#fun fact their actually the same character but in different times of the design process but I dunno I like them both

[3v1l-0m3n-0f-d3ath]

Doodles of robots I want to make into oc’s

Name suggestions would be great

[reginalucernis]

As you can see I've entered my Genshin era - I wonder when it'll end

In brief, I just wanted to do some warm-up before starting a big art (I hope it'll happen one day...) and show my headcanons just for fun, why not? And ofc I do not impose anything on anyone, this is just my personal opinion and blah-blah

I find Genshin char design quite entertaining. I like the devs try to rethink and use some national stereotypes, folk costumes, some ethnic motifs etc, but absolutely the same blank faces for all characters regardless of their sex and age are just killing me. So that's why I decided to diversify it a little, to estimate possible ethnic and individual differences (yes, all the nations in Genshin are fictional etc, but in fact all the national and historical prototypes seem to be quite obvious). OK LET'S GOO

Tortellini. First of all, I'm sure freckles really suit gingers. Dimples can also add some character to the image of a naive fool and a positive dude (although Tort isn't actually stupid, he's a straightforward simpleton 'cos of his young age - this fact is stated directly in the game, e.g. in Arle's dialogues). Speaking about the general features of the face, I should note the more pronounced angles of the jaw and brow ridges, thicker eyebrows, thicker neck, slightly larger chin - features that correspond to a more realistic facial structure and the difference between a male and a female face. Regarding the nose, the situation is a bit ambiguous: on the one hand, a curved nose is usually considered more Southern European or West Asian (including Arabic and Persian regions) but I once found information about two subtypes of curved noses a long time ago. Like, if the nose is curved in the upper part closer to the bridge of the nose, then this is usually the Asian type, if it's curved in the lower part closer to the tip, then it's usually European. Considering that I've met guys on the street with the latter type of a curved nose (which is also raised up) and their appearance corresponded to the "Nordic" type (light straight hair, light eyes, pale skin of a cold shade), let's assume that this is still a Northern European nose and everything is logical

Signora. Her facial features are slightly softer. She has a usual straight narrow nose. Her appearance is close to the type of a femme fatale, she is suited by slightly defined cheekbones and plump lips (I have nothing against symmetrical round "bow" lips which are trendy today, but I just prefer classic ones with a pronounced cleavage in the middle). Her head is proudly raised. Moles can complement the image: a mole under the eye can add some sophistication and elegance, while the one above the upper lip can add a bit of sensuality (for example, look at the photo of Nika Turbina - her story raises many questions, but her appearance is definitely memorable). In other words, quoting The Twelve Chairs by Ilf and Petrov, Rosaline is "a sultry woman, a poet's dream" :)

Dottore. On the one hand, his color palette gives the impression of albinism (although albinos among humans, unlike animals, practically do not have red eyes, but let's forget about it). On the other hand, his Sumeru origin directly asks to add something appropriate, so I decided to choose a hooked nose (yes, I love noses, the most diverse and memorable part of the face). His character and his actions are conducive to introducing a bit of "monstrosity" into the image: sharp facial features and teeth, withered thin lips, a greenish tint in the palette. Well, it turns out he's a true gremlin. I like the widespread headcanon about him having scars, why not - in general, the guy could both earn one in the process of experiments and receive it from his fellow countrymen. I decided to make him stoop a little, but this is a dangerous move. I mean the Doctor is bursting with aggression, determination and arrogance, he is a daring and self-confident person, and such a tightness doesn't fit him. However, his obsession with scientific research, poring over books and constant work on experiments can (probably) cause a curvature of posture. In the end, I decided that this man can straighten up normally if necessary, but he usually still slouches (just like my uncle :)). Or at least like Dead Space protagonist who is also stooped but still is quite a good fighter

Arlele. Here I didn't do much 'cos the developers have already given her a bunch of distinct features: crossed pupils, and black hands, and some patterns on them, and contrasting hair (although most chars have more or less monochrome or at least similar shades of their hair). In general, she's good the same as she is now. In comparison with Signora, her image is slightly more restrained and refined, her lips are slightly thinner, her eyebrows, on the contrary, are slightly thicker, and her cheekbones are less pronounced. The only major detail added is a slightly hooked, drooping nose. I don't know why, but it seems to be very French for me. Some famous French actors and actresses have kinda similar noses (e.g. Louis de Funès, Pierre Richard, Christian Clavier, Sophie Marceau, Laetitia Casta etc.) - well, at least I think so

By the way, I honestly wanted to diversify somehow emotions in my drawings, but all of the characters are smiling again - what can I do if the smiles suit these guys as well as nobody else: Tort has a half-friendly, half-self-confident smile kinda like 😼, Signora has a proud one, Arle has a cunningly condescending one, and Dottore has just a snide "ehehe"

Hooray, it's a Chinese wall of my text again - well, this time it has at least some sense

Have a nice summer everyone!! I hope to see you again before the autumn :)

P.S. hello to the old ones who has recognized the original album cover, it's been 19 years since its release, feel old yet?

[flanpucci]

I want to dedicate a love post to Enrico Pucci because I just love him so much and my brain will never be the same again

I love that he's complex and flawed and driven by his grief and the depth of his love. I love how unacceptable his destiny is and he will do anything to open everyone's eyes to the absence of power they have in the story's world. It is impossible for him to exist in his world where he was created only to serve the purpose of giving the Joestars something to oppose and grow from, and the remedy he has found to this is to simply take control of the story, end everything and start again with the knowledge he has acquired, and maybe, the hope to free himself from his sins and bring back his loved ones.

I admire his will and determination to strive for greatness, self-growth and to see things to their end more than anything, staying calm and not backing away, seizing every opportunity. He also learns from everyone around him, from their battle tactics, from their relationships. He's a very smart and analytical character even though he's also stubborn and throws fits from time to time, which show his humanity, which is necessary since he's so superior without those flawed moments. I like his loneliness, the way he has a way to talk to and taunt people that's very unique to him, and directed at himself, he doesn't care if you don't understand, he doesn't care if he's celebrating his victories alone, he'll do it anyway. He's fun and quirky to look at, when he interacts with people, he's fun to anger, and it's satisfying to see him getting in dire situations (especially if he gets up from them)

He's evil and flawed and is a ruthless, one-track minded man, he's self-centered and can't accept (understand?) that people have different mindsets than himself. He knows he's right from start to finish, and that makes him such a great character with incredible confidence and charisma. He's the most terrifying character in all of JJBA, arguably the most powerful, his ability is just pure chaos and his eyes are cold as hell. He's got a strong inclination for revenge and likes to carry it in style, even if it means taking some damage in the process. I also like how ambiguous he is with some other characters, taking advantage of the fact they are drawn to him, using his appeal as a means to obtain what he wants. His dynamic with Dio brings a lot of depth to Dio's character, giving him the almost 'humanity' he severely lacks in other parts (especially SDC), it's very enjoyable to watch the way they interact together, which is so different from how we see them act with other people. The whole idea of the bone, fusing, and MIH is aesthetically really interesting and I liked trying to notice moments where the Dio influence might have taken over Pucci's decisions.

The themes surrounding him are very referenced and fascinating, religion, art, biology, physics and space, technology, philosophy, the stand lore... The details and references that come give depth to his character are limitless, did you know there's an actual italian scientist on gravity whose name was Enrico Pucci? That the adulterous priest he reads about in church is a famous painter who regretted taking his oath at 15 and had ties to the real Pucci family in Italy? He's also a very well constructed character in terms of psychology, he's never OOC, he feels very 3D in a 2D world.

Also he's awesome black representation in terms of character design with references to fashion, the flag of the city of Florence... His character design is holy with just a touch of sinful, and I'm not even talking about how cool Whitesnake is in general. I really like how Pucci/Whitesnake oppose both Weather/Weather Report but also Jonathan in terms of design. He's the most beautiful character I've ever seen overall, wears a beautiful tight and shiny gown, beautiful both in color and in black and white, first has a fun, pretty but manly design, which turns into a cute star-shaped motif shamelessly stolen from the Joestars, he has tired downturned eyes filled with depression, and the cutest nose in all of JJBA, he's tall and handsome with the big chest and shoulders especially in anime but also cute and feminine and has thin wrists and those cute sleeves... He's giving mom and dad at the same time and I love how curious he is with the green baby and how proud and happy he is with C-Moon and MIH and YES HES MY FAVE ANYWAYS

I didn't even get into how interesting he represents the relationship between faith, philosophy and science, or his relationship to the concept of blood ties, I could go on for hours but I'm late for class

[crusherthedoctor]

Eggman's design in Stellar

As you may know by now, Eggman looks a little different as described in Sonic Stellar. His design and anatomy are the same Modern Eggman we all know and love or pretend to love, in the case of those that deliberately misrepresent his character, but he's got a new outfit. Naturally I made sure to describe it in the fic proper, because it'd be weird if I didn't, but I wanted to go a little more in-depth here to give some insight on the thought process behind it. This won't take too long, since it's honestly not that complicated.

So what motivated this? Well, it was actually a late addition. Originally, as was the case in BtS, he was in his regular Modern attire, and even when I began to brainstorm it into existence, I hesitated on it for the longest time because I was concerned as to whether it'd be seen as leaving a piss mark on SEGA's design out of the arrogant belief that it needs to be improved... like what those in charge of certain adaptations tend to do with the characters and universe in general. However, after remembering that there is precedence for one-off shifts in the games proper - see Rouge in Heroes, or Sonic's soap shoes in SA2 - I considered it fair game.

That said, don't assume it's a change for the sake of change: there's a plot reason for it. Since Eggman is attempting to convince the locals of Viridonia (aside from Trudy) that he's a changed man, he switches his appearance to symbolize this... but since he can't help himself, he still has to stylize it so that it's as him as possible.

