#daniellemacdonald

[aracmilidibujosfotografiasart]

✨ Patti Cake$ ✨ #aracmilidibujos #patticakes #DanielleMacdonald #Movie #Art #Arte #Dibujo #drawings #drawing @daniellemacdonald https://www.instagram.com/p/CmVk5gWsKnFM-Qm_4C0CbC-pSwSu-UJchBYrWE0/?igshid=NGJjMDIxMWI=

[sam-jack-loveforever]

The Tourist || 🇦🇺🇬🇧 #thetourist #drama #thriller #jamiedornan #olafurdarriolafsson #daniellemacdonald #shalombrunefranklin #damonherriman https://www.instagram.com/p/CqoGecVDjJY/?igshid=NGJjMDIxMWI=

[kelly-clarksons]

kellyclarksonshow: It's all smiles today on Kelly! Don't miss @ jennymccarthy and @ daniellemacdonald PLUS @ christinatosi is back in the Kelly kitchen and a HUGE surprise for a @ theansleyschool family!

[thekylemeredith]

This week on the Kyle Meredith With... podcast, I'll welcome The Daily Show's Desi Lydic, Sheryl Crow, The Tourist's Danielle MacDonald, & our 900th episode special!

And on 91.9 WFPK, I'm hanging with Buzz Osborne, MGMT, Ross Lynch, Nadine Condon, & Perry Farrell!

Pic: Morning blessings from a roadside shaman

#thedailyshow #DesiLydic #sherylcrow #thetourist #DanielleMacdonald #BuzzOsborne #themelvins #rosslynch #thedriverera #nadinecondon #perryfarrell #janesaddiction #pornoforpyros

[wornoutspines]

Dumplin' (Movie Review) | When Casting Makes the Story

It might be just a little feel good movie but DUmplin' works mostly because of its cast #JenniferAniston #DanielleMacdonald #OdeyaRush #AnneFletcher #ThrowbackThursday #Dumplin #MovieReview #Throwback

Right off the bat, Dumplin’ does not sound original – it really doesn’t – I also never read Julie Murphy’s book, but if like me you’ve seen the trailer and the director’s, Anne Fletcher, The Proposal, or even Step Up you might think “O.K.” Maybe Jennifer Aniston (Marley), Danielle Macdonald, Odeya Rush (Goosebumps, The Giver), or Bex Taylor-Klaus (13 Reasons Why, Arrow) convinced you. Premise:…

[indkcoes]

2019 - 2019 Uma jovem traumatizada relata ter sido estuprada por um homem que invadiu sua casa. Agora, ela tem que encarar um turbilhão de emoções e policiais cada vez mais céticos. Número de episódios: 8 Gêneros: Crime real, Drama #séries #minissérie #Inacreditavel #kaitlyndever #daniellemacdonald #merrittwever #tonicollette #netflix #netflixbrasil #indicações https://www.instagram.com/p/B5k10KHhGQ_/?igshid=qafmjn7rrxdh

[kacic1]

A todos, boa noite! Hoje convido vocês a visitarem o Portal do Andreoli, para conferir minha nova crítica sobre esta excêntrica fantasia visual protagonizada por Emma Roberts e Milla Jovovich. First brazilian review of the movie! @alicewadd Crítica: PARADISE HILLS (2019) https://luizandreoli.com.br/critica-paradise-hills-2019/ #ParadiseHills #Crítica #Review #PortaldoAndreoli #Fantasy #Suspense #SciFi #AliceWaddington #EmmaRoberts #MillaJovovich #EizaGonzalez #DanielleMacDonald #Awkwafina #Women #Empowerment #Pop #PopCulture #Geek #Nerd #Cult #Movies #Filmes #Cinema #Entertainment #OsFilmesdoKacic https://www.instagram.com/p/B1sEuC3FLNO/?igshid=iakjiyan0wqp

[devinclaire]

Oscars Fashion Horoscopes

Libra-Pisces

[gqtmovies]

Guys like this only have three options: die young, life in prison, or they start talking. See SKIN in select theaters July 26. Starring Jamie Bell, Danielle Macdonald, Vera Farmiga, and Bill Camp.

