#disabilities in SFF | Explore Tumblr Posts and Blogs

concerningwolves · 2 months

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Hi! 👋🏼

First off, I just wanted to thank you for all that you do on your blog, not only has it been helpful to keep things in mind when writing, but I also genuinely enjoy learning more about sign language; I’m trying to self-learn it because it’s just that interesting to me hehe. (Also my church has a Deaf Service and I’d really like to be able to talk to the people there.)

I do have a question, but feel free not to answer; I’m currently working on a story where a very young child has acquired deafness after a severe illness (vaguely Hellen Keller vibes), and I was wondering if you know of any things I should specifically keep in mind when writing about the aftermath (immediate and long-term) of it? The setting is mildly fantasy where sign language exists, but hearing aids and cochlear implants have yet to be invented.

Thank you again for your blog, and the care you put into all your posts!

You're very welcome, and thank you! ☺️ It's always lovely to hear that people are helped by this whole... [insert vague hand-wave at my blog] thing I'm doing

Things to consider with a young character who loses hearing after illness

I don't know anything firsthand about what it's like to go deaf, so the first thing I'll recommend is to find stuff written by people who do. A search on r/deaf for "lost hearing" brings up a lot of different threads; for example, this post where people discuss things they wished they'd done/known when they first lost their hearing might provide some good insight.

As another starting point, Jessica Kellgren-Fozard has a fair few videos on her channel about her experiences as a deaf person, and specifically as someone who lost her hearing in her late teens. These two in particular might be helpful to you:

So You're Losing Your Hearing...

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This is a video for people who think they're losing their hearing, but while it's not strictly about lived experience, it could certainly be helpful to note both the issues Jessica discusses and the solutions to them.

For example, she mentions isolation is a big problem, and talks about the importance of using the tools provided by the internet to find communities of people in the same boat. Even without the internet (or some fantasy equivalent), people are very community driven and prone to bonding over shared experiences, even if those experiences aren't wholly analogous. Are there other disabled characters in your story that your recently deaf character could speak to? Other d/Deaf characters? Who does she have by way of support and community? – these are all good things to think about.

Why I Don't Sound Deaf

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In this one, Jessica talks about her experiences and her relationship with speech and sign languages as someone who lost her hearing. With applying this to your character, her age is important – the "golden period" for acquisition of a new language is typically thought to be before ten years old. Theoretically, the younger someone is when they lose hearing, the easier it will be for them to learn sign language. As Jessica points out in the video, sign language has a different grammatical structure, and because of this she finds it easier to use Sign Supported English instead of BSL. A much younger child, if given immediate or near-immediate access to sign language, is likely to take to it far more easily.

More on speech and language acquisition (or: the evils of consonants)

The impact of hearing loss on speech isn't something I can speak to (pun unintended) with great knowledge or certainty, but I can sort of extrapolate based on personal experience with learning to speak while not being able to hear well. (I had speech therapy, but that was as much to do with my narrow jaw + teeth overcrowding as with language difficulties caused by deafness). I misheard a lot of words and phrases – I spent years thinking that the "big girl swings" were "barbecue swings" 😅

It's worth looking into what level of speech your character would have based on her age, and using that to work out how much verbal proficiency she could retain (if any). Muscle memory accounts for a lot, so if your character already knows how to say certain words or phrases ""properly"", she could retain that ability. It's not an automatic or effort-free process, though: I'm in my twenties and I still have to consciously think about how my mouth is shaping sounds every time I speak. I don't think that will ever change.

If your character is young enough that she's still learning to speak, there will likely be a more marked impact on how her voice sounds. Different phonemes – units or "parts" of sound in speech – are uttered at different frequencies, which affects how easy/difficult they are to hear and therefore learn. This is, AFAIK, one of the biggest causes of the slurred/indistinct speech that people tend to expect d/Deaf people to have. Consonants are evil little fuckers, by which I mean they're spoken at higher pitches so anyone with loss in the high frequency range (hi!) is more likely to miss them. There are different types of consonants, too! And yes, each type presents its own challenges, because consonants exist purely to vex and frustrate everyone with high-frequency hearing loss and/or speech difficulties. For example, labiodental fricatives (e.g., the 'f' in fan and the 'v' in van) are particularly tricky, because they sound virtually indistinguishable.

