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#finally a nice anon ask
pldubrahs · 1 year
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hi im not super active on twitter (plus i didnt want to be like. a random person reaching out on there it feels weirder somehow) but i just wanted to say im sorry about all the fuckshit going on and that even though we dont know each other personally i think your creative work w acoc has been so incredible and genuinely so inspiring to me <3 ive wanted to be less passive? in fandom for a long time and i think seeing the things you and your friends have achieved just by caring so much has motivated me to try and create for the things i love too <333 i think the way youre handling everything is genuinely really mature+impressive and i think yall are so fucking cool for being able to look this in the face and still Want To Create -- people posting art of the ravwar pcs, you actively running a zine??? sorry for this wall of text of an ask oops tldr youre so fucking cool thank you for what you do
anon, i am holding my hands out to you, gently blowing you a kiss. this is so incredibly sweet and i Really appreciate it. i hope to see you around in fandom in coming times!!!! (zine jam will be happening in june again I Think if you were looking for an excuse/way to Jump In.......)
at the end of the day, despite the Wildness of this whole situation, i like fandom because i like my friends, and i like creating. also because I'm in love with calroy, but like. that's its own thing. i could keep writing fics just for myself about my acocsona dating calroy if i gave in and left fandom, but its MORE fun to write fics about all sorts of things with and inspired by the people around me :)
anyway, i Always wrote so so much, but thank you, seriously!
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choccy-milky · 2 months
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just the wedding pic bc i rly like it🥹💖
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somerandomdudelmao · 1 year
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this is so bad that people are asking you when your comic updates are so they can sleep.
Yall really SHOULDN'T do that, its messed up, im just speaking from my standpoint but hearing stuff like that i wouldn't even Want to update anymore or announce wips or anything with all this "when is it coming out? can i sleep? can i do this? is it coming out soon?" i mean asking for WIPS of the comic seems fine but asking when its coming out bc its affecting you is wild. and not good. imagine what type of stress that is on a person to know that people arent taking care of themselves until the comic comes out.
idk it feels like some of yall dont know how to act. this comic is a passion project if anything. it just seems. so unhealthy and offputting to deal with this from an audience. idk.
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puckpocketed · 5 months
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i just hate when players do this and people call them “warriors” i know you wanna play in the playoffs to help your team but YOUR FINGERS ARE LITERALLY BROKEN MY GUY THEY COULD NEVER GROW BACK TOGETHER THE RIGHT WAY im crying
my poor cringefail wifes i love them all so much i hope they all take the rest they need
GOD I hope they get rest too :((
breaking soooo much character right now to give my fullest take, and it’s that we can hold multiple ideas in our minds and i don’t think they conflict
playing through injuries is terrible.
They are whole adult human beings and professional athletes who have resources to keep them informed about long term consequences, and they still get to make those choices even if we hate the choices they make. Even if those choices drastically reduce the length of their career. Even if those choices end with long term heath complications.
i might lose some people on this one but i don’t care!! it’s what I believe: being disabled or chronically ill/injured/in pain is not a death sentence. it is not the worst thing in the world. people live full and happy lives whilst also being disabled. can it suck for the person living through it? yes. absolutely. but to me, people are not and never will be defined by how able-bodied they are!!!
All of this is true (to me) and also we can still condemn the circumstances that cause them to make these choices. (culture of not wanting to be seen as soft, the normalisation/valorisation of playing through injury, all the other [gestures wildly] forces at play that set athletes up to make these decisions) Like i’m sorry to get political but choices do not exist in vacuums. sports does not exist separated from hegemonic models of masculinity or capitalism. there are so so so many reasons a player might choose to harm themselves by playing through injury and not all of them are noble or valid, some of them are stupid and informed by bullshit!!! and we should be mad at that bullshit!! because it’s awful!!!!
these are their jobs, and i’m talking in the sense that they are performing labour and i think labour laws and workplace health and safety must apply here too. I think we have to start talking about these things in terms of workers rights, in amongst all of the compassion we have for them as players. there’s the pressure to perform due to contract status and salary bonus milestones; there’s team doctors having direct conflicts of interest, a monetary and cultural incentive to look the other way when clearing people to play; there’s the plain fact of the best possible safety equipment (cages/bowls, neck guards, cut resistant protective gear) not being mandatory; the blatant denial of CTE coming from the league itself. there’s a lot. and it’s a workers rights issue, not just a moral one. someone will play through xyz because of the culture, because of the pressure, and they will die from it.
