#forgive me but i am about to tag a lot of fandoms

[fictional-idol-tournament]

hey. you.

yes. you.

do you like idols??? idol characters??? idol animes??? idol music???? those idol mobile gacha games that slowly steal all of your money from you that i personally am not addicted to at all????

well then do i have the tournament for you!!!

introducing….

THE FICTIONAL IDOL TOURNAMENT!!!

a tournament where you can pit all your favorite idol characters against each other in the ultimate competition to see who is truly the top idol.

the rules are simple. they must be fictional. they must be an idol, specifically a japanese idol (or an idol living and performing in japan, yknow what i mean). they can be from a media centered on idols (ex: haruka from idolm@ster) or one that has nothing to do with it (ex: sayaka from danganronpa). also, they have to be considered an idol in universe, so take bandori for example: characters from the units pastel*palettes would count, as they are idols, but characters from the unit poppin’party would not count, as they’re just meant to be a band despite functionally being idols but that is neither here nor there.

all are welcome to compete here!!

submit your idols here!!!

https://forms.gle/Dw9QhRhGXMP65kgs9

when will submissions end! who knows??? but i will tell you.

EDIT: ending october 24 at 12 AM CST

(tournament run by @brainrotgobrr)

[presiding]

What is your favourite thing about Billie Lurk?

(Answers are obvious possibly but i love when people talk about her👍)

thanks for the ask!! YEAH ME TOO I love when people talk about Billie! I can't say I have a favourite thing specifically, but I can explain why she's my fav. apologies for not taking this qn literally, but -

short answer: she’s really cool

& you can stop reading there, or, for the maybe 2 mutuals who might have time to read this my thoughts on her as a character, her meta, and her character as raw potential...

long answer:

i considered making this entire thing a gush so you could read a gush about Billie. but, part of what draws me to her is that she’s not always well written, and in fandom she’s underrated for a literal protagonist.

since you ask...

billie is a cool character

when I played Dh2 (hadn't played Dh1), I was excited to see a black woman with disabilities who was captaining a massive ship by herself. wow.

then I discovered Billie’s backstory with Deirdre, the way she responded to that, then having to survive while living on the run, and her bisexuality. as well as her history with daud & delilah. fascinating!

she’s an outsider who has so much to lose, and knows what it's like to lose everything - having lost everything not once but three times - but nevertheless speaks truth to power. she's so brave! she went and helped Emily & Corvo and she must have known they might kill her! plus, she’s smart, she’s funny, she gets shit done, she’s gorgeous.

but... the meta

mild critique of fandom & arkane incoming.

skip this bit if you want - you've been warned twice now - jump to tired Hayao Miyazaki and read from there if you'd like my thoughts on writing her.

i thought Death of the Outsider was going to be amazing and then... well. *sad trombone* i've written about that before so i won't keep banging on. i figured others must be disappointed too, so I joined a few fandom spaces in hopes of finding camaraderie.

most people with complaints about DotO didn’t like how the Outsider and Daud were handled. which is valid & I agree. but it seemed like most paid no attention to Billie; when people talk about her it’s with respect to Daud, as opposed to in her own right. you could argue for fandom misogyny because people don’t talk about adult Emily Kaldwin that much either, but in Billie's case, it’s misogynoir (compare & contrast with the popularity of thomas, particularly the popularity of thomas portrayed as a white man for no particular reason that i've been able to discern - i keep asking around, is it in the books???).

i think this is a LOT better now than it used to be, which is fantastic. or perhaps i have found the correct echo-chamber? ha.

ultimately, The Fandom is a fraction of the entire picture, and not even the important bit since The Fandom is not who these games are made for. you can't make money relying on only your hardcore fans even if all of them spent a fortune on merch, this is true for any AAA game.

while it's true that Billie is underrated from a fandom perspective - but Billie as an underwritten protagonist is squarely Arkane’s fault.

it was reasonable when she was a side character - the lack of info in Dh2 makes perfect sense (if anything there was more lore in Dh2 which is kind of wild)-

- but as a protagonist in Death of the Outsider?

.... there’s lousy writing, and there’s whatever is going on with Billie Lurk, a black woman who mostly exists as a foil or saviour for light-skinned characters. In her own game there’s barely any of her own lore except where it's relevant to saving two dudes.

lore hints at, but barely touches on what race means in the Dh universe (xenophobia is stronger in Dh1; separate essay i guess), but Arkane has patted themselves on the back for portraying non-white characters, which feels like the same thing as the aesthetic of diversity we're seeing in advertising currently because it’s in marketing trend guides. it's self-congratulatory and it's a missed opportunity for deeper storytelling.

you can see an example of diversity at its most shallow in the way that Billie’s written: there’s little engagement with her as an entire person with history & wants & preferences, and the world she walks through in that game feels like it has nothing to do with her. you could make a case for alienation as a theme, but then, how do you handle the titular premise of 'Dishonored' without ever letting Billie make changes in an environment without a chaos system? it's disappointing from that angle too.

in my opinion, whatever it's worth, it was an accident Arkane created such an awesome character - they needed someone to betray daud. congrats billie.

all this said, it makes her an underdog as far as characters to enjoy & create art & stories for. it's nice to find so many like-minded, switched on people! <3

billie's character potential

she’s got a wealth of unexplored lore, being deeply intertwined with both Karnaca & Dunwall’s fates & criminal underbellies, as well as her connections to the witches & whalers, and three Empresses.

she’s lived a few distinct lifetimes and in the games we get to meet her at two peaks (KoD & DotO) & a low (Dh2 as Meagan).

her voice is very distinct, her dry & often dark humour is entertaining & fun to write. her perspective is really interesting - she’s had the widest variety of void-powers of anyone canonically, and she’s also lived through the highest highs and lowest lows.

she's got everything going for her :) i couldn't really pick a fav thing!

[dualitysdownfall]

.

[rotisseries]

you know, when I went into watching tlou playthroughs I knew I wouldn't hate abby, just by virtue of the fact that I already knew so much of the major plot points that I'd already been able to pick up that the Point™ of the story is that nobody is truly right in this situation and if you hate abby but not ellie or joel you probably aren't really getting it, but I did not necessarily expect to love her like I do. like I fully expected to feel maybe neutral or at best mildly positive towards her but I finished watching the playthrough of the second game last wednesday and I have not stopped thinking about her since. her and ellie are in my mind in equal measure I love them both so much

[mimimui]

comma after dearest (genshin impact)

wherein (character) reacts a certain way to a grammar mistake you made in your letter (or was it?)

includes: kazuha, ayato, thoma, xiao, zhongli, alhaitham, kaveh, scaramouche

tags: a bit unserious writing, fluff, i am obssessed with "it changed the meaning, did you intend this?" forgive me, not proofread

a/n: not sure if anyone's done this before, but take it as my apology for not having written in a while (╥﹏╥) my fever + colds are killing me & i have a lot of scheduled things to do for school aaaa. maybe i can write this with other fandoms as well ? (and character x character ships hehe) .. enjoy !

kazuha notices it immediately. aside from all the work with the fleet, he spends time reading—or rereading—your letters. written messages aren't uncommon when he's at sea, but this letter was different. had you made a mistake with your punctuation? no, it can't be, you've always opened your letters with "my dearest kazuha".

he blinked at the words, now seeing a comma between the word 'dearest' and his name. as much as he was confused, he was flustered. if this wasn't a mistake, and that you intentionally called him your dearest, then it's a shame you can't see how absolutely smitten he is for you right now.

ayato is busy going through papers and folders when he sees an envelope slide under his door. he chuckles as he reads his name in your writing, carefully picking it up and opening it. you have a habit of writing him letters and sliding it under his door while he works, which ayato finds very endearing.

when he reads "my dearest, ayato", his smile only widens more, finding new motivation to finish his assignments for the day so he can get to you as soon as possible. he knows how much effort you put into writing these short, yet loving, letters when he places this one on his (already full of other letters) pinboard.

thoma takes a while to realize, but when he finally notices it, his heart rate increases by a concerning amount. he loves you so much to the point that when he reads "my dearest, thoma", there's hearts in his eyes. thoma's so much happier after reading your letter, and now he's doing everything smiling.

ayaka told him he looks brighter than usual today, and ayato even asked him if he received good news. of course, he was shy about this, but he told the kamisato siblings it was nothing to worry about. though, he continues to do his work with a little bounce in step.

xiao denies it. he thinks he's read it wrong at first, but when he looks over at it again, it is confirmed that you did write him as your dearest. forgetting about the rest of the contents of the letter, xiao began to contemplate. an error like that was unlikely, especially since you're fond of writing.

the next time you meet, he has a hard time trying to bring up the topic. he knows you meant what you wrote, but he wants you to confirm it. when you tell him, "yes, i mean it." he tries to hold back a smile. keyword: tries.

zhongli adores the salutation. or rather, he adores you. he appreciates the sweet, small detail you added in. zhongli hurriedly, yet carefully, writes you a letter back, addressing you as "my dearest, (y/n)" and replying to the contents you had in yours.

he never really indulged in using endearments, but ever since your letter, he's only even been calling you his 'dearest'. when greeting you, when asking for your attention, when talking about you, whenever. zhongli's never said it outloud, but you know he absolutely loves that nickname now.

alhaitham is amused. he thinks you genuinely made a mistake in your letter, but doesn't address it until he returns to sumeru. when you see him again, he brings it up, expecting to be able to playfully taunt you about it. but he was so wrong.

"but you're my dearest. how is that wrong grammar?" you say, turning the situation around and teasing him instead. alhaitham wanted to tease you so much that he didn't bother to think of other possibilities. he's defeated, and all he can say is, "...i have no reply."

kaveh doesn't know how to react to it. should he be flustered, or correcting you for the mistake? was it even a mistake? he does write you a letter back, but best believe he immediately asks you about it as soon as he comes back home. "did you intend this?" he says, showing you your letter.

when you nod your head, all the shyness and blush that should've came in before came in now. kaveh uses the folded letter to cover his smile, but it's too wide and too bright to even try to. when you tease him about it, he strongly denies having his heart race from it.

scaramouche chooses to ignore it. he knows you wrote that punctuation on purpose, but he doesn't want show that he's thinking about it. this ultimately failed when he doesn't write you back, and you knew something was up with him. once he returns and he acts indifferent, you bring it up.

his eyes widen as he looks away, realizing he forgot to reply to that letter. scaramouche hesitates before quietly apologizing, mumbling something about 'my dearest' and 'running out of paper'.

thanks for reading (˶ᵔ ᵕ ᵔ˶)

[bonefall]

So, I'm writing an essay on the whole STATE of misogyny in WC for one of my university classes, and I was wondering if I could ask you a couple of things! No pressure of course, please feel free to say no!

A) Could I reference your good takes with appropriate harvard referencing and links back to your blog?

B) Are there any specific moments from the books that you think should be covered the most?

C) The end result will be a visual essay, so it's like those fun infographics people on Tumblr make on like ADHD and stuff, so when it's done, would you like to be tagged to read it?

