Prompt 296
Through a series of miscommunication, the League is now under the impression that Batman, strange cryptid that he is, may or may not have given birth to the other vigilantes running around in Gotham. This was not helped by Bruce referring to all of his children, no matter how big they get, as his babies. Nor was it helped by Red Robin, in the middle of a narcolepsy-fueled imminent crash, mentioned how he had no mother.
It also doesn’t help that no one is aware that they are in fact completely normal people, and not aspects of Gotham itself brought to life. Though really that’s on the bats themselves, because at this point they should at least count as undead.
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Major Trimax Spoilers Ahoy:
Man. Man.
You ever think about how Vash just wanted something so badly. He wanted to be with Wolfwood so badly. Even though hunting down his brother has been his sole, major motivation to get going most of the manga, he found Wolfwood in that church. Vash came just for him.
He fell into step beside Wolfwood, so close that they don’t need words. He admitted, if only to himself, that he wanted to spend all the tomorrows he could get from Wolfwood. He wanted. He wanted.
He wanted so much that, as they sat on that damned couch, Vash prayed. For the very first and last time, he chose to pray to a god he wished for, but didn’t have faith in. A god that his priest inspired in him. Anything and anyone who would help him, help them. Just one more tomorrow, even. Anything. Please.
And, you know, here we are again, aren’t we? In another universe but with the same men, and with the same gods. And we all know what’s coming. It’s consumed them every single other time, a fixed point that we can’t escape. But the gods of this universe are still there. They’ve seen Vash beg, they’ve seen Vash plead, they’ve seen Vash mourn.
Do they care enough to listen? Do they care enough to spare them? Do they care enough to let them have their tomorrows?
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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What a loser /pos
Close ups under the cut!
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Jamie would 100% make Roy a dating app profile sometime after the Keeley rejecting both of them thing to try to help him move on and meet people when clearly he’s refusing to get back out there organically and he’d think he’s being so helpful and generous and the best wingman ever. He’d handpick what he considers the sexiest pictures he can find and put a bunch of shit Roy would never say thinking he’s being accurate and helpful and not even taking the clear opportunity to make a joke account to embarrass him or anything when he easily could have just made fun of him and chosen the worst pictures possible instead
And then he would be SO offended when it doesn’t go well when Roy finds out about it and is not properly appreciative at all
Roy thinks it’s Jamie’s account when he starts showing Roy girls like what do you think of her and asking him way too many questions when Roy has no interest in participating and has no idea why the fuck Jamie seems incapable of swiping without trying to get Roy’s opinions first. Meanwhile, Roy’s giving one word answers at first and then increasingly trying to brush him off when he doesn’t stop and then he’s just flat out like “Choose your own dates and leave me the fuck out of it” and Jamie’s like “Nah, this is your account. You should have a say” and instead of being grateful and appreciative and thanking Jamie for being oh so generous with his time and energy, Roy just scowls at him and growls out “You did not make a fucking Tinder profile for me” and Jamie just smirks and decides now is not the right moment yet to mention that he actually made him accounts on like three different apps because he wasn’t sure which Roy would like best
Roy barks at him to delete it and Jamie’s all whiny like “Come on, I spent a lot of time on these and you haven’t even considered it. Plus, even if you’re not ready to date someone yet, you’d still be less miserable to be around if you at least found someone to shag in the meantime”
And Roy’s like “Delete it. I don’t want a fucking Tinder profile.” And Jamie looks at him confused for a moment and then seems to have an epiphany as he goes “Oh, do you want a Grindr one instead? Hold on a second” and he flips to a different app and Roy’s too busy being baffled by the fact that Grindr is already on Jamie’s phone and that he’s having to sign out of his own account to try to make one for Roy to even stop him before he’s already trying to sign up for a new account and Roy goes “That’s not what I meant. I don’t want any dating app”
And Jamie pauses his typing and turns and looks at him so skeptically and so judgily and suddenly somehow Roy is trying to fight for his life trying to defend why he’s not looking for some random stranger to date or fuck around with
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trying not to get my hopes up for coral kids because their interaction was very brief but also GOD. even just aesthetically that duo fucks like mad. imagine. mermaid/coral themed scott and roguish pirate martyn. imagine.