StudySmarter has an easy-to-understand comprehensive breakdown of phonetics. You don't need to become an expert in phonetics, but reading through this will help you understand how sounds are formed in speech, which is helpful to keep in mind when thinking about your own character's speech. Pay particular attention to the phonemes that sound similar (like the aforementioned fan/van) or are soft/breathy (like the 's' in 'sound' or 'h' in 'half') – these are the most common problem areas, as are distinctions between 'sh' and 's'. If they feel soft or breathy in your mouth, they're probably going to be harder to hear.

Deafness and illness as trauma, and adjusting to change

Last thing I'd suggest thinking about is the experience your character has with the illness itself, and how she feels and copes with the changes to her life caused by acquired deafness. Illness can be a traumatic experience, especially when it has long-term after effects. If you've ever lost the ability to do something you can usually do, even temporarily, you'll probably be familiar with the frustration, and sometimes humiliation. It's also hard to overstate just how much auditory information there is in the world, and how much hearing people rely on that information without knowing it. Suddenly losing that ability isn't going to be easy, even if your character is young enough that they won't be able to remember anything different once they're grown up. Add to that the realisation that your body isn't as reliable as you thought it would be, that you suddenly can't trust your own health, and possibly not being able to understand why that's the case. That's a lot to deal with! And you shouldn't be afraid to show your character going through it!

Thinking back to my own childhood experiences, the strongest emotions connected to my deafness are confusion, embarrassment and alienation. Confusion because the world can be confusing when you're constantly missing auditory cues; embarrassment because unfortunately not everyone is kind and accommodating when you make mistakes due to missing aforementioned auditory cues/information (and sometimes even if people are lovely about a mistake, you can feel stupid for making it anyway); and alienation because of a sense that I was somehow "different". Thing is though, this was normal for me. I have never known anything different. But my relationship to and understanding of deafness as an identity has evolved hugely throughout my life. So, once again, age is going to be a deciding factor in how your character adjusts.

From some rudimentary googling and fuzzy memories of my brief stint as a Psychology student, children develop social awareness (awareness of how others think and feel) and self-awareness (awareness of own existence and how others perceive you) fairly early on, but these awarenesses take time to develop fully. Basically, this means that your character’s age will influence the scope of their reaction to acquired deafness. Some examples as a frame of reference:

A two-year-old is going to be primarily focused on their immediate emotional experience – they can’t hear things they could hear before, it’s confusing. They will also likely be aware if people treat them differently, but unlikely to have a socially-installed idea that they are now different.

A four- or five-year-old, on the other hand, has probably developed enough social and self-awareness to understand that certain people in society get treated differently. They might already have a sense that this is unfair, or they might still be trying to understand why this is the case – it depends on what they’ve learned about disability from adults around them.

(I mentioned above that you can feel stupid/embarrassed for making a mistake even if people are genuinely supportive regardless. The first time I vividly remember someone making me feel stupid and embarrassed for not hearing something, I would have been 4 or 5. The first time I can recall feeling stupid because I was aware that other people didn’t have that problem and that I’d made a social faux pas, I would have been about 7 or 8)

By early adolescence (ages 10–13), children are more aware of, and possibly more susceptible to, peer pressure and social norms [1]. Any understanding of and biases/prejudices concerning disability will be more deeply ingrained, as will concerns about the social impact of going deaf.

The support network that your character has access to is going to be crucial to how they manage this change at any age, so think about the characters in their immediate family/community and how they’ve acted towards disability and social difference.

[1] In a fantasy setting, you as the author are in charge of what those social norms and attitudes are, and I always encourage authors to examine their own biases when worldbuilding them. How are disabled people viewed and treated in your world? Have you made it similar to your own social and cultural experience? If yes, is that because you see that as the norm, or is there a narrative or worldbuilding reason for that? Are there any assumptions about the current or historical treatment/existence of disabled people that have influenced your worldbuilding?

Tropes to watch out for

There are three main tropes to be wary of when a character acquires a disability of any kind:

The acquired disability as an inherent tragedy akin to a death sentence and nothing else. As I’ve already said, an acquired disability can be significantly emotionally difficult, especially if the circumstances around acquisition were traumatic. Acknowledging and exploring this is important. The problem is when writers leave it there – the character is disabled, their previous way of life is lost to them, and therefore the character no longer has any worth to the story (and, by implication, to society). Think of the trope of the ex-athlete (or any other hobby/profession, although fighters and athletes are the most common components off this trope) who acquires a disability and then becomes a bitter, depressed hermit who lives in a state of misanthropy and misery because their life is effectively over. (This happens to Will in Me Before You by Jojo Moyes. Content warning for assisted suicide there). The main issue with this trope isn’t its content, per se, but its execution: Writers rarely examine why someone might end up like this (hint: institutional and internalised ableism, and lack of structural support for disabled people), and instead treat it as an inevitability because they cannot conceive of disabled existence as anything but inherently miserable.

