#futamura

[zanimljivaekonomija]

Ambipak konferencija 2022 održana u Privrednoj komori Srbije 4. oktobra

Sa ciljem da istakne ambalažu kao deo rešenja za očuivanje životne sredine, i ukaže na ista, u organizaciji portala Ambipak magazin, uz institucionalnu podršku Privredne komore Srbije – Udruženja za hemijsku, gumarsku i industriju nemetala i Centra za cirkularnu ekonomiju, u Privrednoj komori Srbije, juče je održana druga po redu Ambipak konferencija „Ambalaža po meri prirode i održivog razvoja“. Depozitni sistem, odgovornost društva, privrede i sistema, tehnologije za proizvodnju plastične ambalaže, komostabilna ambalaža, samo su neke od tema o kojima se razgovaralo na konferenciji koja je privukla veliki broj učesnika kao i posetilaca, a gosti iz inostranstva dali su dodatni kredibilitet događaju. I Irena Lalić, osnivač i urednica portala Ambipak magazine, na početku skupa iskazala je zadovoljstvo zbog interesovanja koje su za teme konferencije iskazale brojne kompanije, posebno se zahvalivši inostranim učesnicima. U uvodom delu konferencije, prisutnima su se obratili i Mirjana Balog Kormanjoš, viša savetnica u Udruženju za hemijsku, gumarsku i industriju nemetala Privredne komore Srbije, i Siniša Mitrović, direktor Centra za Cirkularnu ekonomiju Privredne komore Srbije. Mirjana Balog je istakla da se „preko 60% proizvoda pakuje u plastičnu ambalažu, koja kao i svaka druga ambalaža, velikim delom završi u otpadu, istakavši da je veliki izazov napraviti ambalažu koja je „po meri prirode“.

Prvi deo konferencije bio je posvećen predstavljanju najnovijih svetskih postignuća u kompostabilnoj i biorazgradivoj ambalaži, a priliku da započnu programski deo imali su predstavnici globalne kompanije Futamura, osnovane u Japanu. Iz Londona se prisutnima obratila Amaia Cowan, menadžerka razvoja za Evropu, Srednji Istok i Afriku koja je ukratko predstavila Futamuru kao i konkretne primere primene kompostabilne ambalaže. Wolfgang Zimmerer, predstavnik kompanije za Evropu, istakao je da Futamura već sarađuje sa kompanijama iz Srbije (Maropack), ali da se proizvodi uglavnom distribuiraju dalje, van Srbije, nadajući se da će postepeno i naše tržište biti u mogućnosti da primenjuje najsavremenije ambalažne materijale iz Futamura asortimana.

Direktor razvoja Smurfit Kappa Avala Ada, Nikola Marinković, predstavio je najnovija ambalažna rešenja iz ove grupacije, nastala u beogradskoj fabrici, koja smanjuju količinu upotrebljenog materijala. Jovana Grozdanović, ispred niške kompanije Cartoflex, ukazala je na potrebu da se podigne svest kompletnog društva o reciklaži i ekologiji i tom prilikom predstavila potencijal  kartonskog saća u izradi ambalaže i zaštiti proizvoda od oštećenja.

Predrag Todorović, mandžer razvoja za brend Frosch za naš region, izneo je kratki case stady ovog brenda, koji svoj koncept zasniva na ekološkom principu i cirkularnosti.

Erik Hrvatin, predstavnik kompanije Novamont, koja sa italijanskim komunalnim preduzećem učestvuje u izgradnji kompostane u Gornjem Milanovcu izjavio je u kratkom intervjuu da je ovaj projekat trenutno u fazi čekanja sredstava za početak izgradnje.

Drugi deo konferencije bio je posveće temama odgovornosti za očuvanje životne sredine i upravljanje ambalažnog otpada, čemu su bili posvećena tri panela i samostalne prezentacije Ane Vovk, ispred Coca-Cola HBC i Doinite Mihai, predstavnice norveške kompanije Tomra System, proizvođača reciklomata za povrat ambalaže. „Svaki resurs se računa i može biti ponovo iskorišćen“ – poruka je prezentacije Doinite Mihai. Ana Vovk je istakla da multifunkcionalni tim Coca-Cole radi na kreiranju ambalaže koja smanjuje smanjuje upotrebu ambalažnih materijala i zameni postojećih održivijim materijalima, izdvojiviši bio-based pakovanje koje smanjuje emisiju CO2.

