#death does not discriminate

[jewreallythinkthat]

Something I really don't understand is this obsession the anti-Israel crowd (in the West) have with death and martyrdom. All they care about is dying, and often killing for their cause; I see nothing about building a better future that isn't based on the murder of 9 million Israelis.

It's easy to die for a cause. The challenge is living to make a better tomorrow.

[kindgreenape]

i think kim is just as complex of a character as harry, but i think a good amount of players (not all, but a chunk) choose to unflinchingly characterize him as “the Good Cop” and leave it at that.

[fexicoded]

+

[magentagalaxies]

.

[lamuradex]

It's been rattling around my head recently that Discworld is almost anti-whimsy, and I mean that in a good way.

Whimsy, as I define it, is when something magical is put in just to wow the reader. A magic thing that doesn't really effect the story, but its fantastical. Pots cleaning themselves? Moving paintings? A fantastical creature used as set dressing? A spell that does something cool but we'll never hear about it again? What do they mean? Why are they there? Doesn't matter, we're moving on.

But Discworld always applies Logic to these things.

e.g. The old idea of all dwarfs having beards? Ha ha, even the women have beards. How silly.

But that means all dwarfs are men. But there are female dwarfs, right? Are they happy being men? What if you gave one the chance not to be a man? Oh, sure, they'd still have the beard, the helmet, the axe, those are cultural, but what if a dwarf wanted to be a woman? How would other dwarfs react? Would there be biting insults? Snide remarks? Jealousy from other female dwarfs trapped in their society? What if the Low King were a woman? What then?

Pratchett always had this tenacity to follow a whimsical idea until it was ground down in its own grim reality. It's like those old conversations about what would really happen if Superman caught you falling from a high building. You'd smash on his arms because you're still hitting something indestructible at terminal velocity. But the comics would never show that.

Pratchett shows that.

Introduces a werewolf? She has a constant identity crisis and feels like a dog sometimes, between human and wolf, and she's discriminated against in places for being undead. A conman running a bank? Forces everyone to realise how useless gold really is in a scathing indictment of economics. Death becomes Santa? But WHY DOES THE LITTLE MATCH GIRL NEED TO DIE? WHY THE UNFAIRNESS IN THE WORLD? WHY?

What can the harvest hope for, if not the care of the Reaper Man?

It's what sets these stories apart from so many others. Magic is never the solution, reality is usually the solution. And little is introduced without Pratchett delving the idea to its depths, sooner or later.

[girlboypersonthingy]

Hazbin Boys x reader- Comfort ❤️‍🩹

This is a request from an anon- hazbin boys comforting reader with depression/mental illness. Includes Lucifer, Angel, Husk, Sir Pentious, Vox and just a dab of Alastor. Original request here + a heart felt message from yours truly 💌

TW: depression, mental illness, sickeningly sweet fluff

Notes: gn!reader, NSFW during Angel’s part 18+ plz

Lucifer 🍎

Oh my goodnessssssss, prepare to be treated like absolute royalty.

I’m talking foot rubs, back rubs, playing with your hair

Not only will he make you food, he’ll literally try to feed you and offer you sweet praises when you do eat. Eating can be a real chore sometimes…

“Good job, my love. It’s gonna be okay…okay?”

I think Luci is pretty touchy in general, but when you’re down in the dumps, he gets extra clingy and touchy

He’ll pretty much constantly have a hand on you- holding your hand, a hand on your back, a gentle rub on your shoulder

Will unfurl his wings and drag you close to him in bed, wrapping his arms and silky feathers around you as he lulls you to sleep

Like imagine a midday depression nap all tangled up with Luci, curtains drawn so the room is nice and dark, the temp is perfect, the bed is hugging you just as good as your babe next to is. Ugh. Plz, I want this. I need this.

Will try to gently coax you out of bed and try to get you out of the house. He knows it won’t be easy for you but he thinks getting you cleaned up, dressed and out doing something fun you’ll feel a bit better. You’ll at least be distracted from your sadness for a bit.

He’s so kind and nonjudgmental too. He gets it completely. He has depression too. Even the king of hell deals with mental illness, okay? Mental illness does not discriminate

He’ll offer the best advice he can muster up, using his own experiences to help you out of your funk

All in all, he’s just an absolute sweet pea. So doting, so caring.

Angel Dust 🕸️

Also has mental illness, also gets it completely.

KING OF DISTRACTIONS

Angel is a sweet boy but I don’t think he’d be too great at offering advice…

So he does his best to distract you from your feelings, doing whatever it takes to get you to smile, even just for a second.

Will ask you what you want to do first, whatever will make you happy, he’ll go along with it.

If you insist on rotting in bed, he’ll probably respectfully pull you out of bed, tell you “this ain’t good for ya, babe” and force you to go do something fun, something relaxing, something for yourself

Sorry not sorry but he’ll def offer to cheer you up by fucking you, letting you fuck him, eating you out, sucking your dick. Go ahead, take your stress out on him, he can take it ;)

Also the king of self care.

SPA DAY SPA DAY SPA DAY

Will draw you and him a bath, rub your shoulders while you sit in the warm water together, will even wash your hair for you

Forces you to wear a face mask with him lmao

“C’mon, (Y/N)! Lemme paint ya nails! You’ll look sooooo cuuuuuute~”

Expect lots of touching and kisses with him at night, especially if you’re having trouble sleeping

Rubs your back, rubs your arms, will rub gentle circles on your butt if you’ll let him, kisses your head, kisses your cheeks, kisses your nose

ALL THE KISSESSSSSS 💋💋💋

Husk 🃏

Okay listen…this guy is obvi a great listener and he’s pretty good at giving advice. Honestly, he’s probably the best person to go to.

Husk is an old soul, he’s pretty wise, has a lot of life experience, death experience, his own experience with mental illness and even addiction.

He could just listen to you talk for hours, waiting for you to pause before he replies. He’d never interrupt. He’s so patient with you 🥹

Will keep a close eye on you and any new habits you’ve seemed to pick up. He fixes his own issues with booze but he’s the type to say “do as I say, not as I do”

Won’t let you spiral into addiction like he did…it’s not an option.

I think Husk would be a good mix of “Come here, give Husker a hug. It’s alright, hun. Let’s go take a little nap, yeah?” and “Hey, I know what’ll cheer ya up!” *proceeds to show you the coolest, craziest magic tricks*

He’s a good balance of comfort and distraction

Anything he can do to help, just say the word

Will tell you funny shit he’s seen the folks around the hotel do just to see you laugh for a moment

“One time, Angel was walking right in front of the bar at like 7 in the morning and tripped over literally nothing and face planted! I had the best seat in the house. It was hilarious.”

This is my own personal headcanon, idk why but I feel like Husk can cook really well. He’d totally make you food, even bring it to you in bed if you don’t feel like getting up

Will absolutely let you play with him like a kitten, won’t even be upset about it. Play with his ears, give him pets, let his fur be your stim toy, let his purr soothe your achy heart

Sir Pentious 🐍

Plzzzz, he’s such a simp. I love this slippery, special little guy 💚

Big on cuddles! Will cuddle you all day, all night if you want. Loves the physical contact, and loves it even more when he can feel you relax a bit against him.

Will make his eggs boys do anything for you. Whatever you want, you tell them and they’ll happily oblige.

Kinda random but I think he’d be the type to try and pull silly little pranks on ppl around the hotel just to get you to laugh. He’s such a silly goose omg

He doesn’t really understand what you’re going through so he’ll just keep asking you what he can do, how he can help, what you want, what you need from him.

He doesn’t get it but he’ll do anything for you.

When you’re feeling particularly lazy and it’s extra hard to leave your bed, he’ll literally carry you around. Just lounge in his arms, darling, he’ll take you wherever you need to go. Don’t need to go anywhere? Fine, you’re gonna come along with him to do his daily tasks. Sit in his lap and just watch as he works.

Just wants to keep you close. He can’t stand the thought of you being alone when you feel like this. No matter where he is or what he’s doing, he wants you close.

Unless you insist on having some alone time or needing some space. Again, whatever you need from him, you got it.

Although, he may get a little teary eyed and pouty when he leaves you. Can’t stop thinking about you all day and probably comes and checks on you several times.

Vox 🖥️

“CANCEL MY MEETINGS, HOLD ALL MY CALLS, TELL EVERYONE IM NOT RESPONDING TO EMAILS UNTIL TOMORROW!”

Guy needs to focus on his baby right now. You are his top priority, everything else can wait. You are just too precious to put on the back burner.

Will be sure to tell Val and Velvette to leave you two alone. He doesn’t want them upsetting you any more than you already are.

This man has his assistants waiting on you hand and foot. He’s gonna stay in your bed with you, cuddled up with tons of blankets, both in your pajamas as you watch movies while ordering his staff to bring you whatever it is you desire.

Will eventually yank you out of bed bc he can’t stay still for too long but you’re coming with him. Wants to keep you company always

In public, Vox isn’t the most romantic or touchy. He’s a busy man with a huge reputation to uphold. While he would never completely ignore you and he’s no ashamed to show some PDA with you, you sort of always find yourself following in his shadow when he’s hard at work.

Once he sees how much your mental health is affecting you, he becomes much more attentive, much more protective of you.

He’ll hold your hand or keep his arm around you when out and about. Will give you a gentle kiss and a prideful smile before getting on set for a news shoot.

If you’re having a particularly hard day, everyone get out of the way! Hes taking the day off, he doesn’t give a fuck what anyone says or thinks.

You are too important to him. Without you, what good would all his accomplishments be? Without you, who would he share all this with?

He needs you to stick around 🩵

Alastor🩸

I think Alastor would be absolutely clueless but he’d try his best nonetheless!

He’d also be one to try and distract you.

Wanna go to cannibal town and visit Rosie? She’ll help cheer you up! She’s a great listener with tons of good advice to give

Will reluctantly invite you into his room and lead you to the half of it that looks like a swamp/forest. He will take off his coat and sit in the grass with you, staying silent but watching you look around in awe.

He’s got lots of cool powers and will summon or manifest little things here that he thinks will bring a smile to your face.

Summons little lightning bugs to carefully dance around your face, holds back from slaughtering a deer that’s approaching just so you can admire it from afar, will watch with a genuine smile as you lay back in the grass and relax to the sound of crickets chirping and light jazz music.

If you asked…he might give you a hug. Might.

Also sends his shadow to check up on you every so often but if you notice this, he will deny it with all his might.

[mostlysignssomeportents]

When the app tries to make you robo-scab

When we talk about the abusive nature of gig work, there’s some obvious targets, like algorithmic wage discrimination, where two workers are paid different rates for the same job, in order to trick occasional gig-workers to give up their other sources of income and become entirely dependent on the app:

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

Then there’s the opacity — imagine if your boss refused to tell you how much you’ll get paid for a job until after you’ve completed it, claimed that this was done in order to “protect privacy” — and then threatened anyone who helped you figure out the true wage on offer:

https://pluralistic.net/2021/08/07/hr-4193/#boss-app

Opacity is wage theft’s handmaiden: every gig worker producing content for a social media algorithm is subject to having their reach — and hence their pay — cut based on the unaccountable, inscrutable decisions of a content moderation system:

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

Making content for an algorithm is like having a boss that docks every paycheck because you broke rules that you are not allowed to know, because if you knew the rules, you’d figure out how to cheat without your boss catching you. Content moderation is the last place where security through obscurity is considered good practice:

https://doctorow.medium.com/como-is-infosec-307f87004563

When workers seize the means of computation, amazing things happen. In Indonesia, gig workers create and trade tuyul apps that let them unilaterally modify the way that their bosses’ systems see them — everything from GPS spoofing to accessibility mods:

https://pluralistic.net/2021/07/08/tuyul-apps/#gojek

So the tech and labor story isn’t wholly grim: there are lots of ways that tech can enhance labor struggles, letting workers collaborate and coordinate. Without digital systems, we wouldn’t have the Hot Strike Summer:

https://pluralistic.net/2022/12/02/not-what-it-does/#who-it-does-it-to

As the historic writer/actor strike shows us, the resurgent labor movement and the senescent forces of crapulent capitalism are locked in a death-struggle over not just what digital tools do, but who they do it for and who they do it to:

https://locusmag.com/2022/01/cory-doctorow-science-fiction-is-a-luddite-literature/

When it comes to the epic fight over who technology acts for and against, we need a diversity of tactics, backstopped by tech operated by and for its users — and by laws that protect workers and the public. That dynamic is in sharp focus in UNITE Here Local 11’s strike against Orange County’s Laguna Cliffs Marriott Resort & Spa.

