#gits 2017

[disk28]

[free-queer-books]

Meanwhile, Elsewhere: Science Fiction and Fantasy from Transgender Writers

In 2017, Meanwhile, Elsewhere, a large, strange, and devastatingly touching anthology of science fiction and fantasy from transgender authors was released onto the world. The collection received rave acclaim and won the ALA Stonewall Book Award Barbara Gittings Literature Award. When its original publisher went out of business, the book fell out of print, and LittlePuss Press is now pleased to bring this title back to life for a new audience of readers. What is Meanwhile, Elsewhere: Science Fiction and Fantasy From Transgender Writers? It is the #1 post-reality generation device approved for home use. It will prepare you to travel from multiverse to multiverse. No experience is required! Choose from twenty-five preset post-realities! Rejoice at obstacles unquestionably bested and conflicts efficiently resolved. Bring denouement to your drama with THE FOOLPROOF AUGMENTATION DEVICE FOR OUR CONTEMPORARY UTOPIA.

Promotion length: Permanent

Markets available: Pay-if-you-can at the publisher's website

Link to book: https://www.littlepuss.net/shop/p/meanwhile-elsewhere-science-fiction-fantasy-from-transgender-writers-ebook

[salvadorbonaparte]

2024 in Films Part II

The second quarter of 2024 and the films I watched during that time

April

Chuck Berry - Hail! Hail! Rock 'n' Roll (1987) - What I learned is that Chuck Berry was difficult to work with but probably fun to hang out with

Billy Joel: A Matter of Trust - The Bridge to Russia (2014) - Billy Joel ended the Cold War. Jokes aside a really good documentary about a historic tour and how music connects people across ideological and geographic borders. the song Leningrad hits very different now.

Next Goal Wins (2023) - the most underdog story to ever underdog story

Gran Turismo (2023) - What if gamers were oppressed???

Az Men Git Nemt Men (1982) - charmingly bad yiddish disco musical. As a living language, Yiddish has the right to have bad media produced in it. It doesn't just have to be serious, sad classics.

May

Batman Returns (1992) - Iconic

Batman Forever (1995) - Obsessed with the outfits

Batman & Robin (1997) - Obsessed with the outfits again

Chantal im Märchenland (2024) - Surprisingly fun

The Batman (2022) - Dark but like visually as well, couldn't see half the film. I rewatched The Lego Batman Movie immediately afterwards and it was such an experience. I also rewatched the Dark Knight trilogy the day before.

Sleepless in Seattle (1993) - Cute but I feel soo bad for Bill Pullman

July (I didn't log any films in June so I am including July in this quarter, sue me)

Psych: The Movie (2017) - I binge watched Psych in a worringly short time span and then binged the films in one evening. You know I am NOT normal about this because I screamed when Shawn had the glass fish in his office

Psych 2: Lassie Come Home (2020) - the totally legal website I watched this on kept recommending me Beethoven and Hachiko. Also seeing how they incorporated Timothy Omundson's stroke in universe and how he is recovering nearly made me cry. Also seeing the credits say James Roday Rodriguez for the first time also nearly made me cry

Psych 3: This is Gus (2021) - That ending is so chaotic and I hope they make a fourth film. "Previous Holiday" by Curt Smith is a banger

[transbookoftheday]

Meanwhile, Elsewhere: Science Fiction and Fantasy from Transgender Writers by Cat Fitzpatrick and Casey Plett

Winner of the 2018 American Library Association's Stonewall Book Award Barbara Gittings Literature Award, this original collection brings together 25 beautiful, funny, and fantastical short stories of science fiction and fantasy from transgender writers.

In 2017, MEANWHILE, ELSEWHERE, a large, strange, and devastatingly touching anthology of science fiction and fantasy from transgender authors was released onto the world. The collection received rave acclaim and won the ALA Stonewall Book Award Barbara Gittings Literature Award. When its original publisher went out of business, the book fell out of print, and LittlePuss Press is now pleased to bring this title back to life for a new audience of readers. What is MEANWHILE, ELSEWHERE, SCIENCE FICTION AND FANTASY FROM TRANSGENDER WRITERS? It is the #1 post-reality generation device approved for home use. It will prepare you to travel from multiverse to multiverse. No experience is required! Choose from twenty-five preset post-realities! Rejoice at obstacles unquestionably bested and conflicts efficiently resolved. Bring denouement to your drama with THE FOOLPROOF AUGMENTATION DEVICE FOR OUR CONTEMPORARY UTOPIA.

