#david nolan gallery

[garadinervi]

Ian Hamilton Finlay: Reef-Points, David Nolan Gallery, in collaboration with Eckman Gallery, New York, NY, 1996, Printed and bound by Colin Sackett, Axminster, Edition of 350 [Leo de Goede Books. © Ian Hamilton Finlay]

«This book was designed by lan Hamilton Finlay and Pia Maria Simig for the exhibition REEF-POINTS at the Nolan/Eckman Gallery, New York, in October 1996 / The exhibition was designed by lan Hamilton Finlay and Pia Maria Simig / The prints were made in collaboration with Gary Hincks»

↗ Little Sparta

[dinnickhowellslikes]

[geschwartz]

[pikasus-artenews]

ENRICO BAJ: Alter Ego and Other Hypotheses

In mostra a New York una retrospettiva di Enrico Baj, una delle figure centrali della neoavanguardia italiana

[princessofmissouri]

hi what are your favorite shows in nyc rn !

1. elene chantladze @ anton kern, part 2 @ kaufman repetto

2. fort marion and beyond @ david nolan (closes march 2nd)

3. jimmy wright & christopher james culver @ diana gallery

4. raymond saunders @ andrew krepps, part 2 @ david zwirner chelsea

5. rhys gaetano & alix jean vollum @ entrance nyc

[cosmicanger]

Barry Le Va; installation views of In a State of Flux, 26 April – 29 September 2024, Kunstmuseum Liechtenstein, Vaduz Photos: Stefan Altenburger Photography, Zurich © Estate of Barry Le Va, David Nolan Gallery, New York / Kunstmuseum Liechtenstein

[moorheadthanyoucanhandle]

GONE FISSION

Opening in theaters this weekend:

Oppenheimer--This biopic splits time the way its hero splits the atom. Narrative is fissionable to writer-director Christopher Nolan; he skips back and forth between episodes of Oppenheimer (Cillian Murphy) as a bumbling student, then as a philandering rising star in the new field of quantum physics, then as the determined yet haunted lord of Los Alamos, then as a post-bomb martyr to '50s era red-baiting. It glides along smoothly through its fractured scheme, beautifully shot by Hoyt van Hoytema in black and white and varyingly muted shades of color depending on period and point of view, and pushed along by a solemn Philip Glass-esque score by Ludwig Göransson.

Often crowned by a horizontal wide-brimmed preacher-style hat that makes him look like Brad Dourif in Wise Blood, Murphy uncannily captures the bursting, wide-eyed, near-ecstatic face that we see in photos of Oppenheimer. But he manages to give the performance a human dimension, with everyday foibles and touches of humor. He's not a pageant figure.

Murphy carries a star presence. But he's very ably supported by a huge, colorful gallery of star character players: Robert Downey Jr. as AEC Chairmen Lewis Strauss and Josh Hartnett as Ernest Lawrence and Benny Safdie as Edward Teller and Tom Conti as Albert Einstein and David Krumholtz as Isidore Rabi, Oppenheimer's menschy colleague who makes sure he eats and nudges his conscience, and Matthew Modine and Casey Affleck and Kenneth Branagh and Rami Malek and Alden Ehrenreich, to name only a few.

They're all entertaining, but two in particular jolt the movie to life: Florence Pugh as Oppenheimer's joyless lover Jean Tatlock and Matt Damon as the practical-minded, professionally unimpressed Leslie Groves, representing us laypeople in his deadpan, flummoxed scenes with Murphy. For a while it seems like Emily Blunt is underserved as Kitty Oppenheimer, but near the end she gets a juicy, angry scene opposite AEC lawyer Roger Robb (Jason Clarke), who has underestimated her.

Other than maybe a few too many scenes of the young "Oppie" having visions that look like the psychedelic mindtrip at the end of 2001, there was no point where I found Oppenheimer less than absorbing. Few would suggest that this ambitious, superbly acted, superbly crafted film isn't a major, compelling work, a vast expansion on Roland Joffé's watchable but modest Fat Man and Little Boy from 1989. If Nolan's film isn't quite completely satisfying, there could be two reasons.