(Sorry for anon, I'm nervous lmao, but if you'd be more comfortable I'll resend this off anon)

AAY good topic! You've got a lot to work with. Absolutely feel free to reference anything I've written, and tag me when you're done.

While you're here and about to write something so legitimate, I'm also going to recommend you check out Sunnyfall's video on gender in Warrior Cats. She breaks down the arcs into numbers, directly comparing the amount of lines mollies have to toms, and examining the archetypes women are usually allowed to be.

I think it's a must-have citation in a paper about WC misogyny.

...and, I think it's insightful to look at the WCRP Forum thread about the video. Note how the respondents immediately come into the thread to complain about how the video is too long so they didn't watch it, dismissing Sunnyfall as not being entertaining enough to hold their attention, even whining that she starts with statistics to prove her point, which I'm convinced she did exactly because they would have cried that she "had no evidence" if she didn't.

I am not a scholar, so I don't know how to document or prove that the books have an impact on the audience outside of anecdotes. But I think if you do write a section about fandom, it would be worth mentioning the in-universe and metatextual apologia for Ashfur and its reflection in the real world discourse, the authorial killing of Ferncloud because of fan complains, and the utter defensiveness against the discussion of misogyny you see outside of Tumblr.

You may also want to check out Cheek by Jowl, a collection of 8 essays about sexism in xenofiction by Ursula K. Le Guin. There's a very unique manifestation of authorial bias in animal fiction, having a lot to do with how the author views "the natural world," and it's worth understanding even though Warrior Cats are so heavily anthropomorphized.

So... Warrior Cats Misogyny

I think discussing individual instances can be helpful, but I'd implore you to keep in mind what's REALLY bad about WC's misogyny is framing and the bigger picture.

Bumble's death is shocking and insulting, but it's not just that she died. It's that the POV Gray Wing sees her as a fat, useless bitch who took his mate so she deserves to be dragged back to a domestic abuser, and he's right because the writers love him so much. It's that Bumble's torture and killing only factors into how it's going to hurt a man's reputation.

It's how Clear Sky hitting, emotionally manipulating, or killing the following women,

Bright Stream (pressured into leaving her home and family)

Storm (controlled her movements and yelled at her in public)

Misty (killed for land, children stolen)

Bumble (beaten unconscious, blamed nonsensically on a fox)

Alder (child abuse, hit when she refused to attack her brother)

Falling Feather (scratched on the face, subjected to public abuse and humiliation)

Tall Shadow (thrown into murderous crowd, attacked on-sight in heaven)

Rainswept Flower ("blacked out" in anger and murdered in cold blood)

Moth Flight (scratched on the face for saying denying medical treatment is mean, taken hostage in retaliation against mother for the death of his own child, which he caused)

Willow Tail (eyes gouged out for "stirring up trouble")

Is seen as totally understandable, forgivable, or not even questioned at all, when killing Gray Wing in an act of rage would have been "one step too far" with the ridiculous Star Line.

"Kill me and live with the memory, and then let the stars know it would only matter if a single one of your murder victims was a man."

It's the way that fathers who physically abuse their kids out of their ego (Clear Sky, Sandgorse, Crowfeather) aren't treated anywhere near the same level of narrative disgust and revulsion the series has for "bad moms", even if they're displaying symptoms of a post-partum mood disorder (depression, anxiety, and rage), an umbrella of mental illnesses 20% of all new mothers experience but are heavily stigmatized with (Sparkpelt, Palebird, Lizardstripe).

It's Crookedstar's Promise giving him two evil maternal figures in a single book, while bending over backwards to make every man in a position of power still look likeable in spite of the fact they're enabling Rainflower's abuse. Leader Hailstar is soso sorry that he has to change Stormkit's name for some reason, in spite of leaders being unaccountable dictators the other 99% of the time, and Deputy Shellheart functionally does nothing to stop his own son from being abused or even do much parenting before or after the fact.

It's the way men's parental struggles are seen sympathetically, and they don't have to "pay for it" like their female counterparts (Crookedstar's PPD vs Sparkpelt's PPD, how Daisy and Cinders are held responsible for Smoky and Whisper being deadbeats, Yellowfang's endless guilt for killing her son vs Onestar's purpose in life to kill his own), even to the point where a father doesn't have to have raised their kids at all to have a magical innate emotional connection to them (Tree's father Root, Tom the Wifebeater, Tigerstar and Hawkfrost).

It's less speaking lines and agency for female characters, being reduced to accessories in the lives of their mates and babies, women getting less diversity in their personalities, with even major ex-POV characters eventually becoming "sweet mom" tropes.

You could zoom in on any one of these examples and have an amoeba try to argue with you that "Oh THIS makes sense because X" or "Ah well my headcanon perfectly explains this thing" or "MY mother/girlfriend was abusive/toxic/neglectful and I've decided that you are personally attacking ME by having issues with how a character was written or utilized," but the beleaguered point,

That I keep trying to hammer in, over and over, across books worth of posts,

Is that these are trends. More than just a couple one-off examples. It's the fabric that has been woven over years, showing a lack of interest in, or even active prejudice of, women on behalf of the writers.

LONG STANDING trends, which have only gotten worse as the series progressed. From Yellowfang being harshly punished with a born evil son who ruins her life in TPB and the mistreatment of Squirrelpaw that begins in TNP, all the way up to the 7 Fridgenings of DOTC and Sparkpelt's PPD being a major character motivator for her son Nightheart.

So, I would stress that in your paper, and structure it less as "the Sparkpelt slide" and "the Yellowfang slide," and more as "The paternal vs maternal abuse" slide, and "the violence against women" slide. They're really big issues, there's tons of examples for each individual thing.

Anyway to leave off on a funny, look at this scene in Darkest Hour that I find unreasonably hilarious,

"Everyone who matters to me; my truest friend, my sensible and loyal warrior, the wisest deputy I've ever known, and 2 women." -Firestar, glorious idiot

He can't even think of a single trait for either of them what the hell does "formidable pair" mean lmaooo, when I finished a reread about a year ago this line killed me on impact.

[rallamajoop]

On Mia Winters, misogyny, and abuse

As should be pretty obvious by now, I love Mia Winters. I honestly think she’s one of the most compelling characters in this whole damn franchise.

But let me make clear: you don’t have to love her. Mia’s canonically done a lot of shady shit in her time, and her relationship with Ethan has real problems. There are perfectly viable interpretations where the only thing really holding it together is his own denial. Only I never seem to get to read any of those takes, because the most common characterisations Mia gets in fic are an irredeemable monster, or a cardboard cutout who exists only to be written out as quickly as possible. And to write Mia out to that degree doesn’t just do her character a disservice, it does Ethan a disservice, and a big one.

The amount of Mia-bashing I see out there in this fandom turns my stomach. It’s not just the slash fans who’d rather ship Ethan with another dude. I have seen Mia loudly bashed in tags on het or gen fic in which she does not even appear. I have seen male fans reviewing these games on youtube who treat her the exact same way. But it’s never more frustrating than when that hate comes from the same fans who’ll turn around and talk about characters like Chris or even Lady Dimitrescu (she who canonically abuses her and murders her servants, and, y’know, eats people without a shred of remorse) like they’re perfectly forgivable and have done no real wrong. And don’t get me wrong: I love Lady D, but I love her because she’s magnificently evil. Mia? Mia’s a whole lot more complicated.

But to really explain why this hate makes me so uncomfortable, I’m going to have to start with the start of Resident Evil 7, and Mia’s very first scenes in this whole franchise.

Let me quickly summarise the opening of that game. A man whose wife disappeared without explanation suddenly gets a message about her whereabouts. He travels to an isolated location, breaks in, and finds her. She denies ever sending him that message, and seems incredibly distressed that he’s there at all. They fight. It ends with him sinking an axe into her neck and shooting her several times with a handgun. But see, he didn’t do anything wrong! It was all self-defence! She started it! She was acting crazy!

If you didn’t spot it, the whole opening of RE7 reads uncomfortably like a story about a woman escaping an abusive relationship, then being tracked down and murdered by her ex.

Obviously, I am not here to tell you Ethan’s abusive. He’s not, we’ve got no reason to imagine he is. He was legitimately acting in self-defence.

But the fact the first thing Ethan has to do in this game is find the balls to kill his own wife ‒ that a whole new era of Resi games has opened with a sequence so easily read as a sympathetic justification for how a man might perfectly innocently track down his missing spouse and "have" to kill her – that made those opening minutes into by far the most uncomfortable part of this whole franchise for me. Shit like this really happens. I mean it, I will track down the fucking statistics on women who are murdered after trying to leave an abusive partner if I have to.

What happens to ‘Mia’ in the opening to RE8 isn’t much better: it's as textbook a fridging as any I’ve ever seen. Yes, it’s a fridging that gets retconned away later when she turns up alive, but the fact that’s even possible speaks to just how awful and confusing her death is. The game opens with Mia’s violent murder at the hands of this series’ longest running ‘hero’, and the event is framed entirely in terms of how awful it is for her husband. That's as frigid as a fridging gets.

The eventual reveal that the real Mia was just trapped alone in a cell being experimented on by a madwoman for god knows how long doesn’t actually make it better. The horror Mia goes through in both these games is a footnote, barely explored.

I bring these events up not to condemn the RE franchise, not to say that including these sequences was unconscionable, or that violence against women can never be shown in a horror title. A quick glance at my tumblr should demonstrate how much I adore these games. Tropes like fridging become problems only because they’re so ubiquitous they can come to define almost the only roles women get to play, not because any individual example is necessarily grounds for outrage. If anything, there’s just as much to analyse in all the hate thrown at characters like Ethan Winters (or his predecessor, Jonathan Harker) as a archtypical examples of sexism against men – backlash against the very idea of a male character in the disempowered role of horror victim, usually reserved for women.

But with this context in mind, my god is it uncomfortable to see people talk about Mia as irredeemable monster who deserves to suffer more. People who will valorise the likes of Chris Redfield, who didn’t even bother to stop to tell Ethan that’s not Mia, yet talk about Mia like being shot to death in her own living room was only what she deserved. That is just a whole load of yikes.

And given that both games open with Mia being violently killed by a male protagonist (twice in RE7, with the player in control), it sure is convenient how so many people have managed to ‘find’ the evidence that proves she’s the real villain. You don’t have to think too hard about Chris Redfield as a violent maniac or Ethan Winters being forced to kill his own wife if it’s okay to inflict violence on this woman. “Yes, but she shouldn’t have done [X]…” or even “But what if she’s the real abuser” is a narrative that gets thrown at real women in abusive relationships all the time – especially when the man is a friend of whoever’s casting judgement, or even a celebrity. Real world examples of this shit in the wild run the gamut from wild fan-takes on The Shining ‘proving’ that actually the abused wife was the ‘real’ abuser all along, right up to the ongoing hate campaign against Amber Heard. People don’t want to have to think badly of someone they admire, and will take any excuse to shift the blame. The stakes are infinitely lower when we’re talking about fictional characters, but the same pattern plays out.