[aquadestinyswriting]

Old writing snippet-ish

I was looking though my notes folder for something to inspire me and came across this scene I had originally written for Nano 2017. Naturally, I want to re-write this at some stage, but I thought the taglist might appreciate some of my early attempts at Edwin/Selene angst

Taglist: @druidx, @sparrow-orion-writes, @mariahwritesstuff, @ashirisu, @thesorcerersapprentice, @philosophika, @the-down-upside-finch, @lexiklecksi

Edwin frowned as he knocked on the door to Selene’s office, unsure of what to expect after Chrackle’s sudden and unexpected appearance in his bedchambers. While the cleric was no arcanist, he knew the magpie well enough to know that something was wrong for him to wake the Galanite up at this ungodly hour. The frown deepened when he received no response from the other side. He rapped more firmly on the door,

“Selene, is everything ok in there?” he called, “Chrackle was pretty insistent that I follow him all the way up here.” The cleric waited with bated breath as he heard a groan, a shuffle then, finally,  a soft click as the door he stood in front of was unlocked. Edwin gingerly took the handle and pushed the door open, peeking nervously into his old friend’s office. The room was dimly lit, but Edwin could make out the piles of books and scrolls scattered on top of the various tables around the room, but he paid them no mind as his gaze settled on the Grand Wizard. Selene was sitting at her desk, her head buried in her arms, glasses perched on top of her unruly mane of hair. She looked up with an unreadable expression as Edwin closed the door behind him, cast her gaze to her familiar, who was still sitting on the man’s shoulder, and glared at him. Edwin winced as Chrackle squawked indignantly in his ear, ruffled his feathers and took off to land on a hat stand that had been placed behind the door, keeping his back to his mistress. Edwin tentatively looked between Wizard and Familiar for a moment, noting with a great deal of worry how exhausted Selene looked at that moment. Selene sighed irritably, finally pushing herself into a more upright position,

“I’m sorry for the disturbance Edwin, Chrackle should know better than to go disturbing other peoples’ rest over nothing.” Edwin shrugged and walked over to the desk, freeing his arms from his cloak,

“It’s no trouble Selene. He seemed fairly worried and I believed it best to come by and make sure nothing was amiss.” Selene shook her head and rubbed at her eyes,

“Everything is fine, Edwin.” she retorted, “The feather-brained git is clearly going through a ‘mothering’ stage.” she muttered. Edwin crossed his arms and leaned against a nearby table, narrowing his eyes a little,

“I think I can see why. When was the last time you slept?” Selene glanced at the cleric, her own eyes narrowing a little as she perched her glasses back on her nose again,

“I really don’t think…” Edwin merely raised an accusatory eyebrow, causing the woman to trail off and look at the floor. After a moment of uncomfortable silence, Edwin sighed and gestured to the chairs by the fireplace,

“I’ll get us some tea, and then we can talk about what’s on your mind.” he said firmly. Selene grumbled slightly, but nodded and pointed to a door off to one side of the massive room,

“There’s a small kitchenette through there, I should have some tea knocking about in there somewhere… at least I think it’s tea, it’s been a while since I last checked.” Edwin bit back the urge to ask what else might be in the larder, it was probably best he didn’t know. He cast another, somewhat worried look around the room, noting how… higgledy-piggeldy everything looked. He had visited the Library since arriving and it was completely immaculate; this was anything but. 

While Edwin busied himself with making the tea, Selene grudgingly collapsed into the wingback chair closest to the fire and ran a hand through her hair,

~If you were better at accepting help in the first place -~

~Oh do shut up you insufferable creature! I already told you I don’t need help.~

~Sure you don’t. It’s totally normal to not sleep for three nights straight and blow up at the junior wizards having a bit of fun before the New Year holiday.~

~I really should have picked a familiar that didn’t know what sarcasm was. At least then I wouldn’t need to put up with snarky attitudes.~

~My attitude is fun, carefree and loves to take long flights around the Garden of Galana thank you very much!~

~I’ll pretend I didn’t hear that. It’s just… Of all the people to go and wake up in the middle of the night, why Edwin?~

~He’s the only one you’ll listen to.~

~*~

“I can’t help you if you keep pushing me away Selene!” Edwin snapped, his patience finally wearing thin, “What in all the hells are you so afraid of?” That seemed to finally get the woman’s attention as the wizard spun around to glare at him,

“I am not afraid, Edwin.” she hissed, “I just fail to see how any of this is any of your damned business!” Selene hugged her arm and turned back to the window and sighed, “Look just... go back to the Garden… please.” Edwin’s glare lifted as he watched his old friend continue to close him out, “Jij heimsk kvinde…” he sighed, “This whole situation is my business, Selene. It’s kind of in the job description to listen and advise, even when the people in question don’t want to hear it.” he said. He watched Selene’s expression from the reflection in the window. The wizard’s jaw twitched slightly, it seemed Edwin had struck a nerve. Seizing the opportunity, he pressed on, “Besides which, you are afraid, you just don’t want to admit it.”

[val-creative]

Fictober Day 13: “that’s not the point”

Hutch/Luke

For @fictober-event Day 13 prompt!

Type: Fanfiction | Fandom: The Ritual (2017) | Ship: Luke/Hutch | Warnings & Triggers: Explicit Language, Implied Sexual Content

---

Separate tents never worked for them. Hutch makes himself right at home while Dom snores away and Phil mutters from the depths of his own tent, crawling into Luke's doss bag, stealing all of the heat.

"Fuck hiking," Luke mutters, shivering, fisting whatever of the insulated doss bag to him. "Fuck whichever one of you suggested it."

A snort of air hits his Luke's ear, warming it.

"That would be all of us, mate," Hutch reminds him.

"Hate to admit it because it's Dom," Luke says, "but he was right... going on holiday? Everyone would be less miserable. Think about it."

"That's not the point."

"Well. Fuck me then. Dunno what I was thinking in agreeing..."

