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#elektra shock
clubkidandcollectives · 2 months
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suppenzeit · 2 months
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fun gifs from my gifs folder for you all to enjoy <3
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eileennatural · 2 years
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what's so fucked up abt dc is that dick grayson who is so obviously bisexual isn't allowed to show any attraction towards men except of course for that time devin grayson got real freudian with it and basically published real actual panels implying that dick is in love with bruce. yes this scene uses both the words "hot" and "sticky" when describing his feelings
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prettyeyesnof4ce · 1 year
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elektra mutual
you know it babeeeeee
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via-l0ve · 9 months
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hiya could you pls write about the supernatural guys whose s/o hates PDA but they makeout with them in public in order to hide on a case. Kinda like Matt Murdock and Elektra or Steve rogers and nat.
Distraction (SPN Pref!) 🩷
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a/n: i hope you enjoy, anon <3
Warnings: swearing, slightly suggestive
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Dean:
he’s SHOCKED
you yank his face and stand up and just start making out with him
he’s not gonna want to stop you so he just goes with it
slips his hand in your back pocket and squeezes your ass
“should we take this to the bathroom or something?”
“dean. shut up.”
“wait i’m serious!”
he wants that to happen sooooo much
Sam:
he’s not complaining at all
a little shocked
he makes the face™️
does anyone else know the face™️???
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that’s the face™️
ANYWAYS
he’s flabbergasted and groping you and not stopping bc wtf this is great
he’s running his hands through your hair
making out with you and holding your arms close
“damn. you should do that more often.”
Castiel:
he’s frozen
he kisses you back but he’s gobsmacked dude
he’s so happy
cups your face and holds you for as long as you’ll let him.
“sorry cas.”
“do not apologize, y/n. i enjoy your kisses. you should do this more often.”
he’s giggling and smiling afterwards
i mean c’mon he’s so happy
loves kissing you
Crowley
now he’s not stopping
fully making out with you in this public place
his hands are up your shirt
“crowley we’re in public.”
“i don’t care.”
“i do!”
“fine. i’ll wait. but when we get back i’m ravishing you.”
he’s so hot wtf
he won’t stop thinking about it from now on <3
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peterman-spideyparker · 3 months
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my tears ricochet (Matt Murdock x fem!Reader) 1/5
Author’s Note: Hi! This is technically a combination of two ideas--one that I've had for a bit written in my idea notebook, and another I got about a week ago (mildly induced by me watching Gossip Girl for the first time despite knowing all of the major plot points). I don't usually do angst, but boy is it here in this series. Enjoy, and I apologize in advance if I make anyone sad.
Summary: You and Matt Murdock come from different worlds: Matt, the son of a prize boxer from Hell’s Kitchen, you the daughter of a clothing designer and doctor on Park Ave. Meeting in law school was just chance, just was much as you falling for your friend. But fate had different paths for the two of you that pulled you apart, and you felt pain with each tear. Now, just over ten years later, you two meet again by chance, and everything and nothing has changed.
Warnings: Angst, unresolved feelings, lingering love and fondness, canon-typical arguments, language, mentions of death (reader is a widow)
Other Characters: Elektra Natchios
Word Count: 1,807
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To say that Matt was annoyed with Elektra was an understatement. Pulling him away from a date was one thing, but pulling him away from a date to go to a ritzy gala? He was pissed. Maybe he wouldn’t mind it if he liked that kind of stuff, but he absolutely hates large crowds, people pretending to be things they’re not to look better than others. It’s just a place for the upper crust to brag. One of these things was the reason that he met Elektra in the first place; while their relationship had its moments in college, that is a moment he repeatedly visits in his mind with regret. There was absolutely no reason for Foggy and him to be there at that event—they were just two stupid college kids crashing a party, and it changed the course of his life. 
Even though Elektra made sure to get him a soft tux, it still felt like it was suffocating him. It was too much, and it was only adding to his discomfort and annoyance. He knows there’s a mission to focus on, but he can’t keep his mind on track. Matt half-listens to the plan Elektra is talking at him about as they stand with champagne flutes in hand, and just as she slips away into the crowd, he hones in on something that has to be a mistake. He puts down his untouched drink on a tray, slowly tapping over toward what has to be an anger-endured hallucination. But as he gets closer had he picks up a familiar scent, he knows he’s not imagining anything. Oh God, he’d never forget that smell. How could he the it’s attached to every memory he has of you?
“Angel,” he breathes. 
He can tell that it catches you off guard by how your posture changes, how your heart skips, and how your breathing increases. You turn slowly and Matt can sense how your eyes widen softly in surprise and something more. Matt listens to your heart flutter like a hummingbird’s as you try to keep calm and dull your buzzing senses.
“Matty,” you breathes, color rushing to your cheeks. His name sounds like honey dripping from your lips. He’s missed that sound. He’s missed you. So, so much. You clear your throat to regain your composure. “What a surprise. It’s lovely to see you here.”
“(Y/N/N),” he murmurs. Matt is simply shocked by meeting you here after ten years—he doesn’t believe his senses that it’s actually you. But it is. 
“Please,” you whisper, mildly embarrassed and suddenly very conscious of yourself as you dip your head and smooth your gown. “No one has called me that in years. (Y/N) is fine.” You sound as if you’re going to cry from nerves—definitely not how you had been just a minute earlier speaking with someone in the crowd. It might slip past someone else, but not Matt. He knows you, no matter how long you’ve been apart.
Matt’s face shifts from surprise to something he can tell you can’t quite put your finger on. “You . . . How have you been? I mean, I’d assume well judging by the scale of tonight and your role in it all.”
“‘Well’ isn’t the word I’d use to describe it.”
His brows furrow. “C’mon, (Y/N/N). Everyone that’s here is because of you and the work you’ve done. This . . . This is more than you could’ve ever dreamed of when we were at Columbia. You’re doing more than Foggy and I could hope to achieve in our entire career.”
“‘Well’ isn’t happy.”
“You’re not happy?”
You give him a sad smile. “I fit into the mold of the perfect Upper East Side darling: went to private schools, society debut, got my degree, worked to established a successful career, got married. Unlike my fellow wives of the Upper East Side, though, my marriage ended in death instead of divorce. Besides, this isn’t anywhere near the work I hoped I’d be doing. ‘Well’ is just a mask I have the burden of putting on everyday.”
Matt’s eyebrows pull down, his heart sinking to his stomach. “You’re not happy,” he breathes softly, pain and sadness painted all over his face.
“I’m not,” you admit, holding back tears to save face. “I haven’t been in years. We talked about it at Columbia—this life wasn’t what I wanted. I was naive to think I could have anything different. But at some point . . . My happiness stopped mattering. It wasn’t important. I just needed to become the woman I was expected to be, and I did.”
“Angel.” He moistens his lips. “Your happiness does matter. When you’re happy . . . (Y/N/N), it lights up the people around you. It’s infectious, it’s like sunshine, it’s . . . It’s why I fell in love with you in law school.”
That sentence is a knife to the heart, and the slight shift in your stance tells Matt that he knows what he just did was not the best move.
“It’s a shame it wasn’t enough to keep us together, then.”
Your words kill him, but no matter how they hurt, he knows they’re true. “(Y/N/N)—.”
“Do you know when I first fell in love with you, Matt?” He just looks at you as he holds on to his cane. Nervous. Fragile, even. “Two weeks in, fall semester, first year of Columbia. We were studying in the library, and it was late. You could tell I was losing steam and giving up, and you took my mind off things and cheered me up by balancing a ruler on that huge, beautiful nose of yours like a goddamn otter. The way you smiled when I laughed . . . That man who had a passion for the law, wanted to help those that needed it most, fiercely loyal, he’s who I fell in love with. He’s who I thought would stand beside me through anything. He just never felt the same, no matter much I wished he did.” That salt Matt tastes in the air tells him that you desperately want to cry right there in the middle of the party no matter who is around, but you catch the eye of someone else in the room—a silent savior in the conversation. “Now, if you’ll excuse me, I have to go mingle with guests. It was lovely to see you tonight, Matthew.”