[goku20193]

#ShelleyFrancisco #LonnieChavis #BlackLivesMatter #SkinTheShortFilm #DanielleMacDonald #WhiteLivesMatter #ShortsTV #JacksonRobertScott #ShortFilms #StopRacism #AntiRacism #AshleyThomas #RacismExposed #AllLivesMatter #SKIN #MoviesOnRacism #Lynching #GuyNattiv #Racism #JonathanTucker https://www.instagram.com/p/CXaq6g-Lt865WvTK8HerlJ2sq0qwickdJShzvU0/?utm_medium=tumblr

[doomonfilm]

Review : French Exit (2021)

There is something truly special about discovering a movie you’ve not heard of, purposely avoiding promotional materials in order to go in with the purest approach possible, and then, despite years of film viewing and analysis, finding yourself truly captivated by the journey a film presents with little to no clue where the journey will leave you.  Pardon that extremely intense run-on sentence, but it best describes my experience with French Exit.

Initially, it is hard to put a finger on how one is supposed to take French Exit in, but as the story unfolds (especially in two key areas where it takes the boldest of giant steps), the idea of passive-aggressive value starts to take hold, which is a concept that mirrors the melancholy dark humor that fuels the narrative.  The boldest example of this can be found in the way that Frances Price literally sets her money up as a timer for her expiration, which is ironic considering she played life previous to our entry point in the story in a reverse manner where she assumed she’d expire before the money did.  With this new assignment to the last thing of “value” she holds (other than her son Malcolm, who she ultimately wants to be free though she never outright states it), her nonchalance towards the way she doles out the money is both alarming to us while being unburdening to Frances, which creates that rare situation in which the tension exists between onscreen characters and viewers.  With this self-appointed sense of urgency in the air, the value of everyone’s relationship dynamics and interpersonal communication is suddenly thrown under viewer examination in light of how striking Frances’ choice is.

Much like Frances marches into the unknown with a private sense of knowing, we as viewers are pushed into two moments of panic that gives us an indication of how fragile things are : Frances removing Malcolm from his school (which we later find out took place immediately after Frances was released from jail in light of her actions after discovering Frank was dead), followed by a flash-forward to her notification that Frank’s money and assets are going back to the bank (which will leave Frances and Malcolm penniless).  While not directly spelled out, Joan’s recommendation that Frances head to Paris is a subtle indicator of where Frances will end up (which is nicely tied up in the penultimate scene).  The general stillness and acceptance of these fates creates a sort of blank slate aura that somehow allows us as viewers to accept the initial baby step (and eventual forward leap) into the world of the mystic, which helps cleanly separate the story into a beautiful rise and fall.

The odd mood that the story sets is bolstered by the muted, worn-out book page look that the color-timing employs.  There are also moments of striking use of lighting, especially in the apartment, which is especially impressive in light of the fact that the production team used the cheat code of making New York and Paris the main locations.  Speaking of great locations, the interiors and the exteriors of the ship that takes Frances and Malcolm to France is also a great set piece.  The way that the extremely dark humor is balanced against very nuanced and reserved performances is an achievement in terms of strong direction, and while this film will likely not get a Best Director nod during awards season, it is worth recognizing how well Azazel Jacobs is able to walk his cast down the path.  The muted chamber-style score helps sell the dark tone while also giving the film the feel of a play in the vein of Death of a Salesman.

Michelle Pfeiffer has carved herself a long and fruitful career out of using her stunning beauty and stirring intensity to great effect in her roles, and that practice continues with French Exit, but without making it blatant, she adds in touches of despair, romantic longing and existential dread in her march towards her accepted ending.  It took me a while to peg where I recognized Lucas Hedges from (it was Mid90s), and while I wasn’t necessarily the biggest fan of how stoic and defeated he played his role for the most part, it does seem necessary, as it makes the two moments that he accepts his inner pain and sadness pop, meaning the performance was clearly a calculated choice.  Danielle Macdonald does a fabulous job of being the first indicator of where things will take us with her standoffish persona and seeming mystic ability, and when she is not around, her energy is counterbalanced by the fabulously abstract and sincere humor that emerges from Valerie Mahaffrey’s consistent scene-stealing appearances.  Isaach de Bankolé brings some additional sincerity to the table in tandem with a dose of healthy curiosity, while supporting appearances by Imogen Poots, Daniel Di Tomasso, Susan Coyne, Eddie Holland and a voice only role by Tracy Letts fill out the small but powerful ensemble cast.