And look, I do get it. It’s easy to go into these games and come out with a negative opinion of Mia. She’s the one who lures you into danger in RE7, acts all innocent, and then comes at Ethan with a chainsaw – and when you finally find out her big secret at the end, it turns out she was working for the people who created Eveline from the start! You’re really not given a lot of reasons to invest in Ethan and Mia’s relationship before she’s suddenly coming at him with a knife, and the fact she never does get to come clean to him in canon leaves a bad taste in the mouth.

It’s really easy to go into RE8, note all the glaring signs that Ethan’s relationship with Mia isn’t healthy, and draw your own conclusions about a woman we don’t hardly even see again for most of the runtime of the game. Half this goddamn fandom still seems to think Heisenberg is actually a lycan, ffs – most of what people think they know about Mia is more meme than fact, and the rest is pretty surface level. Basic media literacy is not exactly high out there in the tumblrweeds (let alone the rest of the internet).

But as for the idea that Mia’s responsible for all the horrors Ethan went through, people seem to forget that Mia herself went through so much worse. Ethan spent a day in the Bakers’ property, and a day in the village. Mia spent years trapped in the Bakers’ property, and days at least imprisoned in Miranda’s lab, knowing exactly how much danger her family were in, helpless to save them. She’s no innocent herself, but ye gods has she already suffered for her crimes.

So with all that out of the way, well, what’s the actual ‘evidence’ that Mia herself was abusive? No-one's coming into this one without some bias, but let’s at least give it a fair shake.

Right upfront, I want to recognise that in both fiction and reality, women can be abusers, and men can be victims. Abuse in heterosexual relationships is far more likely to occur with the man as the abuser, but the reverse does happen, and the fact culture at large can be so eager to cast the woman as the villain doesn’t make it any easier for the real male victims of abuse to get recognition and help. Society as a whole is still just really shitty about enabling or excusing real abuse.

But the idea that Mia was abusive has very little to back it up. Whatever you make of “her” interactions with Ethan at the start of the game, the fact remains: that’s not Mia, and the fact she’s acting so strangely is meant to be our clue that something much bigger than a little marital strife is going on here. Knowing all this doesn’t really make the scene where she’s violently executed less disturbing, but you can’t miss the hints we don’t yet know the full story.

So the question becomes, is there any evidence that the real Mia was abusive? I’ve dug into this one a bit before in my post about trying to figure out the timeline of exactly when Mia was replaced, but there are no definitive answers as to how long Miranda's been living in their house. To summarise a long post (and a surprisingly lively timeline of events from the days before the game begins): the most likely intent seems to be that Miranda’s been posing as Mia for less than a week, though a lot of the vibes of the scene give me the impression it’s been several weeks at least. Ultimately, that’s going to come down to your own interpretation.

The Mia mentioned in Ethan’s diary who blew up at him at the hospital could be the real Mia, but more likely isn’t: you can’t really use her to argue anything definitive, one way or another. The Mia from the flashback where Ethan gets the call from Rose’s doctor is the real Mia, but if you think getting upset when your husband brushes off your obvious distress over your daughter’s health makes you abusive, then nothing I say here is going to convince you otherwise.

The only ‘real’ evidence that Mia might be a problem is one line you might hear from Ethan while taking Rose to bed, and it is admittedly a red flag: your mother’s scary when she’s angry.

And to anyone whose whole hatred of Mia has been built backwards from this one line – especially anyone who’s grown up in a dysfunctional household themselves – hell, I get it. It is one really yikes thing for Ethan to say about his wife.

But in Mia’s defence, I can only point out that, well, yes, canonically, she is scary when she’s angry.

Oh, did I say angry? I meant fucking possessed.

And if Ethan’s bringing up the spectre of that time, even subconsciously, maybe that should be an even bigger clue that the Mia in this house right now isn’t Mia.

But what really shows this line for what it is is that we’ve seen the real Mia angry. We’ve seen her cold fury at Eveline, daring to go right back to asking ‘can we be a family now?’ within hours forcing Mia to assault her own husband with a chainsaw. We’ve seen her frustration at Ethan’s own denial, and we’ve seen her stalk out of the room when he blows off an important conversation for a call from work. We’ve seen her advance on Chris after he shut her down, demanding, Where is my husband? Where is my daughter?!

We have never seen her angry without real justification. Her anger is neither violent nor disproportionate. It’s consistently purposeful, focused, and contained. There is nothing scary about the real Mia’s anger, unless you’re threatened by the very idea she might have something valid to be angry about.

There is evidence of tension in the Winters’ marriage from before Miranda’s arrival, but it takes a very different form – most evident in the flashback scene where Ethan receives the call from Rose’s doctor. Far from Miranda’s brusque, dismissive copy of her, the real Mia is anxious and depressed, scared of what Rose’s results might reveal. Here, Ethan’s the one brushing her concerns aside (“We talked about this […] Rose is fine!”) He recognises there seems to be something Mia’s not telling him, says they should talk about it, but then immediately brushes the conversation off when he gets a call from work, while Mia storms out of the room.

You can certainly read Mia as a hypocrite here, getting angry at Ethan for not knowing things she’s deliberately kept from him. But it’s Ethan who decides a call from work is more important than a conversation with his wife – someone who is obviously distressed, canonically still on a regime of drugs after the traumatic events of RE7, very likely suffering PTSD along with Ethan, and maybe even some form of postpartum depression. We don’t know anything about Ethan’s work, so there’s no point in speculating about how much he ‘needs’ to take that call. Mia’s no clear villain here – quite the opposite.

Personally, I tend towards taking this scene as evidence that Mia has tried to talk to Ethan about what really happened to him, but hasn’t managed to get him to face the truth. For all that Ethan supposedly wants to talk about the past, it’s a defining plot point that he’s badly in denial himself.

Or they could both be at some fault here: Ethan unwilling to face the truth, while Mia is reluctant to force him to face something she knows will hurt him and bring him distress. Even when Mia says outright that she ‘tried to keep this a secret, but…’ to Chris at the end of the game, the implication is as much that she’s tried to keep it a secret from people like Chris, who might decide Ethan is dangerous. She’s lied to protect him before, and if she’s still lying to him about her past with the Connections, then the fact that knowing the truth will hurt Ethan is obviously among her reasons. Protecting Ethan has always been among Mia’s top priorities ‒ even at her own expense.

The only other real hints we get about Mia’s inner life come from the glimpses of her we get in Donna’s domain. But I’m hesitant to read too much into these, given how unclear it is how much is just a manifestation of Ethan’s own anxieties. If anything, the ‘Mia’ in these scenes almost seems to have some far worse secret than simply having not told Ethan something he really ought to have put together on his own, and I’d kind of love to see that explored too – at least as long as that goes somewhere more interesting than round umpteen of ‘and that’s why Mia sucks’.

But my point here isn’t that you have to read any of these scenes the same way I do. I do think it’s important to recognise that nothing written for a game like RE is truly character-driven; scenes exist to serve the plot far more than to reflect consistent character motivations or hold up to fridge logic (which, let’s face it, is the real reason for most of Chris’ horrific behaviour in this game, let alone anyone else’s). The result is rarely super consistent, and leaves ample space for multiple interpretations of anyone’s motivations. Regardless, the idea there’s any hard evidence that Ethan and Mia’s relationship is dysfunctional, or that whatever’s wrong is Mia’s fault alone, is going to be incredibly hard to justify.

Any assertion that Ethan and Mia are somehow on the verge of divorce also needs to be weighed against the masses of evidence of how much they love each other – the number of times Mia has said she loves Ethan, up to and including (yes, I’m bringing this up again) how ready she is to die for him in RE7. Her speech to Chris at the end of RE8 states explicitly that being together with Ethan and Rose is the only thing that matters to her. “Mia, I’m sorry, I love you,” are some of the last words Ethan ever speaks – and I can’t help but read into how the moment he finally pushes Rose into Chris’ arms so they can get away with him weighing them down is right after he learns that Mia is alive, and thus implicitly that Rose won’t be alone if Ethan doesn’t make it. And good god does that scene break my heart every time.

It’s worth recognising that the fact Ethan and Mia love each other doesn’t inherently mean their relationship is healthy, or that you have to love them together as much as I do. Like I said up top, you don’t have to like Mia, and you don’t have to justify not liking her if you don’t. I would genuinely like to see fics where Mia and Ethan’s supposedly-necessary break up feels in character. Where Ethan loves her but just can’t deal with the resentment and the fallout over all the lies she told him, where he's been clinging to his 'happy ending' with Mia after surviving the Bakers so hard he can't face the fact things just aren't working, or where he’s having to face that their relationship only ever really worked because she was away so much. It will break my heart, but fiction is allowed to do that.

But god, it would be nice if people could just take the bashing below an eleven around this place. The number of times I’ve had to sigh and back-button out of reading something, because yet another author has decided to project their own hatred for Mia onto the husband who’s still reeling from watching her being violently murdered in front of him… it gets fucking old, y’know?

I would really like to think that in the year of our lord 2024, fandom would be a bit past this thing where they bash the canonical female love interest in the name of shipping the hero with another dude. People will bend over backwards to try and cast Heisenberg and Chris as guys who really care about consent and worry about Ethan getting hurt, because heaven forbid anyone be caught shipping something slightly problematic. And yet misogyny still somehow gets a pass.

You do not have to love Mia. You don’t even have to like her. But ye gods, the hate she gets is baseless and absurd.

Hasn't this poor woman suffered enough?

(And on that note, I promise I am finally done soapboxing in defence of Mia Winters, thank you for bearing with me for this long.)

[ladykailitha]

Look, considering I've only gotten involved in Stranger Things after season four and therefore haven't been around the fans during other new season filming starts, but my brothers/sisters/nb in fandom what the honest fuck is going on right now?

I have been a part of other fandoms when new seasons started filming and the worst I'd seen was BBC Sherlock. And you lot are behaving worst then they did.

And Jesus fuck, that's a fucking low ass bar.

(Again I am ship and let ship, kinktomato, and headcanon free for all)

But this is just what I've seen in my small deliberately secluded corner of the internet so forgive me if I get some things wrong.

Ronance fans have turned on Steddie fans.

Steddie fans are trying to eat each other over who tops and who bottoms between two horny, barely out of their teens, men.

Eddie is confirmed dead.

Dustin is trying to become Eddie.

People want Will dead because Noah Schnapps said some stupid shit regarding genocide.

And Argyle isn't coming back.

I'm going to give you my feelings on these so buckle up lets go:

1- Steddie and Ronance fans have turned on each other. And I know this because I doom scroll through steddie tag. That Ronance fans think Steddie fans are delusional and that they're going down after season five airs and there will be more Ronance fans because they're perfect for each other.

Where to even begin on this? First, never tell a shipper that their ship is never going to be canon because they don't care. Just ask all the Destiel, johnlock, and merarthur fans. Steddie fans are just going to ignore all but the most salient parts of season 5 if Eddie doesn't come back and write AUs for the rest of their lives. You know, like they have since the last scene on the Piggyback faded to black?

