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caffeinewitchcraft · 27 days ago

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The Fool Dies

Summary: You are a villain known for telling the future. When a Hero kills your right hand, you’ll let the future burn to get her back.

Hero Cowboy kills your henchman after you’ve already surrendered.

Gunshot silence, the scent of iron heavy in your nose, the crippling cold that floods your chest. All familiar sensations, companions you’ve carried with you since you even became a villain, but this time—

This time it’s…different.

You’re on your knees, the rock salt on the road digging into your kneecaps, with your hands above your head, the ghost of your signature smirk fading fast. The street isn’t empty. There are witnesses. The Hero pulls his punches when there are cameras and citizens and teammates. That’s what your plan says. He pulls his punches.

She asked if you were willing to bet her life on that and you said yes.

Your henchman’s body is stuck in the crumpled side of a car. You see her out of your peripheral, the pale oval of her face unencumbered by the mask you’d lovingly bestowed upon her six years ago. Cowboy backhanded it off of her as she was falling to her knees beside you. There is wet and red and twisted metal dancing foggily around her. The air is harsh and cold to breathe. The world is wavering as tears flood your eyes. You can’t blink them away. If you do, you won’t be able to see her just at the corner of your vision, you won’t be able to watch for a breath you already know won’t come, you’re afraid she’ll disappear—

“Clever to pretend to surrender,” the Hero says. He’s like a swan, spreading his arms out so the leather tassels lining the underside of his sleeves look like wings. He tips his head back so that the news cameras rushing in can catch the strength of his jaw under his wide-brimmed hat. She’d managed to singe it in the fight and the light catches in his blue eyes through the resulting hole. “Was it worth it, Prophetess? Was your attempt on my life worth the life of your sidekick?”

Snow falls, a few flakes here and there. The street is lit like the middle of the day thanks to the news cameras swarming out of the side streets now that the fight is over. The fire is being put out and thick curls of smoke rise from just beyond the gathering crowd of onlookers.

Your spellbook is lying a hundred feet away at the bottom of the lake. That’s why the Hero is flaunting himself in front of the cameras, trying to minimize her death at his hand. He did what he had to do. They were wrong, not him. Unfortunate but expected. The Hero always wins.

She’s gone.

The Fool. She always wanted a different name. But you were adamant she wouldn’t receive one until she earned one outside of her service to you. Until then, her name was a reflection of your journey. Your first step, foolish and unknowing, young and ignorant of the consequences. The name felt right when you called it and you never thought to question why. Only now can you taste your own cruel power in the decision. The power of prophecy spelled her fate out in front of you and, like always, you didn’t listen.

Your tattered cloak ripples in the breeze coming off the water. The vibrant purple is stained with soot and worse, the once smooth velvet charred and eaten away at by the Fire Cowboy’s flames.

They don’t remember that you surrendered before he struck. He’s dismissed your uncharacteristic action as an act, and so the world will too. The Prophetess always lies. Isn’t that the first line in your Hero Force file? The Prophetess has no powers of divination; she lies.

The world is magic. You believe it like the sun, like the earth, like the ocean—

--like her—

--and there is magic even here. The spell of your grief rises over your head like a shroud and, for a moment, you are drowning in the dark as the world heaves. You can taste the last cup of coffee she ever gave you going sour at the back of your mouth, the small daily comfort washing away under the metallic scent of her blood. There is a purple current around your thoughts, painful and biting. You will always be in this moment with her jester’s mask – cruel, you are so cruel – leering up at you, closer to your hands than her. How did you let her get so far out of reach?

Why didn’t you hold her close?

“I asked,” Cowboy says from directly in front of you, “if it was worth it?”

The world pulses back into purple focus. Cowboy is looming over you and the smoke of your battle rises into the night behind him. The media jockeys closer the longer you are silent and they’re inching around the car she’s lying against.

“Tell them to get away from her,” you say. Normal, your voice is so normal. Your arms are burning from holding your hands over your head and your neck aches from forcing yourself not to look. You are afraid your tears will fall if you blink so you stare at the gaudy belt buckle in front of your face. Your eyes are purple in the reflection and your face is as pale as hers. “P-please.”

Cowboy must kill all the time. He has no problem glancing towards the slowly gathering swarm and you can feel his eyes on her body as if they were on your own. “They’re trying to help her.”

“She’s beyond helping,” you say. Why would they even try? You can’t even look at her and you can tell that. “I don’t want anyone touching her.”

“They’re not monsters,” Cowboy says. There’s a scoff and then he’s crouching in front of you. He smells like singed leather. “Not like you.”

You’ve never seen the Hero this close. He’s older than you thought, only a few years shy of your age. His stubble is darkened with soot and his nose bears scars of past battles. His eyes—they’re not blue. You can see the edge of brown behind his contacts, the same deep brown as his mask.

“You killed her,” you say.

“No, you did.” He answers you so quickly it’s like he was waiting for those exact words. He tilts his head so the brim of his hat hides his lips in shadow. “She wouldn’t have died if it weren’t for you.”

He’s so confident that you nearly believe him. Your hands ache with phantom bruises from the blows and the weight of your sin falls onto your shoulders like the sky itself coming to rest there.

--------------.

You see the trajectory of her life lined in gold. Her first day at your firm, her finding out your identity, her wavering in front of the window overlooking the Charlotte skyline as she admitted to knowing exactly who you are and how you’d been hiding more than your fair share of power all along.

That moment shines. She wasn’t the Fool then. She ripped her pencil skirt up the side as you debated her fate. When you asked her why, she said in case she needed to run.

“You would run from me?” you asked, eyebrow raised, conveying with expression alone how ridiculous you found the idea of her getting away was.

“I would,” she said. She grinned unhappily. “You can kill me, but you’ll break a sweat doing it.”

You laughed and held out your hand. When she took it, the outline of her life changed. No longer edged in gold. All black. A night sky all around her.

“You’re a fool for this,” you told her.

“The biggest one around,” she said, chagrined. Then she laughed with you.

You’ll never hear her laugh again.

----------.

There is a protocol for arresting a villain. Cowboy is already so outside of Hero Force code that it takes a while for things to be ready. He stands over you for the better part of an hour, smiling at the cameras, glaring you into submission, waving to the officers that eventually come to secure the scene.

An ambulance comes to take her body away. Only when they load her into it do you move. You watch the side of the vehicle like you can see through it. Cowboy tenses when it starts to drive away, but you don’t twitch. Her body isn’t her. If you start clinging to it now, you will never let her go.

“I know they call you Cowboy,” a woman drawls, “but you aren’t supposed to act like one.”

The reporters leap out of Strongwoman’s way. Barely five feet, Strongwoman is a super hero. Nobody is willing to get too close, regardless of how good and moral she is. The dark-haired woman is one of the few heroes who don’t wear a mask. No villain is stupid enough to think that makes her weak. Her dark eyes catalogue the scene quickly and efficiently. The ground rumbles as she approaches.

“Heat of battle,” Cowboy dismisses. His shoulders relax with another hero to support him and he shakes out his leather vest. Soot and snow falls from him. “Literally.”

“Hm.” Strongwoman finally turns the weight of her attention towards you. “Where’s her spellbook?”

“Bottom of the lake.”

“She hasn’t tried to summon it?”

“Her minion was in charge of that.”

Strongwoman’s voice whips. “We don’t call them minions.”

“Sorry.”

“You should be,” Strongwoman says. She folds her arms across her chest. She always gives the impression of being wrapped in armor and it takes you a moment to realize she’s wearing a tank top despite the cold. The muscles in her arms twitch. “That’s your third body this year.”

Cowboy hisses, eyes flying over her head towards the reporters. “Don’t—” A coalition of people in dark suits are already herding the media away. Cowboy’s lips thin. “Not in public.”

Strongwoman raises an eyebrow. She reaches down with one hand and hauls you up by the collar of your robes. “Fine. The car then.” She frowns at the way your hands hang by your sides. “You didn’t cuff her?”

“She doesn’t have her spellbook.”

“Protocol, Cow.”

“It’s Cowboy.”

“…”

“Shut up.”

“I didn’t say anything.”

Strongwoman cuffs your hands behind your back. The familiar sting of power suppressors races up your arms. The last time someone managed to get them on you, the Fool had to break them off once you escaped. You feel her breath against the shell of your ear and her voice whispers, Now who will do it for you?

Her memory is another spell on you. The edges of your life – dark and violently violet – cover your eyes so that you’re blind and deaf to the world around you. Once this new incantation runs its course, you’re sitting in the back of a Hero Force car. The grate between you and the front seat is closed. Beyond it, you can see Strongwoman at the wheel, shoulders vibrating with tension. Cowboy is sitting in the passenger seat like a petulant child.

You read their lips in the rearview mirror.

--review, Strongwoman says. Three. Three deaths on your hands.

This one was just a villain—

Tell that to Foresight. I beg you. See how he likes that excuse.

Cowboy changes tactics. You know the Prophetess is basically an S-Class—

Without her spellbook?

She had it for most of the fight.

Did she?

You lean your head back and close your eyes. Cowboy’s been operating alone for too long. They’ll likely stick him in probation and then transfer him to a hero team with an established leader. Maybe Atlas’ team in San Francisco or Light’s team in LA. Hell, if they really want to punish him, they’ll assign him to Omit’s team in Chicago. The guy’s the most righteous and the most powerless leader out there. Cowboy might actually become a villain if he’s forced to follow that guy’s lead.

“He’ll suffer,” you say in your prophecy voice.

A speaker crackles to life overhead. “No divination,” Cowboy snaps.

“I wasn’t talking about you,” you say.

“Prophetess lies,” Strongwoman says to Cowboy. “Remember, she always lies.”

“It’s still a threat—”

“Prophetess,” Strongwoman says. “Let’s go over next steps. When we get to Charlotte HQ, you’ll be taken to a secure floor where you’ll be asked to remove your mask. It’s important that you understand your identity will remain confidential until your loved ones can be secured—”

“He killed her,” you interrupt. You watch the ceiling of the car. “I can tell you my identity now if you’d like.”

There’s a pause. “That won’t be necessary,” Strongwoman says. Is it just you, or is her voice a little softer? “There is a proper course to this investigation.”

The way she says it makes it sound like she’s promising you something.

It’s like your mind is scrambling for connection to her. There is nothing in what Strongwoman says that reminds you of the Fool. And yet, as the car falls back into weighted silence, one word rings. Proper.

There is a proper way, the Fool whispers. You could fight this spell, but don’t. You sink into the car seat the best you can with your hands behind your back. Hear me out.

Please, you think. By all means.

------.

The first time you ask her to dinner, you’re too hasty. There’s blood on the hem of your robes (possibly a tooth) and the city is still screaming the sirens of your escape. The Fool isn’t shivering like the rest of your henchman; she is standing next to you. Her Jester’s mask is carefully secured with three exact ties despite the haste with which she put it on.

“I can never wear this skirt again,” she says. She is standing on the very edge of the building, the toes of her sensible work shoes a bare inch away from nothing. “This was my best work skirt.”

The city sparks with the purple of your magic, violet vines climbing the buildings and blocking your view of the street below. Your magic is mostly illusion, but all power leaves behind a mark. Where your spell has started to fade remains a charred outline of leaves and flowers against the concrete and stone of the buildings.

While the rest of your minions look a bit like chimney sweeps, the Fool remains untouched. It’s an obvious sign of favoritism; you had room for one other person underneath your cloak and you chose her.

Somehow the memory of her pressed against your side as she used her power to lift you both up to the rooftop makes you blush.

“You don’t have any residue on you,” you say. “You can stitch it up.”

She scoffs. At you. “It’s recognizable, Prophetess.”

It’s really not. The black pencil skirt is the same kind she wore when you first met. How many does she go through? You find yourself smiling at her bare thigh. Since she first told you she knew who you were, you’ve seen her rip at least three.