Now it's time to talk about the actual look. The basic gist is simple enough. Just a nice debonair suit, like this for example:

...but in the distinctive Rrrrrobotnik style, and with the waistcoat unbuttoned, because this man does not operate like most gentlemen. I tried to balance out the doctor's usual colour scheme for it, so you have black for the shirt and pants, red for the waistcoat, yellow for the golden lining within said waistcoat, and white for the shoes (with black tips, like Swanky here), as well as the gauntlets (see below). The Modern jacket may not be present, but I paid tribute to it in spirit.

Instead of having those goggles on his head that he only uses during leap years, I transferred anything they could do to his glasses, reminiscent of how they worked in '06. Yes, there was some '06 inspiration among all this. That's how you know the doctor is officially off his gourd by the time of Stellar.

Of course, the most striking aspect of his new attire are his aforementioned gauntlets, complete with a selection of nifty abilities that allow him to be even more hands-on than he already was... and some clawed tips, cause he felt like it. This was inspired by his control glove in the movies, as I figured that by this point in Game Eggman's career, after all that he's had to put up with, it was a logical next step for such an infamous control freak. Plus, I just think it's neat for him. :D Note that they're not cluttered compared to the rest of his design, they'd have a simplistic look despite some buttons and the like.

Why did I make them gauntlets, instead of just gloves like normal? I found an appeal in how they contrast with the rest of his otherwise low-key dress sense (for his standards). It felt like the sort of thing he would do, as an extra way of commanding your attention. And yes, I'm aware that some readers might assume he has actual robotic hands now, and declare it a brilliant SatAM JoJoke, but I hope repeated use of the word gauntlet should clarify that's not the case... >_>

Fun Fact: Originally, he was only going to have only one gauntlet, for a little bit of asymmetry. However, I realised that Starline already has a similar thing going on, and since I brought him into the story, it might be redundant. So Eggman has them for both hands. Think of it as his unspoken way of one-upping his #1 simp.

[neon-ufo]

Luv's Monthly Makeover 2022

I wanted to show all 12 pieces of this project, and add a little paragraph about each of them, their themes (if applicable), and their inspirations. 

The point of this project was to redesign my mascot Luv every month, trying out new art styles and techniques in the process. Luv changed every month, but still remained the same recognizable character throughout. The idea was to embrace the beauty and challenge of change, and grow with it.

💕January Luv is generally a very androgynous-looking character largely due to cuteness and fashion, but for this piece I wanted to give him a somewhat more masculine look, which created the little fire goatee. Technically this piece was drawn in December 2021 before I thought of this project (in February), but it hasn't been posted until January and it fit the bill so I counted it as the January piece.

I wanted this to be a more ‘serious’ piece, so there’s no exaggerated fashion or detail to it, aside from the realistic heart in place of the usual love heart on his chest. This is the oldest of the pieces, but I’m still very happy with how it looks!

The Japanese text is from the song Hello by Fire Bomber, saying; "We fear nothing, We go on along this path”. The vibe of the drawing was inspired by this song’s classic rock tune.

💕February This piece was largely just playing around with clothing textures and such, and the main idea was to present Luv's heart mask in a different way. Some looks had a much stronger thematic vision than others, and this is definitely one of the weaker ones. I don't have much to say about it tbh

The jacket is inspired by a Coach x Keith Haring collaboration jacket, and the mask is a "Lover" mask design by LikeADrugg.

💕March This was done when Ousama Ranking was airing and I fell in love with the demon's heart-shaped mouth, which I referenced here. Contrary to popular belief, Aku from Samurai Jack was not the inspiration for this.

There isn't much more to say about this one, I wanted him to look creepy and spindly. I had a blast with the rendering, very proud of how it turned out!

💕April I was really excited for the concept of this one, but it did not turn out how I wanted it to.

He was supposed to be essentially mask-less on this piece, with the visor of his hat casting a heart-shaped shadow on his face. I also wanted to push more in the fashion aspect in this one, the main inspiration being a pair of RoseCut pants & Vivienne Westwood's Love logo, which I used a few more times in my work after this.

💕May Ok I suddenly got struck by an extreme passion for punk fashion at this point, and I poured it heavily into this iteration. Another different play on the heart mask, this time it changed to heart-shaped glasses. Various spikes become a pretty recurring element from here on lmao. There's also the Westwood Love logo again.

A fun fact; this is actually largely a re-used design of a GothPunk Luv I tried drawing once, but scrapped because I didn't like how it was going! I loved the ideas behind that design and am really glad I got to bring it back here. <:

💕June This is a very simple one, as I was dealing with the loss of a beloved pet, and I simply didn't have the energy to draw anything bigger.

This actually turned out to be one of my favourite designs for Luv, as it's very simple but very fun, and easy to draw. It became my go-to design for doodles. Lyrics is from "It Gets Harder" by Good Luck

💕July Tried something very different with style here. I wanted the style and colours to be a little bit more ethereal in vibe, hence the very bright soft shapes and floating gold bits. The doll-like face also adds o the dreamyness, with the matte black eyes and no shine. I think that adding some thick lineart in the centre of the drawing makes the image a bit disorienting, which I quite like.

Main focal point is the golden Jeremy Scott + Adidas Wings sneaker, which was basically what this entire piece was built around.

💕 August This is another one of my favourite looks. I really love the outfit elements of it, as well as the colours, and I can definitely see myself drawing it again sometime, which is not something I can say for most other looks in this project!

Despite it being one of my favourite designs in this series, I don’t have much to say about the piece  itself though. The shirt was inspired by a shirt worn by Donquixote Doflamingo on one of the One Piece manga covers.

💕September This piece has recently been chosen to partake in a group exhibition in the capital city of my country, which is quite a big deal for me!

Luv is sporting a very casual streetwear look with a graffiti can in hand. This was the first time I familiarized myself with gradient maps, experimenting with which helped me choose the final palette. The "Love & Peace" sign in the background is taken from a Trigun episode title. The decorations on the pants were inspired by Lirika Matoshi's S/S22 collection, and the shirt evokes several Junya Watanabe/Comme des Garçons shirts from the early 2000s.

💕October Spooky Luv for spooky month, I really love this piece. It's one of my favourite recent pieces!

Again a lineless piece like the month before, but I took a very different approach to shading, and honestly I expected it to be so much harder than it was. It was a blast to work on this one and I love the effect that pitch black shading has on a monochrome body. I did a lot of experimenting with the background and used gradient maps again to get a cool background effect. I was aiming to get some kinda old video game cover look with this. The text on top is my favourite quote from Dracula. The background is a photo from the Croatian coast that I took last summer.

💕November The aim of this one was to capture the nostalgic early 2010s anime & deviantART style. I looked to a few anime for reference, but I think in the end Lucky Star was the most helpful.

I tried to channel deviantART character designs I remember from that era, using typical design features I remember from it, such as demon wings, stripes, collars, off-the-shoulder oversized shirts, and checkered belts. The fashion inspiration here is largely the signature Chrome Hearts crosses, while the shoes were inspired by the fantastic toothed heels from the GCDS spring/summer '23 collection which I only now realized does not fit the Y2K theme I was going for with this one lmao

Either way, I'm very happy with this one, I think I achieved what I went out to do!

Oh yeah, and the text in the background is the entire lyrics of the album Three Cheers For Sweet Revenge by My Chemical Romance.

💕December Last piece of the challenge was almost entirely re-drawn, as I didn't like the first look of it. There isn't much specific inspiration for this one, but I wanted to make it vaguely connected to the December season.

As a reference to Christmas, there are elements of angels in the design, with a bright halo and tiny wings. The symbol I personally associate with new year is the peace sign☮️, because I remember that my dad used to give family friends a New Year's card with nothing but a peace sign in it. He stopped doing it recently, so I'm taking up that mantle instead.

The little sleepy Luv on the right side is taken from a different Monthly Makeover piece that I scrapped.

I'm not sure if it's clear, but the shape at the bottom says 2023.

Thank you

[tiptapricot]

Alright. Finally getting my thoughts together about Mando S3 episode 6! Forewarning this is a very critical and disappointed view on the episode, however I do try and be as nuanced and explanatory as I can, as just like with the rest of this season there is so much potential, so much I almost love, but it’s just not carried through or is handled in a way that makes me confused and frustrated.

This is somewhat organized, but not overly edited, so if things jump around a bit or if there’s typos, excuse me. Other than that, let’s get into it.

So this episode brings a first two seasons side quest vibe to stuff, which personally I enjoyed as I think those side quests (while many ppl see them as filler/a distraction from the main plot) are more ab exploring our characters under different stressors and circumstances and seeing how they act/react as a result. The design for Plazir was gorgeous and intriguing, and it was fun to see Jack Black and Lizzo and Christopher Lloyd. Similarly to a lot of people I had a “HEY I KNOW THOSE GUYS” moment, and it made me smile and laugh.

But then you get into the plot and I just. I was so icked out and uncomfortable and baffled at how it was handled. Plazir is, as it’s set up, an absolute fucking dystopia. Star Wars has never been good with its droid issues, something that always makes me extremely mad and uncomfortable, but beyond the Solo story, I think this may be one of the worst handlings of those issues yet.

I’ll be sharing ideas with the video “The Traegedy of Droids” by Pop Culture Detective pretty consistently in passing here, so please check it out if you haven’t or aren’t aware of what I’m talking about with “the issue with how SWs handles droids.”

The mini plot of this episode is, in summary, our main protagonists helping to carry out a targeted physical oppression of a droid revolution in order to maintain the droid’s enslaved class status and allow the citizens to continue living on free labor. Not only that, but the revolution and fighting back is revealed to not be a choice, but a drugged reaction from an evil human source. The droid bar literally called The Resistor is not, in fact, an underground place for droids to find community and power and push back (despite the fact that it proves they have off time and desires for relaxation and comraderie) but a place for our mains to be reminded that droids actually just love being an enslaved class, and that oh yes these violent push backs actually make them look bad, and what if they’re forced not to work anymore? No they care about their oppressors and couldn’t imagine fighting back. Action like that has to be forced out of them by humans and is unnatural to their regular existence.

