#figures analysis

[nokmietarchive]

another really fantastic detail from the s2 finale regarding Leo's powers... I've always loved the hell out of what they did cinematically with it, it looks and feels incredible and kicks total ass. initially I was under the impression that he was replacing his portals with his swords; that he was "traveling through" them per-say. but here --

...we can actually see Leo materializing SEPARATELY from his sword! you can see in the following frame he actually dissipates again and his sword continues flying along the same path untouched, inertia unaffected.

...and then he materializes again to properly align with it and catch it!

he's entirely not in contact with it but is implied to have already crossed spacetime. which means Leo can just... Do That. he's rapidly bending space to transmit his goddamn subatomic particles to a new location. the purpose of the swords isn't to do the portaling; it's to work as a landing pad. it's a vector point by which he re-solidifies the mass he's transporting. a familiar homing beacon he can align himself with on the fly.

[calmlb]

hc that Dazai made a point of calling Chuuya small when they met because Dazai was used to being the small one.

like, finally there was someone shorter than him. because let’s be real, Dazai was barely taller than Chuuya in Fifteen.

i think people forget how small Dazai was too— not just in height, but also in weight. He was underweight in Dark Era, but in Fifteen & even at present he's barely within the healthy weight range for his height. he was constantly described as a twig in Fifteen, and almost every time he's introduced in the light novels he's called lanky, slender, etc.

[dammarchy211]

The song clip is from this video starting at about 3:50 :-]

I’ve been busy/summer burn out but my love to draw will never die so soooooooooo many doodles and sketches 5ever sorry

[northwest-by-a-train]

Real talk. It's been 9 months since I've seen Palestinian children bleeding to death every day of the week. I don't particularly seek it out, I don't revel in it, if I'm being fully honest, every time I see it cross my dash I feel the urge to close my eyes and keep it out of my mind. Just the description of what I've seen is too gory to write without my stomach churning. And I think I'm not alone in having seen that. I know some among you have seen worse. I know that even those of you who have not seen the worst of it have seen things that will haunt you for a lifetime.

Of course the right, US as well as international, will mobilize like crazy over this grazed ear and those two droplets of blood. But if we on the left are not motivated, are not radicalized, are not incensed to act decisively after having seen this. And the fascists wackos are more motivated with these remarkably clean images of violence. Then we are doing something wrong.

The moral high ground, the revulsion at blood, at crass disregard for human dignity, at targetting the innocent is on our side. And acting like this will galvanize our enemies while we'll stand helpless is baby shit. We must use every means at our disposal to stop the violence in Palestine and defeat the fascism that around the world makes cover for genocide. This is not a moment to fall to the ground and cry, this is a moment to fight for those who need it most.

[saudrag]

APPARENTLY SOMEONE POINTED OUT THAT AZIRAPHALE AND CROWLEY ARE KISSING IN ONE OF THE WINDOWS IN THE TITLE SEQUENCE AND I NOW JUST CANNOT BE NORMAL???

Neil said that THERE ARE clues for s3 in the TS AND THIS IS WHAT WE’VE FOUND??

aa you can see, this is totally DIFFERENT KISS. aziraphale is now THE ONE TUGGING CROWLEY IN, GRIPPING THE HEMS OF HIS JACKET????? WHAT IF IT IS THE GET-TOGETHER KISS WE WILL SEE IN S3? also SOMEONE IS PEEPING IN.

[melit0n]

Okay, so Euclid, right?? It's 5 minutes and 13 seconds long, but Vessel only starts singing at the 13 second mark. First lyric? "Just run it back, give me five whole minutes".

We, as the listener, give him five whole minutes to say what he's gotta say. Further, the song ends on the exact same piano chord that it begins with; the song, in of itself, is a loop. Anytime you play Euclid on loop, you are running it back and giving him five whole minutes.

[canisalbus]

Machete and Vasco are so pomegranate-and-the-hand-that-slices coded. To me.

