#emily overland

[notemaker]

@midoristeashop One of your art concepts have Jack´s sister as the wind or something like that, and I zoned in SO hard. I figured that instead of being the wind, she could be the breeze instead; this sort of metaphorical representation of the small moments that make life worth living. The little things. The little guys. Like the breeze.

Also. ALSO. What if. What if Emily ended up dying not so long after jack? For different reasons, but...yeah. And she got transformed into yet another gentle spirit. And what if--what if she can remember Jack (Frost) but Jack can´t remember her? Or what if they can´t remember each other but the sibling bond is still there so they stick to each other?

OR WHAT IF. what if she got sent into the future and they got to reunite? what then. WHAT THEN

[alkalinefrog]

On top of the prologue comic, I drew some mock-movie posters for the first two chapters! They were sort of like a two-part “pilot episode” of the fic hehehehe

The fic's over here on Ao3!

SEE YOU NEXT TIME!!

[milolunde]

[da-owo]

"sometimes when you look at me like that i dont understand" "how you forgot" I AM SPINNIN IN MY ENCLOSURE i WANNA MAKE A COMIC AN IM TRYING BUT FOR NOW ITS JUST BITS AN PIECES

[goldenslumbersketchbook]

Sketchbook Log: All together for Valentine’s Day! A day to wear warm colors and buy yourself sweet things!

[perfectlyfrosty]

Jamie’s such a cute little kid i love him 😔😔 Jack and him are so brothers to me

[littlesistersti]

Content Warning: Cursing

@suckmyeiffeltower on Instagram

* Human Pitchiner - I couldn’t find any pictures of Human Pitch before the whole evil thing so I used concept art instead. 

{just realized I could’ve included Jamie and Sophie}

Happy 10 year anniversary <3

[froggyfeetsies]

I started this like what a few days ago and ive been doodling them through various stages of tired and tbh I’ve completely forgotten what started the brainwave but you can probably tell who was a 2am job :p

[themistakehasarrived]

I've no clue if I've ever shared what I think Katherine looks like before but I feel like as I'm busy studying, I could share some bits here!

The drawing I did is more so a younger Katherine, before all the loss and grief remade her as a quieter person. Do note that she used to be a fine battle-maidan before leaving her tribe to go to the mainland for her son to have a peaceful childhood.

In my head, Katherine Overland is a woman who has fought battles and stayed strong even through loss. She's a woman who loves sewing and cooking but loved duelling with fellow battle-maidens just as much. I like to think that loss made her quiet and that for a short time she had given up on practicing with her bow and arrow or knives but after seeing the mainland men treating her daughter and her with little respect, she set herself to work again.

Emily is not written in the fanfic much but she does find love with a noble man who respects her as a woman and one worthy of honour. The man isn't much spoken of but I feel like saying that he definitely saw Emily with the strength to easily carry logs home or heavy bags and fell fast with her intelligent mind. He's also very much afraid of Katherine because that woman absolutely threatened him when he asked her for Emily's hand.

I like to believe that it isn't the Overland family is just filled with emotionally aware, understanding and gentle people who could easily kill someone for hurting one of their own. So, be decent human beings.

Though, it is also their downfall as can be seen in the fanfic. Jack's father, Iverson, dies because he protects a travelling group from bandits. Being protectors without a team is difficult and it leaves Katherine to deal with a society that does not see her full capabilities. I'm not the best at history but my English teacher told us in class how in the elizabethian era a widowed woman could have her husband's properties, money, etc. and unless she re-marries, it belongs to her and then to her children. The only change is I gave them all rights to be their own legal guardian. I'm playing with dangerous history facts by not caring about actual ages it all happened.

(More so if it's a daughter than the daughter's husband and if a son than when the son is of age it goes to him.)

I have nothing more to add at this moment but just know, in the simplest way, that Katherine is a badass woman who made sure her daughter knew her worth and found a good husband instead of being married off to someone who wouldn't see her as a human being. Iverson is a good man but as happens with most good people, he's killed by the cruelty of the world. Emily is a lean built woman and I might be projecting my preferences and Jackson is coming into his own lean muscles as he continues working with the dragons, you just don't see it yet.

[cybernightart]

Totally isn't my third post in a row because I'm having ADHD fueled brain Zoomies at 1:00 a.m.

Jumping back to the theme of season 5 with the whole D&D Overland quest thing

And how there is three fitting mercy skins for the theme. And every one of the skins from the event are to do with the campaign and all of them are a part of the campaign that they're playing together.

