#decided this is extremely important for the world to see

[teruuu]

Exploring The Complexities of The Lamb and Narinder’s Relationship

Long post warningsgsgsgsgsh!!!!!! 🥺🥺

For those of you who want a quick rundown of what the AU’s about, check out the link at the bottom of the post.

Warning: Mentions of Cannibalism, Unhealthy & Obsessive Relationships, and Spoilers for The Art of Acquiring Devotion

Now, firstly, I’ll have to give my thanks to @nimbudcat for providing me with ideas as to how the relationship would function and opening the gateway for me to fully explore all the nooks and crannies of their romance.

I’m no expert on the deep complexities of toxic relationships, so I don’t have the courage to fully label the Lamb and Narinder’s love as ‘toxic’, but I know damn well that it’s not a normal love at all. Let’s think—what is a normal, healthy relationship composed of? Trust, of course. Mutual love and trust, absolute honesty... Those are the most basic building blocks of a healthy relationship. In this AU, for Narinder and Lamb, those concepts are extremely warped. They have all of those components in their relationship, but it’s so twisted that it’s difficult for me to define their romance as either healthy or unhealthy.

Narinder and Lamb trust each other, and it runs so deep that the best descriptor for that trust is pure devotion. They trust each other with their lives. This may not make sense since they are immortals, but think about it—the cannibalism that they inflict upon one another results in death for the two, each and every time, and they trust only one another for their resurrections. They allow the most vulnerable parts of themselves only to one another, and this is so incredibly meaningful because of all the aspects of their pasts. They trust themselves of course to always only tell the truth to each other, and the love that they share is simply reverent.

Now, let me elaborate on why all the things I expanded on above mean so much. Let’s start with the Lamb. I as I said in my previous post, the Lamb’s past for this AU is derived from my fanfic. We don’t know much at all about pre-sacrifice Lamb in-game, so I took the liberties to expand on their world myself. I’ll allow some passages from my fanfic to speak for itself:

It was through these traumatic experiences that the Lamb became hungry at the thought of companionship. No, the Lamb doesn’t just want some of Narinder’s Big Fluffy Gyatt™. As I’ve depicted in my other artworks, in this AU the Lamb considers Narinder as their savior, their one and only salvation, and perhaps the only person that has ever cared about them. And this is where things start to get murky—it’s because of this that the Lamb is so incredibly attached to Narinder and is absolutely insane about him.

The Lamb isn’t just attached, actually. They’re obsessed with Narinder. So obsessed that they develop a panic if they don’t hear his voice after more than half an hour. So obsessed that they begin to see any and all followers that interact with him as an enemy. This is also why I hesitate to consider this as toxic, because, see, Narinder likes it.

Moving on to Narinder’s part of the AU, it’s important to understand that, although he pretty much brought it to himself because of his high and mighty behavior, he was also quite isolated in his earlier years.

For Narinder’s side, he firmly believed himself to always be in the right. Think of it as a mad scientist whose ideas are way ahead of his generation. He had innovative thoughts and concepts in mind in the duration of his reign. He’d been supplemented by the knowledge that Shamura had provided him with, and that caused him to possess the mind of a radical inventor. Unfortunately, his ideas were less than desirable for the rest of his siblings and his own followers, so little by little the worship he received dwindled. Narinder was frustrated by this—why couldn’t anyone see the genius that he had to offer? Initially he had good intentions in mind, but he grew a tyrannical mind and eventually decided that the only way for the world to see his wonders is to force it beneath his feet.

Eons of imprisonment provided no aid for his mind. What once was a head full of wonders that could potentially change the world for the better became a twisted and cruel version of itself. Violence and revenge plagued his mind, and it became his one and only obsession. So, when the Lamb came to him, he relished in the worship they had to offer.

Their devotion for one another is purely mutual, but at the same time fully in their own self-interests. The Lamb is devoted to Narinder because Narinder is all that they care about in their mind, and they desperately require Narinder for them to continue living on. As for Narinder, he had never acquired such a passionate follower before, and he grew an addiction for the love that they have to offer. I don’t know if it’s a good thing or not.

They are incredibly violent for one another because that’s all they know. They don’t understand what it’s like to have a normal relationship. They cling to one another, kill for one another, and eat one another because they need each other so badly. The cannibalism is an expression of their eager desire to simply blend into one another because that’s just how much they want the other.

They know it’s wrong. They hate that it’s wrong. They hate each other for making each other feel so wrong and so crazy. But they so, so want it to be right.

(Okay sorry for the bad essay lmao adios)

[mymarifae]

BREAKING NEWS

akito SINGS and also talks in his sleep

[panspy]

hmmmmmm.................vent post under tags...... feel free to give advice or dont¯\_(ツ)_/¯

[brood-mother]

i reached into the murky depths of my most pointless accumulated esoteric knowledge to solve some guy’s UNEXPLAINABLE CREEPY REDDIT STORY THAT HAS HAUNTED HIM FOR YEARS and he didn’t even say thanks, like helloooo i showed u my syndromes pls respond

[scentedpeachlandcreator]

You want to manifest your dream life?

I gotcha! This post is right here to make you stop over-consuming content about LOA and finally be able to manifest your dream reality!

Decide:

Okay, so you first need to decide what you want to manifest.

You want to live in a penthouse and in a Big mansion with your family or sp? you Can! You want to wake up in a magical world you created Guess what? Yes, you Can!

Do you want to wake up with your desired appearance from head to toe? Yes, you Can. And when I say you Can that means you're fucking limitless don't let anybody limit you, 'cause you’re the creator of your own reality, not theirs but yours, and you create the rules here!

throw logic out the window! cause it won’t get you anywhere if you still ask “if i can manifest that and that..”

Okay, so when you decide what you want to manifest you might wonder what will you do next?

Well, it's simple really. just decide that you already have it.

But how?

By simply deciding that you already have your desires/dream life in your 4D/imagination.

using methods:

Now you might need to use methods and by methods that means techniques that will help you achieve your desires and that make you fulfilled, you Can Also create your own method that suits you well.

Note: you don't need to do a certain method that everyone uses and that doesn’t resonate with you.

You Can click here and here you will find all the methods that were used in the LOA community.

my favorite: affirming and this method (click here!).

Then when you start affirming for your Desires or use methods to manifest your Desires you might encounter some issues with the 3d.

Things start going the opposite and you’ll start giving up and doubting yourself and the law.

And that when it comes to the important thing to do and it is called persisting.

Persist:

when you see things start going up the opposite way (in the 3d) and that is when you need to do your job by persisting in the idea of already having your desires in the 4d, by being consistent and stubborn in your assumption.

that it! easy right?

you might have some questions about all of this and how to react in certain situations with the 3d I advice you to read these posts and documents:

This one , this , this , this , this one, this, this.

and lastly, stop it like really stop consuming info and not applying the law, you can stay on this app but just don’t be obsessively always here, always waiting for a new post to make you realize what method or technique or what it is will make you manifest your desires.

remember the key is self, and yes you, the reader who is reading my post, you have such infinite power inside you that could change your whole world 360 degree.

remember to trust yourself and to have faith in the unseen, you can do it I have my trust in you, and always remember that some people were in extremely difficult circumstances and they did what? yes succeed, by having faith in the unseen and persisting in their imagination and now they’re living their best life.

be gentle with yourself, take care of yourself, and prioritize your mental health.

Summary:

: ̗̀➛ decide what you want to manifest.

: ̗̀➛ affirm (or use any methods).

: ̗̀➛persist.

chao chao!

xoxo, Eli.

[storiesfromgaza]

We are witnessing another massacre happening now

The occupation army contacted the director of Al-Shifa Hospital by sending a threatening message. The director of the hospital responded, stating that there are no resistance members in the hospital and that it is a civilian hospital providing care for the wounded and displaced.

Now, the occupation forces have cut off all communication around Al-Shifa Hospital in Gaza in preparation for the ongoing massacre. A true massacre is happening at Al-Shifa Hospital - intrusion and entry of vehicles, sniper bullets targeting those present, silencing their voices from the world!

Journalist Osama Al-Kahlout commented on the situation at Al-Shifa Hospital: "The occupation army is firing directly at medical teams inside Al-Shifa Hospital, with snipers targeting doctors. There are fears of the compound being stormed."

This is the latest video we received from Al-Shifa Hospital, documenting what happened during the occupation's shelling.

It's worth noting that the hospital houses a large number of patients, including infants and newborns.

After the Pentagon's statements and its incitement against the Al-Shifa Medical Complex, we are facing extremely difficult hours. the American statement gave a green light for the terrorist army to commit massacres against innocent people, the hospital, its wounded, patients, and medical staff.

The occupation fervently attempts to portray Al-Shifa Hospital as the focal point of its war on Gaza, suggesting that the 'fall of the hospital' signifies the complete collapse of Gaza. However, this is not merely for capturing images, and then the Zionists returning to their homes; it serves two dangerous purposes:

Boosting the morale of the Zionists and Americans, implying that the occupation army is achieving successes, giving Netanyahu and his army more time in Gaza.

Pushing the Palestinian people and their supporters into despair and frustration, raising the white flag with the belief that 'everything is over with the fall of the hospital.'

