#emil nicholas

[jharrisgifs]

MORBIUS (2022) — Jared Harris as Dr. Emil Nicholas → requested by anon

[haredjarris]

some more important nicholas grabs for you

[makemerainbows]

Lucien/Milo and Dr Nicholas (Morbius - 2022).

[the-mycelium-is-coming]

so happy for you and ur ugly fucking apocalypse team i’m so serious

[definitely-mothman]

Identity V Tsum Preorder Countdown: Day 9!

Friday, the shop officially goes up! Now I’m only showing off the tsums I’ve made recently- reminder that once a specific profit quota is met for the preorders early production will happen!

Hope you guys like these-

[otakusparkle]

5 days left to Anniversary day! Decoration of birthday celebration venue is in progress...

[its-to-the-death]

Fictional Weapon War Preliminary Round #30

Only one of these will make it into the bracket so choose your favorite!

[sword-dad-fukuzawa]

HOW am i supposed to cope when WW = the soldier, vash = the king, and meryl = the poet. or when knives = king and vash = poet. there is no world where WW is not the soldier but will you let him be the priest? if vash must be david's boy won't you let nicholas wash his feet? FUCK

but if knives wants to lay his own brow in thorn that's fine. he's got legato as his apostle. it's just that there is no judas in this au. there is only knives and vash and they were uña y carne once

[nicklloydnow]

“The Roman Empire was the enterprise of a city; England's was established to remedy the exiguity of an island; Germany sought to build hers in order not to smother in an overpopulated territory. An unparalleled phenomenon, Russia was to justify her projected expansion in the name of her vast spaces. "The moment I have enough, why not have too much?" Such is the implicit paradox of both her proclamations and her silences. By converting infinity into a political category, she would overturn the classical concept and the traditional contexts of imperialism and provoke throughout the world a hope too great not to degenerate into chaos.” - Emil Cioran, ‘History and Utopia’ (1960) [page 36]

[camyfilms]

THE LAST COMMAND 1928

It doesn't require courage to send others to battle and death.

[dweemeister]

The Last Command (1928)

Before their professional rupture while making The Blue Angel (1930), both Josef von Sternberg and Emil Jannings came from German-speaking environments to find success in Hollywood. But while von Sternberg’s family emigrated to the United States from Austria in his teenage years, Jannings carved out a reputation of playing larger-than-life protagonists in Universum-Film AG (UFA) films such as F.W. Murnau’s The Last Laugh (1924) and Faust (1926). His rising star spurred Paramount to offer Jannings a short-term contract that lasted two-and-a-half years and six features. Of Jannings’ extant movies at Paramount*, The Last Command is the one that has brought the most acclaim.

We open in 1928 Hollywood. While shooting a Russian Revolution picture, Russian expatriate director Leo Andreyev (an underutilized William Powell) selects Sergius Alexander (Jannings; whose character is living in poverty and takes jobs as a Hollywood extra) out of a heap of casting photos. Leo’s decision to cast Sergius is less magnanimous than it first appears to be, but to say more would be to spoil the ending. While in the dressing room, Sergius reminisces about events a decade prior. Flash back to 1917 Imperial Russia. Grand Duke Sergius Alexander, cousin of the Tsar, Commanding General of the Russian Armies (for students of Russian history and politics, this is analogous to “Chief of the General Staff”), is commanding the tsarist troops to battle Bolshevik revolutionaries. Informed that two actors entertaining his soldiers are actually Bolshevik agents, he orders that they be ushered into his office so that he might humiliate them. Sergius has his way with one of the agents, Leo Andreyev. But for Natalie Dabrova (Evelyn Brent), Sergius finds himself attracted to her. Despite the dangers involved, he keeps Natalie by his side. Revolutionary zeal and Stockholm syndrome be damned, they fall in love. The film will conclude when it flashes back to 1928 Hollywood.

Jack Raymond (later a director of films such as 1930’s The Great Game) plays a brief role as Leo’s conceited Assistant Director.

