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#from the rest
calpalsworld · 1 year
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nepotism and objectum
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dyscomancer · 8 months
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god i miss xiv rp
every time i get back into ffxiv it feels like a stake is being driven into my heart when i remember that what people call "rp" in this game now is basically people hanging out in IMVU with a shitty spotify playlist playing
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bookwyrminspiration · 2 months
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I can behave normally around books
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possessedpasm · 11 months
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Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.
This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)
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If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!
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Misprints can really reveal what colors were used and where, I love misprints...
Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!
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You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!
Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!
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laughingcatwrites · 10 months
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As a reminder that good exists out there, a coworker recently confessed to me that he found out his child is questioning their identity (kid's gender redacted for this post). The kid is keeping it from him, so he can't say anything to them or show that he knows, but he's doing his best to get mentally prepared and educated so that he'll be ready whenever his kid does feel comfortable enough come to him.
For context, this guy is a big, bulky middle aged dude who loves sports and typical outdoor "manly" activities. As his coworker and friend, I know he's a kind and sweet teddy bear of a person, but his kid probably views him as a stern, authoritarian figure, the way most teenagers view their parents. His family lives in a conservative area, so I'm sure between that, their dad's looks and interests, and the fact that their dad is a Figure of Authority, the kid is worried that they won't be accepted.
But you know what? When he found out about his kid, the first thing he did was reach out to his closest queer friend and ask for resources for parents of questioning children. His biggest fears are that his kid will be bullied or discriminated against and won't feel comfortable enough to be themself. His second action was to find himself a mentor in another parent who went the same situation (kid coming out in a conservative town). The other person is preparing him for some of the struggles his kid may face and the fights he may need to take on as a parent to make sure his kid is safe and treated well.
Something I want to emphasize for people focused on language as the primary method of allyship is that when we spoke, he used some outdated terms and thoughts about gender and sexuality. That does not make him bad. These were the terms and thinking used about questioning teenagers when he was growing up and he never needed to learn more current ones. But now that he does have that need, he's throwing himself in head first because that's his kid and he's darn well going to make sure that his kid feels welcomed and has a safe place to be themselves even if they never come out to him.
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hunxi-after-hours · 3 months
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"If rest becomes a form of recovery from work, as is the case today, it loses its specific ontological value. It no longer represents an independent, higher form of existence and degenerates into a derivative of work. Today's compulsion of production perpetuates work and thus eliminates that sacred silence. Life becomes entirely profane, desecrated."
—Han Byung-Chul, The Disappearance of Rituals (trans. Daniel Steuer)
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seagiri · 4 months
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forgive me senshi.
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chirrups · 1 month
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when in doubt, dog it out
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feralnumberfive · 1 month
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TUA's writers writing for Five's plotline in S4:
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lgbtlunaverse · 8 months
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There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.
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Guilt will follow Michael in every FNAF universe..
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mesetacadre · 2 months
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I need people to understand labor is alienating not because of an inherent quality of work itself but because of the way it is organized under a given economic system, therefore removing the alienation from labor is possible and there is a concrete way to achieve it
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shotmrmiller · 3 months
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size difference where the one afraid to fuck you is simon. he thinks you soft. which is what you are. soft. fragile. small.
you're not like him. nothing like the guys. battle-scarred. muscles carved by relentless missions, scars that speak of duty.
your skin divots under his fingers, yielding to his weathered touch and if he squeezes hard enough, you'll have marks by morning. (he needs to be careful, he can't hurt you, won't—)
and so simon watches you touch yourself in the beginning, clever fingers swirling over your slippery clit with practiced movements even though his cock is straining against his trousers painfully. he can hear you mewl his name through bitten lips and it takes all of his self control to not tug his jeans off, slot himself between your spread, inviting thighs and push— stretch open your fluttering walls, so hot and slick, until he meets resistance, until he can push no more but—
he can't. you'd hurt. and he'd hurt because he hurt you. he won't.
after, when your eyes are heavy lidded, mouth slightly parted in exertion, you remind him that you aren't made of glass. that you won't break. you'll shatter— in the way you do when his tongue replaces your fingers— but not break.
"not a virgin either, for christ's sake," you groan.
maybe he's thinking too hard about it. he knows your teeth have edges, knows your bite is swift when deserved. but all he's truly good at is making things give. biology made it so with his bulky frame and raw mass.
his eyes trace the contour of your collarbone. delicate. then it darts to the pulse on your wrist. vital. his hands, the size of dinner plates don't coax. they demand. he'd snap you like a twig, leaving nothing but splintered remains in his wake.
you don't seem to mind, however. it slightly alarms him. where's your self-preservation? do you enjoy pain? is this some masochistic thing?
he looks at you, all glassy eyed and dewy skinned (ethereal; you're practically glowing under the soft light of the full moon that paints the room silver) and he thinks of how it's going to take work to make it work. his cock is large (he's seen the guys' eyes pop out of their heads in the showers once they caught a glimpse of what's between his legs) but you're persistent in the end. one too many nights of having him without having him.
he understands. simon knows better than most what it's like to yearn. to want and not have. he'd cause you pain by not giving in, and cause pain by giving in. damned if he does, damned if he doesn't.
so he caves. promises to go slow. careful.
