#darci factor

[murcielagatito]

👁️👁️🏳️‍🌈❕

[foreveryoungadult]

Jane the Virgin S4.E03 "Chapter Sixty-Seven"

[anghraine]

This is unnecessarily long, but: I was just thinking about Wickham's predation on fifteen-year-old Georgiana Darcy and then, almost exactly a year later, Wickham's predation on sixteen-year-old Lydia Bennet.

There are obvious parallels between the two incidents. In fact, they're so obvious that I think the incidents are sometimes treated as equivalent, with the consequences only differing by happenstance. I don't think that's true, personally.

There are some mechanistic sort of differences—Wickham put a lot more effort and planning into the Georgiana situation. He wanted to marry her for her money and to make her brother suffer. She had to be isolated from people who would look out for her interests, he had Mrs Younge in place, he had known Georgiana as a child and was able to exploit his own previous kindness to her as her father's godson, etc.

And Georgiana, despite all of this, and despite being swept away by a teenage infatuation with an extremely attractive man, was still uncomfortable with it. She was worried about disappointing a brother who raised her and whom she deeply loves and admires. When her brother actually showed up by surprise, she decided to tell him everything; Darcy takes pains to give her credit for this. Adaptations generally downplay Georgiana's active decision-making here, but the only element of chance is Darcy deciding to go to Ramsgate at all. He insists that he was only able to act because Georgiana chose to tell him what was going on.

This isn't meant to be an indictment of Lydia, though. Does she admire the parents who raised her? No. But why would she? Especially why would she admire a father who treats her mother and sisters and herself with profound contempt and no sense of responsibility? Why would she ever confide in him?

It's not like Lydia doesn't confide in anyone. In fact, she too confides in an older sibling, her sister Kitty. And in one sense, her trust in Kitty is not undeserved. Kitty does keep the secret. Presumably, she does this because, despite her occasional annoyance with Lydia, she is very much under her influence and goes along with whatever Lydia does. Regardless, she is trustworthy in that sense. Moreover, we see at the end of the book that Kitty is easily improved by being placed in better environments and taught how to behave. She just didn't know better.

How was she going to judge Lydia's situation correctly? Who was teaching her to judge anything correctly? Certainly not their parents.

If Mr Bennet had bothered to interest himself in his younger daughters and try and influence them for the better, impressionable Kitty is probably the one who would have benefited the most. The whole Lydia/Wickham thing would have fallen apart before it went anywhere if all the girls had been been properly raised, even if Lydia did exactly the same things.

And Lydia likely wouldn't do the same things if she'd been brought up properly and, you know, treated with a baseline of respect rather than being openly mocked by her father, the person most able to affect her development. Instead, at barely sixteen, she's been continually rejected by her father, over-indulged by her mother, and flattered by adult men (28-y-o Darcy says he and Wickham are nearly the same age). And she still tells someone what's going on, even though she doesn't care about her parents' opinions or the consequences of her actions. And she was under the protection of a colonel and his wife at the time, who also could have told someone or acted, and didn't.

It's not that nobody could have done anything about the Lydia/Wickham situation. It's that nobody did until Darcy found out and tried to extract her. But it was, in one sense, too late. To Lydia, he's just some unfun acquaintance who says boring things like "go home to your family and I'll do what I can to cover for you." That is, he tries to do what he did for Georgiana.

But Lydia is not Georgiana—she did not choose to tell him about any of this. She did not want to be extracted because she didn't know and couldn't be quickly made to understand what marriage to Wickham would mean in the long term. And she didn't care what her family thought because she had no reason to, pragmatically or psychologically.

Georgiana, otoh, did care about her family's welfare and the good opinion and affection of the head of her family. But despite their radical differences in personality, the most fundamental difference between the girls IMO is that Georgiana had every reason to believe that disappointing Darcy and losing his respect would be a change from the norm.

Normally he is affectionate and attentive towards her. They write each other long letters, he defends her to other family members, and praises her frequently. Georgiana, quiet and intimidated though she may be, talks more when he's around. Disappointing him had actual stakes for her.

Put another way, the potential loss of his good opinion mattered to her because he's gone to the trouble of raising her as well as he can and forming a good relationship with her. She chose to tell Darcy the whole thing because he had earned her affection and trust in a way that Mr Bennet has utterly failed to do. Even Darcy happening to visit Georgiana at Ramsgate comes from his affection and attention to Georgiana's welfare, even if he couldn't have known what would follow from checking on his sister at that particular moment.