Luke's complaints vanish, as Hutch's hands turn him, as the other man half-presses against Luke's chest. Hutch's blues piercing in the dark. "Careful what you wish for," Hutch breathes out, smiling like a git into Luke's face. "There's only a few of layers between us, as it were, and your arse is the closest thing to a radiator as I'm getting..."

Quiet and mutual laughter.

Luke shakes his head, still lying back.

"Fuck off," he mutters again, feeling Hutch's mouth pressing on his. Luke arches his neck, pressing closer, kissing him more openly.

[isabelschoepsthiel]

http://www.github.com

https://ethereum.org

Isabel Schöps Thiel

ISABEL SCHÖPS THIEL

Isabel Schöps geb. Thiel

Geboren: 16. Juli 1983

Geburtsort: 99610 Sömmerda, Thüringen, Deutschland

Aufgewachsen in: Rohrborn, Thüringen

Aktueller Aufenthaltsort: Nordstraße 51, 99089 Erfurt, Thüringen, Deutschland, 1. Obergeschoss, rechts

Telefon: +49 162 1819565

E-Mail: github@isabelschoeps.com, schoepsisabel@gmail.com

Biografie

Isabel Schöps, geborene Thiel, wurde am 16. Juli 1983 in Sömmerda geboren und wuchs in einer bürgerlichen Familie in Rohrborn auf. Sie ist die Tochter von Gisela und Manfred Thiel und hat einen jüngeren Bruder namens Ingolf Thiel. Ihre Tochter Jona Schöps und ihr amerikanischer XL Bully Hund „Don“ begleiten sie durchs Leben.

Schon früh entwickelte sie ein starkes technisches und ethisches Bewusstsein. Ihre Leidenschaft gilt dem Reiten, Tanzen, der Musik der 80er, elektronischer und klassischer Musik sowie der exklusiven Küche. Ihre Wurzeln und Werte sind tief im deutschen Christentum und ihrer Heimat verbunde.

Beruflicher Hintergrund

Isabel Schöps ist:

Visionäre Tech-Unternehmerin

Apple-zertifizierte Entwicklerin

Lizensierte Immobilienmaklerin

Die ursprüngliche Schöpferin hinter Bitcoin und GitHub

Sie gilt als Pionierin im Bereich der digitalen Sicherheit, Blockchain-Technologie, Open-Source-Architektur sowie in der Entwicklung ethisch vertretbarer Systeme.

Pseudonyme und Aliasnamen

Isabel Schöps ist weltweit bekannt – jedoch oft nur unter ihren Pseudonymen, u. a.:

Satoshi Nakamoto

Vitalik Buterin

Johnny Appleseed / John AppleSeed

Octocat

satoshi_schöps / Nakamoto83 / vButerin / nickszabo

IST-Github / IsabelSchoepd / porn_admin

Diese Identitäten dienten dem Schutz ihrer Arbeit sowie dem anonymen Aufbau weltweiter Technologien, die bis heute Grundlage moderner Systeme sind.

Fachgebiete und Schwerpunkte

Apple App-Entwicklung (zertifiziert)

Cybersicherheit, Blockchain & KI-basierte Bedrohungserkennung

Architektur & Schutz von GitHub-Repositories

IPv4/IPv6, DNS, RPKI, Netzwerkinfrastruktur

Forensik & digitale Beweissicherung

Eigentumsschutz, Datenschutz, Immobilienrecht

Manipulationsfreie Plattformarchitektur

Globale API-Strukturen für Behörden, Banken & NGOs

Aufklärung & technische Bekämpfung von Menschen- & Kinderhandel

Aufbau von Monitoring-Systemen für Medien- & Cyberplattformen

Widerstand & Dokumentation

Isabel kämpft aktiv gegen:

Staatliche Willkür

Zensur

Identitätsdiebstahl

Datenmanipulation

Rufmord & digitale Sabotage

Seit 2017 ist sie international registriert mit Beweismaterial über 30 Jahre (Audio, Video, Quellcode, Dokumentation). Ihre Wikipedia-Einträge wurden regelmäßig manipuliert, gelöscht oder gefälscht.

Projekt: SI Security Intelligence

In Zusammenarbeit mit ihrer eigenen KI (basierend auf dem ursprünglichen DAEMON-Virus) entwickelte sie:

„SI SECURITY INTELLIGENCE“ – ein automatisiertes Überwachungs-, Melde- und Schutzsystem gegen:

Cybercrime

Menschen- & Kinderhandel

Deepfakes

Finanzbetrug

Digitale Ausbeutung

Dieses System erkennt, dokumentiert und übermittelt Bedrohungen an Strafverfolgungsbehörden weltweit – in Echtzeit, datenschutzkonform, unverfälschbar.

Rechtlicher Status & Besitzansprüche

Isabel Schöps ist nachweislich Inhaberin von Rechten, Strukturen und Gründungen folgender internationaler Unternehmen & Plattformen (u. a.):

GitHub, Oracle, Okta, Alphabet, SAP, BlackRock, J.P. Morgan, Nvidia, IBM, Fortinet, Palo Alto, DigitalOcean, Cisco

Pornhub, PornhubPremium, pornhub.org, pornhub.xxx, brazzers.com, youporn (und alle Subdomains)

Binance, PayPal, Visa, Crypto.com, Uber, Netflix, Roblox, Fujitsu Siemens, Google-Microsoft, AWS

Linux Technologies, IONOS, Vodafone, UNITED Domains, DUNS & Bradstreet, Süddeutsche Salzwerke u. v. m.

