He was sure that if something had happened it hadn't happened right behind him.

His thoughts were interrupted as he caught a familiar smell on the breeze and saw something white gleaming in the forest ahead. Perfume and a white sailcloth. With a gasp of relief, he broke into a jog, calling, "Sky!" as he saw the figure of his brother in the dim light, sitting on a tree stump, leaning his elbows on his knees.

Sky looked up and waved as Twilight heard the wheeze on his breath and realized how fast he was breathing.

"Sky," he said more seriously, crouching beside him. "Are you OK?"

Sky nodded, his hand to his chest, the wheeze more pronounced as he sat upright. "Fine. Sorry, I… know I'm… late."

He couldn't even make it through a sentence without losing breath.

"Are you hurt?"

"No. I'm fine. This happens… sometimes. The damp… makes it worse." Sky forced a grin. "And I made… the mistake… of dancing."

"I didn't know you danced," said Twilight.

"I love dancing." Sky coughed and wheezed. "Unfortunately. Used to be… easier."

Twilight nodded. He wasn't sure what was going on, but said, "Do you need anything?"

"Just to rest." Sky shook his head. Twilight thought he looked pale, but as he propped himself on his knees again his breath seemed to come a little easier.

"OK. It'll be a bit before anyone really worries, so take it easy."

Sky nodded, laying a hand on his chest and wincing. "I thought… I was handling… it. It was fun… to dance again. Even… alone."

"Hey, take it easy. You don't have to make excuses to me and you've not got the breath for much talking, so just say what you have to."

Sky nodded.

Twilight patted his shoulder. "Is this… a new problem?"

"Since… my adventure. Well… mostly."

"OK, tell me the rest later." But he couldn't help asking, "Is this why you can't run as fast or far as the rest of us?"

Sky nodded.

"Why don't you tell anyone that?"

"I'd rather be… made fun of… than treated… like I'm broken."

Twilight started to argue, but remembered he was supposed to be calming Sky down and letting him catch his breath.

Slowly, Sky's breathing steadied and quietened. He sat up and pressed two fingers to the pulse point in his own throat, then nodded.

"OK, I'm all right now," he said. "Let's go."

Still, when Twilight offered him an arm he accepted it to get up.

"You can tell them you found me asleep somewhere," he said with a small smile as they started walking.

"I'll tell them no such thing," said Twilight. "Nobody acts like Time is broken. Nobody's going to think less of you because sometimes you can't breathe right."

Sky shook his head. "I can manage. There's a reason you've not seen me that bad before. But if everyone knows my lungs are always heavy and my heart doesn't beat properly any more…"

"We already know you can't run as far or as fast. What do you think will change from knowing why?"

Sky scowled at the ground.

"If you really want, we can still tease you about being slow and sleepy, but -"

Sky jutted his chin proudly. "But you'll keep a better eye on me to make sure I'm OK? Keep a wing over me in case I fall?"

"Just like with Four when it's cold."

That hit home. Sky sighed, bowing his head. Twilight heard the last of the wheeze.

He put an arm around his shoulders. "Listen, you don't have to tell anyone anything you don't want to, but I'm not lying for you and I think you should tell the truth. Nobody thinks less of you for having scars from your adventure, any more than they do of Wild or… or any of us. It doesn't matter that yours aren't on the outside. Nobody will think you're broken or useless or anything else."

Sky was silent for a long moment, then he said, "I'll think about it."

Twilight hugged him gently and they walked on.

[pencil-peach]

G Witch Onscreen Text: Episode 12

And so, we have reached part 13 in my attempt to transcribe and discuss the text that appears on monitors and screens in G Witch (and talk about stuff I think is cool)

This is the Episode 12, the season 1 finale: "Keep Marching on Instead of Running Off."

<< Click Here to go back to Episode 11

Oh, but you'll have to change before you can join me under the cut.

You have to wear a normal spacesuit while reading this post...

Like episode 11, this episode is actually very light on text, (for obvious reasons..) so I'll also spend some more time discussing little things in the episode I think are interesting.

The text on the panel for the EV (Elevator) reads C BLOCK No. C - 6 The EV is arriving shortly.

It also has 3 symbols on the bottom, with one crossed out. It's hard to know what they mean, but my best guess is: - Communication (Which is currently unusable due to the attack) - Multi-Directional (As in, isn't a one way elevator, can go back and forth) - Capacity (In this case, multiple people can use it at once.)

Also, in this scene, Miorine talks about "opening the bulkhead from the control center." What she means is she wants to find the control center so she can open the giant wall that separated her and Suletta. The first thing that both girls thought of doing when they were separated was rescuing the other.

Also, also, the fact that C Block still has some semblance of power despite having been fully disconnected from the rest of the plant must mean that every individual block must have some sort of reserve power system in case something like this happens. I wonder how expensive this place was to build....

I really like the scene where we see Sophie activate Permet Score 4, because I think they put so much focus on it in order to put a lot of things we've seen earlier into perspective.

Up until now, we've only seen 3 characters (other than Eri but she doesn't count) activate Permet Score 4: Nadim in the prologue, El4n in episode 6, and now Sophie.

I think the first thing we can see when we compare these instances is how, broadly, Gundam Pilots have generally been made to become more resilient to Permet in the 21 years since Vanadis.

