#expect mistakes idk

[headphonegrl]

“Here you go.” It’s late in the morning on a Sunday, and the sun is pouring through the window, casting honey-coloured light all over the living room. Jude’s half-asleep with his cheek squished against the cushion his mum bought him for a housewarming present, and the sudden sound of your voice startles him into full consciousness; all he’s heard for the last hour is the lull of characters speaking on the show he’s watching and that cheesy laugh track played on all nineties sitcoms alike. 

“What?” His words are half verbal and half a content hum through his nose. One of his eyes is closed and the other is squinting, trying to make out where you’re sitting in front of his coffee table with your legs tucked under yourself.  

“Put your arm out.” You shuffle towards him, your fuzzy socks gliding against the wooden floor. Months have passed of you trying to convince him to buy a rug, but still the space remains bare and shiny due to his indecisiveness. 

Jude pokes his arm out from between the blankets he’s had bunched up by his chin. Despite the sky outside being a stretch of clear baby blue, he’s dramatically complained all morning about his risk of getting hypothermia. There’s a mug of tea on the floor next to the foot of the sofa which you had made him earlier, and it sits there lukewarm because he’s afraid that once he moves all the heat will escape in one go. “It’s cold.”

“Here.” You stretch a bracelet over the back of his hand and onto his wrist; tiny blue and green beads placed perfectly in patterns of three, with a little yellow heart that you fiddle with so it sits flat against his skin. Goosebumps appear on his forearm and you try and rub them away with your palms, which are still warm from the little hot water bottle you’ve had sitting in your lap, the one Jude’s grandma had bought you for Christmas.

“You made it?” His voice is still hoarse from rest and he tries to clear his throat with a little cough, and then another when that one fails. Part of him is mad at himself now, he’s had his eyes shut all this time and missed the image of you adorably poking your tongue out in concentration. 

“It’s stupid.” You scrunch your nose up, murmuring something about how you made some over cocktails with your friends one night and bought a kit for yourself because you thought it was fun. A little patch of golden light is illuminating one side of your face and if his phone wasn’t sitting in the other room on his bedside table, Jude would be a very annoying boyfriend and insist on taking a photo. 

“No way.” The idea of you being paired with the word ‘stupid’ seems completely morally wrong, like two things that shouldn't exist in the same universe. It’s a firm belief of his that you should only be associated with all things sweet and kind, like old fifties love songs with trumpets in the back or those little flowers that appear at the beginning of spring after an awful winter.

“You don’t have to wear it.” You twiddle the beads around on the stretchy elastic, before moving your fingertips to trace the lines on his palms; the same thing you do when you’re sitting next to each other at dinner or on the train. “You can take it off later.”

“I’m not taking it off!” Jude snatches his hand away from where you’ve been holding it, and you let out a wheeze of laughter that sends a fuzzy rush of love to his heart. A feeling that he wishes he could catch mid-air and bottle up for when he’s far away and misses you so much that his chest aches like he’s pulled a muscle. 

“Okay.” You smile down at where you’re picking at a loose thread on the blanket, curling it around your finger over and over again. “If you’re sure.”

“Are you kidding?” To him, you must be. It’s already been decided: He’ll wear it to sleep and in the shower. He’ll tuck it under his sleeve so he doesn’t have to take it off during training. It’ll hang on his hook in the changing rooms during a big game like a little good luck charm. If it slides above his wrist, he’ll search frantically under the hem of his sleeves in fear he’s lost it. He’ll wear it even when all the colour rubs off the beads and they’re left white. He’ll keep it until it inevitably snaps and you have to make a new one, exactly the same. “It’s my most prized possession.”