EVEN STILL. there is beauty and narrative resonance and something compelling about it all, and I don’t want to deny that. as someone looking from the outside in, sports captures people’s hearts because of these narratives. sacrifice and teamwork and triumph — we have an appetite for these things. I am never going to sit here and deny that I feel compelled by it (which is simultaneous to the anger, the fear, the deep deep well of “i’m sorry you have feel you have to do this”) This appetite I/we as a society have for pain — unpacking it and addressing it is a whole other conversation and I am not qualified to have it. I’m just going to acknowledge it exists because I think pretending it doesn’t would be dishonest of me.
we are allowed to feel fucked up about all of this. call it parasocial, call it entitled, call it inappropriate, i don’t know!! we are people and knowing other people are in pain tends to fuck us up — and as much as I try to keep a healthy distance from these celebrities, as much as I remind myself they’re strangers, I care when they’re hurt because I’m human.
anyway. YES OUR POOR CRINGEFAIL WIVES 😭🤲
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percabeth4life · 11 months
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hc: everytime percy almost dies or miraculously recovers right before death or sees the god or survives smth that wouldve killed anyone else, he makes an offering to Thanatos basically going "sorry if i messed up your schedule again, hope you have a great day, am happily awating when you can actually collect me, bye!<3"
Thanatos considers them good friends, says it once in front of Hades, Persephone&Demeter(&through an amazing game of telephone, Poseidon gets told his Son is "making good friends with death" and Poseidon takes that to mean Percy is (1) almost dyinf even ore frequently than usual or (2) they are sarcastic and he is sassing thanatos&he(Than) does nOT appreciate it
Lmao, Poseidon is panicking, Thanatos when rescued in SON is just like "<3 bestie! How nice to see you <3 You doing good? How am I doing? Yeah just trapped here"
Percy does not realize Thanatos considers them good friends and is just confuzzled. He's happy Thanatos seems to think he's chill tho.
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shkika · 1 year
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i've been curious about how iterators in your interpretation ascend exactly, since they seem to be unable to get off the string!
is the process more metaphorical/spiritual in nature? or is it entirely physical?
also!! i really really love your art and interpretations tee hee pleading face emoji
This is a pretty good prompt to talk about how I think ascension works! I'm gonna try to be thorough even if some information may seem basic! To me ascension feels like it's meant to be spiritual.
DETAILED EXPLANATION OF UH...
1. Ancients and ascension throughout time.
2 . Iterators and ascension
3. What Saint is and how he works.
I think some people may not realize the concept of leaving the world behind was a thing before the void fluid revolution, before our ancients discovered the ruins of the race that came before them that led to the void sea. Those were the times of those gravel eating monks.
I think ascension is supposed to be a process experienced by old creatures. It works by abandoning all your earthly desires after having been through the cycles again and again. So as you detach yourself from the world eventually.. leaving it behind and ending the samsara.
It became something worth working towards. If you didn't guide your soul to spiritual relief... you'd get stuck in the cycles. Which was painful and scary.
When the void revolution came and a much easier and faster solution was found, of course they took it. It was an answer to getting stuck, finally they would have a guaranteed method of escaping the cycles.
Turns out you can't cheat yourself out of the cycle.. if you are attached to the world too strongly, you become an echo. Which made rumors spread.
So we need another solution. Another effortless way to escape. And so iterators were made! They were designed with a few things in mind . They would be a constant in any cycle, they can't escape.. they can't ascend.. they can't die. Their taboos would make sure they don't try anything themselves and they tough bodies keep them from completely losing function.
This way they could work basically forever on the great problem.
Alright here we go!! The question! How do iterators ascend then. They shouldn't be able to, they weren't meant to do that on their own, but one allegedly managed.
