#do i make an art tips tag.......

[softausterity]

Don't Take Art Advice from Strangers on the Internet - Art advice from a stranger on the internet

(i'll be discussing drawing within this post because that's my oeuvre but i would like to think it applies to a lot of things. really it's more 'advice on how to take advice' but i couldn't resist.)

If you are anything like me, you have made a thing or two in your time, and 90% of your knowledge on making those things was gained by looking up "How to (blank)" on the internet. There are many excellent resources available for free online! but who's making these resources? Usually, people -- people who are biased and don't know you personally.

Let's say you find a tutorial online telling you how to improve a part of your art you've been struggling with. The person making this tutorial has great art, and they explain the points in an easy-to-follow manner. before you pull out your sketchbook or tablet, (because you should be immediately practicing advice as soon as you see it otherwise it will slide directly out of your brain) you need to think about if you should actually follow that tutorial.

How can you tell? It's not about how good the person's art is, or even if they're a good teacher. What you need to be thinking about is if the tutorial is right for you, specifically.

Almost all "art tutorials" are tutorials on how to draw more like the person making them. it's something beginner artists admit to pretty often with titles like "how to draw this thing in my style" where instead intermediate artists will throw around "the better way to draw this thing!" or "stop drawing this thing like this!"

I'm not saying that's a bad thing! it's how art is, right? Good artists copy, great artists steal, so it makes sense that an art tutorial would simply be a guide on how to steal from the person making it. but it's something you need to be aware of.

people tend to raise a stink about tutorials using language like "this is the wrong way to draw something - this is the correct one" and in a lot of cases i think it's a valid complaint, but what's happened is that it's just resulted in changing the phrasing to "this is a good way to draw something, but this is a better way." which is just a nicer way of saying exactly the same thing.

since this language is so common, if you're going to find art tutorials online, the onus is on you to figure out which tutorials are good or bad for you and your art.

When you're looking at someone who's a professional artist, they're usually going to be clearer about who their advice is for. Take Ethan Becker, for example. His videos are excellent and i'd recommend him to basically anyone asking for visual art advice. However, as you can pick up on pretty quickly, his advice is for people looking to get into the animation industry!

If you're, say, looking to get into illustration, maybe more painterly stuff, his advice is still helpful, but you need to pick and choose what you need. The point about not wasting time learning muscle groups is great advice if you're only focused on working as a storyboarder or concept artist for an animation studio, but if you're interested in pretty much anything else, learning human anatomy is one of the most helpful things you can do. this doesn't mean he's wrong, of course. he's teaching the thing he knows, which is working in the animation industry.

If someone is saying that their way is "the better way to draw this thing" you need to look at their art, and what they're explaining, and figure out what they actually mean. is it "the better way to draw this thing for webcomic artists" or "the better way to draw this thing if you want to be popular on instagram"? what are your personal goals with your art?

this does not transition into my point about learning the fundamentals as well as i wanted it to and this post is already too long. more posts sometime soon because i love listening to myself talk. watch ethan becker.

[hajihiko]

💕

[mothscotch]

weird guy. peculiar creature even.

[katapotato55]

how to make your writing be remembered forever and possibly be well loved.

(incredibly stupid and silly fanfiction line at the end of this post) I know that title is incredibly daunting but listen, its very simple. you ready?

MAKE STRONG CHARACTERS

"but kat! surely its not that simple! " nononono listen. bear with me. I want you to think of your favorite thing. Now ask: what do you remember the most about the thing you love? I will go first:

I love team fortress 2. and guess what: this game has been around since 2007, and was in development hell since before I was even born. The game has been around for 16 fucking years. And guess what? in the strong year of 2023 team fortress 2 Is STILL getting memed about. and do you want to know the crazy part? the character designs to the naked eye are not special at all. ok sure from a designer standpoint, these are very well designed characters made so that you can easily tell who they are based on their silhouette. but from the average joe.... tf2 is iconic but overall it looks ok. it doesn't seem special to a stranger to tf2. look at this completely random and arbitrary example of a game in the same genre:

I don't know shit about the characters in overwatch. Yeah i have a BASIC idea on what their personality is like based on voice lines and some videos i guess... but in-game they just exist. these characters are brightly colored, they have beautiful unique designs, hell they have even more diversity such as robots and people from other cultures! but i don't remember shit about these characters. Maybe I remember the ice lady and tracer, but nothing else. and yeah part of overwatch struggling right now is incompetant development, BUT: The characters in team fortress 2 are SO remember-able because the characters have such a vibrant personality. I am an orange box owner, its been a decade and a half and I am still remembering this game and enjoying art about it.