[napstawantstosleep]

A guide about Eret fan artists made by an Eret fan artist for both Eret and their fan artists

[kaebedom-me]

in which gojo cant seem to get his shit together when he's in front of the person he likes

synopsis: gojo tries his best to impress a regular he's been crushing on, too bad he can't keep his shit together long enough to make a proper latte

cw: gojo x reader, the babygirlfication of gojo satoru, ooc!gojo, he's actually not ooc my personal hc is that he gets real flustered in front of the person he really likes that's why, equally flustered and shy!reader, fem!reader, fluff, slightly proofread but not really, this is part of @freyzrc's very cute very good cafe au series! so please support the original creator!

word count: 1544

a/n: im actually scheduled for another DisappearanceTM but i 🥺 anyway, if you've been wondering where I've been I'm actually neck deep in jjk hell hence! i present to you, tumblr, this fic!!! (more hcs and context after the fic if you're interested in my ramblings)

Gojo, despite his very pretty (self-proclaimed) appearance, actually prefers to work the morning shift during the times when the café was not a bar. It’s definitely not because he’s more of a morning person, it’s also definitely not because he hates alcohol. Also, it’s certainly absolutely positively NOT because of a pretty girl that comes in every once in a while, to grab a latte at a time where it (in his opinion) should be an inappropriate time to get coffee. But it’s favourite part of the day anyway, he always finds himself looking forward to it despite the irregularity of the girl’s visit.

“Ah! Welcome!” Itadori’s voice chimed in, snapping Gojo out of his daydreaming.

“Welcome!” Gojo exclaimed, too. He turned around just in time to catch sight of the girl he was daydreaming about coming to the counter.

To say he was a little excited was an understatement, because Gojo had almost dropped the cup that he was drying to the floor, earning a snort from Geto who’d been standing next to him the entire time. Gojo turned to glare at him for a split second before returning his attention to you.

“The usual, right?” Itadori asked cheerily.

“Actually, could I get it hot today?” you asked softly.

“Of course! That’ll be out to you in a jiffy!”

You gave Itadori a smile while tucking away your wallet. As you walked away, you glanced behind the counter to note who was on shift. Geto gave you a kind nod before whispering something to Itadori.

Before you could get too far away Itadori raised his voice a little to catch your attention. “Um! Miss! Excuse me! I’m so sorry to bother but we’re a little short staffed today, would you mind waiting here for your coffee?”

He asked you so nicely you weren’t able to say no, it’s not like you would’ve in the first place, though. You approached the end of the counter, where they usually put the drinks before serving.

Geto gave you an apologetic smile. “I’m sorry, Megumi-kun’s out with the dogs and I’m just about to take my break, so I really hope you don’t mind.”

You nodded; you understood you told him.

“Thank you so much, hun’! It’s nice seeing you again.” Geto beamed, and right there you swear you died while you were on your way here because this can’t be happening.

Geto quickly excused himself and went to the back, leaving you flustered.

Gojo was by the machines pulling a shot when Geto so kindly passed by him to pat him on the butt. The daggers he had been glaring at him had Geto trying not to laugh the entire time.

When you noticed it was your favourite white-haired barista making your coffee today you nearly choked on your own spit. Surely, you definitely died on the way here today, that was the only reason why the stars had aligned so perfectly today.

By the time you snapped back to your senses, Gojo was practically right in front of you assembling the drinks. You were way too nervous to look directly at him but you felt it would’ve been rude to look away considering you just made eye contact with him.

You awkwardly gave him a smile, and he returned it stiffly. “Uh, nice weather, huh?”

“Yeah!” You answered.

Curses! “Nice weather”??? That’s all he could come up with??? The only time he gets to talk to you outside of the usual short conversation while you ordered and he had to mess it up??? A disgrace! He’s The Gojo Satoru! How could he have been so-!!

It was then Gojo slightly slipped up and spilled some of the milk from the pitcher. “Shit,” he cursed.

He shouldn’t have looked up. But he did, and he made direct eye contact with you. GOD! STUPID! How did he mess it up this badly! Gojo wanted to curl into a ball and hide under the stupid cabinets right now.

“I usually don’t fuck up this badly-”

“Oh!!! Um! It’s ok! Take your time,” you tried and offered him your best smile.

Huh? HUH???? Did he seriously, seriously accidentally say that out loud? In front of you??? Of all people?????