“(Y/N/N), wait, please—.”
“I’m sorry, I have to go.”
Matt’s frozen as he listens to you walk away, interacting with the people at the party as if your conversation never happened. He feels a hand rest on his shoulder before it slowly runs down his arm and hooks in the crook of his elbow. 
“We need to go,” Elektra whispers. “Now.”
Gently tugging him along, Matt feels like he’s having an out of body experience. He doesn’t want to leave, not with you here, not when every fiber in his being is telling him to stay and catch up, talk, try and fix what was lost—what he broke—during your last year at Columbia. Unfortunately, his shock and awe at seeing you again is perfect for Elektra to use to drag him out of the building and into the car waiting for them, giving the driver a new address. 
“Well, I was only able to recover part of the files, thanks to someone getting distracted. But, I read some notes on a desk calendar, and the portion of the files that we really need are—.”
“Did you know this was (Y/N)’s company’s party? Did—.” His blood runs cold at the thought that crosses his mind. “Does she know what she’s involved in?”
“She’s not involved at all. One of the charities that her company supports is involved—someone higher than her has their signature all over the paperwork. She is in the dark.”
“Then we need to protect her. We—.”
“The best way to protect her is to take down the Hand. She’s fine, Matthew.”
“No, she’s not. (Y/N/N) . . . Tonight, she was like a ghost of the woman I knew in law school,” Matt tells Elektra. 
“She’s fine.”
“She’s not.”
“She made choices and is living with them. She’s fine.”
He feels shell shocked. Everything is telling him that that couldn’t have been you, even though all signs point to yes. “Those weren’t her choices. I could’ve been there for her—I should’ve been there for her to tell her that what she wanted was important and mattered more than what her parents thought. I . . .” He hangs his head in shame. “I let myself get distracted by something that didn’t matter.”
“Matthew—.”
“Her life could’ve been so different if I stayed with her. My life could’ve been different.”
“It would have been a life you hate. When you have someone like that . . . it doesn’t matter what you do. Their status will take precedence. Any life different than that that tries to mesh with it . . . It would go up in flames, no matter how hard one tries.”
“I could’ve made her happy, Elektra. I could have at least made sure that she was okay all these years, something. But I abandoned her. And I never told her why.”
“It’s not like she didn’t land on her feet. Besides, it never would have worked between you two.”
There’s something different in her voice that Matt can’t quite put his finger on, but it fills him with rage.
“You don’t know her like I do—did. We would have made it work, we could have done it. Status be damned, she—.”
“Your big heart is blinding you more than you already are. You don’t get it. It’s not just her social standing. You’re too different personality wise. Do you really think she could handle what you do in your spare time? Don’t you think that would shatter her, tear you two apart?”
“She’s part of the reason I started doing this!” Matt snaps. “She . . . Having any kind of relationship doing what I do is difficult. It wouldn’t matter if she was completely in the dark or out with me every night. (Y/N) would stay. It would work with us. I know it. She wouldn’t give up on me.”
He senses Elektra’s 180 shift in her demeanor. “Fine. You can have your movie moment with her, but you finish this with me first.“ She shifts in her seat. “I’m telling you it won’t last. You say I don’t know her, but I do, Matthew. And she will leave you broken because she never will be able to accept all of you.”
“You know, maybe she wouldn't. Maybe it wouldn’t last. But I wouldn’t forgive myself if I never tried to repair that bridge.”
“Your heart will always be your Kryptonite, Matthew. Mark my words.”
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navree · 1 year
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oedipus killed his dad and fucked his mom. polynices and eteocles killed each other because they wanted to be king. agammemnon was ordered to sacrifice his own daughter. clytemnestra killed an innocent woman and ill-treated her children for years afterwards. orestes was goaded by elektra into murdering their mother. achilles murdered hector and desecrated his body. medea murdered a shitton of people including her own children.
one of the main draws of greek tragedies is that there aren't bright lines of "good" and "evil", it's about human people with flaws that exacerbate the situations they're in and lead to devastating consequences. oedipus's hotheadedness, medea's mild sociopathy, polynices and eteocles's lust for power, achilles and clytemnestra's rage, the tyranny and indifference of the gods themselves. that is what makes the greek tragedy so incredibly compelling even thousands of years after they were written, and why some of the great tragedies from later eras (shakespeare's tragedies, american canon tragedies like death of a salesman or the crucible) are still so inspired by that fundamental "the characters are flawed and those flaws are their downfalls regardless of inherent good or evil within them" type of storytelling.
and if you've been studying and analyzing greek texts and are not in fact just talking out of your ass for twitter points about the dragon incest show and you genuinely think that greek tragedies have clear cut "good guys" and "bad guys" then you are two steps away from being brain dead and i'm shocked you're allowed online access without adult supervision. also idk how to tell you that ancient greece was in fact quite misogynistic soooooooooooo. but i think op is just stupid.
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6rookie-writer0110 · 6 months
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Dating Sam Carpenter & being Daredevil would include…
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•You met Sam when she accidentally bumped into you. She starts to apologize then she notices that you are blind, because of your cane.
•You and Sam slowly became friends before dating.
•Sam would ask questions about you being blind.
•At first, Sam felt awkward watching a movie with you.
•Sam’s ex-boyfriend Richie started to harass her.
•You punched Richie in the stomach and threatened him, to stay away from Sam.
•At first Tara wasn't sure about you dating her sister.
•You noticed how protective Sam is of Tara.
•Sam starts to smile more around you.
•Some nights, she would stay at your apartment.
•When a new Ghostface showed up, Sam broke up with you but lied about the reason.
•You went back to Sam’s apartment because she wanted to give you back your stuff.
•But you noticed the door is open, Sam is panicking because Ghostface kidnapped Tara.
•You went along with Sam to help. You didn't take no for an answer.
•There are two Ghostfaces, and you start to fight them. Sam and everyone else are in shock.
•Tara threw an apple at you and you caught it.
•You had to explain that your other senses are heightened.
•Sam told you about her father and Ghostface.
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•You are badly injured and Sam starts to take care of your wounds.
•Sam doesn't like your ex-girlfriend Elektra.
•Sam didn't like you teaming up with Elektra.
•You explained to Sam how you listen to heartbeats and know who is lying etc.
•Sam, does like to cuddle with you all the time.
•When you had a rough day, Sam would try to comfort you.
•Sam used to hate celebrating her birthday, but she doesn't mind when you surprise her with cake.
•Sometimes, you and Sam would argue.
•Sam always likes laying her head on your chest.
•Sam told you about her bloodlust, she thought you would leave, but you didn't.
•Sam and Tara got arrested, you bailed them out.
•You and Sam are always affectionate with each other.
•Sam is always worried about you when you get into fights.
•When you cuddle with Sam, she likes it when you play with her hair.
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amberlynnmurdock · 10 months
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Blind Faith
Chapter 5: Assumption of Risk 
Pairing: Matt Murdock x Reader 
Chapter Summary: There are no terms and conditions when it comes to a secret affair; you only know the risks. 
Warnings: 18+ content in this chapter, smut
A/N: I hope you like this chapter! I can't believe I just wrote it this afternoon, lol. I haven't written anything smutty in FOREVER so I hope this passes. Thank you all for reading this story :D
Chapter 4 here
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Credit to the gif owner! 
Office of Nelson & Murdock
Hell’s Kitchen
4 PM
Assumption of risk: a plaintiff's inability to recover for the tortious actions of a negligent party in scenarios where the plaintiff voluntarily accepted the risk of those actions.