Secondly, I don't think I've seen much Ronance without Steddie. Granted I only read Steddie, but it seems that the two ships are tied pretty heavily together. The fruity four comes to mind. So maybe it's that they're getting tired of being a side ship next to a massive one like Steddie. Who knows. But apparently they're bitter.

And I say that because they keep tagging their anti-Steddie posts as Steddie to make sure we see it. Honestly, I just block them and go about my day. But seriously, I've never understood people's need to be shitty like posting hate on the tag for that thing. If you don't like it, fine. Block and move on.

Thirdly. Lastly. Maybe. I don't like Ronance. I saw the charms when I first joined the fandom and it was cute. Until the more I read and I realized that most of the time they don't bring up that Jonathan is even a person let alone Nancy's current boyfriend. That most of the time Steve is written wildly out of character about not caring that they're a couple and that he just wants them to be happy. Like, one Jonathan is severely under used in the fics I've read. Like Will doesn't have an older brother anymore. It's all Steve or Eddie. Which considering how you like your flavor of queer for Eddie or Steve (gay/pan/bisexual) Will talking to them about being gay makes sense, but Jonathan showed us in the last season that he is going to protect Will no matter what. Then blip! in fanfics, he's gone.

And then the whole Steve being okay with Robin not only dating an ex-girlfriend of his, but the ex. The one he thought he was going to marry. The one he dreamed a whole fucking future on. That was still hurt by two fucking years later. You either think very lowly of Steve or you just don't care. Because if you think Robin and Steve are the same person/share the same braincell/ride or die for life, there is no way even if Nancy threw herself at Robin would she even consider it. (I can write a whole ass post just on this by the way, don't get me started.)

2- This is the most recent bullshittery due to a current event about Sub Eddie. This is the worst discourse in any fandom and the worst offenders on either side tend say the most homophobic shit imaginable.

And it's pointless. Whether you think Steve is a top or bottom, whether you think he's dom or a sub. Same with Eddie. Everyone has their own flavor they prefer and they won't always match up with yours.

Personally I write them whatever feels natural for the story. But here's the major crux of the matter. I don't believe a little nerd in Bumfuck, Indiana has any idea what flagging is. I'm sorry. Left pocket, right pocket. Doesn't matter. The likely of him even knowing what BDSM is is pretty slim. I grew up in a small town. There will be some people that know, but that's because they know adults in the scene.

Don't like, don't read. Seriously, guys. Let people enjoy what they want to.

My personal feelings on the matter is that Steve is a bottom/sub because he deserves to be taken care of and Eddie would absolutely want to be that person for Steve, in and out of the bedroom. Again, you do you, beau.

3- The tombstone. Sigh. It was hard to see that. Not just because it confirms he's dead, but because it's been defaced. Most likely like fans have said, "BURN IN HELL" the poor bastard.

Having a tombstone doesn't necessarily preclude Eddie's return. There are several ways he can still comeback Kas! theory not withstanding. But the wank here is people jumping on Steddie shippers and Eddie fans in general pointing and screaming "see!"

Like we didn't have campaigns for Barb and Bob and (Billy). If someone's favorite character has died, don't be dicks when they want them to be resurrected a la Jim Hopper. Because that right there is the main reason people will still hold out hope until the final scene fades to black, okay?

I guess this one is just be nicer to each other, okay?

4- *sob* like holy fuck. Dustin you sweetheart. The long hair, the torn Hellfire t-shirt, the rings. The horns and sticking out his tongue. That poor boy needs several hugs STAT! And of course, people can't leave well enough alone on Facebook, I couldn't tell you how many of the comments were "steddie fans are going to make this all about them, aren't they?" Even though there wasn't a single comment by a Steddie making it about Steve/Eddie. But so many eye rolls. The other half were death threats against Noah Schnapp.

Which brings me to...

5- Noah Schnapp said some really shitty things about Zionism and the attack on Gaza. There is no escaping that. He said them. He double downed on them. And while yes it sucks he said those things, let's not forget he's still young and stupid. He's barely 18/19 years old. I remember being that age and saying stupid fucked up shit, and hoo boy does this make me grateful I was well into adulthood when the internet became a thing (24ish).

There are a lot of reasons to be upset by his comments and I get that. But death threats and calls for his dismissal/boycotts just seems excessive to me.

One, because the story began with a kidnapped little boy and a runaway little girl. If you get rid of one of them especially this close to the end it would fuck up the story. Now if there was more than one season left, sure. But this is literally the end. And for all we know, Will's character may already be doomed by the narrative. So calling for it now isn't go to do anything. Especially since they already had all the scripts written and would have finished filming if it hadn't been for the strikes.

Two, one person on the cast said something stupid and hurtful and you want to boycott the entire show for it? Like, what did David Harbor, Joe Keery, Maya Hawke, Millie Bobby Brown and all the others do to deserve you boycotting their show? If the last season tanks it could seriously hurt their careers, but hey Noah Schnapp said something bad, so fuck them?

I'm going to stop there, because this is another one I can go on and on about, but yeah. Don't hurt other people in your rush to vilify an 18 year old.

6- Eduardo Franco recently said that he didn't get a call so he didn't think he would be back. He was sure that ship had sailed.

Fans are upset, naturally. Argyle was a sweetheart and deserves better than to be cut from the story like that.

But thanks to the incident with David Harbor and Jim Hopper supposedly being dead, a lot of fans are saying he's only saying that because it's a "secret" he's coming back. Which would make sense for Eddie or any of the other character died. Martin Brenner, for example, but not Argyle. There would be no need for subterfuge. Plus, he would already be out in Georgia if he was coming back.

It's sad that he was done dirty this way, but if they split up the filming like they've done before there is still a chance he might get to come back, but as far as the current filming is concerned, yeah Argyle isn't coming back.

***

Just... be kind to each other. Remember that the other people on the end of the URL is an actual person with feelings. That people can like what they like so if they aren't hurting you, don't hurt them, okay?

[cha-melodius]

Five Ten Under 500

There have been a bunch of open tags on this one but @three-drink-amy tagged me directly so here goes. To start I have to say it's wild to me, as someone coming from small or quiet fandoms, and who joined the RWRB community well before the movie, that netting under 500 kudos is now considered a lower number in this fandom. A couple of years ago it meant a lot to me to hit 500 kudos for the first time on a fic. Anyway.

I've loved seeing everyone's lists (so many new fics added to my tbr!), but they've also reminded me that there is a definite recency bias, especially among fics that didn't already have a good number of kudos. So, all of my choices are fics that were released before the movie came out. Even with that, I couldn't stick with only five, so you get five more under the cut (and I still had to leave out a lot of fics I loved, including others from the same authors listed here).

Culper Ring, 1778–1783 by @historicallysam This is a series of 10 vignettes set during the American revolution and not one of these fics has over 100 kudos, which is a crime. So well-written and researched, and full of intrigue and feelings, I will always champion this series of fics.

Why Do We Even HAVE That Curse? by @cricketnationrise The Mummy AU. Who doesn't love The Mummy?? I might be biased because I betaed this one but if you love action and adventure and romance, you must read this!

The Way You Seemed by @orchidscript 1950s High School AU—think Grease but gayer. I think this might be one of the first Cora fics I read, and it bowled me over. The vibes, the romance, the historical accuracy, it's so so excellent.

Red, White, & Royal Ballet by @tintagel-or-cockleshells Ballet AU. Everything you want out of an enemies/rivals to lovers arc, and so much excellent ballet. Includes videos!

Love and Hate at the Farmers' Market by @myheartalivewrites Farmers market vendors AU. This is soooooo adorable and about to be very seasonable! Never get tired of Alex being mad about Henry's very existence.

El Chico Del Apartamento 512 by @14carrotghoul A cute little enemies-to-lovers neighbors AU and an absolute riot!

Soli by @cheesecurdsgravyandfries Orchestra AU! As an oboist, Henry as principle oboe owns my entire heart. This is so sweet and lovely!

make the yuletide gay by @dumbpeachjuice The concept behind this one is absolutely unhinged, but it's just as hilarious as you would expect from our dear peaches. Put it on your list for reading this holiday season!

a pillar i am, upright by inmoonlightigetseasick Surprise surprise, another historical AU. Medieval knight/prince, together at the front of war. Really wonderful development of their relationship and truly excellent vibes.

and if you'll forgive me the self-promotion...

The Spirit of Giving by yours truly Also for the holidays, a neighbors AU that leans heavily on the food as a metaphor for love trope.

[shurisneakers]

a writing challenge? in 2024? you bet

Hi! Hello! Hey!

I've been going through A Time and have chosen to cope by going back to the specific vibes of 2016 to 2018. That happens to include an incredible resurgence in my love for MCU fanfic, the community around it and all the love that goes into them. I've felt a bit distant from here for a while, but I still see so many of my old friends writing, ones who want to get back into it, and a whole lot of new writers I am dying to meet.

I've floated this idea vaguely on my blog and people seem to be interested so I figured it was worth a shot!

So yeah, welcome to Ari's Old School, Nostalgia Jam, Why-The-Hell-Not MCU Fic Writing Challenge 2024!

Prompts, rules and whatnot under the cut:

Requests:

If you could reblog this post to reach someone who might want to participate, I'd really appreciate it! No need to be following me, it's open for anyone.

Reader-inserts, OCs, solo character fics, character x character-- absolutely no limitations

Any and all MCU characters are allowed

Anything above 500 words should have a read-more/keep-reading tab. Series, multi-chapters, one-shots, drabbles, etc etc. The sky's the limit.

Please tag me in your fics (@shurisneakers) so I'm notified of them, and post them with the tag #arisoldschoolwritingchallenge . It may take me a while to get back to you due to the circumstances I find myself in currently, but I absolutely will. Please send me a DM if I haven't responded within 10 days.

Send me an ask with the prompt you would like. Feel free to pick up to 2 prompts

The only thing I request of you: no RPF and no dark fics. Smut is welcome, but non-con/dub-con/incest or anything along those veins is something I'd ask you not to submit for this challenge. Thank you for your understanding!

I know I've called it an MCU fic challenge as it's the community I've grown with, but if you feel like any of these prompts resonates with a character from another fandom, please go ahead and write it. This challenge really is just about the fun of writing fanfic and love for Your Little Guys

No submission cut-off date. Take all the time you need.

Prompts

I've tried to have a mix of classics and uncommon tropes/dynamics, so I hope everyone finds something they connect with!

Relationship Prompts

1. Enemies (taken by @theysaywhatasadsight)

2. Best friends/childhood friends

3. Coworkers (taken by @jaaneymann)

4. Internet friends

5. Neighbours/roommates (taken by @angrythingstarlight)

6. Fake dating (taken by @hungryforpowernotfood)

7. Commuters

Alternate Universe Prompts

1. Florist AU (taken by @hungryforpowernotfood)

2. Showmance AU (taken by @bombsonboard)

3. Social media/streaming/gaming AU (taken by @splintered-emotions)

4. Thieves/Heist Group AU

5. Time travel AU

6. Pirates AU

7. College AU (taken by @lovelybarnes)

8. Apocalypses/dystopia AU (taken by @targaryenvampireslayer)

9. Chef AU

10. Roadtrips AU

Some rarer miscellaneous ones for those who are so inclined!