The UNITE Here strike turns on the usual issues like a living wage (hotel staff are paid so little they have to rent rooming-house beds by the shift, paying for the right to sleep in a room for a few hours at a time, without any permanent accommodation). They’re also seeking health-care and pensions, so they can be healthy at work and retire after long service. Finally, they’re seeking their employer’s support for LA’s Responsible Hotels Ordinance, which would levy a tax on hotel rooms to help pay for hotel workers’ housing costs (a hotel worker who can’t afford a bed is the equivalent of a fast food worker who has to apply for food stamps):

https://www.unitehere11.org/responsible-hotels-ordinance/

But the Marriott — which is owned by the University of California and managed by Aimbridge Hospitality — has refused to bargain, walking out negotiations.

But the employer didn’t walk out over wages, benefits or support for a housing subsidy. They walked out when workers demanded that the scabs that the company was trying to hire to break the strike be given full time, union jobs.

These aren’t just any scabs, either. They’re predominantly Black workers who rely on the $700m Instawork app for gigs. These workers are being dispatched to cross the picket line without any warning that they’re being contracted as strikebreakers. When workers refuse the cross the picket and join the strike, Instawork cancels all their shifts and permanently blocks them from new jobs.

This is a new, technologically supercharged form of illegal strikebreaking. It’s one thing for a single boss to punish a worker who refuses to scab, but Instawork acts as a plausible-deniability filter for all the major employers in the region. Like the landlord apps that allow landlords to illegally fix rents by coordinating hikes, Instawork lets bosses illegally collude to rig wages by coordinating a blocklist of workers who refuse to scab:

https://arstechnica.com/tech-policy/2022/10/company-that-makes-rent-setting-software-for-landlords-sued-for-collusion/?comments=1

The racial dimension is really important here: the Marriott has a longstanding de facto policy of refusing to hire Black workers, and whenever they are confronted with this, they insist that there are no qualified Black workers in the labor pool. But as soon as the predominantly Latino workforce struck, Marriott discovered a vast Black workforce that it could coerce into scabbing, in collusion with Instawork.

Now, all of this isn’t just sleazy, it’s illegal, a violation of Section 7 of the NLRB Act. Historically, that wouldn’t have mattered, because a string of presidents, R and D, have appointed useless do-nothing ghouls to run the NLRB. But the Biden admin, pushed by the party’s left wing, made a string of historic, excellent appointments, including NLRB General Counsel Jennifer Abruzzo, who has set her sights on punishing gig work companies for flouting labor law:

https://pluralistic.net/2022/01/10/see-you-in-the-funny-papers/#bidens-legacy

UNITE HERE 11 has brought a case to the NLRB, charging the Instawork, the UC system, Marriott, and Aimbridge with violating labor law by blackmailing gig workers into crossing the picket line. The union is also asking the NLRB to punish the companies for failing to protect workers from violent retaliation from the wealthy hotel guests who have punched them and screamed epithets at them. The hotel has refused to identify these thug guests so that the workers they assaulted can swear out complaints against them.

Writing about the strike for Jacobin, Alex N Press tells the story of Thomas Bradley, a Black worker who was struck off all Instawork shifts for refusing to cross the picket line and joining it instead:

https://jacobin.com/2023/07/southern-california-hotel-workers-strike-automated-management-unite-here

Bradley’s case is exhibit A in the UNITE HERE 11 case before the NLRB. He has a degree in culinary arts, but racial discrimination in the industry has kept him stuck in gig and temp jobs ever since he graduated, nearly a quarter century ago. Bradley lived out of his car, but that was repossessed while he slept in a hotel room that UNITE HERE 11 fundraised for him, leaving him homeless and bereft of all his worldly possessions.

With UNITE HERE 11’s help, Bradley’s secured a job at the downtown LA Westin Bonaventure Hotel & Suites, a hotel that has bargained with the workers. Bradley is using his newfound secure position to campaign among other Instawork workers to convince them not to cross picket lines. In these group chats, Jacobin saw workers worrying “that joining the strike would jeopardize their standing on the app.”

Today (July 30) at 1530h, I’m appearing on a panel at Midsummer Scream in Long Beach, CA, to discuss the wonderful, award-winning “Ghost Post” Haunted Mansion project I worked on for Disney Imagineering.

If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/07/30/computer-says-scab/#instawork

[Image ID: An old photo of strikers before a struck factory, with tear-gas plumes rising above them. The image has been modified to add a Marriott sign to the factory, and the menacing red eye of HAL9000 from Stanley Kubrick's '2001: A Space Odyssey' to the sky over the factory. The workers have been colorized to a yellow-green shade and the factory has been colorized to a sepia tone.]

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[phoenixyfriend]

Why I think it's important to understand the geopolitical anxieties of Israelis

Oftentimes, it feels like even recognizing that those anxieties exist is viewed as siding with Israel in the current conflict.

And I think that it's... weird, to do that. Dismissing the anxieties wholesale makes it harder to resolve the situation. Addressing them directly is possibly the only way to resolve the situation, because America.

Let me explain.

This will have three parts:

Why the propaganda works

How it affects current policy

How we can pressure the (mostly US) government about Israel using what we know about propaganda

Why the propaganda works

A lot of it is just propaganda, yes, but a lot of it is based in history, and a lot is also sort of self-fulfilling at this point. They have had reason to believe that some of their neighbors want all Jews dead or gone for a long time (see: Syria, Lebanon, Yemen), so it's not that it comes from nowhere. When over half the population is either Mizrahi Jews who fled from nearby countries that were happy to have a place to kick their Jewish populations out to, or their descendants, it's not hard to see that 'if someone else is in charge, we'll have to flee again.'

You could tell the French in Algeria to go back to France, but are you going to tell Mizrahi Jews to go back to the ME countries that they left? Sure, some left willingly, but that kind of wholesale eradication doesn't happen unless there's some degree of systemic discrimination or threat of violence. You cannot send Yemeni Jews back to Yemen.

The threat is real. It is not as large as the propaganda claims. It does not in any way justify nearly 30,000 deaths, half of them children. But the threat is not just imagined.

The fact of the matter is this: the propaganda is fueled by actual violence and legitimate fears.

And unless those fears are recognized and accounted for, Israel cannot be talked down.

Being told that a threat does not exist when recent history clearly shows otherwise is not going to convince anyone. I cannot emphasize this enough: even if the far-right government is replaced tomorrow, those fears will persist.

Israel's current government is violently and militarily opposed to restructuring itself in a way that allows for either a secular democratic single state, or a truly free and independent Palestine in a two-state solution. Due to mandatory army service and large scale propaganda, many have been taught since early childhood that the only way for Jews to be safe is for Israel to exist and to be so incredibly overpowered for their size that other nations won't invade them. The fact that both distant history and more recent, across the world, is filled with antisemitic discrimination, feeds this paranoia. A lot of people are out to get them, and have been since well before Israel was established. The destruction of Judea, the Edict of Expulsion, the expulsion of Jews from Spain, pogroms, the Holocaust, the near-total eradication in Yemen, Jordan, and Syria, and so on... this shit keeps happening. Some of it long ago, some if it very recent.

But it does keep happening, and that is why the propaganda works. That is why the fearmongering has teeth. It has happened before, over and over and over again, and it is being loudly threatened again. The propaganda works in Israel, and it also works in Jewish communities, and non-Jewish people who just happen to hear it, based elsewhere in the world. Like America. (This is important.)

Before moving forward, I need to make this clear: There are Jewish Israeli activists, both within Israel and without, that are vocally against Israel's actions against Palestine. Some are organized, and some are individuals. Some stories even go viral: Israeli-born Natalie Portman's been criticizing Netanyahu for years and politicians have called for her citizenship to be stripped for it. Tumblr loves the story of the Swiftie Twitter that went to jail for refusing to join the IDF, and that's very common; plenty of young people get months-long prison sentences, sometimes multiple times. Right-wing mobs go after Jewish Israelis who speak in support of Palestine in any way, and these things get violent.

(In that same article, it also talks about how Israeli Palestinians are suffering much, much worse under the government's crackdown on free speech.)

How it affects current policy

The thing is, there are only really four ways for this to resolve:

Israel wins. They succeed in pushing Palestinians out of Gaza by killing anyone who doesn't comply, and take it over for themselves. (This is bad.)

Israel is cut off from any and all support from abroad, both 'here, you can help yourself with these guns' and 'here, we will fight your enemies for you,' and is very suddenly at risk of invasion, mass murder, and removal from the Palestinian Mandate by those groups they fearmonger about, the ones that include slogans like "death to Israel, a curse upon the Jews." (This is also bad.)

Israel is convinced to stop attacking Gaza, possibly through the threat of no more support, and settles in to figure out a solution with Palestine, whether two-state or secular single state or whatever, and normalizes relations with neighbors enough that they can start cutting back on their military. (This is the best option.)

A foreign power or coalition of powers invades and forces Israel to stop, and oversees a transition from military state to peaceful state while protecting from outside attack, like was done to Japan and Germany following WWII. (This one is... interventionism is bad, but also almost 30k people have died with no end in sight, so it's starting to look like a real possibility.)

We can all agree, I hope, that the first option is not an option. That is Bad.

I also hope we can agree that the second option is not an option. A number of Israelis may be settlers in the traditional sense of the word, but a lot of them are refugees from neighboring countries, survivors of the Holocaust, or descendants of such. "Just go back where you came from" doesn't work when many of them came from places that were also saying 'go back where you came from' because Israel now existed to expel them to. It's also been around for 75 years now, and some three-quarters of the population were born in Israel. Expelling them all, even the ones that were there before the early statehood aliyah? It's... I don't know. I understand in theory why some activists push for it, but I do think it is fundamentally different from any comparative colonization or settlement.

(Note: I do not include Israeli colonies in the Palestinian West Bank. Those do need to be returned to their owners. Give people their houses and land back.)

The third option is the one that most people, I think, would like to see happen. However, the Israeli government is clinging to the propaganda that they will be eradicated as a Jewish people if they do not forcibly take power where they can, and they are spreading it out among Israelis. Dissent by Israeli Jews may not be criminalized, but the society around them sure isn't receptive to it. The recent invasion of Gaza has also inflamed tensions across the region, which means that even countries which were slowly normalizing relations, or at least.

Netanyahu has not been convinced, and by all appearances cannot be convinced. The only thing that may force his hand is the threat of no more military aid, so he suddenly has to start conserving what missiles he does have in order to fend off a possible attack instead of continuing to hammer on Gaza.

Sounds great, right? This is why we are all (I hope) calling our senators or representatives or whatever your country has to tell them to stop supporting Israel monetarily or with military aid. This is why I keep giving suggested topics for Americans to call their senators about, even if I'm just one voice, and there are much louder ones saying the same thing, but better.

And yet, the Senate passed the aid bill. They snuck it into a Veteran Affairs thing as a last-minute amendment, but they passed it, and any failure in the House will have little to do with sympathy for Palestine and a lot to do with domestic border policy.

So... Americans are also pretty convinced of the whole 'if we stop supporting Israel, they will be invaded and killed off by the Iran-backed militias' thing. Many do feel sympathy for Palestinians, hence the 'Israel, you need to knock that shit off' comments, but they also are genuinely of a belief that the Israeli propaganda of 'we will be overrun by antisemitic Muslim extremist militias and exterminated like in the Holocaust' is true.

Like. Either they fear for Israelis due to the antagonistic forces in the region, or they belong to Christofascist ideologies about how supporting Israel is the way to avoid suffering in Armageddon.

You can't get to the latter on ethics or morality or whatever. You can only rely on ulterior motives (the border things) or telling them 'your reelection is in jeopardy, change your mind or you're going to be voted out.'