Matt Murdock was normally a very focused person, despite his ability to listen, feel, and sense things that could be distractions. It was easy to tune things out and focus on one thing at hand. Today, he used his Orbit reader to study case law regarding illegal money laundering. His fingers grazed over the braille before him, and his brows were furrowed in concentration. Ever since things with Fisk ended, Nelson & Murdock was able to take on more low-key clients and squash not-so-life-threatening issues. It was nice, to have a break from all of that. It truly felt like they were doing what they were always meant to do: help people using the law.
Of course, old habits never die. Daredevil was a part of who Matt was, whether he wanted it to be or not. He didn’t want to stop his nighttime activities anyway. Despite the city’s biggest threat being behind bars, there were still people who haunted it in his shadow; who wanted to continue to infect the city with their evil actions. Drug cartels, gangs, white-collar crimes—crime didn’t stop at Wilson Fisk.
And yet, after everything he’s endured, Matt thought something like this couldn’t hurt: being with you. Taking all of you in, in his senses. Showing up on your roof like clockwork. Stealing kisses and quiet conversations together, behind the mask. Except, Matt didn’t think he’d grow so attached in such a short amount of time. He had a hand in this fight now. You struck a match and it relit the fire in his heart.
Maybe, he would reveal himself to you. He’s done it before: Claire, Karen,… Elektra. Maybe finally you wouldn’t be the one who got away.
Even studying case law, you still occupied his mind so much. He could hear the way you gasped before he kissed you in his ears. The subtle hint of marshmallows in your fragrance was intoxicating to his senses. The way he had smelt another man on you…he clenched his jaw and took a deep breath. Don’t think of that now. Your steady heartbeat he was beginning to memorize; how it sped up whenever you saw him and how it slowed down when he held you in his arms… he knew it so well, he could almost hear it now.
Wait. Literally.
And he could smell your fragrance growing stronger: that warm smell of marshmallows accompanied by your natural scent, getting closer.
And suddenly, you walked through the door of Nelson & Murdock.
Matt nearly lost his balance in his seat. His own heartbeat pounded in his ears as he gripped his desk in his office. He kept a cool exterior but listened intently to the main room. Did you know who he was? Did you figure it out somehow? Matt began rummaging for every explanation in his head, as lawyers do, and couldn’t come up with a memory of him accidentally revealing himself and what he does in the day to you.
He listened.
“Hi, how can I help you?” Karen spoke lightly as she stood from her desk, greeting you. Matt breathed slowly as he continued to listen.
“Hi, are you Ms. Page? My name is __. I’m here for my interview for the legal assistant position,” your voice, God, it was definitely you, spoke politely—a tone Matt wasn’t used to and for a moment was shocked to hear such a different side of you. If not for the circumstances, he might’ve smiled.
“Oh, yes!” Karen exclaimed in realization, “Yes, you can call me Karen. How are you? It’s so nice to meet you. Why don’t you find a seat in the conference room and I’ll see if Nelson or Murdock can join us,” Karen said. You thanked her and walked to the conference room, taking a seat in the middle of the table. Matt heard you rummage through your bag and pulled out a folder.
“Hey, Foggy? The applicant’s here. You wanna do this interview with me?” Karen asked Foggy who was furiously typing away a summation.
“Ah, can’t. I’m on a roll to pin this fraudulent employer and if I stop now, we might lose,” Foggy said. “Ask Matt. I think his task list is light today.”
No, it’s fucking not, Matt thought to himself. Matt wanted to punch himself. Of course, the applicant had to be you. He knew you were a pre-law student, but there are tons of those in the city—you just happened to be the one who applied to his firm. Matt laughed in spite of himself—fate struck once again, between you two. Why?
“Matt,” Karen peeked her head into his office sounding hurried, “you have to do this interview with me.”
“Oh, no,” Matt argued nervously, “I—you can do it yourself. I have to read up on this case law and—-“
“Case law can wait. Potential employees and the future of this firm, cannot. Please join me, I think she’ll be a good one,” Karen pleaded. Matt sighed, shaking his head. He couldn’t believe what he was getting himself into.
“Okay,” Matt replied, defeated. “But you’re leading the conversation.”
Karen scrunched her brows at him, wondering why he was acting the way he was. She shrugged it off and joined you in the conference room.
Matt prepared himself as he grabbed his cane from his desk, slowly undoing it. He cracked his neck and took a deep breath. He tapped his way to the conference room and slowly opened the door.
He was immediately hit with your qualities again, and if he hadn’t been dressed as Matt Murdock, the lawyer, he would’ve melted right there. Your marshmallow scent warmed his nose. You were in a button-down shirt and black pants. He could tell by the minor sweat that stuck to your skin—it was out hot today. He heard you tense when he walked in. Your heartbeat grew fast—interview nerves, he confirmed. He gave a small smile and sat down next to Karen uncomfortably.
Matt couldn’t blow his cover. He had to act as if he’d never met you in his life before.
Karen cleared her throat, urging Matt to speak. She held papers in her hands—probably from the folder you pulled out.
“Sorry—I’m Matthew Murdock, one of the lawyers here,” Matt held out his hand awkwardly for you to shake. When you took it, it took all his strength to not shiver at your touch. Your hands… the same ones he held at midnight, the same ones he’s felt touch his cheek, the same ones he’s pinned above your head before…
“It’s very nice to meet you, Mr. Murdock,” you answered politely, giving his hand a good shake. Your voice… the same voice he’s heard in whispers. Your mouth, speaking… the same ones he’s kissed, just last night. Focus, Murdock. “I—I didn’t know you were blind. I would have tried to get my resume and transcript translated to braille.”
Matt raised his eyebrows—not many people were forward about his disability. He appreciated your forwardness, and he was surprised at how professional you were. Not that he didn’t think you could be, but it was strange to see a different version of you. It was like meeting you all over again in an alternate universe. He supposed you’re technically seeing a different version of him, but you don't know it.
“That’s all right,” Matt replied after a moment, “that’s why I have Karen. Among other things—she’s more than an office manager, and you’ll learn that soon.”
He didn’t have to see Karen to know she was smiling.
“So, even just glancing at your transcript, it’s very impressive,” Karen stated, flipping through pages. “3.9 GPA, Honor Society—you just graduated? Congratulations!”
“Thank you,” you answered. “Yeah, you know, fresh out the cap and gown.”
“And I see you took some journalism classes, too? Did you want to do that before studying law?”
“I did. I loved journalism and I’m actually familiar with your work at the Bulletin. Your stories on Fisk and pretty much everything you’ve done,” you explained. Matt listened carefully to see if you were lying in this interview—you weren’t.
“Wow,” Karen blushed, “thank you, I appreciate that. So why did you switch to law?”
“I think journalists and lawyers can do a lot of good for people. I also think they can do a lot of damage to people. I know journalism pretty well, but I want to do extra steps and know the law and how to use that to people’s advantage,” you explained. Your heartbeat was still beating fast, but you managed to keep your voice steady.
“You’re studying for the LSAT now?” Karen asked.
“Yes,” you said, “I just began this summer.”
“What do you do in your free time?”
Matt knew you were thinking of an answer.
“I mostly spend my weekends at home,” you lied, Matt knew. He suppressed his smile. “I’m not one for going out, so if you ever need me on a weekend, I’m there.” That was half a lie and half-truth.
“We try not to, but lately we’ve been getting so many cases, we've had to come in on a Saturday. It’s not often,” Karen explained. “What was your favorite pre-law class?”
“Legal research and writing,” you answered, truthfully. “I love writing and creating arguments.” That I know, Matt thought.
“That could definitely be useful around here. Matt and Foggy are always drafting summations,” Karen said. “I don't think I have any questions. Matt, do you?”
Matt cleared his throat. He supposed he should ask one question.
“What do you value in a place of work?” He asked.
After a moment of pondering, you spoke again.
“The truth, I think,” you answered, “if an employer isn’t transparent on one thing, how can you believe anything else? I think it’s important to remember everyone’s on the same side. You’ve got to trust each other.”