Gojo cleared his throat as he felt the heat rush up into his cheeks. He has to save this somehow. “I, uh- Erm, is there any particular latte art you like?”

Taken off guard, you shook your head. “Anything’s good really!”

FUCK. What now?? He just kind of made conversation with you, should he continue?? Should he give you some options? A heart? What?! No! That’s too obvious! A swan? A rose? C’mon, Gojo, think! You can do better than those basic fucking starter latte art. Maybe he should drop dead and die, there’s no saving this interaction at this point.

“Maybe?” You quietly piped in. “Those plant looking ones? I think they look nice.”

A tulip? A tulip! Gojo’s got this! This is easy! Tulips are so easy! And he’s the best latte art maker in this whole damn café!

“Sure!” He puffed up his chest and answered as cheerily as he can, trying to hype himself up. If this goes well, maybe, MAYBE, he’d deem himself worth enough to ask for your number.

A tulip, a tulip, a tulip. A very simple and easy design. Yes, Gojo can make it with his eyes closed. He can even make it more complicated and intricate, that’ll surely impress you enough to want to give him your number. Super simple tulips are, he’s been making them since forever.

So why, why, WHY, is his hand shaking so badly. No!! No!!!! He has to do this perfectly! Oh, God, he can feel you looking at him and waiting. You’ve been waiting for a while too, he knows this! But God damn it, Megumi didn’t have to come in at this time to remind him that you’ve been waiting for a while. No! Focus! He can do this! Make good latte art, get pretty girl’s number!

Gojo ignored Itadori calling Megumi over to the back. He breathed in and let his hands worked his magic. This was easy! It’s practically muscle memory at this point! He’s got this!

Make good latte art, get pretty girl’s number!

Gojo must’ve been too excited because he fucking accidentally poured too much of the stupid milk into the damn cup too quickly and royally fucked whatever art he was about to make.

Gojo wanted to scream.

“Oh, um, I can still take that,” you piped in.

Oh, fucking fuck, you were watching him the entire time too. Gojo wanted to cry.

“No, no, I’ll remake it-”

“No! It’s ok! I don’t mind,” you said again. “I really don’t mind.”

You were truly an angel sent from heaven. How are you so forgiving and cute?? He can never show his face again the next time you come in.

“Ah, at least let me draw something on it to make up for it,” Gojo meekly offered.

Too shy to say no, you let and then watched him shuffle a little to the side to reach for the chocolate syrup.

Gojo made quick work of drawing Shiro into the latte you ordered. It wasn’t something too impressive but he knew at least you’d like it considering how much time you spend with Megumi’s dog whenever you came in.

“Enjoy,” he sheepishly muttered to you while he slid the coffee towards you.

Curse that stupid!!! Suguru!!!! For making you, of all people, stand by the counter to watch him work.

He watched as your eyes lit up at the little doodle he made. “Sorry I’m kinda off my game today,” he lamely excused himself. “It’s not the tulip you wanted but I hope it’s enough, I swear I’m a killer with latte art.”

You nodded, still eyeing the little Shiro on your cup, absent-mindedly you said, “It’s ok, maybe next time!”

Gojo perked up at that. The fact that you were still willing to come back!!! Ah, that almost brought tears to his eyes. “Next time for sure,” he promised.

Realising what you had just heard you snapped back to look at him. He was smiling gently down at you now and your heart almost burst out of your chest right there. You nodded and offered him another smile before scuttering away to find a seat.

おまけ

“Oh my God, that was so painful to watch,” Geto could hardly contain his laughter.

“Hey!!! Whose fault was it, huh!! I could’ve made the best damn art in my entire career!! And you!!! You fucked me over,” Gojo whisper shouted at Geto while the other staff slowly made their way back to the front.

“You screwed it up yourself,” muttered Megumi. “It was funny to watch though, I’m glad we took the shorter route back today.”

“Yeah, the Gojo Satoru fumbling so badly,” chimed Geto.