Chance is always part of life, and it's part of the novel and these situations. But a lot of how these scenarios wound out was not determined by chance but by long-existing patterns in these girls' educations and relationships.

[bethanydelleman]

Both Pride & Prejudice and Much Ado About Nothing work so well as enemies to lovers because despite surface animosity, it's clear that both end couples really respect each other and for good reasons. I think you could even argue that with Beatrice, she spars with Benedick because she considers him a worthy opponent.

When Hero and Ursuala plot to make Beatrice fall in love, Hero instructs her to speak of Benedick and "praise him more than ever man did merit" and yet when Beatrice finally speaks, she doesn't disagree with their high praise, she says of Benedick:

For others say thou dost deserve, and I Believe it better than reportingly.

Benedick likewise after his eavesdropping on Don Pedro, Leonato, and Claudio's praise Beatrice says:

They say the lady is fair; 'tis a truth, I can bear them witness; and virtuous; 'tis so, I cannot reprove it; and wise, but for loving me; by my troth, it is no addition to her wit, nor no great argument of her folly, for I will be horribly in love with her.

Similarly in Pride & Prejudice, once the misunderstanding about Wickham is cleared away, Elizabeth is able to acknowledge to herself how much she respects and likes Darcy:

She began now to comprehend that he was exactly the man who, in disposition and talents, would most suit her. His understanding and temper, though unlike her own, would have answered all her wishes. It was an union that must have been to the advantage of both: by her ease and liveliness, his mind might have been softened, his manners improved; and from his judgment, information, and knowledge of the world, she must have received benefit of greater importance.

Darcy also finds that he admires Elizabeth, after initially dismissing her:

But no sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes. To this discovery succeeded some others equally mortifying. Though he had detected with a critical eye more than one failure of perfect symmetry in her form, he was forced to acknowledge her figure to be light and pleasing; and in spite of his asserting that her manners were not those of the fashionable world, he was caught by their easy playfulness.

All of these characters also hear and accept criticism of themselves. Both Benedick and Beatrice hear they are too proud to accept love, which they both overcome. Elizabeth learns that she judged Darcy without sufficient information and Darcy that his behaviour was not that of a gentleman. Their mutual acceptance of this criticism and their growth as people leads to their ultimate happiness.

Unfortunately, those who reproduce this trope often forget to build this foundation of respect and the acknowledgement, either personally or publically, that the characters have been wrong. Instead we get characters who mid argument begin ripping each other's clothes off. No growth, no understanding how they have been wrong, it just becomes "thin line between hatred and love" instead of "we grew towards each other".

[bytebun]

almost every time I’ve read a classic as an adult the result has been ‘hey this classic is actually very good’

[astrovagrant]

darcy thinking abt v*sh dot meme

[notawheelwalker]

Are we going to talk about how often scenting arousal comes up in dark romance? Boy howdy it is pretty interesting that often the female lead will be actively rejecting the male interest or giving off a lot of “I’m not interested, no” signals but authors will use this trope to override/plot device their way out of what would otherwise be a non-con situation.

At best, it’s typically a “baby it’s cold outside” interpretation. The author doesn’t want the character to outright say, “please fuck me/I’m attracted to you”, because it likely goes against the characterization of them so far. A way for the romantic interest to just know he’s desired and he can pursue without the lead having to ~say~ it. (Edit: not a dark romance, but Diana and Matthew from A Discovery of Witches comes to mind as an example of this. She spends the first few chapters feeling distrust, wariness, and revulsion towards him. After he earns her trust, there is a scene where he can smell that she’s attracted to him. It’s not a very sexual scene since it’s a closed door romance, but I think it still fits. A “go ahead” without Diana really having to say it.)

At worst, it’s the nessian bonus chapter. I don’t think I have to elaborate here, but if a person has thus far behaved in a way that is communicating they aren’t interested in you so you use your size to intimidate them, getting as close as possible and cornering them against a fire, and question them on their sexual history, you are displaying predator behavior.