1. Shipwrecked together on an island

2. Meet Ugly (opposite of Meet Cutes) (taken by @barnesandco

3. Both of you are ghosts but don't know the other is

4. Treasure hunters AU

5. Faking death

6. Professional cuddlers AU

7. Time loops/Groundhog Day (taken by @sxrensxngwrites)

8. Orpheus and Eurydice

9. Villain x hero

10. Hitchhiking

11. Carnival of Horrors

12. Robin Hood

13. Matchmakers AU

14. Insomniac x narcoleptic

15. Intergalactic Coffee Shop AU

16. Doomed By The Narrative

17. Enemies to Lovers to Enemies

18. Subversion of Classic Hallmark Movie Tropes

Dialogue prompts

You can tweak them as per requirements, but be sure to keep the underlying message!

Angst

1. "I should have trusted myself. I should have stayed far away from you." (taken by @waywardcrow)

2. "Has it occurred to you that how I feel matters too?" (taken by @jaaneymann)

3. "We failed. I would do it again."

4. "You do not deserve my forgiveness."

5. "You make me feel so alone." (taken by @reidishh)

6. "I'm not giving up on us." "I did. You should too." (taken by @targaryenvampireslayer)

Crack

1. "Ohhh, you wanna kiss me so bad it makes you look stupid." (taken by @pinkthick)

2. "I think you and I make the worst choices together." "Yeah, but it's always entertaining."

3. "I trusted you." "Terrible decision, really."

4. "I know I'm smiling but I want to push you off a very big cliff." (taken by @pepperonijem)

5. "I'm hilarious." "You're traumatised."

Fluff

1. "This is the only thing I look forward to everyday." (Taken by @bombsonboard)

2. "I think we should do that again. For the sake of the world and my sanity."

3. "You're all I think about." (taken by @waywardcrow)

4. "Don't go anywhere I can't follow." (taken by @iguess-theyre-mymess)

5. "Don't smile at me like that." "Like what?" "Like that." (Taken by @lovelybarnes)

Word Prompts:

Flesh

Strawberry

Bruised (taken by @juvenilearson)

Groovy

Jump

Sunflower (taken by @barnesandco)

Alchemist

Wayward

Offerings

Mischief (taken by @supraveng)

I hope you'll join in! Please do tag anyone you think would be interested, I'd love for this to have as wide an audience as possible.

Lots of love <3

-Ari

[acequeenking]

Fandom: Tekken

Relationship: Kazama Jun/Mishima Kazuya

Rating: Explicit (this one has sexy times so not for kiddos)

THIS IS POST TEKKEN 8. BIG TEKKEN 8 SPOILERS. DON'T READ IT WITHOUT FINISHING THE GAME UNLESS YOU DON'T CARE ABOUT SPOILERS.

Additional Tags: Reunion, Reunion sex, Vaginal Sex, Vaginal Fingering, Awkward Conversations About Not-So-Accidentally Trying to Murder Your Son and Actually Murdering Your Dad and Kind of Accidentally Abandoning Your Unknown Baby-Mama, Forgiveness, Getting Back Together, Dealing with the mental fallout of Tekken 2 to Tekken 8, which for both of them is...a lot, but they're getting there

"I am not the man you want me to be," Kazuya admits. "But that does not mean the man I am does not love you."

"...Still?" Jun asks, the word the only thing that can quite get out of her throat.

[n-fblog]

Reo, Nagi, and Differences from the Main Manga

Thoughts from Episode: Nagi, chapter 17

Reo:

This chapter was kind of needed for him to "abandon" his ego of becoming the best with Nagi (and we can see it sort of fading in the textbox) -- and simultaneously get rid of that growing attachment he has to Nagi. Really sad to see him say, "thank you" as if he doesn't even have the strength to break them apart himself (and he didn't)

The chameleon makes its first chronological appearance so we can clearly see him start to 'adapt' his thinking and playing even though it's not fully fleshed out yet, which is exciting! I wasn't sure if that was something he made up with Shidou before, but it's hilarious to know it all started with Nagi, AGAIN. Or maybe this is the manga trying to convey that he's changing himself to help Nagi walk away lol

His inferiority complex with Nagi makes itself kind of known here, with the monologue- "Those are the words *I* wanted to say,," but was unable to...

Somehow, Nagi being able to encourage Reo makes him the stronger one mentally -- which is tough for someone who subconsciously already thinks he can't go very far without Nagi skill-wise.

Poor guy... and he still has so far to go before he starts to think he can fight on his own.

Nagi:

Man, this chapter pretty much confirms that their mischaracterization and miscommunication goes both ways lol. Nagi spitefully admonishes that he isn't Reo's 'toy' when Reo flips from "wanting to be the best" to "wanting to stay together"-- These guys have such a hard time acknowledging their friendship outside of football, it's actually painful.

I can't tell if he made any sort of connection betweey 'toy' and being Reo's 'treasure'. But that's almost definitely a metaphor on Reo's part. What a lot of people misuse is that Reo calls Nagi his 'treasured possession' when I really, truly don't think he meant viewing Nagi as a literal object. But how else do you expect a rich boy who's only been shown love through material things to describe something he values? *(see tags for a rant on this lol)

I do wish we'd gotten more insight into how he felt when he heard what Reo said in the moment, but this chapter was already long as it is. I do think Nagi's expressions sort of speak for themselves.

I mean, he straight up looks like he's about to cry here. 

I would argue that part of Nagi's promise to 'stay together' during the entrance actually includes 'believing in each other' like he says here:

 And if that's the case, then what did Reo's claim of abandonment mean to him? Was it that Reo didn't believe in Nagi's newfound drive to win? Or was he mad that Reo didn't believe in himself? I think it's a bit of both, but I really want to see more thoughts in the manga or from the fandom

Blue Lock vs. Episode: Nagi

So... Nagi definitely seems more angry in this chapter, right? When you revisit Ch. 76, you can see that Nagi is a lot more apologetic towards Reo

( Here you see him lament not growing alongside Reo, but fired up and excited to work with Isagi)

vs. what we saw this chapter

(Nagi saying sorry and acknowledging he's changed, but looking less toward the future and more resisting the past)

Maybe this is just a difference in translations, but "I can't [am not able to] go back" feels a little different from "I won't go back" -- the former just feels like an admission (to Reo), while the latter feels a lot more confrontational, a downright refusal to go along with what Reo wants.

And that's fine, but it does reshape how I thought about Nagi, and I think it really emphasizes just how pissed he was at Reo by the end of 2nd Selection.

This reframes their interaction during U-20 tryouts for me. I originally thought it was mostly setting up Reo's chameleon style defense and Reo's internal conflict (which it is) but EpiNagi really just shows that Nagi also has a ways to go before they reunite in Manshine

I think this could be the panel (from Ch. 107, 3rd Selection) where Nagi forgives Reo -- it's the point where Reo sort of shows he understands Nagi's drive to win, and that he doesn't value staying together over improving anymore. After that, they have no issues (in Nagi's eyes) so it was probably easy to imagine walking up to Reo during MC v BM and asking for his help ... but man, we still have a long way til then, and I can't wait for EpiNagi to probably prove me wrong :p

[atthebell-moved]

QSMP Language Stats on AO3 (as of June 6th 2023)

Hey hi hello. I just spent 3-4 hours working on this and I'm a little bleary-eyed so forgive the text of this if it makes little sense.

So, I decided to look into the statistics and percentages for QSMP works on AO3 and what languages they're tagged with, to see how multilingual the fandom on that platform is, as AO3 is far easier to do stats on than elsewhere.

Some fun tidbits from the start/tldr;:

QSMP has 1433 works as of today (well, as of checking this while writing it, it's actually jumped up to 1438, but for the data I collected earlier, let's stick with 1433).

English is the most commonly tagged language, at 80.04%, which is a smaller percentage than the percentage of all English works to all works on AO3 (more details for all of this below).

Though the top three languages are spoken on the server, French has no works on AO3 currently.

There's a decent amount of works that are translated into several languages, which is very rad! Doing stats on that would be an entirely different post, with a bit more work involved, but I want to give a big kudos on this as translation is very difficult and is often a passion project in fandom that goes underappreciated.

I got a lot of these numbers just by going through the QSMP tag and filtering by language and then checking manually, but for the larger AO3 numbers I got those on the Languages page, which shoes all languages supported by the Archive.

Now onto the numbers! Everything is below a cut because trust me, this post is long. Viewers beware, you're in for a stats dump.

Numbers, Stats, Percentages, all that fun stuff

QSMP works

[Image Description: A table with three columns; the first lists languages, the second the number of works, and the third the percentage of total works. For the languages column, each language is listed first in that language and then in English in parentheses, and English, Spanish, Brazilian Portuguese, and French are all color-coded to indicate that they are spoken on the server. End ID.]

The most commonly tagged language, like I said above, is English, with 1147 works or 80.04% of total works in the QSMP fandom tag.

The second most commonly tagged language is Spanish, with 254 works and 17.73% of the fandom.

Next is Brazilian Portuguese at 27 works and 1.88%.

And the next four are all much lower: Mandarin at 2 works and 0.14%, Russian at 1 work and 0.07%, Latin with 1 work at 0.07%, Esperanto at 1 work with 0.07%, and French with 0 works and 0%.

I included French because it is the only spoken language on the server without any works, which I find interesting and will talk about further in my notes/analysis later on.

Some interesting trends to note! First thing: English, as one would expect, is the most used language, with 80.04%. I am also unsurprised that English and Spanish are at the top, as I know there's sizable MCYT fandoms for both languages. I think there's a few reasons why these numbers shake out the way that they do, which I'll get into later, but for now I think most would agree that these are what one would expect, aside from perhaps the languages that do have works but are not spoken on the server.

With these, I'm actually not surprised either. After English, Mandarin and Russian are the next two top languages in terms of works on AO3 (numbers below), and for Latin and Esperanto, creating works in those is something that happens often enough in fandom that I don't find it surprising, although with how small QSMP is (in terms of works on AO3 at the moment) it is interesting regardless. I talk a bit more about Esperanto in my notes at the end, but for Latin, as a language people often take in school but rarely use and a language with a lot of cultural hype surrounding it, people who took Latin in high school or even studied it in college with sometimes write or translate fic into it.

Across All Fandoms

Okay, with those numbers at the ready, let's compare to total numbers across all fandoms on AO3. I did this comparison using the same languages as above, but I will also add another table showing the percentages for the top 15 languages on the site, as I find that kind of stuff interesting and I think it's somewhat relevant.

I don't have a confirmed number on the total number of works on AO3 as of when I did these numbers, but according to the AO3 welcome page, they're at approximately 11,220,000 works right now. I'm going with this number, as I know its an updated one probably at least as of June 1, and complete accuracy is not necessarily possible in this instance.