One is that trying to arrive at a moral conclusion about this movie's hero seems impossible. Put (too) simply: on the one hand, Oppenheimer won World War II for the good guys and checked fascism (not checkmated it, alas) for more than half a century. On the other hand, his invention has the potential to ruin the world for everybody. Both can be true, and the ambiguity is unresolvable.

Another problem with the film, however, is a matter of simple showmanship. Back in 1994, James Cameron brought his silly action picture True Lies to a point where Arnold Schwarzenegger and Jamie Lee Curtis kiss while, far in the distance, we see a mushroom cloud erupt on the horizon. Triumphant, but then Cameron pushed his luck, piling on one last struggle with the villain in a Harrier jet. I remember thinking (and writing) at the time that when your hero and heroine kiss in front of a mushroom cloud, the movie is over.

Oppenheimer, obviously a very different movie, is uneasily structured in the same way. The scenes leading up to the Trinity Test at White Sands in 1945 are riveting, pulse pounding. The explosion and the immediate aftermath, ending the war in Japan, is a stunning dramatic climax.

But then the movie keeps going, for another hour or so, detailing the war of spite and will between Strauss and Oppenheimer, and the revocation of Oppenheimer's security clearance. It's interesting, provocative material in itself, but it seems a little petty and trivial after the "I am become death; destroyer of worlds" stuff. Given Nolan's supposed consummate skill at scrambling sequence, couldn't he have somehow structured the movie to end with a bang and not a whimper?

Barbie--Something is rotten in the state of Barbieland. As this, her first live-action feature begins, our titular heroine finds herself haunted, right in the middle of raging dance parties at her Dreamhouse, by thoughts of death. Still more alarming, when she steps out of her pumps, her feet go flat to the ground.

To be clear, the Barbie in question, played by Margot Robbie, is "Stereotypical Barbie," the blond, inhumanly thin and leggy iconic version of the Mattel doll. She shares the relentlessly cheery pink-plastic realm of Barbieland with countless other Barbies of every race and body shape and profession, all happy and accomplished and untroubled and mutually supportive. They're dimly aware of us in the "Real World"; they believe that their own harmony has created an example that has led to female empowerment and civil rights over here.

The Barbies also share Barbieland with Ken (Ryan Gosling) and countless variant Kens, as well as Ken's featureless friend Allan (a perfectly cast Michael Cera). But the guys exist entirely as accessories to the relatively uninterested Barbies. Ken's unrequited fascination with Barbie makes him subject, unlike the Barbies, to dissatisfaction.

Barbie goes for advice to "Weird Barbie" (Kate McKinnon), whose hair is frizzy and patchy and who's stuck in a permanent split. She's told that her troubles come from the dark feelings of somebody who's playing with her in our reality, so she sets out on a quest to the Real World, emerging in Venice Beach. Barbie connects with a mom and teenage daughter (America Ferrera and Ariana Greenblatt) whose relationship is strained; she's also pursued by the all-male board of Mattel, led by Will Ferrell. Ken, meanwhile, learns about our patriarchy, likes what he hears, and heads back to Barbieland alone to institute it, with himself at the top.

Mattel was founded in 1945, the same year as the Trinity Test, and there are probably feminist social critics who would argue that Barbie, invented in 1959 by Mattel co-founder Ruth Handler (well played by Rhea Perlman in the film), has wreaked only a little less havoc on the modern psyche than Oppenheimer's gadget. Even though I'm in exactly the right generational wheelhouse (I was born in 1962), my own childhood experience with Barbie was very limited, and thus so were my nostalgic associations with her.

Even so, this nutty fantasy, directed by Greta Gerwig from a brilliant script she wrote with Noah Baumbach, made me laugh from its inspired first scene to its Wings of Desire finish. Narrated in the droll, arch tones of Helen Mirren, it manages to come across as both an ingenious pop-culture lampoon/celebration and an unpretentious but surprisingly heartfelt deep dive into the implications of the Barbie archetype. I wasn't a big fan of Gerwig's 2019 version of Little Women, but here she builds her world with the freedom of, well, a kid playing with dolls, but also with the confidence and adult perspective of an artist.

