Hey ! Amazon is telling me 7 Deadly Habits isn't available for purchase. Where can I get it?
What country are you from?
I know that people need different links based on where they're from since amazon.com is for like, American retail.
Like the UK link looks like this:
France would be this:
Germany would be this:
And so on?
If you don't feel comfortable sharing publicly, feel free to message me!
But you could also type 7 deadly habits into whatever version of Amazon you use, based on your country, and it should still pop up.
And it's free until july 4th, 12 am PST tomorrow.
Free everywhere!
Let me know if you need a specific link or help with something else and thanks so much for your interest!!!
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What No one Tells You about Writing Fantasy, #2!
I did this list about 7 annoyances about fantasy, but I write in this genre for a reason! Fantasy knows no bounds, it can encompass all other genres within it. You can write a fantastical murder mystery, fantasy horror, fantasy romance, political drama, slice-of-life, comedy, whatever you’d like!
Whether it’s urban or high fantasy, supernatural or scientific, here’s seven great benefits of writing in this genre:
1. No modern means of communication
Unless you’re writing a world with phones or phone-adjacent devices. Phones and instant communication seriously inhibits the plausibility of dramatic irony and tension when you have to keep coming up with reasons to keep your characters from calling or texting each other everything they know. It’s exhausting, I tell you, and such a relief when phones aren’t a factor.
With that said, without phones, you have complete freedom to design your own magical channels of supernatural FaceTime, as weird and zany as you want. But without instant connections? Your character who knew too much can’t pass on the intel before they die. Your hero team can’t call for backup in their darkest hour. Otherwise easily preventable tragedies and deadly miscommunications are now very real.
2. The Monster Allegory
Fantasy and sci-fi tend to overlap more than they’re set apart, and in that overlap sits the monster allegory. Everything from werewolves to vampires to witches, reapers, demons, angels, goblins, trolls, wraiths, fairies, mermaids, ghosts, to Eldritch horrors and your classic Hollywood cast of mummies, creatures from the black lagoon, and Frankenstein.
Most of the time, the monsters aren’t just monsters, they represent a monstrous aspect of society the author wants to challenge and caricaturize in a fun and entertaining way. Or, the monsters are the good guys and the humans are the real terrors. Or, you’ve got two kinds of monsters to allegory two human sides. Sometimes they represent metaphorical demons, like vampires often representing addiction and werewolves repressed identities.
What all of this boils down to is the hyperbolic nature of science fantasy that allows you to go over-the-top with your metaphor and allegory in a way that a book grounded in reality just can’t.
3. Magic Systems!
Do you love world building? Do you love filling pages upon pages with your cool and unique set of superpowers you want your characters to have? Do you dream about your fight scenes and dramatic slow-mo shots?
Then Fantasy is for you!
There are zero limits to how you want to define your magic system. You can go classic with the familiar archetypes of elemental magic, wizards, sorcerers, and witches. Or you can step off the beaten path and design a whole new funky system of power sets. Best part? Your readers will have an awesome time imagining themselves with those powers, and debating endlessly about how it works.
4. Real-World Politics, who?
Amazon’s Rings of Power was twice-doomed when they only got the rights to adapt the appendices of The Silmarillion and when they decided to inject current political problems into a timeless story written purposefully to be divorced from those politics. You *can* write about human politics, but in fantasy, you don’t have to. You *can* interpret Lord of the Rings to be an allegory about the World Wars, but no matter how hard you argue, it wasn’t written with that intent.
Which means: Even if your story is set in the reality-adjacent fantasy version of 1543, you are free from the following: Racism, homophobia, sexism, religious bigotry, mental health bigotry, gender norms, anti-feminism, toxic masculinity, and more. “But that’s how it was-”
Nope. This is fantasy. You built this world, you decided to keep in the discrimination. Or… You can fill your fantasy world with a rainbow of gays, POCs in power, women in power, men unafraid to be compassionate and caring, a religion that doesn’t foster hate and division, the list goes on. You. Are. Free.
5. Nothing is too “unrealistic”
Both that you will always have people whining about how X would never happen so write the book you want to read, but also because fantasy is fake. Fairies aren’t real. Mermaids aren’t real. There are no rules for how they must be written and that’s how we have so much variety with so much room for interpretation by so many creators. Twilight made how much money writing about vampires that sparkle like diamonds in sunlight and crack like marble?