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I don't even really go here but this scene has been stuck in my head for the last week so I decided it needed to to be let out
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more symbiote au doodles yippee ^-^
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fae!steve who, practically the moment he learns what he can do, sets up a trap curse for his parents. if they ever kick him out and disown him, then the second he exits their threshold he'll take all their luck with him. he'd feel bad about cursing his parents, but the point of a trap curse is that it doesn't activate unless the targets of the curse do something to meet its requirements. if his parents were just good people, good parents, then nothing bad will ever happen to them.
but they really can't seem to help themselves. steve guesses he saw this coming.
he tells eddie about it, when eddie comes to pick him and his one allowed box of clothes and shit from the harrington house. eddie'd offered to curse them, 'might as well make good on my whole evil satanist reputation', but steve told him he already had it covered. told him about the trap. he's never seen eddie look so proud and so sad at the same time.
and sure enough, all good luck leaves the harrington household when steve does. a random irs check reveals harrington sr's years of tax fraud, and his business goes bankrupt trying to pay the fines. someone leaks pictures of one of mrs harringtons senior aides on a drug filled bender in the city, ruining both her campaigns squeaky clean image and her chances at reelection in the fall. several of mr harringtons former secretaries sue for sexual harassment, while seemingly every other woman he's ever come in contact with simultaneously sues for child support.
and steve just watches. he's happy now, living with eddie in a small apartment with their cat and the various small woodland creatures eddie keeps trying to sneak in (so far steve's had to kick out three raccoons, a possum, a skunk, two bats, and a coyote. they've all been very understanding when he's explained the situation to them but eddie still acts like a kicked puppy every time he does it). eddie keeps a little shoebox under their bed with newspaper clippings of every terrible thing to befall the mighty harringtons, says it's in case steve ever wants the reminder that he got one over on them in the end. a reminder that steve's happy and they're not.
steve doesn't need it. he feels it, every time the curse does something to them, something clicking in his chest like one of those alarm clocks with the flaps that flip over from one minute to the next. he wonders if it'll ever feel like too much. if he'll ever think they've been punished enough. they've had a rough couple years, it's sort of only a matter of time before something happens that's unlucky enough to injure or kill them.
steve thinks if he was human, maybe he'd care. maybe he'd look at that shoebox with the guilt eddie seems to be half-expecting every time he brings it out. but he's not, so he doesn't. he set the trap, but his 'parents' are the ones who sprung it.
they really should have known better than to cross a changeling.
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obsessed with your latest steddie au! steve’s relationship with his parents is so emotionally abusive and manipulative and my heart is breaking that nobody seems to recognise that
Thank you!!
I really wanted to focus on how Steve's parents are abusive in a way that is a lot harder to clock.
They're not out there screaming and kicking him out of the house. These people want you to like them, and they lie like they breath.
These are the adults who downplay serious issues, who make you doubt yourself, who smooth things over or even apologize on your behalf as a way to control and isolate you.
If everyone thinks you're terrible, and your amazing, doting, angelic parents are once again swooping in to save you, then your escape routes close up rapidly--which is of course, the whole point. They want their victims to rely on them and them alone.
For a lot of the Party, that's just not an evil they've encountered yet.
Throw in the fact that Steve does in fact, have a head injury, and things get muddy FAST.
It makes for delicious, angst-ridden scenarios and I am delighted everyone's happy to come along for the ride.
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It's a little bit further into your relationship with art student!Bakugo and you've been working together now for the good portion of two semesters...