“Something amuse you?” she asks. Her voice is short and snappish, the tone she uses when one of the other paralegals aren’t as thorough as they need to be with the briefs. She turns to face you so that the setting sun lights her outline in orange and pink and gold.

“Have dinner with me,” you say.

And for a moment, the hope of her saying yes is as blinding as the sun behind her. Her lips part and you imagine that her eyes widen behind her jester’s mask. A wind picks at the long strands of her hair, sending them fluttering around her like a halo, and you’re standing so close that one brushes your cheek.

“There is a proper way,” she says and then stops. Her right hand twitches at her side. “There is—” is she stuttering? “This isn’t—Prophetess.”

You’re fascinated. She’s always so precise with her words. Even when you threatened her all those months ago she never once floundered like she’s doing now. “Hmm?”

“Hear me out,” she says.

You nod. “Of course.” You lean forward so that you’re only inches away from her. “I’m listening.”

“This…is not the time,” she says. You feel her attention slide to the others and then back to you. She hisses when she finds you even closer. “Prophetess.”

You don’t want to push too hard.

You lean back onto your good leg. “You let me know when it is time,” you say. Your lips quirk. “My little Fool.”

“Oh my god,” she mutters. She turns sharply on her heel. “Get yourself off the roof. I’m going home.”

You watch as she steps off the roof without hesitation. Her telekinetic powers are unique in that they can work on people too. You usually rely on her to get you home.

Maybe you should have asked her afterwards…

You turn to your other minions. Low-level villains without the drive or power to execute their own heists who all owe you the same favor. You raise your brow. “So how are you lot getting me off this roof?”

“You’ve got legs,” the Ace of Swords says.

“I broke my left one,” you say. And, to prove you aren’t lying, you draw away your cape to show that your pant leg is soaked in red.

The Ace of Swords stares. “This is why she said no.”

“Was that what it sounded like to you?” you ask. His surety makes you frown. “For that, you get to carry me down.”

The Ace of Swords groans as the other Swords flee.

-----------.

Your Swords are not always Swords. Sometimes they are Pentacles or Wands or Cups. There’s meaning to the costuming you put your people through, a meaning that escapes Hero Force.

“Where are the others?” Cowboy growls at you over the interrogation table. He keeps aggressively tapping the photos he flung in front of you. Grainy shots of your Wands storming through the Christmas Parade you used as a cover to kidnap the Mayor, blurry screen grabs from security footage of them as Pentacles in the art museum, a delightful brochure featuring them as Cups in a reproduction of Macbeth you used to do some light money laundering. “If you tell us, we might cut you a deal. Six of your people are being prepared for interrogation right now. Want to bet who breaks first?”

The ghost of you smiles behind your dead eyes, leans forward, and sneers in Cowboy’s face. That version of you is delighted by Cowboy mistaking six people for twenty-four and wants to play the interrogation game he’s offering. But the real you feels as heavy as lead and it takes all your strength to watch as Cowboy slowly works his way into a frenzy.

“For too long you’ve been tormenting this city,” he says. He shakes a finger in your face. “I told Headquarters, I said you were a problem when you first showed up in Raleigh. I said, ‘This one is going to come to Charlotte and she’s going to show up with an army.’ I did. I said that and now you’ve got the largest crew in America.”

“Quite the fortune teller, aren’t you?” you murmur. The Fool is at the front of the brochure, all done up as Macbeth. You’d tried to get her to be Lady Macbeth, but she’d insisted she be the main character for once.

You don’t understand Macbeth, you’d said.

His name is the play, she argued.

Lady Macbeth is the mastermind.

Did you read the play?

Did you?

Neither of you had.

Cowboy slams his hand on the table. “Look, Prophetess, I’m the only chance you’ve got at a deal. As soon as those DC heroes get in here, it’s off the table.”

Ha.

“It would be convenient for you if there were no witnesses,” you observe. “More convenient if you get to them before the DC crowd.”

“Witnesses to what?” Cowboy blusters. But he draws back and his gaze is colder than the Hero Force air conditioning that’s already making this room glacial. “To justice?”

How dare he lie to you? Her pale face haunts your peripheral vision. You can see her in the window of the interrogation room.

“To murder,” you say. Your glares clash when you finally look up at him. The soot is still in his stubble and you imagine you can smell her blood coming from his singed leather vest. “She surrendered. We all saw it.”

“She was an A-rank villain with telekinetic powers strong enough to crush my skull,” Cowboy bites back. “I acted in self-defense.”

“With us both on our knees—”

Cowboy whips his arm across the table, scattering the photos of your people into the air. He slams his hand again. “Last chance. Tell me where the rest of your minions are!”

In your holding cells, you stupid—

“You’re a pathetic worm of a man,” you say. You clear your throat. “Sorry. Let me say it in a way you’ll understand.” You adopt your prophecy voice. “The dust Cowboy leaves behind is red, red as the blood on his hands. His golden star is stained—”

You see the blow coming. Not a prophecy, of course.

You just know what heroes do when their buttons are pushed.

-----.

The second time you ask her to dinner, you’re too stupid for her to say yes. It’s not your fault though. How could you have known the Mayor had superpowers? He didn’t do anything besides embezzle taxpayer money!

“Maybe,” she says tightly, dragging your leaden and paralyzed body through the grand halls of the mayoral house, “you could have done a single iota of research instead of sewing all those costumes.”

Feeling is coming back into your hands. They still ache from finishing the elf-themed Wand costumes you’d made for your employees. You think the group costume of Five of Wands came out particularly well. All those little elves holding giant candy cane wands…a perfect symbol for the tumultuous election Season. You flex your fingers and then wince when the Fool’s nails dig into the soft undersides of your arms. “Ouch. Could you—”

“I am not slowing down,” she says. She grunts as she slings you around another corner. “We need to get to the backyard. Ace is meeting us there with the chopper.”

“Such a waste of money,” you bemoan. The chopper had been Two’s idea and all she does is maintain it. She won’t let you fly it until you get your license. “We should’ve got a boat.”

“Great idea,” the Fool snarls. She adjusts her grip so her nails are now digging into your shoulders rather than your arms. “A giant vehicle we have to keep in the harbor. The heroes would never find that.”

“Okay, you have me there,” you say. Your words are crisper now and you can even push a little with your legs as she pulls you into the empty kitchen. “But consider this. I could take you to dinner on a yacht. I can’t take you to dinner on a helicopter.” She stops in her tracks, head whipping down to look at you. Your noses nearly touch. You grin dopily. “Hi.”

“Are you asking me to dinner right now,” she asks in a tone that tells you you’d better be careful with your answer.

She’s so pretty. That’s why you aren’t careful when you slur, “Yes.”

She drags you through the doorway into the backyard. “I sure hope it’s the drugs making you this stupid.”

“Hey—”

“Hey!”

Both of you look back towards the house to where the Mayor has just appeared. He’s wearing the smoking jacket he’d monologued in and the handkerchief he’d used to drug you is hanging limply in his grip.

He points at you. “You. You should be unconscious! Nobody escapes my venom!”

“Oh gross,” the Fool says. “Does he make the sedatives from his body?”

“From his sweat,” you affirm. Then, raising your voice over the growing sound of the chopper and her gagging, “Maybe you should sweat better drugs, huh?”

The Fool coughs and wheezes. You recognize a laugh in the sound. “Don’t antagonize—”

The Mayor bellows and sweat begins to drip from his forehead. He mops at it with his handkerchief and then advances across the grass. “Get back here!”

“Hahaha,” you say, “He was definitely a hero. I know how to push their buttons.”

It becomes a race to who gets to you first; the chopper or the Mayor.

As usual, the Fool wins.

-----.

Cowboy isn’t allowed in your room after hitting you in the face. You can feel him lurking in the hall outside when Strongwoman takes the seat across from you.

“That…wasn’t supposed to happen,” she says and pinches the bridge of her nose. She’s sitting on a special crate they brought in for her. It creaks when she leans forward. “Are you sure you don’t need medical attention?”

The Fool is the only one you let tend to your wounds. Blood stings your eye. Cowboy was wearing his rings when he hit you. “I’m fine.”

Strongwoman sighs through her nose. She’s short and stocky, dark hair and wide nose. There’s a beauty to her when she’s still and quiet. When she moves? She moves like a threat. “We need to know where your base is,” she says.

“Home is where the heart is,” you say. And you killed mine.

Strongwoman’s lips thin. “Look, if you want the guys who speak riddles, we can wait for them. Or you can answer my questions and maybe we can come to some sort of understanding.”

“Interesting offer.” You lean back and contemplate her. “You have my spell book.”

“Except that,” Strongwoman says immediately. She winces. “Sorry. You’re in custody. The spell book isn’t even on-site anymore.”

“Then you can take these off,” you say, nodding to your cuffs. Their faint glow is making you sick. “As a sign of good faith.”

“Tell me everything about your operation,” Strongwoman retorts. She shakes her head. “Nobody believes you’re harmless without your spellbook.”

“Cowboy does.”

“Cowboy is operating under a lot of false assumptions,” Strongwoman says. She leans forward to match you. “Like the one where you have over 30 lower-level villains working for you.”

“Oh?”

“We have six,” Strongwoman says. “Tell me where the rest are and we can negotiate.”

Ha. She doesn’t know either. You are so good at costuming. It’s not like your henchmen can multiply. There are always just six with you and it’s through your costumes that they transform. You’ll have to tell the Fool—

Your mood sours. Tell the Fool. Who’s the Fool now? You’re not in the mood to play games. “I tell you everything, you let me talk to those you have.”

“No—”

“I don’t know everything about them,” you snap. “You’re asking me to betray my people. Fine, I’ll do that. You lot will pry and pull and claw until you find out anyway. But allow me to give them the chance to tell you about whatever family or loved one they haven’t told me about. If I must take them down with me, at least let them beg Hero Force for leniency for their loved ones.”

Strongwoman considers you. “And what do you want in exchange?”

“Let,” you clear your throat. Your eyes are hot and itchy. “Let me have a moment with them. To mourn one of our own passing. To—” you clear your throat “-to lay the Fool to rest.”

The silence sticks to the walls and builds. It presses into you on all sides until you feel like you’re in a coffin. You once told her you would die with her.

Not allowed, ma’am. I don’t think we’d go to the same place.

You swallow hard and stare at your hands.

“Deal,” Strongwoman says finally.

“Thank you,” you say. Your head bows until your forehead presses against your shaking hands. “Thank you.”

“Cuffs will stay on,” Strongwoman says gruffly. She pulls out a pen and pad. The pen looks like it’s made of metal. “Start talking.”

You do.

-----------------.

The third time you ask her to dinner, she stares at you for a long time. It makes you nervous in a way you haven’t been before, her unrelenting stare. Is it because she’s usually so quick? Or could it be because you can feel her eyes on your bare face for the first time since she stood in your office and called you a villain?

The same office you’re currently standing in now as the sun sets behind her?

“I have concerns,” she says at last.

Oh thank god. You’re smiling too widely. “I can work with concerns.”

“Can you?” Her eyes flash gold with the sun. “You keep asking me out while we’re working,” she says.

You blink. “Do I?”

“You do.”

You consider her words, leaning back against your desk. You’re wearing your pinstriped suit today and it’s getting a little tight. She feeds you before and after every meeting you have and you have a lot of meetings. “I’m always working.”

“That’s true,” she says. She turns on her heel. “And that’s the concern.”

You stand up. “Wait, how is that—”

She stops at the door and turns to look at you in a way that steals your breath. “I am not work,” she says. Her lip twitches. “Nor am I a fool.”

“I know, you’re—”

“Ace says they’re already at the meeting place. According to your schedule, we’re running late.”