Everyone who has a pussy knows that randomly getting wet is as common as random boners. A lot of hormonal causes factor into how you feel and if you aren’t on bc, there’s a good chance you’re walking around turned on for days at a time while ovulating. It’s not a good plot device, unless you’re excusing predatory behavior. Iswis

Side note: Nesta is a reader. She deserved a Mr Darcy type romance, a say no and I’ll never bring it up again kind of man, an I’ll save your sister even if it’s not beneficial to me kind of man, acts of service and speaking highly of her when she’s not around kind of man, not a macho asshole who relished being able to tell her what to do. Nesta being imprisoned in the house of the wind was the only way Cassian was getting a crumb of pussy from her and sjm knew it.

[artaxlivs]

Here is a masterlist of my works (links in the titles). I always love to know your thoughts if you want to share them 💜 Happy reading!

(transformative works policy: I'm cool with fanart, podfics, translations, moodboards & whatever kind of art you make as long as you either tumblr or Ao3 link it to me. You don't have to ask but if you want to talk to me first - my door (inbox) is always open!

Steve Harrington/Eddie Munson (Stranger Things):

HomeSteddie Farms: Rated T - Steve and Eddie had a farm and on this farm were a bunch of critters with awesome names. Plus art by Doomcheese!

Do You Hear What I Hear?: Rated T - Steve brings home a mogwai, Eddie's never been good with rules

Nobody's Baby: Rated E - Steddie Dirty Dancing AU Steve & Robin best friends, Eddie & Chrissy best friends, 80s movie campiness, light BDSM, traffic light system for dancing and sex. With art by @lexplexdraws

Like a Mythical Virgin: Rated M - Eddie finds out the hard way that feral unicorns don't chase virgins for nice reasons

Let Me Be Your Man (i want to hold your hand): Rated E - Mike gets help from Steve with making a mixtape for Will. Eddie learns that there's an art to mixtapes. mike/steve bonding, laughter, fluff, little pining, smut (You can find the podfic of this one here. Read by the amazing RattleandHum (@thirdeye1234))

Destroy the Silence (Drummer Steve) - Rated E - Steve joins the band and Eddie discovers he has a thing for competent drummers, healthy bdsm communication, laughter, fluff & smut. Art by @carcrash429 (You can find the podfic of this one here. Read by the fabulous @rufusbear)

Off the Shelf - Rated E - Stripper Steve give Eddie a private show. Eddie discovers a new kink. Modern AU, basically porn with a smidge of plot.

Screw Todd, Steve's Her (His) Daddy Now - Rated E - Steve keeps calling himself Daddy "unintentionally" and Eddie's about to lose it, light bdsm, non verbal communication, daddy kink (or is it?)

The Second Worst Trip to Mordor Ever Taken - Rated T - Steve takes the boys & Eddie to Indy to a nerd store and flirts his way into trouble, Steddie, hurt/comfort, misunderstandings

Even Flowers Have Their Dangers (Series: No One Is Alone)- Rated E - What if the tunnels turned Steve & the kids into shapeshifting wolves? S4 rewrite and my own write up of S5 but with half the party as shapeshifters, smut, graphic imagery, battle scenes

There’s Something Wrong With Steve (WIP ch2/4) - Rated M - I’m not gonna tell you, Steddie, Suspense thriller, creep factor 6/10 and climbing

Let the Music Play -Series - Rated T - The music that plays every time Steve gets Vecna’d, Stobin besties, Steddie pre relationship, hurt/comfort

An Accidental Flogging - Rated E - Steve has questions about Eddie’s kinks, Eddie would like to have answers but he’s actually a virgin, friends to lovers, Top Steve, accidental kink discovery, laughter, fluff, & smut

Drabbles that aren't full fics: Happy Summer, Steve's Thighs, i was afraid to follow, Personal Space, can you read the letter for me (Part two), Pillow Talk, Steddie First Kiss Challenge, Constellations, Artax is a New Horse, To Do List

Art made by amazing artists that goes with something I wrote (eek!): Crabs, Drummer Steve, Dirty Dancing, Homesteddie

Clint Barton Centric (Marvel):

True Colors Series (8 Parts/complete) - Rated E - Clint/Bucky: The Snap didn’t dust half the universe, it turned them into soulmates who can only see colors when they find each other, Clint & Bucky don’t mean to find each other. Almost strangers to soulmates, smut, background Steve/Natasha and others

The Case of the Missing Purple Sweatshirts - Rated T - Clint/Bucky: Someone is stealing Clint’s sweatshirts…my excuse to let Clint talk about Scooby Doo

