#end to end testing points

[qualityrain]

[homosexualslug]

the difference between these scenes is killing meeeeee

[edu-art9]

End-to-end testing, often depicted in infographics, is the final and comprehensive phase in the software testing process. This crucial step ensures that all components of a system, from user interfaces to backend databases, work seamlessly together, replicating real-world user interactions. Through a visually engaging infographics, viewers can grasp the holistic nature of end-to-end testing, where various test scenarios are executed to confirm that the software functions as a cohesive whole, ultimately delivering a high-quality, error-free user experience.

[poorly-drawn-mdzs]

Vibes based grading system.

(for @epistemologys, who wanted some post-canon, teacher WWX)

[electrozeistyking]

"She's Gone"

This bad boy was started on the third of November, and finished on the seventh. In total, there are thirty panels (all of which were drawn separately).

A good chunk of N's dialogue near the end came to me after I did some improv to figure out what he should say. I have since dubbed it "N's Failure Monologue."

[sensitiveheartless]

[sightseertrespasser]

i think my favorite part is kind of just how it.... unfolds? it feels so natural. little bits and pieces accumulating into misunderstandings and understandings. people talking to eachother, just about whatever happens to come up. it very rarely to never feels like exposition, just a part of the world, and they are in it. the character interactions all feel in character and authentic, the way things have changed in this AU make so much sense, and all the little touches that add up together for the perfect blend of culture shock and misunderstanding. i LOVE crossover, outsider POV, isekai/transmigration, any kind of "this is not how its supposed to be, what is going on?" type stories but most fail to really properly draw out the premise. things are revealed too soon, or it feels too hamfisted how quickly or how long it takes, the flow isnt natural. the story either closes its eyes to drag it out, or skips over the shock entirely. this does neither. prowl has NO reference for jazz, and jazz has no reference for cybertronians. he is incredibly stressed, physically and mentally, and now that its come in the reality is terrifying and unsustainable, and he has to hope, he has to HOPE that this outwardly cold and calculating person he has just met will care enough, not just to keep him alive but keep him living. prowl will now have to deal with holding jazz life in his hands in a way so much different and yet so much more intimate than almost anyone else he has ever handled, and it will be work, constant, unending work.

i end up in a rereading rabbit hole because i think about the scene before that led to this scene, and the scene before, and the scene before, and each one is so satisfying alone but i go :DDD thinking about how we got there.

honestly, i know odds of survival cant continue forever, but damn if i dont wish it could

Man, that’s all just amazing to me. I’m so happy you like all the little hints and build up that goes into the big moments because that’s some of my favorite stuff to do.

Usually when I write, I’ll have the elements involved in the Big Moment already in mind and then work backwards to seed the clues throughout the lead up to have a greater payoff.

For one mini example, Prowl grumbling about his therapist which helped lay the groundwork for Rungs appearance in the story.

Additionally, it’s really, really fun looking at situations from different perspectives depending on the character and working out what they would and wouldn’t think of. For another example, Prowl is very quick to think that Jazz could be crashing, because he frequently experiences crashes.

Similarly, writing misunderstandings is a ton of fun when there’s legitimate reasons for two characters to have wildly different perspectives on something. There’s a saying that goes “you’re characters don’t know what genre they’re in.” And I want to write characters that are genuinely acting intelligently with the information they have available.

(Which is also why I had to give Jazz a concussion because otherwise he probably would’ve been waaay less complacent about a practical stranger leading him into unknown locations.”)

Jazz and Prowl dancing around their misunderstanding of each other was pretty difficult, as I personally hold that Prowl can solve any puzzle given enough time and that Jazz can make his own solution to any puzzle given enough time.

They’re both smart as hell, so as the writer I basically had to narratively trap them like rats in a maze to get the confrontation I wanted at the right moment.

Fun times and I’m glad it paid off!

[stagefoureddiediaz]

Ravi being the one who tells Buck that Eddie got a job offer from the firehouse in El Paso.

Ravi - who is the physical representation of Bucks abandonment issues - telling Buck that Eddie got a firefighter job in El Paso…

Ravi being the one to tell Buck that Eddie has been offered a job that will make it even less likely that Eddie will return to LA - because he has now got a house he owns, his kid back and will be back doing a job that he loves and is good at - making Buck feel even more abandoned than he already is.