Except for whatever reason, your professor assigns him a different model for the upcoming final, and when you go to look for him after class (since at the announcement, he stormed out of the room in frustration, slamming back his desk and knocking over the overflowing recycling bin by the door), you find him weeping in frustration in the janitor's closet next door adhfnlkjadshfk
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pay attention to theo’s beautiful face and not whatever matthias’s arm is doing... i liked the lighting more here than against the wall
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“Can't remember when we walked past the O.R. sign!
(sur-ger-y!)
Can't remember passing out with her hand in mine!
(my-my-mind!!!!)
I remember waking up with my mind repaired.
(A-OK! ^^)
I remember when I realized, she wasn't there...”
Amnesia was her name….. is. so. horrifically. sadly fitting for these two in literally every single line. And I’m gonna NEED ALL OF U GUYS TO GO LISTEN TO IT NOW OK… THIS ISNT A DRILL GO GO GO GO!!!
Anyway… uhh. the fact Betty “blessed” this guy to like. An eternally long lifespan w THIS FUCKED UP OF A MENTAL STATE IS SO SCREWED UP GHGH- Like poor Simon god damn…! u kno he’d rather just keep on not sorting out his baggage and trauma forever too cuz it’d be too complicated… too much… force him to admit things about himself and about BETTY that he really really doesn’t want to… better to just leave it all unexamined.. pack it all into lil boxes so he can just try to ignore it and pretend it doesn’t exist… HE GOTTA LIVE FOREVER W IT THO… *ME BANGING ON SIMONS DOOR AT 3 IN THE MORNING*: “SIMON U GOTTA ACCEPT URSELF!!!! LOVE URSELF!!!! ACKNOWLEDGE N ACCEPT EVEN THE “BAD” PARTS OF URSELF!!!! SIMON PLEASE!!!!! SIMON EVEN PPL WHO LOVE YOU AND WHO YOU LOVE CAN HURT YOU!!!! ACKNOWLEDGE IT!!! ACKNOWLEDGE THE HURT AND ACKNOWLEDGE UR FEELINGS!!!! AND URSELF!!!!! SIMON!!!!” anyway… gGHGH YEA, SRRY. SIMON PETRIKOVS MENTAL ILLNESSES MAKE ME FEEL LIKE IM GONNA EXPLODE. ANYWAY HAVE SOME ART. W a bunch of diff versions cuz I’m indecisive!
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journey’s end au where the doctor tries to kick everyone off the TARDIS and they just go, ‘???? no?’ and won’t leave. can’t be stupid and think everyone will leave you when they won’t get out of your house.
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Straight up had a dream last night that DC revealed that Bart and Kon were dating and it was in the WILDEST FUCKING WAY.
K, so picture this: Clark needs someone to fly around disguised as him for a plan. So Clark goes through the options in his head: Bruce can't fly, MM is off world, Jon is too much of a twink to be believable, Kara is blonde, Kon is.... Perfect! With a person in mind who would be perfect for his plan, Clark flies off to find Kon.
Cut to Judy Garrick zipping around the Garrick's house. Joan is quietly scrapbooking at the kitchen table and Judy is bored out of her mind. Judy asks Joan if there is anything she can do because she is so unbelievably bored.
Joan responds, very calmly, that she can hear "your brother's boyfriend touching down in the backyard, so why don't you go ask him?"
Judy's face jumps from emotion to emotion as three things are revealed at once. 1) Joan considers Bart to be a son and thus, Judy's brother, 2) Judy's new brother is not straight and 3) Bart has a boyfriend who is in the backyard.
So Judy immediately runs to the backyard and is stunned to bump into Clark (who was there looking for Kon) and then the dream continued on with the two of them hunting down Bart&Kon (who were just at school being normal goddammit!!!) but the entire time Judy is secretly out for blood because she thinks that Joan was referring to Clark and that this adult man is trying to date her new little brother and Judy keeps trying to kill him but it doesn't work because Clark is Kryptonian (and oblivious to the attempted homicides).
Anyway, wild dream all around.
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