“We haven’t finished talking.” You try to sound firm, like you used to. Instead, the words come out as almost a plea. “We can be late.”

“You’re never late. Besides, I hear it’s going to be a regular rodeo.”

“Cowboy? Ha! When did he blow back into town?”

“His probation period is up.”

“Lucky us.”

-----.

Lucky us.

You Fool.

--------.

You look over the bowed heads of your employees. Ace, Two, Five, Eight, Ten, and Page. The room Strongwoman led you to looks like the cockpit of a spaceship. Noxious blue light undulates up the concave walls. There are no chairs in here, no pulpit for you to stand behind.

So your employees kneel when you walk between them all to stand in the very center.

“Prophetess,” Ace says. Her voice is thin and high. “We—I’m so sorry.”

Two looks up. Her face is drawn and there’s a deep bruise along the side of it. “We know how it is to lose.”

“You do,” you murmur. You’re aware of the eyes on you here. You saw Cowboy sneering in the observation room on the other side of this one. There are cameras scattered like black stars across the ceiling. “I know you do. But there is a renewal in Death. If—” you swallow hard “-if you allow it.”

You expect fear. What you’re asking of them has happened exactly six times. The favor they owe is not only to you, but to each other. Death is the complete annihilation of everything you know. It can be the end. Or it can be the beginning.

But it takes people to begin.

And you have asked them too many times before.

“Anything,” they say as one.

Your head shoots up. “What?”

Six of your employees – your friends – return your gaze unflinching.

“If I have to redo everything again, I will,” Ace says. She presses a hand over her heart. You know a picture of her son lies there. “Time doesn’t matter. We won’t lose anything but time.”

“We know we can rebuild,” Two says. Her eyes are fierce. “We can do it better.”

“You taught us how to do it better,” Five says.

“I thought you would’ve already done it,” Page says. He scratches the back of his head. “I didn’t eat lunch thinking you woulda done it by now.”

“You didn’t miss much,” Eight tells him. Then, to you, “You did it for us. Again and again and again—”

“—and again and again and again—”

Eight punches Page. “Shut up.” She breathes in through her nose. “Prophetess. It’s okay. We’re okay.”

“The memories you have made will only remain with you,” you remind them. Your hands are shaking. This—you have asked this favor for the sake of others. Did they feel this vulnerable asking? So hopeful and so full of dread. “It will be different. Time changes all and you who have experienced it—”

“—will be like fortune tellers in a strange new land,” Ace says. “We know.”

“We’re okay with it.”

“Are you?”

The time is approaching. You can hear voices outside the room. Ten minutes. She’d promised you thirty, but you figured they’d interrupt sooner. Especially considering what you’re saying.

You breathe in deeply through your nose. You think of her pencil skirt and her flashing eyes and her warm smile. The ghost of her pale face is fading into blackness as this curtain closes.

Your resolve firms. It was a bad ending. As a villain, you’re allowed to rewrite those.

“Tonight,” you say in your whispering voice, “we rebalance the deck.”

The blue in the room flickers. The voices in the corridor gain urgency. The cuffs around your wrist flare and then go dormant.

“I see my son a babe again,” Ace sings. Her eyes burn with your purple power as she brings her hands up towards you. The memory of the favor you granted her rises with her words. “I hold his hand.”

The blue flickers purple and electricity arcs. The Hero Force suppressors are to stop superpowers.

There is very little they can do against fate.

“I see the bus that takes them away,” Page says. He doesn’t sing. His voice is as dry as the desert and he salutes you. His hand glows against his temple. “They get on it.”

“I see my friend at the crossroads,” Two says. She holds her hands palm up and tilts her head to the sky. Tears of neon violet fall down her face. “I follow them.”

“The power I have falls into my hands like rain,” Eight says. She cups her hands in front of her and they fill with your power until it spills over onto the ground. “I drink from it.”

“The harm I caused erased,” Five says. He crosses his arms over his chest and bows his head. A halo the color of lilac blooms over his head. “I atone.”

“I do better,” Ten says simply. They stand with their hands by their sides. Their eyes burn with your power and they do not flinch. “I don’t bury them.”

Your power crawls along the walls. There are no more blue arcs of power. There are purple flowers and thorns that leave shadows in their wake. They seal the door shut and you are distantly aware that Strongwoman is trying to smash her way inside and can’t.

Fate takes a different type of strength to overpower.

“I see her again,” you say. The tides of the world pull at your long hair. You are drowning in light. The ground shakes under your feet. You think of her life outlined in gold, yourself outlined in gold. Is it possible you can see it glittering there in the unrelenting ocean flooding into you? “I see her again.”

Thunder crashes and everything becomes nothing.

-----------.

You are at your desk. You blink at the pages lying before you. A brief. A case. From four years ago.

You release a trembling breath. You never doubted it would work but it’s a relief to see not so much time has passed. Ace will still share some memories with her son. Page will not have to sit by his brothers’ bedsides again. Ten won’t be trapped in her father’s house.

The rest…the rest will not expect your help. You didn’t help them the last three times. Cruel, maybe. Fate often is.

You think Two is in Charlotte at this point. She mentioned something about a halfway house…

You freeze grabbing your coat as familiar footsteps echo from the hall outside your door. The skyline is twinkling with city lights, but it’s nearly midnight. Nobody should be here, you don’t remember anyone being here at this time—

The door opens without a knock. Her hair is chopped beneath her ears and she has a lip piercing and there isn’t a pencil skirt to be found. But it’s her. It’s her.

“Anika,” you breathe.

Her gold eyes flick to you, to your desk, to your coat in your hand. “You working?”

“N-no,” you say. Your words pile up behind your teeth. Do you remember? Of course you do, otherwise how would you be here. But how? Did I infect you? Did the outline of my life really drag you into my power enough--

Anika waits. When you continue to stare at her, she prods, “I’m not your paralegal.”

“You don’t look like you’ve even finished your degree,” you blurt out. You point. “A lip piercing?”

Anika rubs her piercing. “I’m not the Fool,” Anika says patiently.

A light bulb goes off. “Oh,” you say. “Oh!” You get down on one knee. “Anika, will you marry me—” Anika throws her purse at you. It misses by about three feet. You stand and try again. “I mean, will you go to dinner with me?”

“Yes, I’ll go to dinner with you.” Anika rubs a hand over her face. “Everytime I give you an inch, you take a mile—"

“For the rest of our lives,” you promise.

Anika shakes a finger at you. “Dinner.”

“It’s a beginning,” you say cheerfully.

The best one you’ve ever had.

-------.

Thanks for reading! I do love my supervillain stories and appreciate you for making it through this one! Sometimes I wonder if I can even write flash fiction anymore haha

Next week's story is already up on my Patreon (X)! I'm super excited to share it as it made me laugh writing it. It's an AITA style post from a woman who used to be a Cryptid professionally and feels like she's made a misstep with her Slasher boyfriend.

See y'all next time!

#my writing #long post #super long post #my superpowers #grief #death #loss #happy ending #original fiction #writers on tumblr

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captainfantasticalright · 8 months ago

Text

In 1985, one of the only persons interested in an interview with a “new” writer called Terry Pratchett, after his publication of the Colour of Magic, was one Neil Gaiman. Neil Gaiman was writing for Space Voyager at the time. "The Colour of Pratchett" was the name given here:

It ran exactly one page inside the June/July issue of that year. The interview took place in a Chinese restaurant in London.

Here is Neil many years later holding that issue. You can see it here if you want. Warning: extremely emotional video.

Neil arrived wearing a grey homburg hat. “Sort of like the ones Humphrey Bogart wears in movies” he later wrote. (Before saying that in fact he did not look like him, but like someone wearing a grown-up’s hat). Terry Pratchett, photo courtesy of one @neil-gaiman, was in a Lenin-style leather cap and a harlequin-patterned pullover. At this point, Terry was already a hat person, although not that hat.

Terry offered Neil this : "An interview needn't last more than 15 minutes. A good quote for the beginning, a good quote for the end, and the rest you make up back at the office"*. (Terry Pratchett had worked many years in journalism by this point ).

But the meeting went terribly well. The two of them realized they had "the same sort of brains". So well indeed, that in 1985, Neil had shown Terry a file containing 5282 words, exploring a scenario in which Richmal Crompton's William Brown had somehow become the Antichrist. Was a collaboration in the cards as of that moment? Not really. But Terry found in Neil someone to whom he could send disks of work in progress and to whom he could pick up the phone sometimes when he hit a brick in the road of his writing.

Terry loved it and the concept stayed in his mind. A couple of years later, he rang Neil to ask him if he had done any more work on it. Neil had been busy with The Sandman, he had not really given it another thought. Terry said, "Well I know what happens next, so either you sell me the idea or we can write it together". **

On collaborating together:

Here is a video of Sir Terry saying why he chose to collaborate with Neil, another video talking about the technical difficulties of writing a book when the two of them where miles apart ,and some pages from Interzone Magazine Issue 207 published December 2006:

An Interview with Sir Terry Pratchett and his works- and Neil Gaiman, where he shortly addresses the process of writing Good Omens.

Terry shortly mentions,

“Neil doesn't rule out another book with me and he was good to write with...yep, it could happen. With anyone else? I don't know, but probably not.?”

Neil says,

"Terry took that initial 5,000 words of mine and ran it through the computer (because I’d lost the files in a computer crash) and made it the first 10,000 words, and it was definitely Good Omens at that point. Neither one thing nor the other, but a third thing.”

"I think Terry could do a very good impersonation of me if he needed to, and I could do a very good impersonation of him; so we knew the area of the Venn diagram in which we were working. But mostly the book found its own voice very quickly. It helped that we were both scarred by the William books when we were kids...”

And as you know, unless you’ve been living in Alpha Centauri, the rest is history. That was the beginning of what would become William the Antichrist and later would get the name Good Omens:The Nice and Accurate Prophecies of Agnes Nutter, Witch. (Title provided by Neil Gaiman and subtitle by Terry Pratchett).

More about the writing process:

Terry took the first 5,000 words and typed them into his word processor, and by the time he had finished they were the first 10,000 words. Terry had borrowed all the things about me that he thought were amusing, like my tendency back then to wear sunglasses even when it wasn't sunny, and given them, along with a vintage Bentley, to Crawleigh, who had now become Crowley. The Satanic Nurses were Satanic Nuns.

The book was under way.

We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes. We would throw characters in, hand them off when we got stuck. We finished the book and decided we would only tell people a little about the writing process - we would tell them that Agnes Nutter was Terry's, and the Four Horsemen (and the Other Four Motorcyclists) were mine.

From the introduction to William the Antichrist:

“In the summer of 1987 several odd ideas came together: (..)I found myself imagining a book called William the Antichrist, in which a hapless demon was going to be responsible for swapping the wrong baby over, and the son of the US Ambassador would be completely undemonic, while William Brown would grow up to be the Antichrist, and the demon would need to stop him ending the world. The unfortunate demon, whom I called Crawleigh, because Crawley was a nearby town with an unfortunate name, would have to sort it all out as best he could.

It felt like a story with legs.

Terry took the 5,000 words, and rewrote them, calling me to tell me what he was doing and what he was planning to do. The biggest thing he was going to do, he told me, was split the hapless demon into two characters – a would-be-cool demon in dark glasses (which was, I think, Terry’s way of making fun of me, a never-actually- cool journalist in dark glasses) who had renamed himself Crowley, and a rare-book dealer and angel called Aziraphale, who would embody all the English awkwardness that either of us could conceive.”

William the Antichrist being a direct inspiration of the 1976 film The Omen. If the baby swap had just been a little bit messier and the kid had gone off somewhere else he would have grown up as somebody else. “And then there was a beat and I thought, I should write it, it will be called William the Antichrist” says Neil. ***

“The first draft of Good Omens was a William-book. It was absolutely in every way it could be a William book. It had Violet Elizabeth Bott, it had William and the Outlaws, it had Mr. Brown”.