The circumstances and developments surrounding Sergius and Natalie’s romance is far-fetched and contrived beyond belief. Natalie’s reasons for falling for Sergius – paraphrasing her, that she could never believe that someone could love Russia as much as he – are unintentional comedic gold. The film’s best line appears as Sergius realizes that Natalie is not going to act on her revolutionary beliefs to assassinate him: “From now on you are my prisoner of war – and my prisoner of love.” All credit to intertitle writer Herman J. Mankiewicz (1941’s Citizen Kane, 1942’s The Pride of the Yankees) for that screamer of a line. Whatever political differences between the two main characters melts away because of that.

This writing from journeyman screenwriter John F. Goodrich (1933’s Deluge, 1936’s Crack-Up) and the story from Lajos Bíró (1933’s The Private Life of Henry VIII,1940’s The Thief of Bagdad) points to a larger problem regarding the film’s political depictions. Never mind the ideological chasm that exists between a man sworn to uphold the tsarist establishment and a woman to whom that very establishment is the embodiment of all that she and her comrades find loathsome. The Last Command, in keeping with Western attitudes towards the Bolsheviks, is decidedly sympathetic towards Imperial Russia, rather than the inebriated, murder-hungry proletariat mob that wants nothing but bloodshed. There is no political nuance to these depictions. Tsarist Russia is honorable, the unquestionably legitimate state; the Bolsheviks’ demands flattened to simply mindless violence for the sake of it. This is not to deny the facts that there were decent people serving the Tsar nor that the Bolsheviks engaged in excessive violence, but that the film overly simplifies the conditions in 1917 Russia.

Despite his status as one of the most accomplished Hollywood directors working during the transition from silent film to synchronized sound, Josef von Sternberg disdained the Studio System and producer control over filmmaking (if only he was alive to see how things are today!). In The Last Command’s bookending scenes in 1928 Hollywood, von Sternberg takes aim squarely at Hollywood norms. Note the arrogance in which the Assistant Director conducts himself in front of all the extras. How infuriating it must be for the audience when he chastises the elderly Sergius for correcting him about a detail on a Russian general’s uniform: “I’ve made twenty Russian pictures. You can’t tell me anything about Russia!” Filmmaking in this environment, according to The Last Command, is exploitative. There is little to no regard about the wellbeing of all the extras scraping by with a meager day’s wages. As for Leo’s intentions for Sergius, the psychological cruelty in which he directs him is something he may or may not come to regret in the film’s final seconds. In those closing shots, the Assistant Director’s pithy remark encapsulates Hollywood’s wanton disregard for those uncredited many who wove themselves into the magical fabric of Old Hollywood.

The film’s most narratively crucial scenes – excluding the romantic scenes between Sergius and Natalie – make excellent use of extras and the blocking of extras. Whether it is the scene where the Bolsheviks drag Sergius off the train and threaten to hang and mutilate him or the film’s final scene on the studio soundstage, there is a bustling of activity in the background. Von Sternberg and cinematographer Bert Glennon (1939’s Stagecoach and Drums Along the Mohawk) vivify The Last Command with these masses of people. Look at the furious, grasping hands as Sergius as the Bolsheviks tear his outer layers off in the cold – this might not approach the violence of Sergei Eisenstein’s Battleship Potemkin (1925), but that is because the anger here is directed at a solitary figure. The crew behind the camera and the extras reacting organically to Sergius’ acting adds to Jannings’ memorable performance in the climax, empowering a scene very obviously shot on a soundstage.

Somehow, these critical framing scenes from The Last Command escaped the attention of Paramount executives during the film’s production. When learning about them only after seeing the final product, they planned to prevent the film’s release. Also citing von Sternberg’s portrayal of the Russian Revolution (including portraits of Stalin and Trotsky), Paramount’s executives only relented when an unnamed Paramount stockholder compelled them to release The Last Command.