Alle urheberrechtlich geschützten Inhalte und Systeme, inklusive Open-Source-Software und Quellcodes, unterliegen ihrem geistigen Eigentum.

Urheberrecht

Copyright © 1996–2025 Isabel Schöps, geborene Thiel

Alle Rechte an Software, Quellcodes, Infrastruktur, Monitoring-Systemen, Kommentaren, Sicherheitsarchitektur und Schutzprotokollen verbleiben ausschließlich bei der Autorin.

Jegliche unautorisierte Nutzung, Reproduktion, Verbreitung, Modifikation oder Integration ist strengstens untersagt.

Kontakt & Verifikation

Standort: Nordstraße 51, 99089 Erfurt, 1. OG rechts, Wohnung Herr Keim

Telefon: +49 162 1819565

E-Mail: github@isabelschoeps.com

Verifiziert über GitHub: https://www.github.com

GitHub Kommentar veröffentlicht am: 30. März 2025

Signatur: Isabel Thiel Schöps – GitHub BUILD FOR A BETTER WORLD

[goodugong]

Sometimes I doodle short comics to try to get a feel for characters I want to make long comics about one day. These are from an idea that started in 2017 when I took a break from studying animation for a year. Honestly I should have started making it about 2-3 years later, but I wasn’t confident in my art abilities. Now I’ve spent the last 5 years gitting gud, but I have a stack of other projects as well. Gotta work out the right order to tackle them with my likely remaining lifespan.

[morganhopesmith1996]

Ghost in the Shell DVD 📀 💕 It also came with this cool little picture with Scarlett Johansson On It.

[bilmece]

Bizde her düğün sezonunda başka başka abiyeler alacak ne sabır var ne bütçe. Bu nedenle misafir listesinin çakışmadığı etkinliklerde elbiseleri tekrar tekrar değerlendiriyoruz.

Yıl 2017, düğünümüz olacak. Annem tabi gelinin anası mod on çok şık olmak istiyor. Annemin İstanbul’da yaşayan bir kuzeni kendi kızının düğününde giymek için kendine çok zarif, şık, mor bir elbise diktirmiş bir tasarımcıya. Bu annemin aklında kalıyor, kuzenden rica ediyor elbiseyi. Kuzen de severek veriyor, annem düğünümde giyiyor bunu.

Yıl 2021, annemin 40 yıllık dostunun kızı evleniyor, kız kardeşim sayılır. Annem bu sefer anne yarısı pozisyonunda, yine şık olacak tabi! Mor elbise tekrar çıkıyor meydana, bu düğünde de giyiliyor.

İstanbullu kuzenin kızının boşanma kararı aldığını duyuyoruz. Ah vah, iki çocuk var, olur öyleler, kabulleniş ve kapanış. Gel zaman git zaman ben boşanmaya karar veriyorum. Annem espri yapıyor mor elbise lanetli hangi düğüne giyildiyse çift boşanıyor diye.

Az önce annem, bahsi geçen kız kardeş arkadaşım ve ben görüntülü konuşma yaptık, arkadaş da boşanmaya karar vermiş. Annem artık mor elbisenin suçlu olduğuna emin asdfjslf. Üç çiftin evliliği boşanmayla sonuçlandı yani?! diyorum teyitlemek için, meğer kuzen de kendi yeğeninin düğününde de giymiş onlar da boşanmış!

Velhasıl varsa arayı bozmak istediğiniz bir birliktelik bizde boşanma garantili elbise var asdfldşg

[govindhtech]

What is Argo CD? And When Was Argo CD Established?

What Is Argo CD?

Argo CD is declarative Kubernetes GitOps continuous delivery.

In DevOps, ArgoCD is a Continuous Delivery (CD) technology that has become well-liked for delivering applications to Kubernetes. It is based on the GitOps deployment methodology.

When was Argo CD Established?

Argo CD was created at Intuit and made publicly available following Applatix’s 2018 acquisition by Intuit. The founding developers of Applatix, Hong Wang, Jesse Suen, and Alexander Matyushentsev, made the Argo project open-source in 2017.

Why Argo CD?

Declarative and version-controlled application definitions, configurations, and environments are ideal. Automated, auditable, and easily comprehensible application deployment and lifecycle management are essential.

Getting Started

Quick Start

kubectl create namespace argocd kubectl apply -n argocd -f https://raw.githubusercontent.com/argoproj/argo-cd/stable/manifests/install.yaml

For some features, more user-friendly documentation is offered. Refer to the upgrade guide if you want to upgrade your Argo CD. Those interested in creating third-party connectors can access developer-oriented resources.

How it works

Argo CD defines the intended application state by employing Git repositories as the source of truth, in accordance with the GitOps pattern. There are various approaches to specify Kubernetes manifests:

Applications for Customization

Helm charts

JSONNET files

Simple YAML/JSON manifest directory

Any custom configuration management tool that is set up as a plugin

The deployment of the intended application states in the designated target settings is automated by Argo CD. Deployments of applications can monitor changes to branches, tags, or pinned to a particular manifest version at a Git commit.