Matt nodded in response. He didn’t know what to say.
“Alrighty,” Karen wrapped it up, “thank you so much for coming in. It was a pleasure to speak with you. You’ll be hearing from us very soon.”
The three of you stood up and you shook Karen’s hand, thanking her. Matt uncomfortably took a deep breath and held out his hand for your handshake. It was hard for him to not let his touch linger like he always did with you.
“Thank you again,” You said rather softly. Karen walked you out as Matt stood in the conference room alone, hands on his waist. He sighed and shook his head.
“We are definitely hiring her,” Karen came back in the room. “I think she’ll be really great here.”
“Don’t we have other applicants? We should interview them first,” Matt argued.
“Matt, that posting has been up for weeks now. She was the only one. We are going with her. Were you not impressed with her answers?”
“She lied about something,” he said, grasping at straws. He didn’t worry you’d find another law firm to work out.
Karen crossed her arms, looking at him annoyed. “What did she lie about?”
“That she doesn’t party. I heard her heartbeat,” Matt answered, knowing it was a weak argument. Karen laughed.
“What, and you didn’t party in college? C’mon Matt,” Karen punched his shoulder lightly. “Why are you so against it?”
“I’m not,” Matt chuckled nervously, “I—“
“We’re hiring her. Overruled, whatever it was you were about to say. I’ll let Foggy know and draft her offer letter.”
Before he could answer her, Karen already left him standing there.
Fate wasn’t clever, Matt thought. It was cruel.
Hell’s Kitchen
11 PM
Matt sat at the top of his roof in his black outfit, waiting for someone to scream for help. He waited for any sign of a crime taking place, any cop cars going off, anything. And all that he was met with was silence and his thoughts of you.
He could’ve argued more to not let Karen hire you. He didn’t. He could’ve said you lied about everything. He didn’t.
Just when he was about to reveal himself to you, the interview today ruined it. How could he now, after that? Hey, it’s nice to see you again. By the way, I’m your new boss. He ran every possible scenario in his head and none of them made sense to him. Would you be mad, if you found out it was him? Creeped out? He didn’t want this to affect your career goals. He heard you call your friend, Emily, immediately after the interview. You were so excited. You knew you nailed the interview, and truthfully, you did.
Would it be better to keep this a secret? He was already living a double life—now he had to live it twice as hard with you.
Nothing was going on tonight.
He ripped off his mask and began to walk back to his rooftop access when you crossed his mind. Hell, you didn’t even cross it anymore. The thought of you was always there, Matt thought.
He knew what he was getting himself into, by being two different people with you. Nothing, not even himself, could’ve stopped him from putting his mask back on and finding his way to your rooftop.
He made his decision.
Hell’s Kitchen
11:30 PM
You didn’t know if he’d come, but you always waited at your rooftop in case he did. There wasn’t a set schedule for when you and Mike would see each other, you just did. You snuck out a short while ago when you knew everyone was asleep. You shivered as you waited patiently. You were in your nightdress and an oversized cardigan. You pulled out your phone and re-read the offer of employment letter Karen had sent you hours ago. You often did this when something excited you. You couldn’t wait to start working at Nelson & Murdock.
Maybe Mike was busy tonight. Just as you were about to call it, you heard a familiar thud on your roof. You walked over and there he was, all in black, face covered, as usual. You smiled and locked your phone as you made your way to him.
You were about to greet him, but he pulled you in immediately for an embrace. He buried his head in the crook of your neck and took a deep breath.
“It’s nice to see you too,” You laughed softly, pulling back. He rested his hands at the small of your back. “Rough night?” You asked in concern. Despite all your meetings with him so far, you never really realized the fact he put his life in danger every night, and it wasn't a guarantee he’d make it to your rooftop.
“No,” he answered. “Just wanted to see you.”
Your heart melted when he said. Maybe there was hope after all, for the two of you. Maybe you were more than just his secret.
“You seem off,” you urged politely, “are you okay?”
He was silent. You furrowed your brows.
“Is it the Catholic guilt?” You smirked, which at the very least, made him laugh a little.
“You could say that,” he said.
“I’m no priest, but if you haven’t done anything wrong, then you shouldn’t feel guilty,” you whispered. Mike tilted his head slightly as you spoke. He smiled a little.
“You make it sound easier than any priest I’ve ever heard speak on guilt,” he said.
“This isn’t confession,” you began, “but you know you can tell me anything, right? And I won’t tell.”
He nodded. “I know.”
“I mean, I haven’t told anyone about us.”
“I know.”
“And you probably haven’t either.”
“I haven’t.”
“So what’s wrong?” You urged.
Mike seemed to ignore the question.
“Tell me about your day, instead.”
“Well, I got a job today. At a law firm. I’m really excited.”
“That's good,” he whispered. “What else?”
“I had a low-key day otherwise,” you said, “just waited for tonight. For you.”
“Hmm,” he kissed you. He placed his hand on the back of your neck.
He didn’t stop kissing you.
~~~
Matt threw his thoughts of doubt away. With you in front of him, the anxieties about you disappeared. It was funny, how it worked like that. The thing that brought him the most anxiety is the thing that could calm him down. Being in your presence. It’s like, he’s more himself when he’s behind the mask, with you.
Matt continued kissing you, his kisses turning more urgent, desperate. Now that he wasn’t Matt Murdock, the lawyer… A.K.A., your new boss, could let his thoughts about you run free in his mind. It took everything in him today, at the conference table, to not melt at your touch. To not let his sinful thoughts cloud his mind. To not think of all the nights he’s been with you, kissing you in a dark alley.
Now, he could. It was just the two of you. That’s how he liked it.
You placed your hands on his chest and gripped her shirt, pulling him closer. He walked you to the side of the door of the rooftop access, pushing you against the wall. His tongue teased your bottom lip as if asking permission to enter. You obliged. Your tongues met desperately, and he kissed you harder. So hard, it was as if you’d disappear if he stopped.
You pulled back, breathlessly.
“I’m not drunk,” you told him. He kissed your jaw.
“I know,” he said.
“Last time you said you wouldn’t touch me because I was drunk,” you explained, “I’m not drunk right now.”
Matt smirked. Using his own words against him. He wasn’t going to argue.
“Silk,” he simply stated as he gripped your waist. He felt your silk nightdress under your cardigan. "I love silk.”
“I didn’t wear it for you but I guess that works in my favor,” you smiled.
“It’s soft,” he whispered, his nose grazing your cheek. “But not as soft as you.” Matt swung your left leg around him, so you stood on your right. He held you in place against the wall as you firmly wrapped your leg around his waist. He made a low sound in your ear. He could feel your heart rapidly beat in your chest. You weren’t nervous. You were aroused. And your sex, between your legs, he knew was throbbing, and wet. He could sense it in the air. He took a deep breath as he reached his fingers underneath your silk dress and ran them along your stomach.
You shuddered at his touch, as you felt his hands trace you. He teasingly grabbed the lace of your thong and pulled it so it lightly smacked you. Matt slowly worked his way up to your breasts and felt the soft curves of them. He took one of them in his hand completely as he continued to hold your leg around him.
“So soft,” he whispered, “and mine.”
“All yours,” you said with a shaky breath.
He moved his hand to squeeze the other one in a kneading motion.
“Tell me to stop,” Matt hushed.
“You won’t hear that from me,” you said.
Slowly, he reached his hand down to your wetness. He had to take a deep breath himself as he felt your wetness twitch at his touch. He felt how soft you were and fully put his palm over your sex. He took his pointer finger it moved it up your slit, onto your clit.
“Oh,” you let slip out. You rubbed yourself urgently on him. Matt held you still.