Over time they realized that they would have more creative freedom if they in their own words filed off the serial numbers. William and the Outlaws becoming Adam and the Them.

But the spirit of Just William was never far away.

The joy for Neil was to construct “perfectly William sentences”. The one when Anathema tells Adam that she has lost the Book, and he tells her that he has written a book about a pirate who became a famous detective and it is 8 pages long… that’s “a William sentence”.

If you want to read more details about William The Antichrist, here are some slides I made.

Good Omens was also inspired by a particularly antisemitic moment in The Jew of Malta and John le Carre's spy novels. (Neil’s ask)

Then I was reading The Jew of Malta by Kit Marlowe, and it has a bit where the three (cartoonishly evil) Jews compare notes on all the well-poisoning and suchlike they’d done that day, and as a Jew who never quite gets his act together, it occurred to me that if I were the third Jew I’d just be apologizing for having failed to poison a well… And suddenly I had the opening of a book. It would be called William the Antichrist. And it would begin with three Demons in a graveyard… (x).

“When we finished the book we estimated that the words were 60% Terry’s and 40% mine, and the plot, such as it was, was entirely ours.” -Neil Gaiman

"Neil and I had known each other since early 1985. Doing it was our idea, not a publisher's deal." "I think this is an honest account of the process of writing Good Omens. It was fairly easy to keep track of because of the way we sent discs to one another, and because I was Keeper of the Official Master Copy I can say that I wrote a bit over two thirds of Good Omens. However, we were on the phone to each other every day, at least once. If you have an idea during a brainstorming session with another guy, whose idea is it? One guy goes and writes 2,000 words after thirty minutes on the phone, what exactly is the process that's happening? I did most of the physical writing because: 1) I had to. Neil had to keep Sandman going -- I could take time off from the DW; 2) One person has to be overall editor, and do all the stitching and filling and slicing and, as I've said before, it was me by agreement -- if it had been a graphic novel, it would have been Neil taking the chair for exactly the same reasons it was me for a novel; 3) I'm a selfish bastard and tried to write ahead to get to the good bits before Neil. Initially, I did most of Adam and the Them and Neil did most of the Four Horsemen, and everything else kind of got done by whoever -- by the end, large sections were being done by a composite creature called Terryandneil, whoever was actually hitting the keys. By agreement, I am allowed to say that Agnes Nutter, her life and death, was completely and utterly mine. And Neil proudly claims responsibility for the maggots. Neil's had a major influence on the opening scenes, me on the ending. In the end, it was this book done by two guys, who shared the money equally and did it for fun and wouldn't do it again for a big clock." "Yes, the maggot reversal was by me, with a gun to Neil's head (although he understood the reasons, it's just that he likes maggots). There couldn't be blood on Adam's hands, even blood spilled by third parties. No-one should die because he was alive." -("Terry Pratchett : His World”)

(Here are some slides of mine where I go into some other details concerning the origins of Good Omens).

Another wonderful insight with Rob Wilkins in "The Worlds of Terry Pratchett".

*Quote: from Terry Pratchett A Life With Footnotes by Rob Wilkins, but said by Terry of course.

** All the quotes, facts listed here : see above.

***all other quotes by Neil Gaiman from various interviews and asks I’ll link.

#good omens #neil gaiman #terry pratchett #crowley #aziraphale #ineffable husbands #good omens fun facts #the colour of magic #the colour of pratchett #space voyager magazine

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benevolentbones · 4 months ago

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Hi ✨️✨️

Emily's sister likes Reid and flirts with him a lot before asking him out and he's all shy.

your type | spencer reid x prentiss!reader

warnings: none really, alcohol consumption, flirting

word count: 1.7k

a/n: hi!! hope you enjoy nervous spencer :) love him. reblogs and comments appreciated <3

half team were sitting around the office, finishing off the last of their paperwork for the night, it was a friday night and a certain member of the team was growing bored of filing away the never ending pile of reports. hotch, jj and gideon had already left for the night, leaving the rest of the team to finish off the workload.

emily leaned back in her desk chair, her red long sleeve shirt complimenting her complexion as she tucked her dark locks behind her ears.

“it’s friday night- we should go out and do something fun. lets go to a bar.” emily spoke, interrupting the sound of keyboards clacking and paper shuffling.

“i agree, let’s get out of here.” derek grinned, standing up from his seated position to have a well deserved stretch, his shoulder making a popping sound as he did so.

“reid, you in?”

spencer adjusted his posture at the sound of his name, his head turning towards his colleagues.

“i don’t know guys- i kind of wanted to read ‘the history of torture’ by george riley scott.” he responded, scratching the back of his head.

“the history of torture? on a friday night?” derek shot spencer a confused expression.

“just a bit of light reading.” spencer shrugged.

“nope, i want you guys to meet my sister, she’s a bartender at this new place down the road. it’ll be fun.” emily stood up, grabbing her bag that sat under her desk.

“but-“

“you can read tomorrow, right now it’s time for you to socialise. morgan text garcia, let’s go.”

spencer found himself sitting in the backseat of emily’s car as she drove downtown, derek sat in the front. penelope had replied saying she would meet everyone there.

“i don’t see why the child locks were necessary.” spencer mumbled, pulling on the inside door handle.

“shh. we’re almost here.” emily pulled up next to bar, there was a group of people standing outside cigarettes resting between their index and middle fingers. clouds of smoke plumed into the night sky, through the hazy air a neon sign read ‘the wine seller’.

emily unlocked the car, stepping out and strutting her way to the entrance, derek and spencer following close behind. in the midst of all the smoke stood garcia, her blonde hair tied in space buns with a blue polkadot dress adorning her form.

“are we ready to party!” she exclaimed, clearly she had already had a drink or two.

everyone stumbled into the bar, immediately a wave of noise washed over them. i’m the centre of it all, people were dancing on each other flashing lights casting rays of colour over their sweaty bodies.

“is your sister cute?” derek questioned emily over the loud music.

she rolled her eyes in response. “you could say that.”

“what’s her type?” he grinned, scanning the bar.

“oh you’ll see.” emily chuckled.

spencer rolled his shoulders nervously, trailing behind emily who was making a b line for the bar. she called out to a girl who was facing the shelves full of liquor.

“y/n!”

you whipped your head around to see where the voice had come from, a grin immediately forming when you saw your older sister stood at the bar.

“emily! finally made it out of the office i see.” you chuckled, grabbing a bottle of vodka from the shelf and pouring it into a shot glass for the man that stood at the bar. he nodded as a thank you and made his way back to the dance floor.

“it’s busy in here wow.” emily muttered, eyes scanning the room as she rested her hands on the bar counter.

“mhm i sure know how to bring in a crowd, what can i get for you and… you lot?” you peered around at the three people behind you. penelope rushed to emily’s side giving you a big smile.

“oh right, this is penelope, derek and spencer, from the bau.” you gave everyone a small smile, your eyes lingering on the taller hazel eyed man who stood awkwardly behind emily.

“i’ll take a pink gin and lemonade.” she shouted over the music, you nodded with a smile and reached for the gin.

derek strolled over to the counter, eyeing you as you picked up a gin glass.

“i’ll just have a whiskey.” he shot you a grin which you returned.

“make that two.” emily added, rooting in her bag for her wallet.

you made the drinks and laid them out along the counter for the team to take.

“and for the cutie in the back?” your voice travelled to spencer who seemed caught off guard by your comment.

“uh- me? uh i’ll have i uh- vodka soda.” he stuttered out, heat rising to his face.

“whatever you want sweetheart.” you shot him a wink and began to make his drink.

emily turned her focus to derek who was sipping at his drink.

“i see why you wanted to bring reid here so bad.” he laughed, and then dragged garcia to the dance floor.

“y/n what time do you get off, will you have a drink with us?” emily asked, taking a gulp of her drink immediately feeling the alcohol’s warmth spread through her body.

“twenty minutes em, then i’m all yours.”

“come find me later!” your older sister yelled out, disappearing into a crowd of warm bodies.

you served up spencer’s drink, passing it to him. he tucked his hair behind his ear before reaching for his wallet to pay.

“don’t worry, it’s on me.” you shot him a charming smile which he returned.

“t-thanks y/n.” he reached for the drink, taking a small sip, before taking a seat at the bar. you raised your eyebrow slightly in surprise, not expecting him to take a seat.

you could tell he was very much out of his element, that everyone had just come from the office. he wore a white striped button up shirt paired with a pair of suit trousers, his tie hung loose around his neck. his big eyes wandered around the room before falling back on you, you had already moved on to making cocktails for a bridal party to his left.

spencer studied your form, your quick movements and ability to multitask in such a busy environment impressed him. you wore a tight black tank top along with a black miniskirt the ended just above your mid thigh, and a small black apron was tied around your waist.

he couldn’t help but stare at your figure as you rushed around the bar, your form fitting clothing showing off every curve to your body, in all honestly he was infatuated.

finally the rush had died down and you were making your way back to your side of the bar to polish more glasses, you noticed spencer’s intense gaze on you and smiled to yourself.

“you like what you see, dr.reid?” you questioned, poking fun.

he immediately pulled his fixed look from your body and up to your eyes.

“i- uh sorry.” he nervously sipped at his drink, feeling embarrassed.

“don’t be, you’re pretty cute yourself.” you shot him a small wink and he felt his face flush.

“so spencer, how are you liking working at the bau?” you quizzed, carrying a stack of glasses to the shelf behind you.

“uh- it’s good, i like that i can help people.” he muttered out a vague answer, which he followed with a question.

“a-and do you like being a bartender?”

you shrugged, wandering back to stand in front of spencer.

“it’s just a part time job, i’m studying criminal psychology right now in college, im in my third year.” this got his attention, he straightened his posture, taking another sip of his drink.

“oh really? that’s so interesting- what do you plan on doing after?” he seemed less anxious now.

“i’m not really sure, might do a masters- it was emily’s suggestion.” you let out a small laugh, spencer longed to hear you laugh more.

“i take it this isn’t really your vibe?” you stated, looking around the bar at people making out and dancing, spencer followed your stare. emily and penelope were in the middle of the dance floor cheering derek on who had now taken his shirt off and was swinging it above his head.

“uh- no not really, i didn’t really plan on coming here tonight, but prentiss- your sister, she kind of child locked me in her car.” he mumbled out, an awkward laugh leaving his mouth.

you pinched your eyebrows, shaking your head and letting out a joking sigh. “she’s trying to set me up.”

“set you up?” he repeated what you had said.

your face warmed as you began to speak, “i broke up with my ex over a year ago and was recently complaining about how i can never meet any decent guys at the bar, because- i mean look.” you gestured to a corner where a group of frat bros were downing their beers.

“and em said she knew someone who would be great for me.” you eyes landing back on spencer.

“you mean me?” he pointed to himself, still somewhat confused.

you nodded. “i mean she managed to guess my type exactly, can’t blame her there.” you now gestured to spencer, his face burning a dark crimson, and it wasn’t the alcohol’s fault.

“i mean i hope you’re single- and i’m not just aimlessly flirting with a taken man. that would be a little embarrassing..” you trailed off, rubbing the nape of your neck, your tank top lifted slightly revealing your midriff.

“i- i yeah i’m single.” spencer couldn’t quite grasp the fact you were flirting with him, on purpose. he honestly thought someone like you would either be in a relationship or have a line of much more attractive men just waiting to take you out.

you smiled at his flustered state, you thought he was adorable.

“well then, dr.reid, would you like to go on a date with me sometime? maybe a café or the park, somewhere not as chaotic as this?” you questioned, you were pretty confident in yourself, which was something that ran in your family.