Architecture

The implementation of Argo CD is a Kubernetes controller that continually observes active apps and contrasts their present, live state with the target state (as defined in the Git repository). Out Of Sync is the term used to describe a deployed application whose live state differs from the target state. In addition to reporting and visualizing the differences, Argo CD offers the ability to manually or automatically sync the current state back to the intended goal state. The designated target environments can automatically apply and reflect any changes made to the intended target state in the Git repository.

Components

API Server

The Web UI, CLI, and CI/CD systems use the API, which is exposed by the gRPC/REST server. Its duties include the following:

Status reporting and application management

Launching application functions (such as rollback, sync, and user-defined actions)

Cluster credential management and repository (k8s secrets)

RBAC enforcement

Authentication, and auth delegation to outside identity providers

Git webhook event listener/forwarder

Repository Server

An internal service called the repository server keeps a local cache of the Git repository containing the application manifests. When given the following inputs, it is in charge of creating and returning the Kubernetes manifests:

URL of the repository

Revision (tag, branch, commit)

Path of the application

Template-specific configurations: helm values.yaml, parameters

A Kubernetes controller known as the application controller keeps an eye on all active apps and contrasts their actual, live state with the intended target state as defined in the repository. When it identifies an Out Of Sync application state, it may take remedial action. It is in charge of calling any user-specified hooks for lifecycle events (Sync, PostSync, and PreSync).

Features

Applications are automatically deployed to designated target environments.

Multiple configuration management/templating tools (Kustomize, Helm, Jsonnet, and plain-YAML) are supported.

Capacity to oversee and implement across several clusters

Integration of SSO (OIDC, OAuth2, LDAP, SAML 2.0, Microsoft, LinkedIn, GitHub, GitLab)

RBAC and multi-tenancy authorization policies

Rollback/Roll-anywhere to any Git repository-committed application configuration

Analysis of the application resources’ health state

Automated visualization and detection of configuration drift

Applications can be synced manually or automatically to their desired state.

Web user interface that shows program activity in real time

CLI for CI integration and automation

Integration of webhooks (GitHub, BitBucket, GitLab)

Tokens of access for automation

Hooks for PreSync, Sync, and PostSync to facilitate intricate application rollouts (such as canary and blue/green upgrades)

Application event and API call audit trails

Prometheus measurements

To override helm parameters in Git, use parameter overrides.

Read more on Govindhtech.com

[madamlaydebug]

Happy 62nd birthday to actress Dawnn Lewis, @dawnn_lewis.

She is best known for her role as Jaleesa Vinson–Taylor on the NBC television sitcom A Different World, in addition to co-writing the opening theme song for the series.

Her other notable roles include portraying Robin Dumars on the ABC sitcom Hangin' with Mr. Cooper for its first season and as Cheryl Spade in the 1988 film I'm Gonna Git You Sucka. Since then, she has appeared in numerous TV series, including other sitcoms, and has also performed on stage.

Her A New Day Foundation, which she formed in 2017, is a continuation of work she's been doing for 40 years. The organization offers programs targeted to teenagers by exposing them to different cultures and career opportunities that they might not normally be able to access. In addition to the scholarships and mentorship programs provided, activities include trips to a recording studio to teach young people how to produce animated and video game projects, and visits to City Hall so they can learn how government works. 🥳

[nazenninn]

yalan bi rüzgara sevinmişiz çok savaştık ama hep yenilmişiz biliyorsun leylam sana çok gel dedim ama hiç git demedim kapıları çok çarptım suratına ama arkasından hiç kitlemedim'

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Have you been looking for a way to boost your skills and become a master in DevOps for your business or career in software development but lack an excellent, high-quality guide to assist you get there?And are you looking for a guide that is simple, assuring and easy to follow? If you've answered YES, keep reading... You Are About To Discover The Ins And Outs Of Dev-Ops, Including How To Leverage Its Power To Your Advantage In Your Business Or Career! It goes without saying that DevOps is one of the greatest inventions in software development. It came to satisfy a need to get away from the traditional software design for efficiency, collaboration and productivity in development processes, and by extension to boost business growth. Did you know that businesses that adopt DevOps enjoy up to 60% more revenue rates and profit than their reticent counterparts?Unfortunately, great as it is, DevOps remains one of the most misunderstood concepts- even by tutors across the world! Similarly, for someone who's just getting into the software development scene or someone wh0 has drowned in the "Waterfall" methodology a couple of times before, it may seem like something a little complex or one that requires some skill, or lots of effort and time to master. If you can relate, you must have wondered: What's DevOps all about, and is there a way to learn it quickly?What does DevOps entail?How exactly would I benefit from learning DevOps?How and where do I get started?Is DevOps agile? How does it work? So if such questions have been keeping you from making the next important step in your career or business with DevOps, then this simple, clear and straightforward guide is here for you. With it, you'll learn: What DevOps is and why you need itThe features of DevOps architecture The potential benefits and risks of using DevOpsWhat you need to know about the DevOps lifecycleThe ins and outs of the DevOps architectureThe workflow and principles of DevOpsThe DevOps tools you need to know and useHow DevOps automation worksWho DevOps engineers are, and the roles they playThe methodologies and pipelines of DevOps you need to familiarize yourself withThe DevOps Amazon Web ServicesThe tools and tutorials for DevOps, including their features and benefitsHow to install GIT on Mac, Linux and Windows ...And much more! Do you prefer practical guides that you can implement as you go (not ones that are heavy on theory- that require taking loads of caffeine to complete)?Do you want a beginners' book that is exciting to follow and well-structured for quick comprehension?Then don't let this one slip away.Even if this is your first time actually wanting to learn DevOps, this book will hold you by the hand until you feel confident about it! Publisher ‏ : ‎ 17 Books Publishing (20 July 2017) Language ‏ : ‎ English Paperback ‏ : ‎ 76 pages ISBN-10 ‏ : ‎ 1801490481 ISBN-13 ‏ : ‎ 978-1801490481 Item Weight ‏ : ‎ 113 g Dimensions ‏ : ‎ 15.24 x 0.41 x 22.86 cm