The second trope is when a character manages to “throw off” the disability. These characters either only remain disabled as long as the disability is narratively useful, are magically cured, or overcome the disability by an act of willpower (sometimes only for narrative effect). The issue here is the content: the idea that disability can be overcome or cured by sheer willpower (or yoga, or the right diet, or religion) is pervasive and actively harmful to real-life disabled people, because it implies that disability is somehow our fault. Closely related to this trope is the one where an acquired disability never tangibly impacts a character (or only does so when it would be dramatic); you see this primarily with characters who use prosthetics effortlessly or, in the case of the latter, characters who appear abled until their disability can cause tension or drama in the plot. Again, the content is the issue: disability is flattened to nothing but a plot device, with no thought given to how it affects characters (and therefore real disabled people).

Finally, there’s the idea that an acquired disability is actually a “blessing in disguise” as a type of inspiration porn. That’s an icky trope, but I think it has some itty bitty grains of potential – crucially, the fact that there can be joy in disabled existence. Someone who acquires deafness might not see it as a blessing in the same way as some congenitally deaf people do, but they may still come to appreciate and embrace (aspects of) Deaf culture. Or perhaps they just manage to develop a neutral relationship with their acquired deafness. That’s fine, too!

A solution is to all of these is to consider the practical and proactive aspects of recovery, as well as the emotional fallout. Consider:

How does your character adjust?

How do the people around her adjust?

What support does she have? / What support systems are available?

How does she make sense of her new reality?

What accessibility aids does she have access to, and what are they like to use?

Long story short, nuance and consideration of different aspects of the disabled experience are key.

Hopefully this’ll help! (I’ve also wanted to talk about acquired disability in fiction for a while, hence the wall of text lol). Best wishes for your writing, anon ☺️

#writing deaf characters #disabilities in sff #acquired hearing loss #worldbuilding for deaf culture #acquired disability

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malcolmschmitz · 6 months

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please help a disabled author?

I was just on hold with the government for ten hours trying to get (some of) my benefits renewed.

I did not get my benefits renewed.

If people buy my (incredibly queer, weird, fantasy/SF/horror) short stories, I can get off benefits, and then I will not have to be on the phone with the government for ten hours.

And you get cool short stories.

#my writing #queer fiction #bestiary #orcs #free ebooks #shameless self-promotion #writers on tumblr #on writing #short story

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melanielocke · 11 months

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Book recommendations: queer adult SFF

It's been a while since I did one of these posts but I'm thinking of doing more regularly. I have read a lot more new books that I hope some of you will pick up and I've made another selection. I'm reading more and more adult SFF lately because lots of YA is getting a little too young for me. But I also find that transitioning to reading more adult can be difficult, and it's not always easy to find what you're looking for. I found YA a far easier market to navigate, so I figured I'd make a post featuring some of my favorite adult SFF books.

The Unbroken & the Faithless I read recently.

This is a trilogy, with book 3 coming out most likely in 2025? Not sure actually. The series focuses on Touraine and Luca. Touraine is a conscript in the Balladaire army, stolen from her homeland and trained to fight from a young age. She is originally from Qazal, a country colonized by Balladaire, but doesn't speak their language or understand their customs. In the first book, she returns home for the first time since she was taken, to stop a Qazali rebellion.

Luca is the princess of Balladaire. Her parents both died when she was young, and her uncle is ruling as regent, refusing to allow her to be crowned Queen until she proves herself. She too is sent to deal with the Qazali rebellion. What makes Luca interesting is that she often means well and is definitely more benevolent towards the Qazali, but she's also very power hungry and wants her throne, and no matter how much she does to help the Qazali she is still the princess of the empire that colonized them, and the author continues to hold her accountable for her role in the empire and some of the choices she makes.

Luca is also disabled, she injured her leg when she was young and uses a cane.

There is a sapphic romance between Luca and Touraine. It is not really the focus on the series but at the same time it is what shapes much of the negotiating between them since Luca has a very obvious soft spot for Touraine and Touraine has to use that to improve things for Qazal.

The world is inspired by North Africa and French colonialism (in Balladaire they speak French so I'm pretty sure they're supposed to be France), and the author themself is Black and North African. The series as a whole is very political.

Next is Notorious Sorcerer by Davinia Evans

This is the first in a duology (I think?) with book 2 coming out this November.