So what if Angela not being able to be there for every session instead of playing one constant character throughout the campaign instead whenever she can be there she plays one of three reoccurring characters that will pop in from time to time and she'll play whatever one is necessary for where the party is currently. Alot of genji X mercy btw!

The first one being Angela one of the fellow nights of Queen Emily's court, who works alongside knight Genji, and even trained together to become Knights. They're very close friends with some bubbling romance between them

The second being the witch, deep in the enchanted woods during a quest they encounter a town who are apparently a terrified of a supposed witch, kind of set a bounty for whoever can get rid of her by any means necessary. Intrigue the party ask around and the Nearby townspeople worn the party of how dangerous the witch is, which of course the party agrees to get rid of her believing she's dangerous. Being the brave night he is Genji of course wanders into the forest by himself, which inevitably leads to him being captured by the witch who was revealed to actually be a good witch only wishing to help and heal people but is just very misunderstood. And the only reason she captured Genji was because she believed Genji was there to kill her, so after they come to some sort of understanding after a long discussion with quite a lot of heavy flirting from the witch leaving the night quite heavily flustered, the rest of the party arrives to witness what they believe at first to be the witch literally enchanting genji, but pretty quickly they realize she was enchanting him in a different way.

And the third character that Angela would play, would be the duchess of castle Ziegler, who has been missing ever since an attack on castle Ziegler. The party of course once again sets off to find the missing duchess with not only the hopes of saving The duchess and being heroes but also the very high reward for her return powering them forward, but along the way they hear news of a dragon and how the dragon was the one to have supposedly attacked castle Ziegler and is the one holding the duchess captive. once they reach castle Ziegler they come to find the place completely abandoned aside from all the skeletons of the other knights and adventurers who have tried to save the seeming damsel in distress, so after a couple not so great roles it's decided that they will split up in hopes of finding the duchess faster. Once again Genji inevitably gets himself caught, leading it to a very Shrek one style encounter where he discovers that not only is it a lady dragon but the lady dragon is in fact The duchess herself. Genji comes to find out that it was actually some attackers who had came to take over castle Ziegler that had made The duchess reveal herself to be the magical dragon being that she is in order to defend her home, with the ones that escaped spreading the news of what they saw which inevitably got twisted and spun the more the story spread. Eventually turning into the story that the party heard. Knight Genji in hopes of getting out alive being that he is currently unarmed and trapped by a dragon as much as she is at the same time a beautiful duchess, he would rather not end up like all the other knights chard in the corner, trys talking with the duchess which after rolling a very high natural 20 plus modifiers results in him doing far too well with talking with the dragon lady. With him accidentally seducing the dragon (that's meant to be the bards job but what ever/j), and once the party finally find where Genji is as well as the duchess/dragon and find out everything that has happened (with certain parts left out) they're still very confused at why genji look so disheveled and why he looks so shaken up, with Lena eventually putting two and two together when she sees the what we can hope is lipstick covering his mask, she teases him hard for this which only gets worsened when as they are leaving the premises lady Ziegler looks out the window calls for the knight and blows a kiss his direction. Leaving him incredibly flustered and the rest of the party floored with laughter.

Basically she used every single one of her characters to flirt with Genji in some fashion. Adorable if they're dating at this point outside of the D&D campaign and hilarious if they're not and are still just in the flirting phase, because Genji would get so flustered even outside of the campaign leading to him making some slightly worse roles and decisions within the campaign during these moments. Because Angela figuratively and literally knows how to press all of genji's buttons.

[ryan-says-hi]

[Part One] [Part Two] [Part Three]

Hiccup does not trust Emily.

(With his life? Sure, of course. She was an Overland, after all, and one of the brightest kids he’d ever met. She could guide him in an electrical storm. It doesn’t hurt his conscience that Jack has guided him through an electrical storm before, and Hiccup knows she inherited the same steady hand as her brother.

So, yes. Hiccup would trust her with the membrane of his tailfins.

With his heart? Never. Not in the slightest.)

“I don’t know about this.”

Emily scoffs beside him, tapping her fingers idly against the trunk of the tree they’re somewhat hidden behind. It’s a weirdly loud noise from such a tiny girl, like she can somehow summon the dragon slumbering in her bones. “Relax. He’ll get it this time.”

“No, not—” Hiccup vaguely waves the hand not holding Jack's flowers. Predictably, it clears up nothing, if the deepened deadpan on Emily’s face means anything. It always does. “I mean, are you sure he’s sleeping?” 