“yeah…i would like that, a lot.” he smiled at you, you quickly jotted down your number on a piece of paper, passing it to spencer.

your eyes flickered to the watch on your wrist, a smile spreading across your face.

“time for me to clock out, darlin. i’ll be right back.” and with that you skipped off into the back of the bar to grab your things, your heart beating twice as quick.

taglist!! @0108s22m @rainoftearss @potatovoyager @rac00ns-are-c00l4 @luvmia222 @shardsofmarxx @silver138 @lover-of-books-and-tea @thedancingnerdmermaid

#criminal minds #criminal minds x reader #spencer reid x reader #spencer reid #spencer reid x you #spencer reid fluff

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marvelwitchergilmore · 3 months ago

Text

Nobody Important

Summary: Logan x Fe!Reader -> When you first meet Logan you tell him you’re nobody important. But it soon becomes clear you are a lot more important than you say.

Disclaimer: Contains descriptions of nightmares, couple of swear words, being drugged (nothing bad, just some chamomile tea). Mostly fluff moments with a hint of angst. I watched X-Men and wanted to write something for him. Reader has powers though they're not specified fully. Not Proof Read.

When Charles told Logan someone was going to pick him up from the airport, the last person he expected was, well, you.

Compared to the pristine and fancy cars that were held at the school garage, you pulled up in a beat up old station wagon that looked like it had seen more than a couple of scratches in its time. And you weren’t dressed…like the rest of them.

Rather than in some kind of pant-suit combo, you were wearing a long sleeve t-shirt, jeans, boots and a heavy brown leather overcoat.

“Hey, sorry I’m late. Hope I didn’t keep you waiting too long.” You began immediately as you stepped out onto the curb and rushed towards him. “I was at the back of the forest collecting some berries and lost track of time. Shall we get going?”

Logan looked you over. You seemed a lot more…energetic than he was.

“Who are you?”

“Professor X sent me. To collect you. You are Logan, aren’t you?”

“That depends. Who are you?”

“Your ride to the school, unless you plan on walking for two hours in the freezing cold.”

Logan grunted and threw his bag into the backseat. You still hadn’t answered his question but the licence plate of your car matched that of the one Charles had told him to look out for.

However, fifteen minutes into the drive, Logan asked once more. “Who are you?”

You smiled and looked at him for a moment before moving your gaze back to the road ahead. “Nobody important.”

“Okay, fine. What are you?”

You smiled again. “Nothing you need to be concerned about.”

“Alright, listen bub-”

“Logan, whatever information about me you think you’re gonna have me tell you; it’s not gonna happen. I work with Charles and that’s all you need to know.”

Logan furrowed his brows. “So you’re a telepath? Like him?”

“You don’t need to concern yourself with what or even who I am. But,” you reached down and pulled a file from the driver's side door before turning it over on the steering wheel and handed it over to him. “You should concern yourself about this.”

Logan took it, a little confused, and opened it up.

“He wants you to know what you’re walking into when we get back.”

After that, the rest of the drive was silent save for one question from Logan, only to have you reply with;

“All the answers you’re looking for are either in there or are with the Professor.”

He didn’t bother asking you another question after that. Not that you would have answered it anyway.

Once you finally did pull up to the school, it seemed you were beside him one minute and went the next into some unknown corner of the school because he didn’t see you after that.

But he still had questions.

Unanswered questions.

Like who the hell were you?

A week later, he still didn’t have his answers. But he did run into you again.

In the kitchens.

The entire place was a lot messier than the communal kitchen. It looked like some mix between a witches cottage and a mess hall in a school cafeteria. But it didn't smell as bad.

Instead it smelt of cinnamon, oranges, rosemary and cookies.

And somehow

It was relaxing to him.

“Penny for your thoughts?”

Logan looked up to find you standing at the other end of the kitchen, a bowl under one arm and a spoon in the other. Flour was dusted across your face and your hands were splotched with food colouring stains. Which matched the batch of rainbow coloured cookies behind you.

“Err, no. I was just-”

“Here, sit. I’ll make you some tea.”

“I don’t really drink..tea.”

Logan was still taking in the room. Every time he looked back to a spot, he found a new detail to it. Extra herbs, or ingredients, or even flowers.

You smiled, placing down the bowl and spoon before moving across the kitchen to the simmering pot on the stove.

“Here, try this.”

“Oh, I, uh-”

“Just drink it.” You sighed a little, with a light smile. Nobody would have to meet Logan to know he wasn’t a tea drinker. But he was also polite enough to accept a drink.

And he did.

“Is this where you work?”

You nodded, going back to the fresh batch of cookies you needed to start scooping out.

“Do you usually work this late past midnight?”

You chuckled a little to yourself. “Sometimes. Mostly it’s because I think of a new recipe and want to try it out when no-one's gonna disturb me.”

“Am I disturbing you?”

“No. Plus, I heard you coming down the stairs. Figured it wouldn’t be long before you found another night owl.”

Logan grunted with a soft chuckle. “I don’t think it’s intentional being a night owl.”

You shrugged. “We all have our reasons.”

Logan nodded and took another gulp of his tea. If he thought he felt relaxed when he walked into the kitchen, he didn’t have a word for what he was feeling after the tea.

“Hey, what’s in this tea?”

“Not much. Chamomile mostly.”

Logan nodded. But then something shifted. He was getting drowsy. Not relaxed. Not sleepy. Drowsy.

“Hey, what did you put in this?”

Logan went to stand and repeat his question, but he was out like a light before he could finish.

Logan, for the first time…ever, woke up slowly. From the light that came flooding in through his window, to slowly turning over and feeling the bones in his body crack just right to allow his joints to feel at ease, to not thinking a thing as his brain slowly turned back into gear.

Then he jerked up.

With a grunt, he looked around him.

He was in his room.

The last thing he could remember was your tea and the kitchen.

Flinging the covers from him, he tore his way out of his room and down the hallways until he finally reached his destination.

The Professor’s office.

Walking inside, he found the situation entirely too calm.

“Ah, good morning Logan. Glad to see you’re finally awake.”

“What the hell happened?”

“You fell asleep. Y/n helped put you to bed before you collapsed on her kitchen floor.”

Logan turned at that moment to find you sat on the sofa by the window inside the office.

“You.” Logan practically snarled. “You did something. What did you do?”

Logan approached you but where anyone else would have flinched, you didn’t. In fact, all you did was sit back further and smile up at him.

“She didn’t do anything, Logan. You needed to sleep.”

Logan turned and looked at the Professor. “Don’t mean I have to be drugged.”

Then you stood. “It was just a little tea, Logan. The more exhausted you are, the faster and harder it works. But now you look more rested. Your skin looks less like you’ve been thrown into a washing machine for a couple spins.”

“Are you always this blunt?”

You smiled. “It’s part of my charm.”

“Ain’t nothing charming about this conversation, doll.”

“Really? Because I’m finding this thrilling.”

Professor X smiled. “Okay, that’s enough, you two.”

“She started it!”

You just smiled again. “You’re welcome. If you ever need more tea, you know where to find me.”

With a pat to his arm, you walked past him and said your goodbyes to the professor before heading for the door.

“Don’t worry about it, you can keep your tea.”

“Have to admit, though. I did help.”

Internally, reluctantly, he did have to. Because despite everything, it was one of the best nights of sleep he’d ever had.

Another week rolled by and despite Logan doing everything he could to avoid the woman that he still considered had drugged him to sleep, he seemed to see more of you.

Turns out, you taught cooking and baking classes to the students so they could at least make themselves a decent meal every once in a while instead of quick ramen noodles. And you also taught outdoor survival skills which Xavier had Logan help sub in with.

But this also meant, much to his chagrin, Logan was actually starting to like you.

Rather than wanting to storm off in the other direction, he wasn’t annoyed by your presence in the room anymore and you definitely had a way with teaching a group of rowdy teenagers who would rather do anything other than learn normal “camp” things.

It was actually entertaining watching you teach your students. And even he learnt a thing or two.

Another week passed and Logan found himself back in your kitchen, sitting at the kitchen island, watching you as you lent one palm on the counter top, a pencil between your teeth and two pens behind one of your ears.

“Want some tea?” You asked him after a few minutes of content silence.

“Are you going to drug me again?”

You rolled your eyes. “It’s store bought, Logan. I just added a couple extra things.”

“Really, like what?”

Sighing, with a slight smirk, you turned around and pulled the box of tea from the cabinet before throwing it at Logan from over your shoulder. “Read it. It tells you what to add.”

“They actually sell this stuff?”

You turned back to your messy notebook with a smile. “It helps when your grandmother worked in the tea business for forty years. All the tricks of the trade, passed down through generations.”

Logan watched you work- no, dance around the kitchen. You didn’t even have to look at what you were doing and before he knew it, there was another tea in front of him, in a glass mug with hand-painted roasting logs on it.

Logan looked at it for a moment and then you spoke up, without looking in his direction. “Being a night owl means different hobbies can be created. Glass painting was one of them.”

Logan shrugged with a nod before drinking his tea. The effects weren’t as quick or as “violent” as the first time. Instead, it was calming, then relaxing, then just plain and simple tiredness.

“Go to bed, Logan. Before you crash into my floor again.”

“How did you get me to bed the last time? I’m not exactly all flesh and blood.”

You shrugged. “I’m stronger than I might look to you. But, go to bed, Logan.”

“Will you?”

“Will I do what?”

“Go to bed, too?”

You turned and faced him. “Soon. I want to finish this up first.”

“What are you even doing?”

“New recipe. I shouldn’t be long. Look, I promise. Twenty minutes, I’ll be in my bed, fast asleep.”

Logan raised his brow for a moment but then stood. If he waited any longer, he might actually crash onto the floor again.

“Okay, fine.”

And you stuck to your word. Logan heard your footsteps coming up the stairs less than ten minutes later and after that…he didn’t remember much other than just complete calmness and sleep.

The next couple of nights followed the same pattern. And even if he still wasn’t a tea drinker, Logan was growing a (small) taste for it.

Until one night he walked in and found you stood in the corner, changing your t-shirt.

You already wore a cami top underneath most of your t-shirts anyway – especially in the kitchen, but your first one had gotten too messy. So you were safe when changing. Except, you hadn’t expected Logan to walk in when he did.

He paused for a minute by the door, a little apprehensive to make himself known but also trying to do so, so it wouldn’t seem like he was just watching you change your top t-shirt. But at the same time, he didn’t want you to know he was standing there because he could finally look at you.

More so, when he saw your shoulder.

From your left shoulder spread and faded over the top and to your right, a mark similar to a burn. The skin was scarred, yet healed over. A forgotten memory. The strap of your top cut through the larger scar that ran directly across the middle of the scarred skin, almost in a wave. Parts were redder than others but you didn’t seem to be in pain as you pulled the t-shirt over the top of your head and down your body, covering it back up.

Logan coughed as he entered and you turned around, greeting him as you did every night.

“New recipe?”

You nodded, looking at the messy t-shirt in your hand. “Yeah, it didn't go over too well with the mixer.”

“Better luck next time.”

And then you both just…talked.

You were slowly telling him a little more about yourself each night, even if you didn’t know it yet.

“I just remember being thrown into the wall and waking up like an hour later, completely covered in green brownie batter.”

You both laughed as you told him the story, but then he asked.

“Is that where the scar is from? On your back?”

It was almost as if you had forgotten about it, having to take a moment to realise what he was talking about.

“Oh, that. No, that…that’s nothing important.”

Logan knew to drop his line of questioning. If you said it was nothing important, then there was no way of getting you to talk about it.

Until the day he found you napping on the sofa.

Everyone was outside for the day considering it was winter break and fresh snow had finally fallen on the ground. Except, you had opted to stay inside, and fell asleep on one of the central sofas in one of the quieter communal areas.