In spite of the questionable central romance and its poor historical representations, The Last Command thrives due to Jannings’ performance. Paramount wanted Jannings for this role due to his reputation as a theatrical, bombastic actor. He does not disappoint here. Taking a page from his performance in The Last Laugh, Jannings’ character similarly takes pride in an article of clothing. Where in The Last Laugh he loses his doorman’s uniform, Jannings regains a general’s uniform in The Last Command. With it, an utterly broken man finds a modicum of self-respect (at the very least), or perhaps it resurfaces the jingoist that once was. The physical transformation and mental turn Jannings embodies is absolutely compelling and deeply tragic. Art then begins to replicate the past too faithfully. Man and character become the same. Jannings won the inaugural Academy Award for Best Actor for The Last Command and The Way of All Flesh (1927)‡, despite German Shepherd Rin Tin Tin (1922’s The Man from Hell’s River, 1925’s The Clash of the Wolves) receiving the most votes in the category. The Academy of Motion Picture Arts and Sciences (AMPAS), wishing to be taken seriously and not wanting to bestow the inaugural Best Actor statue to a dog, gave the award to the runner-up, Jannings.

Back in Weimar Germany, Jannings and von Sternberg would work together on The Blue Angel (1930) – their finest collaboration with each other. But the two clashed repeatedly while making The Blue Angel, mostly over von Sternberg’s fawning over Marlene Dietrich during production. Von Sternberg returned to America and remained with Paramount until 1935, and his Hollywood standing rose alongside Marlene Dietrich's. Following the end of that contract, he bounced around various Hollywood studios, never again finding the cinematic footing he had while at Paramount. By contrast, Jannings remains in the German film industry following The Blue Angel and starred in several Nazi propaganda films that, after the end of World War II, made him unemployable.

As if foreshadowing Sunset Boulevard (1950), The Bad and the Beautiful (1952), and even Singin’ in the Rain (1952), this dramatic unpackaging of Hollywood’s dark underbelly has elements of scathing satire that form the backbone of the its best moments. No matter the mutual accusations of imperiousness, Jannings and von Sternberg while on set of The Last Command, pieced together a film that obscures its true messaging beneath its ridiculous romance.

My rating: 8.5/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog. Half-points are always rounded down.

* The Way of All Flesh (1927), The Patriot (1928), and Street of Sin (1928) are lost; Sins of the Fathers (1928) is only rumored to be intact; and only The Last Command and Betrayal (1929) are extant.

‡ The 1st Academy Awards was the only ceremony in which actors and actresses were nominated for a body of work, rather than their work on an individual film.

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

[poemaseletras]

ENCONTRE UM AUTOR:

Envie sugestões. Leia uma citação no modo aleatório.