Not everything in the movie works; in the second half the narrative gets a little lost at times in some very strange musical numbers/battle scenes, and the whole thing comes close to going on a bit too long. And it's hard to say just who this movie is for. It hardly seems intended for little girls; however smart, they're too young for the commentary about female identity to mean much to them yet. It seems more like it's meant for adult women with both a fondness for and an ambivalence toward Barbie.

No doubt there are those who would also complain that, however witty and self-effacing, the movie amounts to a feature-length commercial for the brand. But in the age of Marvel and other such franchises, it seems a little late to object to this.

The revelation in the film is Margot Robbie. It seems ridiculous that she's able, in the role of freaking Barbie, to give a performance of such subtlety and nuance and shading and quiet, unforced wistfulness, but she does. And she gets to deliver the best last line of the year.

Theater Camp--Joan, the founder of "AndirondACTS," a slightly gone-to-seed theater camp in upstate New York, has fallen into a coma. The job of keeping the struggling camp afloat falls to her decidedly non-theatrical "crypto bro" son Troy. Meanwhile the devoted instructors work with the exuberantly happy campers to mount the shows, including an original musical about the life of poor comatose Joan (Amy Sedaris). Needless to say, all does not go smoothly.

The creators of this Waiting for Guffman-esque "mockumentary" comedy, Molly Gordon, Nick Lieberman, Ben Platt and Noah Galvin, know the world they're depicting well; all of them have been doing theater since they were small children. Gordon and Lieberman co-directed, from a script by all four; Platt and Gordon play Amos and Rebecca-Diane, the utterly enmeshed, co-dependent acting instructors and Galvin plays the low-profile tech director.

They capture the camaraderie and the sense of belonging that theater can give kids, and their affection for that world is unmistakable, but they're careful not to get too sentimental. The envies and resentments and passive-aggressive denigrations among theater folk, especially at this often professionally frustrated level, are vividly represented.

Getting laughs from the self-important vanities of theater people is pretty low-hanging fruit, I suppose, but Theater Camp is nonetheless often hilarious. The film also manages to get a little deeper at times, touching on the irony that while theater can create a haven and a community for misfit kids, this can generate its own clannishness and exclusionary snobbery, as in Amos and Rebecca-Diane's coldness toward the imbecilic but well-intentioned Troy, charmingly played by a sort of poor-man's Channing Tatum named Jimmy Tatro.

The real joy in Theater Camp, of course, is the acting: Platt, Gordon, Tatro, plus a few vets like Sedaris, Caroline Aaron and David Rasche bring the material to life. But as Glenn, the long-suffering backstage drudge who really ought to be onstage, Noah Galvin, who replaced Platt on Broadway in Dear Evan Hansen, is the revelation among the adults in the cast. He's a knockout.

The revelation among the kids playing the campers is, well, pretty much all of the kids playing the campers. There are some real singing, dancing and acting prodigies in this company. If there was a real theater camp somewhere with this kind of talent, their shows would sell out.

[denimbex1986]

'...This year’s awards ceremony is hosted by David Tennant...

Leading the noms this year is Christopher Nolan’s atomic biopic Oppenheimer, which snagged 13 noms, including best film, director, and adapted screenplay. Oppenheimer was one nomination away from equaling All Quiet on the Western Front’s record 2023 haul of 14 noms...'

[qnewsau]

Submissions open for bentART exhibition, prize money increases

New Post has been published on https://qnews.com.au/submissions-open-for-bentart-exhibition-prize-money-increases/

Submissions open for bentART exhibition, prize money increases

Artist submissions for bentART, Australia’s largest annual LGBTQIA+ art exhibition, will open tomorrow: Saturday, 1 March.

Early bird submissions for the 2025 exhibition will commence at 12.01am via an entry form on the bentART website.

The early bird submission period runs until the end of March at a discounted rate of $25, before increasing to the standard fee of $35. Artist entries for the 2025 exhibition will close on 30 April.

BentART 2025

BentART 2025 will be the 20th annual bentART exhibition. It is open to all LGBTQIA+ artists residing in Australia.

BentART displays over 100 artworks each year. It is curated by a judging panel of artists and art professionals.