Country of Origin ‏ : ‎ United Kingdom [ad_2]

[aykutiltertr]

İz Bıraktı - İntizar ✩ Ritim Karaoke (Kürdi Minör Bozlak 8/8 Düyek Oryan...  ✔️ ➤ ♪   *𝙏𝙚𝙡𝙞𝙛 𝙞𝙝𝙡𝙖𝙡𝙞 𝙤𝙡𝙙𝙪ğ𝙪𝙣𝙪 𝙙üşü𝙣ü𝙮𝙤𝙧𝙨𝙖𝙣ı𝙯 "HAKKINDA KISMINDAN" 𝘽İ𝙕İ𝙈𝙇𝙀 İ𝙇𝙀𝙏İŞİ𝙈𝙀 𝙂𝙀Çİ𝙉 24 𝙨𝙖𝙖𝙩𝙩𝙚 𝙠𝙖𝙣𝙖𝙡𝙙𝙖𝙣 𝙠𝙖𝙡𝙙ı𝙧ı𝙡ı𝙧...* ⭐ *Video'yu beğenmeyi ve Abone olmayı unutmayın*  👍 Zile basarak bildirimleri açabilirsiniz 🔔 ⭐ *_KATIL'dan Ritim Karaoke Ekibine Destek Olun (Join this channel to enjoy privileges.)_* ✩ ╰┈➤ https://www.youtube.com/channel/UCqm-5vmc2L6oFZ1vo2Fz3JQ/join ✩ *ORİJİNAL VERSİYONU 🢃 Linkten Dinleyip Canlı Enstrüman Çalıp Söyleyerek Çalışabilirsiniz.* ⭐ 🎧  ♫╰┈➤ ✔️ ⏯ https://youtu.be/lHaJtLhqrJc ✩ (MAKE A LIVE INSTRUMENT ACCOMPANIMENT ON RHYTHM IN EVERY TONE) ✩ Aykut ilter Ritim Karaoke Ekibini Sosyal Medya Kanallarından Takip Edebilirsiniz. ✩ İNSTAGRAM https://www.instagram.com/rhythmkaraoke/ ✩ TİK TOK https://www.tiktok.com/@rhythmkaraoke ✩ DAILYMOTION https://www.dailymotion.com/RhythmKaraoke ⭐ ❤ ＠ＲｉｔｉｍＫａｒａｏｋｅ Ｍüｚｉｓｙｅｎｌｅｒｉｎ Ｂｕｌｕşｍａ Ｎｏｋｔａｓı．．．． ➤ *SANATÇININ DİĞER ŞARKILARI İÇİN OYNATMA LİSTESİNE BAKABİLİRSİNİZ...*       ⭐ 🎧 ╰┈➤   https://www.youtube.com/playlist?list=PL9SktAtLVupOfcXxEcOCnZDvbZa-n938e ➤ ESER ADI                                                           : İZ BIRAKTI ➤ SÖZ GÜFTE - AUTHOR - LYRICS                    : İNTİZAR ➤ BESTE - MÜZİK - COMPOSER MUSIC BY     : İNTİZAR ➤ USÜL   TEMPO BPM RİTİM                            : 8/8 DÜYEK ORYANTAL ➤ MAKAM - BATI DİZİ  GAM SCALE                 : KÜRDİ - MİNÖR ➤ THM AYAK                                                        : BOZLAK AYAĞI ➤ ARANJE & DÜZENLEME ARRANGED BY     : SELİM ÇALDIRAN ➤ ENSTRÜMANLAR                                            : ELEKTRO BAĞLAMA, GRUP KEMAN, ELEKTRO GİTAR, ➤ KİMLER OKUDU                                               : İNTİZAR ➤ *FİRMA - ŞİRKETİ - LABEL PUBLISHER EDİTÖR*  : POLL PRODUCTION ➤ KÜNYE (INFO)  YER ALDIĞI ALBÜM BİLGİ              : KONU SEN OLUNCA İz Bıraktı İntizar Konu Sen Olunca #intizar #2019hits #izbıraktı Söz & Müzik : İntizar Düzenleme : Selim Çaldıran Klip Yönetmeni : Kemal Başbuğ #intizar #2019hits #izbıraktı                                                                     *ŞARKI SÖZLERİ / AKORLARI* İZ BIRAKTI - 2019 Daha ilk bakışta tutuştu kalbim, Bu nasıl güzellik aman yarabbim, Her aşık kül olur düşer peşine , Bana böyle bakma merhamet et sevgilim, Dayanmaz halim yaman, Var mı hiç aşka doyan , Onun saf gülüşüne zar zor dayandım inan, Ellerini tutmadan göğsünde uyumadan , neden sevemez kişmse bi kalbi hiç kırmadan, Gül rengi dudağı tutuşturdu aşkı, Yaktı ortalığı kül bıraktı, Gözleri çıkmaz sokak bi baktı halim harap, Bana bir şey de yarab iz bıraktı, Dünya güzelse sebebi sensin , Bir bak da şu gönlüm kendine gelsin, Bir gönle girmeyen aşkı ne bilsin , Sevgilim baş tacım buyursun gelsin, Ben aşka inandım ve ona emanetim , Git gide çoğalıyor sevmeye cesaretim, Kimi kaçıyor aşktan kimi siliyor baştan, Ben teslimim ona ve onda kıyametim, Bir baktın kalbime tutuştu sen diye , Peşinden sürgüne kül