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golden-pickaxe · 3 years ago

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Coffee (Part 5)

Fandom: Vikings

Paring: Ivar x Reader

Type: Modern AU, Office AU

Wordcount: 3619

Warnings: reader drinks wine casually

[Coffee - All Parts Here]

A/N: Here is part 5!

Tagged: @youbloodymadgenius @punkrocknpearls @mootiemoose @istorkyou @dini73 @heavenly1927 @hashimily @peakywitch

Summary: You are a graduate student at the University of Oslo, and have applied for a job as a personal assistant at the Lothbrok Corporation, without really knowing much of the position advertised. When it turns out you are going to work for the (in)famous Ivar Lothbrok, your whole life is turned up-side-down.

With Ivar just wearing a t-shirt, instead of his usual well-cut suits, you could very clearly see the strong muscles in his arms, as you watched him pushing his wheelchair out of the pedestrian zone, towards the street. You had to swallow at the sight, hating yourself for the effect this man had on you.

You walked along side him, finally realising what you had done. Just like a year ago, when the coin had dropped that you had really applied at the Lothbrok Corporation, it now dropped that you had just accepted his invitation to come to his home and let him cook for you. Him, one of the most influential businessmen of Norway. With his own fucking Wikipedia site.

Your heart was pounding rapidly in your chest at the thought, and you bit your lower lip, not quite knowing what this whole thing would mean now. And if it would change anything between you. You hoped not, but in the same way, you did hope.

Getting your private life mixed up with your job probably was not a good idea. On the other hand, this whole situation kind of freaked you out, but in a good way. It was exciting.

You and Ivar had reached the street, next to the national gallery, where a few minutes later the taxi arrived. Personally, you would never get a taxi in Oslo, as it was just insanely expensive, but with a lot of public transport, such as the tram you had taken to get here, not entirely being accessible to someone in a wheelchair, you could understand why Ivar had called it.

Ivar maneuverered himself into one of the back seats, while the driver put his chair into the trunk of the car. You felt Ivar’s blue eyes watching you, as you rounded the vehicle to get into at the other side.

Even though he always successfully overplayed it, you saw that he was a bit self-conscious about his legs, often cursing them underneath his breath when they once again got into his way. He could move them a little bit, and also seemed to have some feeling in them, was even able to stand up for a few moments, if he could support himself with his arms. But in general, they did not really seem to be working.

In the office, Ivar hated to use his wheelchair, often just dragging himself from his desk to his sofa, his immense upper body strength enabling him to pull himself up with not much of an issue.

Now, sitting next to you in the taxi on the way to his apartment, he readjusted his legs a bit with tight lips, appearing a bit nervous once more. You still could not quite wrap your head around what was happening right now, it all felt a bit like a dream to you. Just so, you managed to resist the urge to pinch yourself.

Your boss, your grumpy boss, the infamous Ivar Lothbrok had just casually invited you to go out for coffee with him, had questioned you about almost every aspect of your life, paid for your drink, and now took you to his home to cook for you. It almost sounded like a very bad rom-com, like a romance story some bored, lonely woman would think up. Not that you expected it to end that way, of course. Even if you honestly wished it would.

Until now, even if you sometimes chatted on business trips, your relationship had been purely professional, and you had only been over to his flat once, when you had brought him a set of suits to his home, when there had been issues with his dry cleaner. It had not really surprised you, finding out that he also lived in Majorstuen, actually not very far from you, although it had been a stress factor for you. Of course, he did not live in one of the old buildings, like you did, with paper thin walls, no elevator and wonky doors, no. He lived on the top floor of one of those new, fancy apartment buildings, costing a few ten-million krona, overlooking Frognerparken.

When you had brought the suits up to his apartment, you had also met a famous Norwegian actor in the lift, so it was clear what kind of people occupied the other flats of the building. You had never been inside his home, had only delivered his suits to his door, but even the entrance and the lift had been very fancy and expensive looking. Admittedly, you had taken a stupid selfie in the mirror of the lift and posted it to Instagram.

