That post about Astarion speaking Elvish...
Ok but Astarion fucking someone and panting Elvish into their ear. Just... unloading his deepest confessions of love because he's within the safety of his partner not understanding.
"I love you, I love you, please don't ever leave me, need you, need you, I hate how much I need you."
Or, conversely, AA:
"I love you, come back to me, I am nothing without you, I need you, need you, please, darling, my darling, my bride, my consort, the only one who owns my deadened heart."
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Consider for a moment: A slow-burn identity reveal “no one knows” AU with an emphasis on ghosts being taken seriously as an actual, world-changing threat.
Ghosts are treated as an exceedingly dangerous, but unavoidable force of nature. They can come and go without warning, through naturally occurring spontaneous portals. They're territorial, driven only by obsession and hunger for the living. Particularly powerful ghosts are on par with natural disasters.
Life goes on because there's simply no other option. All major buildings have varying levels of ghost shields, some stronger than others. Just about everyone has some form of personal shield, weapon, or general deterrent. For the most part, humanity takes this apocalypse in stride, barely keeping it all together because there's just enough safety to keep them all sane.
Which is why the rumors of Phantom being able to fully mimic a human body incites panic in Amity.
Phantom was already a nightmare as it was–one of the most powerful and intelligent ghosts on record. His territorial fights with other ghosts for haunting (hunting) grounds in Amity have made global news several times already. Powerful ghosts could appear more human–but to think he was transforming down to a cellular level? Hiding among them? Bypassing ghost shields and alarms? Picking them off one by one?
The focus is mostly with Lancer's class, and how the school deals with this new threat on top of everything else. Everyone is a suspect, no one is safe, and Danny Fenton in particular gets slowly more and more exhausted, apathetic, and… unnerving.
The stress, the lack of sleep, the fighting, no one to turn to, not even his best friends or family–it takes a toll on him. Starving himself doesn't help, but he refuses to do more than take small bites from the ambient life energy and emotion of the living around him. Nothing that won't actually do lasting harm. He begins to slip up more and more, which Sam and Tucker begin to notice but haven't quite connected the dots yet.
But, well. What else can Danny do when Pariah Dark comes knocking on Amity’s doorstep, and his whole class is in the line of fire?
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the thing that gets to me about buddie posts on here is that people will be like "look at them! friends don't do that! there is no platonic explanation for that" and well. friends do do that. their relationship is deep and beautiful and intense but their actions alone aren't exclusive to romantic partners. what — to me — makes buddie romantic over platonic boils down to their intentions. someone making their best friend their child's legal guardian isn't unheard of. but eddie did it and kept it a secret. eddie thought "this is the only man i trust with my son. this is the only person in this world that will hold my heart gently." and then eddie didn't tell him. that makes me crazier than the actual legal document. a normal friendship would discuss this. it'd be an open conversation. the fact that eddie can't bring himself to say it because he knows that what it means to him is too much to look in the eye? because he knows that telling buck about his decision would be the equivalent of bleeding all over the both of them again? that's what makes it romantic. eddie frantically chasing after buck's limp body after the lightning strike isn't necessarily because he's in love with him. plenty of really close friends would do that for each other. it's when eddie desperately tries to pull buck up to him instead of lowering him that makes it more. because eddie didn't climb the ladder to get buck down to safety, eddie climbed up the ladder to get buck to him. the desperation, the intent behind their actions, the way they can't look at each other when they're hurt because it's impossible to deal with even the idea of living in a world without each other says so much more than any of buck's acts of service alone. a best friend would help you take care of yourself and your kid after you have a mental breakdown, if you're physically injured, if you need help. it's the fact that nobody asked buck, it's the fact that he's the first person chris called, it's the fact that bobby didn't bat an eye, because of course buck's there to help eddie. it's a given. who else in the whole world would it be? because they're everything to each other. in a way that's just a little too much, a little too codependent, toes the line of friendship and lovelovelove a little too carelessly. they're not buck and eddie, best friends, they're buckandeddie, one word. and not because of any of action. because they're in massive stupid head over heels gay love with each other.
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I wonder if humans and demons in Obey Me! might have different taste receptors and experience taste slightly differently. Not for all things, but for really random stuff, like how some people irl enjoy cilantro and others think it tastes like soap.
Lucifer trying to pridefully power through the dinner MC made for him and failing because he's already gone through five drinks trying to mask its taste, and MC is getting suspicious.
"What is this incredibly sour vegetable? I've never tasted anything so... acrid."
"You mean the sweet potato? Are you saying this sweet potato is what's making your lips pucker?"
"There's absolutely nothing sweet about this potato."
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Unsurprisingly, people are already being fucking weird about Mizu's gender.
Headcanons are all well and good, but maybe we shouldn't be so eager to apply modern Western gender politics and terms to a character whose identity is so tied to the time, place, and circumstances in which she exists.
Please remember that Mizu was forced to present as male for her own safety and agency. Please remember that allowing others to see her as a man and call her he/him is not a choice; it's protection; it's a means to an end. Until we see Mizu talk about her gender in further detail, that's all the context we have.
Don't project what you want to see onto her and then treat it as fact.
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