And none of this is framed in the dystopian way it should be. Plazir and it’s leaders and citizens are not framed or presented in a negative light, and the moral is not put on helping the droids to not be the forced labor class for a whole planet. The interesting and terrible ideas presented are taken at face value of how the ruling class sees it, and we as the audience are meant to root for Din and Bo as they chase after a droid Din harassed into fighting back, who is running for its life and defending itself, who they kill. We are meant to be happy when they shoot it, feel triumph, see these outbursts the same way those on Plazir/our mains do. We are meant to see droids as both the enemy and as rightfully subservient.

And that’s. Absolutely fucking wild? Similarly to Solo and L3, I cannot fathom the thought process going through the writers brains while setting up a plot that focuses on droid revolution and freedom, only to treat it as a joke, or to end up condemning droids to a fate worse than death/to a content slave class. And all of this, again, our protagonists go along with.

Bo and Din never once question droid rights or sentience, never once go “oh hey we should actually help these guys out.” They stop the uprisings, Lizzo knights Grogu, and the story goes along its way like it was just an unimportant side quest, and not a nightmare. The mains don’t care, the writers don’t care, the world is telling the viewer not to care.

This is exemplified, unfortunately enough, with the use of the cameos. That reaction of “Omg haha! Lizzo! Jack Black! Mr Lloyd!” add to the comedic/trope-y framing of this episode. The acting was great, this is not against the actors present, I was happy to see them, but their presence added to the episode’s unserious/comedic/don’t think about it too much tone. Seeing celebrities we like takes the focus off of the content of the plot and onto “Haha people I like!” And that sours their presence for me.

And like. Droid stuff not being serious has always been around, with protagonists playing into/joking about droid oppression right from the original trilogy, but hating droids has within the mandalorian itself been built up to be unreasonable and a flaw.

Din is droid-racist. That’s been part of his character since the start, and it has been something he has grown with, that the story has attempted to show him working against despite his prejudices. Yes, he is not over his hate for droids, trusting a few will not change his views on them all, and his actions still being violent and prejudiced this episode are not totally out of character. But he’s been shown to be working on that, and the issue comes with the fact that these actions are not seen as an issue past being impulsive. Kicking a line of workers until one lashes out, saying “if they’re programmed right they shouldn’t mind,” threatening to kill a droid bartender, not questioning forced labor, being excited to kill droids, are all framed as funny or correct or just regular “fighting before talking” type characterization, and not as the deeply flawed and bigoted actions they are.

I’ve seen people in fandom saying “well it’s because of his battle droid PTSD” “din still hates droids that wasn’t resolved” “he’s not just going to be fine around the droids that killed his parents” and like. Yeah, sure. But that doesn’t excuse the actions. They should still be seen as a big fucking issue, as him acting grossly out of line and holding up a “one bad experience means the whole group is bad forever” mentality. Not just a character quirk or something funny or an excuse. The best I can liken it to atm is racism from war vets against the group they fought against. You may be able to understand the distrust and trauma associations but hey guess what! Doesn’t excuse the racism/xenophobia/etc.! But the plot and story framing sure does, and it’s been effective, because the fandom has been doing the same thing too! And it’s. Wild to me!

Like I get many people don’t think about stuff, because again that’s how the world frames it, but you gotta? You gotta see the messages being pushed here?

And from a narrative standpoint you can’t just introduce a storyline like this without dealing with the implications it therefore burdens the story with discussing. Otherwise you end up with something reductive, trivializing, and at its core really really ideologically gross, which is what we got here.

This also doesn’t even touch on:

—The further use of the amnesty program in a way that doesn’t fully dig into the messed up results or the irl parallels to operation paperclip

—Ugnaughts being the only organic labor class we see besides those monitoring security, another group that’s framed as loving to work on the things the ruling class don’t want to, and also living in the dark underground

—The implications of direct democracy and non-militant societies being seen as weak and unreasonable

—Leaders finding loopholes in their laws to intact violence into a revolting class without having to answer for the repercussions of rule breaking

Mainly because I don’t have the brain to unpack all of it. But hey! Just shows how much they introduced with no real thought of how big a can of worms it opened up from a political and social perspective. Something that while a constant in Star Wars at this point never makes it alright. It’s lazy and shows the underlying racist/capitalist politics running through most main pieces of the universe, of which this episode I’d say is probably Mando’s most outright example of. (There are exceptions, Andor being a huge one, but lord is that an exception with everything around it)

And like in concept a neo-noir detective story/procedural with the mando cast sounds awesome, that’s one of my favorite genres, but this was just good old fashioned copaganda and race/class fumble episode with no real nuance, point, or lingering effects on our characters and their view of droids. When I’m fully able to say Detroit become human did a better job handling the ideas of robot sentience/freedom/uprising/changing sides, I think you need to take a good hard look at your story.

So just. That’s that part of the episode. And that’s already so much, but then we have the ending/it’s ties into the overall plot.

From the start we get no real explanation for why Din is with Bo and no one else, what the fallout of the armorer’s decision and reveal of Bo’s place in things had on the covert or on Din and Bo. We just jump in. Then you have Din and Bo showing their individual leading strengths in the episode, the balance between diplomacy and action, heavily implying some joint ruling need, or even showing Din finally showing leadership skills.

But then we get to the final scene with the Axe and Bo fight, and I’ll say I loved that combat! Beat each other up! It was great and I think shows their competence and the statement that fighting makes in mando culture, as well as asserting Bo’s place leading her group. But then we also get two really fucking stupid things.

The first is Axe saying Din isn’t a real mando because of blood even though that? Has never really been a staple of the culture??? This opens up an idea that the night owls have different views on Mandalorian culture than the larger consensus that understands it as a religion, a culture, a people, but not a homogenous group with direct biological descent. Foundlings are huge! So where is this coming from? What’s the background there?

It muddies up a lot of character stuff, culture stuff, and the analogies Mandalorian culture has to real life groups like the Jewish community, various Indigenous and colonized communities, etc. As with so much of this season, Mandalorian culture and politics is begging to be explored, to be fleshed out and dug into in a deeper way than it has been already, and even with new ideas the writers decide to use, it’s given almost no focus. It’s frustrating and disheartening.

Second, ofc, is the Darksaber hand off. I have talked previously about one of the largest issues this season being the writers wrapping up Din’s arcs and plots with no real focus or fanfare, and this was another slap in the face in that regard. Officially, every single important thing from the end of S2 has been wrapped up either in a spin off series that shouldn’t even have had sm Din focus, or in the second episode of the third season. Everything that poised Din for a huge character arc at the end of season 2, at a fundamental change and exploration in himself, has been tossed aside. And it makes no sense to do that. So let’s go through them each!

1. Grogu. Throughout the first two seasons Din and Grogu’s relationship was a focus. It was about Din breaking rules and getting into danger to save this kid, his drive to protect him, to connect him with his people, and then to save him from Gideon. We get that line “He is more important to me than you will ever know,” and then Din has to give him away. This sets up exploring how Grogu has changed him, how that relationship has affected them both, how Din now operates without him.

But then he was reunited with Grogu relatively easily, and there has been no focus on how the newfound understanding of Grogu’s importance to Din affects their relationship now. He hasn’t even recognized himself as Grogu’s father yet, and there’s been no real bonding moments past some in the first two episodes and the background shallow cute moments in others. There’s been no side interactions of Din asking about what Grogu learned, or treasuring having him back, or reflecting on his place as a parent, or making sure he doesn’t lose him again. In episode 6 Din even leaves Grogu with strangers he’s just met for the entire episode and that has no fallout or recognition, despite one of them being an ex-imperial.

2. Breaking the creed. Throughout the first two seasons, again, Din’s faith and his adherence to the CotW’s beliefs are a huge focus. From episode one and on we get variations of the question “Why don’t you take off your helmet?” “Just take off your helmet” “don’t mandos never take their helmets off?” And we see Din is willing to die rather than break that, rather than not be Mandalorian anymore in his eyes. But he does anyway. For Grogu. A testament to not only his growth because of him, but to his commitment to Grogu over all else.

And he is in some ways hopeless because of that. He willingly takes off his helmet again to show Grogu his face before he says goodbye, because he is all Din has left at that point, all that matters in the moment.

But, of course, there is no lasting effect. Bathing in the waters, built up to be a season long arc, was aborted to being finished in episode two with relatively extreme ease, and even then, had no lingering focus on what being redeemed meant for Din. There was no questioning or clinging to faith, no discussions of how much this meant for him, no lingering on the bathing (because it was turned into a rescue action scene for Bo’s story!), no discussion of how being accepted back and cleansed affected him. One of the largest parts of the character since his introduction is. A footnote.

3. The darksaber/ruler of Mandalore story. This one’s just. Nothing. Also resolved retroactively in episode 2, and with no plot presence otherwise. To start this out, no I didn’t think Din was going to have this great rise to being Mand’alor, that was never really where the plot was going in my eyes. But no matter where it should’ve gone or what it should’ve been, it should’ve been something. Yes! He doesn’t want it! So show us why, show us what that responsibility or implication means to him, why his sect of culture doesn’t care about it, why he doesn’t believe himself to be the one to rule or unite. Make him giving it up feel as earned as if he’d kept it. This is one of the most frustrating aspects of this episode and a final straw in my vendetta against the writers.