Učesnici panela „Kako inovativne tehnologije i mašine u industriji plastične ambalaže podržavaju cirkularnu ekonomiju?“ objasnili su kako „pamente mašine“ za proizvodnju u skladu sa razvojem tehnologija i nauke  u sinergiji sa proizvođačima mogu da doprinesu održivosti, ekologiji i cirkularnosti ambalaže. Plastiku nikaka nećemo izbaciti iz upotrebe i jedini način je da smnjimo njenu upotrebu i što više recikliramo – poruka je prof. dr Branke Pilić sa Tehnološkog fakulteta Univerziteta Novi Sad. Bojana Perić, direktor jednog od najvećih nacionalnih operatera ambalažnoig otpada Ekostar Pak istakla je da je potrebno da država i privreda imaju isti cilj  da zajednički rade na uspostavljanju sistema za pre svega, primarnu selekciju ambalažnoag otpada kao i reciklažu. „Potrebno je i da građani imaju dostupnost infrastrukturi za reciklažu i odlaganje ambalažnog otpada“, rekla je Milica Milanović iz kompanije Nestle Srbija. Na panelu „Planeta nas poziva na odgovornost“ učestvovali su i Nikola Marinković Smurfit Kappa, i Jelena Petljanski Kiš, Ball Packagaing Europe i Siniša Mitrović kao moderator.

Depozitni sistem u Srbiji mogao bi biti uveden u najranije 2025. godine – zaključak je panela „Depozitni sistem kao instrument za održivi razvoj i cirkularnu ekonomiju“. Najbolji model primene depozitnog sistema je  da kupac vraća ambalažu tamo gde je i kupio proizvod –  istakla je Donita Mihai, potpredsednicu javnih poslova za Južnu i Istočnu Evropu norveške kompanije Tomra Systems, dok je Klara Halova iz kompanije Mattoni 1873, napomenula da su eko-dizajn i sistem prikupljanja ambalaže najvažniji u procesu reciklaže PET ambalaže za piće.

Konferencija je završena panelom „Šta je novo u Srbiji?“ na kojem su inovacije koje spremaju srpske startu ap kompanije predstavili Marina Cvijanović, direktor Eko Bio Investa i Nikola Stanojević, White Lemur (Biosporin), a učestvovali su i Milan Grozdanović, dir, Cartoflex, Niš, i Gordana Vraštanović-Pavićević, spec. sanitarne hemije, koja ja ukaza na potencijalne probleme kada se radi o upotrebi novih materijala kao i recikliranih kada se radi o njihovom kontaktu sa hranom i otvorila put novim temama za naredne događaje.

Izvor: ambalazaipakovanje.com

Fotografije: Momčilo Karan

[white-cat-of-doom]

A few additional photos from closing night in Shizuoka yesterday.

Featured are Junpei Wakebe as Munkustrap, Kazuki Morita as Gilbert, Masatoshi Futamura as Chorus Macavity, and Masaru Kitamura as Rum Tum Tugger.

23 September 2024.

Toma Masaki as Asparagus, Haruka Yamazaki as Bombalurina, Shuichi Kawazu as Carbucketty, Eiko Kataoka as Cassandra, Yujin Haga as Coricopat, Marina Tada as Demeter, Kazuki Morita as Gilbert, Miki Kanehara as Grizabella, Ayaka Yoshida as Jellylorum, Mayumi Fujita as Jemima, Namiko Hanada as Jennyanydots, Masatoshi Futamura as Chorus Macavity, Shun Kuwahara as Mistoffelees, Ryudo Tsutaki as Mungojerrie, Junpei Wakebe as Munkustrap, Seiji Hashimoto as Old Deuteronomy, Masaru Kitamura as Rum Tum Tugger, Ayu Shimizu as Rumpleteazer, Shoyo Kamitani as Rumpus Cat, Fumina Yamanashi as Sillabub, Neo Oi as Skimbleshanks, Naomi Takada as Tantomile, TaeSun Kang as Tumblebrutus, and Erii Kojima as Victoria.

[kevkebus-subh]

Photo : https://www.instagram.com/yukiko_futamura/

[ksmutau]

I made!!! An UTAU cover!!! of the Quirky Medley!!! from Project Diva X!!! With my utaus!!! Seiko, Seto and Tomoki!!! https://youtu.be/KRc-X6g3_Qc?si=puj7Azkwt5ZrYqXF !!!