[Image Description: The same table as above, this time with numbers for all fandoms across AO3. End ID.]

The most commonly tagged language is English at 10,021,982 works and 89.32% of all works on AO3.

Spanish has 130,024 works and 1.16%

Brazilian Portuguese has 30,549 works and 0.27%

Mandarin has 621,505 works and 5.54%

Russian has 238,699 works and 2.13%

Latin has 149 works and 0.0013%

Esperanto has 99 works and 0.00088%

French has 52,904 works and 0.47%

Okay! Lots of numbers this time, and some similarities and differences. First thing I want to note is that the total number of works on AO3 being over 10 million means these stats are far more meaningful and show more significant trends than those for QSMP. QSMP also only has 1433 fics, which is MINUSCULE compared to the total number of works across fandoms on AO3. You also have to consider that the number of people who write fic for a fandom versus the number of people who speak it is very different, and you also have to consider platform differences between different fandoms. There are other fanfiction websites in various languages, and that might impact these numbers to some extent.

Going to get into analysis now, as I think discussing how the data compares will get into that pretty quickly anyway.

Analysis:

Disclaimer! Much of this is just my personal opinion, or stuff I've noticed but don't really have numbers on or too much info on myself. I would love to hear from folks in the Spanish, Brazilian, and French communities (as well as any others!) about what they're like, especially as regards MCYT. I am lightly familiar with Spanish fandom because of Karmaland and now QSMP, but it's still not wildly familiar to me, and otherwise my fandom experiences are pretty English-centric.

The biggest thing to note here, in comparing the data between QSMP specifically and AO3 broadly, is that the percentage of Spanish fics is far smaller-- it's gone from the near-20% in QSMP to around 1% for all works. This makes sense, considering how many QSMP members speak Spanish, how much Spanish MCYT fandom has grown in the last several years, and the fact that the server is themed around multilingualism and cross-cultural expression, meaning fans who speak multiple languages are more likely to write in not just English and also generally incorporate more of the various languages into their writing.

The difference here is also in terms of audience, like I said. This fandom is far more likely to attract Spanish speakers than Mandarin or Russian Speakers, at least at the moment, so it makes sense that Spanish would have far more works. In comparison to French, also, Spanish has more than double the amount of speakers than French and from my knowledge Spanish MCYT fandom is far bigger.

For Portuguese, I'm not familiar with the fandom, but there does seem to be a decent MCYT fandom going on and I'm impressed with the number of works in Portuguese. I know it seems small, but again, the total number of works really is not that many.

The biggest reason so far that I think English, Spanish, and Portuguese are at the top, aside from just that the first two were on for much longer and the latter for at least a month longer than the French (and aside from the fact that English is so present on AO3) is that those streamers have made themselves much more central to the narrative and to lore than any of the French speakers have, at least so far. The Brazilians showed up and immediately became so involved and so beloved, and while fans obviously like the French speakers, they're not doing quite as much RP nor are they as involved in the Federation lore that much.

I also think one thing I haven't really seen people acknowledge is that Cellbit is very attractive, which of course begets fan attention. His lore is incredible and I think he's a very talented RPer, obviously, but he is also really hot, which means people are more likely to create fanworks about him. For Spanish and English speakers, obviously there are also creators who people are very into (I'm not even going to name any because it's quite a long list and you're all well aware). For the French, not so much. This is not me calling any of them ugly, I'm just saying that I have not seen really any thirsting over any of them aside from a few people talking about Baghera. I'm not going to get into the logistics of fan attention and attractiveness of creators, I just wanted to acknowledge that that is definitely doing Cellbit some favors and is likely making interest in Portuguese and Portuguese fanworks more popular.

Okay I've reached the point of writing this post where I think I've been working on all of this for at least 3-4 hours and I need to stop thinking about it so. That's everything I have for the moment, but I would be happy to hear what other folks think about this. If i said i would talk about something but forgot please just shoot me an ask or something and i'll add on.

Here's some extra notes:

There are a few (not many, but enough to acknowledge) fics that are written in Spanish but are tagged as being in English. I'm not sure if the same is true of Brazilian Portuguese.

Due to the nature of the server, there is also a huge number of works that contain elements of multiple languages, ranging from a few works to a decent chunk of the dialogue swapping between languages. This is not completely unheard of in fandoms, of course, as there are many fandoms which provide the opportunity for multilingualism, but this is fun to note because it's so present in the canon itself. I would argue there's a decent number of fics that are themselves bilingual/trilingual/multilingual, and I wish AO3 had a way of tagging as such. I'm not sure if there are any freeforms along those lines, but I have seen some folks noting in their tags that there's some amount of Spanish/Portuguese in them as well as English, and the same goes for the Spanish fics I've looked at.

Similarly, there's a decent amount of translations! Which is super cool! Translations are usually only done as passion projects by really dedicated fans, so it's really cool to see a (relatively) small fandom (for AO3) with a decent amount of them. I want to stress that translation is very tough work so major kudos to folks doing translations, either of their own work or other's.

The one Esperanto fic is a translation of an English work! Also, if you're unfamiliar, Esperanto is a conlang (constructed language) created in 1887 as an international language meant for anyone from any background to be able to learn. It never picked up much global steam, as lingua francas are far more common and it's still fairly Euro-centric in the language systems it pulled from, but it is likely the most spoken international auxiliary constructed language, and translating into it is often done as a nod to the importance of translation and cross-cultural communication. I think it's very fun that someone translated a work into it for QSMP :]

Also!!! here are the top 15 languages used on ao3 and their number of works. They're not in a spreadsheet bc i got really really tired sorry

english: 10,022,162 mandarin: 621,520 russian: 238,700 spanish: 130,692 french: 52,904 italian: 33,962 brazilian portuguese: 30,549 indonesian: 29,030 german: 22,755 polish: 17,215 ukrainian: 11,041 cantonese: 8,878 filipino: 8,664 vietnamese: 6,565 czech: 5,168

[fireflysummers]

Final Thoughts on GO S2

I'm probably gonna pull back on discussing S2, at least publicly, after this. I did actually like a lot of the season, but it's triggering some of my religious trauma and also the fandom is already stressing me out. So here, let's have some final thoughts.

First and foremost: I am not a Gaiman simp. I've read a decent amount of his work: comics, short stories, essays, and novels. Aside from Good Omens, I've liked Coraline and The Graveyard Book the best by far, whereas American Gods just. Did Not Connect with me, even though it's should have, given the stuff I tend to enjoy.

However. Regardless of whether I like a given work (or even like how he adapted it, a la parts of The Sandman TV series), he is a veteran writer who has proven that he does, actually, know how to write a story with consistent characters.

Beyond that, I do actually believe that he's trying to do right by Pratchett, and loves and respects the story and characters they created together. He's generally shown up as an ally to a variety of social causes, and directly and respectfully responds to fans on Tumblr. While no saint, I feel that there is cause to give the benefit of the doubt that things will resolve satisfyingly in S3, and that there is Intention about some of the things in S2.

This, of course, does not absolve it of being "bad," but even here I think we need to articulate better the different types of "bad" that people are reacting to. There seems to roughly be three camps here: 1) People who thought it was "bad" because of how it ended, with the breakup and a lot of unresolved plot threads; 2) People who thought it was "bad" because it struggled on a technical level with its set, lighting, directorial choices, editing, etc; 3) People who thought it was "bad" because they felt the characterization was significantly off and that the internal logic of the series had been violated.

With regards to Point One, the only solution is to Wait and See. Judgement should be reserved until the story is properly finished--easier said than done, especially considering the current media landscape, and the number of series or franchises that fail to live up to their promises.

Point Two isn't something I understand well enough to contribute meaningfully, except that I suspect the pandemic affected this aspect the most and am willing to give it a bit more mercy. That aside, I for the most part I don't find it bad so much as not as good as S1. Except for the parts with epilepsy warnings, surely there could've been a better way to do that.

Point Three... that's the stumbling block for me, and I find it interesting that most of the folks who struggle with this point in particular are long time fans of the book.

I trust that instinct.

There are two different directions to go from here. The first is the assumption that these problems are a result of ego, carelessness, or lack of skill from the showrunners/writers/director. It's cynical but not unjustified. The second is the belief that the breaks in lore or characterization were intentional, building towards a much grander conspiracy. Of course, even in this case I don't think it forgives the lack of signposting that would indicate that this is a choice rather than an accident. It just makes it feel clumsy and poorly constructed, a major risk on a show that hasn't had its third season confirmed.*

However, regardless, it still feels salvageable. I've enjoyed reading a lot of meta on all this, and I've pulled some things from others (particularly That Theory by @ariaste), but I don't really want to put forth a single, defined theory myself. Instead, here's some questions I've got, why those questions are important (to me, at least). Actual theorizing comes after, and anybody who snidely mentions Sherlock in the comments or tags is going to get auto-blocked. Like seriously, I'm aware that some stuff is a stretch, but it's fun??? To theorize????? And I'm here for me and my peace of mind rather than trying to argue a point.

*I have some suspicions here, particularly with Gaiman stating that the decision from Amazon would come much faster than The Sandman's second season (which was four months). I don't know enough though to say if that's actually significant.

Questions

Who the fuck is telling this story?

This is the most important piece, in my opinion. There's this assumption when reading books (or research papers, newspapers, etc...) that the narrator who is writing the words is a non-presence, Neutral and objective. That's not the case, and an important part of literature critique is figuring out who the narrator is, and what their goals are. Oftentimes, the narrator and the author are the same person, but with Pratchett's work, particularly on Good Omens and Discworld, the Narrator was its own unique character.

This is why people struggle adapting Discworld to live action--that medium requires a Reason for having a Narrator, and especially in the age of method acting that's often considered immersion-breaking. Good Omens worked so well because they not only kept the Narrator, but they made Her God.

This added some really interesting new dimensions, such as the scene where Crowley speaks to God about his fall and the destruction of humanity. He doesn't receive an answer, but we're watching from God's perspective, so we as the audience know that She's listening.

Another advantage of making God the Narrator is that it justifies all the goofy little asides we get into the lives of minor characters (i.e. Leslie the Mailman), without losing focus. It helps the world feel like it’s full of people, rather than characters and plot contrivances, and the theme that individual people and their choices are important. The Narrator is such a central character of Good Omens that without it, the story struggles to stay focused.

It also highlights a key difference in the writing styles of the two authors. Pratchett’s work tends to introduce four or five totally unique plot threads that feel completely disjointed until the last act (if not even later), when it turns into a Chekhov’s Firing Squad. Plot twists around secret identities and backstabbing and schemes are relatively rare, as the omniscient Narrator doesn’t lie about the intentions of people or their actions.

Gaiman’s writing is typically not like that, to my knowledge. He buries characters in misdirection and hints, and you never know the true identity or motives until all the chips are down. It’s a perfectly valid way to approach storytelling, but it makes it jarring to see it in S2. The lack of a Narrator is a huge reason why S2 doesn’t feel like Good Omens to some folks.