The former, though... you can. They believe the things that Israel claims and has been claiming since 1948, with regards to threats.

And if you acknowledge why the propaganda works, you can address it.

How we can pressure the government about Israel using what we know about propaganda

If you say that there is no threat to Israel from Yemen, Lebanon, Syria, Iran, or so on, you will be dismissed as an idealist who hasn't done any research. If you say that Israelis should be left to their own devices, you will be viewed as cruel, and if you say they should be removed and the land given back to Palestinians, you will be laughed away (silently, but it'll happen). You cannot convince the American government with these tactics.

What can you say?

Israel is making things worse for itself in regards to these exact threats. Pushing on Gaza is making neutral and nearly-normalized countries like Egypt and Saudi Arabia less inclined to get in the way of the 'death to Israel' militias. The campaign is creating a whole new generation of extremists who will join the militias out of a desire to prevent more of these deaths by Israeli hands, and that will only increase the threat to Israel.

Destroying Hamas isn't going to do shit if Hezbollah, Iraq, Iran, the Houthis, and so on, invade. Especially if twenty years down the line, all those orphans that Israel just created these past few months start a new Hamas for revenge because, hi, look how many orphans you just created.

Netanyahu is working against the interests of the Israeli people. He is trying to remain in power, and the Gaza war is a distraction from the charges being levied against him.

Netanyahu has a vested interest in seeing that Donald Trump is elected, as they are much closer than the at best strained relationship with Biden. This is very complicated but if your senator or rep is a Democrat, it is relevant.

Israel's continued offensive is leading to the risk of millions of Palestinian refugees entering Egypt and destabilizing them, which, in an already unstable country in an already wobbling region, is going to risk another war across the Middle East. The US still has not pulled out all troops from the last one.

The US cannot afford, monetarily or in terms of foreign relations, to aid in causing a new regional war.

If Israel slows, halts, and withdraws peacefully from Gaza, tensions will settle enough to avoid possible invasion by those hostile forces they're so worried about. The UN can, if necessary, deploy forces to maintain relative stability until peace treaties are worked out. We'd like to avoid option 4 if possible.

The only way I can see to convince the US government to stop supplying weapons to Israel is to push on the fact that continuing to do so will, due to Netanyahu and his party's actions, put Israel in more danger rather than less.

There are other things to say to your senators, and I'll be making a post about that soon (not today, but probably this weekend; stuff like Michigan, UNRWA, international reputation), but in regards to just the geopolitics surrounding the propaganda, this is it. This is why we have to understand it. Because the way we get the United States government to stop giving aid to Israel to defend itself is by telling them 'this is putting them in more danger due to their head of state's aggression.'

This was very long, but I've seen a lot of misinformation and a lot of generalization, and a lot of it is... not great. Well-meant, sometimes, but not great. I felt it necessary to be very clear and very specific. I'm anticipating a lot of comments to the effect of "you forgot about this" and "but that doesn't excuse their actions" and "well, not all activists believe--" and I know.

I know.

But I've had people say "Nobody is advocating for the removal of all Jewish Israelis" to my ask box hours after I was talking about Yemen, a country that enacted a removal of all Jews and largely under the control of a group that has a slogan about doing just that to the Jewish Israelis.

So let me be very clear that I have seen a lot on tumblr recently, a lot of it extremist, and I'm not pulling any of this out of my ass or making up a guy to be mad at. I may not know everything on this topic--I may not even know much at all, given that it covers centuries of conflict due to the Ottomans--but I've been listening to hours upon hours of news from a variety of sources (Al Jazeera, BBC, NPR, and more) every day just to make sure I understand.

Please trust that, even if I get some things wrong, even if I don't cite every detail or generalize just a bit here and there, that I mean well. Please trust that I am making this in good faith and am trusting you to respond to it in kind.

Call your reps. Write them an email. Donate to a Palestinian charity.

It's a slog, but we can make a difference.

[vickyzangels]

You do NSFW too right? If so could you do Tom going down on reader?

% “너와 천천히 오래 걷고 싶어 until the end of time.”

# synopsis ; redemption era?? resurrection era? idk🧍🏻‍♀️

# pairing ; tom kaulitz x reader

# word count ; 614

# warnings ; nsfw (mdni), recreational drug use, he’s pussywhipped, tom is a, what does ice spice call them? a munch.

a/n ; YALL….. i completely scrapped the fic i was working on like i hate to admit it but i couldn’t do it i scrapped it 😭 but at least i found out something important from it, that i am entirely incapable of having any plot, like i can do a blurb at BEST, but god forbid i put even a minor storyline in. i might go back to it one day when i’m that deep and far into the trenches but the a/n for that fic literally looks like this so…;

he can tie cherry stems with his tongue alone. no hands. gn.

kind of relates but kind of doesn’t anyway one of his favorite things to do while eating you out is fingering you (MY GODDDDD)

his calloused hands from guitar-playing are brushing up EVERY corner inside you, curling and making “come-hither” motions to reach that spot that has you squeezing your legs around his hands and yet he does NOT care, continuing up from your cunt to leave the most sweetest and innocent kisses and marks on your neck like he wasn’t hovering over you and abusing your g-spot till you squirted into his hand

on that topic, he LOVES squirters like he likes creamers too (he doesn’t discriminate), but he’s so into it like, god forbid he gets you to squirt (in which he always does) because he’ll happily come up soaked in your juices like a puppy

i’ve never mentioned this anywhere else but he’s 50/50 in bed with his attitude (that sounds so vague i’m sorry) and i mean that he is generally serious like he’ll fuck your brains out while sternly whispering in your ears about how much of a dirty slut you are HOWEVER, on the flip side of things he acts like he’s sooo damn funny 😐 like he’ll jokingly nip at you while going down on you (obviously lightly he doesn’t want to hurt you) and laugh when you look at him like 😧

he gets so weak if you sit on his face. his hands are wandering everywhere, spots on your hips where there are guaranteed to be bruises by tomorrow by how hard he’s holding you down onto him and his other hand going up to rub and hold your body while he groans into you because everytime his voice vibrates on you it makes you shiver🧎🏻‍♀️listen, tom has fuckboy experience he can keep going for ROUNDS before he decides to cum once but when you’re on top of him squeezing your thigh around his head, HE’S A GONER.

whether or not you smoke, you hypothetically do for this; tom’s such a slut for the way you taste the main reason why you ever get overstimulated when he eats you out is because you taste so good to him, so when you two smoked a blend that had flowers in it for calming effect, it doubled for an aphrodisiac and you had to pry him from your pussy.

about an hour ago, you and tom smoked blunts with a new blend you found from your dealer that only piqued your interest because she explained to you it also worked as an aphrodisiac. truth be told, that was the only thing you actually registered come out of her mouth cause you zoned out when she started talking, but knowing you and tom fucked like bunnies, you told her to take all your money and you were on your way. so now here you were, on your back with your legs over tom’s shoulders god near choking him to death (not that he was complaining), gasping moans into the air while your hand made its way to tom’s head, making weak efforts to push him away. “to- mm..! i can’t take it!” starting to writhe your hips, accidentally bucking further into tom’s mouth. he was pushing you and he knew it, pushing you towards your 4th orgasm and counting and he had no intention of stopping any time soon, especially not when whatever in that blunt was making you suddenly taste so much sweeter. not when whatever was in that blunt was making the music sensually slow down, or making your moans so honey smooth.

a/n ; last blurb’s dialogue was definitely… 😟 but all i know is that i’m leaving the longer fics to people like @arquiiva and omg i think i’m back? and i also watched astv so i’m adding that to the topic list in guidelines but yeah i’ll try not to leave out of no where again

© ALL RIGHTS BELONG TO VICKYZANGELS. do not steal, repost, plagiarize, or use my work for anything.

taglist ; @cup1d-lix @imabitchh @arquiiva @verelace @iovemoonyy @everseve

[writingwithcolor]

Dark features/people as blessed, white and light people as sick

ladyoftheseastuff asked:

I'm writing a fantasy story where the world is permanently covered in snow & ice. The people share a common culture & are loyal to their city states, but they are not homogeneous in appearance; there will be many, many characters coded as PoC. The main religion centers on the sun, & those with dark features are 'favoured' by the sun god, while pale people or anyone who has white/blonde hair are thought vulnerable to "snow sickness", a disease caused by environmental factors (1/2) & have other rules and customs to gain religious approval. It's dangerous & infectious but not well understood. It affects social standing and opportunities, but it's meant to be tied with ideas of youth, vitality, & fear of aging & sickness: it's not limited to those coded as white. This is a cultural detail and not part of the main conflict, but I want to avoid unintentional allegories/parallels & fetishization. Is this a concept that's too close to crossing any of those lines? (2/2)

This feels less like a means to show dark skinned people in an empowering light and more like a weak attempt at subversion. My primary concern (which you have not specified) is how do the "blessed" class treat the "sickly" so to speak. We have fantasy stories like The Grisha Trilogy and Girls of Paper and Fire, which deal with magical ability/feature-based segregation and conflict.

In both cases there is a sense of entitlement which comes with hailing from the "favoured" class, quite obvious, since there will always be an inherent othering metaphor whenever you create such a division, whether it was meant to be a source of conflict or not.

However, the two mentioned series use the "magical people are blessed, non magical people are to be pitied" arc which is somewhat more subtle than divisions created just on the basis of skin colour.

Disclaimer as I do not have albinism or vitiligo: The latter can be extremely harmful, and not just in a racial context, but in cases of albinism, vitiligo etc.

~Mod Mimi

The pitfalls of subversions

While it is always lovely to see dark features considered in a favorable way, there are some issues you may come across. Such a story could easily end up dressing those you wished to uphold as bad guys in the readers' eyes, even if the story's society and the sun god etc. thinks they're amazing, and white and light people as the victims of dark people, deserving reader sympathy. This may especially be the case based on how these groups get treated in the story.

These sort of subversions lean dangerously into "reverse discrimination" plots which are not overall accurate or favorable allegories for your real, human audience. There being diversity on both sides doesn't necessary fix this issue or remove racial or ethnic implications. On that note, and as Mimi mentioned, being demonized and ostracized particularly for skin and genetic disorders like albinism is already a thing. What does your concept say of them?

I think Dark/Black as good and Light/white as bad is a doable concept. Your concept differs a bit from simply subverting black/white tropes. This is not just Black good guys and night skies being peaceful or neutral. It's not just white/light villains (as opposed to victims) or snow symbolling death or sickness.

White and light people are quite blatantly being declared as sick and unfavored and they may very well be victims in the reader's eye with the dark people being the villainous, unsympathetic bunch. Is this your intention?

More to consider

Such a concept requires thoughtful, careful planning and intentional writing. You should have an understanding of what your story implies to the readers and the real-life takeaways.

I think it's possible to make dark skin the favored skin of the sun god without it meaning white/light people stand in a negative light and are sick or unworthy.

Consider what it is that you like about the concept of your story. Can you keep the essence of whatever it is that excites you about your ideas, without denying a whole group of people favor? If not, how will you go about telling such a tale that is not meant to symbolize a sort of reversal of roles discrimination?

Why does the sun god get to determine what is good?

Are there other gods that might have different strong opinions? Perhaps who is favored varies by time of day, season, region, culture, god?

Can dark skin get its favor without white and light features being deemed unfavorable as a whole?

How big of a deal does this favor have to be? I advise reconsidering it being the point of discrimination to white/light people for all the reasons already described.

No matter the directions you go, please research and get the appropriate beta-readers for feedback on the in-depth concepts and story.

~Mod Colette

[screamingfromuz]

the reason I get frustrated when people call Israel an Apartheid is not because I think that there is no discrimination, it is because the term is inaccurate when describing the situation. Even in the west bank, the place where it fits the most, I still prefer to avoid the term apartheid as I believe is misunderstand the main problem, and therefore direct people to the wrong thing. The main problem is not the segregation, it is the existence of military occupation. The only way to get rid of the segregation is to end the military rule. Saying "Apartheid" is a kind of distraction.