“You like that, don’t you?” He asked. He knew the answer by your soft moan in response. He pushed one finger into your tightness and listened carefully to how you reacted. Breath hitched. Her heart skipped a beat. You spread your legs even more as he kept going in an in-and-out motion, getting faster and curving with each move. He slid a second finger in you and began to rapidly thrust inside your wetness. You held your breath.
“Breathe, sweetheart,” Matt whispered.
Listening to his command, you let out a loud, salacious breath as you held onto his shoulder. Matt kissed your neck as his fingers continued to work on your wetness. He was pounding his fingers inside you, hitting your sweet spot each time. And each time he felt him hit your sweet spot, you moaned, like a chant.
“Oh, God,” you said in a weak voice. “Oh my, God. Oh, oh, oh.”
He felt your sex tighten around his fingers.
“Keep making sounds in my ear,” Matt ordered. Your moans sounded like a prayer in his ears. He closed his eyes, as his fingers swam in your wetness. He wanted you to be louder.
His thumb found your clit, and you shivered against him with a moan.
“Oh, God,” you pleaded, “Yes. Keep going, Mike—oh, my—“
“I want you to come for me, sweetheart. Let me hear you,” Matt urged you as he swiped his thumb gently over your sensitive clit.
At the final swipe, you completely shivered against his body and held onto him so tightly, Matt knew you left scratches on his back. He knew you were riding the waves of pleasure he sent you in as you kept grinding against him, even after your climax. He felt your heart beating against his chest as you collapsed into him, letting your leg fall. Matt immediately held you against him, burying his face in your neck. You finally caught your breath.
“Well,” you began, “let me return the—“
“No,” Matt contended. “Just you.”
“What?”
“That was for me, as much as it was for you,” He whispered. He caught your lips in a kiss. You melted into his touch and shook your head.
"This is bad now,” you said. Matt furrowed his brows.
“What is?”
You laughed ironically and shook your head.
“Not only are you trusting and you make me feel safe, and you’re hot,” you began, “but you’re a total fucking sweetheart.”
Matt laughed.
“No, that’s what I call you.” He kissed you and held you tighter.
“Mike?” You asked him. Matt paused. “I like this. What we have,” you said.
“I know. I do, too,” Matt answered. He tilted his head, wondering your meaning.
“And that’s still not enough for you, to take off your mask?”
He was quiet. He shook his head.
“I will. When it’s safer, and I know my enemies,” Matt explained, which wasn’t an entire lie. When Foggy and Karen found out about his secret, their lives were in danger for a few years. Evil was still out there, and he couldn’t risk you falling victim to what they went through. That part was true.
He knew you didn’t like his answer by the soft breath you huffed.
“Listen,” he spoke softly, “there are people who know who I am, and they almost got killed for it. I—I can’t let that happen to you. Please understand that,” Matt begged, placing his fingers on your jaw.
“I will,” you said, “for now. But you should know that if I know the risks, that’s on me,” you stated. “Not on you.”
“No,” Matt argued, “it is on me. That’s my weight to carry. I’m not arguing this further.”
“Okay,” you digressed.
“I have something for you,” Matt said. He reached into his pocket and found the burner phone he once gave to Claire. He placed it in your hands and wrapped your fingers around it.
“What is this, for booty calls?” You laughed.
“For when you need me,” Matt said.
“What if I always need you?” You purred as you kissed his jaw. Matt smiled.
“For when you need me when you’re in danger,” he corrected, “God forbid.”
“I’ll keep it with me all the time,” you told him. “Thank you.”
He could hear how tired you were, and if he remembered correctly, tomorrow was your first day at Nelson & Murdock.
“Go to sleep,” Matt whispered. “I’ll see you… tomorrow night.”
“Goodnight, my guardian angel,” you whispered.
“I think that’s the first time anyone’s ever called me an angel,” Matt said.
“It’s more fitting, in my opinion.”
When you went down to your room, Matt crunched at the corner of the rooftop and waited for you to crawl into bed. You put the burner phone in the drawer of your nightside table. He heard you scroll through your regular phone for a few minutes until you eventually fell asleep.
Perhaps, the risks of all this would be worth the outcome, whatever that may be.
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daresplaining · 8 days
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I'm going to need to know your FULL opinion on the erosion of Elektra Natchios in The Red Fist Saga ASAP!
OOF. Okay, here goes...
Elektra's role in the Red Fist Saga directly follows the Woman Without Fear mini-series, so I feel like I should start there, especially since I haven't really talked about it yet on this blog. Woman Without Fear was an Elektra solo comic that came out just as Devil's Reign was ending and the creative team was gearing up for the Red Fist Saga. The mini-series's purpose was to introduce big, shocking changes to Elektra's origin story. These changes didn't end up having much to do at all with the Red Fist Saga, or with anything else really, but they did functionally strip her of her agency and autonomy and made her motivations instead revolve around Matt. Now, Elektra's origin story has changed before. Frank Miller himself gave us three versions: the original, introduced in Daredevil volume 1 #168 and #190, a slight variation in Elektra: Assassin (he changed the timeline a bit and modified the character of Elektra's father), and then an entirely new, in my opinion much less interesting version in Man Without Fear-- which was not intended to be part of the 616 continuity, though that didn't stop later writers from drawing from it, including Zdarsky, who seems to have used it as a core text to inform his characterization of Elektra in general.
I know you know Elektra's original origin story, but I'll provide the general gist for anyone who might be unfamiliar: Elektra Nachios was the daughter of a rich Greek diplomat and his wife. Her mother was gunned down by assassins while pregnant, but Elektra survived. Her father, now paranoid and fearful, put Elektra in martial arts classes from a young age, while also keeping her sheltered to protect her from harm. She ended up attending college in the US, where she met Matt Murdock, another sheltered kid with a beloved but overprotective father. They fell in love, but the magic was destroyed when Elektra and her father were taken hostage by terrorists. Matt tried to be a hero, and Elektra's father ended up getting killed. Shattered by grief, Elektra left school and traveled across the world to train with Stick, who had trained her childhood martial arts teacher before casting him out (in Elektra: Assassin, the timeline is slightly different; Elektra trained with Stick before attending Columbia, though the end result is the same). Stick saw Elektra's skill, but judged that she was too emotionally compromised to complete the training and kicked her out. Elektra devised a desperate plan to prove herself to Stick: infiltrating the Hand and taking them down from the inside. She failed tragically. Turned cynical by grief and hardship, she used the skills she had picked up from all of her training as weapons to protect herself from a harsh and unforgiving world. She carved herself a life from the tragedies she had endured. She became an assassin.
Note that I mentioned Matt's name a grand total of two times in that synopsis. It's not to say that Matt isn't important to Elektra, of course he is, but he isn't that important to her origin story. The star of this beautiful tragedy is Elektra, as she should be.
Woman Without Fear introduces something new-- at least, new to the comics (more on that in a moment). It takes the Elektra: Assassin timeline and suggests that she trained with Stick when she was still a child. (It also brings in things from the Man Without Fear Elektra origin, but I don't think I'm going to get into that here because that is a whole other rant and this post is long and tangent-y enough already). It then suggests that when Stick rejected her, she still ended up with the Hand-- but not of her own will, with the intention of destroying them. No! She was successfully recruited. And once the Hand had her in their clutches, they sent her out to go after another target: Matt Murdock. In this shiny new backstory, Elektra and Matt run into each other at college not as two kindred spirits, but because Elektra was ordered to hang out with him in order to bag him for the Hand...before, oh no!, accidentally falling in love with him. To add extra insult to this character assassination, we're told in the main series that even her behavior during her father's hostage situation was intended as a test for Matt.
What this change indicates to me is a fundamental lack of understanding of Elektra's character; or worse, a lack of respect for her complexity, or a conviction that she operates at her best as a tool to further Matt's narrative.