Pomegranates are seen as messy, bloody, inconvenient fruits. You slice or tear or bite and in return for your effort you come away underwhelmed, disgusted, and stained too deep to wash. The consumption of a pomegranate is a violent act of defilement, for both the fruit and the eater.

But that is because most do not understand how to open a pomegranate. They have little patience for the precise carving. They see no point in coreing the fruit gently, no reason to be reverent as they pull the quarters apart. When done correctly, opening a pomegranate leaves little mess. Your fingers will still stain, your knife will still slick, but there will be no pool of crimson drowning both you and the fruit.

The seeds are only sweet to those who understand the merit of a light hand and intricate slicing. Why put in so much effort for a food so bitter and clearly armored against consumption? Surely it must not yearn to be eaten.

(^insane about silly catholic dogs)

.

[oddberryshortcake]

LILIA’S COTTAGE IS THE FAIRY COTTAGE FROM SLEEPING BEAUTY 💕

[tangents-within-tangents]

Thoughts on Echo as amputee/disability representation

First and foremost, I am not disabled or an amputee and I don’t claim to speak for those communities (and if I was I couldn't speak for everyone). What little I do know mostly comes from this youtube channel (@oakwyrm), this post, and other research I’ve done for my writing (and like one amputee I kinda knew in passing). By all means correct me and add to the conversation, I just have some thoughts I want to share because I haven’t really seen this discussed anywhere

Overview

So Echo is interesting. He is a triple amputee which is pretty rare in media. His disabilities come from extremely traumatic circumstances: injured in a near-death experience, imprisoned and dehumanized as an experiment with no autonomy over what happened to his body.

There are a few moments in the shows where Echo is treated… questionably. Like this bit where Rex uses him as an example of the Separatists' evils to convince the locals to fight back:

To be fair, yeah Echo’s treatment does prove that the Techno Union is not neutral like they claim. The modifications that everyone is gasping in horror at here obviously weren’t made with comfort and accessibility in mind, nor with Echo’s consent. But you still just want to be sure that “They took away his freedom, his humanity, they tried to turn him into a machine” is about using him as a living computer, not the fact that he is missing limbs. 

The Batch is also pretty insensitive toward him and his trauma imo, which is weird considering they've supposedly also faced discrimination for their mutations

Disabled people do have to deal with stuff like this in this day and age so I guess it can speak to those experiences. I think especially him being mistaken as a droid (and Hunter going along with it (bruh)) might resonate with some people. 

Aside from that stuff, Echo isn't really treated any differently as a character/person which is really good (as low of a bar as that is).

We get this moment in CW where Echo contemplates that yeah things are gonna be different now

While also (imo at least) showing that he is still the same person regardless, evidenced by the fact that he just echoed Rex :,) I also think it's significant that he joins the Bad Batch on his own terms and we're given a really emotional scene to specifically show that he's not just like 'lumped in with the other misfits' but that it is his choice to go where he feels his place is.

A lot of people, myself included, are disappointed that TBB didn't have more time to explore Echo's PTSD, but I think the one panic attack scene we did get is really good. Even thought it's minor it at least is an appropriate reaction from a guy who was medically tortured (which is more than I've come to expect from Star Wars shows lol)

And it's really sweet to see Omega showing Echo some empathy and consideration.

It would have been nice to see more of his adjustment period, and other side effects like chronic pain and maintenance, but there’s a lot of daily life stuff the show never had time for (i.e. we don’t know if he removed his prosthetics to sleep, but we also never saw him sleep anyway). His disabilities might take on a background role (much like the character himself sadly) but for the most part they aren’t invisible or erased, nor do they define his character and arc.

Physical Appearance

Okay this one is bit dicey, bc on the one hand, yes complaints that Echo’s paleness (most likely caused by burns from the explosion or chemical burns from the cryo-chamber) is whitewashing are totally valid. But I also think you can draw comparisons to real life conditions that affect pigmentation/complexion (like you know burns). So while I understand why a lot of fanart will depict him with his original skin tone and with hair, consider that there are real people who have to live with temporary or permanent changes to their appearance, and the idea of “fixing" him by making him look more like his old self can be problematic.