My gut feeling is that the decision to shift from the original Narrator was highly intentional. It helps to obscure the thoughts and intentions of people, and it also muddles the insights that we’re supposed to take away. (I would have loved hearing God monologue about what’s going on in Jim’s head. I think it’d do a lot to make him seem less.... obnoxiously stupid.)

More than that, it brings up a reasonable potential plot point of: Where did God go? Why isn’t She present in the story? Even in her early appearance in the Job flashback, she doesn’t sound like the narrator for last season. After the first part of her speech (which Gabriel later quotes), her tone turns casual and condescending, which might line up with her being a bit of an asshole, it doesn’t line up with the whole “dealer of a mysterious card game who is always smiling”).

Also, I don’t think it’s safe to assume that nobody is telling the story either. Just because they’re not making their presence known doesn’t mean they aren’t there, and in a story like Good Omens, that’s concerning.

Wait, where's Satan?

Another person I saw while scrolling the tags pointed out that Satan is nowhere to be seen this season. He's really only mentioned in reference to a bet God made in Job, but then Crowley is the one on the ground causing mischief. There's no Hail Satan among demons (like Hastur and Ligur did at the start of S1).

That's might be because the writers didn't want us to think it was important (a la Hastur), but that feels off. Given that Satan speaks directly through the radio to Crowley in S1, complimenting him on his work, it's safe to say that he was at least aware of and involved in the goings-on in Hell. The fact that he wasn't even an worry for Beelzebub in abandoning their post? Feels weird.

(Also if you know where that post is, I'll happy credit + link)

What is Maggie?

Look, I love cute lesbians in love as much as the next queer, but I don't like Maggie. I don’t think she’s a person. Contextually, she’s a plot device, but I agree with That Essay that she might be an actual Plot Device.

Her characterization is simple and relatively shallow—a bit of an airhead, ray of sunshine that’s supposed to remind you of Aziraphale. When she describes her past to Nina, it’s almost robotic (also, her story implies it was Mr. Fell who first rented to her ancestor, not Mr. Fell’s great-grandfather like Nina implied). Her emotions are over-dramatic and seem to be turned on and off at random (scenes with her crying to Aziraphale about her woes had my “manipulator” senses going off for some reason).

When asked about a song, she not only IDs the song, its singer, and its year, but how and on what it was distributed. (Honestly thought this would’ve been something interesting, because she’s been pretty ditzy so far, it’d be interesting if she had like... an insane memory for music history.) And then she’s the one that sets Aziraphale on his little investigation by giving him the transformed records, while also planting the seed about her love troubles with Nina. Later, her advice to Crowley is... not awful, but feels insincere and a bit too forward, given her own self-proclaimed lack of relationship experience.

I don’t know what she is (a demon, hastur with amnesia in disguise, a literal plot device inserted by the current storyteller, etc...), but there’s something not right with her.

(Also the joke of “who listens to records anymore, it’s so old fashioned” just doesn’t land, lots of people buy records, and I’m saying this as somebody who has worked at a record store before.)

What's going on with Aziraphale?

There’s something Off about Aziraphale, and it’s not his choices at the end of the season. That makes total sense if you read him as somebody with severe religious trauma getting dragged back into the abusive system because other people need him and he’s been promised the ability to change things.

But I do think something is happening to his memory. Nearly all the flashbacks are from Aziraphale’s point of view and retelling, which means that they’re less reliable than God’s version of events in the previous season. Many of them don’t make logistical sense (post-church scene in 1941), depict Crowley as meaner or more sinister than we know he is, or frame events... weirdly. The scene with him trying food for the first time feels Really Bad, especially when the series has previously established that he’s a) prim and proper and b) his interest in food is one of the beautiful things that connect him to humanity, not some kind of gluttonous sin. Also he turns down alcohol.

Their meet-cute at the  start of the universe also doesn’t line up with their reactions to each other in Eden, or the fact that knowing each other Before has never come up or been hinted at anywhere ever. I don’t know what’s causing this to happen, only that Aziraphale repeatedly looks pensive when coming out of flashbacks, and Crowley is never there afterwards to corroborate said memories.

His actions also seem pretty inconsistent with what we know of him—i.e. I refuse to believe he would ever mistreat his books, even if they’re just old encyclopedias. Also, he feels a bit too...forceful in trying to get Nina and Maggie to fall in love? I mean, he didn’t exert that much direct influence on even Warlock, when he was actively hoping that the boy would turn out angelic rather than neutral.

I don’t think this removes his agency in that last decision, so much as explains how he was in such a vulnerable place at all. He still needs to apologize and fix things, because he messed up, and even if he hadn’t he still seriously hurt Crowley.

What's going on with Crowley?

There’s something Off about Crowley. The most obvious thing, of course, is his memories. At multiple points in the present day, characters state that they remember him or have met him before, only to be met with confusion. This is especially concerning given that he has a nigh photographic memory for faces (something mentioned in the book when he immediately IDs Mary Loquacious, 11 years after a 30 second conversation).

Overall, he seems to be better known by other supernatural entities this season, in ways that often tie him back to his angelic identity (i.e. saying they fought together in the war, Aziraphale stating he knew the angel he used to be, etc...). This doesn’t feel right, because S1 we see that Hell is largely apathetic towards his schemes, and definitely does not defer to him at any point in any capacity.

Then there’s the issue of his power level. It’s always been speculated that Crowley was a powerful angel prior to falling, when he mentions in S1 his involvement with star making, his seemingly unique ability to freeze time, and creating a pocket universe for Adam before the confrontation with Satan. He also has a tendency of breathing life into inanimate objects, like his plants or car. He also has the regular demonic skillset: miracles that can adjust physical appearance; the ability to change inanimate objects (like paintball guns into real guns); the ability to manifest clothing and similar items; and summon hellfire to his fingertips. This, plus the way he monologues to God with a degree of familiarity rather than reverence seems to indicate that he was Somebody Powerful and Important Before.

But in S2, his skills are significantly expanded upon. The miracle he and Aziraphale summon sets off alarms in heaven and hell, and it’s powerful enough to mask Gabriel from the Archangels. He summons a miniature sun to rain fire on Job, which is way bigger and flashier than anything we’ve seen him summon in S1. (If he needs fire, he alters the course of a dropping bomb, without creating one himself.)

Yet he’s able to cloak his presence so well he goes wholly unnoticed in heaven, or in front of heavenly agents on earth (i.e. the Job flashback). Muriel can’t clock him as a demon, or even as another supernatural being, despite their auras usually being pretty significant, such Aziraphale immediately sensing the archangels when they arrive.  He’s able to interfere with files that Muriel claimed required clearance (although I feel like that might just be a snark about Obeying Without Thinking? I would really need a Narrator to know.)

I might be misremembering, but I don’t think we’ve seen angels or demons transmogrify living beings before either. In the book, Crowley brings Aziraphale’s dove back to life after the failed magic show, and occasionally sinks ducks, but he doesn’t alter them? Not even Adam demonstrates that skill in S1. But he has no trouble turning Job’s children into lizards, however temporarily. Boy that would’ve been convenient during the flood. Or when the guard stopped then from getting to the air strip.

I might be misremembering, but I don’t think we’ve seen angels or demons transmogrify living beings before either. In the book, Crowley brings Aziraphale’s dove back to life after the failed magic show, and occasionally sinks ducks, but he doesn’t alter them? Not even Adam demonstrates that skill in S1. But he has no trouble turning Job’s children into lizards, however temporarily. Boy that would’ve been convenient during the flood. Or when the guard stopped then from getting to the air strip.

I don’t have any real issues with his characterization in the present day parts of S2, but there’s something weird happening with Crowley.

Where's all the people?

I really like a lot of the new characters, but how were there only like, 2.5 new humans named in the present day? Flashbacks don’t count bc the humans are all dead and can’t affect the story.

As much as I like Nina, she and Maggie don’t drive the story beyond being an occasional and awkwardly inserted plot contrivance? Both are actively robbed of their agency at several points, forced into situations that they could not have avoided or escaped. I’m not really sure what growth they’re expected to experience other than deciding not to date each other after everything. I literally can’t tell you anything about Nina other than that she remembers her regular’s orders, runs a coffee shop, and has a textbook abusive partner we never see. The only meaningful interactions they have are between those two, or in conversation with Aziraphale and Crowley.

Compare that to S1, where Anathema gets hit by Aziraphale and Crowley, but her primary relationships are with Newt, Adam, and Agnes Nutter (I think that counts as a relationship). We know that she’s got a wealthy family back in Puerto Rico, and that she was literally raised to save the world, and that she isn’t happy under all that pressure. Newt on the other hand is connected to not just Anathema, but Shadwell and Madame Tracy. He never even directly interacts with Aziraphale and Crowley. We know about his hobbies, his struggle to hold down a job, and his almost supernatural ability to destroy any electronics he touches. I don’t necessarily like how their relationship came together, but they were both very, very well fleshed out characters with unique backstories and goals. They weren’t just... waiting around to give Aziraphale and Crowley a new questline.

And while there’s no requirement to include a large cast of human characters that are exerting influence over the story, the lack of it is another aspect that makes this season feel not like Good Omens.

Also, it's just. Really weird to me that the events of S1 aren't really referenced at all? Like, Adam isn't mentioned, nor is Warlock. I don't expect them to keep track of the humans they met on the airfield for 20 minutes, but none of it is ever specifically referenced as far as I can tell, beyond Crowley threatening Gabriel. Like, I get that it's been a few years, but the pair caused a big enough disturbance that you'd expect some kind of ripples in their supernatural communities.

Promised by the Narrative (Obvious Chekhov's guns that I will be legitimately upset over if they do not go off)

A sincere apology from Aziraphale to Crowley that doesn't come with the expectation that Crowley will come back to him, but because he deserves an apology, even if the choices Aziraphale made were done with good intentions. Aziraphale does not expect forgiveness, and is shocked when Crowley grants it without hesitation.

A clear declaration of love from Aziraphale, which can't be rationalized away by either of them.

An "I'm Sorry" dance between Aziraphale and Crowley, but with greater sincerity and gravity. The most important piece is that they end up dancing together, which signifies a mutual apology and dedication to come together.

Since kissing is on the table, I expect an actual joyful, mutual kiss between these two assholes.

A shared cottage in South Downs.

Predictions/Theories (just some fun thoughts I've had)

When Adam declared that Satan was not his father, he didn't make himself not the antichrist, but accidentally crowned his human dad the King of Hell. Nobody knows this, because Adam doesn't have a good measure for "normal" supernatural situations, and Mr. Young because he's so "normal" that he explains away all the magical bullshit that's started going down.

When Adam declared that Satan was not his father, he erased Satan altogether. However, this left a vacuum in both power and reality. The defection of both Gabriel and Beelzebub only widens that crack. In an attempt to Fix things, reality is warping the story. Crowley has become leagues more powerful between S1 and S2, as the narrative is trying to force him into the role of his previous boss. Aziraphale is unknowingly being pulled into a similar version on the Other Side, perhaps to replace Gabriel or perhaps to replace God herself, who has been fairly absent in all this. The alterations to their memories or past have come about to keep the narrative running smoothly.

