[ID: Three sets of digital drawings of Alice Dyer from The Magnus Protocol in different outfits on a brown background. She is a thin white trans woman with freckles, shaggy brown hair with faded pink tips, crooked teeth, and pink painted nails, and she is always wearing pink cat-eye glasses, two pairs of silver earrings and silver snakebites, with a varying third ear piercing as well.
The first image features three pajama outfits.
The first is a baby pink cami, dusty pink shorts, and burgundy slippers, in which she also has her hair tied in a bun with a burgundy colored scrunchie. She is standing hunched and yawning.
The second is a dusty pink cami, gray PJ bottoms with pink stars and moons, a dark blue robe, and burgundy slippers. In that one, her hair is down and extra shaggy, and she is scratching her side, lifting her shirt a bit.
The third has her with nicely curled hair, wearing a baby pink satin robe, a black cami, and burgundy stockings, slippers, and matching makeup. She is standing coyly lifting her robe slightly with one leg lifted and a hand to her mouth.
The second image features three work outfits.
The first is of her in a pink and gray flannel shirt, dark blue hoodie, patchwork flannel maxi skirt, and dusty pink converse. She is also wearing a gold and red braided bracelet and a pink one. She is standing in profile, smiling with her hands behind her back.
The second outfit is a blue, pink, and brown flannel shirt over a grey undershirt, a pair of ripped blue jeans, a brown and pink flannel tied around her waist, brown socks, dusty pink converse, pink bracelet, and a dark blue hoodie draped over her shoulder. She is standing with one hand on her hip, the other holding her hoodie, and she is smiling as thought talking.
The third outfit is a burgundy blouse, long navy skirt, brown belt, and burgundy shoes. Her hair is also done in nice curls and she is wearing soft burgundy makeup. She is smiling awkwardly and shrugging.
The third image features casual outfits.
The first is a soft pink tank top with a navy bra peeking underneath, a frilly brown maxi skirt, pink slip-ons, and a grey and brown flannel purse. She is also wearing the three bracelets previously shown with, and pink donut earrings. She is smiling with her hands behind her.
The second outfit is a burgundy bra, baggy brown and grey flannel hanging off her shoulder, a pink and brown flannel tied around her waist, a navy knee-length skirt, white crew socks, and dusty pink converse. She is also wearing a grey bracelet, a pink beaded bracelet, tooth earrings, and navy eyeshadow and burgundy lipstick. She is standing leaning to the side with one hand on her knee, smiling and holding up a peace-sign with her other hand near her face.
The last outfit is a dusty pink crop-top with a boat on it, dark blue hoodie, a short burgundy-plaid skirt, shredded navy tights, gray knee-high socks with burgundy stripes at the top, and dusty pink converse. She also has her usual bracelets as well as shark earrings and smeared burgundy lipstick. She is jumping up, smiling and shouting, with one hand punching into the air.
end ID]
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ALICE OUTFITS <3 these were soooo fun to do omg. i have my own favorites out of these, please tell me yours!! i'm really happy with how they all turned out <3
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breaking badifies them. happy pride motng
au elaboration under cut
this is just copypasted from twt i forgot to post yetsterday
I imagine that the Dirkjake dynamic would be down on his luck partyboy and the estranged high school friend that coerced him into a drug dealing operation. For reasons he refuses to elaborate on. Jake doesn't really want to be cooking meth but he needs the cash and sees Dirk as the one stable thing in his life really. Dirk really needs a partner and an in to the business and is most of the brains behind the operation.
Dirk is also doing a fair bit of posturing to keep them both safe but Jake... hooo Jake. Dear whining Jake will become a loose cannon when it counts. The power balance would fluctuate alluringly.
To be honest I imagine their dynamic would be much closer to a hypothetical high school au turned drug-dealing and wouldn't be much like Walter and Jesse. Wanna think there would be a happy ending but realistically they'd sink into their worst traits & probably end up in a saw trap by the end of it. I wanna imagine most plot beats still happen... gf dies... "gale" dies... Codependent yaoi and corruption arc flourishes.
I imagine Dirk's wardrobe would start to resemble more and more of Bro's and some of his personality might too. But I also don't think he'd go as far or be as bad as Walter, since here there's a care and concern for Jake as more than a pawn and stand-in (aka the Walter special). Damage would still be done though. The love didn't save anyone etc etc.
Bro and Grandpa would have a dynamic MUCH closer to the s1/2 duo. Devil-may-care stoner and the guy who needs cash FAST and doesn't have time for this shit. I dont think Bro has the tender heart Jesse but he definitely develops some terrible loyalty complex regardless. Honestly have a LOT less idea how their story would go so I'm all ears
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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Fun little silly thought I had about the Lair Games and specifically Leo deliberately losing is all the reasons he could have for doing so.
My favorite headcanon for his main motivation is that Splinter wasn’t proud of him anymore.
I imagine that, in the beginning, winning the Lair Games was Leo’s opportunity to shine. He wasn’t artistic or the baby of the family like Mikey, wasn’t a tech genius who created amazing inventions like Donnie, wasn’t the eldest who was insanely strong and dependable like Raph. So he had to shine somewhere else- anywhere else- and what better way to get attention than to be a winner? A champion?
And then he won too much. And it wasn’t special anymore. He got too big headed, too cocky, he knew this was his element and he ran with it.
Splinter’s words of congratulations slowly petered out. Suddenly, there was no real reason to win.
Winning feels empty when the only one cheering you on is yourself.
So- Leo schemed. And he’s a great schemer, fooling his whole family (and Donnie did deserve a win- people were way happier when he won.)
He even gave up his prized possession! His room!
Though he knows his brothers probably think it’s a bad prize. A terrible one, even.
Leo doesn’t sleep much as is, though. So Dad’s snores were more comforting than anything. It was reassuring to hear him so clearly alive and close by.
Even if the distance between them was larger than Leo’d like.
He’d just have to find something else, something more to show his dad that Leo was someone to trust, to be proud of, to love.
He gets his chance soon after, when he needs to pull off a plan against Big Mama at his dad’s side. Leo can only hope this victory is one that has a lasting effect when his father looks at him with pride once more.
Victory, for Leo, is a pretty loaded term.
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