Same with saying that what happening in Gaza is genocide. I'm working on another post with more citations about why it is not a genocide, but the gist of it is that the IDF does not have an intention to eradicate Gazans. The real problem is that the IDF is negligent with Palestinian life- if it means killing high ranking members of Hamas, the IDF will bomb a place knowing that the casualties will be massive. The calls, leaflets and knocker bombs aside, the IDF can estimate how many people will be hurt in an attack, and would plan accordingly to minimize this number. At this point of time, minimizing the number of casualties is far lower on the list.

Saying that this is a genocide would make you think all this death is intentional, but the truth it is not. The problem is that the IDF is being careless with Palestinian life, which is mortifying, and this is what we should criticize. It is still not a genocide. If you criticize the wrong thing, eventually your criticism fall flat.

Words are important, understanding the actual problem is important. Because if you don't know the root cause, how can you truly remove the symptoms?

[metanarrates]

the bill (post that outlines it from last week) has been signed into law.

the slight good news: the language of the bill has been amended so that children can no longer be criminally charged for using a bathroom or locker room that aligns with their gender identity.

the bad news: literally almost everything else about the bill is the same. adults can still be charged.

in addition to everything highlighted in my earlier post, I would like to highlight that the law will charge transgender adults with trespass if “the individual enters or remains in the changing room under circumstances which a reasonable person would expect to likely cause affront or alarm to, on, or in the presence of another individual." in other words, if a transphobe is alarmed by a trans person existing in a restroom, and the judge agrees, that's a trespassing charge. maximum penalties for trespassing under utah law go up to six months in jail and a $1000 charge.

I don't think I need to explain the violence that trans people, particularly trans women, face in jail, especially if they are sent to a men's prison as a trans woman. I also don't think I need to explain the poverty that the trans community experiences as a result of systemic discrimination, and how devastating a fine can be to a poor person. and even without the charge, being harassed by both civilians and cops who will demand that you prove your gender is traumatizing and humiliating. even though this law does in fact only extend to buildings that are publicly funded (such as government offices, schools, possibly the salt lake city airport,) this will also embolden transphobes to harass trans people in other places. make no mistake, this law is violence.

additionally, the law also can give out charges of lewdness and voyeurism, both of which are sex crimes. being placed on the sex offender registry can be DEVASTATING for a person's job opportunities, ability to find housing, and basic rights to privacy. in addition to the already devastating housing and employment issues faced by ex-convicts, this would make life practically unlivable for anyone convicted.

I'll emphasize again that this endangers the trans community, particularly the transfem community, but I am also scared for black women, gnc people, and intersex people, all of whom are also vulnerable to gender policing and gender-based harassment. I am terrified at how openly this law gives leeway for civilians to act as vigilantes and for cops to demand to know what a person's genitals look like. I am terrified at the escalation of hate crimes and harassment that this will likely prompt.

please show up for the utah trans community. in the next few days, I will put together a list of trans people's gofundmes in the state. I would appreciate it if you would share that as well. chances are, we're going to need a lot of financial help in the future, especially if some of us end up choosing to flee the state.

as always, death to the american police state and all it enables.

[theriverbeyond]

some meandering thoughts on Lyctoral reproduction, contraception, and why I DON'T think Pyrrha hit it raw

this was originally a reblog of another post but it became SO LONG i am just posting it by itself. anyway cracks knuckles:

I think from a reproductive health standpoint the Lyctors are, despite having been exposed to extreme pre-ressurection levels of radiation, not sterile per say, but homeostatically fixed at the point of ascension with any changes made to themselves after that being a concious theorem. See: Cytherea is frozen as sick as she was when she ascended, but when she wanted to fight she could walk around fine, and Harrow when cold, can pad her fat reserves. So they CAN change their bodies, but it's still a Thing They Have To Do vs. a truly autonomous bolidy process.

Also, we know Lyctoral Healing is a thing dependant on nerve fibers -- why a severed limb (Nona/Gideon-in-Harrow aside) is not supposed to automatically regrow (but can be intentionally regrown, with thought and effort), and why in order to imbue Ianthe's bone arm with regenerative power Harrow had to make sure it was properly innervated

(The reason I believe they are not inherently sterile despite having been exposed to massive amounts of radiation is simply because that radiation does not discriminate and would have destroyed the rest of their physical bodies as well. basically, I think any radiation induced infertility would have been fixed in the Ressurection Process, same as the radiation induced. death.)

At the same time, the biological changes a human body must undergo to fertilize an egg and then bring a pregnancy to term are many (on a physical and physiologic level) and all must happen in the correct sequence at the correct time. the adult unaltered, non-Lyctoral body (most of the time) naturally knows how to follow this path, but in order for a Lyctoral Body to bring a pregnancy to term all those minute changes would have to be done manually, lest the Lyctoral Body revert to its homeostatically frozen state.

Therefore, my thoughts are: a Lyctor wouldn't really be able to become pregnant on accident to begin with, much less carry a pregnancy to term unwillingly. Every minute step or shift or change in hormone levels, uterine stretch, etc would have to be manually preformed and then monitored 24/7 which just seems incredibly exausting if not annoying. Then, of course, you have the reality that the Lyctor is going to outlive their child by thousands of years if not forever, and after the catastrophic grief they all carry for their cavaliers I cannot imagine any of them willingly putting themselves in that situation.

why, then, did Pyrrha think Gideon was her child?

WELL! the above theoretical process is specific to a Lyctor becoming pregnant, either from Lyctor or non-Lyctor. For Pyrrha/G1deon, the person who may have become pregnant from their encounters was WAKE, a (as far as we know) physiologically normal human, whose body would be able to like. in the presense of viable sperm, get pregnant the usual way without need for necromantic initiation and maintenence. Not only that, but at the time, Wake could NOT have been taking any sort of continuous contraceptive, as the planning/execution/impregnation of Dios Apate Major/Project Bomb was happening at the same time as Wake was fucking Pyrrha and G1deon. Like I know Mercy gave her the dolls but like Wake was able to turkey baster herself pretty quickly after their failure which means there was an open window of time where Wake was fucking PyrrhaG1deon and definitely fertile.

I could see G1deon as being able to tie off his ductus deferens, or whatever, while he is having sex to prevent physical ejaculation but as we know from Gideon-in-Harrow and Pyrrha-in-G1deon and Cam-when-Pal-Was-Inside, the cavalier's soul cannot preform necromancy whilst in the driver's seat. SO, following that, Pyrrha would be unable to necromantically prevent herself from ejaculating whilst doing the deed.

and finally, we have come to the part where I explain why I do NOT believe Pyrrha was having unprotected sex. as funny it is to imagine them all hitting it raw with a huge breeding kink, given Pyrrha and not to mention WAKE'S general competency (and also like if Wake is trying to get pregnant with the key to the Emperor's Tomb, being already pregnant would have been really inconvinient!!! considering again that the impregnation of ProjectBomb happened at the same time as she was fucking PyrrhaG1deon, Wake HAS to have been taking steps to prevent an unwanted, competing pregnancy), I have to take the controversial position that the condom broke.

Imagine you are a soul fragment, 10,000 years old, and you are betraying your God and Emperor AND your other half, by fucking a rebel comander (using your other half's body) while both of them are unaware. and then the condom breaks. wyd

[glossamerfaerie]

One aspect of Gwynriel that really excites me is religion. The other protagonists don’t seem to take religion or rituals very seriously? Everyone respects the Mother and acknowledges her power (and the Cauldron), but we haven’t explored faith among the fae. Feyre has a terrible experience with Ianthe (a sadly accurate depiction of corruption within organized religion). But we know that not all priestesses are like power-hungry Ianthe. Nesta is understandably indifferent even though she later has an experience with the Mother during Nyx’s birth. Rhys and Cassian seem respectful but we’ve never seen them pray or attend services. It’s giving “only attending church during Christmas” level of religious commitment.

Azriel, on the other hand… we haven’t had much canon insight in his head, but I firmly believe that Azriel is more religious than his brothers. Like he’s not the type to attend temple services, but he probably thinks about faith and the Mother regularly. Clearly he has contemplated mating bonds and who creates them — maybe he’s prayed for a mating bond? Maybe his mother raised him to be more religious. In HOFAS, after Nesta takes the mask off in a close call, Az’s very first instinct is to thank the Mother. Possibly that is meaningless (like how an atheist can say “thank god”) but idk. Az seems to have more faith than his brothers.

“The Mask fell from Nesta’s face, clattering on the stone.

Nesta swayed, but Azriel was there, catching her, bringing her to his chest, scarred hands stroking her hair. “Thank the Mother,” he breathed. “Thank the Mother.”

A few chapters later, Az describes the Cauldron and what happens after death.

“Bryce nodded to the carving. “What’s the big deal about a cauldron?”

“The Cauldron,” Azriel amended. Bryce shook her head, not understanding. “You don’t have stories of it in your world? The Fae didn’t bring that tradition with them?”

Bryce surveyed the giant cauldron. “No. We have five gods, but no cauldron. What does it do?”

“All life came and comes from it,” Azriel said with something like reverence. “The Mother poured it into this world, and from it, life blossomed.”

Later in the conversation, Az explains what happens to souls after death.

“When you die, where do your souls go?” Did they even believe in the concept of a soul? Maybe she should have led with that.

But Azriel said softly, “They return to the Mother, where they rest in joy within her heart until she finds another purpose for us. Another life or world to live in.”

The way Az talks about the Mother, with reverence and confidence, makes me certain that he’s more religious than his brothers.

Then, of course, we have Gwyn — a literal priestess who was raised in a temple. She still attends daily services and sings for the choir. I’ve wondered if what happened in Sangravah shook Gwyn’s faith. Maybe she thinks the Mother exists but isn’t a benevolent deity. Maybe she’s bitter that the Mother didn’t save her servants from Hybern attacks. She definitely feels shame and unworthiness — Gwyn no longer feels like she has a right to wear the Invoking Stone. Working through those feelings will be a major aspect of Gwyn’s arc.

“You asked me once why I don’t wear the hood or the Invoking Stone. That stone is a sign of holiness. How can someone like me wear it?”

Within the temple, Gwyn also faces prejudice and discrimination from her fellow sisters. Ianthe isn’t the only asshole within the organization (cough Merrill cough). I’m sure that some people in Sangravah were cruel to Gwyn’s family because of their nymph heritage. I don’t know what SJM has planned, but I feel that religion will play a major role in the Gwynriel book. I wouldn’t be surprised that, like Nesta, Gwyn has a firsthand experience with the Mother. She will definitely use the blue invoking stone for healing (a nice parallel to Az’s blue siphons).

“It’s an Invoking Stone.” Gwyn unfurled her fingers, revealing the gem within her hand. “Similar to the Siphons of the Illyrians, except that the power of the Mother flows through it. We cannot use it for harm, only healing and protection. It was shielding us.”

I’m also curious to see Gwyn and Az discuss their religious beliefs together. Maybe Az gets permission to join the dawn and dusk services. The man barely sleeps, he might as well watch Gwyn during her religious commitments. The shadows are NOT going to pass a chance to hear their girl sing (or watch her glow). Maybe Nesta can talk Az into singing with the choir. 🥹

Nesta could only gape at the lovely melody, the voices from the front of the cavern leading it, lifting higher than the others. Gwyn sang, chin high, a faint glow seeming to radiate from her. The music was pure, ancient, by turns whispering and bold, one moment like a tendril of mist, the next like a gilded ray of light. It finished, and Merrill spoke about the Mother and the Cauldron and the land and sun and water. She spoke of blessings and dreams and hope. Of mercy and love and growth.

Idk, maybe I’m wrong about Az being religious. But it feels like such a wasted opportunity if we don’t learn more about the Mother! At the very least, I do see Az attending the dawn and dusk services if he’s not on a mission. 🎼🩵🎶

[pillarsalt]

hi um

I was? transmasc but recently I’ve been seeing a lot of really misogynistic sexist transphobic stuff from trans community and it’s just been totally accepted, even by other transmascs. It’s been going on for a while but recently there was a murder of a nonbinary afab person and yet the whole trans community here has been silent, instead screaming about a transfem user being banned or something? This isn’t the first time an afab trans persons suffering has been dismissed, but now right after this awful death, i see transfems making posts about how transmascs talking about their oppression are terfs.