As Aker Brygge was, as stated, not far from Majorstuen, the drive was quite short, and the few minutes of silence were only broken by far too relaxing music coming out of the car radio. The taxi stopped in front of the apartment building Ivar lived in, and he paid the driver, while you got out, retrieving Ivar’s wheelchair from the trunk. You set it up and positioned it next to the car, for him to climb into.

Ivar clenched his jaw a bit, obviously annoyed at something, even though you were not quite sure what exactly it was that he was annoyed by now, only hoping that it was not you. Well, at least you would have not far home now.

Ivar climbed out of the car, moving himself over to sit in his chair, before unlocking the breaks and rolling towards the door of the building, while the taxi behind you departed.

Just as you remembered, the entry hall of the apartment complex was very posh, and you were reminded that this was a completely different world from yours. A different world from your shitty apartment, where you could hear almost every conversation your neighbours were having, and where you had push your full body against the bathroom door to get it to close properly.

Following Ivar to the lift, the two of you got in, and Ivar pressed the button of the top floor. As soon as the doors had closed, Ivar’s eyes were on you, mustering you intently. His gaze was a tad intimidating, you had to admit, once again looking like a predator looking at his prey. Still, you managed to look back with a smile.

“Are there any things you don’t eat, before I work my magic?” he asked, a smirk on his handsome face. You had to laugh at his choice of words, but told him about any dietary restrictions or things you didn’t like, and Ivar nodded.

“Alright. I think I know what to make, then.” He leaned back in his chair a bit, biting how lower lip, a move that made your knees feel very weak.

“Thank you.” It came out of your mouth, earning a very surprised expression from Ivar.

“What for?” he asked honestly a bit confused, tilting his head at you.

“For the coffee. And for inviting me over, and for cooking.” You studied his face, hoping to find something there, something that would give up his intentions, something revealing why he was doing this. You just needed to know, needed to know if you could get your hopes up or not. Was this really just a social call because you had been working for him for a year now, or was it something else?

“Thank me after you’ve tasted my glorious food! Then I will gladly accept your thanks.” Ivar winked, and the elevator doors opened. Ivar left the lift, pulling his keys out of his pocket as he stopped at his front door.

His flat was the only flat up here, and you guessed it had to be gigantic, covering the whole top floor. You were sure, his flat probably also had a roof terrace.

You had to admit, this was another thing you found kind of intimidating about this man. The sheer amount of wealth he had, the wealth his family had. While you lived in a flat share with an old kitchen and horrible, tiny bathroom, with just a wet room and not even a proper shower, he lived in this extremely modern, borderline futuristic building, overlooking Oslo.

Ivar opened the door, and pushed himself into the flat, with you following close behind, walking past him before he closed the door again behind you.

Obviously you had imagined this place to be huge and expensive, but what you were seeing in front of your eyes was just.. something else.

It was less of a normal flat, and more of a large loft, most of the rooms merged into one big space. There was, similar to his office, a gigantic glass front overlooking the famous park, and West Oslo. The sun was still in the sky, the sunset not being for another one and a half hours or so.

In the centre of the room was a big, beautiful white sofa, the kind where one could just stretch out like a starfish and not fall down. In front of it was a coffee table made out of driftwood and glass, the dark wood in stark contrast with the sofa. On the right of it were large, metal, urban looking bookshelves, filled with many thick books, some leather bound and old looking, dividing the living area from the ‘bedroom’, and there were a few doors opposite of the windows, that seemed to lead into extra rooms, probably the bathroom and other rooms.

Behind the bookshelf you could see a large bed at the wall, so large in fact that you were sure that it could comfortably fit three to four fully grown people. It was covered and surrounded in white and grey furs, sheep and reindeer as far as you could tell from the distance. Furs also covered parts of the marble floor of the flat.

There were many more furs on and in front of the sofa, and in general it seemed that grey, white and black, together with different shades of brown were the only colours in the whole apartment, making it look very sophisticated.