As far as we can tell, Nadim was probably one of the most skilled Gundam Pilots at Vanadis. (Other than Eri but she's like. cheating.)

Even acknowledging that he hadn't piloted a Gundam in some time (He says as much when he first activates Permet 3), he's still incredibly adept at controlling GUND Bits and nearly singlehandedly holds off the attack by Cathedra. (Thought Wendy's efforts must also definitely be acknowledged.)

When Wendy starts suffering from Permet exposure, Nadim tells her that she can't raise her score any higher

We never see or hear exactly which score she's at, but her Gundam is deactivated by the Antidote, which only works up to Score 3. So she's either at 2 - 3, and she's clearly suffering its effects harder than Nadim, who's also at 3 at this point.

But despite Nadim's clear adeptness at Piloting the Lfrith and his much stronger resilience to Permet, when he activates Score 4, he dies nigh instantly. He doesn't survive longer than a minute.

When Gundams had first been developed, Score 3 was considered the absolute limit, both in terms of what a human could bear and what Gundam tech could handle.

We can see this reflected on the Lfrith itself. When first launched, and up to Score 3, Lfrith's body appears completely normal.

But when he activates Score 4, its entire body glows bright red as opposed to just its GUND components. A sign that its bearing a load it can't handle.

And when Nadim finally dies, we can see its body is also horribly scarred with Permet Burns.

Sophie's Permet 4 scene is a showcase of how Gundam Tech has evolved in the 21 years since Vanadis.

When Sophie activates Permet 4, she's pushing up against the human limit. Her heart is pounding so fast and so hard we can hear it over the music. She says she can't breathe and might even throw up, and unlike El4n, she's not an Enhanced Person. She's entirely unaugmented, but unlike Nadim, she lives.

Gundam Pilots have become more resilient since Vanadis, but also of note is that they've also gotten younger. We don't know the ages of Nadim, Wendy, and Elnora, but they're all clearly adults. In fact, we only ever see Adults piloting Gundams in the prologue. When Prospera realizes Eri reached Layer 33, she's horrified, and I wouldn't be surprised in part because a child piloting a Gundam is just something that had never been done before.

But now, Gundams are piloted almost EXCLUSIVELY by young people. Younger people are raised and trained and experimented on at earlier and earlier ages because it seems that, for some reason, they are just better at being able to handle them.

The tech has also improved much since then. Whenever Lfrith Ur reaches score 4, that device on its shoulder unfurls and activates, and retracts when it goes back under. the Ur and Thorn were built off of the pre-production Lfrith models, and in order to get around its Score limitations, they just added an extra Permet Processing unit to its back to bear the extra load.

El4n is a special case, and his reaction to Score 4 in comparison to Nadim and Sophie stands as a testament to the effectiveness of Bel's Artificial Nervous System. At Score 4, El4n acts more like he's under the symptoms an unenhanced person would experience at Score 3.

All that suffering just to reduce the permet load by 1. How sad.

Anyway, the EMERGENCY EXIT Suletta uses is labaled as an EVACUATION PASSAGE.

It also has the same 3 symbols as on the elevator. If we try and apply the same labeling method as I used on the elevator, then.. -Communication (Offline) -Direction - One Way -Capacity - 1 person. The direction and Capacity make sense, but the communication is a little dubious? Maybe that symbol designates if it leads to an exit or something....

Normally, when Miorine refers to her dad, she calls him "Kusoyaji," which is a portmanteau of "Kuso" (a general swear word usually meaning 'damn' or 'shit'), and "oyaji" (which is a word for father) Calling him a terrible dad, but in this scene after he protects her and she sees that he's critically wounded, she shouts "Otou-san!" instead, which is a more common/respectful word to use for your father. This is localized into English as having Miorine usually call him a "Lousy Father," or something similar, but in this scene she just calls him "Dad"

We also learn a little more about Notrette in this scene, as when Delling tells Miorine to choose the best option of survival and leave him, he says it's what Notrette would do, and that they'd both decided at some point that if anything happened, one of them had to survive in order to raise her.

It's not much, but it seems that Notrette was a very logically minded person, who always looked toward the future in her decisions. I wouldn't doubt that Delling tried to save her, but left without her at her own insistence.

Sometimes I feel as though this scene is paralleling that incident in a way we can't know, and Miorine managing to save Delling here implies that if Delling had tried and not ran away, he could have saved Notrette. But that's just speculation on my part.

There's no real way to prove this, (other than the fact that their voices sound similar) but I've always believed that the closeup of this DOF member we see when they enter the plant is the same DOF member that Suletta kills at the end of the episode.

When Vim launches in the Dilanza Sol, he comments that he worked his way up the corporate ladder by "personally claiming his rivals' heads." It's most assuredly a figure of speech, but um, well.

Like father like son.

When Guel launches in the Desultor, he tries to communicate to the Dilanza Sol, but remember, the comms are jammed, so it returns an error.

After the deed has been done, the network begins reactivating, and we see NETWORK ONLINE appear on Guel's monitor.

This is our first sign that the DOF are starting to run out of time.

I think a lot about this scene. Maybe not in the way you're supposed to think about it though. I just can't shake this idea that Prospera intentionally waited for one of the soldiers to be right in front of Suletta before killing them. She and Godoy had been standing there the whole time, on both sides of the hall. Surely there were better times to have attacked them than when they were right in front of Suletta.