This year’s exhibition will be presided over by Mark Barrett. A passionate art collector, Barrett has a creative agency background and became president after Susan Robbins stepped down last year.

BentART 2025 will be held at the Rex-Livingstone Art + Objects gallery in the Blue Mountains town of Katoomba, 102 kilometres west of Sydney.

This year’s exhibition will run from 6 June to 15 June. It will include a launch event, artist talks and related activities.

An artists’ talk at bentART 2024. Photo: @bentARTinc/Facebook.

Cash prizes

Ahead of the exhibition, a judging panel will assess exhibitors’ works. There will be cash prizes for various categories. Art displayed during bentART will also be on sale to the public.

The pool of cash prizes has increased from last year, with $2500 for the overall bentART winner, $1500 for runner-up, $500 for two highly commended artists and $250 for two commended artists.

There is also be a curator’s award of $1000, a young adult’s award of $500, a people’s choice award of $500 and a pets and wildlife award of $250.

Rex-Livingstone Art + Objects

The gallery where bentART is held, Rex-Livingstone Art + Objects, is located in the heart of Katoomba.

Gallery director David Rex-Livingstone told QNews it was important for the gallery to support the LGBTQIA+ community.

“The exhibition is helping celebrate a very diverse community and one which is strongly represented in the Blue Mountains,” he said.

“I think in this current state of play, with the political climate being what it is, that support is more important than ever.”

Since opening nearly a decade ago, Rex-Livingstone Art + Objects has become known for its eclectic mix of paintings. The gallery also works with ceramicists and sculptors, and deals in investment art, including works by Charles Blackman and Sidney Nolan.

Blue Mountains Pride

The bentART exhibition is part of the annual Blue Mountains Pride festival, centred on the June long weekend.

As well as bentART, the festival is expected to include the Three Sisters Social Group’s annual Blackheath Disco, the Bush Lemons Bushwalk, a family picnic, an event held by Trans and Gender Diverse Blue Mountains and other activities.

For more information on bentART, visit bentart.com.au. For details on Blue Mountains Pride, head to www.facebook.com/bluemountainspride.

For the latest LGBTIQA+ Sister Girl and Brother Boy news, entertainment, community stories in Australia, visit qnews.com.au. Check out our latest magazines or find us on Facebook, Twitter, Instagram and YouTube.

[garadinervi]

Al Taylor (Puddles), Essay by Klaus Kertess, David Nolan Gallery, New York, NY, 1992 [Leo de Goede Books. Art: © The Estate of Al Taylor]

Exhibition: Al Taylor: Puddles, Drawings and Sculptures, David Nolan Gallery, New York, NY, March 7 – April 11, 1992

[abigailshorel6]

Translate Transform Bibliography

Bartbolomaus Traubeck. (n.d.). Years – Bartholomäus Traubeck. [online] Available at: http://traubeck.com/works/years [Accessed 14 May 2024].

Boddington, R. (2021). Gonzalo Menevichian’s short animation Time is a ‘contemplative and calm’ visualisation of a daydream. [online] www.itsnicethat.com. Available at: https://www.itsnicethat.com/articles/gonzalo-menevichian-time-animation-011021 [Accessed 14 May 2024].

Connelly, L. (2017). Infectious Pattern: Windows of London’s Wellcome gallery transformed with graphic exploration of disease. [online] Creative Boom. Available at: https://www.creativeboom.com/inspiration/infectious-pattern-windows-of-londons-wellcome-gallery-transformed-with-graphic-exploration-of-disease/ [Accessed 15 May 2024].

D’Efilippo, V. (2018). OddityViz — a tribute to David Bowie with data. [online] Medium. Available at: https://medium.muz.li/oddityviz-a-tribute-to-david-bowie-with-data-3566d3bd6bd8 [Accessed 15 May 2024].

Dring, D. (2017). Chromesthesia: Hearing and Seeing Sound In Colour | BeardedGMusic. [online] Bearded Gentlemen Music. Available at: https://beardedgentlemenmusic.com/2017/11/09/chromesthesia-seeing-sound-in-colour/ [Accessed 15 May 2024].