Through the Looking Glass - Rated E - Clint/Bucky: Instead of talking, they miscommunicate themselves into being sex dungeon fuck buddies, BDSM Dungeon fic, miscommunications, learning through bad negotiations, so very much smut, background Steve/Darcy, past Clint/She Who Must Not Be Named

Something to Tweet About - Rated T - Clint/Bucky: Someone tweets a series of photos of Clint & Bucky hanging out and mutually pining, they deal with it by avoiding it obviously. friends to lovers, social media ship to lovers

A Life Well Lived - Rated T - Clint/Bucky: just a glance at Clint’s last day

Make it Permanent - Rated E - Clint/Bucky: Secret dating, hickeys and tattoos and a little bit of healthy possessiveness

And the Stockings Were Hung - Rated E - Clint/Bucky: Christmas Exchange fic, Bucky's first Christmas at the tower, fluff and smut

Porn & Prose - Rated E - Clint/Bucky: some backstage smut between Mr Bingley (Clint) and Mr Darcy (Bucky)

Bucky, Lemme Smash - Rated E - Clint/Bucky: I just wanted to turn Clint purple and use this line from that meme, smut

Both, Both is Good - Rated E - Clint/Bucky: Bucky avoids Clint until he realizes Clint has been avoiding him, fuck buddies to lovers, smut & miscommunication

The Happiest Place on Earth - Rated E - Clint/Bucky: Bucky plays Hawkeye in Disneyland because the actor who plays him is short and he’s real pissed that some guy named Clint is tall enough to play the Winter Soldier, enemies to lovers, Clint in eyeliner, smut

Three to Tango - Rated E - Clint/Bucky/Natasha: James & Natasha teach Clint’s dance class, then they invite him for private lessons. Healthy communication, smut and Clint’s self degradation

A Bird By Any Other Name (Series) - Rated E - Clint/Steve: Clint as the Winter Soldier thru WW2 & the present, hurt/comfort, mental struggles, smut

Body Count - Rated E - Clint/Steve: tumblr prompt hitman meets a sex worker, just so much smut

Friends Don’t Let Friends Wait Too Long - Rated T - Clint/Steve: Steve is too nervous to ask Clint out, Bucky’s gonna help in an helpful way. Misunderstanding, fluff, laughter, Natasha being a troll

Marvel/DC Crossovers:

Draw & Release (2 part series) - Rated E - Clint Barton/Jason Todd: Clint gets a tattoo & finds a new boyfriend/Dom

Sterek (Teen Wolf):

Somewhere Under the Rainbow - Rated T - Wild geese can't be bothered to catch sidekicks. Fluff, magic, leprechauns, banter

[firawren]

Darcy is not a grump

Darcy gets a bad rap as being glum and cranky, and while he does certainly have those moments, and he has a serious personality overall, he actually smiles a lot in the book, and all but one of those times are before his "transformation" from a dick to a nice guy!

So who is actually the most glum Austen hero? I searched the online texts of each of the six novels to find out, then made this chart:

Things I found interesting in my research:

Darcy is actually more cheerful than most Austen heroes!

Darcy is described as expressing cheer twice as much as Bingley. In fact, Bingley is described as explicitly smiling zero times!

Knightley, who I always think of as being pretty serious, is actually the second most cheerful guy out of the whole lot

Edmund, who deserves to be sad because he sucks, is far and away the happiest hero, damn it

Only Bingley, Henry, Knightley, and Edmund laugh

Now obviously, the length of each book and the amount of time each character appears greatly affects this. For instance, Bingley gets far less page-time than Darcy, so it makes sense that we hear about his emotions far less—of course I am not suggesting that Bingley's temperament is actually more serious than Darcy's. I'm also certain that Henry Tilney would have won out over Edmund as the most cheerful hero if Northanger Abbey was as long as Mansfield Park is; NA is only about 77k words, while MP is twice as long at 159k words. Plus, MP spends a lot more time in the man's POV than most of the novels do. If I was a statistician, I would find a way to adjust for these factors, but even I am not that nerdy.

My full notes are under the cut, if you're a complete Janeite nerd like me and want to dig into my non-scientific data.