The large windows let a lot of natural light flood in, and the fire that was crackling away in the fireplace was enough to heat the room, especially when the door was closed.

And it wasn’t long before the quiet hum of the fire and odd crackle of the wood, mixed with the heat and your lack of sleep, overtook you and you fell asleep. You didn’t even wake when your book dropped from your hand and onto the floor.

“Hey, Y/n, they’re all-”

Logan stopped in his tracks when he saw you.

Fast asleep.

He was careful to remain quiet as he walked over to you, cutting between you and the coffee table to pick up your fallen book and place it safely onto the table, where he sat on the edge and took a minute to just…memorise you.

Since he met you, you had done nothing but be moving. All the time. From the crack of dawn to nightfall, you were constantly going and running and teaching and baking and doing and…hell, for all he knew, you could be something other than mutant or human – even those two needed sleep at some point.

Hell, even he needed sleep.

But you were just constantly forever going.

Lay on your left side, your elbow tucked under your head, you were lightly snoring. Logan brushed the stray hairs that had fallen in front of your face, away, his hand rested on your cheek for a moment, his thumb brushing across your cheekbone for a second.

You were fast asleep.

Your worn Beatles band-tee was twisted slightly around your middle, whilst the waist of your jeans had twisted in the opposite direction a little, leaving a small gap that showed Logan the redness from the indent marks of where you had been lay, probably, on your other hip for a while.

Logan thought about covering you up, and leaving you where you were, for a moment. But he also knew you could be like him when it came to sleep. And it was best to get it when you could. So, rather than chance the kids coming back in and waking you up, he made a decision.

You flinched a little in your sleep as he spoke to you and lifted you from the sofa. It wasn’t long before he found your room and laid you into bed before covering you up.

Once more, he brushed the hair from your eyes as you turned onto your side again.

He looked around for a moment before finding what he was looking for.

A heavy blanket.

He lay it over the top of your bedcovers and you, before moving across the room to light the fireplace.

Only, as he did so and placed the fireguard in front, you whimpered.

He turned around but you were still.

Then you whimpered again.

“No,” you whispered.

Logan moved over to you quickly and quietly as he could. You fell silent again.

He let out a small breath and covered you up a little more before leaning down. He didn’t know why, but he pressed a small kiss to your temple before walking away.

Except you reached out for his hand.

Logan looked down at his hand that was connected with yours, then to you. You were still asleep.

But it didn’t look like it was a good dream.

You were shaking. Your entire body seemed to be paralysed with fear, all the while you were mumbling words Logan just couldn’t quite make out.

Then the glass of water by your bed started shaking. Then the table it was on. Then your bed. Then the floor. Whatever was happening to you was spreading throughout your room.

A picture that had been hanging on the wall outside, fell to the floor.

Quickly turning back to you, Logan took hold of your shoulder. He kept calling your name but it was like you couldn’t hear him.

“Please…please don’t hurt them. Please.” You screamed and then grunted in pain. Whatever was happening in your nightmare, you were being hurt. Badly.

“Hey, Y/N! Hey, you’re okay! You’re safe! You’re in New York. You’re at school! It’s not real, Y/N. None of it is real.”

Your head shifted. You were searching.

“I’m right here. None of it is real. You need to wake up.”

“L…Logan?”

The violent shaking in your room slowed for a moment.

He was shocked. Maybe…

“Just follow my voice. It’s just a nightmare. I can’t get into your head and bring you out. Just…follow my voice.”

The shaking around your room gradually slowed, but you still were. Then your eyes opened.

And glowed.

They were still your eyes just…brighter.

“Logan?!”

He had stopped speaking. You were panicking.

“It’s okay. You’re safe. I’m right here.” Logan took hold of your hand and held it tighter. “You’re safe.”

The shaking slowed and your eyes closed again.

Then everything stopped.

Everything went silent.

Logan looked at the glass of water beside your bed. It was like it had never moved.

Then you gasped and shot up from your bed. You kicked your legs and brought your hands behind you to push yourself up and the covers from you.

“Whoa, whoa, whoa, hey, hey, Y/n. Hey,”

You were gasping for breath, dizzy from your nightmare.

“Hey, it’s me. Whoa. Hey, look at me. It’s Logan.”

He took you by your shoulders then your face.

“It’s Logan.”

You finally calmed a little, and he watched your eyes search his entire face until you finally recognised him.

“Logan,” you breathed.

“Yeah…”

Your shoulders relaxed and you leaned closer to him, wrapping your arms around him. His hand held the back of your head and his other round your back, pressing you further into him. He could still feel your body trembling.

“What happened?”

“You had a nightmare.” Logan told you. “The room started shaking and I tried waking you up.”

You took a couple of breaths before moving back and pushed the hair from your face and curled your legs up closer to your chest.

Logan, sat beside them, placed one of his hands on your knee and the other in your right hand.

“What happened?”

You shook your head. “Nothing-”

“The entire room started shaking and your eyes glowed. That’s not ‘nothing important’, Y/n.”

You swallowed and nodded your head before dropping your gaze and shifting until you were sat up, crossed-legged.

Logan remained where he was, sat on the edge of your bed.

“Before I worked as a teacher and cook here, I was one of them.” The last four words came out slowly, almost like you had to convince yourself you were saying them out loud. “I was an X-Man. I was a part of the team.”

“So what happened?”

“The usual. A mission gone wrong.”

“And that’s what the nightmares…”

You nodded. “It was the mission that made me retire. They needed me to do a job, and I couldn’t do it. There were kids, mutants, being held captive. Some rich dick thought he could duplicate mutants. As the team went it, I was meant to be holding ground outside, helping them find their way through. Only, I didn’t shut off my power. We knew they had someone who could detect me if I didn’t. I got so focused on trying to find the kids, trying to make sure the team got to them that the team almost…”

You paused for a minute. You hadn’t told anyone this story. Ever.

Logan took your hand. “It’s okay. It’s just me.”

You let Logan’s touch soak into your skin. A memory you’d never forget yet never truly remember why you never would forget.

“They almost died, Logan.” You looked at him and he could see the tears behind your eyes, threatening to come forward and fall again. “Everyone almost died, because I didn’t shut it down. You asked about the scar, the one on my back?”

Logan nodded. He didn’t like where this was going.

“It’s from that day. One of their scientists had set off some kind of power..thing. Sent me flying blocks away from where I was supposed to be. I crash landed into some old wooden panelling which knocked me down. But once I got up…their Superhuman had found me.”

“Was he the one that-”

You nodded, remembering it as if it was yesterday. “I was thrown, this time on my front. I tried to get up but then all I felt was pure fire. He was burning me. Giving me a reminder of why ‘someone like me, born with the powers of gods’ shouldn’t have them when I was clearly so ‘weak’. By the time he stopped, I realised where he was going. And by the time I got up, everything just…blew up.”

“Y/n, everyone’s safe. You’re all here. Don’t you teach some of those kids?”

You nodded. “Doesn’t mean I don’t forget that feeling. One of the kids had been watching the guards, tracking their materials to find a way out. If they hadn't done that…they wouldn’t have gotten out, Logan. And they almost didn’t. All because I couldn’t fight. I can’t be the reason why I lose my family and the people I love.”

The tears came forward now, streaming down your face at an unstoppable speed.

“I just can’t.”

Logan shook his head, pushing himself closer to you to hold you. And you let him. Leaning into him, you felt his arms grow tighter around your body. There was a small security in his arms, one that you hadn’t felt in a long time.

“None of that was your fault.” Logan told you. “I know you and I know this team. You would never intentionally hurt people. And forgetting to turn your powers off? We’ve all made mistakes in moments like that. Sometimes you get so focused on one person, you tend to lose all sense of self. But none of that was your fault. They got out. They’re all here. They’re all alive. And rich dick is spending his life as dust in the fucking wind.”

“Believe me, I’ll be the first to tell you changing your feelings on something won’t stop the nightmares.” Logan continued. “But you need to find a way to let it go. Don’t let them control you. Not when you won. Not when you’re here, with everyone, able to drug me with some store bought tea.”

You laughed a little at that, wiping your tears away before Logan did the same thing, brushing his thumb underneath your eye and across your cheek. Logan smiled a little. Others might have called it a muscle flex, but knowing Logan; it was a small, brief smile.

“Don’t let them win.”

You nodded, your head still in his hands.

“Logan? Will you…Can you stay?”

It seemed to take Logan a second to find his answer. What you couldn’t see was that most of that time, he was trying to figure out why his answer came as fast as it did for him.

“You don’t-”

“I can stay.”

You looked up at him and nodded with a slight smile.

Moments later, Logan had kicked his shoes off and was lying beside you in bed.

“Logan?”

“Yeah?”

You took his hand that lay between you both and turned your head to look at him.

“Thank you for staying.”

It was his turn to turn his head and when he did, he felt something. The same feeling he’d been getting since the day you gave him his first cup of tea.

Logan just nodded before lifting his arm. “Come here.”

You moved closer to him as he lifted the covers a little so you could do so. Then he dropped his arm around your back, his palm flush against its centre before it slid a little lower to hold you by your waist.

As your head settled close to his chest, he dropped his head a little, leaning his jaw against the top of your head and as he felt you relax and close your eyes, he did the same thing.

The moment your breathing became even, and he knew you were asleep, Logan settled back down and held you just a little tighter against him as he closed his eyes and joined you in a dreamless sleep.

Hours passed and Charles hadn’t seen either you or Logan in hours. But when he spotted a picture frame that had fallen onto the floor, just outside of your room, he sped as quickly as he could down the hall, but paused when he saw the door open and a sight he didn’t think he’d get to witness for at least a few more months.

From the hallway, Charles peered in to find the snow falling heavily outside of your window. The children and other teachers were still outside playing. The fire had died down a little, but even he could feel the heat from the room.

And in the middle of the left hand wall through the door, was your bed.

Where yourself and Logan slept soundly, almost as one. With your face and hand on his chest, and his arm around your waist, whilst his other hand held onto your arm in a soft grip, keeping your hand on him.

Xavier could practically feel the serenity oozing from the pair of you. He knew Logan was troubled and that you yourself hadn’t felt safe or content in a long time.

And he would never have to tell Logan of the change you brought to him, or the one he brought to you. The change that helped you feel safe again, content again. Happy again. Without the added feeling that something was about to go off kilter.

Because Logan already knew.

And so did you.

And for Logan, no matter how many times you would tell him you were “nobody important”, you would always be important to him.

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shycoconutt · 2 months ago

Text

Life changed a lot after Nanami Kento came into it.

Nights alone in your apartment feasting on cup ramen with microwaved broccoli (for your health obviously), turned into homemade dinners under candlelight. The long ride to work in the back of an Uber turned into riding in the passenger seat of Nanami’s luxury car, hands intertwined over the middle console. Quick showers turned into long, steaming baths with essential oils. Winding down from a long day turned from nights out at the bar to nights in under the covers while he softly reads to you.

“Darling, hey, wake up,” you hear Nanami whisper in your ear as you feel your shoulders shake lightly. You groan in protest, not wanting to be broken away from the warmth and smell of him all around you.

“I know, I know,” he softly chuckles, “but we need to get ready for bed properly.”

You nuzzle into his side more and wrap your arms around him. Squeezing him slightly, you take one long, dramatic inhale of his scent in the crook of his neck, fluttering your eyelashes to give him butterfly kisses.

“What are you doing?,” he laughs, “It tickles!”

“Just taking some for the road,” you smile into his skin.

“You’re such a dork.”

With Nanami, everything always seems to be taken care of. There is no need to over-extend your brain power, because once a thought or worry passes through, you know it’s been meticulously mulled over by your other half.

Your appointments are scheduled and on the calendar. Your laundry is clean and neatly put away in the proper place. Your memories and photos are filed and categorized, with some of your favorites even framed and displayed in your home and offices. Your books, CDs and other media are sorted alphabetically in pristine condition.