"but kat! that is a comedy game! Overwatch is a very serious game! are you saying comedy is needed to make a character more noticeable?" no. though I think allowing your characters to lighten up every now and then would humanize them. Not full on goofy, just give them something that makes them likeable. and if you cant do that, you can STILL make a compelling character even though they are mostly seriousness. I have an even more awfully thought out example:

kung fu panda is a masterclass in making a serious comedic movie somehow work. Master Oogway.... he isn't a comedic character at all. Yeah we made memes about him, but ignoring that, he is a wise and resourceful person. He is at calm and has faith in this intuition. there are a lot of characters like this. What makes Oogway stand out is that he is also a little bit kooky and sassy.

this youtube clip sums up what I mean. It is a funny line, it fits the character, and It doesn't ruin the seriousness of the moment. Some of the most successful series in history have something about them that has appealed to people. In my opinion: characters with strong personality and interesting traits is always a good way to ensure your writing is successful. The second most important is the characters bouncing off of each other in terms of their chemistry with each other. There is a reason why I spent years playing the first Destiny game and all of the DLC, but I remember fuck all about the characters. I think I maybe remember the bootleg star lord robot guy.

A writing exercise

here is an exercise to get you in the spirit of character making. step 1- get a random character from a random bit of media. In this case let me bring you master Oogway. Step 2- Get a completely different character from a completely unrelated series. I am going to give you Scout from team fortress 2. step 3- write a random ass thing about them interacting. Think about how the characters would react to each other and why. Think about each characters values in life and think about how they would bond and conflict with each other. Think about characters similar to the character they met in the past and how they reacted then, and if they have never interacted, make something interesting with it. Step 4- keep experimenting. Once you get into the spirit you can apply this to any new character you could want to make anyways thats it byeee- "arent you going to do that ?" do what? "make a writing thing about oogway and scout. " ........

Scout: let's go turtle you got nothing on my speed- Oogway: The one who first resorts to violence shows that he has no more arguments. Scout: that sounds like chicken talk! come on tough guy let me have it- Oogway then proceeds to make scout eat shit before vanishing in a cloud of cherry blossoms and dust from the desert. If this post isn't popular I want you to know my dignity was lost for nothing.

[unexpectedbrickattack]

I bet Gustavo knows how’s exactly small he is and uses his charms and adorableness to get tips , and it’d work

Peppino pays Gus very well (esp after postgame) so theres no need to have tips. He lets Gus have the jar there anyway, but at the cost of having Pep occasionally come up behind him and catch him conning these poor customers

[carnivalcarriondiscarded]

something something a supernova of heartbreak in a cold unforgiving universe etc

[gothsuguru]

once i get back into the groove of things i’m gonna pick up some hobbies 🙏🏼

[chiiroptereh]

Went on a mushroom trip on New Years, saw this random image on my phone and it spoke to me. He is like a deep sea organism comb jelly copepod looking thing to me

Always so fascinated by my shroomy art, it's somehow even more colorful than usual and looks nothing like how it was supposed to, lol! Definitely going in my wallpapers folder

[lolathepeacocklord]

MY LOORD, I NEED HELP!!!

i need references for angry archer for my future art projects! He's so stupid i love him so much, i couldn't stop thinking abt him!!

PLS give me any screenshot that u have for refrence i am going insane!!

GOUUUWWWHHH THE ARCHHHHHHH lucky for yewwwwww I am also incredibly freaked up about this guy specifically, and I have quite a few images of him I cannot lie😼😼‼️🔥🔥🔥let me rally all these freeks upppppppppppppp

[oonessawness]

Hi guys do u remember my Illinois design. Anyways heres a wip from a doodle the other day

[compacflt]

my apologies if this is too simple or juvenile or personal a question but HOW did you become such a proficient writer? and do you have any tips or pointers to keep in mind? i know you must do a lot of reading and a lot of writing, but your skill is just incredible to me. your prose!! your cadence!! when we get around to talking about it is genuinely one of the best things i've ever read and i'd eat it if i could!!!

this ask was so sweet thank you!! rly made my day when i needed a boost. Hope you don’t mind i took a couple days to think about it cause no one’s ever asked me for writing advice before

idk how i became a “proficient” writer bc I really don’t write that much. something about my fic gave me brainworms and i went into overdrive but that’s…not my usual MO. which is why it’s weird for me too. admittedly i am studying english/creative writing as my second major at uni, but i haven’t learned anything in any of my classes you couldn’t learn by just reading and writing on your own. honestly i should’ve stuck with my IR major instead, i find structured cw classes a complete waste of time. but here are some little tips i thought of that would’ve helped ME:

This is more a “do as I say not as I do” because I’m really bad at habits like this, but keep a diary. You can write about the big events (went to the store, did homework, got laid etc.) but that’s boring—focus on the details (watched someone at west side market throw a glass bottle of olives at a rat, broke a pen and permanently stained my dorm desk and won’t get my deposit back which pissed me off because I move out in a week, this guy’s breath smelled like lemon pledge and it made me wonder if he drank window cleaner before kissing me etc.). Real life is really interesting! How can you write about interesting real life in an interesting way? It’s a good way to practice. You don’t have to do a big reflection at the end of the day or anything. It’s okay to jot down something you saw & then immediately forget about it. It’s the act of figuring out how to translate life into words that’s important

If you type, learn how to type FAST. This is just my experience, but I think typing faster makes your cadence, clause length, dialogue, IDEAS flow better/more naturally. We think in words/sentences, not letters.

