#disney 2024

[thejdblog]

First look at Moana 2 (2024) only in Cinemas this November.

[metal-regets]

Genuine question. Anyone here like treasure planet. Because I’ve been hyperfixating on it for so long like it’s an actual work of art; like one of the first 3D and 2D animated movies made. One of the first for Disney too; and it was a work of art. It had such a deeper message with even a sadder backstory, a more realistic and sad backstory for Jim than any other Disney character. You might have characters like Mirabel who has a fight with their grandmother and stuff; feeling unloved but for some reason that’s still so out of reach. While some people might understand that feeling of being pushed out the family it’s still hard to really relate to while Jim just has the thing about his backstory. Loosing his father, seeing his mother cry, barely being out of reach from him, finding a father figure in someone else. I just don’t get it but even people who didn’t loose a dad or a parent can still somehow relate.

And character growth is amazing, like it’s so interesting and even with the aliens and monsters is the movie it seems more probable and humanly possible compared to most of the fantasy movies like *wish.*

And I love how it made me cry, most shows don’t but it really got me tearing; like I wish they made more movies like that. A treasure planet 2 would have been amazing but I’m glad they didn’t; shouldn’t risk ruining a work of art like TRP with a sequel as a lot of sequel just aren’t it.

Back to the 3D modeling, it was beautiful. It just fit in, it just worked, it blended in you didn’t even notice that the 3D modeling and the 2D aren’t on the same plain. They interact with eachother perfectly unlike a lot of movie *now* that still can’t master that, flicking through eachother and late movement doesn’t make it seem real but treasure planet it just, works

[nukenai]

I spent thirteen hours on Batuu today. I could not be living a better life.

[yuhyeearlyuh]

So like do we know ANYTHING about this year’s Disney Thanksgiving release? Do they not have anything or are they holding off because of all the polarizing criticism surrounding Wish lmao

[ms-mani]

#disneybound

[disney-vibesjr]

2024 Disney Pins

[quivthearcher]

Be Nimona:

>Originally made as a subversion of the usual fantasy stories and superheroes in comics with a bloodthirsty MC, an implied Homosexual relationship between a Villain and a Hero, and a relatively dark story and ending

>Get Picked up and get animated by Blue Sky Studio(Ice Age, Rio, Spies in Disguise etc etc)

>Gets finished 90% of the way

>Disney buys Blue Sky, dismantles it and throws said 90% of progress to the void archives that is Disney's unfinished projects

>Gets picked up by Netflix

>Netflix allows the story to not only stay consistent with the comic but doubles down on the "controversial" parts of it(Homosexuality is now prevalent, lots of murder-y things and gore)

> Is released as a KIDS MOVIE

>Gets released in the same time frame as Disney's 100 Year celebration

>Gets nominated for an Oscar

>BEATS disney's own movie for the time frame

>Gets released FOR FREE in youtube for everyone to see what Disney ditched

[batboyblog]

Copy Right and Public Domain in 2024

Happy 2024 all! its also Public Domain Day! a magical holiday here in America where things enter the public domain. Works published in the year 1928 (or 95 years ago!) have entered the public domain, which means they belong to us, all of us, the public!

Mickey's Back!

Yes! I'm sure you've heard, but Mickey Mouse (and Minnie Mouse too) is entering the Public Domain today. This has been news for a few years and indeed Disney's lobbying in the late 1990s is why our copy right term is SO long. So what exactly is now public domain?

Most people know about Mickey's first appearance Steamboat Willie, but a second short film, Plane Crazy was also released in 1928 so will also be public domain. So what's public? well these two films first of all, you're allowed to play them, upload them to YouTube or whatever without paying Disney. In theory you'll be allowed to cut and sample them, have them playing in the background of your movie etc. Likewise in theory the image of Mickey and Minnie as they appear (thats important) in these films will be free to use as well as Mickey's character as he appears in these works will be free to use. Now Mickey's later and more famous appearance

will still be protected. Famously the Conan Doyle Estate claimed that Sherlock Holmes couldn't be nice, smile, or not hate women in works because they still held the copyright on the short stories where he first did those things even though 90% of Sherlock Holmes stories were public domain. It's very likely Disney will assert similar claims over Mickey, claiming much of his personality first appeared in works still copyrighted.