This is set in a world where there are four different planes, and Siyon is a poor man who can delve into the different planes to get ingredients for wealthier alchemists. He wants to be an alchemist himself but can't afford the education. There's also the problem of magic being technically illegal, which means rich people can do alchemy but poor people can't.

Then one day Siyon accidently unleashes wild magic and is thrust into the world of alchemists where he wants to belong but doesn't. And there's also the matter of the four planes being instable and at risk of collapsing, and Siyon might be the only one capable of stopping it.

Siyon is bi/pan and his main love interest is a man, though this is not the main focus of the series.

Then Some Desperate Glory by Emily Tesh

I think I had this one last time too, but not enough people are reading it so I'm going to discuss it again.

Check out the summary, but honestly not sure if that does it justice. Some Desperate Glory is the story of a girl who grew up in a fascist cult and was raised to believe in everything this cult stands for.

The earth was destroyed before she was born, and the Majo, aliens, were responsible. Kyr has been training her entire life for revenge. She wants nothing more than to be the perfect soldier for earth. As a result, she is a terrible person and everyone hates her.

Kyr first starts questioning Gaea station when she is assigned nursery to have babies even though she is the best fighter in her mess. When her brother disappears, she teams up with his friend Avi, a queer genius who works with the station's systems and was always aware of how fucked up Gaea station is. They discover Magnus has been sent on a suicide mission and go after him, and Kyr is confronted with the outside world, including a Majo she grows close to, and has to unlearn everything Gaea station taught her.

This book has a difficult to stomach mc at first, though it is very obvious what she believes is not what you as the reader are supposed to think. But there is some wonderful character development going on in here. It's hard for her to change, and she's thrown into lots of difficult situations before she gets there, but in the end you can see she's nothing like the person she was before.

There's an amazing cast of side characters, though not a very big cast. There's her twin brother Magnus who never wanted to be a soldier and is actually very depressed, which Kyr never noticed. Yiso, the cute non binary alien Kyr develops a weak spot for even before she comes to realize Majo are people. And my personal favorite, Avi, who is an unhinged little guy who is way too smart for his own good. He's a great example of how a cult can affect different people in different ways. He doesn't believe in Gaea station like Kyr does and is aware of how fucked up he is, he experienced that first hand as the only visible queer person on the station. But he did internalize their messages of revenge and violence which plays out in interesting ways.

This edition is the Illumicrate edition of the book from April's box, which has the UK cover.

Witch King by Martha Wells is next

This is a confusing book for people who do not have a lot of experience reading adult fantasy. It has a lot of world building that is explained gradually, the book doesn't really hold your hand, so be prepared for that.

Kai is a body hopping demon. He has been betrayed, killed and entombed under water. When he is freed by a lesser mage hoping to hone his power, he kills them and frees himself and his friend, the witch Ziede.

Together, they have to uncover what happened to them, who betrayed them and what is going on with the Rising World coalition. He's not going to like the answers.

Alternating is a past timeline in which Kai and his band of allies rebel against the tyrannical rule of the Hierophants, which happened decades before the present timeline.

The strenght of this book is really in the characters and how they grow and the bonds they have with each other. I loved the relationship between Kai and Bashasa, who is the rebel leader in the past timeline in particular. It's not quite clear what the nature of their relationship was, though it is implied to be romantic and I do think Kai is supposed to be queer. He is a body hopping demon after all, and spends his early life in the body of a girl. There's also a sapphic side pairing between Zieden and her wife Tahren, who they spent much of the present timeline looking for.

The Dawnhounds by Sascha Stronach

This is a science fantasy set in a world inspired by New Zealand and Maori (I think? The author is Maori and a trans woman herself)

The main character is a police officer from a poor background who believes she's making the world better for people like her. She's already been demoted for being queer but believes she can make the police force better from the inside.

Then she's murdered by fellow officers and thrown into the harbor. Unfortunately for them, she comes back from the dead with new magic powers.

She teams up with a pirate crew with similar powers and has to stop a plague from being unleashed on her city.

This book focuses on how police functions in many modern societies to protect the wealthy and harm and restrict poorer, non white communities. The main character doesn't believe this at first but it's obvious to the reader that they're not helping anyone doing their job. Next book is coming out next year.

Last is the Jasmine Throne by Tasha Suri

Two books are out and book 3 is coming sometime in 2024.

This series is set in a world inspired by India. Priya is a maidservant with a secret. She is one of the few surviving temple children and still has some powers from being once born.