We must clearly see through this game and not be deceived. Hamas has never claimed that the hospital is strategically or politically important; it has consistently stated that it is just a hospital providing essential humanitarian services. Hamas has even invited international institutions to enter the hospital and verify its nature.

The hospital holds no significance in the balance of war or the developments in military events. Do not let them exploit and demoralize you for nothing."

So always remember that regardless of the images the occupation broadcasts to justify its crimes against the Al-Shifa Hospital, keep in mind the following: there is no military activity originating from this place; it is solely a hospital. Israel and America have decided to designate it as a military target

[deadsetobsessions]

Danny no longer has a haunt. So… he decides to find another one. And while he technically has a whole world (other dimensions aren’t an option because he’s going to stay near where Jazz’s grave is, damn it) there’s only a couple of other places with enough ambient ectoplasm to sustain him. Nanda Parbat, Tokyo, and Gotham.

Nanda Parbat had a weird old musty immortal that kept trying to summon him and exchange power for the ability to “take a worthy body and rain as much destruction” as he’d like. As if Danny would need a body to bring the world to its knees.

Tokyo… it’s too far from Jazz’s grave. He could ask Wulf or even open his own portal but when Danny tried it out, Tokyo was too peaceful. Obviously there’s crime, but nothing… nothing big like Danny’s used to.

Danny ends up picking Gotham, even if the sewer zombies and the weird group of rich fruit loops with an adoption problem creeps him out. So, he destroys the portal, packs up his parents’ house and sells it, and hauls ass to the cesspool calling his name. His family’s stuff is stored respectfully in a vault located on the deepest parts of his personal haunt in the Infinite Realms.

And honestly, he’s doing better. Sure, he’s got a shitty apartment near another revenant’s almost-haunt and he feels like he’s drowning all of the time, but Danny isn’t in danger of turning into Dan, he’s catching up on royal paperwork, and he’s got like a job as a barista. In his own coffee shop that paid for using his parent’s money (who, despite their hazardous everything, made a crap ton of money off of their more normal inventions).

Gotham’s got some pretty interesting local gangs, most of which respected the sanctity of Danny’s cafe. Sure, they tried blowing it up and tried extorting money from him in the form of “protection costs” but after three months of failure, they gave up.

(Really, the local gangs gave up when they saw him take three shotgun shells to the chest and continued to work.) (They didn’t know it never hit him. Intangibility is extremely useful.)

The Rogues, on the other hand, just gave Danny flashbacks. Their gimmicks are different, sure, but after years of Box Ghost, Skuller, Lunch Lady, etc., Danny’s more than done with costumed villains. They don’t bother him either. Some of the reason is probably due to Harley and Ivy, who had walked into the cafe and (because they were bruised and scratched up from a fight) triggered Danny’s mother hen tendencies. They were promptly fed and watered and caffeinated and their hyenas were also similarly taken care of. They declared the cafe under their protection and that was that.

Red Hood stops by, and begins to interrogate him. But when Danny met his… helmet eyes? The crime lord paused, paid for his coffee, and sat in a corner table of the cafe for the rest of the day.

And he kept coming back?

But Danny figures it’s because Hood was a revenant and people who had come close to death tends to feel more comfortable around him.

(Considering this is Gotham where people almost die every other day? Yeah, he’s pretty much friends with everyone. Or at least, less likely to get shot.)

(Hood does stay because of the King’s presence and the Pit calming itself, but also Danny’s hot and he’s got a sleeper build and Hood definitely did not imagine himself in the place of the heavy box he saw Danny lift effortlessly onto a table. No.)

But of course, the peace couldn’t last forever. But by then, Danny was so antsy, he welcomed the trouble with open arms.

It starts with a clown. Danny knows who he is. He knows who Danny is.

So, Danny has no idea why the clown thought it would be a good idea to aggravate the owner of Gotham’s official neutral grounds. See, Clovkwork? Danny’s learned how to gauge his own political importance!

“HAHAHAHAHA! COME OUT, DANNY-BOY! LET ME TELL YOU A JOKE!”

Danny comes out and grabs a chair, and with a flat expression, says, “you’re not funny and I hate clowns.”

And then he swings and slams the chair into the Joker’s face. Over and over again until Danny’s sure the clown won’t get back up. The thing about Gotham’s outdoor chairs is that they’re mad out of steel and are bolted down to the ground to prevent undedicated thieves (dedicated thieves can and will steal the bolted down steel chairs). The Joker’s hired muscle just watched this scrawny twenty-something year old yank the steel chair and take some of the fucking ground and the bolts with it and beat the fuck out of their boss who is the literal Joker.

They surrender on the spot and is taken to jail. Danny just smiles at the officers who come by and since he’s got pretty privilege and they don’t want to mess with the guy who, again, owns one of Gotham’s official neutral ground and also beat up Joker without breaking a sweat, the officers just lets him go with a warning.

And then the bats comes, and wow, Danny’s playing mentor to a formally dead person again!

But before that, the Red Hood asks for an autograph on the Gotham Gazette article with a picture of a tired Danny standing over Joker’s prone body. Then Hood stammers through asking Danny out (which Danny said yes to because he’s tired, not blind, and Hood is built like a brick house and HOT).

Batman interrogates him. Danny, who can tell that this man needs therapy and is Sad TM, tells Bats that Danny’s died before and that’s why he’s like this. He also calls Batman a furry, but like in a nice way. And then he kicks Batman out with a coffee and a file on Nanda Parbat.

Now, Danny’s got a date to prepare for and he realizes that maybe this is what Jazz wanted for him- to be happy and mostly safe and happy. (Or, happier, he thinks. It’s been a long time since he’s been truly happy, but this might be a good start)

[utilitycaster]

I really like Taliesin elaborating on the inspiration from the 90s LA punk scene, in which he said a lot of the people he knew were just people looking for hope in a world that has been incredibly unfair to them. It's a very empathetic view towards people who, as he said, often are dealing with injustice and disadvantages.

He also mentions that many of these punks were dealing with drug and alcohol problems (and while he did not want that to be central to Ashton's character and wanted to focus instead on chronic pain for a number of reasons, including personal, Ashton definitely relies on alcohol for palliative reasons). More generally, we see Ashton look for hope and answers in a lot of places that end up being extremely incorrect. The most obvious one is with the shard of Rau'shan, which, after multiple people advised them against taking it with very clear warnings, they decided to still attempt to absorb, with nearly-fatal results; but there were flashes of this with their earlier cynicism towards Eshteross vs. a much more begrudging acceptance of the transactional worldview of Ratanish or Jiana Hexum.

Ashton often places his own pain in a position of honor, and in doing so can discount that of other people. He's been remarkably unlucky, to be clear; I think that's part of it. We as the audience know that their statement that no one in that room has felt helpless in their lives is demonstrably false about pretty much all of Vox Machina and their allies, as well as the Bright Queen. He says Keyleth maybe does know, not realizing that of Keyleth and Vex, one has been a homeless runaway rather like himself, and it's not the one he's saying knows helplessness. In a way, to hold on to that hope, they find themselves telling themselves a lot of lies because otherwise they have to face the truth that their suffering did not make them more qualified or better; it was just unfair and it might still keep happening. He blames the gods because then at least there's a reason and not just absolutely random chance that he was born to a self-important cultist, happened to survive a long-shot ill-advised ritual and wake up in the desert of another continent, happened to be the one thrown out the window of Hexum Manor, and happened to be saved with a Potion of Possibility. To be clear, they've since made a name for themself on their own merits, but a lot of who they are, both in terms of the traumatic and difficult elements and in terms of what now makes them special was dumb luck, good or bad.

For Ashton, for those LA punks Taliesin knew, for the Vanguard and for Ludinus and for countless people in Exandria and in our actual world, a lot of grasping for hope becomes grasping for a meaning for pain and suffering. I'd argue that this is a pretty major theme Taliesin explores with all his characters. However, just because the pain is real doesn't mean the conclusions one comes to as a result of it are inviolate and above reproach. It is possible to have extremely valid pain and trauma and to be incredibly wrong about its source or what it means, or to deal with it in ways that will either make it worse or that will inflict pain, even inadvertently, on others. And I think the theme of the campaign is very much that; what happens when someone either chooses to or must let the decisions they made to deal with a moment - or a life - of pain be writ large on both themselves and the world?

[xueyuverse]

It's ironic to me that part of the fandom insists so much that Hua Cheng's personality revolves around Xie Lian when in fact MXTX created Hua Cheng first and then had to make Xie Lian his ideal type. Like, the truth is that Xie Lian was molded for Hua Cheng. I find this contradiction very funny, I'm sorry.

But they were indeed created for each other.

Hua Cheng has a strong personality, he is firm in his ideals and beliefs, assertive in his opinions, cold in his justice and someone who does not bend the rules just to fit in, he creates a third way instead of adapting to a world that hates him and was cruel to him.

His ideal type would have to be someone as confident as him, who not only does not bend the rules, but also does not get corrupted by difficulties, someone benevolent enough to see people like him with kindness, because only someone faithful in his beliefs would be able to be so different from everything that the world says is right — because the right thing is for you to annihilate people like Hua Cheng, whether they are innocent or not, just because of a supposed curse that they did not ask for.

This meta is based on this excerpt from the afterword that MXTX put in TGCF ↓

When it comes to character designs, the Shou’s were decided on first for the first two novels, but I was torn over the Gong’s for a long time, and needed a run-in period. Hua Cheng, however, was an exception. Inspiration struck and there he was; inspiration struck again, and I blinded one of his eyes.