Autores Desconhecidos

Adélia Prado

Adrian Tchaikovsky

Affonso Romano de Sant’anna

Alain de Botton

Albert Einstein

Aldous Huxley

Alexander Pushkin

Amanda Gorman

Anaïs Nin

Andy Warhol

Andy Wootea

Anna Quindlen

Anne Frank

Antoine de Saint-Exupéry

Aristóteles

Arnaldo Jabor

Arthur Schopenhauer

Augusto Cury

Ben Howard

Benjamin Alire Sáenz

Benjamin Rush

Bill Keane

Bob Dylan

Brigitte Nicole

C. JoyBell C.

C.S. Lewis

Carl Jung

Carlos Drummond de Andrade

Carlos Fuentes

Carol Ann Duffy

Carol Rifka Brunt

Carolina Maria de Jesus

Caroline Kennedy

Cassandra Clare

Cecelia Ahern

Cecília Meireles

Cesare Pavese

Charles Baudelaire

Charles Chaplin

Charlotte Nsingi

Cheryl Strayed

Clarice Lispector

Claude Debussy

Coco Chanel

Connor Franta

Coolleen Hoover

Cora Coralina

Czesław Miłosz

Dale Carnegie

David Hume

Deborah Levy

Djuna Barnes

Dmitri Shostakovich

Douglas Coupland

Dream Hampton

E. E. Cummings

E. Grin

E. Lockhart

EA Bucchianeri

Edith Wharton

Ekta Somera

Elbert Hubbard

Elizabeth Acevedo

Elizabeth Strout

Emile Coue

Emily Brontë

Ernest Hemingway

Esther Hicks

Faraaz Kazi

Farah Gabdon

Fernando Pessoa

Fiódor Dostoiévski

Florbela Espanca

Franz Kafka

Frédéric Chopin

Fredrik Backman

Friedrich Nietzsche

Galileu Galilei

Georg Wilhelm Friedrich Hegel

George Orwell  

Hafiz

Hanif Abdurraqib

Helen Oyeyemi

Henry Miller

Henry Rollins

Hilda Hilst

Iain Thomas

Immanuel Kant

Jacki Joyner-Kersee

James Baldwin

James Patterson

Jane Austen

Jean Jacques Rousseau

Jean Rhys

Jean-Paul Sartre

Jeremy Hammond

JK Rowling

João Guimarães Rosa

Joe Brock

Johannes Brahms

John Banville

John C. Maxwell

John Green

John Wooden

Jojo Moyes

Jorge Amado

José Leite Lopes

Joy Harjo

Juan Ramón Jiménez

Juansen Dizon

Katrina Mayer

Kurt Cobain

L.J. Smith

L.M. Montgomery

Leo Tolstoy

Lisa Kleypas

Lord Byron

Lord Huron

Louise Glück

Lucille Clifton

Ludwig van Beethoven

Lya Luft

Machado de Assis

Maggi Myers

Mahmoud Darwish

Manila Luzon

Manuel Bandeira

Marcel Proust

Margaret Mead

Marina Abramović

Mario Quintana

Mark Yakich

Marla de Queiroz

Martha Medeiros

Martin Luther King

Mary Oliver

Mattia

Maya Angelou

Mehdi Akhavan-Sales

Melissa Cox

Michaela Chung

Miguel de Cervantes Saavedra

Mitch Albom

N.K. Jemisin

Neal Shusterman

Neil Gaiman

Nicholas Sparks

Nietzsche

Nikita Gill

Nora Roberts

Ocean Vuong

Osho

Pablo Neruda

Patrick Rothfuss

Patti Smith

Paulo Coelho

Paulo Leminski

Perina

Peter Ilyich Tchaikovsky

Phil Good

Pierre Ronsard

Platão

Poe

R.M. Drake

Raamai

Rabindranath Tagore

Rachel de Queiroz

Ralph Emerson

Raymond Chandler

René Descartes

Reyna Biddy

Richard Kadrey

Richard Wagner

Ritu Ghatourey

Roald Dahl

Robert Schumann

Roy T. Bennett

Rumi

Ruth Rendell

Sage Francis

Séneca

Sérgio Vaz

Shirley Jackson

Sigmund Freud

Simone de Beauvoir

Spike Jonze

Stars Go Dim

Steve Jobs

Stephen Chbosky

Stevie Nicks

Sumaiya

Susan Gale

Sydney J. Harris

Sylvester McNutt

Sylvia Plath

Sysanna Kaysen  

Ted Chiang

Thomas Keneally

Thomas Mann

Truman Capote

Tyler Knott Gregson

Veronica Roth

Victor Hugo

Vincent van Gogh

Virgílio Ferreira

Virginia Woolf

Vladimir Nabokov

Voltaire

Wale Ayinla

Warsan Shire

William C. Hannan

William Shakespeare

Wolfgang Amadeus Mozart

Yasmin Mogahed

Yoke Lore

Yoko Ogawa

[sunshinies]

⋆✩ Lyney inspired names/pronouns/titles ! 𖦹⋆

art is official!