Edward: 1 smile, 1 description of surroundings that "exceedingly pleased him", 1 "heard with pleasure", 2 cheerful; total 5

Bingley: 0 smiles!!!, 1 "expression of half-laughing alarm," 1 laugh, 1 pleased, 1 "expressed great pleasure" but might be polite figure of speech, 1 "looking both pleased and embarrassed," 1 "ease and cheerfulness", 1 "was all grateful pleasure" but not sure if accurate/sincere; total 6

Wentworth: 2 smiles, 1 "little smile," 1 "half smiling," 1 "almost a smile," 1 "artificial" smile, 1 "smiles reined in" which I think applies to both W and Anne, 1 assumed laughing as part of a group, 1 joined a walk with pleasure; total 7

Brandon: 1 "faint smile," 1 "tried to smile", part of 1 "every body laugh", 1 pleased, 1 received civilities with pleasure, 1 pleasure "will be very great", 1 "his open pleasure in meeting her", 1 "engaged with pleasure", 2 cheerful; total 8

Darcy: 8 smiles, 1 "a sort of smile," 1 "smile of affected incredulity" when E's talking about Wickham during the proposal, 1 "expression of heartfelt delight", 1 "delighted with their engagement", 1 meditating with pleasure on fine eyes, 1 thinking cheerfully; total 13

Henry: 8 smiles, 1 "endeavouring not to smile," 1 "set smile" but he's trying to be funny, part of 1 "everybody smiled", 1 laugh, 1 "you are laughing" said by C directed at H but the narrator doesn't say he's laughing or smiling but he certainly is teasing, part of 1 group laugh, 2 times being amused, 2 delighted with C, 1 "pleasure of finding nothing to detain me" but unsure if polite figure of speech: total 19

Knightley: 14 smiles, 1 "reproachful smile," 1 "trying not to smile and succeeded without difficulty," 1 "she forced him to smile," 1 "trying not to smile," 1 laugh, 2 pleased, 1 amused, 1 feeling of "delightful assurance", 1 pleasure, 1 "pleasure always" re: being with Jane, 1 "chat of pleasure", 1 cheerful: total 23

Edmund: 10 smiles, 1 "you may smile" said by Mary directed at E, 1 "serious smile," 1 smile by "the three others" but I can't tell if E is one of those three, 1 "smile that did not sit easy," 1 smile that seems to be from E but might be from F, part of 1 group laugh but F thinks E is struggling to be cheerful but is successful, part of 1 group laugh off-page, 1 laugh, 1 pleased, 1 amused, 2 delighted, 1 "delightful happiness", 4 pleasure, part of 2 group pleasure, part of 3 cheerful groups, 3 cheerful: total 32

I counted every mention of a smile, laugh, or looking amused or pleased, or having delight or pleasure, or being cheerful. If there was a mention of everybody or a group smiling or laughing, and the guy was part of the group, I counted it. "Faint smiles" and the like are counted, as are instances where the guy is trying to not smile, but I did not count any time the narrator said the guy tried to smile, forced a smile, laughed bitterly, etc.—only genuine cheer, however small, counts! I also did not count any instance of the guy expressing "his pleasure" when it was clear it was just a polite figure of speech.

Searched for: smile/ing, laugh, amuse, pleased, pleasure, delight, cheerful, happy countenance, happy face, happy look, happy expression, look of happiness, expression of happiness

Did not search: gay, gaiety, joy, felicity, merry, merriment, or happy/happiness without modifiers, because this already took way too many hours (yes, hours) as it was!

[lynpheas]

winx club - age order

okay i just spent an egregious amount of time trying to figure out the age order for the winx + the specialists (+ the trix). so alfea (and i'm assuming cloud tower) are three-year academic institutions. since stella is already established to know the specialists (sky, riven, and brandon specifically), we can assume she met them in their collective first years. & since the specialists seem to graduate at the same time as the winx, that means that red fountain likely has a four year run.

since bloom is canonically 16 at the beginning of the show and stella is a year older than her at 17, that makes sky, riven, and brandon all 17 as well. the rest of the winx (flora, musa, tecna, aisha) would also be 16 (since aisha is 17 at her first appearance in s2). we can also assume timmy is 17 since he's already part of the specialist squad and has likely completed at least one year at red fountain.

now, helia is likely a year older than the specialists + stella because he spends some time dropped out of red fountain but then seamlessly joins the specialist squad in s2 -- which would be the specialists' third year at rf. so, in my mind, after completing two years at rf, helia dropped out and then returned after a year. so it should be his fourth year, but instead he's a third year. this would make helia 18 if he appeared in s1.