It's also interesting to note that Echo could act as a reversal of the 'disabled/disfigured = evil' trope. He's pale and bald and wears black and red, which is so often visually associated with villains, but we all know Echo is the bestest boy™

The Headpiece

Echo’s headpiece is interesting because within the show we don’t actually ever learn much about it (idk if there is more info in books or whatever bc i don’t have them so?). He didn’t have it in CW so we know it didn’t come from the Techno Union and therefore Echo probably had more choice with it. We don’t know its exact purpose but it’s most likely related to his scomping abilities. When he is hacking with his scomp in CW, before he has his headpiece, it’s clearly very mentally straining:

We don’t see him struggling like this in TBB once he does have it (though that could be bc he got more used to it over time). There doesn't seem to be much of an impact when he removes his headpiece in s3 ep14-15, except that he gets stuck in the ports every time he uses his scomp which is not something we’ve seen before: 

There might not be an exact real-world equivalent, but the headpiece is some kind of accessibility aid. It means that someone specifically designed a device to help him adapt to the changes the Techno Union made, as well as a helmet that integrates it. It’s removable and visually very present, much like a cochlear implant would be. (A lot of people actually headcanon it to act partially as a hearing aid, since it makes sense that Echo’s hearing would have been damaged in the explosion, but there isn't really any indication of this in canon.) The headpiece is never really acknowledged in the show, but I think that's a good thing. It's something he needs/wants and it just exists, completely normalized, and that's pretty cool 👍

Legs

Sigh... So from the very first episode of TBB I was really disappointed that the animation team or whoever completely visually erased Echo’s prosthetic legs (I think we all were, honestly, if fanart is anything to go by). It’s one thing when he’s in armor because he would probably want to protect his prosthetics, but we literally see him in his blacks and there is no indication whatsoever that he lost his legs even though it was not left up for debate at all in CW:

Like ??????!?

This is just really strange to me! Idk what went on behind the scenes with this decision but I don’t really see why it would be that much harder to animate or anything since it’s 3D and they've done it before. We do see some pretty sophisticated cybernetic technology in Star Wars canon that mimics real limbs:

But Luke’s fancy hand is technically 20ish years from now, so Anakin and Maul are more of a representation of what level we could expect here

So yeah, for no apparent reason, his leg amputation is effectively, visually and narratively nonexistent. Which is not great 👎

Arm!

The scomp on the other hand (uh lol!) is the complete opposite and I kinda love it!

At first I, like many others, thought it was a bit odd that they didn’t give Echo a prosthetic arm. Losing hands is basically a Star Wars tradition at this point, so robotic arms/hands are well established within the worldbuilding: 

We aren’t necessarily given a canon reason for why Echo doesn't get a cybernetic arm (again unless it's in some lore book I haven’t read, sorry). General fanon explanations I’ve seen are that he either couldn’t because the Techno Union wired the scomp too far into his nervous system, and/or the resources to give him one were deemed too expensive for a clone (what about his legs tho?), or that he chose not to, usually because he thought the scomping was useful. 

Regardless, I actually really love this choice (and it's the whole reason I made this post), because here's the thing: There’s a lot of problematic tropes out there that either erase/cure disabilities or compensate them with perks (like how pretty much any blind character is actually not blind by some sort of magic power). With amputees that is done with robotic arms. The character is still an amputee or course, and there is still value in that representation, if this story from Mark Hamill that makes me tear up is anything to go by:

but for the most part these characters function like anyone else, just with a limb that looks a little different. It’s no more than a video game skin, an able-bodied actor with a green screen glove. It “cures” the disability, or it actually makes the character even stronger than usual: 

It usually makes sense within the world of the story, but the reason it’s not so great in my opinion is that in the real world we just do not have technology anywhere close to that yet. Prosthetics can more or less replace any mobility from lost legs, but not for all the complexities of a hand (and even if they could the average person wouldn’t be able to afford it).