Malini is the princess of Parijatdvipa, the empire that conquered Priya's land. Her religious zealot brother has taken the throne and imprisons Malini because she refuses to be burned alive.

Priya is one of the maidservants sent to take care of Malini in her prison, which is the old temple where Priya grew up. Together, they can change the fate of an empire, but they can never quite trust each other.

This is a sapphic fantasy with magic but also lots of politics and I think if you like this series you'd also like the Unbroken and vice versa. I've talked about this one before but it should definitely be included on a list for adult fantasy.

I hope you can find something you like on here. All these books are not super well known and deserve a bigger audience

@alastaircarstairsdefenselawyer @life-through-the-eyes-of @astriefer @justanormaldemon @ipromiseiwillwrite @a-dream-dirty-and-bruised @amchara @all-for-the-fanfiction @imsoftforthomastair @ddepressedbookworm @queenlilith43 @wagner-fell @cant-think-of-anything @laylax13s @tessherongraystairs @boredfangirl16 @artist-in-soul @aliandtommy @ikissedsmithparker

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pomrania · 3 months

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I want to talk about some books I've read recently, "Penric's Travels" and "Penric's Labor" by Lois McMaster Bujold.

First, that author is always a treat. When I saw those books by her at the library, ones I hadn't read before, I didn't even bother to check the back cover for their description; I knew I'd enjoy them, simply based on the author. And I was correct. (Also it turns out that the back cover didn't really give any useful information about the stories therein, so it wouldn't have mattered.)

I don't know how to best describe what I like about how she writes, but I'll try. Her stuff is very character-driven, with… it's not right to say "low stakes", because the stakes are very high indeed when you care about the characters things might happen to, but it doesn't have the super-high stakes you normally see in fantasy or science fiction. The characters and the relationships feel mature; the three main couples I can most remember offhand, from three different series set in three different 'verses, one half of the couple had been a widow/er, and the other half had had previous relationships of their own. (The Vorkosigan saga does admittedly start with a "young male protagonist", but it follows him as he matures.) And she's very adept at worldbuilding, which is honestly my favourite thing in SFF. If this sounds like the kind of thing you want to read, I recommend checking out her work.

Now, the specific books I mentioned at the start. They're more properly collections of three novellas each, written so they could be read in any order; which is good, because my library didn't have on the shelf the book which collected the earlier ones. Each novella is like 100-200 pages long, which might be a benefit over a novel-length story because it provides an obvious stopping point with a resolution for what's happened. Those books also include a 'reading order' at the end, for pretty much everything the author has ever written; I of course hadn't followed that, having gone by the time-honoured method of "whichever book I could get my paws on first", but if that's not how you do things, that guide might be of interest to you.

Finally, the reason I wanted to talk about these books (stories, more properly) specifically, and it's that the magic system is almost everything I've ever wanted in fiction; and it's so perfectly worked in with the religion/theology of that world, which itself is done way better than I normally see in fantasy. (Which, I suppose I hadn't mentioned it earlier; these stories are in the fantasy genre.) There is a REASON why somebody can't kill using magic; or, to be more accurate, they can do it, once. There's magical healing which isn't just "it's magic", but requires knowing what you're doing with each structure, and sometimes things just can't be healed. And there's the converse as well, using that same "healing magic" offensively; but with greater creativity than "burst someone's heart", since it must not be used to kill; the titular character's main method of disabling an assailant is "temporarily shut down the relevant nerves, very carefully". There's a cost for magic, in both "disorder" and "friction". It's just really good.

I won't try to give a comprehensive list of content warnings. However, I will say that if you're sensitive to "healthcare worker's burnout", you should avoid the novella "The Physicians of Vilnoc" entirely, as that's a major element in that story. (Also in the main character's backstory, but I don't know if there's a story which goes into depth with that.)

#filler tag #not a reblog #rambling

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tisiphonewolfe · 1 year

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Writeblr Intro

Heyo!

I'm Tisiphone - or Tiss, or Tizzy, I don't mind (she/her). I mainly write SFF, but I intend to try my hand at horror and potentially espionage thrillers in the future. I also can't seem to write anything without women being very gay in the middle of it all, so I'm leaning into it.

I follow from @princessw0lf

About me:

I'm a disabled trans lesbian from the UK

What I like seeing in books? Mysteries woven through the plot that resolve satisfyingly. Characters that bounce off each other and grate against each other in interesting ways. Weird romances that don't dominate the plot, but are a key part of it. Great character development.