I didn’t want to think about it but all i could think about was that it was weird how despite everyone claiming trans men have all this privilege, trans women always come first…they get the most representation, they get the fame the admiration and the opportunities, their voices are always the loudest and their problems always always come first no matter what.

But despite popular belief trans men’s issues aren’t actually less significant, in some cases we suffer far more than trans women especially in regard to sexual violence. Yet we are silenced. We are frequently left poor, we are discriminated against for our sex we are discriminated against for being trans we are discriminated against for being perceived as lesbians. Yet we are made to be silent?

Why are our voices less important than trans women’s?

And all I could think about was that this is how females are treated in every other area.

I don’t know what else to say… I tried so hard not to reach that conclusion because I don’t want to be transmysogynist but I kept coming back to it and I couldn’t find an argument against it. This is how females are treated. This is what male privilege look like. And if trans women have male privilege, then why the fuck am I sitting here letting them talk over me?

I just feel really really angry. Your a blog who I liked your art but I blocked you when I discovered you were a radfem, but I sort of had you in the back of my mind for some reason and now I feel lost and confused, and I don’t think I want to be part of the trans community anymore.

Hey anon, firstly I really appreciate your willingness to have an open discussion with me. This must be weighing on you pretty heavily.

Secondly, holy shit, you're right. While the entire website is treating this user's ban as a national travesty, I haven't seen a single person talking about Nex's murder despite how much they claim to care about trans people. That's really fucking low, and this situation does very much encapsulate the state of misogyny within the trans community.

And you're right, this IS how females are treated in every other area. Throughout history, the suffering and injustice women face is minimized, laughed at, ignored, and when we want to talk about it, we're shut down and told we're making people uncomfortable and our pain isn't that bad. And here we are again, with a female person's death outweighed by a male person's inconvenience.

The denial of sex-based oppression that permeates trans spaces is a blatant lie that can only be held together if nobody is allowed to acknowledge it, and those who do are punished. If the trans community truly stood behind what they say, discussion would be encouraged! The foundation of their movement would be backed up with facts and replicable science! But instead, they'll call you a bigot for pointing out systems of oppression you can see with your own eyes. Because if you do, transwomen's position as Most Oppressed, and therefore the final authority on what's right and wrong, collapses. You are correct when you say that it seems like transwomen always come first; I don't remember who said it first, but just look at magazine covers featuring trans people -- the transwomen are fully clothed CEOs, athletes, movie stars, but transmen mostly get on magazine covers for... being pregnant and half naked. Misogyny is built into every society on earth, and individuals simply calling themselves something else doesn't change that. And when you give male people free reign to be as misogynistic as they want without consequence, they'll grab that opportunity and hold on like their lives depend on it. The way they weaponize transmen's sex against them is indistinguishable from what 'cis' men do to 'cis' women, but if you ever speak out about it, somehow YOU'RE the one hurting THEM. They do not want transmascs to find solidarity with other female people, because then they would have to face the reality of their own place in a patriarchal world, and face the fact that there are experiences exclusive to female people and that we have the right to speak about it. I mean you see shit like this and the motives become completely transparent:

I do find it funny how hard the trans community and their allies work to prevent anyone from hearing what radfems have to say in case they "corrupt" you with mere words. A lot of the time, it's simply listening to transwomen themselves that sparks the feeling of "something's not right here" in your brain. That's what happened with me too. I'll tell you that most of us also used to be proponents of trans activism, many formerly identifying as trans too. You are seeing through manipulation, and I know it's quite shocking to realize. Even when I first started having doubts about trans rhetoric, I thought "well everyone else agrees about this, so I need to shut up and be nice about it even if I don't agree." It's an unpleasant place to be in. The cognitive dissonance is exhausting though, and it becomes impossible to ignore.

The mistreatment of transmasc people in the trans community by transfems is brutal, and It's hard to watch from the outside because I just want to say "Hey, you know you don't have to take this shit, right?" And you really don't. You are not at all a bad person for recognizing the frankly absurd amount of misogyny in the trans community. Feeling lost and confused is shitty, but it's normal for this situation. The best thing you can do is keep observing, keep reading, form your own opinions, and never let anyone tell you to shut up. Above all, prioritize yourself and your mental wellbeing. If you need to remove yourself from gender-related spaces and discussion for a while, that's totally alright. Just know you're not evil or a bigot for not blindly agreeing with everything the trans community has told you. Your opinions and experiences are worthwhile too.

[inthedayswhenlandswerefew]

1968 [Chapter 7: Apollo, God Of Music]

Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.

Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.

Word Count: 8.7k

Let me know if you’d like to be tagged! 🥰

💜 All of my writing can be found HERE! 💜

“My uncle, he is a doctor in Zabrze,” Ludwika says, red Yardley lips, Camel cigarette. No one cares if she smokes; she’s not campaigning to be the next first lady. Fosco is puffing on a cigar. Mimi sips drowsily at her Gimlet; you could use a few shots, but you’re making do with a Pink Squirrel, something sweet and feminine and without any bite. “So I go to him and he gives me a bottle of chlordiazepoxide.”

“Oh, Librium,” Mimi says, perking up.

Ludwika waves her hand dismissively; cigarette smoke wafts through the air. “Whatever. The next day I have my audition. A tiny man who thinks he’s God. And I give it a real shot, I try my best, I’m nice, I’m charming, but he doesn’t like me. He says my teeth are too big, like a mouse’s. This is very rude. I did not comment on his fidgety little rat hands. But okay, no problem, I have a plan. No one will stop me from getting out of Poland.”

“You drugged him?” you ask, incredulous, grinning.

“You are a criminal,” Fosco tells Ludwika. “I will call J. Edgar Hoover, you should not be so close to positions of power.”

“Listen, listen,” Ludwika insists. “Here is what I do. I thank him very much for his consideration, and then as I leave I drop my purse and things go everywhere. I filled it before I left my apartment, of course. Anything I could find, empty lipstick tubes and perfume bottles, old makeup compacts with broken mirrors, coins, hair pins, tissues, pens, gum, Krówki candies, it is an avalanche. And when he bends down to help me pick up the mess—I have to encourage him, ‘oh sir won’t you grab that, I am just a stupid girl in a very short dress,’ you understand—I put the pills in his tea.”

“How many pills?” you ask.

“I don’t know. You think I had time to count? Maybe seven.”

“Seven?!” Mimi exclaims, and you take this to mean it was a generous dose.

“What? He did not die,” Ludwika says. “I wait two days and then I go back to his office. And it is so strange, can you believe it, he does not remember my audition! So I remind him that he thought I would be perfect for the ad he is shooting in Paris. He keeps squinting at me and saying ‘are you sure, are you sure?!’ Of course I’m sure! A week later, I am standing under the Eiffel Tower with a bottle of Coca-Cola. And then I book a job in London, and then another in New York City, and one of my new model friends sets me up on a blind date with Otto. Lunch in Astoria at a horrible Greek restaurant. Who wants to eat pie made out of spinach?! Now I am here with you people, and the journalists love when I smile for them with my big mouse teeth.”

All four of you laugh at your table, an elite club, the ones who married in. It’s Alicent’s 60th birthday, and the ballroom of the Texas State Hotel in downtown Houston is raucous with clinking glasses and chatter and music and the shutter clicks of photographers. The DJ is playing Fun, Fun, Fun by the Beach Boys. Alicent is dancing with Helaena and the children, and it’s the happiest you can ever remember seeing her. Otto, Aemond, and Sargent Shriver are deep in conversation by the bar, furrowed brows and Old Fashioneds, today’s newspapers and tomorrow’s itinerary. Criston is standing with the men but watching Alicent, face wistful, silver streaks in his jet black hair, and it occurs to you that they must have grown up together: Alicent a 19-year-old bride and Criston her husband’s fledgling bodyguard, the person closest to her age in the household, near and trusted and forbidden, orbiting adolescent twins like Artemis and Apollo. You keep looking around for Aegon. No one else seems aware that he’s gone.

“Otto thought he died and went to heaven when he found you,” you tell Ludwika. “His Eastern Bloc defector princess.”

“He is going to bring my mother to the States. I would be anything he wanted me to be. I would be a model, or a housewife, or a nurse. I would be Bigfoot! But this…” Ludwika gestures broadly: to the ballroom, the city, the latest stop on the campaign trail. “It is not so bad. I never expected to serve the Polish people so far from home. You know how you stop communism? You show the world that capitalism can do more for them. There must be a path to a better life, wars must be ended, injustices must be dealt with. Aemond will do that.” She grins at you, exhaling smoke through her nostrils. “You will help him.”

You reply a bit wryly: “It’s an honor.”

“We are like four legs of a table,” Fosco observes. He points at Ludwika with his smoldering cigar. “You are a Slav fleeing the Russians. My family has ancient titles in Italy and yet no castles, no land, we are essentially homeless. Mimi’s father is a third-generation oil tycoon from Pennsylvania. And she was supposed to fix Aegon.”

“I don’t think I succeeded,” Mimi confesses.

“And then when it was time for Aemond to get married…” Fosco turns to Mimi. “Do you remember? What an ordeal. The discussions went on and on and on. She must be smart, she must be sinless, she should be from a self-made family, a real rags-to-riches story of the American Dream.”

“Right.” Mimi nods groggily, reminiscing. “And from the South.”

“Yes! But not the Deep South. No, no. Someplace Aemond could actually win. Texas, Tennessee, North Carolina. Or Florida, of course.” Now Fosco notices how you’re looking at him, because you’ve never heard this before. He quickly pivots. “But the weekend Aemond met you, it was settled. Nobody could compare.”

His tone is odd; it suggests backstories, history, mythology. Ludwika appears to be just as intrigued as you are, taking a drag off her Camel, her eyes narrowing until they are thin and catlike. You ask: “Who else was being considered?”

“No one,” Fosco answers—too quickly—and he and Mimi exchange an uneasy glance.

What did Aemond and I talk about the night we met? you think dizzily. In those first hours, minutes, thirty seconds? Where I’m from. What I was studying.

Fosco, a true Italian, then attempts to deflect by flirting. He makes emphatic, passionate motions with his hands. “You were just so captivating, so clever…”

“And young enough that Aemond could easily beat Aegon’s record of five children,” Mimi adds. Fosco clears his throat and glares at her. Mimi realizes what she’s said and gazes forlornly down into her Gimlet, mortified, groaning softly. You’ve had one c-section already, and no living son to show for it. At most, you might be able to give Aemond two or three more children; and you don’t even want them. You want Ari back. You want to touch him, to hold him, even if only for a moment, even if only once.

“It’s fine,” you try to reassure Mimi, but everyone can tell it’s not.

Ludwika breaks the tension. “You do not want twenty kids anyway. Your uterus will fall out onto the floor.” And you’re so caught off-guard that all you can do is smile at her from across the table, knowing, appreciative. It’s a strange thing to be grateful for.

“She’s right,” Mimi says mournfully. “They had to sew mine back in.”

Fosco pleads: “Stop, stop, I will need a lobotomy.”

Mimi slurps on her Gimlet. “It’s sad. I used to love sex.”

“Mimi, please,” Fosco says, wincing, holding up his palms. “You are like my sister. I prefer to think you are the Virgin Mary.”

Ludwika sighs dramatically and looks to where Otto stands on the other side of the ballroom. “I used to love sex too.”

Now you’re all howling again, rocking back in your chairs. The DJ is playing Go Where You Wanna Go by the Mamas and the Papas. Cass Elliot is the real talent in that group and everybody knows it, but of course any mention of her must be dutifully accompanied by: If only she was more beautiful. If only she could lose weight and find a husband.

“I think you like it, yes?” Ludwika says to you like a dare, puffing on a fresh Camel, red lipstick staining the white paper, blood on sheets. She combs her manicured fingernails though her voluminous blonde hair. “I could tell when I met you. You dress like Jackie Kennedy, but you are not such a statue. She belongs in a museum. I can imagine you at the Summer of Love.”