Itadori walked over to where Gojo was and offered him the cloth by the sink. “Aw, I think you did your best, senpai! Next time! You’ll make the best damn latter art in your entire career, I’m cheering for you!”

Gojo snatched the cloth from Itadori and glared at his friends before wiping down the mess he made. 

so as mentioned, my personal hc is that gojo gets really flustered and shy when he's in front of the person his likes that's why he's like that in the fic uwu

it's just a simple cafe au with your favourite jjk boys

according to @freyzrc the bar becomes a bar after hours so your faves are able to pick and choose what shifts they prefer to work and when

i say your faves but really its up to you (read: me) if i want to see who at when and where lMAO

in my head, if i were to make this into a series it'd be like a dating sim with different routes depending on your fave that you're after

but also, there's no particular order in which events happen because I'm really writing this as a one off HAHAHA

if you're curious though, you can read it as a "best moments compilation" thing, but if you're on the other routes, the events of this route then not something that happened? it's basically kind of like the timeline branches out and there's multiple different universes within this universe

this route is gojo x reader + geto x reader with a hint of satosugu

this was intended to be a gift to the original artist so uwu reader is the way they are because of that

gojo does crush on geto here in this route but his brain actually doesn't process his feelings for geto because he dug himself a very deep friendzone hole. it's very tragic :/

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[welcometogrouchland]

May I ask about your Jason Todd idea? <3

Hm, okay so. How to lay this out sensitively since I know it might be a tad controversial...

Prefacing by saying I'm not an expert on the minutias of Jason characterization. I like him when he appears, I think the battle for the cowl/Morrison era and some parts of modern era for him are Weird and Bad, but I'm not Jason scholar (for that I'd say maybe check out @/tumblingxelian and their great video essays), I'm just trying to think of what might be an interesting step forward for him.

First, the canon facts

Jason got lobotomized and has panic disorder on steroids. By the end of Gotham War (specifically when Jason was. Flying the batplane into the asteroid. God I can't believe that's the plot) he was finding it in himself to power through said panics

In Joker: The Man Who Stopped Laughing #12, the joker gives Jason a "low dose" of joker venom, which has an ambiguous effect on Jason, allowing him to power through the fear (which joker explicitly states is still very much present, just not physically debilitating, like when Jason couldn't run over in either Catwoman #57 or #58, the one with the kid in the building) even though he'd been able to do that sans venom over in Gotham War, like I previously stated.

The effect of said joker venom seems to be lingering for now, minus the creepy grin side effect it gave Jason over in that man who stopped laughing issue, as seen in the latest batman issue (number is escaping me rn, #147??). He still has the stutter which is a shorthand for fear, he's drawn with fearful expressions by Jorge Jimenez, but he says that he's "working through it" thanks to the chemicals

This is both super interesting and kind of maddening as it doesn't completely remove the consequences of what happened in Gotham War, but is trying to sweep them under the rug and get back to business as usual. I, however, propose making said consequences front and center like a fashionable urn on a mantle piece:

Since it's never stated how exactly the joker venom works, and I think the current answer is "it works how the story needs it to" I've decided that because it's a low dose, it eventually wears off. And when it wears off, Jason's back to square one in terms of mental state. Ergo, if Jason doesn't want to live the rest of his life as quaking shivering husk of his former self...he's going to need more.

(read more for the meat of things)

So, Jason self medicates for a condition given to him by the father he has endlessly complicated feelings towards with a cure invented by a man who represents everything he hates in the world who once tried to take everything from him.

Which, insert poetic cinema gif here, I'm quite proud of myself for that one.

Anyway, there's a lot of directions you could take this. Personally I think it'd be interesting to explore Jason trying to get back into the drug trade like he did in UTRH (FULL TRANSPARENCY I HAVEN'T READ THE FULL COMIC, I KNOW BROADSTROKES BUT IM NOT GONNA TRY AND MAKE PARALLELS) as he tries to use the resources (production plants and other drug runners who can hook him up with samples of joker toxin/similar stuff you can probably find around Gotham) to manufacture his own cure that means never having to go back to the joker again. Maybe he ambushes a joker toxin chemical production plant to get his own supply, and then Jason uses this as his foothold back into that world.