[idolsgeneration]

[moviemosaics]

Genius Party

directed by Atsuko Fukushima, Shōji Kawamori, Shinji Kimura, Yōji Fukuyama, Hideki Futamura, Masaaki Yuasa, and Shinichirō Watanabe, 2007

[mybeingthere]

Yoshimi Futamara was born in Nagoya in 1959.

She studied ceramics at the School of Ceramic Art in Japan in Seto from 1979 to 1981. She graduated from the Center artisanal de Ceramique at the Duperré school in Paris in 1994. Two years later, she opened her workshop in Paris where she has lived and worked since 1986.

« I was born and I got my ceramic education in Japan. This background evidently influences my work. The beautiful transitions of the four seasons, the fruits they bring to the archipelago and sometimes the fear of natural disasters. Life is greatly related to nature in Japan, and we learn to respect it. Now for over thirty years, I’ve been living in Paris. Here, when I find even a small leaf on the street of this big city, nature continues to give me inspiration for my work

And I never forget to pray when I close the door of my kiln…»

Yoshimi Futamura

"Yoshimi Futamura’s intuitive understanding of the matter comes from her childhood spent in Nagoya, and then from her meeting with the Masters of the Seto Centre. In no time, thanks to the tea ceremony, she discovered the link between ceramics and the practice of the art of living.

Her sculptural forms, which begin as tubes partially formed on the wheel that are then manipulated by hand from the inside out, seem to swell and collapse before ones eyes, while an innovative mixture of clays gives her award-winning works uniquely textured surfaces reminiscent of charred firewood or rocks. Profoundly impacted by the devastating 2011 earthquake and tsunami in her native Japan, Futamura’s recent work explores notions of impermanence and natural disaster." Artsmia.com

[catherine-white]

Yoshimi Futamura

catching the spirit of the clay

[miragestation]

Mirage Station playlist for August 16th, 2023

淡谷のり子 Noriko Awaya

1. あこがれのカロライナ Akogare no Carolina (Crying for the Carolina) 1935

2. やるせなや Yarusenaya (Two Guitars) 1931

3. 待ちましょう Machimasho (J'attendrai) 1940

4. 恋の月 Koi no tsuki 1933

5. 唄わなん恋の唄 Utawanan koi no uta (While Hearts Are Singing) 1931

6. 二人の夢 Futari no yume 1932

7. 別れのブルース Wakare no Blues 1937

8. 暗い日曜日 Kurai Nichiyobi (Gloomy Sunday) 1936

9. あきれたぼういず Akireta Boys 村の防護團 Mura no bougodan (Self-defence Force of the Village)

10. 川田晴久とダイナブラザース Kawata Haruhisa & Dinah Brothers 新々八木節 Shin-shin-Yagibushi

11. 二村定一 Teiichi Futamura 浅草おけさ Asakusa okesa 12. 川畑文子 Kawabata Fumiko 上海リル Shanghi Lil

[ttt4527]

3月26日の現場

明日4/22はAAIC開会式・表彰式

明後日/23は目隠し食育陶芸体験

に伺いまーす。

「清流の国ぎふ芸術祭

Art Award IN THE CUBE 2023」

4/22〜6/18 岐阜県美術館で展示されます

https://art-award-gifu.jp/

https://www.pref.gifu.lg.jp/site/pressrelease/255592.html

上記の展示会では陶芸作品を一切展示しません近年、私は作品を生み出すだけではなく「みる　みせる　みえる　」そんな事を視覚だけではなく、全身の感覚に伝えられたら幸せだなと思っていて(烏滸がましいですが)試行錯誤している事を展示します。

@AAIC

#AACI

#セロテープ

#セロハンテープ

#CUBE

#岐阜県美術館

#ニチバン

#nichiban

#フタムラ

#futamura

#目隠し食育陶芸体験

#目隠し

#食育

#陶芸体験

#ws

[linguistlist-blog]

Calls: 19th International Pragmatics Conference - "Social Interaction in East Asian Hospitality Establishments"

Call for Papers: We invite contributions to the following panel at the 19th International Pragmatics Conference: Social Interaction in East Asian Hospitality Establishments (Organised by Todd Allen, Andrew Barke, Momoyo Shimazu - Kansai University) Hospitality establishments in East Asia (e.g., izakayas, tea houses, and local bars) serve as vibrant hubs of social activities, ranging from daily transactions to meaningful personal interactions (Futamura & Sugiyama, 2018). These spaces hold sign http://dlvr.it/TBrnly

[white-cat-of-doom]

An opening night celebration for the Japanese cast in Shizuoka yesterday, 17 July 2024.