Well a GOOD hint imo is Moon's dialogue in the Saint campaign.
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By this we can guess there is a solution. But it is one right answer among infinite faulty ones. And it's completely indistinguishable or was there a way to safely test it.
Once you discover it and you execute it. You're a goner.
Kind of.. how it happened with Sliver of Straw..
Kind of how Saint's ascension works too.
Sliver basically was the only iterator EVER who accidentally stumbled on it and executed the task. And ascended herself before she could do anything more than send the triple affirmative signal.
And that was it. It probably happened completely out of nowhere in a flash. And she was gone.
This is also a reason why I think she is saint. The way Saint ascends creatures is... by just giving them the solution she discovered. The moment they know it, they end up in the void.
Saint is the only one who can do this. The only one that came back.
OH also quick note.. I love how Pebbles and Moon do not understand what Saint is, unless they discuss him together. Very underrated part of the game's writing. Anyway.
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Saint's purpose is to continue their endless cycle to save others. Pebbles says that by definition no one who knows the answer can venture outside.. except Saint. It's why Moon tells him to wake up.
He's the only one that can.
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sunseed-fandump · 5 months
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what if wizard cackled in front of strawberry and gingerbrave and they thought it was shadow milk again
Anon, I’ve been wanting to write that scenario since I first drew that Post-Devil’s Encore Wizard sheet… And now I’m giving into temptation. So here, have a lil something.
Warning: Slight Spoilers for Devil's Encore and Wizard having a panic attack.
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frnkiebby · 5 months
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7
he’s so goddamn cute i stg~🎃
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(the game)
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raplinenthusiasts · 20 days
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What do you mean giffing retirement???? Are you leaving again? :(
noooo I don’t think im capable of leaving this site permanently after all those years 😂
I cancelled my photoshop subscription and decided to take break from it (but a long one probably). Giffing stopped being enjoyable for me, felt more like a chore and it was making me stressed out if I wasn’t fast enough or when I saw member that was giffed less I felt I needed to do that but rarely actually managed to do it. Also some comments here and there and overall lack of engagment were quite demotivating for me 😔
but now I can focus on my main reason of being here reblogging and putting silly little comments in the tags of the amazing creators that still put such pretty sets in the bts tags 💛
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necrotic-nephilim · 2 months
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Sorry if this might be a rude question but why don’t you just make a seperate account for your nsfw fics?
not rude, it's a valid question! tbh it's a combination of a couple reasons.
i started posting anonymous dead dove batcest fics long before i had the balls to make a tumblr. at first i was content to just leave them unassociated with each other because i didn't really care about them being tied to me. i made this blog to actually show solidarity to my partner who wanted to make a sideblog for Sandman comic stuff so we could cheerlead each other and be brave together, since i've wanted to make a batcest sideblog but i've been nervous about actually having to get it going. (mal ik you're reading this go be brave and actually make your blog so i can cheerlead you damnit-) only did it dawn on me then that i should probably mention the fics i've written on the blog after like, three of them were posted anonymously. and it would've annoyed me to have half of them anonymous and half of them not, because notifications for them would've gone in different places. i could go back and take my fics off anon if i wanted to, but i can't switch the account they're on without taking them down entirely and that'd fuck over people who have them bookmarked already.
which, ties into my second reason, if i made an entire second ao3 account it'd be harder for me to see notifications, reply to stuff, and post things for both accounts because i'd have to constantly switch. and honestly i'd be terrified of accidentally posting on the wrong one on a brain fog day. posting fics is always the most tedious part of writing them for me lol. it's easier for me to stay logged into one account and have all of my stuff in one place for me and just use the anonymous collection when i feel like it. if ao3 pseuds worked like tumblr blogs, where you can't see all my side blogs but i can, i would've used pseuds, but since you can see all pseuds on an ao3, i felt it was a moot point.