This isn't necessarily me saying we should regress Jason alll the way back to UTRH, that was before his anti-hero era and I'm not willing to fully shoot him back into the past. I just think that's not how you tell good stories in a medium like comics. But it'd inherently be a little different just bc he's doing it for different, slightly more self motivated (depending on your take on villain Jason) reasons and the people around him would have a different reaction to it.

Anyway, all sorts of problems can arise! Depending on how you wanna characterize Jason (wayward son who longs to be back in the fold or black sheep who doesn't play by daddy's rules, etc) he can either a) try and hide this criminal enterprise from his giant family full of nosy detectives (good idea there jay) OR do it out in the open, trying to justify himself but still putting himself on the opposite side of the family again (not the law bc that boy hasn't been on the 'right' side of it since he died)

There's also the fact that Jason now needs to take something 24/7 in order to live his life. He essentially can't be without it, he's dependent on it, in fact he'd get sick without it despite any adverse effects it may have on him (which are guaranteed, I mean. No clinical trials)

I imagine it'd be easy to become addicted to it in some way.

And uh. This is the part where it works slightly better as a fanfic pitch than an actual comic pitch. Because as much as I think it'd be such an interesting beat for Jason's character considering his fraught history with addiction and drugs (looks away from that one urban legends story where he suggests terrorising addicts to get to the suppliers and bruce lectures him. The easiest way to make Mr "we don't sell drugs to children" sympathetic and you beefed it)

I also fully recognise that this is a sensitive topic that DC doesn't have the best track record with (although addicts aren't a monolith and feel a number of ways about addictions portrayals in comics) and that there's probably some pitfalls inherent in the premise, namely bc of Jason's background as an impoverished kid and his grey morality, and how those play into stereotypes of addicts. Addiction is already such a misunderstood and stigmatized condition that I imagine playing with it with an antihero might be enough to turn some people off. Addiction is not a moral failing and I'd hate to write it as a moral failing of Jason akin to his willingness to kill, etc.

But with all that said, I think that stereotypes are primarily harmful because of their shallowness. They inhibit understanding of groups labeled "other" by presenting them in simplistic ways that don't portray richness or complexity. And I think a truly good red hood comic could give both sympathy and complexity to Jason, even as an addict. If anything, Jason is a popular character (mostly) and there could be something nice about seeing a main character go through what you're going through, gritty details and all. YMMV (can we bring that back btw?) and it depends on execution. There's a lot of ways it could go wrong, but seeing as it just lives as a hypothetical rn, I think there's also a lot of ways it could go. I mean, not right, it's a downer story beat for Jason but it's mostly meant to be interesting and a vehicle for more stories as Jason navigates it, ya know?

Anyway, I have a lot of spiels littered in my notes app and discord DMs that elaborate on all this (how this could work as act 1 in a broader Jason story where his little operation goes to shit and he has to hit the road (jack) and maybe do some character development for better or worse. I'm a sucker and wanna say better- not squeaky clean better but. Yknow, finding himself to an extent. I recognise I'm a sap and a fool tho. Or how a new outlaws team could factor into either of those eras (since I do like Jason with an outlaws team. It gives him an excuse to exercise his compelling relationships and dynamics with other characters without having to constantly tip-toe around the elephant in the room whenever he's with the batfamily all the time. He just needs a good lineup) but that's all for another time

... though without elaborating on the vision in my head it kind of just sounds like my pitch is "Jason gets addicted to his hyper-anxiety medication" BUT I SWEAR ITS MORE THAN THAT.

It's like. If Jason has struggled as a character (and this is very subjective on my part so feel free to disagree) because he has compelling relationships with all of the batfamily, but also has compelling grey morality that makes it hard to capitalize on those relationships, without the conflict always coming to "Jason stop killing!" "Nuh uh!" OR just being ignored, and the main way writers have addressed this is via reboots instead of arcs...