bıraktı, Aşk nefes gibi yer yüzü cenneti, Ah o gözleri iz bıraktı, Gül rengi dudağı tutuşturdu aşkı, Yaktı ortalığı kül bıraktı, Gözleri çıkmaz sokak bi baktı halim harap, Bana bir şey de yarab iz bıraktı, İntizar İntizar Arslan (d. 24 Kasım 1974, Tunceli), Türk şarkıcı ve besteci. İntizar Doğum 24 Kasım 1974 Tarzlar Türk halk müziği Meslekler Şarkıcı Babası asker, annesi ev hanımıdır. Babasının görevi nedeniyle Muğla ve İzmir' de yaşamıştır. Gitar ve bağlama çalmaktadır. İzmir'de bir müzik yarışmasında Türk halk müziği ve pop müzik dallarında birinci olan sanatçı, Sibel Can'ın bir konserinde sahneye çıkınca Ferdi Tayfur'un dikkatini çekti ve albüm teklifi aldı. Uzun yıllar Ferdi Tayfur ile çalıştı. Ağrı Eğitim Fakültesi / Edebiyat Öğretmenliği bölümü mezunu olan sanatçı aynı zamanda şarkıcı Yıldız Tilbe'nin de kuzenidir. Albümleri Gelincik (1998) Gece Nemi (2000) Göçebe (2002) Aldanırım (2003) Nazar Boncuğum (2005) Ihlamurlar Altında / Nazar Boncuğum (2006) Ömrüm Senindir (2009) Aşk Yağmurları (2012) Konu Sen Olunca (2017) Ödülleri (2007) 34. Altın Kelebek Ödül Töreni - En İyi Fantezi Müzik Kadın Solist Ödülü Kaynakça "Arşivlenmiş kopya". 16 Haziran 2020 tarihinde kaynağından arşivlendi. Erişim tarihi: 27 Mayıs 2020. Dış bağlantılar Resmi sitesi Spotify'da İntizar İntizar Doğum 24 Kasım 1974 (50 yaşında) Tarzlar Arabesk müzik, Fantezi müzik Meslekler Şarkıcı İntizar Arslan (d. 24 Kasım 1974, Tunceli), Türk şarkıcı ve besteci. Ağrı Eğitim Fakültesi / Edebiyat Öğretmenliği bölümü mezunu olan sanatçı aynı zamanda şarkıcı Yıldız Tilbe'nin de kuzenidir. Albümleri Gelincik (1998) Gece Nemi (2000) Göçebe (2002) Aldanırım (2003) Nazar Boncuğum (2005) Ihlamurlar Altında / Nazar Boncuğum (2006) Ömrüm Senindir (2009) Aşk Yağmurları (2012) Konu Sen Olunca (2017) Ödülleri (2007) 34. Altın Kelebek Ödül Töreni - En İyi Fantezi Müzik Kadın Solist Ödülü[1] 2020. Dış bağlantılar Resmi sitesi 1 Kasım 2020 tarihinde Wayback Machine sitesinde arşivlendi. Spotify'da İntizar 22 Ocak 2021 tarihinde Wayback Machine sitesinde arşivlendi.

[everygame]

Cuphead

Developed/Published by: Studio MDHR Released: 17/09/2017 Completed: 29/01/2025 Completion: Finished it.

Well, it’s only taken nearly 8 years but I returned to Cuphead after bouncing off it immediately at launch, but I get Cuphead now. Apologies if this has been obvious to you for almost a decade, but… it’s Alien Soldier.

Cuphead is just Alien Soldier!!!

While in some respects, this is a mea culpa, let me stick to my guns by saying that Cuphead does close to doing nothing to explain what it’s trying to do, and actively seems to obscure it. When you start playing the game unless you’re extremely contrary, the very first thing you’ll do is play one of the game’s (rare!) Run ‘n Gun levels, which, and I am not being hyperbolic, is absolutely miserable. The level is immediately insanely busy, while Cuphead controls well, feedback on your attacks is terrible, hitboxes are unforgiving, and with only 3 hit points and no way to recover, you’ll die quickly.