A good ten tails away from them, Jack is laid sprawled in the grass under another oak, one knee propped and his ankle swung lazily over it. Maybe Hiccup’s spent too much time around Jack when he’s napping, but he’s not entirely convinced Jack is nearly as deep asleep as Emily says.

. . . which, on rewind, sounds very creepy, Hiccup realizes with no small amount of shame, his tail flicking in irritation against Emily’s legs.

Emily rolls her eyes. It’s alarmingly reminiscent of Astrid. “Would I lie to you?” 

“Probably.”

She kicks at his tail. Hiccup barely avoids the blow, instinct being the only thing that saves her toes from bruising. It wouldn’t have hurt him. “Well, I’m not,” she insists, poking at his side. “Now go give him your stupid flower.”

With that, she tucks her tiny arms behind his back and gives him a shove. Hiccup stumbles, his tail thwacking her in the torso as he fights not to fall over. 

“Ow!”

“Serves you right!”

The glare she gives him should kill him on the spot, but it doesn’t. He must have earned a god’s favor. He’s not sure which one, but he sends a vague prayer to all of them and scurries away from their tree before she can retaliate.

By now, the sheep are fairly used to his presence. They used to scramble anytime he got near, but now they don’t even bother batting a sheeply eye as he makes his way over the pasture to Jack. The sight of it makes his heart constrict—how trusting they are of him now. 

The sight of Jack makes his heart clench worse.

His hair is a shock of white on his forehead, like all his time spent with the sheep made him blend into his flock. His mouth is open, face slack, and staff crooked idly against the base of the oak, as though Jack were completely content when he settled down in the grass to bask under the shade of the tree. It’s a sweet thought, one that Hiccup turns over in his mind like a syrup stick, something chewy and delightful buoyed in his chest at the idea of Jack being so at ease that he could trust Hiccup (and Emily) to keep an eye on the sheep without his staff clenched tightly in his fist.

Wind rustles through the grass, swiping at the hair on Jack’s forehead and sending it tumbling over his eyebrows. Hiccup isn’t thinking when he crouches down, already reaching out to brush the hair away from Jack’s forehead—

—when a pair of hands land on his back and shove.

Now, look.

Hiccup may not be the most physically gifted dragon, but he is a dragon. That fact that Emily managed to sneak up on him at all is astonishing, and makes him second guess just how human she actually is. It’s his complete and utter surprise that Hiccup blames for why his wings snap out, smacking Emily in the face as he topples on top of Jack, all bones and armour and dragon-limbed weight of him.

Jack jolts awake.

“Holy—!” 

“Oh Gods, are you—”

“Hiccup? What are you—?”

Emily’s laughing. Emily is on the ground cackling like a witch, and Jack is staring up at Hiccup with huge eyes, blinking like his vision is still blurred with sleep, and Hiccup wants to set the pasture ablaze. “Are you okay?” he asks Jack.

“Uhhhhh.” Jack’s eyes dart past Hiccup, toward where Emily sounds like she’s rolling in the grass. His face settles into a frown. 

He brings his hands up, setting his palms on Hiccup’s chest plate. All thought in Hiccup’s brain whooshes straight out of his ears, confusion and delight making an emulsion where reason should be, up until Jack opens his mouth and says, “Can you please get off of me? You’re heavy and that hurt, like, a lot.”

The emulsion vanishes mysteriously. It’s replaced by an all-encompassing embarrassment that makes plasma well in Hiccup’s throat. 

He scrambles off of Jack in an instant. Jack sits up, rubbing at his chest. He squints at Hiccup, his focus darting to and fro before settling somewhere behind Hiccup. “Emily,” he says, in that tone of voice he uses when he’s trying to be the stern big brother, but whatever affection he has for his sister is making him miss by a mile.

Behind him, Emily’s cackles have died into giggles. When he turns, he sees she’s sprawled out in the grass, obscured by pampas and greens except where her knees sway side to side, rising and falling as she twists on the ground. Hiccup isn’t sure if he’s irritated by her smug facade, or amused by her childish glee.

He doesn’t get a chance to decide when a cold hand meets his, and pulls the flower from his grasp. 

He whips around, heart in his throat and every excuse in the world on his tongue.

Jack is—

—well.

He’s handsome, first and foremost. So handsome it makes Hiccup want to bang his head against a wall sometimes.