This is a super lame tip that’ll make you roll your eyes, but read poetry. Poetry is all about how words/ideas/images sound and interact with each other. Don’t get hung up on one poet—im not really recommending any for precisely this reason—read poetry you love (for me, Ada Limón, Jack Kerouac, Frank O’Hara, ghazals etc) AND read poetry you hate (for me, Rupi Kaur, Emily Dickinson, Whitman, etc)! Read all genres you can get your hands on. (I think there are like “great poetry anthologies” you can find for free online if u don’t know where to start. Also you can’t go wrong with subscribing to/reading a variety magazine like the NYer. It’s pretentious but it exposes you to all kinds of weird topics, ways of writing about them, etc.) Figure out how certain combinations of words and punctuations make you FEEL, and why, and why the writer chose (or not) to make you feel that way. Figure out which literary sounds you like and which ones you don’t. For me, i figured out that I REALLY like alliteration, comma splices, zeugmas, the rule of three, and

“he’s [verb]ing again… yeah compacflt’s characters are [verb]ing again… big shocker”

If you have an idea for a piece, figure out what it is you really want to get out of it—to say something? to experiment with a different style? to see your fav characters do something? to have fun?—and then figure out how, on a technical level, you should write to match that goal (this is where the poetry training comes in handy). If you’re just writing to have fun, don’t listen to any writing advice (incl. mine), because most of it is bullshit and over-generalized and will make you feel bad about yourself. Just take the advice that you think will work for what YOURE trying to write.

But if you’re writing to explore some political idea, then you should think about HOW to best write about that idea. What would be a convincing story/allegory/scene to engage with this idea vs. not convincing. I talk on this blog all the time about how disappointed I am that my very-adult-grown-up attempt to deal with the dynamic of “immovable internalized homophobia vs unstoppable falling in love anyway” is rendered a little childish/immature by some pretty unconvincing plot points like the characters buying a house together—I really should have considered how that plot point would interact with the characterizations I’d built already (hint: poorly). You can think of writing as kind of a military structure if that helps—you have strategy on the overarching campaign (plot/character growth/allegory/theme) level, the battle (scene that advances the above) level, and the tactical (sentence-level construction/syntax/wording) level. They all have to work together. If a scene is failing to properly engage with the idea you’re trying to convey, you’re losing a battle that will weaken the overarching campaign. Same thing if you choose a weird word in a sentence/write in a style or tone that’s weirdly out of place with your idea—it makes your engagement with the theme/idea less convincing. just try to be purposeful and consider your strategy on all levels of your work as you’re writing it!! At the very least it’ll make editing easier lol.

But then again when I read my own writing from just a couple months ago I cringe out of my skin, so like—just also accept that it’s a process and we’re all just making it up as we go along. Be proud of being embarrassed of your old work, because it means you’re growing. Own that shit. When I finished writing WWGATTAI i thought it was the best thing I’d ever written, and maybe it was. But since the day I finished working on it, it’s the worst thing I’ve written since then. That’s a great feeling. Not to be like writing grindset obviously bc it’s supposed to be fun—but if what you want is to get better at writing, the strategy is to WRITE a whole bunch of shit, and then own your embarrassment about how much you’ve grown since you started. And know you’re still always growing and learning. there should never be any “goals” where skills are concerned 👍🏽

[jadedharleys]

privilege and pain when compared look the same. comprehension begins when we pull back the lens. right or wrong, tension makes us stronger by making us weak when we needed to be... our fables tell our truths

[ebonytails]

GOT ACCEPTED INTO A LOCAL CON.. BABY'S FIRST ART MARKET

[maulfucker]

Star Wars oc time,, the most pathetic looking bounty hunter you'll ever hire

[tacomateita]

a little cover redraw i did for @somerandomdudelmao 's Cass Apocalyptic Series anniversary !!!

it's not much but i wanted to do a little something and someone on tiktok (desilufajardo, i think you know them lmao) mentioned that we, the hispanic part of the fandom(?), should do something special for today so...here it is!

i wanted to write something nice but i've tried putting my gratitude into words and it always ends up sounding very lame and sappy so...i'll just thank you, your work has such an impact on me and many others, i'm sure you're aware of it. i hope things go great for you and i wish you the best.

[godsfavoritescientist]

If anyone is interested, here's all the effects I added to my 'cursed doors' journal page:

slightly crumpled paper texture

Threw some of a slightly desaturated version of the paper color around on the page with a big texture-y paintbrush until the paper looked less uniform

Slightly shaded the drawing + darkened edges of the page with a watercolor brush

Stanford font (very easy to download, literally drag-and-drop)

For the bit of warmth bleeding out from the ink: [effect shown in image 2 below, image 1 there for comparison] In CSP, Select > Select color gamut, make sure it's referencing all layers, and then colorpick the color used for all the text and drawings. Then, Select > Expand selected area, and make the expansion width 5 px. Then, on a layer underneath all the text and drawings, use the fill tool, uncheck the "apply to connected pixels only" box, and then when you click inside one of the selected areas, it should fill in every single selected area on the page at once. I made the color orangey, and set the layer to overlay, but idk if that layer setting really made much of a difference.