when nabu is introduced in s3, we aren't given any information about his schooling or anything that would indicate his age, so i'll just assume he's the same age as the og squad of specialists, which would make him 17 at the beginning of the show.

to reiterate, at the beginning of the show, we have: [stella, sky, riven, brandon, timmy, nabu - 17], [bloom, musa, tecna, flora, aisha - 16], and [helia - 18].

now, just to make it more complicated for myself, i'm going to factor in the canon birthdays. assuming everyone who is the same age is born in the same year (and for easier visualization, i'm going to say their birth years are [2004 - s1 age]), here is the age order:

helia - september 2nd, 1986 nabu - january 30, 1987 timmy - february 15, 1987 sky - march 20, 1987 stella - august 18, 1987 brandon - september 23, 1987 riven - october 15, 1987 musa - may 30, 1988 flora - march 1, 1988 aisha - june 15, 1988 bloom - december 10, 1988 tecna - december 16, 1988

this means that in the year that they all graduate from alfea & rf in s3, the ages would be something like: [stella, sky, riven, brandon, timmy, nabu - 19], [bloom, musa, tecna, flora, aisha - 18], and [helia - 20].

and i forgot if this is only in the 4kids dub or canonically mentioned anywhere else, but the trix are apparently 'seniors' (third years at cloud tower) in the winx's first year. and since they all share a birthday (may 5), this would make the trix 18 in s1 and 20 in s3. (in my rewatch of the cinélume dub, i noticed darcy calls icy "little sister," so maybe darcy is older by a couple hours than icy and stormy just seems like she'd be the youngest.)

i like to play around with school-year cut-offs and i don't think each of the characters that share the same age/grade are born in the same year, so my hcs for age order differ from this list. but yeah :) this is what i could work out based on canon information.

[bookaddict24-7]

NEW YOUNG ADULT RELEASES! (APRIL 16TH, 2024)

___

HAVE I MISSED ANY NEW YOUNG ADULT RELEASES? HAVE YOU ADDED ANY OF THESE BOOKS TO YOUR TBR? LET ME KNOW!

___

NEW STANDALONES/FIRST IN A SERIES:

Dear Wendy by Ann Zhao

We're Never Getting Home by Tracy Badua

This is Me Trying by Racquel Marie

This Night is Ours by Ronni Davis

The One That Got Away With Murder by Trish Lundy

Deep is the Fen by Lili Wilkinson

Pretty Furious by E.K. Johnston

The Harrowing by Kristen Kiesling , Rye Hickman (Illustrator)

King of Dead Things by Nevin Holness

To Gaze Upon Wicked Gods by Molly X. Chang

The Kill Factor by Ben Oliver

The End of Always by Rebecca Phillips

NEW SEQUELS:

Calling of Light (Shamanborn #3) by Lori M. Lee

The Lady of Rapture (The Bones of Ruin #3) by Sarah Raughley

Merciless Saviours (The Ouroboros #2) by H.E. Edgmon

Sheine Lende (Elatsoe #2) by Darcie Little Badger , Rovina Cai (Illustrator)

___

Happy reading!

[banyanas]

Kinda extrapolating in a nitpicky way from a single line but with Andrias's 'One life for thousands' thing like. LA has a population in the millions. I think Andrias straight-up has no idea how hugelarge Earth is. Thousands seems reasonable for a large population center to him.

Listen okay bear with me LISTEN. Amphibia is canonically roughly the size of Australia. which is only about FIVE PERCENT of Earth's surface landmass. Like Team Imperialism was already COMEDICALLY underprepared to actually invade Earth let alone actually WIN but this is hysterical.

Like there'd be a lot of civilian casualties + it's not like anyone would just let them invade but also, despite the vast gulf in tech, on the whole between sheer size and SO Many other factors (I have a truly bloated draft laying around Somewhere talking about these factors. Somewhere), Earth would have chewed the invasion up and spit it out like particularly cheap gum.

And what about Darcy you ask? Easy, they were going off of ~1000 year old data which was. whew. iirc human population around 1000 AD was estimated as like. A fraction of a percent of our modern global population. Ole Darce was more interested in tech and military capabilities rather than raw numbers and other seemingly basic bitch intel that supposedly would be less of a factor in the case of Alien Technological Superiority (which lol. lmao. bro ur just as dead if they kill u with a pointy stick or with a scifi railgun)

[nonsenseandstuff]

Watched Pride and Prejudice (2005) today for about the 100th time, and it's got me back to thinking of the modern AU I've had in my head for years.