[...]

It was actually the Shou, Xie Lian, who tortured me for up to half a year’s time. When the novel started serializing, I was still torn over him for a long time.

[...]

But the most important thing is, by my instincts, someone like Hua Cheng will most definitely love someone like this. So, after a good half a year’s worth of qualms, in the end I still typesetted him: It’s you!

Speaking more about this postscript, I found it interesting how for MXTX, Xie Lian was the most difficult character she has ever played. People tend to think that Xie Lian only has two personality traits: (false, for many) kindness and idiocy. The idiocy may even be right lol, but when you stop to think about it, Xie Lian is a really difficult character to create and, mainly, to develop.

For all the layers he has, he could easily be a snobbish prince, a vengeful and bitter ex-prince, a fallen prince who rises again to reconquer his kingdom and reclaim his throne or a spotless saint who is always intelligent and wise and is above things like sadness, anger, lust, etc.

We know that Xie Lian is none of these things, he was not made for these plots. But if he is none of these things, then what could he be? Honestly, I find it very difficult for anyone to come to the conclusion that your protagonist is a "loser" who failed and has no ambition to rebuild his kingdom and become the new king. It's bold to make your protagonist a poor and extremely unlucky nomad, especially with the princely background that you gave him, we can see from the amount of stories out there about protagonists who lost their kingdoms and then have a path of reconquest that it's difficult not to be tempted to follow that path.

Of course, Xie Lian is a god, something greater than a prince or king, but he is a poor god, known as "the joke of the three kingdoms", he has no wealth and for 800 years he only had 1 believer that he didn't even know existed and he is also known as the "god of plague" and "immortal scrap collector", unconventional titles in the literary world lol

He must experience youthful ignorance, overestimation of his own abilities, have been laughable, been foolish, made mistakes, despaired, felt hatred, gone crazy. But he can’t run, and he can’t hide; everything is what it is. All this was killing me. Not just within the text, but outside the text too. My mediation was useless, and I’ve no energy anymore either, so in order not to be affected, I stopped looking at comments altogether. Since I always habitually vaccinate myself before a serialization begins, speculating on all the worst possible scenarios and preparing myself mentally, by the time serialization started I had already expected how all the negative comments would go down. But after much hesitation, I still thought, why not try all different kinds of characters? I haven’t tried writing a main character like this before.

— MXTX

[miraculouslbcnreactions]

Regarding the post about Marinette being punished for trusting people and the response to it, this is something I always have trouble explaining because it sounds callous? But fictional characters aren't people. It's not that their lives just so happen to get in the way leading to something bad happened the writers decided that should happen, and it's important that you stop and ask WHY this happens. If the camera is "on" per se, people assume it's relevant and will tie into something larger. So like if the camera is on and all we see is Alya revealing her identity and then the result is she's outed in the same way she was in Heroes Day, the audience naturally concludes it's connected and thus realizes the lesson is either "Alya learns she shouldn't share her identity" OR "Marinette learns she shouldn't trust people" or both.

Secret identities are a great example of this phenomenon. We're NOT shown every time a villain's plan is foiled because they didn't know the heroe's identity, we ARE shown every time a heroe's identity causes friction in their lives. As such, large parts of the audience think of secret identites as inconveniences because that's what's shown (not just in Miraculous Ladybug, in tons of other shows)

Like you are supposed to make connections in Television about what's being shown to you that no one would make in real life (or at the very least no one SHOULD make in real life) because there's a limited space to tell the story and the audience is assuming the writers aren't wasting our time.

If these were real people it would be unreasonable to say because people have their own lives Marinette can't trust them, but in a story where Marinette is the main character who is explicitly always supposed that's. An accurate way to read the story!

And I also understand that this is a very boring construction if you're making headcanons or thinking about these characters! But that's a different lens, it doesn't make the broader writing lens invalid. You're speaking different languages at that point.

Anyway I hope that helps someone, that's my two cents

You summed it up perfectly! There's a ton of valid criticism to be had of Miraculous, but you can tell from the narrative framing that almost all of it comes down to writing choices and not things that are supposed to be seen as in-universe issues even though a lot of fans treat them as such. It's really weird to see things like people complaining about everything revolving around Marinette as if it's a personal flaw of hers and not the result of her being the main character in a fictional world. "Main Character Syndrome" literally pulls its name from the fact that this is how main characters work in a lot of media. It's a flaw when a real person does it, but in terms of story telling, it's extremely normal - and often good story telling - to have everything revolve around your main character or a core cast.

The issue with Miraculous is that they chose a lot of poor conflicts if they wanted Marinette to be the one and only main character, but that's not her fault. She didn't decide to have the rules around identities make no sense. The writers did. She didn't decide to make the main villain Adrien's dad while also keeping Adrien from being involved in the story. The writers did. The list goes on and on and, because none of it reflects badly on Marinette in the writers' eyes, the show doesn't act like Marinette is in the wrong. Remember, these are the same writers who think that Derision was a great episode that added depth to Marinette instead of destroying her character and making her look unhinged. Their judgement is clearly a little skewed.

While the writers love to make bad plot choices, they are generally using proper story telling language to make those choices, which is why I can tell you how characters' actions are intended to be read. The Rena Furtive and Nino example is a great one because it allows me to show that the writers do understand how to set things up. In fact, once they've decided that they're going to do a thing, they pretty much always set it up at a basic level. It's rarely spectacular and often frustrating, but it's never shocking.

In Rocketear, Alya promises Marinette that Nino will never learn about Rena Furtive. The episode then ends with her breaking that promise via the following exchange:

Alya: (sighs) I'm still Rena Rouge. (Nino gasps.) But now I'm in hiding and that's why Ladybug asked me not to tell anyone. Nino: But why are you telling me if no one's supposed to know? Is Ladybug cool with this? Alya: I can't hide it from you, because I love you, Nino, and we share everything.

Look at how this confession is presented. Look at what the dialogue focuses on. When Marinette confessed her identity to Alya, it was all about the confession and supporting Marinette. There was no discussion of this being a problem for Chat Noir or anything like that because - in the writers' eyes - that wasn't a problem for some reason. This is why Chat Noir almost instantly absolves Ladybug of blame once he finds out about the identity reveal (see: Hack-San.) The writers didn't want it to be an issue so it wasn't:

Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings. Cat Noir: You didn't hurt my feelings. You did everything right

But when Alya confesses her identity to Nino, the conversation is not just about her confession. It's about her confession and how she's not supposed to do this. That's why Nino's response is not loving support. Instead, he asks if this is a good idea and if Ladybug knows.

These things are getting focused on because the writers are telling you that this is a bad thing. It's supposed to feel ominous. When I first watched Rocketear, I assumed that the season was going to end with Gabriel getting the fox off of Alya due to Nino because that was an obvious way to raise the stakes and they'd just heavily implied that Nino knowing would be a bad thing. I was, unfortunately, right. The only on screen consequence of Nino knowing is that he outs Alya to everyone in an incredibly forced series of events (see: Strikeback):

(Ryuko successfully prevents the Roue de Paris from hitting them, yet, it flies to the direction where Rena Furtive is. This causes Carapace to panic.) Carapace: Rena! (takes out his shield) Shell-ter! (Carapace's superpower successfully prevents the Ferris wheel from hitting Rena Furtive on top of the Tour Montparnasse. But the information of Rena Furtive's active status shocks the heroes, as well as Shadow Moth.) The heroes: Rena?! Shadow Moth: (from the top of the Eiffel Tower) She's still active?

Of course the Ferris Wheel goes straight for Alya's hiding spot and of course Nino screams her name before casting his power and of course the villain overhears it. It's all so forced and unnatural, which should make it glaringly obvious how much the writers wanted this to happen. This wasn't something they were kind of forced to do because it made sense for the narrative and they wanted to tell a good story. Instead, they wrote an awkward series of events because they really, really, really wanted Nino knowing to be a bad thing that outs Alya so that Marinette loses all of the miraculous even though none of this makes much sense.

How the hell did Gabriel hear Nino's shout from so far away? Is he able to overhear everything the heroes are saying? How does Nino even know that Alya is hiding there? And since when was a Ferris Wheel a threat to these guys? Your girlfriend is a magical girl and she's in her magical girl form, dude. You could drop a building on her and she'd be fine, a thing you have to know because this scene literally goes on to have Chat Noir go flying into a building, hitting it so hard the cement literally cracks, and no one really cares. I guess it's fine if Adrien is a punching bag, but Alya must be protected at all costs...

Anyway, while the above series of events was annoying, none of it was surprising. In fact, it would have all be perfectly predictable even if Alya outing herself was that treated as a more neutral event. Her choice leading to bad things falls perfectly in line with a truly bizarre running theme in the show: outing your identity to the person you love romantically is a bad thing that leads to bad consequences. That's why Chat Blanc and Ephemeral ended the world and why Nino knowing cost Ladybug the fox and why the character they call Joan of Arc has to give up her miraculous to be with her love and why the Kwami's have this absolutely asinine dialogue in Kwamis' Choice:

Plagg: Sugarcube! Having to force them to choose between love and their mission is just awful! Maybe Master Fu was wrong to choose them. Tikki: No, they’re made for each other. Love is what gives them their strength. Plagg: But the impossible part of that love is destroying them, and I know a thing or two about destruction. Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.