On the left-hand side was a giant, very modern kitchen, seemingly equipped with everything a cook could wish for, with a large kitchen isle and a big table in front of it, a rustic looking piece of furniture, made of wood and carved with beautiful knot patterns, probably hand made by a very skilled Scandinavian carpenter knowing a lot about medieval woodcarving.

The kitchen itself, you noticed, was lower than what you were used to, and while it confused you for a moment, you quickly realised that it was built so that Ivar could easily reach everything from his wheelchair, without having to get any help.

“Welcome to my humble home.” You heard Ivar’s voice behind you, pulling you out of your thoughts. You swallowed and turned to him, looking at him as he watched you with a knowing smile on his lips.

You could not hold back a laugh.

“Humble?” you simply asked, slipping out of your shoes and walking further into the big room, looking around.

The whole flat was modern and elegant, yet had such a rustic and clearly Scandinavian aesthetic, it was truly impressive. Whoever was the interior designer, was truly a genius, and showed an amazing appreciation for medieval Scandinavian design. Similar works you had only seen in the Folksmuseet in Bygdøy.

The walls that were not made out of glass were covered in picture frames, displaying either old Viking artwork or photographs of Norway and Iceland, of runestones and old temples. Somehow, it fitted in perfectly with the rest of the decoration.

There was a door in the glass front of the flat, leading out, just as you had assumed, onto a large roof top terrace, furnished with even more rustic, wooden, and probably handmade tables and chairs, and, as cliché as it sounded, a beautiful hot tub. It was built into a frame, reminding you of a Viking ship, with a set of carved stairs leading up to it, probably so that Ivar had an easier time to get in and out of it, without requiring any help.

“Alright, I admit, not so humble.” Ivar chuckled. “It was a present from my father when I started to officially work in the company. He had his friend Floki and his wife Helga design and build this whole thing.”

That made you turn around to him once more. You knew these names.

“The Floki and Helga?” you swallowed.

Floki and Helga were very, very famous, highly awarded architects and designers, often hired to design important landmarks and museums. Houses planned by them costing up to a hundred million kronas. They were famous for being able to combine the traditional aesthetics of their ancestors with the modern designs of this century, creating masterpieces that were rewarded all over the world. Now, looking around Ivar’s loft once more, it seemed obvious that this was their handy work.

“Yes, The Floki and Helga.” Ivar chuckled. “The two of them almost raised me when I was a kid. With my parents busy all the time and me being bound to.. this.” He gestured at is chair. “Floki made all the wooden furniture himself. I am very lucky.”

“Indeed you are.” You shook your head, unable to believe what you had just heard.

Obviously, he had been raised by the two of them. Obviously, they had made his home for him, being like family to him, and being friends of his father, the most powerful businessman in Norway, and probably even all of Europe.

By now, you wouldn’t even question, if Ivar casually told you that he was descended from Odin.

Ivar just shrugged at your words, although the expression on his face was a mixture of amused and pride. He bent down to slip out of his shoes, before moving his wheelchair over to a spot next to the door, where another wheelchair was waiting for him, this one looking a bit different, similar to the ones used by disabled athletes. Easier to navigate and probably a bit more comfortable. Ivar heaved himself up from his chair, navigating himself into the other one, a sigh leaving his lips.

“I don’t fancy the dirt from the streets in my home.” He explained at your confused face, before he pushed himself towards you.

Oh yes, that made sense. Just as both of you had taken off your shoes, it would only be logical for him to also ‘change wheels’.

A faint smile was on his lips, as he looked up and into your face, his expression soft and open, something you were not quite used to from him. His body language was relaxed too, his arms simply resting in his lap, as his head was once again tilted slightly.

He was truly a beautiful man, you had to admit. It was difficult to ignore, and sometimes you caught yourself staring in meetings, hoping that no one had noticed how your eyes had been practically glued to your boss. Solveig had made fun of you even more, when you had told her about it.

“I think I’m going to start to cook now, before we starve to death. So, sit down, get comfortable.” He winked at you, before moving his chair towards the kitchen, in the process letting the wheelchair roll a bit, while he pulled his long hair into a tight bun at the back of his head. “Or would you like to help?” he looked back at you with a raised eyebrow, looking at you from underneath his long eyelashes. You had to swallow.