Then giving Jason and the bats:

real, legitimate and fresh reason for jay to be mad at Bruce (taking their relationship of love with very little understanding to it's most dramatic conclusion)

give the family a real reason to want to bring him back into the fold (feel bad about the lobotomy and it would be pretty immoral to let Jason waste away slowly and painfully because of something Bruce did)

capitalize on all the ways Jason is sympathetic (bc the addiction is a natural lead into his backstory, which is one of his most sympathetic elements)

And the ways in which he's very out of step with the bats post-resurrection (I'd be mad asf too if i came back to life just for my dad to a) not avenge me and b) LOBOTOMIZE ME meanwhile the cunt ass clown giving me my meds is just lurking out there).

Idk it's not a sophisticated pitch as of this moment but I think a real chef (writer) could cook something w/ this

[nostalgic-bee]

Very much love the idea that the brown in Amity’s hair is a representation of who she’s always been, the part of her that she was forced to hide and change, the idea that the brown represents the real Amity

And the purple represents her change, her breaking free from control and expectations and changing so she can be a better person, the purple is this new Amity whose free of her parents control and is allowed to take control of her life and be who she’s always wanted to be

So together they represent an Amity whose free and able to take control of her own life, who can choose her future, an amity who is a better person, who has an awesome girlfriend and wonderful friends and is now surrounded by unconditional love.

They represent an Amity whose actually happy

[katimanki]

| 2011 Sectionals | 2012 Regionals | 2012 Nationals |

x x x x

[maeamian]

I wish there were better ways to discuss outrage that didn't rely on the same language we use for surprise. It's very tiring to complain about something horrific or that sucks wicked bad and get 'and this surprises you?'

My outrage is not dependent on surprise, it is dependent on my moral code being violated, which happens often enough that I do not find it surprising, but also, I refuse to be numb to my morals.

[roobylavender]

(Really long ask ahead i’m sorry!) I think your thoughts on dick and his similarities vs differences to bruce are so interesting! Personally i’m wondering how much of NTT played an influence on this kind of characterization bc i’ve never fully finished ntt but i read like nearly all the pre-80s batman 1940 issues lol and dick very much was portrayed as more idealistic than bruce in some ways while more no-nonsense (? For lack of better word) in other ways, like when it comes to batman easing up a little on selina for romance reasons LOL. Though ofc dick totally turns into - well, a dick - in team books, as i grow older i find myself far more compelled by a potential story of an 18 yr old who seemed to have the whole weight of the world on his shoulders (by his own perception) and breaking under his own impractically strong sense of duty and sky-high expectations for others, then realizing as he grows older that it doesn’t have to be that way esp after seeing the perspectives of characters like kory, wally, joey, roy, etc. Like personally as someone who never really had a huge interest in NTT anyway, i’m surprised at how desperately people want to hold on to the characterization of dick when he was 18-19 and never letting him grow past that, like it’s so difficult for me to believe that at age 25 he would be the same uptight controlling kid that he was at 19. Maybe i’m biased though bc i was like one of those insufferable INTJ internet stereotypes as a teenager, and while that worldview did bring me achievements i’m proud of like the fact that i’m in med school rn studying what i love, i still know that at age 22 i have changed SO much from when i was 18 and i can’t imagine any reasonably mature or normally-functioning person (let alone someone high-functioning like dick) not doing the same lol. Especially since dick is the kind of person who would literally die if he’s not constantly growing and evolving past his faults bc of his insufferable perfectionism, idk how he’d be willfully blind to the negative effects of his worldview in early NTT and refuse to grow from there. He even has a quote that’s like “i’ve spent years as a student of my own behavior” which i always found highly encouraging bc i know he really does want to improve himself even at his worst. It reminds me of that Marcus Aurelius quote: “if someone can prove me wrong and show me my mistake in any thought or action, i shall gladly change. I seek the truth, which never harmed anyone; the harm is to persist in one’s own self-deception and ignorance.” But what are your thoughts? (Thank you for reading all this 🥹)