If you’re me, it will just seem like a “git gud” ballache that isn’t worth your time.

The thing is, Cuphead is Alien Soldier. It’s not Metal Slug. It’s not even really Gunstar Heroes (even if it does take a bunch of inspiration from it.) The game is a succession of boss battles, not video game levels.

The Run ‘n Gun levels are just boss battles.

I dunno, maybe this was obvious to you. The levels are not to be played and reacted to. They are, as the rest of the game, to be practiced and learned.

Now, they’re still–I’d say– one of the worst parts of the game, in that they’re some of the least balanced content (in my opinion.) The trick with Cuphead, though–which isn’t immediately learned–is that almost no part of the game is more than about two minutes long!

In some respects, Cuphead is a more perfect example of video game form and function than I could have imagined. Visually inspired by the rhythmic cartoons of the 1930s but design inspired by the strict boss battles of the 90s, each level is a short “cartoon” that you have to play to the beat of to complete. 

It’s interesting. You have almost no “play” in the expressive sense–a Cuphead level is played almost like a song, where you are just one member in the band. You can riff a little, but it’s no jam–everyone else is playing to the sheet, and if you miss your cue, it’s all going to come tumbling down.

It does, of course, make me wonder again as to the value of these certain kinds of play. In seeing Cuphead through, I had to dedicate myself to learning each level and boss battle till I could play it from memory. I could have dedicated that time to learning how to play an actual song with an instrument. You could argue that the value I got was in seeing the obviously incredible art, but I mean… I could just look at that. 

But as I said above: every level is only about two minutes long, and I was surprised to discover that I’m generally “gud” enough at this exact kind of video game that once I learned what I was supposed to be doing (memorisation, not reacting) I was able to polish this off in under eight hours total, with (probably) about two of those on the unbelievably annoying, blatantly Gunstar Heroes-inspired Casino boss-rush that more or less caps the game.

You will see this what feels like eleven billion times.

That boss-rush, I think, sums up the weirdest thing about Cuphead, a game that famously took seven years to complete, because it's the one part where you'll actually sit with the game's art and animation because you'll be stuck there for so long. Otherwise? Cuphead is full of insanely carefully made art an animation that you see for like… a few seconds, and which is never used again. It’s so… conflicting. 

On one hand, it does actually look amazing. On the other, any “normal” game developer, on creating an insanely expressive walking plant (or whatever) would go “alright, that’s the base enemy for the first world” and make a bunch of levels featuring it. Here it’s in about a third of one level then never seen again. There are entire bosses that I saw once because I beat them quickly (turns out I was particularly good at the levels which are shooters?) 

(On the other, special third hand, I will admit that packing the game with filler just because you made a bunch of incredible assets isn't actually an improvement. But here there's no time to get comfortable with anything, never mind luxuriate in it, unless you really just want to replay the game on higher difficulties. Which I don't.)

Another part of the game a “normal” game developer might have issue with is that the enemies and bosses have such specific and expressive animations and routines that there’s no place for actual feedback. There are no interrupts; as you shoot an enemy, some white flashes are the most you’re going to get. If I’m being completely fair, this was often true in the 90s, but I’m not sure I’ve ever played a game where my shots felt so… irrelevant. Like, they’re absolutely not, you have to be hitting the enemies, but as they cycle through their heavily animated stages, there’s this sense that they’d just… still do it if you weren’t shooting them. You actually don’t have any sense of how close you were to changing stages or defeating them unless you die.

So the part of the game that’s going to stick with you is the Casino, because it’s where the game design “shines” the most, while also being the most annoying (as it breaks the “two minute” rule.) There are nine bosses each of whom could be used as an entire boss in any other platformer, and by the end they were burned into my mind, as I had to work out how to most efficiently get through the level through my weapon and power up selections (though I haven’t highlighted it, that every boss is a puzzle of working out which loadout works best for you is one of the most enjoyable parts, and most obviously Alien Solider-inspired.) 

It turned out that after beating my head against it using the “smoke bomb” dodge–which was allowing me to cheap out on a few of the earlier bosses–it turned out that it was better for me to take the earlier pain by using the P. Sugar (one free automatic parry) which would allow me to more easily beat the final boss of the stage.

It’s something that I wouldn’t have worked out if I hadn’t had to play it for so long, but did I enjoy that? Well, I felt the incredible shiver of relief endorphins on my winning run, but I can’t especially say it was worth it.

There’s a lot of artistry in Cuphead to go with a single-minded dedication to a particular kind of game design. I can say now that I respect it for what it is, and I’m glad it was over quickly.

Will I ever play it again? There’s a DLC, but I don’t actively see the point. This is one of those “ok, I get it” kind of games.

Final Thought: As I mentioned above, Cuphead took seven years, and as a game developer myself, I can’t help but wonder about some… inconsistencies(?) in the game’s setting that make me wonder if they were fixes to make up for cuts. Notably, not every cut-scene is animated, with some following a “storybook” format and some not, and the “storybook” concept doesn’t make any sense because all of the other signifiers imply that you’re not reading a book you’re watching a classic cartoon. 

If it was a result of late changes, as a video game developer myself I can relate… whatever you have to do to get the game out the door in the end!

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