This is the voice of the author telling you that outing the identities is not and never will be a good choice for the love square. Never mind that Alya is allowed to know Marinette's identity or that Gabriel finding out is what actually ended the world in the alternate timelines or that Felix outted himself in public but is still wielding or that freaking Gabriel was allowed to know half of the temp heroes' identities while they were still actively wielding. For some reason, those things don't matter to the narrative, probably because romantic love wasn't involved. The "identity reveals are a bad thing" rule only seems to apply when romantic love is a key element to the point where it's a reoccurring theme in this supposed power of love show.

[shorthaltsjester]

so, so many thoughts about ashton’s words and position re the gods but nothing really struck me as much as “i’d like to see them pray to us.” (or whatever the exact wording is) because yeah, that’s extremely ashton, that’s the same attitude of a person who has been hurt and broken by life in an unfair manner and tried to absorb a shard because they thought it would fix it, ignoring all warnings that it would make it worse, and then insisting it wasn’t about power, despite the fact that it explicitly was about power — the power to render their life fair. it becomes increasingly clear every time that ashton opens his mouth that, along with being an incisive translation of certain kinds of punk politics to exandria, ashton is more set on vengeance than justice, even if he insists his motivation is that the gods are a source of injustice, it seems more like what he admitted after the shard: he’s spent his life looking for someone to blame, and while he’s happy to hate himself, it took a while for them to realize they were an agent in their own story, culpable for the life they’ve lived. ashton looks at the gods and sees a metaphorical vehicle of all the harm and hurt and pain that’s befallen him due to people in positions of power and cannot (or refuses) to see that a) the gods position isn’t actually all that powerful without the mortals who choose over and over to fulfil divine will for good or evil or in between and b) the gods already have a relationship to mortals that is akin to prayer.

and this is all extremely in character, as much as a lot of ashton’s comments echo many a political stance that makes me roll my eyes, it’s always with an attitude of yes of course ashton would say that. what is mildly more irritating (or perhaps concerning) is the readiness with which aspects of the audience concur with ashton’s assessment, when we have seen countless interactions of gods with mortals that shows us that the gods, though not actual prayer, have a very similar kind of belief in mortals that they ask of those who believe in them. like, vox machina had two episodes dedicated to talking to the gods, where it was revealed that the everlight didn’t just know pike but has beholden to her as the one who brought her back into import. where vex proved herself to pelor not just through completing his challenge but by having long been an imperfect but true source of good for the family she’s chosen that they convinced pelor that vex was a suitable champion by pointing out that she has earned several of their belief, she protects the same city pelor blessed with the sun tree, she’s protective and protected, and her heart and her intelligence are equally sound when it comes to her ability to make judgements, (all things we’ve learned since c1 are important to pelor) resulting in pelor deciding he would also believe in her. where ioun pointed out that while she keeps all stories, scanlan is a storyteller, and what could she possibly cherish more than that.

each god when vox machina spoke to them was quick to correct them when vox machina suggested things like their paths being determined or their lives being beyond their control or the world being down to the will of the gods. vex apologizes to the everlight for not realizing that the gods were really beings and she tells vox machina that she doesn’t ask for the belief of all, only those who wish to give it, as the gods chose to give mortals the ability to choose as they wish upon anything, including their faith in the deities. when vox machina asks pelor to whether they should do something with vecna’s eye, he insists that they make the decision whether they’d like to destroy it or use it — he will help however they decide, but he insists it’s on them to choose the outcome. they speak with ioun, who knows their and every story, and she tells them that the gods do not choose the individual fates of mortals, it is up to every person to choose who they will and will not be, and sometimes that guides them to places the gods have predicted, but never without the choices a mortal makes to arrive there.

the concept of belief throughout the three campaigns has been an complex and ever shifting one — as it deserves. in campaign 1, it’s largely in the context of coming to understand what it means to believe in gods when they obviously do exist, but what are you believing in, and why might you choose not to. in campaign 2, jester’s presence complicated things by pointing out that it isn’t just the divinity of the gods that earns them their power but that belief itself is a kind of divinity and with yasha, caduceus and fjord we see that the role of the gods isn’t just power-granting, it comes to be an essential part of many of those who follow the gods. and in campaign 3, we’ve seen both of those explorations come up but the difficulty is we have none of the perspective of someone who actually believes — even fcg was new to worship couldn’t offer much insight on what the loss of the gods might do to people who believe in the gods not because they grant power but because like jester they were lonely and the found a friend in one, or if like yasha they were lost and were saved by one, or if like fjord the asked for help and were aided by one. to be clear i don’t think this a weakness of the story being told — i think it’s a particularly interesting aspect of bh’s position, but i do think it weakens the perspectives of thinkers like ashton who haven’t even heard what a god means to some people, let alone taken seriously the pain that losing the gods would constitute for countless people.

so, ashton might be particularly charged against the gods — even to the point of being the only one to outright make a noise of disagreement when it’s brought up that while bells hells disagree on specifics, they all agree on saving the gods — and he has plenty of reasons to have that position that can easily result in the audience going, yeah, i understand why he’s made that judgement. but that is not the same as hearing what ashton has said and going (with all the knowledge we the audience have that ashton does not) “he’s right, actually” when there are two campaigns telling you, explicitly, “he’s not.” and this isn’t me saying things can’t be revealed that complicate or recontextualize knowledge from previous campaigns, i’m just saying that, thus far, if anything, campaign 3 (especially downfall) has only cemented the degree to which the prime deities have to believe in mortals.

truly the first thought i had when i heard ashton say his line about the gods praying to mortals instead was the fact that several of his party members received a vision from the raven queen asking for help, that fcg asked the changebringer if she was scared and she said yes, that earthbreaker groon looked at imogen and saw her self-doubt And the belief that bells hells has in her anyway and kord reached through him to tell imogen that she had the potential for greatness and that the gods are counting on her. the prime deities have long been praying to mortals, they believe in the power of mortals (for good and ill) — that’s exactly what downfall was about. the power that gods still have is entirely mediated by the mortals who believe in them, who choose to believe in them. the power of mortals does not have those bounds, and while that doesn’t mean they get to sling 9th level spells at will and multiply their damage by 10, it does mean that, in this particular moment in exandria, ludinus’ power is a much more likely (and, historically and contextually proven) source of injustice than the prime deities.

beyond the magic limitations and considering the ill-fitting metaphor of the gods as being a position of power in a sociopolitical sense, the distance of the gods means that if they want to manipulate people into maintaining their position, it’s quite difficult to do. in comparison with ludinus “cult tactics” da’leth, it strikes me as odd when the parts of the cr audience react to the prime deities doing things like . allowing mortals agency (which, as every existentialist writer ever has correctly pointed, out is both a burden and gift) as if it is actually a long-con manipulation or something.

anyway, TL:DR, ashton is an a interesting character whose beliefs and ideas make sense given his placement in the story and their experiences, but an audience who has seen campaigns 1-3 and says they agree with him with their whole chest should definitely consider either a) rewatching or b) taking a critical thinking or media literacy class

[krummholz-go]

The Final 15 - Aziraphale’s Perspective

I see a lot of empathy for Crowley’s experience during the final 15 minutes of season 2 and it makes sense that we feel deeply for him. What he is experiencing is very human - acknowledging the depth of his own feelings, plucking up the courage to say something, having it come out all wrong, feeling utterly rejected, and then walking away in a mix of pain and anger. Who among us hasn’t been there?

But Aziraphale is experiencing something more complicated, something fewer of us have analogs for. Aziraphale has internally acknowledged his feelings for Crowley for some period of time, probably at least since 1941. Michael Sheen confirms this mental state in a NYCC 2018 interview:

“I decided early on that Aziraphale just loves Crowley. And that’s difficult for him because they are on opposite sides and he doesn’t agree with him on stuff. But it does really help as an actor to go, ‘My objective in this scene is to not show you how much I love you and just gaze longingly at you.’”

Unlike Crowley, Aziraphale’s struggle isn’t acknowledging his feelings. His struggle appears to be two-fold: 1) believing that Crowley could ever love him back and 2) even if Crowley did love him, believing a future for the two of them together could exist within the restrictions of his larger world view.

Can Crowley love?

Angels are, traditionally, beings of love. We see Aziraphale embody this time and again, showing kindness and support to almost everyone he meets, including the amnesiac Gabriel who has treated him abominably in the past. He is attuned to love, remarking on how the area around Tadfield “feels loved” twice in Season 1. As for how Aziraphale personally understands and expresses love, he shows his love to others through verbal affirmation and, to a lesser extent, physical touch. There are many examples of Aziraphale expressing his love for Crowley through positive verbal affirmation, typically by praising him for instances where he has been kind, nice, or good. And on the rare occasions when Aziraphale receives verbal praise, he absolutely interprets it as an expression of love, blossoming with happiness.

But from Aziraphale’s perspective, it may be unclear if Crowley can feel love in the same way. Can demons love? Did he lose that capability when he fell? Crowley can’t feel the aura of love in Tadfield that Aziraphale remarks on, and his reactions to Aziraphale’s praise are always to shrug it off, tell Aziraphale to “shut up,” or in the most extreme case to physically slam him against a wall and get in his face about it. In this last instance he tells Aziraphale, “I’m a demon, I’m not nice. I'm never nice. Nice is a four-letter word.” A four-letter word, like love, that is not in Crowley’s self-defined vocabulary.