Mrs Bennett as a Stage mum.

Lizzie and Jane are 'classically' trained, in stage school, Jane does ballet as well and Lizzie wants to be a writer. Mary is focussed on her music and Mrs Bennett despairs that she is not suited to the public eye, but keeps trying to send her on the x factor and arranging meetings with music producers. Kitty and Lydia were in baby beauty pagents and acting in adverts and the occasional episodes of sitcoms since they were babies, and Mrs Bennett is desperate to get them their big break. Mr Bennett is a screenwriter who writes very good high brow stuff for BBC 4, but the viewing figures are way down and he comes from old money and is whittling away his savings.

Wickham is a predatory director who basically manipulates young women by promising them parts, casting couch bullshit. Bingley is an actor who is way to naïve for the industry, new to the role of leading man, and his sister is a more jaded starlet who has been in the industry since she was a tween. Darcy is also a leading man, and he has been acting for longer and his parents were a diretor and actor pair so he knows the industry well, and he got custody of Georgiana after their parents defrauded her of her earnings as a child star, and then the Wickham bullshit happened.

Lady Catherine is old money and also used to be an actress on the stage, Mr Collins runs an independant theatre troop that she is financing and he thinks is high art. It is not high art, it is very am dram over the top nonsense. He falls for Lizzie and wants her to be the leading lady in his latest show and Charlotte Lucas accepts the role in her place because she is terrified of aging out of being cast.

[anghraine]

I have a more reasonable post in drafts, but ... despite cherishing my hatred of Arvedui close to my heart, I think my most towering, irrational, seething loathing of a character idealized by the narrative despite him making some dubious choices as far as I'm concerned is in Pride and Prejudice.

No, not Jane. I love Jane and she's strong just the way she is! But I never feel more inclined to just reject what every single character and the narrative is saying than when it comes to Darcy and Georgiana's father/Wickham's godfather.

Yes, he died years before P&P starts and we never meet him and he was super nice and everyone loved him. None of these things can stop the force of my hatred, though! I think he screwed up badly with both Wickham and Darcy, I don't buy their excuses for him, and I want to believe Elizabeth thoroughly redecorates that one room at Pemberley that's currently being maintained exactly the way Darcy and Georgiana's father liked it (down to a picture of Wickham still being kept there, half a decade after their father died).

There's something mildly unsettling to me about the shadow this man casts over nearly everyone he came into contact with, long after his death. Be free of him!!

[bethanydelleman]

Can you rank the Austen men from most to least likely to be unfaithful to their wives?

Ya people with your great questions messing up my carefully organized queue... lol, who am I kidding I have no organization. Excellent question!

I honestly believe that Jane Austen wrote and imagined these men as faithful, but given their personalities, moral codes, and circumstances, I shall sort them into two buckets, More Likely and Not Likely

Not Likely:

Fitzwilliam Darcy - I buy the argument that Darcy is demisexual, so I don't think he seeks out sex without emotional attachment and he'd definitely consider an emotional attachment cheating. I doubt he's a virgin, but I think he'd be faithful when married.

Edward Ferrars - he may have accidentally fallen in love while engaged, but he remained faithful to a woman he didn't even like. I cannot see him cheating on Elinor in a million years. Also, with his profession and dislike of London, he has low accessibility (a big factor in cheating).

George Knightley - perfectly content to mostly stay at home and hang out with Emma and her dad. I can't say he's ever seemed terribly sex motivated to me. Also, rarely leaves Highbury so low access.

Henry Tilney - My best boy would never do that to Catherine!

Colonel Brandon - No one in the history of the earth has ever exuded such a strong monogamous vibe. It is Marianne Dashwood or NO ONE.

More Likely:

Captain Wentworth - I think it really depends if Anne is able to travel with him. I'm mostly putting him here because I do get the feeling he has a fairly high sex drive and the navy means long separations and high availability. If Anne is pregnant or has children, traveling with him may be difficult or impossible. Emotionally though, he's all Anne.

Edmund Bertram - He'd feel very bad about it afterwards, but I can see it.