“But wouldn’t it be cool if they were categorized by, I dunno, color? We could make a rainbow wall!” you suggest as you marvel at his work.

Nanami, who is currently kneeling on the floor putting the last of your books on the shelf, turns and gives you a disapproving glare, “Absolutely not. It would be a disservice to your collection.”

“A disservice to my collection?”

“What happens when a series contains books of all different colored covers? Am I supposed to just separate them?”

You blink.

“You’re right. I apologize for even suggesting something so foul.”

But, most importantly, over everything, your body, mind, and soul are finally at ease. Past anxieties rarely present themselves anymore, and, if they do, you never dwell. People say you’re glowing, and they aren’t wrong. Your skin is clear, your hair is shiny and smooth. Your favorite clothes fit a little better, and your shoes are always polished to look brand new.

“Nananmi Kento looks good on you, girl,” Shoko muses, watching you over her lunch in the breakroom.

You smirk, daring not to look across the table to conserve your blush, “Feels good too.”

“Gross!”

You curl over in laughter as Shoko chucks a strawberry at your head.

All this and more, because Nanami cares, protects, cherishes, and respects you. He would never, ever in a million years try to hurt you in any way. He is honest and loyal, vowed by his duty to be a man. Ever since he was young, he put immense thought into its meaning, only to be confirmed by one look at you.

One look and he knew that you were the one he would spend the rest of his life with.

“I think I should take you out on a date, if you don’t mind of course,” Nanami stutters, gently pulling you aside after one of your meetings.

“You think we should date?” you question, head reeling.

“Yes,” he starts, “I think we’ve been friends for long enough and it’s time to move forward with our relationship.”

The disbelief you feel must be painted on your face because Nanami’s normally pale skin is flushed cherry red just looking at you.

“I mean, long term,” he’s babbling now, “I want to make you my wife. Well, I wanted you to be my wife from the beginning, you’re the most beautiful girl I’ve ever seen, but they always say the best relationships start from friendships, so I thought it would be best to take our time. Naturally, now is as good a time as any. We’re at good places in our careers, we already spend a lot of time together, our personalities mesh, and, I don’t mean to be coarse, but I think we’d look pretty good tog-"

Before your mind has a chance to catch up, you’re already cutting him off with a passionate kiss, arms wrapping around his neck to pull him down close to you. After a beat, you feel Nanami’s broad, warm hands grab hold around your waist, pulling you to him.

His lips feel so soft, and more plush than you anticipated. You part yours slightly in an invitation, and he’s quick to swipe his tongue against your bottom lip. You reciprocate and smile when you feel the vibrations of a small moan escape him.

You break the kiss first.

“I’d marry you yesterday if I could, Kento.”

Where he ebbs, you flow. With the few traits he lacks, you flourish. In social settings, you pick up when he doesn’t have the bandwidth to keep going. You can read his mind from his body language alone. You've shown him how to aim for the ideal, even when his pragmatic nature leads the way. You’ve taught him to slow down, even when life is relentlessly shoving him along.

“Kento, are you- are you crying?” you question in shock.

It’s difficult to process the information in front of you. You’re not seeing things, right? That’s definitely a tear falling down his cheek. Quickly, you bring your thumb to his face, swiping it away.

Catching your wrist, he brings your pulse point to his lips, giving you a small kiss there.

Here, feet in the white sand of the island of Redang, under the dark, starry sky, Kento goes down to kneel before you.

Recognizing the gesture, your heart swells and all the air leaves your lungs. Both your hands immediately cover your mouth, and the burn of tears forming ignites behind your eyes.

Through the blur, you see him smile.

Regaining composure over your senses, you remind yourself to take everything in. The way his honey-brown eyes reflect the lights in the distance, the way his open collar ruffles in the breeze, the appearance of the new freckles from the Malaysian sun that decorate his exposed chest, how his unstyled, blonde hair moves freely, how one of his hands takes both of your own, while the other holds out a breathtakingly beautiful solitaire diamond ring.

Your eyes take him all in and land back on his face, one that displays the most loving, adoring expression you’ve ever received.

“When you came into my life, everything changed. I knew, from that point forward, I would dedicate my existence to ensuring your happiness. Nothing matters to me more than seeing you smile. It gives me purpose—fills the air in my lungs. I have never, and will never need anything more.”

You watch the tears cascade down his cheeks, mirroring your own.

“Please do me the honor of marrying me and making you my wife.”

One second passes, and you squeal, “Yes!”

a/n: This was supposed to be smutty and turned into something fluffy. I can't help it! I just adore him so much. also, how do we feel about this format? I've never done something like this before!

#kento nanami #nanami kento #jjk fluff #nanami fluff #nanami kento x reader #nanami kento x you #nanami kento x y/n #kento nanami x reader #kento nanami x you #kento nanami x y/n #kento x reader #nanami x reader #jjk x reader #jjk fic #nanami'#jujutsu kaisen #jjk

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dcxdpdabbles · 6 months ago

Note

I love all your stuff! Are you planning to update Passion for Fashion, Child Support, or Congratulations It's Triplets soon? They are some of my favorites! If not, it's chill. Everything you write is kinda awesome so I look forward to anything you are willing to give

The Justice League has kept a weary eye on Danny Constantine because he is the son of one of their less than willing-to-work-in-team members and has found his way onto the youngest hero's team.

Robin, Abuse, and Superboy (the new one, not the Young Justice one) rarely went into the field. They mostly worked within Gotham, handling minor things until they got a feel for the dangers and the work of being a hero.

Bruce, assured everyone that within his city he was fairly sure he could keep them safe. (fairly because let's be honest, it is Gotham. That place was crawling with lunatics- Batman being one of them)

Clack would have preferred if Jon started in a smaller, less dangerous place, but his son has proven more than willing to sneak out to meet with Damian and Colin. It was no secret that Robin was the most trained and the most prepared to lead his team.

That didn't mean they were comfortable with three little children running around risking their lives. Phantom was the group's eldest but also the newest member of the team. He did struggle with his powers, but every day, under the careful eye of Batman's son, he grew more and more in control.

They were pleasantly surprised by how well he fit into the Super Sons. (A work-in-progress name developed when the team had only been Robin and Superboy.). The Justice League had been even more astounded by how careful Phantom was about property damage.

It's true that in a fight, they couldn't help with some damage, but Phantom always went out of his way to remind the other kids mid-battle to be careful and avoid breaking anything. He was more often than not racing after whatever car or building was thrown to faze it through other things.

He even helps the citizens take some photos for insurance purposes. It was shockingly refreshing to see someone worry about the logistics of being a hero.

When asked, Phantom would only blush in embarrassment. "My dad caused a lot of property damage when he drove. I got good at helping people file cases as an apology."

John denied it to everyone, but seeing as Danny's other father was literal Time itself, there was no way he wasn't the idiot on the road. Bruce prepared some lawyers for the people he may have hit and run.

It also helped that Danny seemed to be the new voice of reason within the Super Sons. One that wasn't convinced to try anything by Damian- --- Jon- or follow blindly behind Damian-Collin. He was respectful of Robin's role as leader but was always willing to talk him into respecting the team's suggestions and how to properly communicate. The success rates of Super Sons were skyrocketing with Danny, especially since Danny seemed to be great at PR.

Before Robin and Abuse were not as welcomed by the masses. Robin for being far more violent and rude than his pressors and Abuse for the absolute mountain of muscle that reminded people too much of Bane. Even Superboy was not as warmly noticed simply due to Gothamnics having a bitter rivalship with Metropolis City.

Phantom, on the other hand, was cheerful, helpful, and had enough of his father's sass to make even the worst of Gotham's grin. He also made time out of his day to help the community, walking people home, finding lost pets, cleaning up neighborhoods, and even appearing to clothe and feed whoever he came across.

Bruce himself claimed that a majority of the goons that Danny fought were slowly attempting to turn their life around. Danny had this strange ability to make people feel safe around him, and that let them get comfortable enough to talk about their issues.

It was hard to remember that Danny was blood-related to John Constantine out of all people. His civilian lifestyle, on the other hand, was completely different from his magical father in another way- he was a loser.

While Phantom had this glow, attention-grabbing charisma about him, Danny Constantine seemed to shrink in on himself and fumble with social interactions.

Bruce theorized that his human blood side lacked the near hypnotic attraction of Clockwork. Texts and tombs spoke of Clockwork as temptation itself, and he figured Danny had inherited that intoxicating ability.

This meant that Damian had to be worried about his teammate being bullied out of his sight.

It was displeasing to know that somewhere in the country, Danny was being made fun of, pushed around, or even attacked while he sat in the comfort of his elite school.

If there was one thing Damian Wayne could count as his flaw, it was being feireicly overprotective of those he considered his. That's why he strong-armed his father into paying for Colin to go to Gotham Academy while attempting to convince Clark to transfer Jon.

Jon himself didn't suffer from bullying, so he remained in Metropolis Middle School. His Beloved was moved to his classroom, where Damian had attached himself to his side and scared away anyone foolish enough to attempt to make Colin cry.

Beloved had awarded him with sweet kisses every time, so sometimes Damian hoped the fools of the Academy would try him more often.

Danny however, remained in some stupid school that had teenage boys bother him. John claimed he couldn't afford to send Danny anywhere better, and was seen stressing in the Watch Tower computer room looking into homeschooling.

Apparently, Danny's health depended on healthy relationships with humans. His biology literally attacked him if he couldn't be around people, and John was always pushing for Super Sons to have more meet-ups outside of suits as much as possible while trying to find a new school.

Danny has been moved to four schools already. The bullying just didn't seem to stop no matter where he went as a human.

"Father, it's important," Damian says for the fifth time. "Danny is struggling. It would be better to place him near us to provide protective support."

"Damian, I can't just pay for all your friends' education. It will get suspicious." Bruce sighs. "There are already rumors about Colin."

"But Father, you must think logically. Constantine may have sired him, but Danny is still Clockwork's son. He controls time. He is an entity we can not afford to make into an enemy. I highly doubt he will be pleased by how some mortals have been treating his son." Damian counters, ignoring the rage of the comment about his Beloved. He will find the mouths that will need to be taught to keep Beloved's name out of later. "This could stop whatever retaliation that is sure to be coming in its tracks."

Bruce considered it. "I could try to make it seem like Danny won something on his own....but I'm worried the board is starting to catch on. The other day Babs had to block an investigation of me possibly emblazing funds. "

"Father you do not understand-"

"Bruce!" Tim yelled, racing into the room, holding a laptop. "Bruce, it's Klarion! He's in Gotham."

Damian and Bruce both stiffen in horror. They dislike magic the most, seeing as it rarely follows predictable logic. Not that they couldn't eventually find the answer or the rules of whatever magic user was flowing, but it was a lot longer and headache-inducing. "Why is he here, and what does he want?"

"Well....he's not really doing anything bad?" Tim says, flipping the screen around. On it, the two Waynes can see a flouting teen snapping his fingers turning everything on the street into gold.

"If I was your husband, you would want for nothing!" Klarion cries, sinking to one knee before the startled-looking Phantom. "Oh, great heir of Clockwork, our union would be spoken for generations!"

"Lord of Choas Klarion, I am flattered by your offer but I'm not considering marriage right now." Phantom awkwardly says, rubbing his neck.

"But my young lord, Clockwork has proclaimed that your marriage partner is yours to make," Klarion says, snapping more of his fingers and turning the lined-up cars into large bouquets of roses. People scramble around from the demon, screaming as his magic nearly turns them. "Surely you see if our houses combine we would be unstoppable?"

Phantom's face hardens. "First of all, I don't date anyone for interest. Second, you're starting to bother the people of Gotham so cut it out. Third, I already said no so you-"

"Take a bloody hint and leave my boy alone!" John Constantine screams portaling into the scene with a wave of magic. He throws five powerful spells at the Witch boy who hisses back.