The dark saber doesn’t even make an appearance between episodes two and six, it’s that unimportant. There is no conversation with Paz or the Armorer, who both know Din has it. There is no discussion about what it means with Jedi vs Mando history, or with Bo Katan about her history with it. This therefore makes Din having it pointless. It did nothing beyond maybe some combat scenes and the brief Butt up against Paz in BoBF. Another case of more actual plot engagement being in BoBF than the main show. There was no point for it to change hands to Din, because him having it changed nothing, made no one grow, made no one think. It affected Bo, which I’ll touch on again in a bit, but the story blooming there could’ve come around by many other means and was not tied to Din at all.

But before I dig into that aspect, the amount of times I’ve seen “Din never wanted the saber that’s why hes finding an easy loophole to give it up” “Din likes being a side character” stuff is so!!! Like!!! Yes! He doesn’t want it he doesn’t want action and responsibility and he doesn’t care about it but he is not making choices he is not real he is being written lazily! This is the writers not wanting to engage with their own character that they built up and created and set the arcs in motion for.

A show can have multiple mains, can shift character focus, but “The Mandalorian” at its inception was referring to Din Djarin and there was no precident for that focus to completely shift. This isn’t a show that changes protags every season, he used to be a shape in the title, is on the merch and the branding. And if there is meant to be a protagonist shift it has to be gradual, and to still involve his development in the impact on that other character. The explanation of “Well it’s called The Mandalorian not Din Djarin” just makes me really mad cause yeah? It is? But it’s also called Star Wars and not Luke Skywalker but we still understand he is the main protagonist, even if other characters develop and are present alongside him.

And there’s no excuse to sideline Din, because the truth is he does have growth to get, he does have arcs to explore, the only reason he’s so flat and has nothing to work towards right now is because the writers threw that away. Specifically in ways that did not make sense from a character or writing perspective.

And why is that? Because they wanted to write someone else, they wanted to write Bo Katan.

Which is exciting! I love Bo as a character from what I’ve seen of her. She is complex and flawed and has a deeply fucked up past that’s intrinsically connected to Mandalore and it’s future. That is a fascinating character to work with, and I don’t mind her being more present in Mando as it tracks for the goal of bringing Mandalorians together. But! This plot is not doing her justice either.

Throughout this season Bo has been dragged along through the shallows in her own journey. There has been no discussion of her past, of Death Watch’s terrorism and torture and murder, of Satine, of her several past attempts to lead Mandalore, of her history with the civil wars and with clan Viszla and with so much more. Which is wild, because you’d think a season which has chosen to focus on her would? Give a shit about her? Would actually engage with the character she is and what she brings to the table?

Instead she’s been handed every plot point, reduced to a girlboss leader, and her rise to getting the saber again is not only forced with no real discussion or nuance, but she’s once again been given it on a technicality. Just as Din giving up the saber is not a decision and shift earned by development, Bo getting it again isn’t either.

And as I mentioned earlier, she was affected by Din getting the saber in that it led to her people leaving her, and led her to question things, but it being Din having the saber means nothing. The same thing would’ve happened had anyone else gotten the saber, or had it been vented off into space or lost or hidden or whatever. By giving it to a specific character, that begs for interaction over that ownership, for discussion and reflection and connection with that character.

And yet there has been nothing. Bo and Din have had some good interactions, yes, but the development the show seems to want for Bo, seems to want the audience to be rooting for and going along with, is not being shown.

To make all of this more basic, the issue with this episode and this whole season thus far, is that it refuses to engage with its own ideas to a fault. It doesn’t want to get its hands messy, doesn’t want to untie the complicated and fascinating and fucked up knot it’s tied for itself. Instead it’s slicing through all of those Gordian style and leaving us to wonder about what might’ve been, about what the story seems to want to be.

I love a lot of the concepts this season, I love what it could be. I love the characters and the world and the religion and the politics, but I have to actually see what is set up, what is set in motion, what is built, to feel like I am watching the show I loved at the start.

And though it’s not as relevant to this episode, it feels relevant here: This should’ve been a Mandalorian politics season, not a new republic politics season.

Yes, they are intertwined, but at the moment the new republic development feels like a main focus, meant to set things up for further installments in the franchise or retroactively explain pst choices, and the mandalorian culture a side focus, and this has caused a detriment to both. Neither gets explored in their full complexity and nuance, and the story feels unfocused and weirdly disjointed as a result.

I’ve seen people upset by the great divide or presence of fandom negativity lately and I get that, but I feel there needs to be an understanding that people aren’t hating just to hate, this is a serious disappointment with the tanking quality of the show and it’s lack of commitment to itself. When something doesn’t deliver on what it markets itself to be, what the writing lays a basis for, that breaks trust and engagement and enjoyment, and leads to people being pissed. It happens. You can still enjoy the show, while also recognizing there is a boatload of valid criticism and issues and flawed messages that are making people uncomfortable, disinterested, and angry.

And having expectations doesnt devalue those criticisms either. I’ve seen a lot of talk of like “you wanted it to be something it’s not” and while that’s true in some cases, I had no solid ideas for this season beyond… what it showed it was going to do. And I am trying to engage with the ideas it is presenting. Again, I like the hypothetical arc at play, but the execution just. Isn’t it for me. The writing quality isn’t good and isn’t smooth and as I hope I’ve laid out, isn’t living up to its own potential or ideas.

So. Yeah.

I just want a show to be what it was begging to be, what it set itself up to be, what the characters and plot threads are wanting to be, but aren’t able to reach in their entirety. I want stuff that makes sense, that makes me think, that isn’t bigoted and lazy and frustrating. But I haven’t been getting that. And that really sucks.

TLDR: a train wreck in motion, but it was carrying cargo I would’ve loved to see.

[friendlyengie]

was kind of apprehensive when i saw your fem merc au thingy because i’m a bit of a genderbend hater but! i actually like yours a lot! mostly bc they’re more like ocs (or just canon characters) than like. ‘the canon mercs if they were women’ and i really like these characters!!!!!!!! i think the fact that they mostly have a relation to the canon mercs is very fun. gammagoop approved 👍💥

also does pauling still supervise them or do they have a different person to do that?

Thank u!!! I’ll be honest half my reasoning for making these fem mercs the way i did is bc i dont really… see the appeal of genderbending and keeping them the same character? Like sure the designs can be fun but after you draw them the first time like. Anything you draw with them is just… the Characters but Girl and i never understood why ppl would do that if they might as well just be drawing the og characters (And then of course you get into the weirder nuances of parts of personalities being changed for no real reason and whatever. And it’s just . :P)

I wanted these guys to be their own characters because it’s the only way i could actually find myself being interested in them! Giving them separate personalities so they can have unique dynamics with each other and the canon mercs, but also still getting to have fun with the idea of “I think women deserve the right to be stupid and kill each other endlessly in the middle of the desert as much as men.” Hashtag feminism

I think Pauling still supervises them for whatever reason! I’m not entirely sure how exactly they fit into the ‘canon’ of tf2 (Partly bc the inconclusive lore as a result of the comics getting shucked to the side puts a dent in any ideas i do have) but my current thought process is “whatever’s funniest” and i do think it would be funny if, unknowingly, about a 2 hour drive away from the mercs, Pauling was also supervising an equally incompetent group of mercs who are also fighting in the desert for no real reason.

[rrbobani]

Hii again, I'm just wondering if you have any headcanons/fun facts about the matoran/toa in your au that you'd be willing to share? 👀 the facts/headcanons can be random btw :]

Hello~! Hmm... let me see...

A little character tidbit I probably should get out of the way since I never mentioned it, Macku is trans in my au, so is Tamaru. An element may have a majority of a certain gender, but it's not strange to see other genders or see people transition in their society.

Glasses do exist in this au, for example, Matau needs them - but their design is more geared towards Le-Metru matoran life. So some glasses are typical looking in other Metrus, but Le-Matoran glasses were made to fit their lifestyle of transportation. This doesn't mean that every Le-matoran is visually impaired, but goggles/glasses were more typical for them.

When the time came to migrate to Mata Nui, Matau and/or the other Turaga definitely would've had a problem figuring out how to give matoran who needed glasses to them - most glasses were probably lost or broken during the move. So I imagine Vakama and Matau collaborated together to make a new type of glasses for the matoran and some still go to them for check ups and repairs, though the process of making them is being taught to other matoran.

Another thing about Le-Matoran I imagine is that most are ambidextrous or they throw disks a different way. Imagine every other Matoran on Mata Nui flinging disks from their arms like how they do in the sets (the same side as their throwing arm), but Le-Matoran fling disks like how we throw frisbees (from the other side of their body).

So I didn't get to showcase it much, but if you've noticed it, there are reddish markings on Ta-Matoran's/Tahu's foreheads that is meant to look like a single flame. I might change this fact, but on Tahu it was a sort of birthmark he got in the process of being created by Artahka, meant to signify his leadership. Once Tahu's visage was recorded and shared, some Ta-Matoran took to using that marking as a way showing support for their fire Toa. Though as time went on, the meaning for it changed. In Metru-Nui, it was changed to signifying that these Matoran had done great deeds or have created significant leaps in mask making creation. Though when it came time to migrate to Mata Nui, Vakama changed it to mean the Matoran were given a bit of Tahu's flame to fire up their spirit in battles - pretty much a blessing in a way.

During the Toa Mata's training with Hydraxon, Spinax was actually really nice to the Toa. When they weren't training, the Toa would always hang out with Spinax like he was "the family dog." Spinax especially preferred Pohatu since the both of them could keep up with each other when running and Pohatu was especially excitable around the dog.

Speaking of animals though, the rahi in this au vary in their organic-ness. Some look more robotic than others, but they don't look exactly like the sets. Like Keetongu is more organic than most other rahi, but their musculoskeletal system is more prominent than the Toa or Matoran. That's why the hordika have more metallic parts on their body too.