They will be in the city until the third week of September before moving to Hiroshima.

Maku Hiura as Asparagus/Growltiger, Haruka Yamazaki as Bombalurina, Shuichi Kawazu as Carbucketty, Eiko Kataoka as Cassandra, Mizuki Omori as Chorus Tugger, Yujin Haga as Coricopat, Marina Tada as Demeter, Akira Goto as Gilbert, Miki Kanehara as Grizabella, Yuzuki Miyokawa as Jellylorum, Mayumi Fujita as Jemima, Namiko Hanada as Jennyanydots, Masatoshi Futamura as Chorus Macavity, Shu Oshida as Mistoffelees, Ryudo Tsutaki as Mungojerrie, Junpei Wakebe as Munkustrap, Osamu Takai and Old Deuteronomy, Ayu Shimizu as Rumpleteazer, Shoyo Kamitani as Rumpus Cat, Yuzumi Shibamoto as Sillabub, Neo Oi as Skimbleshanks, Naomi Takada as Tantomile, TaeSun Kang as Tumblebrutus, and Hitomi Sekino as Victoria.

[babyprincegladiator]

Carbón activado, previsión del tamaño del mercado mundial, clasificación y cuota de mercado de las 24 principales empresas

Según el nuevo informe de investigación de mercado “Informe del Mercado Global del Carbón activado 2024-2030”, publicado por QYResearch, se prevé que el tamaño del mercado mundial del Carbón activado alcance 5.49 mil millones de USD en 2030, con una tasa de crecimiento anual constante del 1.2% durante el período de previsión.

Figure 1. Tamaño del mercado de Carbón activado global (US$ Millión), 2019-2030

Figure 2. Clasificación y cuota de mercado de las 24 principales entidades globales de Carbón activado (la clasificación se basa en los ingresos de 2023, actualizados continuamente)

Según QYResearch, los principales fabricantes mundiales de Carbón activado incluyen Ingevity Corporation, Kuraray, Osaka Gas Chemicals, Fujian Yuanli Active Carbon, Norit, Haycarb, Arq, Inc, Donau Carbon, Futamura Chemical, Core Carbons, etc. En 2023, las diez principales entidades mundiales tenían una cuota de aproximadamente 35.0% en términos de ingresos.

Sobre QYResearch

QYResearch se fundó en California (EE.UU.) en 2007 y es una empresa líder mundial en consultoría e investigación de mercados. Con más de 17 años de experiencia y un equipo de investigación profesional en varias ciudades del mundo, QY Research se centra en la consultoría de gestión, los servicios de bases de datos y seminarios, la consultoría de OPI, la investigación de la cadena industrial y la investigación personalizada para ayudar a nuestros clientes a proporcionar un modelo de ingresos no lineal y hacer que tengan éxito. Gozamos de reconocimiento mundial por nuestra amplia cartera de servicios, nuestra buena ciudadanía corporativa y nuestro firme compromiso con la sostenibilidad. Hasta ahora, hemos colaborado con más de 60.000 clientes en los cinco continentes. Trabajemos estrechamente con usted y construyamos un futuro audaz y mejor.

QYResearch es una empresa de consultoría a gran escala de renombre mundial. La industria cubre varios segmentos de mercado de la cadena de la industria de alta tecnología, que abarca la cadena de la industria de semiconductores (equipos y piezas de semiconductores, materiales semiconductores, circuitos integrados, fundición, embalaje y pruebas, dispositivos discretos, sensores, dispositivos optoelectrónicos), cadena de la industria fotovoltaica (equipos, células, módulos, soportes de materiales auxiliares, inversores, terminales de centrales eléctricas), nueva cadena de la industria del automóvil de energía (baterías y materiales, piezas de automóviles, baterías, motores, control electrónico, semiconductores de automoción, etc.. ), cadena de la industria de la comunicación (equipos de sistemas de comunicación, equipos terminales, componentes electrónicos, front-end de RF, módulos ópticos, 4G/5G/6G, banda ancha, IoT, economía digital, IA), cadena de la industria de materiales avanzados (materiales metálicos, materiales poliméricos, materiales cerámicos, nanomateriales, etc.), cadena de la industria de fabricación de maquinaria (máquinas herramienta CNC, maquinaria de construcción, maquinaria eléctrica, automatización 3C, robots industriales, láser, control industrial, drones), alimentación, bebidas y productos farmacéuticos, equipos médicos, agricultura, etc.