Dudenas (n.d.). Creative Coding ° 5. [online] dribbble.com. Available at: https://dribbble.com/shots/11258557-Creative-Coding-5 [Accessed 15 May 2024].

Estolas, G. (n.d.). Stoxart. [online] stoxart. Available at: https://www.stoxart.com/ [Accessed 15 May 2024].

Gorny, L. (2022a). How to make a music video for KH (Four Tet) in ten days using extinct coding software. [online] www.itsnicethat.com. Available at: https://www.itsnicethat.com/news/trevor-jackson-looking-at-your-pager-digital-100622 [Accessed 14 May 2024].

Gorny, L. (2022b). Listen (yes, that’s right, listen) to the new identity for Bergen’s culture and music centre. [online] www.itsnicethat.com. Available at: https://www.itsnicethat.com/news/reklamekollektivet-kulturhuset-identity-graphic-design-110322 [Accessed 15 May 2024].

Juul, M. (2015). Why the music of ‘Jaws’ is still terrifying. [online] www.boston.com. Available at: https://www.boston.com/culture/entertainment/2015/06/16/why-the-music-of-jaws-is-still-terrifying/ [Accessed 15 May 2024].

Kraning, S. (n.d.). Synesthesia Art by Sarah Kraning. [online] Synesthesia Art by Sarah Kraning. Available at: https://sarahkraning.com/ [Accessed 14 May 2024].

Lopez, N.H. (2022). How Common is Synesthesia? [online] Exceptional Individuals. Available at: https://exceptionalindividuals.com/about-us/blog/what-is-synesthesia-how-common-is-it/#:~:text=Chromesthesia%20is%20one%20of%20the [Accessed 14 May 2024].

Meyer, R. (2019). 100 Ways to Move an A. [online] Behance. Available at: https://www.behance.net/gallery/76803627/100-Ways-to-Move-an-A?tracking_source=search_projects_recommended%7Ckinetic+motion+graphics&log_shim_removal=1 [Accessed 14 May 2024].

Pentreath, R. (2021). What makes the Star Wars soundtrack so good? [online] Classic FM. Available at: https://www.classicfm.com/composers/williams/what-makes-star-wars-soundtrack-music-so-good-analysis/ [Accessed 15 May 2024].

Salisbury, M. (2024). Ludwig Göransson discusses his acclaimed ‘Oppenheimer’ score: ‘You want to feel what he feels’. [online] Screen. Available at: https://www.screendaily.com/features/ludwig-g%C3%B6ransson-discusses-his-acclaimed-oppenheimer-score-you-want-to-feel-what-he-feels/5189255.article [Accessed 15 May 2024].

Schimautz, J. (n.d.). Animation — Julia Schimautz. [online] juliaschimautz.com. Available at: https://juliaschimautz.com/Animation [Accessed 15 May 2024].

Stern, M. (2023). Composer: ‘Oppenheimer’ Score Goes Beyond What’s ‘Humanly Possible’. [online] Rolling Stone. Available at: https://www.rollingstone.com/tv-movies/tv-movie-news/oppenheimer-score-christopher-nolan-ludwig-goransson-atomic-bomb-1234790115/ [Accessed 15 May 2024].

TypeRoom (2017). Ran Zheng wants us to feel, look and hear typography in miraculous ways - TypeRoom. [online] www.typeroom.eu. Available at: https://www.typeroom.eu/article/ran-zheng-wants-us-feel-look-and-hear-typography-miraculous-ways [Accessed 15 May 2024].

TypeRoom (2022). JUNO X Arctic Paper: Munken Creator is generative typography’s playground to explore - TypeRoom. [online] www.typeroom.eu. Available at: https://www.typeroom.eu/juno-x-arctic-paper-munken-creator-generative-typography-creative-coding-munken-sans [Accessed 14 May 2024].