Hisses like a snake.

"Insolent mortal! This does not consider filth like-"

"Don't talk to my dad that way!" Phantom shouts cutting the Choas Lord off.

Klarion demonic features shrink back into a regular face as he blinks in shock. "This moral is your father?"

"Yes."

"Oh. Forgive my rude behavior, sir." Klarion's tone smooths out in an instant, snapping his figures to dust Constantine's shoulders. John frowns at him which makes the witch boy actually stumble. "Surely I can make it up to you? I am very interested in becoming your son-in-law and wouldn't want to make our relationship strain by my hasty behavior"

Bruce reaches over and closes the laptop before they can hear Constantine's response. "We are not dealing with whatever soap drama that was."

"Father!"

#dcxdpdabbles #dcxdp crossover #child support #Part 3 #Danny is dealing with many marriage propsals #He is also struggling as a human #Klarion is trying to marry up #Bruce is too tried for this #John is even more tired #Phantom has siren-like allure to humans #Clockwork is laughing his ass off somewhere #Team Super Son getting some much needed PR

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fuckyeahgoodomens · 4 months ago

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Good Omens graphic novel update: June 2024

Welcome to the June update. A lot of behind the scenes work at the moment but we're grabbing the travel sweets, popping in the Bentley and hitting the road. More on that below.

Admin

Ongoing reminder that the project FAQ can be found here.

I pledged using my Apple ID, or no longer use the address my pledge is attached to, or I cannot work out what email address my pledge is connected to. What should I do? Please contact us via your Kickstarter account where the pledge is connected; we will be able to see on our system which address it is. If it's one you have access to, great! The FAQ has information on how to resend your invite link to access the PledgeManager. If it's one you are not able to access, then you can let us know which email is preferred and we can update this on the system, which will automatically send a new invite.

Events

We've had a lot of queries about when the Good Omens team will be attending events more formally, after some Aziraphale and Crowley spotting at conventions we'd been to previously. Well, we're excited to confirm the first: Good Omens HQ will be at ACME Comic Con in Glasgow, Scotland this September.

We'll be bringing the actual-real-life-home-to-Crowley-and-his-plants Bentley from Season 2 of Good Omens, the first time the car has been made available publicly for fans to come see and get photos with, ahead of its journey back to the set and the start of Season 3 filming.

We also see Quelin Sepulveda, aka Muriel, has been announced for the event for some additional ineffable joy.

You can get your tickets for ACME Comic Con here. We hope to see some of you there.

While we won't be rocking up with the Bentley to this next one, we want to let you know about Ineffable Con which, though sold out in person, is also taking place virtually in July. The fan-run event hosts great panels, auctions and more, with money raised going to Alzheimer’s Research UK, in memory of Sir Terry Pratchett.

Where next? We have - not an exaggeration - a list of about 200 events somewhere from when we asked fans this on Instagram and while we can't promise quite that amount of convention attendance, we're certainly looking to do some more things in future with Good Omens at large. Watch this space.

Good Omens items...

This month has largely seen prototypes and samples for the wider Good Omens merch store arriving, and while we can't share those yet, we are certainly excited to see more fan product suggestions coming to life. That does, however, leave our public item updates a little slim on the ground.

To make up for that, here's some new panels from Colleen:

Also known as, "What could possibly go wrong?" And:

Also known as, "Well why don't you ▇▇▇ ▇▇▇▇▇▇ ▇▇▇ ▇▇!@#▇" or words to that effect, we'd imagine.

Update from Colleen

Following such a positive response to Colleen's piece last month, bringing you behind the scenes into making the Good Omens graphic novel, we are delighted to say that she has agreed to write something for our updates going forward! For June, she's going more in depth into the process of flatting and the technicalities of colouring on screen vs print. Over to you, Colleen.

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I mentioned the other month that I use a flatter to help me with technical work on GOOD OMENS, and here is a great example.

This is my original, hand drawn line art.

And this is the flatting file which was created using the MultiFill computer program.

It will put your eyes out.

The raw image above demonstrates how the color art lines up solidly under the line art. If it doesn't do that, you get a weird phenomenon in print called ghosting, a tiny little line of white around each segment of color. I had this issue on one major project and ended up redoing every single color file after I got a look at the first printing. Nearly two weeks of work.

The same image with the line art on top.

The layer order looks like this.

Background copy is the clean, line art layer.

I scan the art at 600 dpi, then make the blacks pure black, the whites pure white. Then I convert back to greyscale, then RGB, then duplicate the layer. Then I delete the white on the upper layer so the line art layer is transparent but the blacks on that layer are not.

If you have blacks on a layer that has been multiplied, you can see slight color through those blacks. You want pure black.

The lower layer is where I use the MultiFill program to create the digital flats. First you use MultiFill to drop in the random colors, then the companion plug-in Flatter Pro to make those colors seal under the black lines.

This probably sounds like a silly thing to worry about, but if the flat colors don’t line up perfectly under the black line art, you get the dreaded ghosting I mentioned. You can see it below in this image. It’s a tiny little white line that will appear around the black lines and color areas.

This drives me nuts and is an absolute nightmare to fix.

It’s a very common problem, especially for people who work for web and don’t anticipate the problems going from web to print.

What looks great on your computer can cause big problems in print.

From here, my flatter Jul Mae Kristoffer, who is way over in the Philippines, does flatting that is more in keeping with the areas of color I want to isolate. As you see on Layer 1.

But again, this is still pretty ugly, and not what I would use for final color. Flatting is a technical issue, not a creative one, though in some cases a flatter will make choices you may use. Most of the time they don't.

Here is my final color page.

Sometimes my MultiFill flats are so wonky I have a hard time getting my brain to snap out of what I see before me. If I get stuck, it's a good idea to just pick at it and come back to it later.

If it really, really bothers me, I’ll take the MultiFill flatter layer and desaturate the color so it doesn’t poke my eyes out.

Here’s an example. The digital flat file.

The desaturated flat file that doesn’t make me want to poke my eyes out.

And the final color.

Sometimes I just put in a solid white layer so I don’t see the flats at all. Flatting is there to allow you to easily pick spots to color in, and doesn’t usually appear in the final work.

Sometimes I want to create my colors using transparent color over a white ground, which is more delicate in the final.

Here’s an example from Neil Gaiman’s American Gods. I also selected all black line art here and converted it to sepia to give it a vintage look. Except for the fairies. They’re green.

A colorist must also consider color settings.

Different clients can have different requirements. I find these color settings, which I got from the Hi-Fi Studio, to be pretty solid. I use them as my default for all my projects unless otherwise requested. If your publisher has other settings, they’ll usually send you a csf file which you can upload to Photoshop. The program will save your files and you can just switch between them as you need them.

This tells the printer things about the paper and the spread of the ink you will use. That’s what dot gain means - it makes printed color look darker than intended, so you set up your files to account for it.

When you hover your pointer over each box, it will tell you what each setting is supposed to accomplish.

Another really important thing to consider when coloring comics is color range.

I’m coloring this book in RGB range, but for print you use CMYK.

I’m about to confuse the heck out of some people with this post, I’m afraid. But here we go.

Here is this shot in RGB color setting.

And here is the same page calibrated for print in CMYK.

The biggest shift is in the reds. Print cannot match those reds.

You may not see much difference here, but it’s the sort of thing that drives artists crazy.

A computer should be perfect for conveying exactly what you want, right? It's all just 0's and 1's, binary information, and that information should be the same from one computer to the next?

Nope. Not even close.

First off, computer monitors must be calibrated. You can use a computer program or a tool that measures the color on your computer screen and then adjusts the color to an industry standard.

Have you ever been in an electronics shop where a bunch of TV shows were on display, all of them playing the same show, and have you noticed how different the color was from one TV to the next?

It's like that.

I freely admit I don't pay a whole lot of attention to calibration, but if I were a professional photographer I would. I'd have a little spectrometer attached to my screen and software would adjust my monitor to the best possible standard range. As it is, I just use the default setting on my computer and hope for the best.

If your monitor is properly calibrated and your art is shown on another monitor that is properly calibrated, the art will look almost identical from one monitor to the next.

YAY!

But from one monitor to the next, that's about where the resemblance ends.

Colors are calibrated to something called RGB, or Red, Green, Blue.

All colors come from a mix of red green and blue. At their greatest intensity, all the colors in the spectrum together become pure white light.

This is why RGB is called ADDITIVE color, because you ADD colors from the spectrum to get ALL colors, and all colors create the entirety of the rainbow, and pure white light.

Your computer monitor, your phone, your television, all images are created via light using RGB, a gamut that covers all possible colors that can be created.

That's a lot.

And that's why some of the colors you see on your TV or phone are so deep and intense.

For the widest possible range of color and intensity, you use RGB.

Unfortunately, there is what you can create with light, and then there is what you can create with pigment or ink. And that is why printing what you see on your computer almost never looks exactly like what you see in a book.

For printing, you must use a color setting known as CMYK. This stands for Cyan, Magenta, Yellow and Key/Black.

In printing, the pure blue is actually Cyan and the pure red is actually Magenta.

CMYK color range is not created by addition, but by SUBTRACTION. In order to get the color you want, you reduce the percentage of one of the four colors for ink mixing. Mixing all colors, instead of giving you white, gives you black.

The gamut of CMYK is limited to what can be created with ink.

You've probably heard the term four color press? This is what that means. Four colors, with each color of ink run over the paper on rollers which, combined in varying layers of opacity, create all the printing colors you see.

But remember, what you see on your computer monitor and what CMYK gamut can handle are two different things.

Now, I’ve been really careful with the color settings on Good Omens, so there haven’t been any big surprises, but let me show you a snippet of a project I did for the French fashion house Balmain.

The RGB version:

And then this shot after it was converted to a CMYK file for print.

That's a pretty big difference.

Now, you see this shift mostly with vibrant colors, such as that pink there. But other colors hardly changed at all, right?

That's because this issue is about range of color. CMYK and RGB occupy a shared range which you can see demonstrated by this graphic I got from Wikipedia.

The graphic shows the RGB ranges supported by various digital formats. SWOP CMYK is the most common range my publishers use. Note that the bounding box line shared by the RGB and SWOP CMYK formats shares about half the range space. So whatever RGB colors you use that are outside that range will be digitally converted to the smaller SWOP CMYK range.

And you may not like what you end up with.

As you can see, some of the most ethereal and intense colors get lost outside of the SWOP CMYK boundary.

A look at the Dark Horse Comics color settings in Photoshop. Theoretically, this information should prevent your art from looking like mud on publication.

Now, after I just told you the dangers of coloring in RGB then converting to CMYK for print, I tell you I am coloring Good Omens in RGB anyway. There’s a couple of reasons for this.

Remember, RGB give you a greater range of color, so it can be to your advantage to preserve your original files using a format that gives you the greatest range.

Again, here is the unaltered file.

You can see what the CMYK result will be simply by clicking the Proof Colors button here. This will show you how the art will convert.

And the Gamut Warning will show you which colors are out of gamut range for print.

The intensity of that magenta and that purple in the top right are not going to print true.

This is how it will look in final.

So even if you do what you think is perfect color on screen, there is no way it can perfectly convert to print. Almost everything will involve a little bit of compromise.

Even though you have to consider the color shift issues, preserving your files in RGB gives you greater wiggle room, especially if you get lucky someday and get to work with a printer who can print in 6 colors. Or maybe some technology you don’t know about will pop up and make printing super glorious. Who knows.

Regardless, you should keep an eye on that gamut and color for CMYK print, while preserving your master files in RGB.

Until next time.

#good omens #graphic novel #good omens graphic novel #graphic novel kickstarter #colleen doran

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