Fosco and Mimi shift uncomfortably. It’s not the sort of thing they would ever ask you. It’s too personal, too easily a segue into criticizing Aemond. It’s a usurpation of the natural order. Mimi guzzles her Gimlet and flags down a waiter to get another. Fosco takes off his glasses and cleans them with his skinny black necktie.

Sex. You think back to before you began to dread it. This is difficult, like trying to remember Greek words or British manners, which fork to use with each course. Memories from another lifetime come back in flashes: tangled up with your first boyfriend in his tiny dorm room bed, Aemond peeling off your still-dripping swimsuit on the floor of your hotel room during your honeymoon in Hawaii. You shrug and give Ludwika a nod, a brisk, ungenerous answer in the affirmative. “I always feel like I could keep going.”

Paradoxically, this does not end the conversation. Ludwika, Fosco, and Mimi study you with the same bewildered, gear-spinning curiosity. After a moment Ludwika says: “Not after you’ve finished, surely. I am half dead by the end if it’s good.”

“Finished?” you ask, puzzled. All three of them gawk at you, then at each other.

Aegon breezes into the ballroom wearing the Gibson guitar he bought in Manhattan, blue like the Caribbean or the Mediterranean or the crystalline waves off the coast of Hawaii, dotted with fish and sea turtles. Your eyes go to him immediately and stay there; you can feel the swirling warmth of blood in your cheeks. As Aegon passes the table, he squeezes your shoulder—brief, familiar, welcome—and Fosco raises his thick eyebrows. Mimi is too busy gulping down her Gimlet to notice. Ludwika chuckles, low and wicked, then slides a makeup compact out of her Prada purse to check her lipstick. Aegon goes to the DJ and yells something over the music. He’s fucked up already, you can tell, pills or booze or both.

Fosco stops a passing waiter. “Signore, did you hear who won the United Nations Handicap?”

The waiter stares blankly back at him. “What?”

“The turf race at Monmouth Park. I have $200 on Dr. Fager.”

The DJ abruptly cuts off the music. Aegon gives his guitar a few practice strums to make sure it’s in tune. He stumbles when he walks, he lurches and sways. His blonde hair sticks to the sweat on his forehead. He is woefully underdressed. His white shirt is half-unbuttoned, his denim shorts tattered; on his feet he wears black moccasins. There is a small gold hoop in each of his ears. Otto keeps telling Aegon to take them out, and every time Aegon ignores him.

“Happy birthday, Mom,” you hear him say to Alicent, and she presses a palm to her heart, her dark eyes wide and shining. “When I first heard this, it made me think of you.”

Otto and Sargent Shriver—the aspiring vice president—are glowering at Aegon. Aemond smirks as he nips at an Old Fashioned, amused; but he makes sharp, intentional eye contact with each of the three journalists. You will tell the right version of this story, he means. You will not print anything we wouldn’t want written, or my family will be your enemies for life.

As soon as Aegon plucks the first few chords, you recognize the song. “Oh, that’s really funny.”

“What?” Fosco asks.

“It’s Mama Tried.” You stand and begin clapping, then motion for the rest of the table to do the same. They obey without protest, though Mimi can’t seem to keep track of the beat. Aegon is beaming as he sings.

“The first thing I remember knowin’

Was a lonesome whistle blowin’

And a youngin’s dream of growin’ up to ride

On a freight train leavin’ town

Not knowin’ where I'm bound

And no one could change my mind but Mama tried.”

Cosmo sprints over from where he had been dancing with Alicent. He grabs your hand and tugs you towards the center of the floor. “Let’s go, let’s go!” he shouts impatiently.

“Call the FBI, I’m being kidnapped,” you say to Fosco and Ludwika as you let Cosmo drag you away.

“One and only rebel child

From a family meek and mild

My Mama seemed to know what lay in store

Despite all my Sunday learnin’

Towards the bad I kept on turnin’

‘Til Mama couldn’t hold me anymore.”

At the heart of the ballroom, Criston has swooped in to dance with Alicent, slow chaste circling. Helaena has floated off to the bar to chat with Otto, who keeps all his smiles for her. The children—Targaryens and Shrivers alike—are stomping and cheering and alternating between various moves: the Mashed Potato, the Twist, the Swim, the Loco-Motion, the Watusi, the Pony in pairs. Aemond whistles to a photographer and then nods to where you are holding onto one of Cosmo’s tiny hands as he spins around at lawless, breakneck speed. Of course this would make for a good image: you being maternal, you promising the American people that they will one day have not only a first lady but a first family.

“And I turned 21 in prison doin’ life without parole

No one could steer me right but Mama tried, Mama tried

Mama tried to raise me better, but her pleading I denied

That leaves only me to blame ‘cause Mama tried.”

Cameras flash and the crowd keeps clapping. Cosmo giggles wildly each time he almost falls and you pull him back to his feet. There is a hand skimming around your waist, a listless powder blue dress your husband chose for you. Aemond replaces Cosmo as your dance partner. Aegon’s 10-year-old daughter Violeta spirits Cosmo away; Aemond reels you in close, one palm pressed into the small of your back, his left hand gripping your right. When you steal a glimpse of Aegon—still strumming, still singing—he doesn’t look so triumphant anymore. His grin is frozen and artificial. His drunk muddy eyes go steely.

“I need you to do something for me,” Aemond begins.

Of course, you once would have said. Anything. “What is it?”

“I want you to cut your hair like Jackie.”

You’re so stunned your feet stop moving. Aemond coaxes you back into the steps. “No.”

“Think about how much more versatile it would be. Jackie is an icon, she’s sophisticated, she’s mature.”

“If you wanted a wife in her thirties, you could have easily found one.”

“Honey—”

“I do everything you ask,” you say, barely more than a whisper. “Everything. I wear what you want me to. I go where you want me to. I spend ten hours a week getting my hair fixed. I keep it up, I keep it presentable. But I’m not chopping it off.”

“You’re never going to be able to wear it down anyway,” Aemond counters, so calm, so rational, like your skull is nothing but incendiary feminine mania. “If I win, you’ll be surrounded by staff and journalists for years. You can’t be photographed with it down, you look about eighteen. And like you live on a park bench in Haight-Ashbury.”

“It’s my hair. I’m keeping it.”

Aemond leans in and says, cold and severe: “You’re my wife, and everything that’s yours belongs to me.” Then he kisses your cheek as cameras click and strobe. “Think about it. Now smile.”

You force yourself to. The crowd applauds as Aegon finishes singing and flees the dancefloor. The DJ puts on Light My Fire by The Doors. You and Aemond leave in opposite directions: he goes to talk to Eunice Kennedy, who is hugging her 3-year-old son Anthony to her chest; you return to your table to drain the last of your Pink Squirrel. You need something stronger. You need to be alone so you can collect yourself.

Now Aegon has shed his guitar and is standing with his back to the wall, smoking a Lucky Strike and talking to some campaign staffer—she looks like a girl, but she’s probably your age—who is gazing up at him worshipfully. She says something that makes him laugh, his head thrown back, his eyes sparkling, and you feel like you’re waking up from your c-section all over again, your belly split open and rearranged, aching, stabbing, nauseous.

“Are you okay?” Ludwika asks, scrutinizing you.

“I’m perfect. I’ll be right back.”

You hurry out of the ballroom, the music fading behind you. You slip into one of the elevators in the lobby and hit the button for the top floor, where Aemond’s entourage has booked every suite. As the door is closing—as only a foot of space remains—Aegon shoves his way into the elevator, startling you. The door shuts behind him and you begin the ascent. Aegon slams the red emergency stop button, and the elevator jolts to a halt.

“What the hell are you doing—?!”

“What pissed you off, huh?” Aegon taunts, stepping closer. You back away from him until you run out of room; not because you want the distance, but because you’re afraid of what you’ll do if it’s gone.

“Nothing. I’m so great, I’ve never been better, can’t you tell?”

He’s so close you can feel the heat rising off his flushed skin, you can see the miles-deep murky blue of his irises, open water, shipwrecks and drowning. “You want all this to be over? You want the women with their big, adoring eyes and their short skirts to disappear? Grow up. Stop acting like a kid. Ask for it.”

“Ask for what?”

“You know.”

If you touch him now, you won’t be able to stop. There’s nowhere for us to go. There’s no way out of this family, this year, this world. “I don’t. I have no idea what you’re talking about.”

Aegon barks out a sardonic, cutting laugh. “Yeah, you’re definitely 23.”

“I thought you loved girls young enough to be your daughters. Isn’t that what gets you hard?”

“You’re a fucking coward.”

“You’re sweating on me, you pig.”

“You want it so bad,” Aegon whispers as he presses himself against you, his ribs and thighs and hips, and you clutch for the walls of the elevator so you don’t reach for him instead. His left hand is tearing your hair out of its clips and pins so it falls free like you used to wear it; the right is all over your face, your jaw, your chin, your cheeks, touching you ceaselessly, ravenously, a blind man reading chronicles of braille. You’re trying to turn away from him, but he keeps pulling you back in. You’re breathing his rum and nicotine, you’re gasping in low, starved moans. It might be more intimate than kissing, than sex. He’s already felt your body. What he asks for now is your soul. His words are warm and aching as he murmurs through loosed strands of your hair: “Tell me you want it, please, just tell me, just tell me, tell me and it’s yours.”

Your palms land on his bare, damp chest, and Aegon starts unfastening the last buttons of his shirt. Instead, you push him away. Aegon lets you. He surrenders. “I can’t,” you choke out. You hit the red button, and the elevator resumes its rise to the top floor of the hotel.

“I’m really fucked up right now,” he says with sudden realization, swaying, staring down at his feet like he fears he’ll lose track of them.

“I’m aware.”

“I’m sorry. I think…I think I wanted that to happen differently.”

“I can’t trust you when you’re like this,” you say. I feel like I can’t trust anyone. Aegon looks up at you, his glassy eyes large and wounded. When the elevator door opens, you step out and he stays in, riding it back to the lobby.

In the suite you share with Aemond, you turn on the radio and spin the dial until you find a Loretta Lynn song. You go to the minibar cabinet and down two tiny glass bottles of vodka, something that won’t make you smell like too much of a drunk. You’ll have to fix your hair before you go back to the ballroom; you’ll have to change your dress. You’re painted with Aegon’s sweat and smoke. You can’t risk your husband noticing. You slide open the top drawer of the nightstand on your side of the bed and take out the card you keep there, the one that travels with you to each stop on the campaign trail. Loretta Lynn croons from the radio, wronged and wrathful.

“If you don’t wanna go to Fist City

You’d better detour around my town

‘Cause I’ll grab you by the hair of your head

And I’ll lift you off of the ground

I'm not a-sayin’ my baby is a saint, ‘cause he ain’t

And that he won’t cat around with a kitty

I’m here to tell you, gal, to lay off of my man

If you don’t wanna go to Fist City.”

You lie on the floor and peer up at the card in your hands: jubilant cartoon cow, festive party hat. You know exactly what’s written on the inside; it’s etched into your memory like myths passed down through millennia. Nevertheless, you read it again. The original message is still crossed out, and there’s an addendum below it in hasty black ink: I thought this was blank…congrats on the new calf!

You graze your thumbprint across Aegon’s scrawled signature. It’s smudged now. You do this a lot. One day his name might disappear altogether from the stark white parchment, from memory.