Favourite books? The Locked Tomb Series by Tamsyn Muir, The Unspoken Name by A.K. Larkwood, Malice by Heather Walter, The Priory of the Orange Tree by Samantha Shannon. And a lot of Terry Pratchett.

Fiction I probably won't enjoy? Something where the plot is purely interpersonal drama or romance with nothing interesting happening outside of it. Literary fiction. YA.

Outside of writing? By day I'm a software developer. The rest of my time is spent drawing, playing games both video and tabletop, and playing electric guitar (badly).

DMs/Asks/Tag games? Fire away!

@sam-glade is my pal and you should go check them out too!

With this blog I'm aiming to post writing updates, inspiration, and probably writing-related memes.

About my writing:

At the moment I'm primarily writing high fantasy/epic fantasy, with a view to trying out some more genres later on.

Admittedly a lot of the classic elements of western fantasy are in there, but I've been trying to get back to the mythological roots of creatures like elves, gnomes, and dwarves, and to present them as not being all white and vaguely British.

The world of The Tectomancy Saga is also, like that of my childhood writing hero Sir Terry, an odd shape. There's a reason for that, and we'll get to it eventually.

While my stories are currently third-person multi-pov stories, I intend to experiment on that at some point in the future.

My stories will probably all revolve around two things; a central mystery and a central relationship. I love a plot where you can pick at the smallest words and phrases, theorise about absolutely everything. I want to write stories where people have a thousand ideas about what the truth is, and each one of them knows there's a good chance they could be correct. I also, as a queer trans lady, want to write about sapphic relationships and include many people who are not cis.

My favourite themes to write are anti-authority, people breaking out of systems they've been trapped in for a long time, people being more important than power.

I'm definitely a plantser. I know kind of where I'm going, but let's see where the journey takes us along the way!

Finally, you can expect the tone of my writing to be trying to find that sweet spot between serious and dry humour that makes you groan, with a healthy sprinkling of subtle meme references.

Current projects below the cut

The Tectomancy Saga

On a bowl-shaped world suspended far above swirling blue mists, nine goddesses, witches, or geniuses, blessed their peoples with divine magics, then disappeared. Now, the world is decaying, tensions are rising, and people scramble to control the magics in order to shape the future.

Made with Crown and Claw

WIP Intro

High Fantasy: The classic Princess-in-a-tower-guarded-by-a-dragon story, but we see the machiantions that put her there, and what happens afterwards.

Releine Sholt is hand-picked by the heir to Tectomancy, Princess Almyra Tectus, to be her new bodyguard. The role has one ominous stipulation: nobody can ever speak to the Princess, on the threat of dire punishment.

'There was only one bed' turns out to have horrifying consequences.

Progress: Fourth draft done at 129.5k

Bound by Stone and Blood

High Fantasy: The saga continues from different perspectives, having different adventures, that will eventually conjoin.

Almyra vies for control of her kingdom. Ellimane tracks down two misfits who are being hunted by a rogue automaton. Releine visits hell. A new threat rises in the shadows of Versewelt, the decaying land.

Bitter exes who technically never dated are definitely not thinking about each other.

Progress: First draft underway at 69k

Snippets and Short Stories:

Flash Fiction Friday: On the Edge

Flash Fiction Friday: I Can't Tell

Her New Captain (Alternate Chapter)

Other

Naenia, through Murder

WIP Intro

Naenia, the reaper who is responsible for death through murder, is shellshocked when a murdered homicide detective returns to life before her eyes and promptly asks her out on a date.

Detective Carina Choudhry has an odd - very Goth - new girlfriend, who saved her from the serial killer she was on the trail of.

Progress: Complete at 46k

Fay and the Red Kite (Title pending)

Fay Orrel, a trainee mech pilot, finds that her beaten-up old training machine holds an AI that has replicated its deceased former pilot. She tries to keep the other woman secret from the PMC that owns the mech, who would be certain to wipe the AI's memories, destroying Mina forever.

Progress: Well, I wrote the prologue and some of the first chapter. Being dabbled with!

#writeblr #writeblr intro #writing #writers of tumblr

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cleolinda · 11 months

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Weekend links

My posts

Bad pain week. We do what we can. That's mostly posts about the strikes right now.

The strikes

Oh boy.

To keep this section manageable, I highly recommend looking (in terms of my own tags) at #wga strike (writers) and/or #sag aftra strike (actors), or #strikes if you would like to see everything in one place. (A variety of tags are being used sitewide.) There's also a UPS strike coming up.

The week started off with "The endgame is to allow things to drag on until [WGA] union members start losing their apartments and losing their houses." The week ended with Ron Perlman hearing about it.