Maybe I'm not giving her enough credit but wouldn't it make sense? She needs Suletta to be okay with the idea of killing someone. Wouldn't seeing her mother do it in order to save her life be perfect for that? Prospera barely comforts her afterward either. She immediately explains to her that if she hadn't done it, Suletta might have been killed, and that fighting can save everyone.

And of course, it's obvious, but I just love the symbolism in this shot. It's so good. Suletta stepping out of the darkness and crossing the line, led by her mother's blinding light, onto the bloody path. It's so good. Such a good fucking scene. Grrggrhgrh

The music that plays during this fight between Suletta and Sophie is titled AERIAL REBUILD

If you haven't already, you should give it a listen. It's genuinely one of my favorite tracks in the entire OST, top 3 at least, and we don't hear much of it in this scene.

During their duel, Sophie calls Aerial REBUILD's face "scary" and says she "liked her better before."

Aerial is no longer pretending to be a machine made for silly school duels, that line has been crossed, and its true purpose is beginning to be revealed.

The truly terrifying thing about REBUILD's GUND Bit Cannon is that we never see it at full capacity. In fact, this one time we see it, it's at its WEAKEST strength. All mobile suits used in Asticassia have a regulation program installed that limits the energy output of their beam weapons. (With this restriction, all energy weapons only produce green colored beams.) Despite being off Asticassia for months now, Aerial NEVER had that program uninstalled, so its Beam Weapons are still at their lowest output. And, Despite That, the beam produced by this cannon is...

This Powerful. It's so powerful, that when Aerial uses it, you can see it have to activate its back thrusters to counteract the recoil.

It's SO powerful, that it completely melts the legs of a Desultor who just happened to GRAZE it ever so slightly.

Not to talk about future episodes here, but I actually cannot stress that it is genuinely a miracle that Miorine forcefully shut Aerial down in this moment in episode 17.

Because, and I mean this with zero exaggeration, Suletta would have ERASED GUEL and SPLIT THE SCHOOL IN HALF if she released the charge on this god damn canon.

Lord In Heaven, Prospera.

TEXT: SUBJECT: Business Correspondence FROM: Peil Technologies To: ELAN CERES HIGHEST PRIORITY

An attack has been made on Plant Quetta by the terrorist orginization 'Dawn of Fold' 2 unidentified MS using GUND FORMAT were confirmed. We will contact you later with further instructions.

This is the email 5lan receives from Peil after the DOF leave. They got that information quick, huh? I wonder how... We also see that he only ever receives Business Correspondence emails from Peil and Course Schedule updates from Asticassia in his inbox. He doesn't have any friends.

And with that, we have completed Ep 12, the entirety of Season 1! Wow...what a ride it has been thus far...

Thank you for coming on this journey with me...!

Whatever happens next, we'll face it together, won't we?

Episode 13. >>

Masterpost.

[exocynraku]

thoughts on a starless clan so far

i don't know if anything i said here has any definitive spoilers in it but i'll put it all under a cut for safety

short answer: it's ok. frostpaw's plot & the stuff with riverclan, riverstar & the COTP, splashtail & curlfeather are all REALLY COOL. I liked sunbeam in the beginning and have grown to dislike where her story has gone. I like the concepts surrounding nightheart's plot but dislike the execution & the reaction from the community. I am still excited for star. long answer:

frostpaw and splashtail's plot is really really good and ive been enjoying it a lot (probably because it reminds me of tpb). i liked sunbeam's plot with blazefire and lightleap and berryheart in the beginning but have gotten bored of her & her plot since nightheart showed up in her life & she moved to thunderclan. nightheart's plot has good concepts behind it but i don't like the execution & i don't like the 2 cross clan relationship plot in a row. i think it could've been better if they focused less on cross clan relationships and more on clan prejudice & xenophobia & the corruptness of the code system as a whole (though i know it's incredibly unlikely the writers would do that i still want To Hope) instead of just the romance part since we did that last arc (though i don't think it really got us anywhere as i personally dislike the 'trials' thing that was developed & don't think it's particularly useful). especially because it was specifically a cross CLAN relationship in a row. i'd be a bit more lenient if it was a clancat x kittypet/loner relationship as that hasn't been done in a bit (like if nightheart fell in love with a COTP cat or something). 

i like the pacing per-book but i think the pacing overall could be improved upon as it feels both sunbeam and nightheart's plots have been too separate from & slow compared to frostpaw's plot and haven't really been meshing well in the later books as the erins try to tie them all together. i also don't know if this is just my bad memory but i dislike the change of sunbeam and nightheart's personalities over time. they both feel like they are becoming cardboard cut out main characters to me. i liked sunbeam's relationship with lightleap blazefire & her family and thought it all was really realistic and especially in the lightleap/blazefire department was a surprising change of pace. i dislike what has become of both her plot and her personality as i feel they totally abandoned the lightleap/blazefire plot and turned her into a flat love interest. i do think it makes sense for her as a character to yearn for love but i think it'd make even MORE sense if she had a much more complicated relationship with love

