#do you fear death

[captainharlock]

comic i made about out-aging the person i've been grieving

[chiliger]

Vader always forgets to file the paperwork anyway.

Bonus:

[poorly-drawn-mdzs]

Welcome to the Dungeons of Fear and Hunger.

[stealthneko]

IMPORTANT! IMPORTANT! IMPORTANT!

Last Day to Play Free Realms Is March 31st 2014

Let's Have Fun To the End!!

-the Free Realms Dev Team

Thanks!

[oatbugs]

last night i got home kind of tipsy and very much in tears and my mother told me the force you exert to keep someone in your life is proportional to the force with which they will leave your life. if you have to fight tooth and claw to keep them, their leaving will be just as hard, just as harsh, and just as definite.

[thejasontoddarchives]

Batman (1940-) #426

Batman (1940-) #427

Task Force Z #6 (2022)

You tell him, Jason.

[uncanny-tranny]

So often, twink death is framed as a bad thing. However, the "twink death" for trans men* is frankly one of the most healing things you will bear witness to (pun intended).

[vanhelsingapologist]

I tell you how you kill me in my dreams.

—

Dima was visited by the local vampire. She will bite him back, next time. Alt version under the cut.

[celluloidbroomcloset]

"Stede wanted to be a pirate and now he's not going to be one, which is bad."

Did he really want to be a pirate? Stede wanted to be a storybook pirate; he wanted to be the pirate in his games and his imagination, who had swashbuckling adventures. The entire first season deals with him learning what piracy really is. He sees what it has done to Ed, quite literally history's greatest pirate, within the first half hour of their meeting. Most of the fun he has, has nothing to do with actual piracy - it's playing games with his crew, going on treasure hunts with Ed, putting on plays. He likes making up plans, but he doesn't like actual piracy. When he accidentally kills a man, it horrifies him and haunts him, and continues to until the end of the season. He goes to therapy about it.

Into Season 2, the entire point of Stede's piracy is still not piracy. It's to get back to Ed. Stede's fantasy in the beginning is about being the storybook pirate who defeats the villain and runs across the beach to his one true love, who isn't mad at him and never was. It's a fairytale. And even there, reality is creeping in - dream-Izzy tells him, "I didn't make you leave him. You did that yourself." The reality is that Ed has gone into a suicidal spiral, and Stede finds him mostly dead.

The one time that Stede becomes a "real pirate" in the real world, it goes to his head, but it's not even because of his love of piracy. It's because he's suddenly popular. People are buying him drinks and clapping him on the back. No one's calling him "Steve." No one's making fun of him. And still, the only thing he wants to do when he does something cool is go tell Ed about it.

And even then...it's hollow. Everyone around him are sycophants. Ed has left him. His crew are suddenly leaving him. It all ends with him getting his ass kicked by a real pirate. He didn't even like doing the thing that made him popular; he kills Ned Low and runs off to hide. The whole sequence at Jackie'z is a mirror of the sequence at the pub when he goes home - everyone thinks he's cool, but for none of the reasons that are authentic to who he is or what he really wants.

Stede wanted a family who loved him. He wanted friends who liked him for him. He wanted someone to play with. He wanted to marry for love. And he has all those things at the end.

He's not a pirate. He's not having second thoughts.

I'm not sure why this is hard to see.

[crimson-nail]

same guy

[canisalbus]

AU where there is some sort of zombie-like (maybe something like a rabid vampirism?)

Where one of the boys is bit/infected and desperately wants the other to join them, while also wanting to resist?

.

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[wi1dshxpe]

it's funny because durge and gortash started at very similar places, wanting so badly to be "good kids" their entire childhoods. gortash to avoid further abuse at the hoh and durge because they were, excluding their one little huge thing where they had an uncontrollable bloodlust.

but then they also ended up at the same place but on opposite sides of the spectrum. druge is still trying(technically succeeding) to be a "good kid," just now for their insane dad instead of a conventional family. conversely gortash has thrown out any idea of "goodness,” he never wants to feel that way again and he doesn’t care if he makes others feel that way to avoid it. he’ll do whatever he wants to you and if you’re anything like him, powerful, resourceful, deserving, you’ll pull yourself up from your bootstraps like he did. it’s interesting to wonder the ways they might’ve clashed in their motivations

[wystana]

Just a little redraw of this screenshot!

[louisdelac]

it's like. louis attempted to tell this story to daniel the first time, broke down, and attacked him before he could finish it.

and then decades later he's convinced himself that it was leaving the story unresolved that's holding him back from living his life fully now. so he invites daniel back again. and louis is sitting poised and put together, confident in his ability to recite his history in a pretty, poignant, neat little narrative that will resolve all the guilt and yearning and emptiness inside of him. that if he can just tell a compelling, satisfying story, maybe it will actually be that, and not the life he lived through, with all the pitfalls of his own failures lurking inside.

and then season 1 ends with him once again being forced to confront that the story he wants to imagine and the life he actually lived aren't the same thing. the boundaries around his narrative are shredded and he's left exposed, and subsequently able to face his past for the first time since that original interview. and you think, you think, "well this is it. they've crossed the event horizon. there's no use hiding the truth anymore, not after it's come flooding out into the open like this"

and then season 2 opens. not only is it back to the original, practiced distance, we now have armand literally enforcing that distance. a man sitting at the table who's interjections must be disregarded, an intentional interruption to the flow of the story. he doesn't exist to aid or add detail, he exists to distract louis when he gets too deep in the story. the only time we do get louis allowing any deep truth to come out is when armand leaves the room.

it's like. louis wants a story that's true, and the truth is what he's convinced will leave him satisfied. armand wants a story that will satisfy louis, to the extent louis will accept it's true.

[hamletshoeratio]

Apparently, Eloise is a mean girl and is not a girls' girl???