✦•······················•✦•······················•✦

🤍 names: adrien , beaumont , casper , claude , delroy , dominique , emile , fabien , florence , florin , félix , hugo , jinx , jules , julien , kieran , killian , laurent , leo , lionel , loki , lucien , merlin , nicholas , nico , noel , pounce , preston , remy , thierry , valentin , yves , ziggy

✨ pronouns: spark/sparks/sparkself , magi/magis/magiself , hearth/hearths/hearthself , card/cards/cardself , trick/tricks/trickself , jest/jests/jestself , flicker/flickers/flickerself , flamboyant/flamboyants/flamboyantself , py/pyr/pyrself , paw/paws/pawself , mew/mews/mewself , card/cards/cardself

any other variation pronouns of these may be used , of course !

🌨 titles: the master of magic , the knave's jester , the conjuring charmer , the heart-stealer of the hearth , he of the finest facade , the catlike charmer , the cat-coiled companion , he who captivates the crowd , his illusionary innocence

prns and gendered terms may be replaced.

✦•······················•✦•······················•✦

[sixminutestoriesblog]

ides of march

well, its tumblr's favorite holiday and who can blame us? The assassination of Julius Caesar is probably one of the only group projects that ever went down the way it was supposed to with, well, not complete group participation (there were said to be upward of 60 people involved but only 23 stab wounds - obviously someone was not carrying their weight) but at least a good effort was made at it. But lets take a moment, between our jokes about salad and Animal Crossing butterfly nets to look at what else has happened in history on the Ides of March. For instance, did you know, on March 15th:

1493 - Columbus returned to Spain after 'discovering' the new world.

1580 - Phillip II of Spain put a bounty on the head of Prince William I of Orange for 25,000 gold coins for leading the Dutch revolt against the Spanish Hamburgs

1744 - King Louis XV of France declares war on Britain

1767 - Andrew Jackson, who would go on to be the seventh president of the US, was born.

1820 - Maine became the 23rd state in the US

1864 - the Red River Campaign, called 'One damn blunder from beginning to end' started for the Union Forces in the American Civil War

1889 - a typhoon in Apia Harbor, Samoa sinks 6 US and German warships, killing 200

1917 - Czar Nicholas II abdicated the Russian throne, bringing an end to the Romanov dynasty

1955 - the first self-guided missile is introduced by the US Air Force

1965 - TGI Friday's opens its first restaurant in New York City

1991 - in LA, four police officers are brought up on charges for the beating of Rodney King

2018 - Toys R Us announces it will be closing all its stores

2019 - a terrorist attacks two mosques in Christchurch, New Zealand, killing 51, and wounding 50 others

Oof! Pretty bleak, isn't it? It would almost make you think that the day is just bad luck, start to finish and its probably just as well, we're all focusing on assassination instead of other horrors. But wait - its not all bad news! The Ides of March has some tricks up its sleeve yet (joke intended). I'd be telling you only half the story if I didn't add:

1854 - Emil von Behring is born and will eventually become the first to receive the Nobel Prize in medicine for his discovery of a diphtheria antitoxin, being called 'the children's savoir' for the lives it saves

1867 - Michigan is the first state to use property tax to support a university

1868 - the Cincinnati Red Stockings have ten salaried players, making them the first professional baseball team in the US

1887 - Michigan has the first salaried fish and game warden

1892 - the first automatic ballot voting machine is unveiled in New York City

1907 - Finland gives women the right to vote, becoming the first to do so in Europe

1933 - Ruth Bader Ginsberg is born and will go on to become a US Supreme Court justice

1934 - the 5$ a day wage was introduced by Henry Ford, forcing other companies to raise their wages as well or lose their workers

1937 - the first state sponsored contraceptive clinic in the US opens in Raleigh, North Carolina

1946 - the British Prime minister recognizes India's independence

1947 - the US Navy has its first black commissioned officer, John Lee

1949 - clothes rationing ends in Britain, four years after the end of WWII

1960 - ten nations meet in Geneva for disarmament talks

1968 - the Dioceses of Rome says it will not ban 'rock and roll' from being played during mass but that it deplores the practice - also in 1968, LIFE magazine titles Jimi Hendrix 'the most spectacular guitarist in the world'

1971 - ARPANET, the precursor of the modern day internet, sees its first forum

1984 - Tanzanian adopts a constitution

1985 - symbolics.com, the first internet domain name, is registered

The Ides of March turns out to just be a day, like any other day in history.