I think I’m going to hold on to French Exit for a bit... I am intrigued by it, and while I really enjoyed it, I am unsure if I “get it” fully (though I did find the end very moving).  I also need to see if I’m ready to hitch my wagon to any awards season stars yet, particularly in terms of Michelle Pfeiffer for Best Actress and Danielle Macdonald for Best Supporting Actress.  I’d love to know if others out there have seen French Exit, and if so, what their thoughts were about it... I would certainly recommend it, I just don’t know for who yet.

[pinthismovie]

‘I Am Woman’ Review: Helen Reddy Biopic Is Formulaic yet Meaningful at This Moment. Director Unjoo Moon’s biopic about iconic feminist singer Helen Reddy is a traditional and predictable hero’s journey. It’s lightweight and full of cliches, however, Tilda Cobham-Hervey’s strong performance saves the film and wins us over. She marvelously captures Reddy’s star-power, her determination to chase the dream, and her strength as a woman who wants to be heard. The song “I Am Woman” Helen wrote takes the world by storm and then becomes the theme for the Women’s Movement. Director Moon adds a sub-plot that put Helen’s rise parallel to the Equal Rights Amendment, which fights against Phyllis Schlafly (Please watch Hulu’s “Mrs. America”. It’s the must-see this year). It’s defiantly not a coincidence that several feminist icons appear on films and televisions this single year: Helen Reddy in “I Am Woman”, Gloria Steinem in “The Glorias”, and Phyllis Schlafly in “Mrs. America”…just to name a few. Right at this moment, woman’s rights is still a political battlefield, and hopefully US might have a woman to become the vice. It’s the world’s loss that Helen Reddy in real life just passed away on September 29, 2020. Fortunately, her legacy still aspires to people all around the globe and has a great impact on woman’s movement. You don’t have to be sorry for being “too angry” after Helen opened a door for women while men weren’t able to. Director Moon’s biopic is lightweight, yet it shares the same experiences with us, and it welcomes us to embrace Helen’s dream and warmth. Read the full review. Link in bio. #賈小米的影評 #���為女人 #金馬影展 #IAmWoman #movie #review #unjoomoon #emmajensen #tildacobhamhervey #evanpeters #daniellemacdonald #torantointernationalfilmfesival #tiff https://www.instagram.com/p/CG_6cgSMg2H/?igshid=18jdwuhtp1t4x

[yanarchy072]

・ ・ #staysafe #socialdistancing #withコロナ #newnormal ・ 【上映前短編付き】SKIN/スキン観た。 短編は衝撃的だった！ ・ 良いとか悪いとか観て良かった悪かったとか何とも言えない。 ただ肌の色は関係なく人の憎しみからは憎しみしか生まれない。 ・ #skinスキン #skin #ガイナティーヴ #guynattiv ・ #ジェイミーベル #jamiebell #ヴェラファーミガ #verafarmiga #ダニエルマクドナルド #daniellemacdonald #mikecolter #billcamp ・ #ブライオンワイドナー #bryonwidner #レイシスト #白人至上主義 #苦悩と贖罪 #人間の再生 ・ #映画 #movie #cinema #ビバムビ #ınstagood #instamovie #instapic #moviestagram (ホワイト シネクイント) https://www.instagram.com/p/CCFmyWGARjv/?igshid=1w1jhx7g3h8bj

[franciscomaldo]

#CUMPLEAÑOS: #PollyWalker (54) – #EleanorTomlinson (28) – #DanielleMacdonald (29) √ Detalles en el link de la Bio 👆🏻#musicacinetv https://www.instagram.com/p/CAY-RdoHKMD/?igshid=1j9cujctzhxm2

[camillacinematica]

#dumplin #vogliounavitaaformadime #body #bodypositivity #film #movie #cinema #quotes #filmquotes #quotesfilm #moviequotes #quotesmovie #netflix #netflixfilm #netflixitalia #dollyparton #jenniferaniston #daniellemacdonald @dumplin.movie @jenniferaniston @daniellemacdonald @dollyparton @netflixit https://www.instagram.com/p/CAQfkueK39p/?igshid=3z3rxo3e91ue

[ostentorkino]

SKIN täglich um 21.15 Uhr bei uns im Lichtspielhaus #skinmovie #guynattiv #jamiebell #daniellemacdonald (hier: Ostentor Kino) https://www.instagram.com/p/B3J0ILCilaC/?igshid=1aiukmg7ofbhe