If Crowley can feel love, does he love Aziraphale?

Even if Aziraphale believes Crowley is capable of feeling love, he does not always recognize how Crowley expresses it in the moment. Crowley shows his love for Aziraphale through actions, but Aziraphale often misconstrues Crowley’s motivations. In 1793 when Crowley rescues him from the Bastille, Aziraphale initially assumes Crowley is only there because he is responsible for the Reign of Terror. Similarly, in 1941, Aziraphale’s reaction to Crowley’s appearance is to assume he’s just part of the Nazi gang, saying,“I should have known. Of course. These people are working for you!”

Crowley doesn’t help matters in this regard because he is constantly muting and undercutting his signals to Aziraphale. Every time Crowley expresses his love for Aziraphale through actions - rescuing him, saving his books, even taking him to lunch - he does so in a nonchalant, dismissive manner, indicating he ascribes little value or importance to the actions he has performed. “I just didn’t want to see you embarrassed,” he says when he appears in 1941. And when Aziraphale positively glows with happiness about his books being saved, Crowley tells him to “shut up."On top of these confusing signals, Crowley is almost pathologically incapable of expressing his feelings in the verbal love language that Aziraphale can understand. This is heartbreakingly demonstrated in this scene after the bookshop fire:

Crowley can’t even say “I lost you.” Instead he speaks of Aziraphale in the third person while sitting in front of him, saying, “I lost my best friend.” The little hitch on Aziraphale’s face when he hears this is just devastating. Who is Crowley talking about? The last conversation they had before this scene was when Aziraphale called while Hastur was in Crowley’s apartment and Crowley said, “Not a good time - got an old friend here.” Aziraphale is left to wonder - is that who Crowley means when he says "best friend?" Crowley is everything to Aziraphale, but what is he to Crowley?

How Would It Even Work?

Even when Aziraphale does get flashes of the possibility that Crowley may care for him he immediately runs up against his second mental block - there is no world he can imagine where they could be together. When Crowley first suggests running off together in the bandstand scene in S1E3, Aziraphale collapses under the thought: “Friends? We aren’t friends. We are an angel and a demon. We have nothing whatsoever in common. I don’t even like you.”

While he is obviously in denial, Aziraphale is also under tremendous stress in this moment and is desperately trying to hold onto some stability by falling back onto his world view and ideology. In this state he backpedals all the way to “I don’t even like you.” In his understanding of the way the universe is supposed to work, he and Crowley are hereditary enemies and should not even be friends, much less in love. Aziraphale expresses this core belief throughout the series. What kind of existence could they ever have together in reality?

The Final 15

With this as a background, we can better understand what Aziraphale experiences in the final 15 minutes. Even before the Metatron enters the scene, Aziraphale begins to have his fundamental beliefs challenged which puts him off his footing. The revelation that Gabriel and Beelzebub are in love is deeply impactful. When Beelzebub says “I just found something that mattered more to me than choosing sides” and takes Gabriel’s hand, Aziraphale immediately reaches out to make contact with Crowley, a look of incredulity on his face. Here is proof that demons can feel love and that an angel and a demon can carve out a space together. The road may be difficult, but it is not impossible.

Before Aziraphale can digest this revelation the stakes are ratcheted up: Michael threatens to erase Aziraphale from the Book of Life due to his part in hiding Gabriel. The future that Aziraphale has just barely glimpsed is already under siege. It is at this point that The Metatron enters, offering Aziraphale not just survival and protection, but a version of everything he has ever wanted.

If Crowley is reinstated as an angel, Aziraphale will no longer have to wonder whether Crowley is capable of feeling love. And if they are both angels, there will be no conflict inherent in having a life together. In one fell swoop, the Metatron entices Aziraphale with a future where there are no remaining blockers to an eternal, loving existence with Crowley. It will be “like the old times, only even nicer” because they now have millennia of their shared history to build on together. Of course this logic is horribly flawed and does not take into account at all what Crowley wants, but in the moment it must feel like an enormous gift to Aziraphale.

Unfortunately, not only is Crowley’s reaction to this “incredibly good news” not what Aziraphale expects, the conversation quickly takes a baffling turn for him. Crowley shuts down the talk about returning to heaven and attempts to say what he wants to say. Sadly he once again utterly fails to speak in a way that Aziraphale can understand.

The audience knows what Crowley is trying to say because we have the context of his earlier conversation with Maggie and Nina. But Aziraphale lacks that and thus can’t understand where this is coming from or what it means. Rather than expressing his feelings as Beelzebub and Gabriel did, Crowley recites facts: we’ve known each other a long time, we’ve been on this planet a long time, I could always rely on you, you could always rely on me. He can’t even say the word “couple” when he describes them, referring to them more as colleagues with words like “team” and “group.” And the one time he does try to express his feelings and desires he is physically unable to get out the words: “And I would like to spend—.” He then retreats into his old plea to turn away from heaven and hell and run off together. Nowhere in Crowley’s confession does Aziraphale hear “I love you” or even “I want to be with you.” What he hears instead is what he’s heard multiple times before - Crowley wants to abandon both heaven and hell and default to just the two of them. From Aziraphale’s perspective this will not solve anything for them. They will still be an angel and a demon, at some level fundamentally separated by their very natures.

Having failed in his speech, Crowley then does two things in rapid succession that must be excruciatingly painful for Aziraphale. First, he does the opposite of verbal affirmation by calling Aziraphale an idiot. We have seen Aziraphale become physically radiant in the rare instances where Crowley has praised him, so a direct insult like this must feel poisonous. Then Crowley makes a last desperate attempt to communicate through Aziraphale’s other love language - physical touch - by initiating the kiss. But without context or understanding of what is behind it, Aziraphale can initially only experience it as forceful, angry, and shocking. With more time to parse it I think Aziraphale will come to understand Crowley’s meaning, but in the moment it must feel manipulative and borderline cruel.

The Results

In a very compressed time frame, Aziraphale has to move quickly and radically through multiple mental and emotional states. For 6000 years he has believed he and Crowley cannot be together. Suddenly, with the revelation of Gabriel and Beezlebub, that foundational belief is challenged. Before he can work through what that could mean for him and Crowley, the Metatron offers an even cleaner solution - they can be protected from retribution and be on the same side again. When Crowley rejects reinstatement wholesale, it makes Aziraphale feel that he and his loving offer of a life together have been personally rejected. Then that rejection is further confused through the shocking experience of the kiss which Aziraphale does not have adequate context for or time to understand and integrate. In his emotional turmoil, Aziraphale falls back on his default crutch for dealing with sadness and anger - forgiveness - which further cuts him off from Crowley. Taken all together, this is a tumultuous rollercoaster of whiplash emotions that pull at every part of Aziraphale's self- and world-views.

Compared to what Crowley is going through, I think Aziraphale is going to have the tougher road in Season 3. Crowley may still need to better reconcile and integrate his feelings for Aziraphale, but Aziraphale has 6000 years of foundational ideology to challenge and evolve to reach a place where he and Crowley can be together as their authentic selves.

[lurkingshan]

Japanese BL Starter Pack

It’s been awhile since I dropped a rec list, so I am here today to share one that is very near and dear to my heart—a Japanese bl primer for those who are new to the jbl game. I created this for @neuroticbookworm to help her on her journey when she decided she wanted to start getting into Japanese works. The fandom (on Tumblr and generally) tends to focus primarily on Thai shows because they are the easiest to access for international fans, since Thailand is working its way toward world domination via ql media and wants us all to be able to watch. But there is a lot of great stuff to watch beyond the easy access Thai channels, and Japan is the country where this genre originated, so its shows are important for anyone who considers themselves a bl fan. Japan doesn’t cater nearly as much to the international audience so tracking down the shows sometimes takes some ingenuity and can-do spirit, but that’s part of the fun!

And so, the list! Bookworm is about halfway through it and having a ball, so I figured it was time to stop hoarding it and share it with anyone else who would like to dip their toes into jbl and isn’t quite sure where to start. A few notes: 

I am not here to teach you about the deep roots of the jbl genre or give you a primer on yaoi manga. I am by no means an expert and there are other places to find that information. Start here with this great post by @nieves-de-sugui and then maybe wander over to @absolutebl to read up more on the evolution of the genre.

This list is by no means an exhaustive accounting of every important Japanese bl ever made; it is simply a nice sampler platter of the cream of the crop among various styles you will find in jbl. Watching through this whole list will not only expose you to some fantastic shows, but also give you a sense of what makes jbl unique and how the country’s style differs from others, and point you toward the types of jbl you’ll like most (they tend to put shows in pretty specific style and tone lanes and once you find the ones you like there are lots more where that came from). 

If you’re coming to this post as a jbl lover and you don’t see your favorite here, I promise it’s not because I don’t love it very much; I simply had to make some choices to get this down to a reasonable shortlist. Feel free to leave extra recs for others to find! 