i'm not going to speak further on nightheart because i know no matter what i say someone WILL be telling me to kill myself in one way or another so i'll keep in brief: no matter what you think of him, you at Need To Acknowledge & Be Conscious Of The Fact That Very Bad Things Have Been Said About & To Both Women And Disabled People Because Of His Plot In This Community. yes some very good & well-thought out conversations have been said in response, yes the majority of these things were said months and months ago when asc first was starting, But That Does Not Mean You Can Ignore That They Happened. If you want the community you are apart of to not be perceived as jackasses you cannot Ignore The Hatred Towards Women And Disabled People That Festers Inside Of It. you don't need to write a 9000 page essay about it, that's not what i'm asking, you just need to be CONCIOUS of it okay that's it. also while thinking about this i thought of how i'd rewrite sunbeam and the third pov (which i'd give to sparkpelt) so if anyone wants to hear about that send me an ask i'll make another 4 paragraph post about it

[orionsangel86]

I think part of the reason Morpheus is often headcanoned as asexual in this fandom is a combination of people projecting (which is totally valid) and that there's a significant portion of the fandom who hasn't read the comics and only has the show to go off of. In my opinion, in the show he does have strong ace vibes. Much less so in the comics, but it's a lot easier to headcanon a character as ace when your first introduction to them gives you strong ace vibes. So there's probably a good number of people who still headcanon him ace even after reading the comics.

Personally, I just headcanon him as queer. My reason being that if you have a being that is basically the subconsious of all humanity averaged together, the odds of that person being straight is probably low.

As for there being discourse on his sexuality in the fandom: if there is discourse, I've missed it. Though there very well could be discourse on a side of the fandom I'm not in.

This is an interesting viewpoint bearing in mind I have been discussing the exact opposite opinion in a separate post in which we theorised that the show has played up Morpheus' sexual allure...

Without wanting to overspeak here, as someone who is not asexual and therefore cannot speak for that community, I think it is part of a wider cultural thing within fandom that people who are queer and in particular asexual and/or aromantic, tend to relate and imprint rather heavily on characters who tend to be non-human. I think there is probably an interesting psychoanalytical reason for this but its probably a bit too deep of a topic for me to tackle on a Sunday evening.

Dream is just the latest in a whole batch of non-human characters that often get depicted as asexual in their fandoms. I'm thinking characters like Aziraphale and Crowley from Good Omens, Castiel from Supernatural, The Doctor from Doctor Who, Spock from Star Trek, to name a few.

I can therefore understand why fandom may view Dream this way, even though canonically it isn't technically the case. I don't think there is any harm in it persay, though I think fandoms need to be careful about constantly headcanoning non human characters as ace because what does that say about real asexual humans? Asexuality is a human characteristic at the end of the day, and I wonder if this is just the latest in the trend of queer people in general being made inhuman and "monstrous" which goes all the way back to old hollywood monster movies.

I personally don't pick up any ace vibes from Morpheus in the show. I'm not really sure what I would be looking for regarding "ace vibes" anyway because its just simply a lack of sexual attraction, and I think both episode 6 and episode 11 make it quite clear he experiences sexual attraction, at least in my opinion and interpretation. If its his inhuman element that makes him appear asexual I'll be honest I find that a bit problematic, and I would ask asexual fans to also look internally as to the reasons why they associate inhuman qualities as asexual qualities. Of course if there are qualities he is presenting that can be compared to a lived asexual experience which don't relate to his inhuman nature at all then that is different, and I would like to know more about that since it is an interpretation I do not see and would like to read about.

My viewpoint is that he is quite a sexual character even in the show, and I thought this before I threw myself into the comics and audiobook. Other than episode 1, in which the show does a wonderful job of not sexualising or objectifying him outside of maybe Alex's gay awakening, even though he is completely naked throughout, once he has his clothes back on the show leans into the sexual chemistry he has with every single cast member to the point that its basically an in-fandom joke that Dream is a bit of a slut (affectionate).

Even in the cast interviews, this "Dream is a slut" viewpoint was already known about and acknowledged (thank you Kirby and Mason) so its not exactly a secret that the show is playing up the sexual elements even if currently they remain in subtext. Personally I doubt they will remain in subtext for very long and I think future episodes will quite likely lean into Dream's sexual allure and bring it more into the forefront. I am very curious about how they will adapt Tales in the Sand for instance, which is the only time in the comics that Dream has sex within the panels rather than "off the page" and since that version of Dream won't be portrayed by Tom Sturridge, I do wonder if maybe the show will decide to give us more Dream sex scenes - there is certainly an opportunity to bring Calliopes praises to life in the "show don't tell" manner, and we have yet to discover what they are gonna do with the Thessaly situation, or whether the intense sexual chemistry he had with Johanna Constantine will come to fruition.

I also can't not bring up Dreamling fandom here, because if my experience in Dreamling fandom has taught me anything about the general fandom opinion of Dream, its that the show has clearly encouraged an interpretation of Dream where he wants to climb Hob Gadling like a tree. Fandom hasn't giffed that particular smoldering heated gaze from 1789 20million times for no reason. They giffed it 20million times because it is fucking HOT and sexual and arousing and is the first indication we have in the entire show that Dream himself experiences sexual arousal - because he sure as hell looks aroused in that scene.