I love the way the show is using Ravi to explore and deal with Bucks abandonment issues!

but now Bobby - his father figure - has died and Buck has no idea how to deal with his grief but he’s been holding it together the only way he knows how (with all his online tests and using charts and numbers to determine everyone else’s grief so he doesn’t have to deal with his own because he doesn’t know how and cant let himself break because Bobby told him the others were going to need him and he can’t fail Bobby and his last words), and now he’s discovered Eddie has a job offer in El Paso - something that will take Eddie away from him forever (in his mind).

Eddie’s presence back in LA - in the house (even if its Bucks furniture in there and Eddie is on the couch) has been a safety blanket that Buck has been clinging to and it is now going to come to an end. Eddie’s going to go back to the new life he’s been building in El Paso - that Buck isn’t a part of (physically) leaving Buck abandoned

He’d been able to deal with Eddie going to El Paso because while Buck was subletting Eddie house there was a chance that Eddie would come back,

[thelonelyshore-if]

Okay everyone I've done it.

HERE is the new link to the cogdemos.ink version of The Lonely Shore. I'll be going through and updating all of my links quick here before bed. I'll port over the 2k special and the preview for ch3 tomorrow.

I'm going to go ahead and delete the demo off of dashingdon. I'm deeply sorry, because I know this will destroy everyone's saves, but this is what I'm most comfortable with.

Also. Technically this new demo has some ~bells and whistles~ that weren't in the old demo. There is now a stats mode (lets you know which stats are being changed/tested), a romance indicator mode (shows a little heart for romance-based choices), and a photo mode (not actually relevant yet, but will be in the upcoming chapter).

In addition, you can now select a nickname that Willow calls MC in addition to their name; there are two new job options (tattoo artist & unemployed); and skills have been. Um. Completely changed.

The stats screen looks quite different, so feel free to poke around if you'd like when you next do a playthrough. There's the new Keepsakes page I've mentioned before, as well as a Traits & Skills page, which is where you'll be able to see how I'm doing skills now.

[carlyraejepsans]

One thing I think people forget is that sans probably wouldn’t talk about missing his home and never being able to go back and giving up unless he absolutely felt he had to

with frisk he’s pretty sure that’s the time traveler that could very well end the entire world. He’s trying to reason with em as a someone he’s hoping could be a friend at that point because he’d really rather not have that happen

In geno is IS the end of the world and he’s hoping you’ll realize this is stupid and cruel and reset. It’s not like he’d have this conversation on a random Tuesday with papyrus

yeah agreed, sans goes out of his way to not talk to/with papyrus about their life before the underground. remember the newsletter q&a? (this is more a theory, but judging from their behavior i personally think papyrus is an amnesiac/sans thinks he is, and he's trying to spare him the grief of remembering).

his memories and mementos are stored behind his house for a reason, he's had his realization that he'll never go back already: there's no sense in reopening that wound again if he has an option to avoid the topic.

[taddymason]

the whole argument "jay was always an incel pre s6" its so fucking annoying at this point. i'm not joking, i want it to stop

[astralleywright]

lots of people interpreting Ashton's "i want the gods to pray to us" devoid of the context of the lines directly before and after it, so here's the full quote: "in my darker moments, that's what i want, is i want to see them pray to us. i want to see them ask what we want." it was not intended to be a statement, but an admission, and it wasn't about worship at all; its about the fact that Ashton spent his whole life praying to any and all gods for some safety or healing or comfort and got nothing, only for them to finally bother to show up when he and the Hells became useful or inconvenient.

[devicecontact]

test mini render of dinky au i made and the impossible cross over of normal SB and au version SB

[cent-scratchnsniff]

FAILURE; INABILITY

[dkettchen]

coding makes you feel so smart and so stupid sometimes

[audreys-alpha-demon]

their love story hurts me so bad. if someone asks me "damn, who hurts you?" it's them. they hurt me. they are so "loving you is a losing game" coded. the way no matter what path she took, she will always be on the path that is against him. and lovers who HAD to be on the opposite side in any kind of event could actually kill me on the spot. I'm not even attempting to joke around rn. the way their nature is opposed to each other but they were still drawn by each other. LIKE HE KNEW WHO SHE WAS AND STILL PATIENTLY WAITING FOR HER TO COME CLEAN WITH IT HERSELF. HE DIDN'T FORCE HER LIKE HE DID WITH OTHERS. AND THE WAY THEY'RE NOT EVEN ENEMIES, THEIR NATURE FORCED THEM TO BE ONE. SOMEONE TAKE THEM AWAY FROM ME, I CAN'T BREATH WHEN I'M READING THEIR SCENES. I JUST CAN'T