Secondly, and more importantly, is the bewildered look on his face as he twirls the semi-crushed flower between his fingers, the green petals bristling despite his gentle treatment. His eyes are huge, flickering across Hiccup, and if he doesn’t say something in the next several seconds, Hiccup’s fairly certain he’ll cave to the urge to take to the sky and never be seen again.

“Wow. Where, uh,” Hiccup starts. Stops. Swallows around the lump of panic in his throat. “I didn’t hurt you too badly. Did I?”

“Where did you find this?” Jack asks, completely ignoring Hiccup’s question. He lunges into Hiccup’s space, the hand not holding the flower landing on Hiccup’s shoulder and did the temperature rise? Did it just spike, suddenly and rapidly, or has the plasma in his bile sack somehow melted into the rest of his limbs? “Did you see who left it? Where they went?”

“Uhh,” Hiccup says, eloquently, his brain racing to keep up. Jack pulls away abruptly, standing up to pace, and Hiccup can breathe again, thank the Gods. 

“Someone’s been leaving me these—these flowers for me.” Jack waves the flower at him. As if Hiccup hadn’t been the one delivering it in the first place. Hiccup nods numbly. Seemingly satisfied, Jack runs a hand through his hair, something incredulous crossing his face. “I’ve never seen them before, I have no clue what they are, and—!”

“Green Gamblers,” Hiccup says. 

Jack stops in his tracks. “What?”

“They’re Green Gamblers,” Hiccup repeats, resigning himself to his fate as he sinks to sit cross-legged in the grass. He’d known, realistically, that he couldn’t keep delivering Jack flowers forever. He knew he was going to get caught in the act eventually. He just thought he might have a little longer to try and—and—well. His brain supplies him with the word “woo,” but that isn’t right. He just wants to be close to Jack. “They’re a type of flowers that show up on the mountains of Berk in spring.”

He curls his tail over his legs, getting comfortable for the inevitable rejection he’s about to receive. Jack’s bewilderment hasn’t exactly felt positive or negative, so he can’t be sure what to expect, but—

He feels the rush of Jack’s movement moments before Jack appears two inches from his face. 

“So you know these?” He asks, breathless, eyes shining. 

. . . Huh? “What?” Hiccup asks.

“You know these,” Jack repeats, more confident this time. “So the person delivering these is a dragon.” Jack sits back on the balls of his feet, looking beyond pleased with himself, which—huh? “I mean, I didn’t think they were human, but it’s nice having confirmation and all.”

Hiccup blinks at him. Jack . . . can’t be that dense. He can’t. “Jack,” Hiccup tries, a new sort of panic rising in him, but Jack steamrolls ahead. 

“Did you see who left them? Or catch anyone leaving the field? I haven’t been asleep long.”

What does Hiccup say to that?

Behind him, there’s a stirring in the grass, and then Emily appears in his line of sight. Her face is scrunched like she’s in pain. She reaches out a hand to Jack. “Jack, that’s not—”

Something clicks in Hiccup’s head.

“No!” He blurts suddenly. Both Emily and Jack whip their heads to him, but Hiccup hardly takes notice, seized by the gift horse being presented to him. “No! I–I didn’t see who it was. I just saw a silhouette fly off. I thought maybe you had other dragon friends aside from me, but now I know to, uh, stop them. Interrogate ‘em for you.”

Hiccup knows he’s an awful liar. Every word he says stutters drunk off of his tongue to land in a sheepish heap at the Overland sibling's feet.

Jack visibly perks up. 

Emily sends him a deadpan look that would make Astrid cry with pride.

“Well, you don’t have to interrogate them,” Jack drawls, even as a pretty smile lights up on his cheeks. “But, yeah. You think you could get a name for me?”

Hiccup swallows hard, and does his best to smile in return. “Sure thing, Jack.”

__________

@aura2023 Ehehe one more part to go! This was based on the scene Aura wrote of Hiccup being pushed by Emily while trying to deliver flowers. Part Three will be about hugs at night : ) You can read a preview of the plot summary Here!

Also, Green Gamblers, because my partner suggested a green flower as a way for Hiccup to present something rare and cool to Jack:

[notemaker]

@midoristeashop THIS bottom corner drawing you mean?