Finally there's copyright vs trademark. Copyright is total ownership of a piece of media and all the ideas that appear in it, copyright has a limited set term and expires. Trademark is more limited and only applies to things used to market and sell a product. You can have a Coke branded vending machine in your movie if you want, but it couldn't appear anywhere in the trailer for your movie as thats you marketing your movie.

Where trademark ends and copyright begins and how trademarked something in the public domain is allowed to be are all unsettled areas of law and clearly Disney in the last few years as been aggressively pushing its trademark not just to Mickey in general but Steamboat Willie Mickey in particular

Ultimately the legal rights and wrongs of this might not matter so much since few people have the money and legal resources of the Walt Disney corporation so they might manage to maintain a de facto copyright on Mickey through legal intimidation, but maybe not?

And Tigger Too!

All the talk about Mickey Mouse and Steamboat Willie has sadly overshadowed other MAJOR things entering the public domain today. Most people are aware Winnie the Pooh entered the public domain in 2022, but they might not realize his beloved friend Tigger didn't. Thats because Tigger didn't appear till A. A. Milne's second (and last) book of Pooh short stories, The House at Pooh Corner in 1928.

Much like Mickey Mouse only what appears in The House at Pooh Corner is public domain so the orange bouncy boy from the 1960s Disney cartoon is still on lock down. But the A. A. Milne original as illustrated by E. H. Shepard is free for you to use in fiction or art. His friend Winnie the Pooh has made a number of appearances since being freed, most notably in a horror movie, but also a Mint Mobile commercial so maybe Tigger too will have a lot of luck in the public domain.

Other works:

Peter Pan; or the Boy Who Wouldn't Grow Up

Peter Pan is a strange case, even though the play was first mounted in 1904, and the novelization (Peter and Wendy) was published in 1911, The script for the play was not published till 1928 (confusing!) meaning while the novel as been public domain for years the play (which came first) hasn't been, but now it is and people are welcome to mount productions of it.

Millions of Cats

The oldest picture book still in print, did you own a copy growing up? (I did)

Lady Chatterley's Lover

The iconic porn novel that was at the center of a number of groundbreaking obscenity cases in the 1960s and helped establish your right to free speech.

All Quiet on the Western Front and The Threepenny Opera in their original German (but you can translate them if you want), The Mystery of the Blue Train by Agatha Christie, and Orlando by Virginia Woolf will also be joining us in the public domain along with any and all plays, novels, and books published in 1928

for Films we have The Man Who Laughs who's iconic image inspired the Joker

Charlie Chaplin's The Circus, Buster Keaton's The Cameraman, Should Married Men Go Home? the first Laurel and Hardy movie, Lights of New York the first "all talking" movie, The Passion of Joan of Arc, The Wind, as well as The Last Command and Street Angel the first films to win Oscars for Best Actor and Best Actress respectively will all be entering public domain

For Musical Compositions (more on that in a moment) we've got

Mack the Knife by Bertolt Brecht, Let’s Do It (Let’s Fall in Love) by Cole Porter, Sonny Boy by George Gard DeSylva, Lew Brown & Ray Henderson, Empty Bed Blues by J. C. Johnson, and Makin’ Whoopee! by Gus Khan are some of the notables but any piece of music published in 1928 is covered

Any art work published in 1928, which might include works by Frida Kahlo, Georgia O'Keeffe, Alexej von Jawlensky, Edward Hopper, and André Kertész will enter the public domain, we are sure those that M. C. Escher's Tower of Babel will be in the public domain

Swan Song, Public Domain and recorded music

While most things are covered by the Copyright Act of 1976 as amended by the Digital Millennium Copyright Act, none of the copyright acts covered recordings you see when American copyright law was first written recordings did not exist and so through its many amendings no one fixed this problem, movies were treated like plays and artwork, but recorded sound wasn't covered by any federal law. So all sound recordings from before 1972 were governed by a confusing mess of state level laws making it basically impossible to say what was public and what was under copyright. In 2017 Congress managed to do something right and passed the Music Modernization Act. Under the act all recordings from 1922 and before would enter the public domain in 2022. After taking a break for 2023, all sound recordings made in 1923 have entered the public domain today on January 1st 2024, these include.

Charleston by James P. Johnson

Yes! We Have No Bananas (recorded by a lot artists that year)

Who’s Sorry Now by Lewis James

Down Hearted Blues by Bessie Smith

Lawdy, Lawdy Blues by Ida Cox

Southern Blues and Moonshine Blues by Ma Rainey

That American Boy of Mine and Parade of the Wooden Soldiers by Paul Whiteman and his Orchestra

Dipper Mouth Blues and Froggie More by King Oliver’s Creole Jazz Band, featuring Louis Armstrong

Bambalina by Ray Miller Orchestra

Swingin’ Down the Lane by Isham Jones Orchestra

Enjoy your public domain works!