What is possibly most baffling to me about all of this is that this change had pretty much no bearing on the Red Fist Saga. Why was it made? What was the point? The term "MCU-ification", referring to changes being made in Marvel's comics that seem aimed at aligning them more closely with the MCU, gets thrown around a lot-- possibly too much-- but this really does seem like a case where there's no other clear explanation for the change other than to shift 616 Elektra's backstory closer to that of her live action counterpart. (In the Netflix show, Elektra recruited Matt for Stick; something I, as a huge Stick and Elektra fan, actually thought was a cool What If?/alternate universe because it presented an opportunity to explore a different take on their relationship). The new backstory is mentioned a few times in the main Daredevil series, but otherwise it seems irrelevant to the plot. And that's because Elektra herself is kind of irrelevant to the plot. She seems to have three purposes in this story: 1. To serve alongside Stick as an exposition machine and provide details about the Hand/Fist/Pinky Toe/etc.; 2. To be someone Matt loves and thinks about in moments of danger and conflict (despite the fact that they have very few moments of actual emotional connection in this story, despite getting married!), and 3. As a warm body onto which Matt can project his perpetual internal musings on good and evil ("Elektra was Bad, but she is Good now. She, like all people who have done bad things, is still worthy of God's love and is capable of rehabilitation, and look! Her decision to take on the Daredevil identity is proof that she is now Good! She has become a worthy soldier of God." Man, I wish I was exaggerating.)
Elektra's appearances in Daredevil comics have always centered around Matt to some degree, simply because it is his comic. There's miles of difference between reading a DD comic with Elektra cameos and reading an Elektra solo series. But that doesn't mean it isn't frustrating to have comics like the Blackman/Del Mundo run, or the Dark Reign solo tie-in, that delve so deeply into Elektra's rich psyche, that truly do look at her worldview in a way that is complex and morally difficult and so, so compelling, and then to have comics like this where she barely even feels present because so little effort has been made to do anything other than slap some vague morality lessons onto her and make sure she and Matt sleep together every other issue.
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thecatduet422 · 2 years
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soulmate mark: matt murdock
He could tell when the mark appeared. It came as a small tickle, faint, like the tip of a feather, looping across his wrist in what he could tell was cursive. And even after that tickling feeling was gone he could feel the bumps, the smooth outline on his skin that announced your name.
Except, he couldn't actually see it.
He could feel it, definitely, enough to pick out a letter here and there, to the point where he had a pretty good idea, but without anyone to confirm it with, he was, for lack of a better saying, in the dark.
As much as he'd confessed to Father Lantom it still somehow felt awkward to ask him, and Matt certainly wasn't going to ask any of the sisters. No, that would be just a bit too embarrassing. And he didn't have any friends he could ask, so you remained a mystery, hidden, until one day he could gather the courage to ask.
And eventually he did, to Foggy, after it became clear that they were going to be best friends for as long as time allowed them to be.
Foggy said it with a laugh, finding it funny that Matt never asked anyone till then. Matt told him that he wasn't sure if the person would lie or not, pulling a sick prank on him while Matt lived the rest of his life waiting for the wrong person.
It was really because sometimes, when the darkness hits, and the devil comes out, and there's blood dripping from his knuckles that he thinks- he doesn't deserve to have a soulmate. To have you.
And perhaps it was because of this hidden shame that he tried to hide your name as much as possible, keeping you a shared secret between him and Foggy.
When Elektra came into the picture she found out immediately, slyly grabbing his wrist when he wasn't expecting, too much sensory in the room to expect it, and she pulled back his sleeve.
She said your name like a joke. One she liked to tell to Matt over and over again. He could imagine her face scrunch up, as if the thought of you brought the smell of garbage. Something to be thrown out.
But Matt could hear her heart, hear the odd thump as she ruined your name. She was heartbroken.
And maybe because she was so heartbroken, Matt only told her half-heartedly to stop.
Later on, when him and Foggy opened their own agency, and he became close enough with Karen to tell her, Matt thought- maybe he could have you.
But then the devil would possess him, making him the number one target in all of Hell's Kitchen, and the thought was squashed quickly.
Before, he hid you out of mercy. Now he did it out of protection. It was safer for you to be kept in the dark, and maybe that's how it was always meant to be. You were a secret, a symbol of trust between a small group of friends. Matt was fine with that, and he had a feeling if you knew who he was, you would be too.
Then one day, you walked into Nelson & Murdock, asking for a lawyer. You introduced yourself.
Foggy dropped his pen. Karen just stood there, too shocked to do anything else, but delighted nonetheless.
Foggy continued to react for him, stutteringly asking you to repeat yourself.
You did confusingly.
Confusion, that only grew as Foggy carried on the conversation, saying, "Of course we can help you! Here, let me take your coat. Have a seat. Stay a while!"
And Karen chimed in, going, "Would you like a cup of coffee? Tea? A muffin?"
And when he felt your gaze on him, lighting his soul on fire, all Matt could do was stand there, thinking...
His life just got a bit more complicated.
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suppenzeit · 3 months
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one of my favorite little things is when a character touches elektra or the components and gets shocked,, its very charming
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gxthicwxrm · 2 years
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Without Him- m. murdock x reader
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Pairing: Matt Murdock x reader
Word Count: 784 (it's alittle drabble thing)
Warning: Angst, semi happy ending, cursing, cheating, mentions of She-Hulk(show and character)
Enjoy!!
---
You did what?" Your anger is overflowing as your eyes glare a whole into the man in front of you. "Actually, I don't care. J-Just get out of my way." Keys in hand, you swiftly move towards the door of Matt's apartment with tears burning down your face. Quickly, the vigilante intercepts your path, arms reaching out to hold you as he pleads. 
"N-No, please. Let me explain. I-I don't know why I did it. But I promise it will never happen again. You mean the-" 
"Don't. Don't stand here and lie to me, Murdock. We both know this bullshit you're spewing wouldn't hold up in court and it ain't holding up here. Let me leave." With your hands on his chest, you push him back, failing epicly as Matt uses this opportunity to grab your hands, thumbs caressing your knucks in what once was a welcomed sign of affection is now like razors dragging across your skin. 
"Please! Please don't leave. It'll never happen, I swear to God. It was an accident, it didn't mean anything." Matt drops to his knees, begging with your hands in his, still. Unable to look at your lover before you,, your eyes drift to the ceiling as the neon lights slowly paint the room in different colors. You couldn't let yourself fall into this trap. He made his choice, now you have to make yours. But can you make it?
"It meant enough for you to go back to L.A. to fuck her again. At least when she found out about us, she had the decency to tell me about you two, something that you couldn't do." Anger dries your tears with the flame that erupted in you as everything crashes into place around you, making your decision perfectly clear.
"I can change. I love you! I don't care about her. It'll never happen again, just let me prove it to you. Please, give me a second chance, please. I don't want to lose you." Tears stain his owe cheeks as he faces your direction. A smile breaks out across your face as a laugh erupts from your throat, loud and hysterical. Fear settled in Matt's heart as he watched the girl he loved, the girl he fought so hard for, shatter because of him.  
"It's so funny, Matt. You spend so much time trying to save everyone around you. Frank, Claire, Karen. Foggy, Hell's Kitchen. But you couldn't even save your own relationship. You couldn't save us. And it was never Fisk or his little copycat. It was never The Hand or Elektra or any of the other criminals you swore would harm us. It was YOU! The great hero, Daredevil." Shaking your head, you refuse to let the tears welling in your eyes fall. 
"Y/N, I love you. I'm so s-"
"No. I'm tired of your excuses. You don't get to lie about a "work trip" for a case and spend the whole time fucking She-Hulk. You can't even tell me why. What did I do wrong? Why did you have to do this to us? Fuck you! Fuck you!" Sobs crash through your body like a tsunami that leaves you broken and wanting to run. 
"Please-" Matt moved to hold you, but you flinched away, scared if he touched you that you'd fall into him and stay. You can't do that, not after this. Not now.