Scabby the Rat reporting live from SPN News Network

Major points from the SAG-AFTRA press conference re: how shitty the studio/streaming side is

The effects we may see (awards shows, indie movies, reality TV, media unions outside the US continuing to work because they may be legally unable to join the strike)

The Oppenheimer cast timed it so they would be seen walking off the London premiere after the strike was called. Bear in mind that "the big actors who don't need more money" are needed to draw attention to the plight of the other 98% of the guild who need health insurance, the rights to their own likenesses, and fair wages

What I said: Always remember that the people hoarding the money can make the strike stop at any time. Get mad at the right people. And I'll reemphasize that here: You don't have to just sadly and patiently wait for your shows to come back. You can get mad. You can start asking why the FUCK Disney or Netflix or whoever is so CHEAP that they'd rather postpone or cancel their billion-dollar shit than PAY WORKERS.

Reblogs of interest

It's Disability Pride Month, and I need to reblog more about that. But I haven't been posting as much of anything this month as I did last month because: disability flare-up. Whee.

Evernote, don't you even think about shutting down

Never over what Sleepy Hollow did to Nicole Beharie

Video

I'm not really versed on what happened with the AO3 DDOS attack, but this poster and their grandmother were: "She took matters into her own hands. SHE FOUND AO3"

The BBC Bad News Banger

Thrashy-thrashy-thrash

The sacred texts

A tumblr glossary: blorbo, glup shitto, eeby deeby, plinko horse, scrimblo bimblo

The classic that started a SFF subgenre: Humans are space orcs

The Mushroom Post by way of Avatar: The Last Airbender

SATAN IS NOT A FUCKING POGO STICK

Personal tags of the week

Wet Beast Wednesday was particularly good this week

Kenergy

#weekend links #odds and ends #linkspam

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ninja-muse · 11 months

Text

As you can maybe tell by the three reviews I posted in July, it was a good reading month! Overall, at least. I still had a couple “this was fine” and one DNF, but there were a lot of hits and I read more books than I have the last few months.

So, highlights: The Hollow Places was fantastic, as was Bookshops and Bonedust but for very different reasons. If you’re worried that Baldree won’t be able to repeat the magic of Legends and Lattes, stop now. It was pure cozy delight. March’s End didn’t get a review simply because I already had three coming, but it was also very good. It examines family dynamics and the realities of a portal fantasy world in a very complex, adult way. The characters are believable if not necessarily likeable, the world-building is great, the writing is strong… all the things.

But between March’s End, The Hexologists, and The Hollow Places, I needed a lot of lighter books to balance, as you can probably tell by the rest of my list. I enjoyed pretty much everything! I’m just sorry I didn’t like the Sanderson more but I guess that’s a sign he isn’t an author for me since I didn’t like the last book of his I read either. I’m also a bit sorry I couldn’t get into The Atlas Six because so many people love it, but I dropped it in a Little Free Library and it got snapped up almost instantly so hopefully it’s found a better home.

So that was my unhaul of the month! I … did not do well with my book haul, or perhaps I did too well with it. The Odyssey and Thud were both damaged books that came in at work and I couldn’t say no. Thud has some wear to the cover; the Odyssey has some uncut and weirdly bound pages I’ll need to slice open. (Have I read and do I own other editions of both? Absolutely.) Love in the Time of Serial Killers was an unexpected rebound—I originally got it as a reading copy and passed it on to a coworker, who sent it back when she’d finished.

And then, well. There’s a new bookshop opening in my metro area. They’ve taken over from a used bookstore and have to sell off its stock before they can properly move in their own. I had to go help out, right? I couldn’t find anything in their SFF section I wanted but still left with three books: Gaudy Night, Evelina, and a collection of Molière. I went with friends, the same day we saw Barbie. ’Twas a very good day, all around.

And last but not least, I have started on one of those long, dense reads that will last ages. I’ve had Music from the Earliest Notations to the Sixteenth Century on my shelf for years and made it a goal to finally start it this year, since it’s totally up my alley but also huge and academic. There was a point in July where I didn’t want epic stories, light stories, or narrative non-fiction, so I figured that was as good a time to start it as any. I’ll probably read a section or two a month, whenever a similar mood hits.

And now without further ado, in order of enjoyment…

The Hollow Places - T. Kingfisher

Kara moves into her uncle’s museum of weird after her divorce, only to discover another universe behind a wall.