[morganrosenfeld]

As of January 1st, Mickey Mouse as depicted in Steamboat Willie is now public domain.

[artist-issues]

I Hate How She Talks About Snow White

"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "

Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.

It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)

Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."

It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.

Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.

Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.

In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.

It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.

Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?

Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.

It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.

Sit down and be humble. Who the heck are you?

[thejdblog]

Inside Out 2 (2024) poster

[73m0n]

Apparently the oscars haven't learned their lesson from last years oscar

[nukenai]

At Disney. There is an arcade at our hotel. Wtf.

[whencartoonsruletheworld]

"It’s no longer 1937… she’s not gonna be saved by the prince." 

The absolute DISRESPECT for the FIRST ANIMATED MOVIE EVER MADE and its female character who was strong in her own way! The DISRESPECT for Snow White coming from people who plan to """update""" her story??? I'm FUMING. i am FURIOUS. This is the SAME shit I said about Girlboss Cinderella do you understand???

Snow White was an abused CHILD who was isolated within her castle and then suddenly thrown into the  woods and she managed to survive using only her hope and kindness!!! She found a house and offered to work to earn her keep and she DID!!! Snow does not have to be a badass to be a strong female character. And more importantly, SHE DOES NOT NEED TO BE "BADASS" TO DESERVE HER HAPPY ENDING. Some of us in abusive situations CANNOT escape on our own. We CANNOT physically fight back and WE STILL DESERVE HAPPY ENDINGS.

Women don't have to be badasses in order to be strong female characters. So she needs to be saved-- so WHAT? Saying Snow White is an antifeminist character solely because she doesn't save herself is offensive to abuse survivors and to the original character who WAS a good character. You can criticize OTHER parts of the movie– the implication that men living without women will be useless and filthy the entire time, or we can discuss the Queen’s feud with Snow being fuelled by misogynist standards, etc.!! But just saying “she needs to be saved so it’s bad” LIKE. ARE YOU SERIOUS

Badass Snow White reboots are fine in moderation, but just like Girlboss Cinderella reboots, too many and it becomes clear what society is trying to say now- that if you're feminine and can't fight a battle, you don't deserve to be saved. Do you see why this is a bad message????? Some girls are badasses who can kill and fight as well as or better than the boys. Those girls have Mulan, Merida, Raya, Moana, Rapunzel, Elsa. They are good female characters. But you know what? So is Snow White. So is Cinderella.

I'm sure people are going to accuse me of being antifeminist for saying “oh she NEEDS to be saved by a man”– I’m NOT SAYING THAT. You could have her be saved by a woman. Be saved by the dwarves, her platonic friends. By the animals. You could write a badass Snow White reboot without being disrespectful to the original film or tale. Just fucking TODAY I read the Disney Mirrorverse Snow White book– it’s written for 13yos basically so not high art but even with them having to make her an adaptational badass, they managed to keep her personality PERFECTLY. She learns how to save herself in this book, but also remains HERSELF. And her previous inability to fight was NOT CRITICIZED by any character; her sudden badassery was a bonus for her, not an indication of her character!!!

YOU are the ones saying that if Snow White (and Cinderella) isn't saving herself, she doesn't deserve to be saved. But everyone deserves happiness and that includes those too weak to fight for it alone.

anyway that was a long feminist rant. this is also super disrespectful to the FIRST ANIMATED MOVIE EVER, the people who worked on it, Walt Disney himself, and everyone who enjoyed or was inspired by it. You absolute fucking dickheads.

also can't believe i have to say this but if y'all use this as an excuse to be racist towards anyone in the cast i will hunt you down and put shoelaces in your lungs

[one-time-i-dreamt]

Disney made an animated musical movie about a single garlic clove.

[happypeachsludgeflower]

I saw a pin about god!percy and now I’m just sitting here thinking about Percy picking godhood over making other gods pay child support but not because he WANTS to be a god, but because he decided that if they won’t be good parents he’s going to be everyone’s dad.

And anyway, yea that’s how god!percy became the god of parenting or demigods or something and took over from Mr. D as camp director and just hangs out with demigods all the time.