and the last reason is i just feel more comfortable being anonymous on ao3 because of the rise in anti culture. on tumblr it's very easy for me to just filter that out and find the people i want to follow and block the people i don't. i don't mind getting hate, on tumblr or on ao3. but i think, for whatever reason you want to blame it on, there's been a massive boom of antis on ao3 who are very entitled about how they read on ao3. i tag extensively, but i just feel safer from getting targeted attacks if everything i write on ao3 isn't attached to one profile. if people like a fic i wrote, want to find more i always link my tumblr in the notes, but if an anti wants to get huffy with me, they can't easily track down my other things. they definitely could if they wanted to, but being anonymous on ao3 just makes me feel more secluded, in a weird way. it's like saying "if you want you can come find me but on here i'm just a weird faceless guy throwing stuff in the void". i've used ao3's anon feature a lot, actually, i used to be a hydra trash party dumpster kid back when that was in it's prime.
i also used to be vaguely popular on a different tumblr blog and my main ao3 and while i think it'd definitely be cool if i got a decent chunk of followers on this blog too, i don't really miss having fanfiction do so well i got targetted hate on all of my fics from the same people, i had my fics stolen, etc. it was really exhausting for me. i have 120+ works on ao3, not counting what's anonymous, and that level of exposure tires me, even when i use my main ao3 to post things that aren't trashy. it's just a weird feeling knowing so many people are subscribed to you on ao3 and what if you post something they won't like because you jumped fandoms again, or you're posting something niche, or you don't think it fills enough fandom tropes to be well-liked. i used to obsessively think like that, and it made me not write the things i wanted to because i cared about numbers. and i don't want to slide back into that hole. writing on anonymous is mostly to remind myself i wrote this for me, and if other people like it, they can come find me, but i don't have to perform like that anymore. if i get a really weird fucked up idea, i can write the really weird fucked up idea. at the end of the day, just makes me more comfortable! but i get it's a super confusing set up from an outsider perspective so, i really don't mind the question, thank you for asking!!
#necrotic festerings#batcest#pro ship#necrotic answerings#tbh asking the question gave me the chance to explain it so ty!#might link this in my about me or my masterlist for ease of access#i don't want to like. overstate how big i was on an old blog bc i was not like. a celebrity by *any* means.#but i had a ship-specific blog and i was certainly a “big name fan” for that specific rarepair#and it like. took over my life when i was a teen#i look back on it fondly now but i really regret that i would obsess so heavily over numbers and what made a fic do well#my favorite fics to write were htp back then bc for htp culture writing on anon was normal since that was during the dreamwidth days#and i just. liked that veil of anonymity and i think i defaulted to that when i decided to finally start posting batcest stuff#(all of this makes me sound so old i'm only 22 i just started fandom really fucking young which i don't recommend)#and when i say one fic got big. i mean it. i have found that fic on instagram and pinterest and tiktok and even. facebook.#do you know what it's like when your fic gets reuploaded to facebook without your permission and you see what boomers think of it.#that was so mortifying.#funnily enough the boomers were actually really nice i was just shocked to find it there scrolling one day.#it was instagram that was super mean to me and traumatized my ass. man ppl dug into me for the tinest things. do not miss that.#anyway the point is#i've tasted vitality and niche fandom status(tm) and i hated both. and i just cannot do that to myself again#ergo#anon on ao3 and a blog to post my thoughts when i have them.#it's a nice system for me#i have some stuff on my main ao3 that toes the line of like. dark dead dove trash.#and i had antis get mad at me bc their fave fluffy fic was written by. gasp. a proshipper.#and yeah that soured me to existence on ao3.#getting into the rise of anti culture is a whole other discussion that'd have me going on for hours but i will shut up now.#wow this got long. i like to fucking talk don't i.
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shadowsageingempress · 5 months
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[potentially gory, just a heads up]
maybe I'm the only one but I never got why Vincent having a Y shaped autopsy scar is super commonin fanfics
like wouldn't Hojo just pull the bullet out and then do the rest of the experiments? why the assumption that he would need to cause that much damage? or am I missing some common medical knowledge here or something?
I don’t think the scar would be from retrieving the bullet. I think the more likely explanation is that it was made in the surgeries afterwards.
We know that Hojo performed the experiments that resulted in Vincent being able to transform into most of his limit break forms, and I imagine that this was done by implanting him with organs from a bunch of different sources.