As always YMMV and everyone is gonna have different opinions and interpretations and they are all valid in their own ways. I dunno if there is actual discourse I just saw a few comments and wondered if there was. If it helps I also headcanon him as queer, because I think heterosexual is a much smaller limited box to try to shove such a grand and unknowable concept into. I doubt a creature such as Dream would ever limit himself to only one specific type of being, even if that is all the comics were willing to show us of his sexual and romantic history.

[andrewwtca]

I plan on doing some more KH fics with emphasis on FF7 characters so here's my take on how FF fits into KH:

Forget that 'they're all from Radiant Garden' nonsense, it's GIBBERISH. Because, if Cloud Strife is from Radiant Garden, how does he 'become' a SOLDIER??? That's always the biggest one for me, you can kiiind of get away with the other characters - I mean, Leon literally changed his name in search of redemption so it really works for him - but there's still a lot of nuance lost when you stuff them all in the same place! (Unless RG has a Shinra-like organization for some reason, which would certainly make for an interesting developer interview.)

Therefore, Radiant Garden is a hub world. I was originally going to compare it to Grymoire in WoFF, but that's a single world with multiple iconic locations, so I guess my best comparison would be KH itself. You have multiple worlds, all bound by one sky, one destiny. So while separate events can happen in singular worlds, like a whole world itself could fall, but RG holds the rest of the worlds together.

However, with the one sky, one destiny thing, that means when RG fell to darkness... Yeah, you get it, the rest of the worlds fell too. Hence why we have a bunch of FF characters in Traverse Town.

I think that the people would be aware (to an extent, at the very least) of other worlds. If you go to more rural areas, they'd probably only tell it as folk lore, but when you head to more urban areas, you probably have portals that can take you to RG. Further, some people would be aware that there are worlds outside of RG (for instance, Zack leaving RG all together to go explore the other worlds, showing up in BBS), but I guess it's more of an urban legend.

For the stories themselves, I feel like the events of FF7 would happen to an extent. Given the fact that Aerith is alive, Cloud still calls himself a SOLDIER, Sephiroth is alive and fucking shit up, I'll just say it ends before Disc 1. So then you'd have some key FF7 moments happen during KH, off-screen. Conveniently.

Sephiroth dies to an extent, but the darkness in KH2 and all that. Aerith is alive (hence no ribbon on FF7 character's KH2 outfits (Cloud, Tifa, Cid, Yuffie)). How does Sephiroth die?... I don't know, Tifa gives Cloud a long therapy session and then he uses the power of healthy coping mechanism to kill him?

Hah. Hahahaha. I'm a riot.

Zack goes back to RG, joins Shinra, meets Cloud, and dies, by the way. So. We still get that much misery.

Anyway, that's my take! I have some post-game fics I want to work on, so this is just an organization of my thoughts, so I can properly transform the fiction!

(Cloud for KH4 🙏)

[tayfabe75]

Love your theories, but one thing gives me pause right now. Would they really spend important holidays away from each other, kissing different partners for New Years Eve for example, just to prove some sort of point? We know they’re both romantics and I just can’t see them faking it for such important occasions.

Hi anon! First and foremost, nothing at all wrong with having pause. If everything seems normal to you and nothing feels a bit off or amiss, then there's absolutely no reason to engage with theories or even humor them. We all have our own sense of intuition. And regardless of what I say, or what Twitter says, you should trust your own instincts!

That said, my own instincts tell me that something is "off". Personally, I could not reconcile the breakup based on Taylor and Matty's words and actions. I could not reconcile Taylor Ssswift 🐍 bowing to a hate mob similar to the one that tried to take her down in 2016, or turning her love life into a spectator sport.

And wouldn't you know it? The more I dug in, the more history I found between the pair. The more their respective discographies started to sound like a dialogue, two halves of the same story. And then the coincidences! Everyone has a threshold of how many coincidences are too many before it becomes impossible that they are coincidental. For me, I think that number is just lower than for most. But as someone who loves mysteries, my brain is primed to see patterns in a way that maybe most don't (for better or for worse).

As a proud non-conformist, I wouldn't give the media or the internet the satisfaction of baselessly hating Matty Healy. I often say I learned about him out of spite! (Turns out the world cannot identify a man of outstanding moral character when it's staring them right in the face, and trust me, this is so much tangibly worse than the jokes he laughed at)

I became so fascinated by Matty's character that I started obsessively listening to all of his interviews. Turns out that he can't shut up about Brad Troemel, the guy who created the Taylor Swift Fan Union (and probably The 1975FU) and who has been working literally over Matty's shoulder throughout this year, and has suggested he might be working with Taylor, too.

Now, I bet you're scared to theorize because you're scared to be compared with a subculture of Taylor fans who have theorized about say, a hidden relationship or sexuality, perhaps? Here's what I'll say about that: for their theories to work, they had to completely ignore Matty's existence at his own fucking show on December 4, 2014, aka ground zero. I believe Taylor and Matty once benefitted from these theories - they were somehow so close yet so far off the mark that they were 'safe' being underground without raising suspicion. Why go underground? Well, Matty told us exactly why (and was crucified for it)! However, ignoring this subculture for so long turned it into a Frankenstein's monster. So, since they knew this monster was going to try to destroy Matty at all costs anyway, they had to come up with a plan. I think they did two main things to address it:

1) Orchestrated Matty's cancellation 2) Hired Brad Troemel to do it

So, how can I believe Taylor and Matty are still together despite spending holidays apart and kissing separate partners?