So

I think it's actually really super cool that Echo’s scomp bypasses the canonically-established amputee erasure and functions much like a stump would irl. He integrates it into his movements and everyday life and it’s (as far as I know) a lot closer to an everyday amputee’s experience. 

It doesn’t define his character, it doesn’t hold him back, he lives a full life, the other’s don’t treat him any differently, and he’s still a total karking badass 

The only additional thing is that he sometimes uses it as a weapon (which given his story, I think it’s cool to see him taking back autonomy in a way, and we only see that like twice)

And also the scomping, which could be seen as the 'added/compensating superpower' trope. But narratively it's no different than if he was plugging in with a hacking gadget of some kind (he didn't necessarily "need" to lose his arm for it) and it’s not like Echo is completely defined by this skill. Personally, I think it's well worth the positives of him actually having a visible and realistically impactful amputation. 

I see a lot of posts or comments out there that say stuff like “how come Echo doesn’t get a hand?” or fanworks that do give him one and I just think it’s a bit of a shame. If he did get a robotic hand, it just would have disappeared the same way his legs and Anakin’s arm did (aside from that one time he got yoinked by a magnet). When Echo did “get a hand” in the last two episodes there were comments like “yay he finally got a hand! but it doesn’t even work” but I was actually so relieved that it didn’t! Bc for one thing that wouldn’t make any sense, he grabbed it off a droid, it wasn’t designed to implement with his scomp, that would be really complicated. But more importantly because it again refused to erase/cure his disability! It functioned like a real-world cosmetic prosthetic (useless beyond appearance) which is exactly what he needed it for, so that he could blend in better with his disguise.

And he continually took it off throughout the episode and ditched it at the end. He only used it for the necessity of a stealth mission, he doesn’t feel the need to visually “fit in” in his daily life. 

And, last but very much not least, he made a dad joke and from my intel that is very accurate representation!

TLDR: Echo’s scomp is actually really cool from an amputee representation perspective, especially within Star Wars, and I think that deserves some appreciation 

[poppyflavour]

Hi!

You can decide not to answer if you don't want to, and I won't absolutely judge anything, but what kind of relationship you see for the Hollow Heads?

Just curious

Tl;dr: Hollow heads are all siblings

Sorry if you meant it feelings-wise, but I used this ask to explore and put on paper some of my interpretation and story/world building

[toffeebrew]

Candy-A Lesson In Atlurism

(transcript available in alt text)

(geno & error by @/loverofpiggies and dream by @/jokublog)

the good ending...

[startagainaprologue]

i took a nap and opened twt and immediately got flashbanged with a thread that was calling odile a mother and siffrin a child. like no i really dont think you get it at all if im being honest

[badly-drawn-doflamingo]

Can I just say I am so fucking excited that Oda gets to showcase some of his biggest inspirations in this up and coming Elbaf arc?

We know of a few, such as DBZ, Astro Boy but two that really are going to shine this arc, and already have before and now, are Asterix and Obelix and Vicki the Viking. As the son of a French/Spainard, I personally grew up around the latter, so when I first started One Piece, it really came to mind, especially the color spreads.

Seeing Usopp wearing a Obelix's costume (as well to a degree Queen from The Beast Pirates but thats it's own thing) seems oh so fitting for an homage, as Obelix's entire character is kindness, and a strength of both physical and of heart. We also, the chapter before have a very similar design to Obelix, showing perhaps Oda had a favorite. (Not to mention the way Oda draws certain people seems to stem from some of these, uncharacteristic, designs.)