You close the card and hug it to your chest like a mother holds a living child.

~~~~~~~~~~

“What’s going on between you and Aegon?”

Alarmed, you meet Aemond’s gaze, two reflections in the vanity mirror. It’s the next morning, and you’re finishing up your makeup. Your dress and jacket are striped with black and white, your jewelry is silver, chains on your wrists and small tasteful hoops in your ears. “Nothing.” There is a lull you have to fill before it becomes suspicious. “He’s been helpful, he’s been…you know. Ever since Mount Sinai.”

Aemond adjusts his cerulean blue tie, studying himself in the mirror. He’s still wearing his leather eyepatch. Putting in his glass eye is the last thing he does before leaving the suite each day. “He was a comfort to you.”

“Well, he was there.”

“Because I told him to be,” Aemond says, resting his hands on the back of your chair. “Someone had to stay at Asteria to keep tabs on things, to let me know what you were up to. Aegon was the most expendable. Mimi and the kids make for good photos, but Aegon…he’s not especially endearing to the public. Those few years as the mayor of Trenton just about ruined him. I’d love to make him the attorney general if I win, but I don’t think the people would stomach it. Maybe if he behaves himself he can have the job for my second term.”

Eight years, you think, unable to fathom it. Eight years in a fishbowl. Eight years lying under Aemond as he tries to get me pregnant with children neither of us can love.

Aemond leans down to touch his lips to the side of your throat. “I’m glad you’re finally friends,” he says. “Aegon’s not all bad. But don’t let him get you in trouble.”

“I wouldn’t.” What did you and Aemond talk about before Ari died? What was this marriage built on? The senate, the presidency, civil rights, poverty, the Space Race, Vietnam, Greek mythology. Everything but each other. Dreams and ideals that would dwarf any mortal, would render them invisible.

“And watch out for any reporters from the Wall Street Journal. They’d kill for Nixon. If they can twist your words, they will.” He gets something from inside his own nightstand: the bloodstained komboskini from when he was shot in Palm Beach. He places it in your right hand, all 100 knots. “Give this to someone today. You know how to do it, you’ve always understood this part. Pick the right person, the right moment. Make sure there are plenty of cameras around.”

“Where am I going? Lunch with the mayor’s wife, that’s this afternoon, isn’t it?”

Aemond nods. “And a few other stops. Then we’re going to the Alamo in San Antonio tomorrow.”

“Okay.”

He recoils, reaches for the left half of his face, kneads the scar tissue there as nerve pain radiates through his flesh all the way down to the bone. Once you felt such agonizing pity for him; now all you can think about is the matching scar you wear on your belly, hidden and shameful and a badge of your inadequacies: your body too weak to protect Ari, your mind too pliable to resist being ensnared by the crushing gravity of this man, this family, this life.

“How can I help?” you ask Aemond, because it’s the right thing to do. And randomly, you find yourself remembering the statue of Apollo in Helaena’s garden back at Asteria, the god of music, healing, truth, prophesy.

“You can’t.” Aemond goes to the bathroom to force his glass eye into its socket. You depart for the hotel lobby where Ludwika and Mimi, your companions for the day, are already waiting. Ludwika is wearing a rose pink Chanel skirt suit. Mimi—relatively functional, as she hasn’t been awake long enough to ruin herself yet—is dressed in delicate dove grey.

Alicent, Helaena, and the children are scheduled to tour a local high school and library; Criston, unsurprisingly, is going with them. Aemond, accompanied by Otto, has a series of meetings with local business leaders and politicians. Aegon and Fosco are headed to the Michael E. DeBakey Veterans Affairs Medical Center to promise maimed soldiers that Aemond will end the war that carved out bits of them and filled the voids with screaming nightmares. The limousine you share with Ludwika and Mimi ferries you first to the NASA’s Manned Spacecraft Center. Mimi is entranced by the reflective surface of the helmets, coated with gold to divert blinding sunbeams; in turn, the astronauts are entranced by Ludwika, who leaves lipstick smudges on their cheeks when she kisses them. Next is a tea party hosted by Iola Faye Cure Welch, the mayoress of Houston since 1964 and the mother of five children. And as you nibble daintily at triangle-shaped sandwiches and trudge through small talk about flowers and furniture, you can’t stop smiling. You can’t stop thinking about how ridiculous Aegon would think this is if he was here.

The driver mentions one last stop, then coasts through midafternoon traffic towards the city center. You spend the ride touching up your hair and makeup. Ludwika offers to let you borrow her seduction-red lipstick; you politely decline. You step out of the limo and shield your eyes from the glare of the Texas sun. It takes your vision a moment to adjust, and then you realize where you are. The sign above the main entranceway reads: Houston Methodist Hospital. The air snags in your throat, your lungs are empty. Your hands tremble violently. The earth rocks beneath your white high heels. Mount Sinai is the last hospital you walked into, and you left with your son in a casket so small it could have been mistaken for a shoebox.

“Alright, let’s go,” Ludwika says, linking an arm through yours. Mimi, badly in need of a drink, is looking deflated and edgy. “We are almost done. And I have been promised a medium-rare steak for dinner! Mushrooms and onions too! The Statue of Liberty did not lie. This country is a golden door.”

“I can’t.”

Ludwika stares at you. “What?”

“I can’t, I can’t go in there.”

“What is she talking about?” Ludwika asks Mimi, who shakes her head, mystified.

“I can’t,” you whimper.

They’ve never seen you like this. They don’t know what to do. They listen to you, that is the hierarchy; but it’s too late to change course now. Journalists are approaching in a swarm. Nurses and doctors are gathering by the front door to welcome you.

He knew, you think, suddenly furious. Aemond knew, and he didn’t tell me.

“It will be okay,” Ludwika says, patting your back awkwardly. “We are here with you. Nothing bad will happen.”

“Oh,” Mimi breathes, understanding. She looks at you with sympathy that shimmers on the surface of the opaque, polluted lake of her mind. Then she catches Ludwika’s eye and skims a hand down her own slim midsection. Ari, she mouths, and Ludwika’s face falls.

The doctors and nurses are whistling and applauding; the journalists are snapping photos and scrounging for quotes. You feel your conditioning over the past two years taking over: straight posture, gentle smile, hands clasped demurely together. But you are locked away somewhere underneath.

“Do not worry,” Ludwika tells you softly. “We will talk, we will make it easier for you.” Then she and Mimi begin boisterously shaking hands and thanking people for coming as you make your way through the crowd of journalists and towards the main entrance of the hospital.

People are saying things to you, but you don’t really hear them. You reply with words you won’t remember afterwards. You nod frequently and go wherever you are led. Doctors are explaining new research into placenta previa and c-sections. Nurses are showing you a state-of-the-art NICU for premature infants. Someone is placing a baby in your arms, and you can’t do anything but accept it numbly. You can’t look down at it, you can’t allow yourself to feel the weight of some other woman’s child. You wear your smile like armor and let the photographers capture their snapshots, painting a frame around you, deciding where you live.

Then you are introduced to the parents, women in hospital beds and men perched in chairs beside them, just like the one where Aegon slept at Mount Sinai. They take your hands when you offer them and tell you about their small children, sick children, dying children. One patient just delivered twins. The first did not survive beyond a few hours, but the second is in an incubator and gaining strength. You recall the komboskini stained with Aemond’s blood and take it out of your purse, give it to the suffering mother, watch faith rise in her face like dawn over the Atlantic. But you won’t remember her. You cannot allow yourself to.

Outside as you, Ludwika, and Mimi are headed back to the limousine, the journalists make one last attempt to poach a headline-worthy quote. “Mrs. Targaryen! Mrs. Targaryen!” a young man shouts, clambering to the front of the horde and jabbing a microphone in your face. “I’m from the Houston Chronicle. Can you tell me how the senator feels about the failure of the most recent phase of the Tet Offensive?”

You are in a fog; you don’t feel real, this moment and this city don’t feel real, and so you cannot remember what Aemond would want you to say. “The Vietnam War has claimed too many lives already. We should have never sent our men there to die. But since that is done, the best thing we can do now is end the draft immediately and then withdrawal from the region as soon as the South Vietnamese are able to defend their own territory, which is their responsibility.” The journalist already considers this effort fruitful and begins to retreat, but you have one last point to make. Ludwika and Mimi watch you anxiously. “I lost someone in Vietnam. I met him when I was in college. He had a good heart, and he joined because he thought it was wrong for poor men to have to fight while rich kids got exemptions, and he was killed in action in October of 1965.”

“This was a friend?” the journalist asks, eyes glowing hungrily. Then he adds as an afterthought: “I’m terribly sorry for your loss.”

“A boyfriend. Corporal Cameron Marino from Schenectady, New York. People called him Cam.”

A solemn murmur ripples through the crowd. Hats are removed, hands held to chests. “Rest in peace, Cam,” someone says. Maybe they have somebody they care about in Vietnam, a friend or a lover or a brother. You wave goodbye and climb into the limousine. The outpouring swells as you vanish: We love you, Mrs. Targaryen! God bless you, Mrs. Targaryen!

In the lobby of the Texas State Hotel, you tell Ludwika and Mimi not to follow you. They have to listen. After some hesitation, Mimi heads for the bar in the ballroom; Ludwika asks the staff at the front desk if she’ll be able to make a call to Poland with the phone in her room. You take the elevator to the top floor. Fosco is in the hallway, on his way back from one of the vending machines with a Fresca. When he sees your face, his jaw drops.

“Dio mio, what happened?”

“Nothing,” you say, tears biting in your eyes. You pass him, digging your key out of your purse.

“Are you sure—?”

“Fosco, please. I don’t want to talk.”

“Okay,” he says doubtfully. Then he seems to get an idea and strides away with great purpose. You take shelter in your suite, silent and dim; Aemond isn’t back yet. You brace yourself against the locked door and sob into empty, trembling hands, at last hidden away where no one can see you, where no one can be disturbed or disappointed. You know now that none of it was healed—not the loss, not the revelations—but only buried, and now it’s all been unearthed again and the pain shrieks like exposed nerves.

It’s not fair. Ari deserved better, I deserved better.

There’s nothing you can do. Your hands ache to hold someone that no longer exists. You can’t unlearn the truth of what your marriage is.

There are two knocks, quick and rough. “Hey, it’s me.” And there’s such pure intimacy in those words. You know my voice. You know why I’m here. “Open the door.”

“I’m okay, just, just, just leave me alone—”

“Open the door,” Aegon says again. “Or I’ll get security up here to do it for you.”

Swiping the tears from your face, you let him in. He’s dressed in baggy black shorts, nothing on his feet, an unbuttoned stolen green army jacket. You once thought he wore those to play the part of a revolutionary from the comfort of his East Coast seaside mansion. Now you understand it’s because he misses Daeron, because he believes he should have gone to Vietnam instead. There are several dog tags strung around his neck; some of the veterans at the medical center he visited must have gifted them to him.

“What’s wrong?” Aegon’s eyes sweep over you, seeking, horrified. “What did he do?”

You can’t answer, you can’t breathe. You back away from him as more tears spill down your cheeks.

“Hey, hey, hey, let me help you. Please don’t be upset. Did he say something, did he hurt you?” Aegon reaches out, and as soon as he touches you your knees buckle and you’re on the floor, trying not to wail, trying not to scream, and Aegon is pulling you against his chest—bare skin, borrowed metal—and his hands are on your face and in your hair, and his lips are against your forehead as he murmurs: “Shh, shh, don’t cry. It’s okay.”

“No it’s not.”

“Whatever it is, I can help.”

“I had to go to a hospital and hold babies and I, I, I never even got to touch him, not once, not ever, and I can’t now because he’s gone. He’s locked in some fucking vault, he’s just bones, but he was supposed to be a person, and those other babies are going to get to grow up but he isn’t, and it’s not fair.”

“You’re right,” Aegon agrees softly, still holding you.

“No one else knew him.”

“I did. I was there the whole time.”

“Only because Aemond made you stay.”

“No,” Aegon swears. “I was supposed to spy on you. He never told me to do any of the rest of it. I stayed because I wanted to.”

“You did,” you say, very quietly, weakly, conceding.

“And I’m still here now.”

Your lungs aren’t burning quite so much. Your tears are slowing. You unravel yourself from Aegon, averting your eyes. Now you’re ashamed; you aren’t in the habit of revealing to people how much you’re splintering like cracked glass, fresh fractures every time you think to check the damage. “I’m, um, I’m really sorry.”

“Look, I don’t mean to bring up unpleasant memories, but this is definitely not the most embarrassing thing I’ve seen you do.”

You laugh, only for a few seconds, and Aegon smiles as he mops the tears from your face with the sleeve of his army jacket. Then he turns serious again.

“Can I ask you something? It’s very personal. It’s offensive, honestly. But I have to know.”

“You can ask.”

“Do you want more children?”

More children. Because Ari was real. “Not now. Not with Aemond.”

Aegon nods, suspicions confirmed. “Can you do that sponge thing you told me about?”

“No. I think he’d be able to feel it, he’s…” You gesture vaguely. It’s difficult to say. “He’s big.”

Aegon didn’t want to hear that. He didn’t want to have to think about it. He flinches, just enough that you notice. But as much as he’d like to, he doesn’t change the subject. “What about the pill?”

“No doctor is going to write me a prescription without my husband’s permission. Especially considering who my husband is.”

“I hate this fucking country,” Aegon hisses. “Puritanical goddamn hellscape. Old Testament bullshit.” He drags his fingers through his hair a few times, then pats your cheek like he did before: twice, gently, playfully. “Come on. Let’s go smoke.”

“I can’t do it on the balcony. Someone might get a picture.”

“Okay. No big deal. We’ll go to the roof.”

You stare at him. “The roof?”

“You really think I haven’t already been up there?” He stands and offers you his hand. “You’ll love it. The view is fantastic.”

The view is good, but the grass is better. You know that it makes some people useless, others paranoid, but for you it’s always painted the world a color that is softer, kinder, lighter, more bearable. You and Aegon lie next to each other, smoking and watching twilight fall over Houston like a spell. You’ll have to shower and gulp some Listerine before Aemond gets anywhere near you. It’s interesting; each day you seem to acquire new secrets to keep from him.

Aegon asks: “Where would you be right now if you weren’t Mrs. Targaryen?”

“Probably married to someone worse.”

He raises an eyebrow. “Okay, but let’s say you weren’t. Let’s say you can do whatever you want.” He points up at the lavender sky and acts like he’s moving the emerging glimmers of stars around with his fingertip. “There, I’ve changed your fate. Who would you be?”

You ponder this. “I want to teach math to kids and then spend every summer break getting baked on some beach.”

Aegon cackles. “Hell, sign me up.” He lights a third joint for himself with his tiny chrome Zippo. “Those are the people doing the real work. Teachers, nurses, farmers electricians, plumbers, welders, firemen, therapists, janitors, public defenders. The normal, unglamorous types.”

“You don’t think presidents and senators make a difference?”

“Sure they do. But only like 5% of the job is actually helping people. The rest of it is schmoozing and tea parties and making speeches, because looking and sounding good is better than doing good. They’re addicted to vapid pretenses that make them feel important. You live like that and you forget how to be a human. I mean, look at Nixon. The man was raised as a Quaker, one of the most peaceful religions on earth, and now he’s planning to throw ten or twenty thousand more boys into the great Vietnamese meatgrinder and probably napalm the hell out of Cambodia and Laos while he’s at it to get the communists’ supply lines. The man’s got no idea who he is anymore. I’d feel sorry for him if I wasn’t so terrified he’s gonna start World War III.”

I wonder who Aemond was a few decades ago. “What makes you feel important?”

“Nothing,” Aegon says. “I’m not under any delusions that I matter.”

“I think you matter, old man.”

“Really?”

“A little bit. About this much.” You hold your hand up to show him the infinitesimal space between your thumb and index finger, and Aegon chuckles, his eyes glazed and bloodshot.

“Let’s do it,” he says with sudden, forceful conviction. “If Nixon wins in November, we’ll get out of here. I’ll go back to Yuma to teach on the reservation and you can come with me. You get a math class, I take English, or Music, or both, whatever. We’ll buy a bungalow out in the desert and make s’mores every night and look up at the stars. I’ll show you how to play guitar if you give me algebra lessons.”

You peek over at him, intrigued. “Is that all we’re going to do?”

“Well we’ll fuck, obviously.”

“Oh, obviously.” You giggle; it’s ridiculous, it’s paradisical, it’s insane how good it sounds. But surely that’s only because you’re high. “I don’t know how Mimi would feel about that.”

“She won’t care. She doesn’t want me anymore, hasn’t in years. Sometimes she just forgets that when she’s wasted. Mimi can go to Arizona too. We’ll load up the kids in a van and strap her to the roof.”

Now your voice is somber. “She was supposed to fix you.”

“Yeah,” Aegon says: slow, meditative, guilty. “I think Mimi and I have a few too many of the same demons.”

You roll over, push yourself up on your palms, and crawl to the edge of the rooftop. You prop your elbows on the ledge and gaze out into the city lights, the sky turning from violet to indigo to primordial darkness. Aegon joins you, staring down at the distant aquamarine rectangle of the hotel pool.

He asks: “You think I could make that?”

“No.”

“Should I try?”

“You definitely shouldn’t.”

“A few months ago, you would have pushed me off this roof.”

You shrug. “You’ve proved yourself useful.”

“That’s why you like me now? Because I’m useful?”

“Who said I like you?” you tease, smiling.

“You like me,” Aegon says, grinning and smug, radiant in the silver moonlight and urban incandescence. “You like me so much it scares you. But there’s no need to panic. It’s okay. I know the feeling.”

“Yeah?”

“Yeah.”

You want to touch him, you want him to touch you, you want to study every arc and angle of him like he’s a marble statue in a garden: too beautiful to be mortal, too fragile to be divine.