[ao3feed-hijack]

The Sea Line

read it on the AO3 at https://ift.tt/UFZEj9o

by CopicsForNameless

Words: 6117, Chapters: 1/1, Language: English

Fandoms: How to Train Your Dragon (Movies), Rise of the Guardians (2012)

Rating: Not Rated

Warnings: Graphic Depictions Of Violence

Characters: Hiccup Horrendous Haddock III, Jack Frost (Guardians of Childhood), Emily Overland

Relationships: Hiccup Horrendous Haddock III/Jack Frost (Guardians of Childhood)

Additional Tags: The Sea Beast - Freeform, Fairy, Alternate Universe - Fairy Tale, Alternate Universe, Alternate Universe - Canon Divergence, The Sea Beast au, Pirates, Sailors, fae, fairytail creatures, fairy tail story, HTTYD - Freeform

read it on the AO3 at https://ift.tt/UFZEj9o

[sweatersexual]

Vote to End OTW Racism | Forever I Will Glow

Fandoms: Rise of the Guardians (2012), Guardians of Childhood - William Joyce

Rating: Teen and Up Audiences

No Archive Warnings Apply

Relationships: Jack Frost & Nightlight, Jack Frost & Jack's Sister, Katherine/Mother Nature | Emily Jane Pitchiner, Jack Frost & Katherine

Characters: Jack Frost, Katherine, Jack's Family, Mother Nature | Emily Jane Pitchiner, Original Characters

Additional Tags: Jack Frost is Nightlight, but he still has his backstory from the movie, also he's a quaker, Historical References, Native American Character(s), Alternate Universe - Fusion, basically fusing the things I like from the books and the movie

This work is part of an action to end racism in the OTW

When Manny sent his moonbeam down to capture Jackson Overland at the bottom of a not-frozen-enough pond, he never imagined that he would net another brave, self-sacrificing boy. In one moment, frozen in time, the two boys mirrored each other. Bright eyes met brown, and they spoke without speaking. Only one boy surfaced from the pond. He was no longer Nightlight. He was no longer Jackson Overland.

Read on AO3

[goldenslumbersketchbook]

ROTG Hope Week Day 4: Goat 🐐

I’ve only seen her once…

she had a melancholic glow.

I’ve never seen her twice…

she told me why winter must go.

I’ve only seen her once…

So those sleeping soundly can grow.

I would like to see her twice…

There is so much I don’t know…

Hope Week by: @rotg-hope-week

Song while drawing ✍🏼:

[directedbynoraephron]

all the books i read in 2022!

why be happy when you could be normal? by jeanette winterson

paul takes the form of a mortal girl by andrea lawlor

pride and prejudice by jane austen

shrill by lindy west

three women by lisa taddeo

kissing tolstoy by penny reid

the duke and i by julia quinn

shout by laurie halse anderson

transcendent kingdom by yaa gyasi

dancing in odessa by ilya kaminsky

the diviners by libba bray

neon gods by katee robert

females by andrea long chu

the powerbook by jeanette winterson

vladimir by julia may jonas

jane eyre by charlotte bronte

empire of pain by patrick radden keefe

the right to sex by amia srinivasan

a touch of jen by beth morgan

crying in h-mart by michelle zauner

conversations with friends by sally rooney

woman, eating by claire kohda

honey girl by morgan rogers

writers & lovers by lily king

the hellion's waltz by olivia waite

everyone in this room will someday be dead by emily austin

the scorpio races by maggie stiefvater

the hating game by sally thorne

tomorrow sex will be good again by katherine angel

beach read by emily henry

we run the tides by vendela vida

the highwayman by kerrigan byrne

the deal by elle kennedy

girl, woman, other by bernardine evaristo

practical magic by alice hoffman

nevada by imogen binnie

the companion by e.e. ottoman

station eleven by emily st. john mandel

the anomaly by hervé le tellier

the hunter by kerrigan byrne

everything i need i get from you by kaitlyn tiffany

gregor the overlander by suzanne collins

the highlander by kerrigan byrne

gregor and the prophecy of bane by suzanne collins

beautiful world, where are you by sally rooney

sarahland by sam cohen

the bride test by helen hoang

the song of achilles by madeline miller

a lady for a duke by aliexis hall

the rogue of fifth avenue by joanna shupe

people we meet on vacation by emily henry

the prince of broadway by joanna shupe

the great believers by rebecca makkai

cleopatra and frankenstein by coco mellors

the devil of downtown by joanna shupe

maybe in another life by taylor jenkins reid

fight night by miriam toews

eligible by curtis sittenfeld

the marriage of opposites by alice hoffman

franny and zooey by j.d. salinger

book lovers by emily henry