When the Metatron asks Nina whether anybody has ever asked for death, he was actually referring to Death, the sole remaining rider of the apocalypse.

If Maggie is indeed a Plot Device, it would be a fascinating exploration of Free Will to see her become aware of this (cue existential crisis), and then fall in love with Nina on her own terms, rather than because she was written that way.

Hastur will be back. Somehow.

The reason why S2 focuses so much on the supernatural characters is because S3 will be about how the events in S1 have changed the political landscape of heaven and hell. Angels are questioning their roles, demons are yearning for something more. It's scaring upper administration, and then the two most reliable folks in employment run away to alpha centauri. Recruiting Aziraphale and getting him back in line prevents him from becoming a martyr, control the range of his influence. The series reasserts its theme of choice and agency by highlighting that Aziraphale and Crowley aren't that special, they've just had the chance to live and grow, and that the others have free will too, if they want it.

The reason why they wanted to separate Aziraphale and Crowley, is not to get Aziraphale on his own, but to get Crowley on his own. He literally stopped time and made a pocket universe in front of Satan last season. He's powerful and dangerous and somebody wants to see that reigned in.

Wishlist (stuff I desperately want to see)

Crowley getting an audience with God and an opportunity to ask his questions, only to refuse to do so because he's found his own Answers and he no longer needs hers

Aziraphale and Crowley growing more into their book incarnations. Aziraphale becomes confident in his sense of morality, which he developed the hard way through millennia on earth besides humanity. He slowly learns what it means to be loved, unconditionally, but also is better at asserting and maintaining his boundaries. Crowley, still anxious and unwinding, works through his fear of abandonment, providing him opportunities to be kind and gentle and nurturing--all traits that he's aggressively hid since being a demon.

Hand holding. I know that Gaiman was referring to Ineffable Bureaucracy, but I still feel like we'd benefit from meaningful hand holding, especially since that got cut from the adaptation of the book.

Shifted focus away from the supernatural shenanigans, and back onto the humans that actually drive the story.

Cameos from S1 characters (if not a more substantial appearance).

The Four Other Riders of the Apocalypse.

Cursed Thoughts (why I shouldn't be allowed a social platform)

Ineffable Bureaucracy turns up in season 3 because Beelzebub got Gabriel pregnant somehow.

[mcytblrconfessions]

*sighs in sadness* Ocean Queen Lizzie you were too good a character to be released onto the masses who couldn't characterize you well in fanfiction to save your life :(

The joy your story brought me (self-proclaimed number one Ocean Queen fan /hj) is immense, but it does not cancel out the multitudes of fanfiction flattening you into a hollow shell of yourself who only exists as an extension of the men in your life, clogging the LDShadowLady fandom tag and making it nigh-impossible to fin the (rare) fic in which Lizzie is in-character

And trust me, I know. My experiences are born out of pain and sorrow. Deep in the clutches of hyperfixation, I checked the LDShadowLady tag several times every day for months, no filters. I looked at every fic in the tag, and the backlog of fics. I read every fic in the tag, with only a few exceptions for the most truly unstomachable fic. Even as my hyperfixation loosened, I still checked the LDShadowLady tag often, and scrolled through the backlog. I still read every Lizzie centric fic I can find, and a lot that isn't. I still am on a constant search for good Lizzie fic (please: anyone want to recommend any fics? I'm sure there's stuff I'm missing/missed/forgot to bookmark! she doesn't have to be the main character, just significant!)

I have gazed into the abyss. I have absorbed the scope of it. I have written fic on my own.

And yet: the problem is less with the lack of Lizzie fics, and more with the bad ones, the ones that don't actually feature her in any real capacity, which becomes easy to see once you've read a lot of them noticed the pattern, just a combination of sidelining, of mischaracterization, and mischaracterization by omission, that trap that is so easy to fall into.

I can forgive fandom for this to an extent. No fic writer is perfect, this is about the collective patterns. But after a certain point, it starts becoming harder to ignore: the way she is written into fics only to warp around c!Jimmy (sometimes other male characters) with zero regard for her interiority, her agency, her struggles, her potential, in fics that give male side characters these things.

The way she is ignored varies. Sometimes it is the most blatant examples: she is put in a situation in which multiple canon traits/opinions/experiences of hers would obviously be relevant, but all are ignored except supportive sister. Sometimes it is more subtle: it iisn't a plot hole that her being a supportive sister/caring/"strong woman girlboss" (in the way that doesn't actually give her any agency or depth or plot importance, she's still a flat character only there for support, but actually we only write her as a personw with no interior depth or anything interesting bc she's just so cool and competent and perfect there aren't any problems that give us reasons to focus on her or give her like, a character arc or something) is the only thing that comes up in the au, but the fact that the author didn't find anything else about her interesting or worthy of show, never considered showing her in more depth, giving her an arc, giving her choices to make, the fact that over and over again authors decide that the only reason to show her is if she's supporting a guy, grates a whole fucking lot. Mostly, it is more subtle but once you see it you will never stop unseeing it. I try to repeat it but I just sound like a broken record.

Am I going insane for noticing this when nobody else seems to? I worry that, even being mad mostly at the trend and not the individual writers, I am still somehow being too unfair to them. I check my line of thought over and over. Then, once again, I am reading a fic and I can't stop thinking about how it's another fic in the pattern, and I try to find something that isn't and it takes me pages and pages, and I am so angry again. Death by a thousand pinpricks. Driven insane by a thousand lackluster Lizzie portrayals.

It's hard not to feel crazy. People like the Ocean Queen! People don't dislike her character! She just slowly gets flattened, over and over. Never any interest in her depths. (yes I am ocean punning at a time like this)

I am awash in a sea of misery. Every day I think of her and I wish for a world where people liked her better. Where she was the character with a million fics exploring her potential. I think about it and I think about her and I think about my fic for her and the good fics I've read for her and I open another fic where Lizzie is tagged and I hope.

(The pain these fics bring me is immense but the joy I feel about the character is greater, at least. Mostly I think about that. Two sides to everything, how unfortunate/lucky)

Ocean Queen I love you.

[bluedalahorse]

Hi! I hope everyone is doing well. I am popping up to let you know that I’m alive, that there’s a lot going on, that I still love YR, and that I’m thinking about boundaries and priorities.

I loved Young Royals season three. I especially love how it engaged with the legacy of Erik and the systems of Hillerska. I love that it took the idea of the legal system providing catharsis and that it threw that out the window. I love the way characters got words for what they were going through, how Felice got to name the racism happening to her and August got words to name his disordered eating. Most of all I loved the way Lisa wrote Sara’s relationship with her father and her reconciliation with Simon. That meant so much to me, and I can’t wait to imagine a future for the Eriksson siblings.

Here is a brief list of things I loved about the finale. They were all written in the afterglow of seeing the episode. I stand by them. Especially how much I loved Wille’s ending, and what happened there.

In the coming weeks, I’m sure there’ll be stuff I’m more critical of or don’t feel as strongly about. I especially have mixed feelings about the way Lisa seemed to structure 3.5 in a way that mimics the emotional roller coaster of trauma. I’m not really focusing on that stuff here or now, because I don’t want to. But it’s on my mind, and I don’t know if I’ll end up posting about it here and elsewhere.

At present this post isn’t rebloggable or tagged with much of anything. That’s because I’m trying to figure out the best way moving forward with tumblr. I don’t know if I want to delete this blog and abandon it entirely, but the pressure to present a curated version of myself is too much, and is a pretty big trigger for things like rejection sensitivity and anxiety. The pace here is also too fast and there is no way to keep up with everything, and (forgive me for this cardinal sin in tumblr-land) I wish I had some easier way to not see the same sets of gifs a hundred times with the same commentary. I’m experimenting with slower ways of doing fandom, where I can enjoy myself more.

I do, however, want a way to get the cultural footnotes for Young Royals, especially when they help me write better fic and create better fanworks. I know there’s some pretty darn useful posts about how lines get translated and various holidays and traditions (and looking forward I would like to know more about universities in Sweden, and how the monarchy works and such.) So I want to be able to find the stuff I need without having to spend as much time on what I don’t need. The resource posts people make are truly helpful.

And I also have some other fannish things I want to see here, like Les Mis and Interview with the Vampire. And the memes are nice. I miss the memes.

Before I make the decision about how I engage, I think it will be useful for me to know my priorities. So I’ve thought about them a bit, and I want to make the decisions that align with my priorities. Here’s what I want to focus on moving forward:

I want to spend more time creating. The thing that has always brought me the most genuine joy in this fandom is writing fic. YRS3 ended in a place of possibility for so many characters, and I want to keep writing about them and learning about them that way. (I won’t even lie, of course most of my ideas are about August—August and Kristina working on their intergenerational cousin relationship, August getting pulled into weekly DND sessions with Wille and Simon so they can all get better at being human together while pretending to be elves or something, August doing the personal and liberatory work that allows him and Sara to one day have a Second Chance Romance with they’re older, even August/Nils because oh boy did that season give me ideas about them I never knew I had.) One of my goals is to cut down on browsing time significantly so that I spend more time writing, especially so I can finish Heart and Homeland. I think it’ll make me happier.

I want to spend more time helping others create. Some of the most meaningful experiences I had in this fandom involved being a beta reader or hearing out another person’s fic ideas, and getting to live in that space of creation and collaboration. For that reason, I’d like to still make new YR connections on occasion, especially with people who wanna share their writing process with me. Tumblr may or may not be a place to do that. I’m still figuring out where stuff should happen.

I want analysis to be something I do as part of my creative process, and that’s it. I don’t know if this is fully true, but it felt like ten years ago there was more fandom meta focused on what fans wanted to write in their fanfics, and how their interpretations of canon led to them creating cool art. There was some meta that was about how to interpret canon “correctly” but that wasn’t the priority. Now, it feels like—and this is true even outside of YR fandom, so this is no reflection on YR specifically—there is more emphasis on having the “correct” interpretation of canon. About getting it right, and having the right predictions and interpretations. It feels competitive in a way that wears me down. From this point forward, when posting analysis, I’m going to ask myself, is this furthering my creative pursuits and my understanding of the writing process more generally, or am I just trying to win an argument? If the answer is just to win, then I’m not going to post my argument. That runs counter to my goals.

I don’t want to engage in any space where anonymous discourse flourishes. Even when well-intentioned. Being away for a while was clarifying for me on that point. Turns out one of the biggest triggers for my anxiety and shame are extensive, heated conversations where I don’t know who is saying what and who I can trust. Spaces where there’s a lot of anon conversation are probably going to be ones I block and unfollow first moving forward. It just seems like a good baseline for how I engage.

So this is where I am as of now. I’ll probably continue to hold off on doing much posting in the coming days, but I did want to poke my head up for air for a second to let people know what the state of everything is.

Here’s one picture of the plushes for the road:

And here’s a picture of the waffles I ate on finale day:

Oh, to have cloudberry jam and time spent with friends. These things are truly joyous.