Gali's long, metal-ringed braid was given to her at a young age. (Since I imagine the Toa Mata were a special case and had been children at one point.) Vortixx had visited the island to drop off weapons designed for the Toa Mata to use, and Gali took notice to the long braid the lead Vortixx had worn and asked if the woman could give her one just like hers. (I kind of imagine the Vortixx were a little friendlier in the past, but time kind of whittled away at their hospitality) The Vortixx had agreed and told Gali exactly what she needed to do to grow and care for it properly. To Vortixx, the braid was a symbol of authority and power, but to matoran on Mata Nui, it turned into "Gali's iconic war braid." Some have tried to imitate one, but most found the commitment to growing one excruciating so most found it easier just to cut it off. Nokama had a hard time not mentioning what the braid actually was, since she knew Roodaka had one that looked similar. But she, and the other Turaga, never revealed what it actually represented to them.

I still think of Mata Nui and Makuta as brothers in this au. And this is a bit of a longshot headcanon, but Mata Nui and Makuta were originally Great Beings that volunteered to use their essences to become "leaders" of this universe. Makuta was jealous that Mata Nui was chosen to be the beating heart of the Matoran Universe, but once they transitioned into becoming a part of the Matoran, they would forget about all of their experiences as Great Beings. (But Makuta's jealousy still lingered in his heart) Speaking of which though, Velika was definitely jealous of Mata Nui and Makuta being the "chosen ones" though. But we all know how their story goes, especially with the whole "rule Spherus Magna" part of their plan too :')

---

I think I'll stop there for now. More things may pop up as they come along, but that's all I can think of that I haven't mentioned so far. I will always provide more context on my blog posts in the future, so it's always worth it to click those links! (I promise qwq) Thanks for the question, I hope this was the kind of answer you were looking for!

[greenbirdtrash]

Decided to post some of my clothing analysis of the musical Once-ler. Most of my takes here are outdated (since i didn't had a chance to get acquainted with the script back then, but now i've got a better understanding of some things and the exact timeline, so lots of updated info and the contexts will be added when needed), but some of the listed speculations here are still pretty interesting to think about. It's actually kinda crazy how i came to that, building my own imaginary character profile and the timeline without the chance to watch the entire show, but just from analysing the available photos and the reviews. And the fun thing is..some of my speculations actually fit the story quite well. So..

Part one: Introduction.

[July, 23]

"Again, my conclusions may be wrong because of the fact that I only saw the fragments and photos from this musical, I cannot be completely sure that the slight difference in some of details and elements is present due to a certain story arc or the fact that the "test show" was performed in a different place and with slightly different props, but it's hard not to notice that during the course of events, the clothes of our beloved problematic capitalist change, maybe not as drastically as in the 2012 movie, for example, but this undoubtedly plays an important role in his development as a character (especially considering that we are looking at a stage adaptation with its own nuances, but more on that later) and reflects a certain kind of changes that he goes through in the process. Why is this so important? I'll try to explain.

Working with perception through colors and shapes is one of the most basic things in design that always works, and even being in some cases comically exaggerated, it remains effective because a person somehow always builds a certain association based on the things they saw. Like, we look at the warm green color, and it immediately reminds us of leaves, etc, etc.. Long story short, the aspect of different clothing, colors and patterns on a character who's going through different phases will be very important here. I saw someone else pointing the same thing out in one of the reviews, can't remember which one tho. Anyway, my huge thanks to Rob Howell for giving us all these amazing designs.

What I always loved in stage performances of all kinds and the theater as a whole concept, is the fact that you won't find there such thing as "narrow cinematic frame" in which you can just remove or cut out everything that simply "does not fit" into it, oh no.

In stage performances and musicals, the whole color extravaganza of the stage and the carefully carved environment will talk to you (yes, talk!), and actors are required to do much more than just show a certain face at a certain moment. Nope, it's completely different here, and most of the theatre actors are just built different as well. Spent some of my best years near them, that was an amazing experience. Anyway-

Being able to play simply with with your voice and face is not enough to be a good actor here, especially considering that even if you're lucky to have the most magnificent facial expressions......they are not particularly visible even from the middle rows. Even though most projects and plays are recorded with professional equipment from the close range (mostly for archive purposes), and for some plays you can even get the binoculars with no problem, it is impossible to rely solely on facial expressions.

And here's where costumes and choreography come into play.

So, the costumes...

From what I saw and read, I would say, we are introduced to this Onceler in a pretty interesting way.

At the time of his departure from home in search of a better fate, we are looking at a very ambitious young dreamer who just.. let's say, he doesn't fit into his original environment, neither by his character traits, nor by his ideas about inventions, nor visually. The visual clearly emphasizes this, and I got the impression that among all the green riot of chaotic colorful prints that prevail in his family's clothes, in his tailcoat he kinda looks like a "black sheep" among them, even despite the fact that he shares the same green aesthetic, but his design is not "too much" or hard to look at. In fact, we are still able to spot him even when he's surrounded by his family. According to this adaptation's background, their family is VERY poor, and all they own is an old mill(?) on which they all work tirelessly. Not a particularly wide space for revelry and elements symbolizing prosperity or luxury (yk, tailcoats are quite expensive), so to speak. Things were not going great for them, so perhaps such an expensive thing as a tailcoat in their conditions is some kind of a reference to the guitar of the 2012 version (for which, according to some information available on the web, the 2012 Onceler has been saving up for a long time). Perhaps (and most likely this guess will be more correct) our hero slept and saw himself in a completely different society - with a much higher and richer status [UPD: This guess was partially confirmed after i saw the script, so I will take this as canon. After all, in the stageplay, the young Onceler literally devotes an entire scene to the song about his dream of getting rich on his great idea], and perhaps he also believed that "clothes make the man" and planned searching for glory in the same outfit, I can't tell you for sure, but the fact is that visually he does not fit into his environment at all, he's "an oddball" with his head hovering somewhere in the clouds, and his clothes, among other things, help us draw a imaginary line which separates him from his surroundings and giving us a subconscious signal that he is just different. Not like them. We all faced rejection in one way or another, and we know what not being able to fit feels like, and it also kinda helps us to put ourselves in his shoes, feel his ambitions, and to start sympathizing with him as a character. [UPD: It works really well within the canons of this adaptation, I couldn't remain indifferent to it, and David Greig turned him into exactly that kind of beautifully written tragic deep character that I wanted to see, and at the end of his story, it broke my heart..in a good way, of course.]

Also, there's something really silly about how he looks at the start, he spots the funky striped fingerless gloves (Not the canon long ones, but still..That's a nice touch, every Onceler needs his gloves, and also it looks like he also has a watch on his left arm? Interesting..), some kind of a vintage green fedora, very fluffy green hair, green shirt and green pants with a slightly different "cold" color, brown suspenders and even a bright green neckerchief for some reason, so his green aesthetic is pretty much complete. Idk, his whole look during this phase kinda gives me the countryside vibes, maybe it was actualy intended? Especially considering what his family does for life?[UPD: It kinda was.]

Actually, he leaves the house just because his room and his bed is suddenly rented out for some pennies [UPD: Everything turned out to be much worse and funnier at the same time, he was literally kicked out by his family (You can literally feel their low expectations for him) just for them to take in a random person with "more reasonable ideas", but despite this, all his interactions with the "Bed-stealer" during the first act made me smile and giggle a lot, Small Ed is a great character addition and a pure comedic relief], and this probably becomes his last reason in favor of collecting all of his not very vast possessions and go seek his fate in the hopes that somewhere in this world there will be a better place for him.."

[trans-mephisto]

The somewhat popular theory that Lightning = Rin and why I personally don't buy it

(And my own theory)

So, quick disclaimer; this post isn't made with the intent of "ruining fun" or putting down other theorists in the fandom, but rather is simply me putting in my own two cents on a character. I'm very analytical and find this kind of thing fun! My essay is below the cut so I don't take up too much space in the fandom tag :]

Okay, starting with the reasons I really don't think Lewin is Rin from the future, which I've skimmed the manga to support my personal doubts.

First off, though they do share some similarities, Lewin and Rin still have distinct differences in their designs. One of the main things I took note of was the difference in their eye shapes. When his eyes are shown, Lightning has rounded eyes with small, thin irises, whereas Rin has angular eyes with larger irises. Examples below!

And these two images aren't far apart in chapters, so it's not anything like an art style change. Even so, eye shape is something that Kato doesn't really change drastically within her character designs.

Now, another thing is we actually see Lightning as a teenager during the whole flashback arc. He would be nineteen during this time, and we also have an image of Rin at eighteen (albeit in another timeline from the main one, but it generally doesn't matter). Though, again, kind of similar, there's still stark differences. The main ones again, being eye shape, Rin having round irises and Lewin having thin ones, and the fact Lewin is babyfaced compared to Rin having a slimmer face at nearly the same age.

Lastly, there's also their personalities. Lightning has always been mostly emotionless, intelligent, and analytical, whereas Rin at his core has always been very emotional, and no shade to Rin, has always been kind of stupid. Once again, they may have some similarities but their differences are more prevelant.

So, what gives? Who or what is Lewin?

Well, while thinking this over, I kind of stumbled across a character who I think is far more like Lightning personality-wise. Shiro Fujimoto.

There's many comparisons to be made between them, especially with younger Shiro. Perverted, tendencies towards violence, the fact they both generally don't seem to care till they're upset enough? Very similar. Although I definitely don't think they're one in the same, I do have suspicions that tie together as to why he's similar to Shiro, and to an extent, Rin and Yukio. And it's pretty simple.

They're related!

Now I don't mean anything like "Shiro's secret child" or "Rin or Yukio's child from the FUTURE" or anything like that, what I think is that he's simply the grandchild or a similar descendant to Azazel, and since Shiro was directly cloned from Azazel and Satan was also inhabiting an Azazel clone when Rin and Yukio were concieved, all the overlapping similarities make sense. And I have a TON of evidence to back this up.

First of all, Lewin has a very strong connection with demons to the point where it's often showed he has an easier time summoning them than any other tamer, even high-level entities.