I’m putting these in a loose suggested watch order that will take you through the various jbl lanes in a kind of popcorn style, because I always think it’s good to change it up so you don’t get too stuck in one mode, and it works its way up to most of the extremely Japanese stuff (you will know what that means by the time you finish). But do what’s in your heart and change up the order if you want, friends, I am not the boss of you! 

Cherry Magic (Crunchyroll or grey)

gif by @liyazaki

I believe everyone on Tumblr is pretty familiar with this one, which is not a coincidence—this is one of the most accessible jbls. Not in terms of actual access to watch it, mind you (we’ve all jumped through shady internet hoops to watch it) but in terms of its content and style. Cherry Magic is a classic workplace romcom with a magical twist, and it is charming af. It’s a great exemplar of Japan’s light and zippy comedy lane for bl—a lane in which, importantly, the romances stay chaste even when the actual plot is about sex, or lack thereof. My friend @waitmyturtles would kill me if I didn’t make sure you know that Cherry Magic also has a lovely follow up film. And bonus: there is now a Thai remake airing so if you watch the original you can get in on the discussion about the different adaptations between countries. This is pretty easy to find these days in all the usual places, but I strongly recommend watching it here.

Old Fashion Cupcake (Viki)

gif by @liyazaki

Moving on to a slightly more mature workplace romcom. Old Fashion Cupcake, another Tumblr favorite, is an age gap boss-subordinate romance, and it’s both very adult and somehow wholesome af at the same time. Sure, there is a lot of carnal desire going on here, but there is also a lot of wooing via fluffy pancakes. It’s a tight five episodes and a fantastic example of what Japan, with its extreme technical precision in writing, directing, editing, pacing, and acting firing on all cylinders, can do in two hours. There’s not an ounce of flab on this thing and you’ll want to watch it over and over again.

Utsukushii Kare (Viki)

gif by @wanderlust-in-my-soul

Time to get a little weird! Weird is a key feature of Japanese media, and lots of jbls explore unusual relationship dynamics rooted in complex psychology. This is the first show on the list that will likely feel very Japanese if you’re new around here—my advice is to lean into it and finish the show, even if you get uncomfortable along the way. In Japanese media, discomfort always serves a purpose. This is a high school story with a twisted relationship at its center, and I’m not saying any more than that. Don’t spoil yourself and go watch it! This one also comes with two sequels—one short second season and one movie—that continue from the original story. They are less essential but still excellent.

I Cannot Reach You (Netflix)

gif by @my-rose-tinted-glasses

Next up, another high school tale, but with a totally different vibe. This show is kind of a revelation in its willingness to tell a story about overwhelming desire—including sexual desire—with young protagonists. It’s rooted in a classic but often misunderstood trope, friends to lovers, and takes the angst of it seriously, giving us a low stakes story that feels extremely high stakes to our leads. It’s also gorgeous and uses a classic Japanese visual style (bokeh) that you’ll be dying to learn more about. 

His (Viki)

gif by @gabrielokun

Time for a break from high school, and we’ll sprinkle in a movie for some added flavor. His is a jbl film featuring a second chance romance between a stoic, introverted man who moves to a remote town to start over, and his ex-boyfriend who follows him there unexpectedly, adorable child in tow. Importantly, this movie does not take place in what we often refer to as the “bl bubble” where homophobia doesn’t exist; the leads’ experiences of being gay men in a homophobic society are hugely important to the plot and themes of the story. It’s a beautiful film and I’ve lost count of how many times I’ve watched it. @bengiyo would surely also like me to tell you that this film follows a brief prequel show called His: I Didn’t Mean to Fall in Love about the characters originally meeting in high school; I do not think it’s really necessary to watch it but completists can start there.

The Pornographer series (Gaga)

By now you should be ready to get into some classic Japanese fucked up psychosexual material, right? Right! The Pornographer series is told in five installments in this order:

The Novelist, a six episode miniseries

Mood Indigo, a six episode prequel series

Spring Life, a 15 minute short

Pornographer: Playback, a two hour film

Spring Life Continued, a 15 minute short

Confused by that distribution model? So say we all; sometimes Japan likes to make us work for it to make sure we really appreciate its many gifts to us. The story across these installments is about a very difficult to love protagonist, what makes him the way he is, and the also-unhinged-but-in-a-different-way man who finally gets through to him. It’s an extremely satisfying love story and one of the best character arcs I have ever seen, full stop. For this one, you’ll want to just pull the word problematic out of your pocket and store it in a drawer; nearly everything that happens in this story is problematic and that’s the point. Lean in! All of these installments except for the film are on Gaga, if you get that far hmu and I will supply you with the final puzzle piece.

Our Dining Table (Gaga)

You could probably use a break after those last two, so it’s time to shift over to a heart-tugging twofer: family trauma mixed with the cutest shit you’ve ever seen. ODT is an example of another classic type of Japanese show: the food drama (you will see the GOAT in this category at the end of this list). In Japanese culture, food is love, and the act of preparing food for your loved ones is a common path to romance. You’ll love this story about an isolated office worker who meets a pair of brothers, learns to cook as a way of connecting with them, and begins to heal from his own trauma as a result. The image above is a scan from the manga, which @troubled-mind curates to make extremely cool comparison sets like this one. Many jbls are faithful adaptations of yaoi manga source material, so it’s good to have a bit of familiarity with them.

Minato’s Laundromat (Gaga)

gif by @liyazaki

Japanese media loves to explore taboo, and often manages to do it in a way that is surprisingly light and chaste. This is an age gap romance between a teenager and his adult neighbor that explores internalized homophobia, emotional repression, and falling in love across seemingly impossible social chasms. It’s also a great example of old school yaoi seme-uke dynamics that still show up across the bl genre. Also, take my advice: end your journey with this one with the first season and just pretend season 2 doesn’t exist.

Eternal Yesterday (Viki)

gif by @wanderlust-in-my-soul

Remember what I said about weird? Time to do that again, but with a heaping dose of grief and pain on top. It’s not a spoiler to tell you this show involves a major character death; a major character death is, in fact, the root of the entire story. This is a magic realist tale of first love turned tragic, and it will hurt and heal you. It is one of my favorite dramas of all time.

Restart After Come Back Home (Gaga)

And now for a break for your poor exhausted brain. This film is basically the jbl version of a Hallmark original movie, about a city boy who goes back home to the country and falls in love with a total sweetheart while working together on a farm. Enjoy it, bestie, you’ve earned it! 

Tokyo in April Is… (Gaga)

gif by @wanderlust-in-my-soul

You’ve probably noticed by now that emotional repression and failed communication are big themes in Japanese works. This second chance romance has plenty of both, and it’s a great example of a kind of muted emotional style that Japan does so well, where the surface of the story seems almost placid and calm even as deep emotion roils underneath. This one (and Eternal Yesterday above) are part of a special line up of jbls on Japanese channel MBS called Tonku (Drama) Shower. The shows air one after another in the same time slot on Fridays (in Japan, perhaps Thursdays for you depending on where you live) and you truly never know what you’re gonna get, but they’re all interesting. Warnings on this one for sexual assault and trauma. 

The End of the World With You (Viki)

Time for sexy and weird again, but even more so! This has to be one of the most unique bls ever made; it goes to some truly divine and strange places, and it feels incredibly queer while doing it. Made by the same screenwriter/director of the Pornographer series with a lot of the same sensibilities, but in a more heightened apocalyptic setting. This one has existential angst, a road trip, a redemption tale, and a variety of interesting side characters in the mix.

What Did You Eat Yesterday? (Gaga)

gif by @my-rose-tinted-glasses

Congratulations, you’ve reached the end of the list and your reward is watching one of the best bls of all time, and a perfect slice of life food drama to boot. WDYEY now has two seasons (along with a couple specials and a movie that fall in between) because the universe clearly loves us. You can now get it on Gaga for easy access but I’m partial to the versions over at @kinounaniresource for better subs. Wherever you watch, settle in to get cozy with Shiro and Kenji and make sure to always eat before you hit play.

[lonefloric]

Everything is dark ✿

an installment of the intertwined souls mini series

Tanjiro x female!reader

in a world where nobody can see color until they meet their soulmate, tanjiro is devastated thinking he will never meet his soulmate with demons still alive. That's until quick eye contact with a village girl.

not edited, was too excited to start the series so here's the first installation 😼

Ever since he was a small child, Tanjiro knew the importance of finding his soulmate, his lost other half. His mother would bundle him and his sister up in her lap, explaining the many different types of soulmates in the world.

Tanjiro had a unique soulmate connection. He couldn't see color. He listened to the many stories of the 'colorful' world around him, yet everything appeared to be an array of grays. He asked his father what it meant, to which he smiled and patted the boys head.

"You, my son, are a special case. A very rare connection. When you meet your soulmate, look in their eyes and your world will become colorful."

/

You were born as the only child to your father. Your mother had passed shortly after you were born. The village chased your father out, claiming you killed your mother as a cursed child.However, you were not cursed, simply born with total blindness.

It was extremely rare, and completely unheard of in your small village to be born completely blind. The villagers, fearing the safety of their homes resorted to the belief you were cursed and that you killed your mother.

Your father, a poor farmer, took you and ran. He traveled many days until he found an abandoned house by the edge of a forest. Your father loved you more than anything, he did not believe you to be cursed, only that you did not have the luck of the gods.

