#crumbles to dust

[spacevixenmusic]

Source: Teenage Mutant Ninja Turtles [2004]

[kramptid]

THE VOICES

[weenkun]

absolutely dating myself with the phrase “I had a dance routine to an NSYNC song”

[nicktoonsunite]

2 DECADES

also alt version for no reason whatsoever

[soyochii]

Quick doodles before I evaporate.

[retellingthehobbit]

Retelling The Hobbit Chapter 16: The Song of the Lonely Mountain First chapter / Previous / Next

To view full comic: Webtoon/A03 / Tumblr post with links to all chapters

Other blogs: TikTok/Instagram/Tumblr Sideblog

*crumbles into dust after finishing this* Thank you for reading! This The Hobbit webcomic adaptation thing takes a lot of effort to put together and I can’t tell you how much I appreciate every comment. I also really appreciate the people who’ve spread the word of this comic to their friends! <3

And finally, we’re at the Song of the Lonely Mountain! Within Tolkien’s canon, The Hobbit is an in-universe book that was “written” by Bilbo Baggins, who occasionally lies/embellishes/exaggerates things. The tonal differences between The Hobbit and Lord of the Rings are explained by Bilbo and Frodo/Sam being different kinds of storytellers, with different relationships to “the truth.” This idea is the core of how I’m adapting the novel!  Bilbo is an unreliable narrator who is literally ‘drawing’ from his own limited experiences;  the different art styles reflect the different perspectives of other characters.   The “dwarf art style” in this chapter is inspired by stonework/metalwork in general— but especially by a mix of art deco, Celtic art, and European folk art. 

The central tension of the comic is between Bilbo and Thorin, who each have wildly different ideas about what kind of  story they’re in. Thorin is in a grand fantasy epic, while Bilbo is in a lighthearted children’s book adventure.  The tragedy is, obviously, that only one side of the story ever gets to be fully told.

On a sillier note, a few years ago I had my first gay crush on a lesbian who sang while playing the piano. This chapter is dedicated to the piano lesbian. I hope they’re doing well, wherever they are. XD

I think I might need a bit of a break but I’m hoping for the next chapter, titled “Dawn,” to arrive on January 13th. And your comments/support really do help motivate me to get more done! ^_^

[loveyourhate]

🌙Tired💤

[churchwizard]

craze

[helcef]

Get in loser we’re going uhhh killing

[rocketbirdie]

✨zakkura doodle for the soul✨

[indulgentcosmos]

[murkybu]

alien based

[tooquirkytolose]

Annual birthday selfie 🎉

[linkvcr]

could i request a fi ? shes one of my favourite characters in anything ever and she means the world to me ... no pressure of course though ^__^ always happy to see your artwork, your style is so lovely !! the way you draw faces makes them look so inviting and friendly :]

i love her dearly

[bnunybusiness]

[leftneb]

alr here's me yapping about the landoscar Detroit: Become Human AU @lyslsstuff and I have cooked up over the past week or so

(decided to make a full post about it bc a. I have many MANY thoughts about it and b. you people are clearly not normal about this either) (affectionately)

first off have another WIP (peep the blue blush and the lines on their faces I'm totally normal about it yesyes) I unironically had to hide their heads a couple times because the sheer homosexual glee on their faces was making me nauseous (this is how I know I've succeeded as an artist)

the main concept goes: oscar is an F1 driver, and lando is one of his android mechanics. unbenoknownst to the general public (and pretty much everyone except like. zak brown) is that oscar is also an android

androids are very much banned from f1

lando starts out as a normal android, just following his programming and minding his own business really. altough the au plays out after the android revolution androids are still mistreated, just in subtler ways. technically they're not owned by anyone (but they're only allowed to exist when employed) and there's no segregation in public (but there's no laws against it) and some people are vaguely accepting (guess what there's no hate crime or hate speech laws either)

basically I went with the game's commentary on capitalism and treatment of minorities and made it a lot more actual c: we're not oppressing you (but we're also not not oppressing you)

the real plot begins when lando (accidentally) finds out that oscar is an android, which both of them proceed to be completely normal and not disgustingly in love about for the rest of eternity

one of my favorite things about this au (and this was completely unplanned it sorta just happened on it's own) is that the car is basically the 3rd main character. the way I'd explain it is basically: rk800 connor in the game is able to reconstruct entire events (crimes in his case) by examining details and piecing it all together. both lando (being a mechanic) and oscar (actually pulling functions out of the thing) are intimately familiar with the car, like they KNOW it on a personal level pretty much, they can reconstruct every single thing that is happening mechanically by hearing the sound it's making alone

for oscar this is sort of unfortunate because he is suspiciously good at telling when something is wrong (way before anyone else can really). but it also makes both of them emotionally attached feel connected to their machines which I think would be a genuinely interesting aspect of having androids in motorsports

thought I had while writing that paragraph: since irl the cars are usually identified by their drivers' numbers ("car number 4" and such) it could be that oscar litterally just calls his car "81". like that's just it's name. very creative ik

for the enjoyers of the original game I'd add that oscar's deviancy arc (in the sense of which impulses he recieves that lead him to disobey his programming) is most similar to markus' while lando's is more akin to connor's

bonus details that I can't really fit in a paragraph but want to add anyway:

android movements being inhumanly smooth conveniently mirrors oscar's irl driving style (minimal movement)

oscar normally has his pain receptors on despite being able to disable them. something about wanting to feel human (refuses to turn them off after crashes he feels were his fault despite mark scolding him about it)

yk the thing where both of these idiots are always dressed for opposite weather? yeah here it actually makes sense they were just programmed that way

I have no idea where lando's name comes from androids don't have names by default. they just get called "it" for the most part except oscar sometimes slips up and calls lando by his given name (that sounds very trans when I put it like that) which everyone else collectively goes "who the FUCK is lando" at

android transgenderism

I will not elaborate on that (note: I am trans. I will project this)

fun fact the piece that started it all ^^ was quite litterally just me seeing a picture of lando and going "dbh vibes" despite my knowledge of the game consisting of maybe half a playthrough I kinda-watched in 2021 (tubbo played it on stream lmao). it's safe to say that I may have hyperfixated on it a little tiny bit taking into account the 10 hours of playthrough I've watched and 2283 words of google doc we've written since that fateful day. whoopsies

also want to conclude this by saying that I purposefully didn't give too much away about the AU plot-wise because the hypothetical fic that hypothetically may come into existance at some point is hypothetically still a ways away and I don't want to spoil it too hard. consider this a director's commentary if you will

lmk if you wanna be added to the tag list for posts related to this au btw!!! I absolutely love hearing people's thoughts on it (though I am gonna be a bit busy in the coming weeks)

tag list (more people asked me to talk about this than I anticipated soz if I didn't respond directly I hope this makes up for it) @roosterhouse @wisteriagoesvroom @kpiastri @kingkestrel