For higher level demons, he doesn't have to finish the summon, and doesn't even need a verse in general for the low level demons.

Also, both these demon types are kin to Azazel.

Later on, we even learn that he has god-level demons (literally the gods of winds) as his familiars, and guess what? They're kin of Azazel.

So he has a very strong connection to Azazel's kin, and also Azazel himself.

During the Blue Night flashback, we see he was for some reason, a member of Azazel's group of Grigori represenatives.

Not just that, but he in general seems very close to Azazel. He mentions speaking to him, goes to visit him to calm down, calls him "old man" or "gramps", and when discovering Section 13's cloning secrets, at one point seems genuinely upset mentioning that the process of extracting Azazel's DNA probably led to his advanced crystalization. His soft spot for Azazel is obvious.

So in short, I do understand the connections Rin and Lewin share, and why it led to many people believing they were the same person. But after doing some digging, I believe the point was to hint at their relation and also draw parallels between his situation with Azazel and Rin's with Shiro.

Hope everyone enjoys reading my long-winded ramblings. :]

[heartlurch]

hai heart !! its me again , anon :3 have you got any so called au ideas of mystery n8 nene ?? nene’s name involves the number “8” , so of course people are theorising that she’ll become the 8th mystery. if so, the mystery of what ? 🤍

Hi again :0

I'm certainly aware of how Nene's name alludes to the number 8, since other characters have numbers correlating to their seat #. A maddening detail honestly... I will admit, it's not the sort of thing I can think of as an 'AU' so much as... 'There's this thing being foreshadowed that I have to brace myself for.' I've more or less just stared at this detail and felt helpless and confused lol. What is sensei trying to tell me!? <- I'm too busy thinking this and crying...

Beyond that, I can't really think of an 8th mystery the same as I would the others, too strugglesome. I mean, if we try and imagine it like 'we tack on No. 8 with the others' it would mean that a new seat could be created that doesn't previously exist. How... do you do that... But like, we don't know how the previous mysteries were made... Were there always 7?? If not, how do you add more, who decides(or decided) that? Would a rumor have to be made to make way for this mystery Nene-? Or could she manifest before having a rumor-?? Is being appointed just a matter of someone saying so, or is there more to it? (More prerequisites?) We don't even know what Sakura does when she appoints someone, and Tsukasa seems to exist outside of the system's typical conventions so I can't base too much on what he does with Mitsuba...

Each mystery seems to have jurisdiction over some, element, aspect of the world. But these concepts are as broad as 'time', 'life/death' and 'records'... While I like the story of JSHK and analyzing it is lots of fun, I feel like I cannot really simulate Iro-sensei's thought process— not enough to conceive of what an '8th Mystery' would dictate...

So... that's me being pedantic about a bunch of things. BUT... What I can tell you, that I've thought of on my own: I don't actually think Nene will 'become a mystery' in the manner we've seen... I think being "8" actually means she's something new, errr... rule-breaking? That's the vibe I get from her... I think Nene's existence is a bit of an anomaly. There are various things about her yet to be explained.

(MY SMALL ADDENDUM TO THIS is the fact that No. 7 already seems to operate differently than 1-6, so we already don't know enough about THAT guy... arghh.)

Why is Nene a kannagi? Aoi's family history explains her position, but somehow I doubt this is the case for Nene as well? So... where is her blessed nature coming from? And it's eerie, you know... how she meets Hanako just in time to be there to commence yorishiro, as the broadcast club orchestrates rumors. Why is that? What were they going to do if Hanako never got his hands on a kannagi...? Their goals are quite exact, with little room for error, aren't they... hm.

Nene has technically, from the twins' chronological perception, been interacting with them multiple times throughout their life. So her fate has been tied to the Yugi 'since the beginning' of this story... The cherry on top is the fact that her lifespan is inextricable from the existence of the mysterys' yorishiro. For whatever reason, if you get rid of all the mysteries, Nene will die. All I can infer from this is Nene's very existence is tied to that of the mysteries, so — I don't think she will become a part of the system, as much as she is already deeply involved in it? ...?? Perhaps she is already... No. 8? In SOME manner? You feel me??

My wife's even pointed out, it's troublesome Nene is already an isolated weird girl who gets whispered about in the halls... what 'rumors' exist of her already, we don't know. I wonder how blurred this line between human/kaii/mystery can be. There's no way to know, but... something to chew over. (The recent ASHK chapter showing an ominous dream that calls to question Nene's authenticity was designed to make me insane btw.)

Last thing I will say, prolly will seem out of nowhere but, my gut tells me Nene's existence... is tied to the well god, and Tsukasa. If the god inside Tsukasa / is the same god the mysteries are deriving power from / then Nene's lifespan is directly correlated to that god's power being unleashed (as the yorishiro/mysteries are simply a means of divying out these powers, controlling things like time, life, death, wishes, etc.)

It's my delusion but I'm holding out that all this information will kiss passionately someday. And-!!!!!!!!! Then I'll explode.

[tophattrio]

TOP HAT TRIO ARCHIVES: Part 1

Warden: Look at all this lovely art of us! We could fill a museum! Professor: There's so much it seems like we can't keep up... Once-ler: ..... Y'kno what guys? I'm gonna take a break...

((A small fraction of my old old old trio art, most of which has never seen the light of tumblr (under the cut)! None of this is colored. Some of this is pre-blog or just... REALLY early-era Trio art, so some of it is... dated. Also, as indicated by the top, this is part 1. Meaning there will probably be more, LOL...))

((I hope it's okay if I ramble some fun facts in the middle of this!))

We're gonna start off with this silly lil doodle of the lads! This was drawn during the era where I did my silly crossover drawings, before I mustered the courage to turn them into an askblog.

Based on the date, I must've drawn this next one while I was in the process of actually making the blog... potentially their original "profile" images? Or just a doodle I did to get me hyped...

As you can see, all the drawings so far are pencil and ink... that's because (if I remember correctly) this is when I was VERY new to computer tablets! I felt more confident in my traditional art so I would slap quick colors onto the back of a bunch of ink-drawn replies and make minor adjustments with the tablet. I remember being hesitant to switch to a fully digital style since I felt the sketchiness was almost part of the style of trio? But I've come to accept change is good! Everything post-Greed M!A is all (or mostly) digitally lined (with the occasional trad sketch), but if you look closely at the trio in this (and many other) early-day responses, you can definitely see the pencil marks!

Unposted Thneedville High Trio!!! I was SO obsessed with the Once-ler Askblog AU's back in the Once-ler Fandom's hayday... they were a lot of fun to observe on the side and I wanted to be part of that in my small way, but unfortunately, I was a coward so I never did LOL... I'm thinking this was drawn in February or March 2013...

And, something I drew on the same page, Truffula Flu Trio!!!! I think I briefly thought about making it (and thneedville high) a sideblog but I felt like I couldn't commit for multiple reasons: (1) AU hype was dying down a little, (2) It was a bit too serious a concept for Trio; I wanted to keep them lighthearted and silly (covers bad end with a hand). And (3) I was still doubting whether or not my blog counted as a Once-ler blog (being only 1/3 once-ler) and whether I was valid to participate in events. Eventually I got over that fear when I joined Camp Weehawken and participated in the fandom revival of 2015, but the fear was definitely there at the very beginning and I hesitated to jump in on some stuff because of it!!

These were some of my earliest (unanswered) asks! I think for a while I thought I accidentally deleted the Pinkie Pie one, but it mysteriously came back one day?? I don't plan to finish these but might as well get some closure since I already drew them. I had to look up which troll typing was the one being used here so I might be wrong, I know nothing about homestuck except chapter 1 and 2 and whatever I osmosis from my mutuals LOL...

Peacock was drawn before I knew anything about Skullgirls...... within the past few years I recently watched her gameplay/storyline! She's defs a fun character. Trio are probs neutral about her. I'm not confident enough to do anything major with her, but I would love to cameo her more!

I got a few asks / M!A's about genderbent versions of the trio back in early 2013 and these were my doodles for that. The designs were based off of different designs floating around tumblr at the time that I liked. I'm not interested in doing this M!A anymore, but the dresses are cute!

Some glasses shenanigans I never posted for some reason?? (For reference: (1) (2) (3) (4).) It's silly stuff like this that make me realize Trio!Professor is a little bit like "Cheerful Mystery" Professor but like... waaaaay more tame HAHA (I never read the manga back then because I was upset they made Layton OOC, but from what I've seen he's... a lot more chaotic there). Which, ykno, good chance explains why Trio!Professor stays sane around Once-ler and Warden and their wacky selves.

Some wardlers and layclaires!! Also a few super old things I doodled out for Lovestruck M!A part 2 (including warden being a perv and oncie being flustered and confused, LMAO) but... idk if I have the energy to commit to it at the moment... partially bc thinking about getting an influx of shippy-type asks gets me overwhelmed and idk if I can commit to another magic anon all my magic anons manage to kill the blog somehow 😭, but ykno... saving the anons in my inbox in case I change my mind... Love these guys dearly regardless,,, <3

Some doodles of Layton and his rivals!! I think someone sent a small "Descole takes over the blog" M!A (hence the itty bitty chibi head LMAOO) but (again) I don't have the energy to commit to anything but vanilla THT right now. I still thought the idea was fun enough to draw out and anticipate in advance! If I change my mind y'all will know about it...

My first drawing of Wilson from Don't Starve!! I didn't even play Don't Starve at the time, but I wanted to do research if I was going to properly execute the magic anon and I fell in love with him immediately. Unfortunately he (and his game) became my new brainrot and I still feel really bad about that LAUGHS, but hey! Was worth it! Maybe someday I'll redo trio mods for DST...

I may have him cameo again, but potentially after his character update in Don't Starve Together eventually drops, of course, :3 chants give us lore lore loRE LORE-

Aaaaaand that's all I'm gonna show for now... until next time everyone!