This is fantasy, it’s supposed to be unrealistic. Yes, your plot should make sense, but don’t be afraid to get weird. Write at least some of your story dependant on those fantasy elements. Write a story that can’t just be told in the real world minus the spectacle. Don’t be afraid to be sincerely fantastical and weird. People love weird. People love loving weird.
6. You are in complete control
But you do still need to research, unfortunately. Unless this is urban fantasy that depends at least a little on the human world, yours is completely your own to govern like a god tweezing weeds from their garden. You get to design your own geography and weather patterns and seasons. Your own countries and kingdoms and politicians. Your epic pre-canon fantasy war and the stakes that it was fought over. Your species, races, and ethnicities.
It’s a shame that a movie like Avatar (2009) set out to be this wholly unique take on aliens with music completely divorced from earthly bonds, new languages and a visually and culturally distinct alien species… and ended up a largely generic blue Pocahontas in space. It forgot that it was fantasy and didn’t go weird enough. They have horses, monkeys, wolves, rhinos, and deer just re-skinned with some extra limbs and colors. It’s pretty but it’s so, so shallow.
It could have become a cult classic like many a positively *weird* 80s off-beat fantasies, and now it just… exists. It makes a whole lot of money but its impact on the cultural zeitgeist is negligible. I’m the only person I know that can name every major character in the movie, and I’m no Avatar obsessor. They had complete creative control, and this is what they did with it. Don’t be Avatar. Take your creative freedom and run.
7. Even if it has been done before, do it again
You can say this about any genre, particularly romance, but fantasy and sci-fi, by the gatekeep-y nature of their fans, can be a lot less forgiving when it comes to claims of “unoriginality”. No one hates Star Wars more than Star Wars fans. Fans of these genres can get… concerningly attached to their favorite stories (mostly because the people who like them had only their fictional heroes to protect them from very real bullies).
But Game of Thrones exists because the author likes Lord of the Rings and went “yes, but what if it was an R-rated parade of misery?” Dungeons and Dragons exists because people wanted to roleplay in an LotR-esque world. Legolas and Gimli single-handedly defined what a badass elf and dwarf looks like in high fantasy. And people still gobble up media ripping shamelessly, or even good-naturedly, from this one story.
So on my other list, I argued that the sum of your parts is still original, even if the components aren’t. On this list, I implore you this: It’s not stealing or appropriating to write another Legolas if you love Legolas. Everyone loves Legolas. How many generic buff action heroes do we have and love? How many Hallmark romances tread the same predictable path? Who gives a damn if it’s unoriginal? Just make it entertaining and have something fresh to say in the end (or don’t, that’s fine too), and people will read it.
And when people say “Oh, you mean like Legolas”, take it as a compliment, not an insult. Yes, exactly like Legolas. Here’s my new elf because I adore this other book, now watch him go on a new adventure that I wrote for him.
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A Human author once classified Earth (and its residents) as Mostly Harmless.
By the time the rest of the galaxy realized that is a joke, it was too late. Earth was considered to be relatively mild and not much of a threat because Humans, the planet’s dominant species, classified their cradle world and species as such. Most aggressive species in the galaxy considered it to be an easy target for conquest. They had no idea how wrong that assumption was.
It took one ill-timed and easily stopped planetary invasion for the Cprix, generally accepted as the galaxy’s boogeymen species, to fear Humans and their cradle world. By the time word got out that the Cprix had launched an attack on Earth and for a response to be mounted, the invasion had been repelled. The Cprix fleet was retreating from Earth’s solar system at a fast rate.
No Cprixen would ever disclose what happened or what caused them to be defeated.
No Human gave the same answer about what happened. Some said the invaders made the mistake of landing in Australia or Canada or the Amazon or in the Yellowstone super caldera. Some said it was the honey badgers or some deep sea creature. A few even joked about more obscure (possibly cryptid) Earth creatures were involved, such as the chupacabra or the kraken or the mama bear/mom friend. There was discussion about natural phenomenon, like hurricanes and volcanoes. Some cited the variety of military technology that was so low-tech or outdated by comparison to the rest of the galactic standards. The only thing that Humans would agree on was that they didn’t know why the Cprix fleet was afraid of them. Earth was just Mostly Harmless, after all.
Those answers from the Humans generally prompted more questions. Earth suddenly received more interested visitors from their alien friends. That’s when the other species began to realize that Earth was far more frightening than they had previously realized and Humans more deadly.
A self-professed Mostly Harmless death world is still incredibly terrifying by most generally accepted metrics. Only a Human would call their cradle world Mostly Harmless.
They had no reason not to see it as anything other than that.
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