"We are done. I am leaving. Karen and Foggy will come by to get the rest of my things." Stunned, you dodge him making your way to the door. Before leaving, you look back at him now standing and crying coming toward you but stops when he sees calmness coming from you. 
"I hope you can save yourself, Matt. I really do. For your son's sake." With your one hand on the cool metal of the door knob and the other against your stomach. The last bit of Matthew Murdock was his shocked expression as you shut the door, stepping into the hallway. 
"You told him?" Karen asks as soon as you get into the car. Tears still flowing, you nod. Staring straight ahead she nods before pulling off towards your doctor's office. 
"Well, let's go see how healthy this little booger is." Karen giggles while doing a little wiggle dance. A smile cracks across your face as you watch your best friend be ecstatic to be an Aunt.
Maybe you can do this on your own. Maybe you can be okay without him.
Part Two
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notafunkiller · 1 year
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My honest opinion about Karen Page
I am genuinely curious how people can like Karen Page as a character and even ship her with Matt, because I don’t think I’ve disliked a character so much probably ever. Karen Page got on my nerves fast and, as I watched more episodes, it got even worse.
About her
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For someone who is supposed to be smart (and the definition of good), she is very stupid. The way she thinks and chooses to act makes no sense 99% of the time. She is more of a bad character than a good one. Even her “sense of justice” is flawed, with many double standards (a subject I will touch on especially when I’ll describe her relations with Matt Murdock and Frank Castle). She is arrogant, troublesome, and headstrong, she calls herself and is considered a journalist despite her lack of real experience (law experience too!!! -> so why is she now included in the firm name? SINCE WHEN IS SHE A LAWYER? I could not believe it!)
She is written in a very annoying way and flat. She is a flat character in the first place (=two-dimensional in doesn’t change throughout the work), kept around for 3 seasons (+The Defenders) for no other reason than the fact she is problematic. But she isn’t necessarily needed for creating drama if we had more villain(s) scenes and plans. She is boring and whiny, and she has a pick-me attitude most of the time. She is not just impulsive, but also extremely FOOLISH (the way she decides to go to Fisk and spill out in his face she killed Wesley... I was like: seriously?) And the writers make other characters praise her... I still find is shocking Matt only said she was brave for what she did. She is VERY judgmental and noisy and thinks the world revolves around her (The fact that when she came to Matt in S2 and found Stick and a very visibly hurt Elektra in his bed, she did not ask a goddamn thing like what happened? instead everything was about her and how she is betrayed. But like another man was in the room, you think he cheated on you with him there? Absolutely ridiculous.) But she loves to play the victim a lot, so I am not surprised.
I don’t know how the writers thought a pretty, angelic face can make the audience (and the characters) ignore her lack of development (zero) and the horrible things she does/provokes. She caused deaths and yet the writers still make others find excuses for her and not blame her.
NewsFlash: SHE IS DARK AND SHE LOVES DARKNESS. I am not even talking about a side, she is completely into PURE DARKNESS with only 1% of light.
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When out of the blue, she decided to murder James Wesley despite him only threatening her, it was like ???  And she did not shoot him one time, she did it 7 times. SEVEN. And she did not even try to be cautious (locking the firm door was a joke, right? Cause I refuse to believe writers consider the audience so stupid) and caused another death: Ben, a real journalist she dragged around with her despite him wanting a way out. Fisk killed him with his own hands and Ben didn’t tell him Karen (who is the one who came up with the idea) also visited his mother. We don’t see justice, we only see her being treated as a victim again. And she didn’t even actually help to get Fisk in prison in S1 and in S2 she is a babysitter (Foggy and Matt’s) and a murderer defender (*pretending to be shocked*). S3? I was surprised by how much screen time she had (+A WHOLE EPISODE ABOUT HER)... sometimes more than Matt and it made me so unhappy because this screen time could have been used to build more. For me, the second half of S3 is not even centered on Matt.
And she caused the death of another character, a pivotal person in Matt’s life: Father Lantom and we don’t talk enough about this. I am also not surprised Maggie and her get along, they are both two selfish, horrible people who think a few tears are enough to be excused.
The writers tried to make her relevant, but they failed. The way she was basically forced down my throat made me see her flaws even more. She is not even a character than has enough traits to be a part of the main team. In S1, the contrast between her and Claire was huge (and Claire was just a supportive character). And it’s funny how they changed the love interests - direction. At first, we saw Foggy and her bonding, Ms. Cardenas hinted about them being romantically involved, but then they literally ignored that and started to focus on Karen with Matt, then Karen and Frank (still unfinished business), and a little more on Karen and Matt again, but the show on Netflix got canceled. To be honest, the last thing I wanted and want is to see Matt and Karen together.
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Not gonna lie, I expected and wanted her death at the church because she is literally pointless, but it didn’t come. It would have been a surprise if they actually did it as in the comics. It would have impacted Matt and Foggy, and Matt’s decision not to kill Fisk at the end of the season would have been even more powerful and meaningful.
One of her defining features is hypocrisy. Matt is the bad guy for keeping secrets from her, but her hiding and lying, for example not telling him and Foggy about Wesley is okay. Matt being Daredevil and not killing people is not fine, but Frank being The Punisher (a freaking cold blood murderer) is more than fine. She was so happy when Matt defended him in court... it’s insane! She can be a bad friend, a liar, etc because she is special. It was hilarious when she started to give advice to Matt about how you change after ending someone's life. Shocking! And poor her, how she isn’t the same after her brother died because of her. See how she positions herself as the victim again?
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It’s also very interesting how at first she tells matt (S3) she came to warn him Fisk knows about him, leaving out the part she basically told Wilson that he is Daredevil, and only later she plays semi-victim again and says she is to blame, and, OF COURSE, Matt says Fisk already knew (which is actually pretty false: he assumed, but it was never 100% confirmed) and comforts her basically. It’s absolutely infuriating how Karen messes up every freaking time and everyone goes: oh, poor you, you’re an angel, it’s okay, it’s not your fault. I am even more disappointed how the writers didn’t make Matt even have a proper reaction to her admitting she killed someone. S2 and S3 feel like two completely different writing approaches, and even though the plot in S2 made me think: IS THIS A JOKE?, Matt and the characters building speaking, it was soooo much better (not the love triangle thing though, because both: Elektra and Karen don’t deserve Matt and are horrible in two different ways).
She is a manipulative, self-centered, and dramatic person. We saw her past (drug addiction too) and how easily she can make the decision to kill someone, but she never actually faces real consequences. Her father kept it underground and Matt still protected her from Fisk.
Karen around Matt Murdock/Daredevil and Frank Castle/The Punisher
Matt and Karen not only don’t have chemistry (Charlie and Deborah have plenty of chemistry with other people), but they also don’t match at all no matter how much the fans and the writers push(ed) the idea.
Karen does not want Matt Murdock (she liked the idea of him at some point, but not the real him), and she certainly doesn’t want Daredevil, which is quite funny (Remember when she was obsessed with the idea of him, but when she found out it’s Matt, she wasn’t interested any longer?). Should I even talk about the way she wanted Matt to stop being Daredevil and not even for a second tried to support or/and understand him? SHE didn’t want him to be Daredevil so he should stop. Even when Foggy brought him the suit in The Defenders, she was annoyed. She doesn’t understand that her boss/friend/almost-boyfriend has two sides, just like Elektra tried to have only one side of him. Matt isn’t just Matt. I really loved the She-Hulk posters for Matt: Charlie Cox is Matt Murdock & Matt Murdock is Daredevil. Do you see? It’s such an important thing. Daredevil/Matt isn’t dark enough for her. He isn’t what she wants. 