PART 1 (you are here!) || PART 2 (TBA) || PART 3 (TBA) || …

[coratorium]

wrt last reblog its actually so funny to me how overwatch kind of fucked themselves by trying to have their cake and eat it too and in the process made the characters into like, tools to be wielded instead of classes that fill roles.

like to try and elaborate on this (and this is why im making this my own post instead of going off on a tangent on someone elses post), overwatch has hero switching. as of [current date] there are somewhere between 20 and 200 heroes in the game and any time you are in your spawn room you can swap to any of them within your role that your team doesn't already have.

so this means that when dps hero A is hard countered by hero B, who is countered by hero C, one team is going to play hero A until a B appears on the enemy team, at which point the A player is going to swap to C, and then the B player will die and swap to whatever counters C, etc.

the maps are compact, the respawn timers are short, mobility is high. you have time to respawn on the counterpick and get back in the fight and make a difference. so, if you want to get past a certain rank of play, you have to learn how to hero switch- onetricking a single hero stops being viable. you need to know how to play not just one dps character, but all the dps characters, or at least the ones that are relevant counters to the things that check your preferred hero.

this is in contrast to something like a MOBA, which overwatch obviously borrowed a lot of design ideas from. in a moba you're (usually) stuck on the same character for the entire match. hero B being added to the game has no effect on a match where they're not one of the 10 characters picked. in contrast in overwatch hero B existing can prevent hero A from being used at all, just because the hero A player knows that the second they try to do anything they'll just get countered. and in that way the heroes can affect the way a match is played without ever even making an appearance.

then of course we've got tf2 which made so little of an attempt at balancing for 6v6 play that without player imposed restrictions most 6v6 matches would just be like, 2 medics and 4 demomen.

i'm exaggerating a bit- maybe it wouldn't be that bad- but the design philosophy is just completely different. 6s maps tend to be pretty big. respawn timers are way longer. not every class in tf2 is relevant for 6s. a lot of them are EXTREMELY niche. you're not going to see a 6s team swapping to heavy unless they're desperate to defend a choke in a relatively close quarters environment. if you try to run a heavy for the entire match, you're just going to get flattened- he gets counterpicked out of general relevance the same way overwatch hero A does.

tf2's response to this was not to try and make spy have the same level of impact on the game as the scout and soldier, but to just design an alternate competitive mode where each team has 1 of each class, and then those classes have to find ways to try and make themselves as useful as possible instead of competing to get playtime. the spy immediately becomes more useful in highlander than he does in 6s because the enemy team is guaranteed to have an engineer and a sniper for him to fuck with. the pyro in turn is also more useful, because they have an engineer to protect, an enemy spy to check for, etc. the classes get to exist in a mode where they are interacting with every class on their own team and on the enemy team in every match.

i don't think the differences in design philosophy are inherently good or bad or anything, to be clear. i just think it's interesting.

ok, overwatch hero pool bloat is maybe a little inherently bad, and the most fun i ever had in that game was in the modes where you were locked to one team comp and had to play around that fact. but still.

[auranova26]

Mei-Ling Design Notes and Inspiration 1/2

Unlike her younger twin, Mei-Ling actually went through a large degree of changes compared to both versions of her design in the main timeline. Honestly, went through a large degree of some research and thought to get to the current design that I now have for Mei-Ling. I hope you find some of these notes interesting and fun to read.

I say two designs, but technically Mei-Ling has like 3 designs: Vampire Hunter, the Darkstalkers OVA, and Vampire Savior. Really sad the only full body look of her VHunter design is literally her sprite. The illustration of her Hunter design from one of the covers of a Street Fighter vs. Darkstalkers comic by Udon is quite the beautiful pin up shot, but makes the mistake of giving her the bracelets she has as part of VSAV design. Oops.

Her design is honestly not that different in the OVA compared to her VHunter design. Only big differences are the color of her clothes under her robes, her pants being a different color, the main color of her robe being a defined orange color, and how her hat is both taller and is both orange and yellow. Actually, sounds like a lot really, but design of the clothes themselves are not that different.

Her VSAV design is a general overhaul of the Hunter design. I can only imagine the reason that was done is because they had to animate her for the 'Detached Souls' Dark Force and it might have been a major pain in the ass to animate her robe and sleeves. It isn't bad, but I hate the hat and prefer her robe being open rather than closed. It is genuinely surprising that despite being a non-playable character, the team gave her a different design. A nice consolation.

OH RIGHT, I need to talk about what my thought process was. Sorry, just needed to note all the interesting design things regarding her different designs. So, I generally have stuck with the design she had in VHunter as I just prefer it more compared to her VSAV design. I might have given a jab to the artist who made that pin up of her for that Udon comic. Let me retract that cause I did basically the same thing when I first started drawing her back in 2020. Tweaked the colors here and there to my liking and made her sleeves not as large, but generally the same idea.

Later on, added a little detail on her clothes that I saw an artist by the name of Murai do with her interpretation. This won't be the last I will bring up this artist, hoo boi.

At one point, I changed the sash around Mei-Ling's waste to be an Obi Sash as to make things easier for me.

Around mid 2021, when I was getting more serious about my Cryas Darkstalkers mythos and even further with my love and obsession with the Shao sisters, I went about the process of giving them a makeover, truly trying to give them distinct enough designs. While Hsien-Ko was not too different as her core design was basically near perfect, there was a lot of room for change for Mei-Ling. I mean hell, she had different official designs anyway, what is stopping me from going ham. I mean hecc, look at this concept sketch when they were considering her design change from VHunter to VSAV. Quite a bit of thought. However, I wanted to go further.

Since I wanted to flesh out the sisters, I went about thinking about their potential heritage, the time period they were alive in during the Qing Dynasty, women's fashion at the time for the potential social status they could have been in at the time, the occupation they were training for, and the fact that…well they are Chinese. Since Mei-Ling gives the vibe of being very into her culture and wanting to maintain it, I wanted her clothing to both show off her heritage and her role as a Xianshushi Mystic. Hsien-Ko is said to be more 'modern' in her mannerisms compared to her older twin, so why not have Mei-Ling be more traditional. The first thing to get us on track is to start at the beginning. Mei-Ling and Hsien-Ko were born in 1730 in China during the Qing Dynasty period. In my research and with corroboration with a friend of mine, I decided that the Shao sisters would be a mix of Han and Manchu, two ethnic groups that were the most prevalent at the time period. Their mother was Manchu while their father was Han. However, since their father was killed before they were born, they were more influenced in the ways of the Manchu people as they grew up. The Shao family in themselves are not among the imperial courts or the elite. However, because they have provided a great service over the centuries, they are given more leniency and not treated like the common folk. Plus, with eventually being trained to become Xiānshù warriors as their mother saw great potential in them, that helped to influence them as well.

To start with, let us begin with the robe. So, to my understanding in the main timeline Mei-Ling was generally based on the idea of Daoist priest attire. Doing some searches, jiangshi films did feature such priest like characters with that general idea, even with the color. However, I wanted to do a bit more looking. In my search, the open robe design that her VHunter and my design go with is something referred to a beizi (褙子).

Some parts of Daoism do have their priest having an open robe design, but also the beizi in general was a form of wear that the Chinese people did wear.

It was around during the time of the Qing Dynasty and according to Wikipedia, it was something that was dominant among the Han women of the time. A nice way to acknowledge her Han roots. Yellow doesn't seem to be really a thing with actual Daoist priests' attire, but it just fits Mei-Ling so well, I stuck with that color. While the beizi is prominent with having long sleeves, I decided to trim it down enough to where it ends past her elbow, kinda like her VSAV robe's sleeve length. Ey, giving some credit to that design. As for the trimming, this card I came across showed it in a neat way where it is actually not just flat but has some dimension to it. I liked that and went with it, along with the idea of the trimming being orange.

The hat is loosely based on a hat known as a guānjīn, shown on the far left of this image.

The main timeline version was certainly not one to one about it. But honestly, I like the stylized, simpler idea, so I used that as a base. I took a lot of observations and notes from the way the OVA hat is drawn. However, I just prefer the hat to be one color, so I stuck with yellow. I liked the yin-yang symbol as well, so kept that too.

Another minor detail about Mei-Ling's beizi are these almost padded looking pieces of cloth that follow her trapezius to around the middle of her shoulder. Honestly, I just made them up. These concept sketches I made show me coming up with the idea as I was thinking of her design. It just looks cool and neat.

On to the garment underneath.

With the Shao sisters also being Manchu, this is where some of the influence kicks in. The Manchu wore a set of clothing known as 旗裝 (qízhuāng). The specific kind that the sisters wear falls under something known as Bianfu (便服). Mei-Ling's bianfu is stylized to be a robe that is the length of a magua.

The sleeves are loose and long enough to reach her wrists. The main part of the robe is rich red color while having trimmings and a collar of a lavender color. Contrasts nicely against her beizi.

You may be curious what is going on with the cloth around her waist. Honestly, it was only put there mostly to help solve an issue I had with Mei-Ling's design: the bagua mirror. So, in this shot from the OVA, it is held up by a set of straps.

Ok, fair enough. But the issue is that nothing from the front suggest that those straps even exist. The mirror may as well just be magnetically attached to her a la video game style. In my concept phase, I was wondering what to do. One thing I did notice that was really cool was from the story 'Monsters and the Secret of Immortality'.

Granted, the design of Mei-Ling in that story is wildly different from any incarnation of Mei-Ling, but it presented a neat idea: her mirror was holstered at her waist. Not only that, but it did also look a lot more like a bagua mirror in its design. The mirror's design in this story set the base for how I design the mirror, though I only have two rows rather than the typical three. However, she is wearing attire that doesn't really fit with either her Han or Manchu roots, so I needed to come up with something more fitting to her culture. In my research, I did stumble on something that fascinated me.