As you aged, your father taught you the basics to farming and how to navigate without your eyesight. He also began to explain soulmates to you. He explained to you the many different types of soulmates in the world, even his own with your mother. There was no countdown on your wrist, you didn't hear anyone else's thoughts, you were never freezing, and nobody appeared in your dreams.

Maybe you really were cursed. An unlucky child, even the gods didn't bless you with an eternal lover. That was what you always believed until...

/

"Are you alright?!"

Foolishly, you decided to wonder outside of your home late at night. Your father wasn't home, he left for a nearby village to pick up some things, leaving you alone.

"-iss! Miss?" an unfamiliar male voice called out snapping you back into reality.

"Huh?" you blinked rapidly suddenly able to feel the rush of freezing water around you. Oh, right, you had been startled causing you to trip and land in the stream you were attempting to cross.

You began to move your hands around in the water, attempting to figure out your surroundings after being disorientated. "Here, take my hand." the boy, who sounded no older than you, must have extended his hand out for you.

Picking your hand up out of the water, you extended your hand and attempted to grasp the boys hand. Your hand completely missed his, beginning to fall back towards the water, a hand grasped your wrist.

"Are you alright?" the boy asked again, more concern lacing his tone. Embarrassment began to creep up in you, the boy's hands sliding from your wrist to your hand and pulled you up.

once you regained your balance, you clasped your hands together in thanks. "I thank you for helping me! I cannot see and your assistance was very helpful!" you lifted your head, in what you assumed, was the boys direction.

Weirdly, there was silence. "Sir...?" you called out cautiously. Did he leaves already? No, that was unlikely he was just there-

Warm hands suddenly engulfed your own causing you to jump at the sudden contact. "We're soulmates!" now you were confused, how could he know for sure?

You tilted your head. "Did you not hear me..? I cannot see.. There's no chance we are soulmates."

"My name is Kamado Tanjiro! Before I could not see any color but now that I have looked at your eyes, I can now see color! We have to be soulmates!" Tanjiro exclaimed.

You shook your head, "impossible."

Tanjiro's hands moved from your own to cup your cheeks, forcing you to look in his general direction. "Focus."

You did as told. Now that you mention it, there was a new warmth creeping up in your chest. "Can you feel it?" he asked. You nodded in response, tears pricking your eyes.

"Wait - don't cry!" sobs began to wrack your body, you threw your arms around Tanjiro's shoulders.

"We are soulmates. I didn't think it was possible without my vision. I am believed to be cursed but it seems not to be true!"

Tanjiro simply held you until your sobs died down, "let's get you inside and we can take it from there, alright?" you simply nodded, letting the boy, your fated lover, lead you back inside your home.

[stellarsagittarius]

🍁✨️ Mars in Natal Chart: The Men you are Attracted To✨️🍁

(Does anyone know the name of this turkish movie/drama, from the GIF.)

Mars in Aries

You love a man who is bold, and doesn't hold back from speaking up for himself. As an Aries Mars you have plenty of energy within you, and you move in a very direct manner regarding the things you want to have. So you really need a man who also has his own set of goals while supporting you as well, but not to the point that he gets in your way. You like a masculine energy that is sure of what they want to achieve and what they are going after. Someone who is very much in touch with their physicality and is always on the go. A person who respects, especially, the fact that you both are two separate individuals and both of your guy's desires matter. You like a masculine energy that can be physically playful with you. Someone who is very loud and clear with their actions, is really gonna give you the butterflies. This man is someone who feels proud when they see you succeeding, and someone who isn't afraid to lead you through life.

Mars in Taurus

You get butterflies big time when a masculine energy is stable and grounded. You value a man who is very much connected to his physical senses and enjoys a slow and steady lifestyle. A man who is also very much connected to his sacred femininity. As in, he has a healthy connection with the feminine aspects of life such as art or channeling his intuition. You feel energetic when the things around you have a solid future and that you know it'll give you much stability later on. So that's the same you look for in a man. His ability to plan ahead and tackle the physical aspects of life such as managing money or deciding on things like vacations or the home, it's all very important for you. You are also attracted to a man who is interested in the matters of your home, like making sure everything is good quality and that you are well provided for. Someone you can sit and simply relax with, either in a nice spa or baking something together.

Mars in Gemini

You like a smarty pants. Lol, I mean you love when a masculine energy is eloquent in the way they express their words and can explain literally anything in the world to you with extreme ease. Someone who is very good at regulating his words, and you really get the butterflies when a man can flatter you with his intelligence. Someone who is both quick to understand things and also someone who can take their time to strategically plan their way around getting things done. You like playful banters or atleast have this thing for having conversations with your partner in a way that looks like you both are fighting, but is actually very fun to do and is not serious fights at all. Because for you, you are bit of a conversationalist yourself even if you don't have any major placements in Gemini itself. You love a man with whom you can genuinely connect on an intellectual level. Also, I think Gemini Mars women are attracted to men who work with their hands in some way 👀.

Mars in Cancer

You like a man who isn't afraid to show his emotions, and talk about his feelings whenever it's needed. There is a strong sense of being comfortable with one's feminine side, as in him being connected with his nurturing qualities. You like a man who lives a more easy-going lifestyle, someone who is domestic and focuses more on bringing peace in his home. Now with Mars in Cancer, it's not a beneficial placement as the energies of Mars and Cancer contradict each other. So you can be a bit distrustful or closed off with the masculine energies and figures in your life. And with men who appear to be on the sensitive side, you can get attached very quickly. A masculine energy that is not only just a physical provider, but also an emotional provider is what you are heavily attracted towards. Cancer rules the chest and stomach, so perhaps men with a defined chest or a toned stomach can really get you attracted. In short, it's someone connected to his emotions and is much more on the gentle side of life.

Mars in Leo

You love a fabulous man. Someone who isn't just a plain old attention seeker, but someone who actually exudes confidence wherever he goes. You are attracted to men who are quite on the creative side of life, like someone who lives a colorful life, someone who isn't afraid to add their personal touch to things, someone who honors their individuality. Often times you can attract cocky men, or men who are super insecure on the inside, so be aware of that. With your Leo Mars you are quite stubborn and fixated towards the things you want to achieve, and you might move a bit slow, but you make those moves so loud. You need a masculine energy that can sustain this nonstop fire within you. You also like praises, so definitely a man who knows how to appreciate you well enough. You enjoy a power couple dynamic, so the masculine energy in your life should be someone who knows that you both add even more shine to each other's light. You also desire to be seen by your partner, so if a confident man does that for you, it's one major butterfly inducing factor for you.

Mars in Virgo

You love men who knows what they are doing. Men who mindlessly go about their days or don't even know how to do basic tasks, really turn you off. You love a man who is sure of what he is trying to do, while also being able to give you the practical knowledge about that thing. With Mars in Virgo you go about your life quite statistically by planning your moves, and you love a man who does the same. You really are attracted to a handy-manny type of masculine energy, that can make you feel physically comfortable by improving the way you live. Small practical gestures like holding the door open for you or bringing you a glass of warm honey tea at the end of the day, or something, it really makes you feel like you can rely on that person. You are attracted to witty and often sarcastic men. You also need a mental attraction with a person, while also being able to use all that exchange of information into some practical use. You are also pretty attracted to men who prioritize cleanliness and hygiene.

Mars in Libra

You experience a very dynamic yet subtle kind of attraction. By subtle I mean you aren't the type to directly approach the men you are attracted to or be very driven with your crush. Instead, you like the sneaky flirtations, the slow burn that slowly yet gently gets you to understand the other person. You are highly attracted to the classic gentlemen type. Someone who is a smooth talker, a man with a charismatic yet soothing demeanor. You can easily get turned off by men who are overly aggressive or the men who push other people around or the men who cannot hold a conversation without creating drama. With your Mars in Libra, you are attracted to a diplomatic masculine presence. Someone who knows the power of staying still, listening to both sides and knowing when to put their feet into the conversation. The quality of being able to carry oneself with much grace, is something that highly attracts you to a man. On a challenging note, you may happen to attract men who are all talk and no action.

Mars in Scorpio

The way you want a man to be with you is to be completely obsessed with you from head to toe. Honestly it's really that intense and possessive Christian Grey vibes. You love the intensity. You love it when a man holds a certain amount of mystery to himself which can allow you to be completely intrigued. You love to peel the layers one by one, all by yourself. So a man who knows how to keep you hooked, while also being able to reveal himself to you one quality at a time, it's very butterfly inducing for you. You love possessive men, like that's not even something we don't know. Men who are calculative, on the quieter side around people and slightly have a rbf. You are also the type to love the hot-cold dynamic, where there are intense arguments after a session of giving cold stares to each other and then even more intense make ups. Masculines who are in touch with their sexuality are sure to drive you crazy. Beware of manipulators or extremely closed off individuals.

Mars in Sagittarius

You love honest men. Honestly, honesty and being able to say things without sugarcoating it, is your best quality. You like a man who is on the same page of thinking as you. A man who has his belief systems in order, and a man who is good at understanding motives, intentions and meanings behind the things people do, is really someone you would enjoy spending your time with. Your choice in men is quite unique, because you want someone who has a rich way of thinking, a rich way of going about life. At the same time the masculine figures in your life need to be adventurous, both in the physical side of life and also mentally. Someone you can completely connect with on a mental level, and can bounce around ideas, discuss things like law or philosophy. You rarely like a boring man who is all about his boring life. You need someone to be your best friend, as well as your partner. On a challenging note, you may get attracted to men who are just too focused on their own freedom, not at all stable in life, and quite hard to open up emotionally.