Than we have the Vicky The Viking insperation, which is absolutely undeniable and EVERYWHERE. From Kaido and his beast pirate uniform being clearly just Sven the Terrible, to a little boy wearing a very familar hat- right down to the barrel and dancing and singing, Oda clearly has taken the series to heart. I am BEYOND excited to see even more of this love for his childhood and comfort in his work.

To leave this post off-- have Zoro dressed as... Zorro.

[vaguely-concerned]

listen I don't even know what I'm talking about anymore but on this playthrough of DA2 I found myself once more entranced and heartbroken to see hawke reenact their relationship with their mother with the entire cursed city of kirkwall. you can never do enough for leandra, and you can never do enough for kirkwall. leandra is proud of you, and kirkwall uplifts its champion, but no matter how hard you try for them you can't fix everything there that's broken, no one could, and even the fact that anyone would feel the burning responsibility to take that task on is a huge warning sign on its own. leandra will easily allow you to sacrifice yourself on the altar of the family's continued well-being again and again, even when she'll beg you to spare the twins from the same thing. it's such a sad, painfully realistic thing because I truly don't think leandra meant to fuck up her kids, and yet she primed her oldest for an abusive toxic codependent relationship with an entire ongoing dumpster fire of a city state better than she ever could have if she had meant to.

I think what leandra actually, deep down wants from you is something you can never ever give her and that is cruel to ask of anyone, but especially your kid -- to bring her back to a time when she was happy. to reclaim when you were all happy, when nothing was broken that couldn't be fixed, before malcolm died, before you had to leave behind bethany or carver's broken body on the ground. to get her childhood back from where she left it and found it all gone and in ruins when she returned. 'this is all your fault'. this is the tragedy of parenthood sometimes I think, that capacity to define a life: she said that once, in a moment of profound pain, and she probably wouldn't have said it under other circumstances and she apologizes later, but now hawke has to live with that forever. leandra can't bear her own emotions without letting them spill over onto someone else so she won't have to hold the discomfort of them anymore, and hawke is left to shoulder that burden and responsibility again and again, handed the impossible task of making it all okay again, somehow -- of stopping anything bad from ever happening again in the Nr 1 Bad Things Constantly Happening capital of thedas.

and then at the same time there's the mirror of how varric's whole family wants orzammar back (and to him orzammar is just a ghost he's seen in their eyes -- there's something in his voice when he says 'That stupid plate was the whole city of Orzammar to him' that gets me every time, how much he understands that he doesn't understand and how lonely that makes him among them, and on top of it all he's frustrated and ashamed and sad that he just doesn't get it and can't meet them on it -- like it's a betrayal that he actually belongs up here, when varric wants so badly to be loyal), just as the hawkes want happiness back. (I don't think it's Lothering in itself that longing is for, it's for being together. Lothering was just the place they stayed the longest.) they're all in exile, even as they try to make a new home out of that exile.

(varric and hawke's real 🤝 quality across all personalities, affinities and choices is 'parentified child' lmao. so much of varric's character makes perfect sense once you know he grew up supporting a mother who was an emotionally volatile alcoholic, honestly. between varric, the hawkes, isabela, seb if you have him and merrill's whole Situation with marethari I feel like DA2 covertly is to mommy issues what ME2 is to daddy issues fjsdjfa)

basically I think I'm trying to pick apart exactly why the fact that leandra is clearly proud of hawke and tells them so several times doesn't feel like it helps at all, almost feels more like a cage even though it's clearly meant well? and what I'm getting is that it's because my sense of what hawke actually needs, in general but especially from a parent, isn't admiration or approval but to be loved and supported and understood. I don't believe leandra ever quite understands them, and it scares her because it makes her think she maybe never even understood malcolm. (that's the subtext of a lot of what leandra will say about him in legacy, at least. he's slipping away from her as the years pass after his death and she fears she never really had him in the first place, if he had secrets like these.) she consistently treats her oldest more like a partner or peer than as her child, which considering hawke is always described as being very similar to their father… I mean I totally see how that could be easy to slip into for her after he died especially, but it doesn't make it any less fucked up or unfair.