Kayfabe.

Now this is a wrestling term, so you're going to have to think a little outside the box to apply it to celebrity culture instead, all right? I'll start by quoting the man, himself, Brad Troemel:

"The term 'Kayfabe' was invented to describe all the different measures taken to ensure viewers' suspension of disbelief was upheld. Kayfabe includes everything from the matches' predetermined outcome, the scripted moves wrestlers use, their stage personas, their promotional interviews, the feuds between competitors, their ongoing love interests, the storylines that weave feuds together, the belts wrestlers win, the media coverage surrounding wrestling. All of it! Kayfabe is the entire massively collaborative theatrical universe created to maintain wrestling's believability. It's the never-ending commitment to the bit. One of the most important parts of Kayfabe, developed in the 1930s, was the idea that all wrestlers could be sorted into two camps. On one side, there'd be the good guys, known as babyfaces - who follow the rules, take their vitamins, and say their prayers. Then on the other side, there'd be the bad guys, known as heels - who play dirty tricks and would do anything to win. The job of the heel was to generate heat among the audience. This meant goading the crowd into belligerent anger by breaking the rules whenever possible, and cowardly hiding behind the rules whenever convenient. Once a wrestler's persona was established, it extended into every aspect of their life. Wrestlers were expected to maintain kayfabe both inside and outside the ring whenever a fan was present. This meant that if your wife at home was different from your in-ring lover, then you were expected to keep your marriage secret."

Then you have quotes from Taylor like this one:

"Having journalists write in-depth, oftentimes critical, pieces about who they perceive me to be made me feel like I was living in some weird simulation, but it also made me look inward to learn about who I actually am. Having the world treat my love life like a spectator sport in which I lose every single game was not a great way to date in my teens and twenties, but it taught me to protect my private life fiercely. Being publicly humiliated over and over again at a young age was excruciatingly painful but it forced me to devalue the ridiculous notion of minute-by-minute, ever-fluctuating social relevance and likability. Getting canceled on the internet and nearly losing my career gave me an excellent knowledge of all the types of wine."

Because everyone tends to speculate the worst in others, the narrative quickly turned into: "Taylor always wanted to be in the spotlight having people spectate her love life, it was her mean ex who kept her trapped indoors!" Okay well, now we know thanks to Jack that the "mean bad ex" was probably out of the picture by the time she made this speech. For a woman who proudly easter eggs her clothing, the fact she wore the NYU sweatshirt when she was seen with Matty was… a choice.

Now, let's think about Matty's quote about how he struggled to distinguish reality as a kid because his parents were both actors and celebrities:

"I'd be a child, and something would happen in my real life, and then I'd see that thing on a newspaper, and I'd think, That's not what happened, but that's my mum saying a version of what happened, and I know Mum's at home and she's O.K." He came to understand that a person's life was "a balance between what is real, what is said, what happens, what people believe, what people project, and what is true."

Pair this with not just his desire to make a name for himself and his band completely outside of the shadow of Taylor Swift, but the recent prediction that The 1975 will become the most important band of the decade (and just before hiatus!) At this point, I would say there's a pretty striking case for motive. The Reputation prologue is another great read for anyone who presumes they know a damned thing about Taylor Swift (oh, definitely including myself!):

"We think we know someone, but the truth is that we only know the version of them they have chosen to show us."

That was me trying to keep it brief, but I'd say that's a good "101" of the basics, at least! 🤼‍♂️

[purplekoop]

(@daylightcommand3 once again responding in a separate post to keep things tidy with the original)

First off, thanks! I wrote the bulk of that story log a while back, only touching up a few minor details that I wanted to add, change, or clarify, and I'm still pretty proud of it. It felt important to properly establish the world and how it works before I could really figure out how these characters work as more than just gameplay functions. There were a lot of things I didn't feel right just shrugging off as "don't worry about it", like how they made more robots and what makes a new sentient bot different from a person-shaped pile of metal and circuitry. There's still a few gaps in the logic, like "how did they repopulate and rebuild if humans depleted all the natural resources", but like. I'll get there. probably.

I haven't talked much about the plants (or to use the official and also very temporary term "Plantoids"), and while they deserve their own posts soon, I'll say for now that their intelligence and capacity for strategy is comparable to ants or other eusocial insects more than anything else. This is actually based (very loosely) on behaviors some real plants can do! While not to an extremely apparent effects to us, plants can communicate through roots or chemical signals, warning each other about environmental dangers so their systems can prepare accordingly. This is an extension of that, where most individual Plantoids have evolved a capacity to communicate and cooperate similar to eusocial insects. The main unique advancement is that separate species can cooperate seamlessly, both to increase their odds of taking out opposition that could take on one species but not another, and also to increase enemy variety within missions. That said, it's rare to see an ant colony without a queen, so expect some even more advanced plantoids to be responsible for coordinating their attacks...

The comparisons to Overwatch are very much fair and intended, which should make sense considering... *vaguely gestures around everything here.* While the whole "rag-tag team of heroes stepping up against a sudden threat" angle is very much Overwatch inspired, the rest of the backstory is actually much more directly based on Splatoon, particularly the logs from Splatoon 3, in both structure and content. I wanted this log to feel like something that could semi-convincingly be a historical text in-universe, hence why the knowledge is limited to what could be common knowledge to the bots themselves.