[idolsgeneration]

[myblogscmi]

Global Cellulose Films Market Is Estimated To Witness High Growth Owing To Increasing Demand for Eco-friendly Packaging Solutions

The global cellulose films market is estimated to be valued at US$ 745.4 million in 2021 and is expected to exhibit a CAGR of 5.1% over the forecast period 2022-2030, as highlighted in a new report published by Coherent Market Insights. Market Overview: Cellulose films are derived from cellulose, a natural polymer widely found in plant cell walls. These films are transparent, biodegradable, and possess excellent barrier properties against moisture, oxygen, and other gases. The growing concerns regarding environmental sustainability and the increasing demand for eco-friendly packaging solutions are driving the market growth for cellulose films. These films are widely used in packaging applications, including food and beverages, pharmaceuticals, personal care, and others, due to their biodegradable nature and ability to extend product shelf life. Market Key Trends: One key trend observed in the Cellulose Films Market is the increasing adoption of compostable and biodegradable packaging solutions. With the rising environmental concerns and stringent regulations on plastic waste management, consumers and industry players are shifting towards sustainable packaging materials. Cellulose films offer an excellent alternative to traditional plastic films as they are compostable, biodegradable, and can be easily recycled. For example, Eastman Chemical, a key player in the market, offers Eastman Naia™ Renew, a biodegradable cellulose acetate yarn made from renewable wood pulp. PEST Analysis: Political: The government regulations promoting sustainable packaging practices and the ban on single-use plastics in several countries are driving the demand for cellulose films. Economic: The increasing disposable income and changing consumer preferences towards sustainable products are boosting the market growth. Social: The growing awareness about environmental sustainability and the preference for eco-friendly packaging solutions among consumers are key social factors impacting the market. Technological: Advancements in film manufacturing technologies, such as bio-based films and nanotechnology-based films, are driving innovation and expansion of product portfolios. Key Takeaways: - The global cellulose films market is expected to witness high growth, exhibiting a CAGR of 5.1% over the forecast period, due to increasing demand for eco-friendly packaging solutions. - The Asia-Pacific region is expected to be the fastest-growing and dominating region in the cellulose films market. This can be attributed to the rapidly growing population, rising disposable income, and increasing awareness about sustainable packaging practices in countries like China and India. - Key players operating in the global cellulose films market include Eastman Chemical, Futamura Group, Innovia Films, FkuR, Sateri, Celanese Corporation, China Lucky Film Corp., Chengdu Huaming Cellophane Co., Ltd, Ningbo Jiangdong Credit, Shaoxing Chunming Cellulose Film Co., Weifang Henglian Films Co, Zhejiang Koray New Material Co., Ltd., INTERPLEX INDIA PRIVATE LIMITED, IPI GmbH, and Rengo Co., Ltd. In conclusion, the global cellulose films market is poised for significant growth due to the increasing demand for eco-friendly packaging solutions. The adoption of compostable and biodegradable packaging materials and the stringent regulations on plastic waste management are key factors driving market growth. The Asia-Pacific region is expected to witness the highest growth in the market, driven by the growing population, rising disposable income, and increasing awareness about sustainable packaging practices. Key players in the market are focusing on product innovation and expansion to cater to the growing demand for cellulose films.

[mybeingthere]

Yoshimi Futamura, b 1959, Japan.

Yoshimi Futamura's intuitive understanding of the matter comes from her childhood spent in Nagoya, and then from her meeting with the Masters of the Seto Centre. In no time, thanks to the tea ceremony, she discovered the link between ceramics and the practice of the art of living.

Her sculptural forms, which begin as tubes partially formed on the wheel that are then manipulated by hand from the inside out, seem to swell and collapse before ones eyes, while an innovative mixture of clays gives her award-winning works uniquely textured surfaces reminiscent of charred firewood or rocks. Profoundly impacted by the devastating 2011 earthquake and tsunami in her native Japan, Futamura’s recent work explores notions of impermanence and natural disaster.