the real leandra in legacy is. she is SO absurdly self-centered, if you really pay attention. I don't want to keep dunking on her because I don't think she's like this on purpose, but it boggles my mind. if you do the quest in act 1 she gets so upset and overwhelmed that the kids just sort of sit there like :( at the end, which adds to the trend that through the game you constantly see hawke comforting leandra, and you pretty much never see leandra comforting hawke, beyond some light vaguely encouraging comments in passing. if you do legacy in act 2 while she's still alive hawke comes to her, tentatively asking if malcolm ever spoke to her about any of it -- clearly requesting some sort of emotional support or help to make sense of it. she then expresses her side of it, but never once does she say anything to the effect of 'hey that was a lot to go through, are you okay after all that?'.

instead she essentially hands them the responsibility of having a good life, to repay what malcolm did for all of them. and in theory that's not the worst takeaway I suppose, malcolm probably would want them all to be happy, but in the moment it only feels like more expectation heaped upon you somehow? especially since you don't really get to express anything about how it made you feel before she goes to the 'ah no use complaining' zone (after SHE got to express her grief at feeling like she's losing more and more of that old life, and hawke barely got to say anything fhsfalkjfs). in general she really doesn't do much like. parenting, does she haha. there is so much love there in that relationship, and yet so little comfort. Oh, those days. All of us, in that simple place. Well, that's neither here nor there, is it. This life, we have to make the best of it. And thanks to you, and him, I will. Oh well, mum, I'm uh. I'm glad you feel better after that, at least. Nice to be of service.

it's varric's ghost-leandra who actually acknowledges what a burden hawke has taken on, that shows an understanding of why they're doing it, acknowledges the loss they've been through and also reassures them in their sense of belonging that still can't be taken from them, despite it all -- The best of him is still with you. The best of all of us. It's what makes you try so hard. You'll always have that. We'll always be family. (you can't take 'loved' away, huh.) you get a bit more of a reconciliation/reconnection between hawke and their dad's memory by being reminded he got like this too, you know (implicitly you're not alone). varric through leandra is the one who tells them what they probably would have wanted and needed to hear from a parent right then -- It's going to be alright. that's what Hawke, The Champion means to everyone else, and for once they get to be the one to hear it. except only in a kind dream that never really happened. I. it. hmmmmmm. crushing. that is crushing. but also so incredibly tender from varric's side, and so moving to me that he's seen all this stuff and so desperately wants to give them that comfort. anyway DA2 is about love in some of the realest and thus messiest and most human ways I've ever seen and it makes my brain go wild it's my favorite game of all time goodnight

[mishy-mashy]

Bruce is actually really attractive, and I have enough reasoning to make a list

He's:

Tall (. Tall enough to hit his head on the vault doorframe)

Long-legged

Has a straight nose bridge

Has high cheekbones (more noticeable in 2nd pic below)

Has a strong jawline

Sharp eyes, but they aren't small (plus eyebags if you're into that)

Overall, he has strong, attractive facial features

Has broad, refined shoulders. You can tell he works out (or he did, when he was alive)

Even has a thick, muscly neck

He has MUSCLE. Is SCULPTED. NOICE. VERY NOICE. (nice arms. Nice shoulders. Nice neck. Nice legs. Nice butt-)

(There are actually panels where you can see some of his muscles. Other than those already shown here, he's got bricky thighs-

-and in the panels where we first get his name dropped, he's got those shoulder blades too-)

The one time we see him smile, and he actually has a scary one

Has small, kinda sharp pupils, and his eyes remind me of a cat. We only ever saw him tense or defensive, so his resting/listening face is really cute

Other than the physical appearance stuff, he also:

Takes shit without batting an eye (patience, knowing it's just how Kudo is, etc)

Kudo being all "Cut the crap Bruce and give it to me straight", after Bruce tests his blood and is rightfully Concerned because they just faced AFO

Put up with Kudo's experimenting and testing over Yoichi's transferable Factor

Did ya'll see the look on Kudo's face when he realized he had Yoichi's Factor/will? Kudo was going to start in nonsense and Bruce just dealt with that.