TypeRoom (2024). Typography’s uncharted territories: Rozi Zhu is here to push design boundaries forward - TypeRoom. [online] www.typeroom.eu. Available at: https://www.typeroom.eu/typographys-uncharted-territories-rozi-zhu-is-here-to-push-design-boundaries-forward [Accessed 14 May 2024].

www.patrik-huebner.com, P.H. (n.d.). Creative Coding • Patrik Hübner - Generative Design and Creative Coding for brands. [online] Patrik Hübner - Generative Design and Creative Coding for brands. Available at: https://www.patrik-huebner.com/datadesigndictionary/creative-coding/ [Accessed 15 May 2024].

[baublefobbersleuth]

‘There’s Nothing There Except the Pictures’

An untitled work from Nutt’s new show of graphite drawings at David Nolan gallery… Credit… via Jim Nutt and David Nolan Gallery. [New York Times caption and illustration] The artist Jim Nutt has been making a version of this imagined portrait for the last 40 years, a mode that has dominated his practice… His women never age, never seem to dislodge from a midcentury stylistic amber: all wearing…

[tenaciouspostfun]

Stories

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"Water For Elephants" at the Imperial Theatre will enjoy what I think will be a long run on Broadway. Like "Music Man" and "Back to The Future", this wonderful musical will appeal to people of all ages and all walks of life. The music and lyrics by Pigpen Theatre Co. are not overly memorable, the choreography by Jesse Robb is simple and plain, however, the acting, the book by Rick Elice the direction by Jessica Stone and the circus design and acrobatics by Shana Carroll (Cirque du Soleil's Crystal) are outstanding.

Based on the book by Sara Gruen, "Water" takes us to the depression; the circus, the people and animals in the Benzini Brothers Circus are the story-line. We get to see two Jankowski's, the younger Jacob (Grant Gustin) and Mr. Jankowski (Gregg Edelman). He is a veterinarian from Cornell who never finished his studies. He turns out to be a huge help to the penny pinching owner, August (Paul Alexander Nolan) who bought the circus from Benzini back in 1929. The good Doctor would fall smitten with August's wife, Marlena (Isabelle McCalla). August has a foul temper, he is often ruthless with his employees and worse with the treatment of his animals As the plot goes on, both tension and tempers flair, people are pushed to the brink (both literally and figuratively).

What makes "Water For Elephants" a standout is the star cast, the supporting cast and its ensemble. The sound and the projections too are quite remarkable; the costumes (David Israel Reynoso), the scenic design (Takeshi Kata) and the lighting (Bradley King) all complement what is a great evening of theater.

When this musical opens up full throttle is when the audience becomes most enchanted... songs that do its magic are: "Anywhere/ Another Train", "I Choose the Ride", "I Shouldn't Be Surprised", "You've Got Nothing" and "Go Home". It is these songs that have the actors giving its audience full singing and dancing; the lights and sounds are whirlwind. The audience laps up the circus atmosphere, it loves the protagonist/antagonist part of the show. In Jessica Stone's direction, the animals come to life onstage and they become a big part of the story. In both a simple way and a very visual way, "Water For Elephants" should not be missed!

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I recently went to a performance at AMT called "Gallery". Although it was a run through for a later staged performance in New Hampshire, some of the songs and some of the singers were very talented. It will be very interesting to see how it is staged and directed. The premise of the musical is that famous artists have their work projected on the back of the theater while the different actors sing a song about the work that is presented in front of us. Both catchy and pithy, this new musical may take hold.

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As this very full Spring season is upon us we welcome up "Tommy", "Suffs", "Hells Kitchen" "The Wiz" and "The Great Gatsby". The two shows that most are waiting for is both "Tommy" and "Cabaret". Early word on "Tommy" is that is the best thing right now on Broadway and it is still in previews! "Cabaret" has been running raves with its great lead actor since it played on London's West End.

Other shows that should delight are "The Mother Play", which has a first rate cast," Mary Jane" and "Uncle Vayna" at Lincoln Center with Steve Carrell in the lead. "Stereophonic" will be coming later in the season along with "Heart of Rock and Roll". Stay tuned! Reviews and more reviews to come!

www.triviscompanies.com, Broadway Bob, Tony Awards, Broadway, Metropolitan Magazine, WACE Entertainment, Nimbus Magazine, Mann About Town Magazine, www.broadwayworld.com, Google, Meta, X, LinkedIn.