9/10

🏳️‍🌈 secondary character (gay), disabled secondary character

warning: body horror

Bookshops and Bonedust - Travis Baldree

Viv is recuperating from an injury in a sleepy town, where she finds a struggling bookshop, new friends, and a mystery. Out in November.

9/10

🏳️‍🌈 main character (sapphic), 🏳️‍🌈 secondary character (sapphic)

March’s End - Daniel Polansky

The Harrows have been tasked for generations with protecting a fantastical other world, but now the family is fracturing and that could endanger everything.

8/10

major 🏳️‍🌈 character (lesbian), 🏳️‍🌈 secondary character (sapphic), African-American secondary character

warning: toxic family dynamics, commentary on colonialism

Imogen, Obviously - Becky Albertalli

Imogen puts the A in Ally and that’s fine. Then she visits her best friend in college and meets a girl….

8/10

🏳️‍🌈 main character (bisexual), main character with anxiety, 🏳️‍🌈 secondary characters (nonbinary, pan, lesbian, bisexual), Jewish secondary character, Brazilian-American secondary characters, secondary character with ADHD, Japanese secondary character, Black secondary character, 🏳️‍🌈 author, #ownvoices

warning: biphobia, discourse

The Hexologists - Josiah Bancroft

The Wilbys get more than they bargained for when they’re hired to find a lost royal heir and stop the king from baking himself into a cake. Out in September.

7.5/10

possibly biracial main character

The Bookbinder - Pip Williams

When World War I pushes Peggy out of her routine, she’s forced to choose: a life binding the books of the Oxford Press or a life studying them?

8/10

major autistic secondary character, disabled secondary character

warning: war, injuries

The Nobleman’s Guide to Seducing a Scoundrel - KJ Charles

Rufus is the new Earl of Oxney, saddled with a crumbling estate and a bitter family. Desperate for a good secretary, he hires Luke—who has a hidden agenda which doesn’t involve tupping the boss. And yet. Out in September.

7/10

🏳️‍🌈 main characters (demisexual-gay, gay), main character with dyslexia, 🏳️‍🌈 secondary characters (gay), minor Black British character

warning: toxic family dynamics, abuse

Weird Rules to Follow - Kim Spencer

Mia starts to notice that she and her best friend are living very different lives, with very different expectations from the adults around them.

7/10

Ts’msyen protagonist, Mexican-Canadian secondary characters, Ts’msyen secondary characters, Gitxsan secondary character, Ts’msyen author, #ownvoices, 🇨🇦

warning: racism, alcohol abuse

A Man and His Cat, Vol. 3 - Umi Sakurai with Taylor Engel (translator)

Kanda begins to deal with his emotional baggage, with the help of his cat and a fellow teacher.

7/10

Japanese cast, Japanese author, #ownvoices

Bookshop Cinderella - Laura Lee Guhrke

Evie is quite content as a spinster with a bookshop. Duke Maximilian has wagered he can make her the diamond of the season. This is a strictly platonic alliance, of course.

6/10

The Frugal Wizard’s Handbook for Surviving Medieval England - Brandon Sanderson

An amnesiac man wakes up in a country that may or may not be Anglo-Saxon England with an exploded guidebook. Good thing he has ~*~Mystical~*~ ~*~Powers~*~™.

6.5/10

Persian secondary character, Chinese-American secondary character

Picture Books

The Skull - Jon Klassen

Otilla finds a large house in the woods inhabited by a talking skull, so she helps him in return for shelter.

🇨🇦

DNF

The Atlas Six - Olivie Blake

Six ambitious magicians compete for a coveted place at the Library of Alexandria.

🏳️‍🌈 main characters (multisexual); Black-British, Cuban, Japanese, and Persian main characters; Filipino-American author

Currently reading:

Kill Show - Daniel Sweren-Becker

A teen goes missing after running back to her school bus for a bag. Forget podcasts: time for the reality show! Out in October.

warning: missing child, murder

The Wager - David Grann

A secret mission in the Age of Sail. A shipwreck and a mutiny. The perils of the sea—and your fellow man.

Music from the Earliest Notations to the Sixteenth Century - Richard Taruskin A history of early written European music, in its social and political contexts.

Stats

Monthly total: 11+1 Yearly total: 75/140 Queer books: 4 Authors of colour: 2 Books by women: 7 Authors outside the binary: 0 Canadian authors: 1 Off the TBR shelves: 1 Books hauled: 6 ARCs acquired: 4 ARCs unhauled: 6 DNFs: 1

January February March April May June

#books #booklr #book reviews #book recommendations #rec lists #reading wrap-ups #read in 2023 #my photos

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