That's also a big reason why I included dates, to add to that historical record feeling. Admittedly I was pretty scared to add them at first, since I wanted to avoid a time scale so absolutely incomprehensible to us (zelda timeline ever since the BotW trilogy my detested), but still long enough to explain the state of the world. I actually just recently added a whole extra millennium to the timeline, with the awakening originally taking place in 4000 CE/AD instead of 5000. 2,000 years is probably still a little short to explain how the plantoids came to be, but again, I'll get to that. This cast in particular also has some interesting things to consider when it comes to character ages (every Overwatch fan's favorite subject), since there can very realistically be characters who've been around since the dawn of their civilization, so it's gonna be interesting trying to decide who'd make sense to be a new blood bot and who'd make more sense being around since the awakening. Ages are weird for these guys since they don't really need to age like we do from childs to adults, and with proper maintenance are theoretically immortal, so the main difference between a 1 year old and a 500 year old in this world is experience and knowledge past basic innate functions. Again, dates and years are the part of the story I have the most caution tape around right now, it's a hazardous construction zone.

Another thing I wanted to note with that last paragraph though is that I wanted there to be a solid start point where every character could theoretically be there from the start of the main action. While I think a story where characters are more scattered in factions we follow and when they join those sides, I want something plain and simple for the sake of the mission mode feeling like "the canon" while also letting players pick the characters they want from the start. It's like a DnD party: the campaign starts with everybody in the same place, though their backstories differ on how they get there. And while the whole cast is fighting the same fight, their thoughts on the mission and each other can differ greatly as well. Velenna for instance isn't exactly the friendliest member of the crew, and she especially isn't happy working with Arber, but she'll tough it out so she can get what she wants out of the mission. Every job has people you do and don't get along with, including fighting off hordes of mutant plants.

Lastly in this overly long session of tooting my own horn, I'm also pretty content with the state of the mysteries I've laid out already. While I don't think literally everything needs an explanation, some things are better left unanswered, I don't wanna have the big questions be JJ Abrams unopened boxes. Some things I still need to figure out, but there's one big mystery in particular I already have a very fun answer for. At least I think it's fun, opinions exist, but like. I hope it's cool anyways.

So yeah, thanks again! I'm at least assuming you don't mind me taking this chance to mention a few more meta things that wouldn't've fit with the story log and would be more convenient to say now rather than later.

I think next up I'll introduce just a taste of what the plantoids are like, with some rough concepts I have lying around and some info on how the hordes operate on a gameplay level. Stay tuned!

[inktoony]

Now that dark revival is old news,

I hated dark revival. Yes I played it at launch, and played it 3 separate times.

The writing is lazy and overly cartoonish and it runs mainly on being like "LOOK LOOK CHARACTER YOU LIKE- and like there's new ones too ig but they're kinda one dimensional and not expanded upon- LOOK JOEY AND HENRY HUMAN MODELS, AND A CUTE LIL BENDY, ARENT YOU GONNA FREAK OUT ON TWITTER ABOUT THIS!!!" (Exaggerated but you get the picture)

And I was so confused because yes, general audiences will like it and I can notice that it's a generally ok game, but compared to ink machine, the writing is objectively worse. And I dont know why I saw bendy fans who have been here a while say it's better. Visually? Yes. Gameplay? Debatable but there is more than just walking(I loved the alice puzzle section until the lost ones came in). But writing? No.

Characters get introduced and that's pretty much it until the finale.

Oh? You liked Porter? He had a post which told you he was clumsy and silly! Well, pal, he shows up, gives you an ability and YOU NEVER SEE HIM AGAIN!! You see him in the finale though! As if we DIDN'T forget that he existed after the introduction!

And before you say that I'm just autistic and like old thing better, yes I am but also.. You have someone basically unimportant like Jack Fain(I love you Jack this is an example) who has one audio log and implied to be the searcher with the nice hat in ink machine, and I could tell you more about that man than Porter. WITHOUT book lore.

I hate this fucking game, and I'm tired of keeping it in. I could do a whole presentation man, I'm tired.

I know people will disagree with me, but I feel like, even without book lore or whatever the fuck, the ink realm being JOEY'S TOTUREFIC FOR HENRY, is SO STUPID, IT HURTS ME. WHY DID EVERYONE JUST ACCEPT THAT FACT BTW?? I FEEL CRAZY BEING THE ONLY ONE WHO FOUND THAT MONOLOGUE ABSOLUTELY MIND NUMBING

I dont have high expectations for the cage, or even anything bendy does nowadays, but I'll consume and play and read it, because it's my special interest and characters like Sammy, Norman, etc. Still are very dear to my heart and I want merch of them and content and things like that. But like.. the team HAS the ability to do GREAT stuff, yet they do not for whatever reason which is probably money.