What you see is not the original image that inspired me, but still illustrates the idea. Cloth at the waist held in place by a ribbon. I honestly don't know if that idea of garment has a name, but it struck a chord: Have the mirror hang around her waist.

Unlike any official design of Mei-Ling and to differentiate herself from Hsien-Ko, I decided to switch from the baggy trousers to a more straight cut pair. Looks nice and smooth and still goes along with the kind of trousers they wore in that time era. The color I chose just honestly meshed well with her bianfu, plus is warm compared the cool colors of the trim of her bianfu.

While the wristbands she has for her VSAV design are cool looking, something about them just doesn't mesh well with what Mei-Ling is supposed to be. While yes, she is a weapon master (and likely taught Hsien-Ko all she knew about weapons), she is presented more as the mystic of the duo. They look rough and tough. Honestly, would look better on Hsien-Ko in all honestly since she is in the thick of battle. However, I still wanted her to have something at her wrist. I chose to go with a simple orange jewel bead wristband. Simple and elegant for her.

So, if the mirror was moved to hanging around her waist, is there nothing at her back? For a while, there wasn't anything. But eventually, the idea of putting some kind of design back there did come to mind. Eventually, I landed on this design.

Her ref sheet goes into to detail about it, but to put it simply dragons have a big thing with their family considering their mother upon using the Art of Unusual Transformation turned into one. According to what I found via searching Japanese sources, primarily the Japanese Wikipedia entry for Hsien-Ko, there is mention of their mother transforming into a golden dragon. That is very cool since the OVA and a few anthology stories show this.

Mei-Ling's official hairstyle is best described as a bob cut. I went with the OVA as a general base, but slowly overtime adjusted it.

On both sides of her hair and near her hairline, there are these basically fangs. Despite her being more human in appearance, I thought it was still a nice idea to subtlety add some mildly wild elements to her since she is non-human. A bit crazier are these two pincer locks of hair. Honestly, I just took what was already part of her official design and exaggerated it into something cool. For some asymmetry, one is larger than the other. As for the general shape of her hair, I did fan it out more for volume as to make her hair different from her human form.

Mei-Ling's general body shape. Honestly, besides making her distinct from Hsien-Ko as they are both fraternal twins, I just wanted to really make her unbelievably beautiful. In a way, considering hardly anyone gives her the time of day because she is non playable, I just like the idea that she is actually very voluptuous and gorgeous. So that is why she has the general proportions she has. I wouldn't say she is skinny or the typical anime proportions: She is just fit, well endowed, and curvy. Among the Cryas DS cast, the only character that is around her breast and butt size is Felicia. As for why she also has tone to some parts of her body, the fact is she was conceptualized with that as you can see with this concept sketch of her official design. Mei-Ling has just about everything going for her in terms of looks.

Whenever she has appeared in games or media, Mei-Ling has had a multitude of different eye colors. I personally just stuck with green, like the OVA did. Green just looks nice on her, really makes her face mesmerizing. Specifically, I wanted the shades of her eyes to be more of like jade.

For now, will need to end things here for the first part of this design blog as I have used the permitted 30 images for a blog and the last bits require more images to explain things. So be sure to head to part 2, the final part right here:

[otakween]

Digimon Adventure 02 (Blind Watch) - Episode 50

Eh...I really didn't need a "babies ever after" ending for this story. This episode honestly felt kind of lazy to me, which is a shame. It didn't hit me in the feels like season 1 did and the animation looked pretty rough at times. I can excuse choppy animation mid-season, but for the finale?

Oh well. It was neat to see the time skip designs even though they're kinda bad lol. Now how much of this is gonna get retconned...

Digimon introduced: Pipimon

Notes:

-This episode honestly flew by. It felt like they wrapped up the final boss battle in 2 seconds, which I was actually relieved by. I wanted to get to the juicy epilogue part.

-I appreciated the call back to the international digi-destined. It was nice that they got to contribute again (also makes kids in the audience feel like they could be part of this)

-All of the kids joining together and the glowing lights gave me real Avengers: Endgame vibes lol (people act like the Avengers scene was so special but it's clearly been done in a lot of stuff).

-They went from "you don't need a digimon to be special" to "everybody gets a digimon!!" which felt kinda awkward. Sooo many questions about the "everyone gets a partner now" concept. Is it just kids? What if you don't want a partner? Do they mostly hang out in the digital world or just follow you everywhere? etc.

-Imperialdramon used an attack called "Giga death" which definitely doesn't sound like a good guy attack lol. (Unsurprisingly they changed this in the dub).

-Tailmon finally gets her ring back which I guess means no more jogress evolution. Do they give up some kind of evolution at the end of every season?

-It kind of bugged me when they were like "that world you were in was a world where your emotions are manifested into reality...actually the digital world does that too...and the dark world." Huh? So there's no difference between the worlds then? (At least not according to THAT explanation!)

-Oikawa's partner's name is Pipimon...PIPIMON. Imagine being minutes from death and the last thing you see is Pipimon lol. I can't.

-Most of the jobs the kids ended up with felt like they were foreshadowed except for Daisuke and Yamato. They lampshaded the fact that Daisuke's dream to become a ramen shop owner came out of nowhere but Yamato as an astronaut!? When has he ever shown the slightest interest in science? Ah well...people change

-So Takeru was narrating the show all along. I actually kind of like his adult look, but that mullet is awful...

-The children's designs are...fine, but some of them are WAY too identical to their parents. It also really bugs me that they all have the same digimon partners as their parents. What, are digimon partners hereditary or something??

-So Ken and Miyako are married but...everyone else? They didn't say! So I guess that's the only in-group partnership? While I was trying to process things I kinda thought Yamato and Taichi were a gay couple for a second there. (Just kidding, I double checked and Yamato and Sora are together too).

Digimon Adventure 02 was...fine. A fine C+/B- anime. I felt very few strong emotions to this season or its characters, but it was a fun ride. I definitely feel like the first season had a little more oomph to it, but I wouldn't say it was much better. This season was just a teensy step down. Onto the movies!

[acircusfullofdemons]

PARAMAY DAY 13 (CREATION)

*inhales* oh boy, here we go…

Claypso was created on January 12, 2018, the day/day after I had seen the movie “The Greatest Showman”. It Unlocked something in my brain because the MOMENT I got home I pulled up Pinterest & started looking for inspo to make a Cool New ~*Self Insert OC*~. I can't really remember my exact thought process (who knows wtf 14yo Luka was on) BUT I do know I specifically made Calypso to represent "me". I would then joke for the next 2ish years on how, despite this, I made Calypso a boy when I identified as a Cis Girl. Idk I just find that fact so funny now that I’m nonbinary. (In the same vein, I also made him confident/proud of his bisexuality when I still had no clue if I was bi or not. We love projecting onto our own ocs/paras <3).

Calypso is the parame I remember actively making, thinking, "this Character is me but runs a circus" (I had just seen The Greatest Showman so inspo was strong there lol). Which is funny, because if you look at Cali, then look at me, I don't think you'd think/realize that?? His personality is very much…the opposite of mine lol. I am not a super cool extrovert that has multiple friend groups and goes on odd adventures. I’m on tumblr participating in a month-long oc challenge. Clearly something went wrong /j.

Uh. I made him at a time when I was questioning if I was Bi or not (I mean i was a freshman/starting highschool. Do any of us know who we truly are then?) so I kinda projected that into him??? In all honesty I feel like he should fall somewhere on the aro spectrum as well, since I'm aro & that's important to me, but I want it to evolve naturally if it at all happens so I won't entertain the idea just yet.

Funny enough, homeboy has always been a homeboy. Er, what I mean by that is, even tho I made him based off of me/representing me, having him be a (cis) male was one of my first decisions for him. At the time I wasn't 100% sure why, maybe I was influenced by the movie, which had Hugh Jackman star/play as PT Barnum, both males. But uh *looks @ nonbinary flag* I think there's a reason why now. Also part of the reason he's so feminine / """girly""" I guess. Tbh I probably projected into him a lot more than I realize (coughdaddyissuescough) but he is my parame & started out as a paraself, so it's fair.

Oh wow I haven’t even gotten into the original version of his story yet. It’s honestly not that different from how it is now, with a few minor differences. Originally, he was just the circus’ ringleader and died trying to save Clairette from a lion attack. The time loop was because he was the son of Persephone and Morpheus (yes..the greek gods…they were a thing in this once) so I think Persephone allowed him to be a Poltergeist?? OH and Macbeth was his half brother which made their relationship kind of sad because Cali genuinely wanted a sibling relationship but Macbeth just wanted him dead (Macbeth is a Reaper and his job is to collect Souls Cali is literally a lost soul do u see the problem here).

The VR stuff was always canon (except for that brief period of time where I got insecure and it wasn’t and everything was just their normal life which made things less confusing but also there was literally no plot lmao). Idk what else to say uhm fun facts: 

His default playlist is a little over 8hrs long and is currently the longest playlist I have on Spotify (that I listen to. My instrumental playlist is a little longer but tbh I rarely touch it).

He used to have gold eyes. They were quickly changed to blue and got shifted into the turquoise they are now! In addition to that, his first design used to have him wearing an actual ringleader outfit. He also used to have black hair, then light purple, and finally the dark purple it is now. In total he’s been through roughly 7-8 redesigns.

Cali is combined with a previous character, Anthony Morningstar. Anthony was inspired by Pride!Roman (an AU of Roman Sanders from the webseries “Sanders Sides”) and is the reason Calypso is now a prince! I scrapped Anthony because I had no idea what to do with his character and felt like him & Cali were too similar to really justify them being different people.

The tarot cards that represent him are “The Magician” and “Page of Wands”.

“A Million Dreams” from The Greatest Showman is his theme song.

....this is all probably Too Much. hm. have the first drawing of Cali I ever did (it is from 2018 😞)