Unless you're us. In which case -

[most-fuckable-character-showdown]

Characters included in the showdown

If any of these characters are repeated or under 18 please let me know asap so I can switch them out

Remus Sanders from Sanders Sides (17)

Janus Sanders from Sanders Sides (14)

Logan Sanders from Sanders Sides (13)

Eda Clawthorne from The Owl House (13)

Roman Sanders from Sanders Sides (11)

Virgil Sanders from Sanders Sides (10)

Din Djarin/Mandalorian from The Mandalorian (10)

Remy Sanders from Thomas Sanders Shorts (10)

Patton Sanders from Sanders Sides (9)

Noise from Roleslaying with Roman (8)

The Once-ler from the Lorax (7)

Sans from Undertale (6)

Angel from Hell’s Belles (5)

Julian Devorak from The Arcana (5)

William Afton from fnaf (4)

Ingo from Pokémon (4)

Leon S Kennedy from Resident Evil (4)

Anxiety Sanders from Thomas Sanders Shorts (4)

Clay Puppington from Moral Orel (4)

Youngblood from Roleslaying with Roman (4)

Bill Cipher from Gravity Falls (3)

Shane from The L Word (3)

Jameson Jackson from Jacksepticeye (3)

The Other Side of the Pillow from Thomas Sanders Shorts (3)

Virgil the Rat from Ride the Cyclone (3)

Kylo Ren from Star Wars (3)

Megamind from Megamind (3)

Bucky Barnes from MCU (3)

Spider-Man (Andrew Garfield) from No Way Home (3)

Mike from Roleslaying with Roman (3)

Ryker from Roleslaying with Roman (3)

Roman from Roleslaying with Roman (3)

Raine Whispers from The Owl House (3)

Vash the Stampede from Trigun Stampede (3)

Nicholas D Wolfwood from Trigun (3)

Cecil Palmer from Welcome to Night Vale (2)

Sage Lesath from Last Legacy (2)

L Lawliet from Death Note (2)

Crowley from Good Omens (2)

Dr. Bright from SCP Foundation (2)

Shrek from Shrek (2)

Peter Cola from CNP (2)

Peppino from Pizza Tower (2)

Tangerine from Bullet Train (2)

Luis Sera from Resident Evil 4 (2)

Darius from The Owl House (2)

Hannibal Lecter from Hannibal (2)

Alastor from Hazbin Hotel (2)

Enjorlas from Les Miserables (2)

Jessie from Pokémon (2)

James from Pokémon (2)

Mettaton EX from Undertale (2)

Sampo Koshi from Honkai Star Rail (2)

Wilford Warfstache from Markiplier (2)

The Narrator from The Stanley Parable (2)

Shego from Kim Possible (2)

Lady Dimitrescu from Resident Evil (2)

Blackbeard from Our Flag Means Death (2)

Orange Side from Sanders Sides (2)

Lucio from The Arcana (2)

Burgundy Red from Roleslaying with Roman (2)

Puff Puff Humbert from Your Favorite Martin (2)

Viktor Humphries from Slime Rancher (2)

Angel Dust from Hazbin Hotel (2)

Miss Secondopinionson from Moral Orel (2)

Eggman from Sonic (2)

Spamton from Deltarune (1)

The Corinthian from The Sandman (1)

Asra Alnazar from The Arcana (1)

Felix Escellun from Last Legacy (1)

Edwin from Gummy and the Doctor (1)