~~~~~~~~~~

Three nights later in Nebraska, there is a knock on the door of your hotel suite. The nannies have herded the children off to bed; the adults are unwinding downstairs in the courtyard of the Sheraton Omaha, designed to resemble an Italian garden. There’s a brand new Jacuzzi that you’re looking forward to taking a dip in. You finish pulling on your swimsuit, white and patterned with sunflowers, a one-piece with a flared skirt.

“Who is it?”

“It’s Richard Nixon,” Aegon says through the door. “Naked. Horny. Please love me.”

You laugh and let him in. He’s leaning against the doorframe in Hawaiian swim trunks and nothing else, pink sunburn glowing on his soft chest. He holds up a brown paper bag and shakes it.

“For you.”

“What is it, heroin?” Instead, you open the bag to find small, circular packs of pills. “No way. You did not.”

“That’s enough for six months,” Aegon says, smirking, proud of himself. “I’ll be back again in February. Guess that makes me your dealer, babe. I don’t accept cash, checks, or cards, only sexual favors. You want to get down on your knees, or should I?”

“How did you get these?”

“I told a doctor they’re for one of my whores.”

“Maybe they are.”

You’ve surprised him, you’ve got him thinking about it now. His face flushes a splotchy, charming pink. “So, uh, you coming down to the courtyard?”

“Yeah. Right now. Just let me hide these first. Are there instructions in here…?”

“Mm hmm,” Aegon says, still distracted, studying the entirely unremarkable carpet. You stow the paper bag of birth control pills in the bottom of your bras and panties drawer, then walk with Aegon to take the elevator down to the ground floor. You both notice the bright red emergency stop button and share a glance, smirking, taunting.

In the courtyard, Alicent is struggling to pay attention as Helaena identifies each and every species of plant and explains where in the world it is native to. Fosco is simultaneously teaching Criston how to yo-yo and berating him for not believing the Cubs will end up in the World Series. Fosco has apparently bet $500 on them. Ludwika is stretched out on a lounge chair like a cat and reading a copy of Cosmopolitan. Aemond, wearing his eyepatch and a blue pair of swim trunks, appears to be arguing with Otto over the contents of a newspaper article. Mimi is alone in the Jacuzzi, bubbles rumbling all around her as she slumps against the rim, a frosty Gimlet clutched in one hand.

“Mimi, get out of the Jacuzzi,” you order.

“I’m fine!” she slurs, and you groan, knowing you’re going to have to drag her out.

Aemond is approaching; no, not approaching, raging. “What the hell is wrong with you? What the fuck is this?” He hurls the newspaper at you, the Houston Chronicle. The headline reads: To Mrs. Targaryen, ending the Vietnam War is personal. “Why would you tell somebody that? Other papers are going to start reporting this. You gave them his full name. They’ve found his school, his friends, his gravesite in motherfucking Arlington National Cemetery—”

“You set me up,” you say. “You didn’t tell me about the hospital.”

Aegon takes the newspaper from you and frantically skims the article. “Hey, man,” he tells Aemond as he pieces it together, attempting to deescalate. It’s not a skill you knew he possessed. “She was rattled, she wasn’t thinking clearly. And there���s nothing bad in this article. It makes her sound invested and sympathetic, not…um…whatever you’re thinking.”

“You don’t get it,” Aemond seethes. “Journalists are going to start hounding his friends, his classmates, people who lived in his dorm building. Nixon’s newspapers will publish any gossip they can dig up about what she did when she was in school. Things people saw, things people overheard—”

“What, the fact that she had one boyfriend before she met you? That’s worthy of a nuclear meltdown?! Better prepare for Armageddon, a woman got laid, launch the goddamn warheads!”

“She doesn’t get to have a past! She should understand that, she signed up for this, she knew exactly what was expected of her!”

“And what about your past?” Aegon says, low and searing, and Aemond goes quiet. Their eyes are locked on each other: Aegon defiant, Aemond unnerved. You try to remember if you’ve ever seen that expression on his face before. You don’t think you have. Not even when he was shot and half-blinded. Not even when Ari died.

“What does that mean?” you ask your husband. Still staring at Aegon—tangled in a thorny, silent battle of wills—he doesn’t reply.

There are swift, thudding footsteps. Otto grabs Aegon by his hair, hooks a finger through the small gold hoop in his right ear, and tears it straight through the earlobe. Aegon screams as blood streams down his face, feeling the ravaged fringes of his flesh.

“I told you to take those out,” Otto says. “Now remove the other one before I rip it free, and go get yourself stitched up.”

You do something you’ve never done before, never even thought of. You strike out with both hands and shove Otto so hard he goes staggering backwards, his arms wheeling. The others are yelling and rushing over. Aemond is trying to yank you to him, but he can’t get a grip on your swimsuit. “I will kill you!” you roar at Otto. “I will push you down a staircase, I will slit your fucking throat, don’t you ever touch him!”

Alicent is weeping, appalled, trying to get a look at Aegon’s damaged ear. Criston is helping her, moving Aegon’s bloodied hair out of the way. Fosco links his arms around your waist and drags you out of Aemond’s reach just as he’s getting his fingers beneath a strap of your swimsuit. Helaena is covering her face with her hands and wailing. Ludwika is shrieking at Otto: “What did you do? Don’t give me that, what did you do?!”

You are engulfed with rage, red and irresistible. You’re trying to bolt out of Fosco’s grasp. You want to claw Otto’s eyes out; you want to put a bullet in him. As you struggle, you catch a glimpse of the Jacuzzi. You don’t see Mimi anymore.

“Wait,” you plead, but nobody hears you over the noise. You look desperately at Fosco. “Where’s Mimi?!”

Once he figures out what you’re trying to say, he whirls towards the Jacuzzi. “No!” he bellows, releasing you, and careens across the courtyard. You dash after him. Now the others understand, and they come running too. You see it just before Fosco dives in: there is a shadow at the bottom of the Jacuzzi. When he bursts up though the roiling water, he is carrying Mimi, limp and unconscious and blue.

Everyone is shouting at once. Fosco lays Mimi down on the cobblestones of the courtyard. Criston sends Ludwika to call an ambulance, kneels beside Mimi, checks for a pulse. Then he begins CPR. When he breathes air into her flooded lungs, there is no response, no resurrection.

“No, no, no, she has to be alright!” Aemond says, and everyone knows why. If she’s not, this will consume the headlines for days: no victorious campaigning, no speeches or photos, just a drowned alcoholic with a damning autopsy report.

“Oh my god,” Otto moans, pacing. “This can’t be happening, not this year, not now…”

Alicent seizes your hand and squeezes it until you think it will break. She is reciting prayers in Greek. Helaena is curled up under a butterfly bush, sobbing hysterically. When he realizes this, Otto hurries to comfort her.

“Don’t watch, Helaena. Let’s go inside, I’ll walk with you, there’s nothing more we can do here.”

“Mimi?!” Aegon commands, slapping her hard across the face. “Mimi, come on, wake up! Mimi? Mimi!” She’s still motionless, she’s still blue. Aegon turns to you, blood smeared all over the right side of his face. He’s petrified, he’s in shock. “I think she’s…she’s…”

“She’s gone,” Criston says; and he lifts his palms from her hollow body. The silent sky above is a labyrinth of bad stars.