oh i absolutely agree! i cannot tell you how many times i think about the person i was a couple years ago and who i am now like i cringe so much omg.. maturity is an ever persistent process even if we don't recognize its effects immediately and it absolutely is crazy to think that anyone would remain in such a static state of mind for several years on end. esp when like you said dick is someone who wants to be better! so despite his several hypocrisies it is nonetheless in his best interests to look internally and analyze and evolve. and i feel like that very much could have happened had there been any actual segue between dick's breakup with kory and his re-entry into the batfam. i don't think there was much of a connection between these two sets of writers at all and so what you got is what felt like two very distinct parts of dick's life that didn't necessarily reveal a bridge point. so it's not entirely unrealistic that dick may grow to be the person (at least to some extent) that bat canon portrayed him to be in the years that followed but i certainly think as it stands it felt unearned and like all of his issues explored in ntt were conveniently swept to the side without any semblance of closure (albeit i do think some of these issues are addressed in outsiders '03 but in that dickheaded way that winick explores things generally. so i'm not sure it's the kind of closure people actually want). it's very sad and ig that's what people cling to more than anything. it's not that they're opposed to him growing to be a better person but that they're opposed to a version of dick who feels like he sprung out of nothing

[berrymeter]

genuine allergic reaction to ppl who make yamato look super masc im sorry wheres the love for trans men w feminine features

[happi-tree]

we love silly gays in THIS household!!! gimme the sweet sweet oakworthy and swiftli thoughts 👉👈

Aye aye, Nyx!!! o7

Oakworthy up first! Absolutely tragic that they don't have a bingo </3

Now for the Swiftli stans out there... also no wins hell is REAL

[justtasia]

MORE, MORE BLOOD PACKS AND DAYLIGHT FINALLY ARRIVED!!!

I feel a huge need to show them soooo welcome in my unboxing/showing off bad financial choices post~! <3

At first photo there's my new purchases, the second shows how it fits into my full DL merch collection:

I'm really happy that now each of my top 5 diaboys (except Shu, but he has some kind of CD cancellation curse that doesn't let me get any) has at least two CDs related to them.

In the case of More, More Blood, I bought the deluxe version, so if you are curious what it looks like from the inside, I put the rest under the cut ⬇️⬇️⬇️

The first thing I noticed about these boxes is that they differ in more than just the covers!

The sand in the hourglass is flowing more and more with each volume. In the case of my dramas it's a little ragged, but with the full collection (or at least less extreme numbers compared) it definitely looks great. Also in place where the box opens there's small family crest which is really nice detail too!

But we're all here for the contents, not just to look at a foil-wrapped box (btw I can't imagine how people can keep this things in their original obi for years. I don't have as much control over my curiosity) so here we go:

As you can see, there are two CDs: the first with the main drama, the second with the ~10-15 minute bonus "Another Story", a tin badge and an illustration card. This card has also a diaboy comment/short description related to the plot of the CD on it's back. (For me the concept is a bit similar to Daylight's "message from vampire", but I feel like those things are more like cool teaser when daylight lettrers are good to read after listening to daylight to make you cry even more)

[orchidyoonkook]

Saw this today. And I kind of just sat for a moment in shock.

A fic with over 640 THOUSAND words.

A fic with over 84 THOUSAND hits.

And less than 1000 kudos??

Less than 250 comments??

This isn’t it guys. Fic is dying by the looks of these numbers. This author is putting their all into this story and not even 1000 of the 84000 people who opened the work could’ve been bothered to click one button to leave a kudo?

And this isn’t me bitching about me. If you know me you know I never expect likes or comments or reblogs on my work. But when I get them I’m over the moon. I’m showing my friends, my partner, my mom even my grandparents on occasion. I’m ecstatic.

But I don’t need them like other authors might. Like other authors may need them to know to keep going. To know their work is appreciated. To know what they are doing is worth doing and to stick at it.

So remember to be kind today. Leave a kudo. A comment. A reblog with a “I love this” in the tags.

It may not be much to you.

But it is everything to the writer.