Hatori from Fruits Basket (1)

Izzy Hands from Our Flag Mean Death (1)

Undyne from Undertale (1)

Glamrock Freddy from fnaf: security breach (1)

Gummy from Gummy and the Doctor (1)

Nadia Satrinava from The Arcana (1)

Scorpia from She Ra (1)

Jareth the Goblin King from Labyrinth (1)

Vaporeon from Pokémon (1)

Rouge the Bat from Sonic (1)

Aaravos from The Dragon Prince (1)

Millions Knives from Trigun Stampede (1)

Spock from Star Trek (1)

Toriel from Undertale (1)

Bowser from Super Mario (1)

Shota Aizawa from My Hero Academia (1)

Tom Nook from Animal Crossing (1)

Critic Sanders from Thomas Sanders Shorts (1)

Skeletor from Masters of the Universe (1)

Elias Bouchard from The Magnus Archives (1)

Asmodeus from Obey Me (1)

Guillermo from What We do in the Shadows (1)

Asgore Dreemurr from Deltarune (1)

Dio Brando from Jojo’s Bizarre Adventure (1)

Tenth Doctor from Doctor Who (1)

Death from Puss in Boots: The Last Wish (1)

Red Guy from Don’t Hug Me I’m Scared (1)

Padme from Star Wars (1)

Archibald Asparagus from Veggie Tales (1)

Shen Jiu from The Scum Villain’s Self Saving System (1)

Roxanne Wolf from fnaf: security breach (1)

Gomez Addams from The Addams Family (1)

Rick Sanchez from Rick and Morty (1)

Fiona from Shrek (1)

Jack Skellington from The Nightmare Before Christmas (1)

Emile from Cartoon Therapy (1)

Vlad Masters from Danny Phantom (1)

Eyeless Jack from Creepypasta (1)

Merlin from Fate/Grand Order (1)

Verosika Mayday from Helluva Boss (1)

Ganondorf from The Legend of Zelda (1)

Michael Afton from fnaf (1)

Marvus Xoloto from Hiveswap (1)

Kim Kitsuragi from Disco Elysium (1)

Jang Jaeyoung from Semantic Error (1)

The Bog King from Strange Magic (1)

Batman from Batman (1)

Randy Jade from Dialtown (1)

Yor Forger from Spy x Family (1)

Mark Winters/Wavelength from Just Role With It (1)

Dr. Alto Clef from SCP Foundation (1)

Striker from Helluva Boss (1)

Stoic the Vast from How to Train your Dragon (1)

Bandit from Bluey (1)

Spain from Hetalia (1)

Dorian Gray from The Picture of Dorian Gray (1)

Muriel from The Arcana (1)

[garadinervi]

«Stereo Headphones» – an occasional magazine of the new poetries, No. 7, Edited by Nicholas Zurbrugg, Kersey, Spring 1976, Edition of 500 [room 3o2 books, Ottawa]

Issued in 2 variants: (i) 485 numbered (in black ballpoint) trade copies; (ii) 15 numbered copies with extra material by John Furnival, Kitasono Katué, and Robert Lax

Cover Art: Kitasono Katué

Contributors: Emil Antonucci, Avigdor Arikha, Samuel Beckett, Carlo Belloli, Lourdes Castro, Jean Chopin, John Christie, Augusto De Campos, John Furnival, Heinz Gappmayr, Eugen Gomringer, Brion Gysin, Monika Hasse, Raoul Hausmann, Bernard Heidsieck, Bengt Emil Johnson, Emma Kafalenos, Kitasono Katué, Gilbert E. Kennedy, Jiří Kolář, Ferdinand Kriwet, Robert Lax, Franz Mon, Edwin Morgan, Décio Pignatari, Hans Richter, Gerhard Rühm, Roberta Settels, Franciszka Themerson, Stefan Themerson, Manuel Zimbro, Michael Zurbrugg, Nicholas Zurbrugg