Alternatively, it could have been made when Lucrecia infused Vincent with the Protomateria, since Dirge of Cerberus shows that it is located in his chest.
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inkykeiji · 1 year
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hi clari!! its cupcake! ohh the prompt idea is soooo much fun!!! could you do something with bmb Dabi and number 22?? i could totally see them being on a walk or something and I think it could be really cute!!
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prompt: footbridge series: break my bones warnings: use of the word daddy/referenced daddy kink, toxic relationship, reader is female and quite bratty words: 1.1k
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It’s one of those slow, lazy summer days, where time drips by in syrupy drops, thick and viscous and sugary-sweet. 
The sun wanders between fluffy clouds, seeming to sway with the wind, the slight but constant breeze gliding between the willows and the blossoms and the blades of overgrown grass, and everything is languid, everything is lax, everything is nice. 
Which means you are bored. 
Of course. As always. 
“Don’t you dare get on that tree trunk,” Dabi warns from his spot on the ground, hands laced behind his head, eyes staying shut as he speaks. 
“What? How did you—”
“Because I know you, and I can hear your footsteps,” a singular eyelid lifts to fix you with a pointed look, holding your stare for a moment before slipping shut again, Dabi’s head snuggling back into his palms. “I can hear you tiptoeing toward the river. I knew that fallen trunk was going to be trouble the moment we got here.” 
“You’re way too damn perceptive,” you grumble, and he can hear the pout rapidly forming in your voice. 
“Wouldn’t be any good at my job if I wasn’t,” he quips.  
“Why can’t I get on the trunk? I want to cross the river.”
“The river is shallow, take your shoes off and walk across like a normal person.”
“The river is nearly up to my waist.”
A lid lifts again, this time with a raised eyebrow, and he smirks, a sloppy quirk up of a corner of his lips. “So? Your dress is nearly short enough to not get wet anyway. Just hike it up a little more while you walk across and you’ll be fine.” 
“But that isn’t the fun way,” you whine, pout in full force—brows furrowed, forehead crinkled, nose scrunched—with your arms crossed over your chest, and Dabi’s surprised you don’t stomp a foot.
Brat. 
“I don’t care what the fun way is, if you fall and break a bone it’s my fucking head on the chopping block. You are not walking across that damn tree trunk.” 
“Oh yeah? Watch me.” 
Really, he should’ve known, should’ve expected this to happen. His word barely holds any weight at all when it comes to you, and his threats of I’ll tell Daddy! are most often met with blasé Go ahead’s and/or flippant I don’t care’s, despite how serious or severe the transgressions might be, and the punishments that follow.
“If it bothers you so much then just come with me,” you say, as if it’s that simple, that obvious, already starting to pull yourself onto the trunk, using the scraggly roots as steps.
“You really are such a fucking brat,” he’s growling as he kicks his boots off at the edge of the riverbank with more force than strictly necessary. 
“Yeah, yeah,” you’re waving his complaint off with a delicate flick of your wrist, too concentrated on keeping your balance as you teeter on the rotting trunk slapped across the river—a crude imitation of a footbridge—rickety on the balls of your feet.
Dabi doesn’t even bother rolling up his jeans—Tomura really is going to have his fucking balls if you get so much as a goddamn scratch, he’s sure of it—as he trudges into the flowing water, crystal liquid quickly lapping at the charcoal denim, which eagerly sops it up.
“Unbelievable, fucking unbelievable,” he’s muttering to himself as he walks along with you, arms outstretched as a precautionary measure, willing and waiting and ready to catch you if you come tumbling down.
“Shh,” you hiss at him, though there’s a smile on your face. “You’re breaking my concentration.” 
“I’d really like to break something else right now.”
“Cheesy, Dabi,” you glance at him through the corner of your eye, smile spreading. “Very cheesy, but I appreciate it.” 
The wood is slippery; one wrong step and you’ll be twisting an ankle and toppling into the water, the rubber of your shoes having already skidded across the wood twice, each gifting Dabi with a mini heart attack, followed by a string of curses. 
“Why don’t you ever fucking listen to me?” 