And Karen doesn’t have the same moral code as Matt does (even when he thought about killing Fisk to protect the people close to him). They don’t see the world in a similar way and they never will. I don’t think Matt and Karen would have ever lasted even if Elektra wasn’t around, they are too different. She is dark, like Elektra. She wanted to change him, like Elektra. She doesn’t accept him as a whole, like Elektra. But, at least, Elektra accepted how toxic and bad she is for him. Karen is portrayed as a victim and a great, great person, as I said.
S2 had this scene in episode 7 that made it clear to me that Karen and Matt could and MUST never be together. I don’t even know if I have to explain, the dialogue is quite clear:
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Not only Karen stood up for Frank Castle (who almost got her killed, killed so many people, and should be in jail), but she also compared his actions to Daredevil’s actions. She justifies murder probably because she did it too. Matt and Karen are in opposite positions and the message is loud: they could never be together. Not killing people is the fundamental principle Daredevil/Matt has, the one that makes him who he is actually. Things would be completely different if he actually took someone’s life (bad or not) for lawyer Matt and Daredevil.
For Matt: Vengeance isn’t justice and no person is God so he can decide who lives and who dies. In She-Hulk: Attorney At Law (1x08), Matt tells Jennifer: I think you’re in a unique position to do some real good. Jen Walters can use the law to help people when society fails them. She-Hulk can help people when the law fails them; which reminds me of his talk with Foggy in S1 when he finds out Matt is Daredevil:
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It shows his views didn’t change and it’s quite moving to see Matt giving someone else (someone in the same position as he is) this piece of advice. It shows he finally accepted he has two sides, despite everyone else’s attempts to control him.
Their date in S2 started as quite a disaster: in a place Matt despites, awkward, and tensed, and then Elektra called! It was clear what the writers wanted to show (despite them having a better date later) and it was also clear Matt wasn’t 100% healed and that Karen and Matt were never going to be serious. So no matter how much they tries in the seconds part of S3 to push Karen and Matt closer, it looked forced, out of the place. Especially since she felt something for Frank Castle and the things that happened in the first part of the season.
Also, I can’t believe the writers made Matt reveal his face to Agent Nadeem cause he saved Karen’s life. This is infuriating.
And as much as Matt probably likes the idea of peaceful life, he would never be happy with Karen, nor make her happy. Because there will always be that Murdock side of him she will never understand just like it will always be the killer side of her he would never understand.
Matt: You deserve better, Karen… Karen: So do you...  (The Defenders, 1x05)
Frank, on the other hand, and her match. Crazy, right? But they did from day 1, even in the worst situations. She always felt drawn to him and she did not use the innocent facade as she did with Matt (Can you believe she kind of blamed him for not telling him the truth about Wesley cause he saw her as an innocent person?). She was there for him, he was there for her. They were attracted to each other (despite him still being emotionally unavailable because he is scared he’d lose her). She would rather be with him than with Matt 100% because they are similar. She had the nerve to defend his actions and mindset in Matt’s house after all. But they really match and I really believe she should be with him and live somewhere far away from Hell’s Kitchen.
Frank: I need to find these b*stards that took 'em from me. I gotta kill 'em. Karen: So where does that end, Frank? Because I look at you and... my heart breaks because all I can see is just this endless, echoing loneliness. Frank: I'm not lonely, Karen. Karen: Bullsh*t. We are all lonely. I sometimes think that that is all that life is, we're just... We're just fighting not to be alone. Frank: So what do you want? What should I do? Should I let it go? Karen: No, but I want there to be an after. For you. (The Punisher, 1x05)
In conclusion, Karen Page is not a good character despite the writers’ efforts to show otherwise. She puts everyone in danger and never pays for her mistakes and actions.
P.S. I will say this again: no, she did not deserve to be next to Nelson and Murdock: Attorneys At Law.
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ceterisparibus116 · 1 year
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What's Matt's worst moment ever, in your opinion?
His father's death? Elektra? He's got, like, a trauma per episode (I want to hug him).
WHAT AN ANGSTY QUESTION, ANON, I LOVE YOU.
Here's my top 5:
Jack's death. Matt has just lost the most stable and secure thing in his life, and he has, essentially, nothing left. There's no evidence that Matt really has anyone else to even talk to. (Maybe Father Lantom, but it's possible that relationship didn't really grow until Matt was living at the orphanage.) Then there's the fact that Matt believes it's his fault. I mean...just imagine. On top of all of this, Matt is so young. How is he even supposed to process any of this?
Stick leaving. As might be apparent from my fics, I think Stick is directly responsible for a lot of Matt's problems. The fact that Stick left was bad enough; the way that Stick left makes it all so, so much worse. He basically told Matt to his face that he wasn't good enough (which is one of Matt's worst fears - if it wasn't already, then I think it became so in that moment), and he left in direct response to Matt showing affection, to Matt wanting their relationship to be more than just a warrior training another fighter. No wonder Matt keeps people at a distance. No wonder Matt thinks no one really wants to know the real him.
Foggy leaving (the first time). Foggy was not having a great time in NvM, we all get that, but still: Foggy could hardly have handled that worse. He finally saw the side of Matt that Matt had hidden for so long, and he refused to even acknowledge the good parts, choosing instead to focus on everything negative, and then choosing to leap beyond simply discussing actions to making judgments about Matt's character. That cuts deep. No wonder Foggy had to be the one to reach out afterwards; Matt wouldn't have dared.
Elektra dying (the first time). She'd finally chosen to be good...and it killed her. Now, this was Elektra's choice and we shouldn't diminish her agency by acting like Matt forced her into it (any more than we should diminish Matt's agency by acting like she forced him into some of his Season 2 choices). However, Matt definitely sees it as his fault. Then there's the fact that she died not only choosing to be good, but taking the hit meant for him. Now, in Matt's mind, it's completely his fault. Add to that how he feels that he doesn't really have Foggy or Karen in his life anymore, and...well, we see how it affects him when we check in with him in the beginning of Defenders. He's hanging on by a thread.
Finding out about Maggie (and Father Lantom). This is a vicious one-two punch. His mom knowingly let him grow up alone, despite being right there. And his priest did the same thing. The effect it has is immediate: he shuts everyone out, and basically shuts himself off from his own humanity. The only part of his life that makes any sense anymore is Daredevil.
Other awful moments (the break-up with Elektra, Foggy leaving the second time, the break-up with Karen, Claire rejecting him, etc.) are a bit lesser, I think. With Elektra and Foggy, maybe I'm projecting, but I think the trauma of both of them leaving is mitigated somewhat by his conviction that he did the right thing (by refusing to kill for Elektra, and by refusing to give up Daredevil for Foggy). With Karen and Claire, it's messier because with Karen, he did lie to her, and with Claire, he did think he was too close to the line for her to be with him.
I also want to briefly discuss his blindness. That would have been a horrifying moment for him, going from having (apparently) 20/20 vision, to suddenly having NLP - on top of the pain and shock of how it happened. However, I don't think that moment would be as traumatizing for Matt as the top 5 I've listed above because although sight is important and trying to suddenly live without it is terrifying, I think relationship trauma will always cut deeper for Matt than physical trauma.
Thank you for the very angsty (but fun) question, Anon! What does everyone else think? What are Matt's worst moments?
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green-planets · 5 months
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Next up for the super au is Elton Buchli, aka Elektra! I drew inspiration from London Electra for his civilian look (and had way too much fun drawing him, lol). There is only one Electra/Elektra in this au. I might do a monochrome variant for the costume after some tweaks.
He has the ability to manipulate electricity (he can shock you, he can set you on fire!)
He's dead set on taking the #1 superhero ranking from Greaseball
There are rumors that he pays off criminals to make him look better during fights so he can boost his ratings
He has to be extremely careful around water and electronics. He has a subtle electrostatic charge and accidentally shocks people/himself quite alot (and the static cling is a nightmare)
He's an up-and-coming model with a rapidly growing fan base (which includes one of the most influential businessmen in the city. I'll give you one guess as to who that is 😉). It's making the whole superhero thing just a little more challenging
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