Charles Bingley - Sorry dude, again, I can see it. The fact that he constantly falls in love worries me. I do think he's too nice to ever let Jane find out.

Hm, those are just the heroes. Here are some bonus guys rapid fire:

Cheating/Cheated:

Willoughby, Wickham (canonically), Sir Thomas (hinted canon), Frank Churchill, Mr. Rushworth (Maria told him to), William Elliot, Robert Ferrars (ego boost), Sir Walter (his kids are too well spaced), General Tilney

Not Cheating:

Sir John Middleton (actively having babies), Dr. Grant (too lazy), John Knightley (he would never), Robert Martin (he would never!), John Dashwood (fears Fanny), Mr. Bennet (canon), Thomas Palmer, Mr. Elton, Mr. Collins (fears reputation damage), Admiral Croft (too in love), Captain Harville (ditto), Charles Musgrove (burns his energy hunting), Mr. Woodhouse (can't even imagine), Mr. Price

Not Included: Henry Crawford because we don't know if he'll marry and John Thorpe because who in their right mind would marry him!

[loveroflokiforpoeticjustice]

Hi, I just want to ask about the tags I've seen on one of the Loki posts (screen below, because I dont know what I'm doing, I rarely sand messages on tumblr). Could you explain the S-H part and how it relates to his attire when you have some time (and want to explain of course)? Thank you!

Hello! Thank you for sending me an ask!

So, to explain why I honestly think Loki does self-harm...

Look at Loki's attire in Thor 1...

And then look at The Warriors Three attire...(Images)

And Thor's...

In the scene where we see Loki confess about telling Odin, all of The Warriors Three are either wearing thin clothing or showing skin of some sort. It's also worth noting that they're sitting around a fire in the scene. So, the room that they're in is by no means cold, yet Loki is still completely covered from the neck down. All that viewers, and other supporting characters, are able to see is his head and his hands.

Now, if we compare Loki's attire to Thor's when he visits him at the S.H.I.E.L.D base, we can see that Loki is wearing several layers just like he was on Asgard when, base off of how other characters are dress, it's not necessary. While Thor is on Earth, we see him only really wear a jacket and/or flannel and short sleeve t-shirt for most if not the entire the time he's there. This causes me to speculate that Asgardians have higher body temperatures than humans since he clearly doesn't require several layers to stay warm. (Darcy is literally in the background wearing a skull cap and coat and possibly even a scarf, and Thor is out here in a t-shirt and flannel 🙄).

Keep in mind that Loki is also a Jotun, and the planet that they originate from is colder than the Antarctic. When we see him, Thor and The Warriors Three go to Jotunheim, Heimdall makes a comment that Loki isn't dress warmly enough. Clearly it isn't required for Loki wear much to stave off the cold. This detail most likely means that because of Loki's Jotun biology (and arguably his Asgardian biology), the cold doesn't bother him. Therefore, the amount of layers we see him wear in the movie, again, isn't necessary.

That begs the question...If Loki doesn't get cold, why does he dress the way that he does?

It's simple really, he's hiding something. It's not uncommon for people who self-harm to try and hide their scars from others. People also may self-harm for an assortment of reasons. Whether it be because they are depressed, anxious, seeking attention and/or possibly suicidal (and according to Thor 1, it can also be debated that Loki was/is suicidal as well). My entire blog really is just a series of repetitive in-depth analyses of the psychological problems Loki suffers from because of, really ALL of Asgard but specifically, Heimdall, The Warriors Three, Thor, Frigga and especially Odin. (My Loki Series Analysis summarizes a lot if not all of the main points I make on my blog). The Thor 1 movie just gives you a sneak peak/summary of what Loki has no doubt had to deal with for centuries. Between being talked over, ignored, underappreciated, neglected, misunderstood, isolated, outcast, gaslit and possibly physically abused (Odin's fist raise), coupled with being abducted and being raised to believe that the species he originated from are a race of horrible monsters, how much he struggles in the movie and in his overall life is understandable. Loki is painfully aware that he is different from other Asgardians and this bothers him. In reality, Loki understands that self-harming in not a normal thing for people to do and, based on the fact that he's hiding, he feels embarrassed that he does it. There could even be a fear factor included since he might not know how people would react if he were to tell them, or he may already know that the people around him won't take it very well if they care at all! As a result, Loki hides.

I hope this answered your question and makes sense! Thank you again for sending me this ask! 💌😁