"i can take it," you bravely say but he's barely pressing himself to your entrance and you're already making noises that tug at his pathetic little heart. the way your teeth sink into your bottom lip-- you look so pretty, how'd a twisted creature like him get someone like you to come home to-- as his cock fills you has him feeling lightheaded. it takes every ounce of self control to not sink into your heat, to hook your legs around his thick waist and let gravity do the rest.
an unsteady hand weaves its way down to your stuffed cunt, fingers splitting into a vee, feeling how he splits your puffy lips, and the view makes him buck his hips involuntarily.
his hands tighten around your calves when you keen, a high pitched noise that swells the lust he feels burning white hot at the base of his spine, tips of his fingers, deep within his loins. he feels ready to burst.
and he's only halfway in.
your voice cuts through the ringing in his ears. "m-more, simon, c'mon," the n is low and drawn out.
his fingers bite into your flesh as he pushes slow, oh so slowly, until your vise-like cunt envelops him completely. the sibilant hiss you let out makes his hair stand on end. (shame pricks at his nerves like a thousand tiny needles when his cock twitches at the sound of your slightly pained moans)
simon doesn't move, feeling your swollen walls around his cock ripple, tighten and slacken, like it's got a pulse of its own. he could be here, in you, cock deep in paradise for the rest of time.
"fuck me," you warble out, hand rubbing your swollen clit to well up the pleasure that's being smothered by the searing pang of discomfort.
when simon cants his hips back, he watches his cock come out of you, glistening with slick. his jaw aches from how hard he's clenching it. control. got to keep it slow, gentle. slow, simon, slow, slow--
"harder."
he feels the sudden sharp sting of your nails and jerks forward in surprise, filling you completely in one fast movement.
your moan this time is needy, thick with want, arousal dripping from your voice as it does your pussy, coating him in creamy white, a frothy ring at the root.
simon can see the barest of bumps below your navel, or maybe he's seeing things, your hot cunt putting him in a state of delirium but the way you take all of his cock and continue to beg for more, beg him to fuck you like he means it even though he's twice if not thrice your size well...
you'll just have to forgive him on the finger-shaped bruises they're going to be on your body after.
(you'd looked so cheeky before he flipped you onto your knees, grabbing onto your delicate neck like a lifeline as he pulled your hips to meet his. you'd taken him easier here, cunt sodden with slick but the angle had him reaching a devastating depth no one else could ever dream of reaching and even though it'd sprung tears to the corners of your eyes at the pinch, "mama ain't raise no bitch.")
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artkaninchenbau · 3 months
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People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again
#My art#One Piece#Long post#Sir Crocodile#Nico Robin#Alternatively panel 5 would've been a close up of Crocodile's face from Robin's POV where he looks like he's giving her a death glare#Not intentionally he's just a big scary bastard with a Resting Murder Face and Robin is a small traumatized child#But I wanted to focus on the silliness of the moment so you get the goofy version instead#IDK man there's just something very funny to me about the idea of Robin just randomly info-dumping about a subject she's read about#And Crocodile being like ''?????????????????????? The fuck you talking about??''#Robin leaves the ship's kitchen and Crocodile just stares at the tomato like ''...It's a fruit? Forreal?''#(Meanwhile Robin is sweating bullets like ''I called his favorite vegetable a FRUIT right in his FACE he's going to KILL ME'')#Robin grew extra feet from the bottom of her feet to reach the counter and that actually isn't me trying to explain bad art away#In the original Papadile comic there was a panel of Robin doing the dishes with extra feet to reach the sink but I cut it out#(It was a stress relief comic I did not feel like drawing a complicated background in detail) (BUT YES I THOUGHT OF IT)#Nico Robin Age 11 is *more* than capable of cooking Crocodile just does not trust her with his food. At least not yet#She did start doing the dishes unprompted and continues to do so (mostly out of fear). Croc told her she didn't have to but allows it#IDK a lot of people seem to headcanon Crocodile as incapable of cooking and like. Surely Mr ''I don't trust people'' knows how to cook#Like he doesn't have to be a master chef or anything but and maybe he enjoys not HAVING to cook (pain in the ass with one hand + knife/hook#But surely he can cook decent enough. SURELY#Botanists don't @ me I know the ''tomato is a fruit'' thing isn't fully accurate this is just a silly little haha comic
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starfall-isle · 1 year
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Tyre Nichol’s mother has set up a memorial fund to help pay for mental health services for his family and a memorial skate park in his name. If you cannot donate, please share.
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