The question is sighed out from tattooed lips with his eyes kept steadily on your feet, aiming for exasperated nonchalance, despite the fact that it’s been gnawing at his stomach, his brain, his heart for weeks now. 
“I dunno,” you shrug, and the action nearly causes you to lose your footing, Dabi grasping onto your hand to stable you, automatic and instant, years of training put to good use. 
That’s not good enough, Dabi wants to spit at you, molars grinding the words to a choking dust. 
“I guess it’s because...I like your attention?” you peek at him through your lashes, almost as if you’re scared the answer is going to get you into trouble, features on the verge of a wince. 
And suddenly, everything stops. Rushing water turns to blood in his ears, and spikes of adrenaline surge through his veins, numbing like Novocain, muscles locking, bones freezing.
“You do?” 
It comes out more biting than he means for it to, laced with a caustic skepticism. 
“Of course I do,” you snort out the words, as if it’s abundantly apparent, as if he should know this already, fully looking over at him. “It’s just, uh,” you pause, chewing on the thought, eyes darting back to the trunk. Dabi’s hand squeezes yours just shy of too hard, twice—a silent encouragement, a desperate plea to continue. “You’re fun. Or, well, you can be, depending on the day.”
He’s not like your Daddy; he gives you what you want, he can’t fucking say no. He isn’t like Tomura, immune to your tricks and your charms, your pouts and your puppy-dog eyes. He’s weak. 
A flash of inexplicable anger, sharp and scalding, slices through his chest, charring flesh as it goes. 
But he isn’t given a moment to mediate on it, ears pricking up as rubber skids over bark again, and then you’re plummeting from the trunk and into Dabi’s waiting arms, skillfully and expertly catching you as if it’s second nature to him, as if it’s no feat at all. 
“See?” you huff out the word with a slight breathlessness, a wobbly smile on your face, but your hands are trembling, clasped tightly behind his neck, fingers twisting in the tufts of ink at the nape of his neck. “Everything was fine.”
“Next time,” he begins, words shoved through clenched teeth. “I want you to fucking listen to me.” 
And although he’s glowering at you with stormy eyes and a face twisted with rage, his arms are flexing, cradling you so tightly to his chest that it’s beginning to hurt, so tightly that you’re sure his handprints will streak your skin with broken blood vessels flooding beneath your flesh. 
“Yeah,” you say softly, though there’s a glimmer of mischief in your eyes, a spark that you can’t quite seem to snuff out. “Deal.” 
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hislittleraincloud · 4 months
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OMG PUPPY 😍 pleeeeeeease post more pix of tha puppy 🐾 pretty pls 🥹
One of the first vids her breeder sent me.
But now she's a Big Little Girl with a healthy collection of shades...recently one of the TCGs (teacher crush girls 🎀) posted about their heart shaped glasses... she's got 3
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(she's spoiled 💀)
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and toys up the wazzoo (she chose Enid out of the three Nevermore/W plushies, but she has a shit ton of HP and Stranger Things toys...I think Stranger Things is her fave though)
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does aziraphale actually at any point agree to come back to heaven? even after the metatron offers to restore crowley? because take all the time you need doesn't sound like he agreed yet. the flashback cuts immediately after the ascension offer without looking at his reply. he dodges directly answering tell me you said no. crowley takes it as a foregone conclusion based on his evasions and reacts accordingly the metatron acts as though he's agreed to cut off his escape routes but i'm not conviced he actually ever did...
(2/2)
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hi anon!!!✨ lots of things to talk about here!!!
okay first thing's first, something definitely feels off about the cuts in the metatron-aziraphale chinwag, and the way it's intersected with aziraphale telling crowley, there's no two ways about it. i do think to some degree there is something we are not seeing.
that being said, i think it could potentially be quite... cheap? narratively to have a Big Reveal of *gasp* we didn't see the whole conversation! now if that does happen, im absolutely sure i'll be proven wrong in that assessment, and it'll be great. however, i personally don't like it that much, insofar that i think it can sometimes reflect a poor opinion on audience intelligence (ie. i prefer to find out there were clues hidden in plain sight to about 95% of the 'Answer', you only had to look hard enough to work out what was going on, then maybe a surprise twist for the remaining 5% - rather than something be purposefully and entirely kept from the audience).