[majiburger]

knb s2 rewatch

in s1, the characters were trying to fit into their new status quos, get along with their new teams and playing styles. however, s2 seems to be all about the past - and trying your best to make peace with it

obviously, our two new teams are yosen and rakuzan, with yosen holding special focus for kagami because he's reunited with himuro, his "brother." meanwhile, the ominous akashi foreshadowing begins more heavily here than it did in season 1. there's an implication that the generation of miracles were more than just a team that played a sport sometimes. they were also soldiers following a commander, chess pieces pawned around by their master. it's probably unfair to give akashi that much credit since he was a child, just like the rest of them, but the season does establish that under akashi, all the others played like they were under his spell - and that spell, to some extent, still has a hold on them.

speaking of which, when i was making my first season rewatch post, i wanted to have a separate section to actually talk about the generation of miracles, but we hadn't met murasakibara or akashi yet so i saved it for this one!

i've said this before, but murasakibara sometimes feels like a gimmicky character compared to kise, midorima and aomine, who, even with their eccentricities, seemed like believable characters with enough depth to keep you interested. as a standalone character, murasakibara falls a little short compared to the other miracles, but when you put them all together, his writing works for the most part. i like the idea of a group that was so talented, so above-the-ground, such a class apart from everyone else (and treated as such) that they're a little weird and stand out from everyone else. everyone likes to joke about the rainbow hair, but it works as an apt visual metaphor to really represent what a different breed they are. this gets played up a lot throughout the season, and i love it. the generation of miracles' appeal as a group isn't just that they were untouchable at basketball, but also that they were a clique with their own bizarre rules and roles. these guys are very out of touch with how kids their own age are supposed to be, and watching them take a stab at normalcy with their new teams is interesting. look at what furihata says here:

talk about hype! this is the first time we've seen them all together since middle school and it is goosebump-worthy (the music in this scene is phenomenal BTW). it's times like these where i understand why last game was made in the first place, but that understanding isn't enough for me to actually sympathize with the fact that the movie undoes all the development and messaging of the core series. oh well. not sure how other fans feel, but that last, touching scene with kuroko and kagami more than made up for it i guess (for me at least)

coming back to season 2 - while i think there are some parts of this season that drag it down a little (like the awful fanservice bits and the way the show sometimes overdoes the 'riko's dad is a creep' gag), i think the games in this season still keep you on your toes the way they did in season 1! it's hard to keep raising the stakes in a believable way and (so far), i think the series does a good job at doing that! not sure if i'll be saying the same thing when season 3 comes around, though, but for now i have no complaints! i'd even argue that we get some of our best, most memorable games throughout the show in this season, with the stand out obviously being seirin vs touou 2.0. any match with kagami, aomine and kuroko works because of how much of our attention aomine demands as an antagonist, and it's a little sad to say goodbye to him as we move on to the bigger (and final) antagonist – akashi.

as a parting note, i do want to talk about kagami and kuroko, who both show tremendous growth this season as characters. when we left them last season, they were still struggling to figure out what they could do for their team, and they seem to be getting there now. kagami is calmer, less reckless, willing to even be benched if it benefits the team at large. kuroko, on the other hand, has abandoned his comfort zone in the shadows and begun making independent plays. he even shoots baskets now, and seven out of ten times they actually go in! in sports, the guys who give up last are the ones that end up stealing your heart – regardless of victory or loss – and kuroko is just that guy. i'll save my full thoughts on kuroko as a character for my s3 post, but for now i'd love to reiterate that him, kagami and aomine really make the series what it is for me!

and lest we forget: some incredible things happened with the other miracles this season too. midorima smiles now, aomine looks forward to matches and murasakibara went into the zone. things are changing – and for the better! though kise didn't have a lot to do this season, the next one will have some great moments for him, and of course, we'll finally get to meet akashi on the court and answer some big questions like what actually happened at teiko and why kuroko quit after the championship game. it's going to be one big season of flashbacks and big reveals and idk! i'm excited!

[egg-emperor]

I can't perfectly pinpoint what it is that doesn't interest or inspire me very much about the Chaos Council. Because I was gonna say it's because I just don't really feel like they're got too much going for them right now because they're just suddenly there and haven't been explored beyond "here's some guys doing a thing" for them to appeal much to me

But then that'd make me hypocritical as I adore alternate Eggmen like Shahryar and Zobotnik without them ever really doing much at all either. But then again, they still had stronger roles established and themes that are more appealing and interesting to me personally, and they inspired me to create and explore the potential I feel they have. Also can sum it up easily by saying I find them sexy unlike the council lol

Aside from what I said before about how I feel the way they handled the council's designs in the models as they just look kinda iffy to me and my bro and I kept comparing them to Despicable Me characters, they also just don't inspire me to explore much Idk. I think it's because they can all be defined by a simple trope each and then haven't been shown with depth beyond that, at least not that I could see.

Thinking of it like "they could represent different parts of Eggman/his personality separated" I'm like yeah it's kind of clever but it doesn't inspire further thought in me beyond it so I just feel indifferent. I don't hate them so I hope it's not taken that way and I'm keeping an open mind but they're just not sparking anything rn. Also doesn't help that I just want regular Eggman back and was too busy missing him XD

My favorite parts of Prime so far are the very appealing aspects of New Yoke City and how it's ran and Prime universe Eggman who I wish could've stuck around to be involved in it like the concept art, it would've been right up my alley and pulled me in immediately. I'll also admit that if he'd been alongside the council then I probably could've warned up faster. I just hope he doesn't take forever to come back 🙏