Mars in Capricorn

You love when a man is the provider. Not because you can't provide for yourself or anything, but because you yourself are very much of a busy-body, and you know the importance of having a goal and stability in your life. You are immensely attracted to a man who has goals, whether big or small. An ambitious man catches your attention big time. For you it's very important for the masculine figure to be able to provide and be the reliable one. Men who has goals, has a plan, is ambitious, cares about providing for the domestic life. It's not a desire fueled by greed or laziness to achieve on your own, that you would want someone else to do it for you, instead, it's a genuine desire to partner up with a man who knows the importance of actions following his words. You also love to be with a man who knows how to appreciate himself for his work. On the challenging side you might happen to attract someone greedy, unproductive or someone with a directionless life.

Mars in Aquarius

Attraction for you is very much rooted in the fact that you can be yourself around a man. If he's comfortable, then it's super attractive. You love men who have a very intellectual and a forward thinking, open minded mindset. Because for you attraction is also very much rooted in the fact that you can connect on an intellectual level with that man. A man who has his emotions under control, who knows how to stay calm and see situations for what they are, really gives you the butterflies. On the same note, men who are unique, whether it's in the way they think or take action or dress, seem to catch your eye, a lot. Masculine energy that has a certain purpose in life, no matter if it seems childlike, and masculine energy that knows how to create a path forward, are very attractive for Aquarius Mars. On the challenging side, you might happen to attract men who are completely ruthless or emotionally closed off. You might be attracted to men who seem to keep their composure sustained for a long time without getting bothered.

Mars in Pisces

You like gentlemen. There is something so precious about a Pisces Mars, because they are just harmless. You really need a man who matches the same kind of vibe. You like sweet, gentle and easy going men. Because you really can get turned off by dramatic, aggressive and raging men who can't stay still for one moment. Men who are much focused on the pursuit of a deeper meaning in life, and men who are quite sensitive, really make you feel some type of way. You enjoy the presence of a masculine figure that knows how to cater to your emotional needs, and treat you like the soft princess you are deep inside. Someone who isn't overly critical of things, someone who contributes to things in a very creative manner, someone who knows the importance of being gentle with you whether physically or simply emotionally/mentally. On a challenging note you may attract men who are overly lost in their own worlds or men who can just never take anything seriously.

Thanks for reading 💕

[puripurin]

[Side Story for Zephyr, not pt 2]

— After Earth had finally gained contact with the other residents of this wide and vast galaxy, they wanted to go over to their land and talk about business or whatever. It wasn't your problem as you were nothing more than a guard to protect the important people.

Today was officially the end of the first week out of two, you have stayed here. There were some ups and downs due to miscommunication, but overall, the scientists, diplomats, and world leaders were making massive progress by talking to the leader of the planet.

But, alas, you were outside the spaceship on the night shift. Talk about unlucky. Well, at least your pay is going to be wonderful. You notice that your comrade had already fallen asleep, but you decided not to wake them up. The inhabitants of this planet seemed friendly, and having guards was just so nothing confidential came out.

You yawned before you felt a tug on both of your pant legs. You looked down and saw two 5-year-old alien children looking up at you with their golden eyes and had a glittery grey skin colour. Their hair was stark white and flowed beautifully. Their clothes seemed to be like night gowns and had intricate patters.

"Um, hello?" You waved at the two children who seemed to get excited at your response. They jumped around you, and the duo gave you a set of toys, you assumed, and started to play with them. You smiled and then stooped down to sit on the cold floor and played with them, entertaining them until 20 minutes before the end of your shift.

"Hey, but can we stop here? I need to leave soon, so can you go back to where to come from?" You said politely with a smile, enjoying their cute chubby faces. They look at you in confusion before latching on to you and saying in their native language, "Eram! Eram". You couldn't understand them as guards don't get translators as they are very expensive to make. They were on the verge of tears and tugged on your body.

Your face flushed with embarrassment as you looked to see if your coworker was awake, but they were still in a deep sleep. "Come on guys, please... Let go of me, how about I take you all back to sleep?" You exasperatly said as the children sniffled. "Okay, just hide behind that pot and wait until I start leaving." You whispered to them, enthusiasticly following your instructions and hid well behind the plants.

You woke up your colleague, to which they profusely thanked you for allowing them to sleep. Then, after 20 minutes, another set of guards came and took your post. Your coworker and you went your separate ways, and you finally got back to your sleep station with the two alien children.

They silently giggled and started to roll around in an empty bed. You quickly took a bath and changed your clothes in the changing room. Then, you slipped inside the sheets with the children snuggling up to you. After calming them down, all three of you fell asleep, but as you dozed off, you felt as if you were forgetting something... Eh. Could be nothing.

You were woken up to a slap in the face. Your eyes were blurry, and it felt as if your mind was weighing you down.

"Soldier! Are you an idiot!?" The lead scientist barked at you, her glare seem to cut into your fragile state of mind.

"W-what are you talking about??" She slapped you again, there was other people in the room, and seemed to be discussing about what to do with you.

"Are you playing dumb!? Have you forgotten how discern the ranks of the aliens here!? Grey skins mean they are royalty! Did you forget that soldier!?" She screeched again and made you feel extremely dumb. Your eyes widened in shock before looking down in embarrassment, and that made the lead scientist tug on her hair. She kicked you in your stomach out of frustration.

"URG!! Now we have see how to profusely apologize to them no—" The crumbling of the door cut her off as another alien with glittery grey skin calmly walked in, his hair was long and stark white but his eyes were a deep red. His clothes were long, white, and accents of gold with a red headpiece. Just then, the two children from last night popped out from behind him, and tears were bubbling in their eyes. One of them had stopped to kick and punch the leg of the lead scientist who had abused you while the other made a beeline towards you and tried tugging at the rope that had bound you. The other one then ran towards you and also started to tug on the ropes.

"Eram! Eram!" The room fell silent as the children babbled about something that you couldn't understand but made the humans in the room shocked. The alien had snapped his fingers, and the ropes had turned into ashes before elegantly walking into the room and towards you. His, supposed, children screamed in joy before cuddling into you to indulge in your warmth.

"Alas, I must apologize for this incident. My children are still young and do not properly know what's not acceptable when it comes to foreigners. Though this time, they took it too far by accepting them as their mother. I do apologize for this event." The alien said with nothing but pure elegance laced in between his words. Your eyes widened in shock and sputtered out jumbled words before you started to speak properly.

"Oh my gosh, I am sorry I did not know these were your kids!! I feel super apologetic, I have no idea what to do to make this situation improve!!" Tears welled up in your eyes, fearing for the worse.

"Execute me!"

"You shall marry me."

Not only you but the other scientists and diplomats' faces contorted into a look of confusion. One of the diplomats came up and looked at him as if he were crazy.

"No, your royalty. Wouldn't you wish to marry someone with equal power on Earth. Think about it—" His words were cut off by his neck spraying blood. You'd immediately covered the children's faces and turned them away.

"Any opposition will be promptly executed. Though this means I will be updating our contract. In order to maintain peaceful contact with our planets, you shall hand over my future spouse." He said unwaveringly, showing his dominance. No one butted in after they saw what happened to the diplomat.

"W-wait, don't you have a queen or an empress?? Wouldn't this be rude to her??" You questioned, and the alien turned to look at you and smiled. His kids were still cuddling into you with their faces on your body.

"Ah, are you worried about offending anyone, my reigham? You shouldn't be worrying since the start of my rule as I hadn't married anyone. It's engraved into our culture that you wait until an opportunity to get attached to someone so that a relationship will flourish, and it's understood that the current ruler will take long periods of time to wait and marry someone as it's a delicate process. So my reigham, do you understand? If you refuse whose to say that you may step out of here alive?" He explained with a smile on his face. One of his children turned to blow a raspberry at him at the last line he spoke.

"I- uh okay??" You still were processing everything, so you just accepted it. He turned back to the scientists and diplomats who were still flabbergasted but the situation.

"Go back and notify your world leaders that the situation has changed. I shall marry this person as soon as possible." He said before motioning his finger towards you, and your body started to levitate towards him before he carried you in his arms and left the room, leaving people stunned in silence.

"My Reigham, I shall make our wedding wonderful."

"Ng- Ngh... I-I can't do this anymore -" You stuttered as you were forced to look at yourself in the mirror as the alien king slammed you down on his hardened cock. His long tongue left trails of slime as he licked your nipples. Your face was hot and flushed as you felt yourself getting pounded into.

"From the moment I saw you, standing up right and doing your duties, I knew something inside me was calling for you. I could smell that you were my soulmate... And I'm finally going to use all of your holes the way I want. Though, I'll be giving you breaks. It's customary that soulmates... "bond" for at least 25 hours. So this is only the beginning." He said as he cummed into you for the first time out of many.

Hiii. So uh i posted somthing before immediately deleting it cus I didn't liked it so heres a long one. Idk what 2 name the alien and his kiddies. Anywayssss, i tried by best to make it gn with the only thing referring ze reader as fem is Eram, which means mother in the language i was making up. Reigham means love. So hope yalls in enjoy thisss