so for example, i felt this way about the gabriel/beelzebub storyline. what had happened to gabriel was hidden in plain sight - the fly, the box, the memories, the matchbox etc - but the little twist obviously being him and beez falling in love. beautiful, splendid!
but for there to be a Big Reveal that metatron made an overt or even thinly veiled threat against aziraphale and/or crowley? that feels a bit too Big to reconcile, imo, with the rest of the scene. there are definitely indicators, the more that ive rewatched the Final Fifteen with this perspective in mind, that aziraphale is scared, or uncertain. the way he looks out the window, his facial reaction to what crowley says to him (shaking head, looking confused, etc)...
but i don't think he's been threatened. i think he maybe feels threatened or has Worked Something Out, but i dont think metatron actually intimated any kind of threat (tbh, i felt like that was the whole point of metatron's behaviour in the Final Fifteen). as for whether aziraphale had accepted the offer though - i completely agree that i don't think he had made up his mind completely until a very Specific moment.
i do believe that aziraphale wants to change heaven, and do the good thing of making a difference; i think that its simultaneously very in-keeping with his core traits (and his character development up to this point has naturally led to this decision), but also a step forward in some aspects too - put simply, bc it would be a whole other meta and tbh a point ive talked about quite extensively from my recollection, i definitely think both of the boys needed to separate.
but as to specifically why aziraphale was so willing to make that difference; well, i think he realises that metratron is potentially dangerous. he's smarter than metatron has given him credit for, and aziraphale realises that whilst he may not know his motives for doing so, or what specifically metatron could do, i think he has put together a number of Clues that indicate that he and crowley might not be as safe in the bookshop as they thought they were (and i had to actually parse this out in a separate post, anon, bc i got so excited!!! your ask completely inspired it, so thank you!)
so with this potentially in mind, he leaves the bookshop (and not until possibly clocking this dirty look thrown at crowley, just for good measure):
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and settled down across the road with metatron. metatron offers him the job, CUT, metatron gives (?) aziraphale the power to restore crowley, CUT. then aziraphale, as you said anon, starts to come back across to the bookshop, and tell crowley what happened. as you said, metatron's line indicates aziraphale has basically said, "well, i'll need to run it by him indoors first", and metatron has acquiesced, it seems.
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so yeah, just to hammer home your point, i definitely think that aziraphale has said something like, "i need to think about it", for metatron's first line to make sense and for it to flow. and his expression, keeping with the kindly old man, indicates to me that he hasn't gone nasty or threatened him at all, but instead is almost taking the "kill them with kindness" approach, which is all the more powerful because it makes the victim, so to speak, arrive at the conclusion they wanted but by their own conviction.
anyway, so aziraphale is all smiley, until he crosses to the bookshop, and it's apprehensive and stiff and uncomfortable. i think this for me is a telling sign, because if he were expected crowley to want to be an angel again, and to be with him, what would aziraphale have to be nervous about? personally i think it's to do with the aforementioned potential realisation that whatever he says to crowley in the shop, he needs to be careful in what he says and how he says it.
as soon as he steps in the shop, it's back to smiles. nothing's wrong at all. in fact, i have good news. aziraphale is looking out the window just as metatron has turned from muriel to look right back. then, when crowley starts rambling (my brave soldier), you need to stop talking, i need to tell you this and i need to tell you this now before anything happens or you end up saying something and land us in deep shit, because i think he can hear everything we're saying (just chopped together a bunch of shit to demonstrate this):
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and then aziraphale starts to lay out what the metatron has offered to him, even pulling himself up on potentially offending him by indicating that aziraphale and crowley both might have had a shitty word to say about him after the metatron's less than helpful rhetoric in s1:
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im not going to go ahead and gif the rest, but the following notes through aziraphale's account of the conversation and the offer made to crowley:
aziraphale barely blinks after the above point in his monologue, and is definitely agitated and restless compared to when it cuts to the flashback of him and metatron at justine's restaurant
an obvious thing that everyone has remarked but; aziraphale first asserts that he doesn't want to go back to heaven, to which metatron plays the crowley restoration card
as soon as metatron says, "(paraphrased) looked back over your previous exploits with the demon crowley", and aziraphale goes from frozen, deer in headlights, to visibly uncomfortable and panicked - swallows, eyes start darting away (previous pretty firm eye contact with metatron), pursed lips... all indicating to me a mixture of 'oh he's definitely been watching us/has had the power to', and 'oh shit it's worse than i thought'
we don't see aziraphale's face after metatron finishes his offer of restoring crowley - did aziraphale continue to look scared? did he look relieved that a threat hasn't been made? does he even look relieved that metatron doesn't appear to be splitting them up, but instead is offering an option where they can still be together and protect each other? we don't know.