Also something I noticed when looking back at the images here; Bruce has bandages on his arms in the void. But not when he faced AFO in the sewers.

Were he and Kudo cutting their arms open in their experimenting over Yoichi's theory? Is this why Kudo has two gauntlets instead of his one? Why we never see his bare arms in the void? That he always keeps his arms down so there's no slip?

Is smart enough to run blood tests, plus has enough common sense to pick Shinomori as his successor

He picked a guy who avoids society, has an Ability to detect danger so he can always stay away from AFO, is also a coward so he's never going to go throw himself into danger, even without knowing instinctively he stands no chance, etc.

Meanwhile, Kudo chose Bruce, who he played Hot Potato Yoichi with; but he did also trust Bruce, and put the only pure combative Ability in OFA through Bruce.

These two made their choices based on what they valued and saw the Factor needed.

Is logical, analytical, and calm.

He tried advising Midoriya on their Abilities in One For All, especially his own.

Midoriya then tried ignoring him about using Fa Jin for the first time, but found he was right, thinking: "Dammit!! I had [Lady Nagant] right where I wanted her, but... ugh! The Third was right. My parallel Quirk processes are all screwed up!" (ch. 314).

Plus, when Midoriya fixed his processing mistakes, Bruce was analyzing the way he reached his new conclusion. Pure facts, no bias, very calm, just saying it as it was.

We never see him panic. When he's caught by surprise in the sewers by AFO, Kudo, and Yoichi's little bubble event, he immediately reacts. He doesn't falter, he just knows he has to do something right now.

Was more willing to listen than Kudo to Yoichi's beckon, and probably was just following Kudo's rejection of Midoriya

While we don't see Kudo's face, we see Bruce's eyes when Yoichi calls on his heroes. Bruce was more open and receptive, or at least more impacted.

Bruce was also the one to start talking, while Kudo just kept quiet.

He actually communicates a lot

When Yoichi called them to support Midoriya, Bruce started talking to paint a picture of why they thought the way they did, so Yoichi understood where they were coming from.

(Though he seems to beat about the bush sometimes, since Kudo spoke up to be direct on how they couldn't just put their trust in some starry-eyed teenager. Plus, when Kudo tells him to just tell him what's wrong [double Factors])

When Midoriya first used Fa Jin against Nagant, Bruce came out just to tell him he knew what he was trying, but that Midoriya wasn't ready; and Midoriya found he was right. Midoriya just didn't want to listen to him then.

He asks Kudo for clarification after finding Kudo had two Factors in him after the sewer incident ("Just to be sure, All For One didn't touch you, right?") Kudo knew him well enough to go "stop beating around the bush and tell me", so Bruce was probably gonna start with questions, theories, and trying to understand everything in general, before saying "yeah you have two Factors. Don't know why".

Is strong-willed and loyal.

He followed Kudo, even to death, carrying on the cause he started until it ended with him.

Plus, when talking about how AFO needs a strong will to override OFA's own, we first see Bruce, Kudo, and Yoichi.

AFO couldn't steal OFA because the will was too strong for him, and that was back during Banjo's time. Since Shinomori never actually tried opposing AFO and just hid, we can assume the first Three (Yoichi, Kudo, Bruce) already had an accumulation of strong willpower that made OFA un-stealable. Those three are a strong enough foundation, and the main wills, that the other users just become bonuses.

Kudo, also saying that Midoriya needs allies with the same will and drive as him... hey Kudo, you're talking about yourself and your old allies, aren't you? That's why you look at Yoichi and Bruce when you say this.

Not only is Bruce attractive, but he's got good character. THE END.

[gaysforbyler]

When “the week is long” because the Upside Down is forever stuck on the week Will went missing