Words: 624

[sbowen]

Steve DiBenedetto

David Nolan Gallery recently presented Uncertainty Takes a Holiday, Steve’s fourth solo show with the gallery, Possessed by a desire to “maximize” a painting, DiBenedetto continues to find new ways to exploit the possibilities of oil paint through crusty, built-up surfaces and bright, jewel-toned shapes that gleam in the midst of gritty, impastoed muck. Though he can apply paint so thickly it…

[fdmlovesfashion]

Celebrating Art + Beauty with Dr. Barry Weintraub at David Nolan Gallery New York

Catching up: Celebrating art + beauty with Dr. Barry Weintraub and Park Magazine at David Nolan Gallery New York. Fashion friends and New York VIPs celebrated the magazine cover launch featuring Dr. Weintraub, who holds the coveted title of “One of America’s Best Plastic Surgeons 2023” from Newsweek. Dr. Barry Weintraub, Jill Sand, David Nolan Celebrating Art + Beauty with Dr. Barry Weintraub…

[thenorbertnorberts]

5 Cobblebottom Street Reno

gallery ID: NelsSteph (remember to click the button to allow CC)

Okay, so I used a lot of CC bits from many different creators and many different sets. So it's a long list, with a little bit of hunting, but hopefully I didn't miss anything!?! I consider myself WCIF friendly (though I will be slow to reply) so if you have questions you can ask. I also tried to note when I use items that are on early release or locked behind a paywall or on a site that has a lot of adds.

Myshunosun:

Bake It Up, Sona Dining, Flow Storage & Clutter, Tranquil Bedroom, Vanity Nook, Herbalist Kitchen, Moonwood Garden, Midsummer Eve, Lottie Bedroom

Awingedllama:

Nostalgia Living Stuff, Grandma’s Nursery,  Boho Living, Apartment Therapy

Peacemaker:

Matilda, Hinterlands, Oasis-Chic (plants)

xsavannahx987:

Everyday Clutter

PTS:

Rustic Romance

Nolan-Sims:

Strawberry Dino

Tuds:

Cross, Crib, NCTR

Charly Pancakes:

Lavish, The Lighthouse Collection, Soak, Chalk clutter, SMOL, DINNA, Diaper Days

MadameRia:

Wild West Wood recolor

Max20:

Garden at Home

Syboubou (add heavy website): 

Country Kitchen, Life Bathroom, Painter Studio

Pierisim:

Winter Garden, Domaine du Clos, Oak House, David’s Apartment, Auntie Vera’s Bathroom, Precious Promises, COLDBREW, Unfold, Tidying Up, Teeny Weeny, MCM, Maison Meulière

Leaf-Motif:

Heirloom Kitchen

Felixandre *parts of Chateau are unfortunately still locked behind a paywall:

Grove, Berlin (windows and doors), Chateau, Colonial, Shop the Look, Florence, Paris

Harrie *part of Coastal set is on early release:

Octave, Brownstone, Country, Coastal, Bafroom

Harrie-Felix collabs:

Orjanic, Livin’ Rum, Tiny Twavellers, Baysic, Kichen,  Jardane

RVSN *somewhat add heavy site:

Rooting for you, Throw Shade Eye Palettes

Oni:

Antique Country Dining

Rustic Sims:

Cempasuchil Fest

Sixam CC:

Living Room for a Cozy Family, Boho-Bath Botanical Retreat, Kessler Line,  Retro Vibes, Small Spaces: Laundry Room, Stylish Wood: Living Room, Tiny Playrooms, Stylish Wood Dreamy Nursery, Boho Baby

Brazen Lotus:

Parenthood Pack separated clutter

LittleDica:

Country Sleek

Clutter Cat *some sets are unfortunately still locked behind a paywall:

SuSu Sundae, Dandy Diary, Dandy Diary Bathroom,  XFest 22 Clutter collection, Mellow Moods, Busy Bee, Cozy Cocina, Petits Pirates part 1, Farm Friends,  Mermaid Mansion part 1, Fairylicious

Whew. Annnnnnd I think that's everything. Enjoy and @ me if you use and post pics! <3