i do think aziraphale was taken in by the promotion; i do think he wants to do exactly as ive said in previous metas. i think he does want to make a difference, do the right thing. not the clever thing, or logical thing, but the right thing. the minisodes literally led to this point, directed us to this being the pinnacle of his character development so far.
i think he genuinely thought that the restoration offer would solve everything re: his and crowley's safety, and their future together - he acts truly shocked that crowley would turn it down. i don't think crowley has ever really told him about the fall, or why crowley is so vehemently repulsed by heaven and therefore by the offer by extension. aziraphale sees it as an overture made towards crowley, a way to set right an egregious wrong done to crowley, and - like the photograph in ep4 - a way that aziraphale, once again, can actually be the one out of the two of them to protect them both.
this to me is why the metatron's whole offer, start to finish, is so clever, and so dumb, and why it would be so gratuitous to even bother with an overt threat. it's clever because it plays into aziraphale's core beliefs and the tenets of his character - especially those that crowley taught him. it's dumb because there's so much that metatron got wrong, like the coffee, and only set off (imo) the alarm bells for aziraphale that things are Not What They Seem. but ultimately aziraphale arrives at the conclusion - especially post-Feral Domestic - that he has to go to heaven. metatron didn't need to threaten him; the decisions that you reach yourself rather than be coerced or ordered into are always the decisions that stick.
i think aziraphale knew he was going to go to heaven as soon as metatron offered it. i think he knew, however this was going to go, it would not be an option he couldn't take. the bit he didn't foresee, that he thought would be guaranteed, is that crowley would want to help him and be with him, not force him to go against his core self (the bit that wants to do good and do the right thing), and not put his faith and trust in aziraphale even if he could never again put it in heaven. im not saying aziraphale is right for thinking or assuming that - far from it - but that must be somewhat along the lines of how he thought this would go.
so essentially, anon, if you've stuck with me this far (bless you if you have, you're so brave), i do largely agree! and it's parsing out this ask that has made me seriously consider if i think that aziraphale knows he's in some sort of peril. i think he does - but i don't think the metatron knows that aziraphale knows. that's pretty powerful knowledge. the opening had been made, a declaration of intent has been made apparent, and now aziraphale needs to respond. i think aziraphale is going to need to play a very tough board here, consider where he moves his pieces, and start planning the middlegame as soon as he can - something, if you ask me, he's already doing:
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cuntftmtf · 1 year
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Stop working out. Stop taking T. Let your body change. Stop fighting it.
the urge to let my cunt win from my brain and finally allow myself to become the soft curvy woman of my dreams is truly too tempting some days ngl
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danggirlronpa · 6 months
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Chisa's actually much younger than you think, she was in the 74th class which only separates her by 3 years from the DR2s. (But then there's power imbalance issues which is why any ship between her and a DR2 is a no). I always headcanoned Miaya to be from the 76th to give her a year where she and Chihiro could both be attending the school at once. This has been my random splurge about ages
Don't worry, I know! I've complained several times about Chisa being only 3 years older than her students. Weirdest decision in all of DR3. Why did they do that. How long did the writers think it takes to become a teacher. This is my white whale. Obviously it's complicated to ship her with the students, but she's like, 20 years younger than the hot moms. Miaya and the pregame V3 kids are such a rare boon for shipping Chisa potentially within her age group!
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