“Well, I am still your personal assistant. So, I will assist you.” You smiled, following him into the kitchen. You hoped that reminding yourself that you were still his employee would calm your nerves.

“I had hoped you’d say that, dove.” There it was again, that nickname. Your nerves were certainly not calm now.

Ivar started to pull out pans and a cutting board, gesturing at the fridge for you to take out certain ingredients and washing them in the sink.

You were not entirely sure what he was going to make, but you were positively surprised that his fridge and his whole pantry was stocked very well. You had to admit, you had taken him for one of those bachelors who had never touched their kitchen in their lives, and with all the money they had always ate out.

But, as Ivar casually explained while you were preparing food, he enjoyed cooking for himself, and did so almost every evening.

While you were washing some vegetables, and he was skilfully cutting up an onion, he casually told you about the cooking schools he had visited when he was younger, and about the occasional dinner parties he threw for his close friends and family, where he cooked up five course meals for them all by himself. He moved around his kitchen as if he knew every millimetre of it, knowing the layout like the back of his hand.

You enjoyed this far too much. You rarely saw Ivar this casual, only on business trips when he was not in the mood to talk about work anymore. And though you did not like to admit it, you were keen to know more about his personal life, to know more about the man behind the name Lothbrok.

It was nice to see him here, in his home. He seemed so at ease, so open, the usual anger and annoyance he often seemed to carry around with himself in day-to-day life completely absent in this moment. This was his space, where he did not have to worry, to think about what upset him.

This flat truly seemed to be his place, and his place alone. His kingdom far from the influence of other people. Here he was himself, independent of everyone else, everything built in a way that he did not need help from other people.

Whatever else would come of tonight, you were just happy that you could witness this. You would see Ivar differently now, you knew. And would probably fall even more for him.

You noticed it getting a bit darker out, and a quick look at your phone told you that it was already half past nine PM. It had not seemed that long, getting to Ivar’s home and starting to cook, as you had not even finished the preparation for cooking yet, but frankly, you didn’t even mind. The setting sun tinted the whole apartment in a magical, golden light, making it look even more beautiful and magical. Ivar’s face turned away from his work for a moment, his blue eyes wandering over the horizon, where the sky was slowly tinted in orange, pink and purple. A faint smile appeared on his face, before he returned his attention to the food.

Absently minded you put your phone on the kitchen isle, before you grabbed a jar of mixed spices, which Ivar had instructed you to get for him while he was still cutting up vegetables. You read the label, not surprised that he had not purchased them in Norway, but in Spain, turning around, eyes still on the jar. Thus, you only noticed too late that Ivar was right behind you, his chair almost inaudible on the marble floor.

With a slightly embarrassing yelp escaping your throat, you lost balance, tripping over Ivar’s wheelchair, falling over and landing straight in his lap. His strong arms were suddenly around you to keep you from completely falling to the floor, and your face probably had taken on a crimson shade.

“Careful there, dove. I’m usually not that hard to miss.” He smirked, to your surprise not even remotely angry with you.

You had once, in your third month at the Lothbrok Corporation, seen a small clerk run into him in the office, who had been a bit late and had not really paid attention. After Ivar had yelled at him for good twenty minutes, he had never been heard of again.

“Gods, I’m so sorry, I..” but you stopped, swallowing, not knowing what to say. You tried to get up, the jar of spices still in your hand, but Ivar’s strong grip around you firmly held you in place.

The man tilted his head, eye flickering to the glass container you were holding. He let go of you with one of his arms, while the other one was still around you, taking the jar from your hands and placing it on the counter next to him. His blue eyes mustered you once more. Your heart was pounding. In the light of the setting sun he looked even more handsome than he had already.

“I have told you, that you look good today, right?” he asked, his voice low. His hand had returned to hold you again, and you noticed his fingers carefully caressing your back, which sent a shiver up your spine.

Your mind was racing, as was your heart.

You could not but stare into his piercing blue eyes, not sure what to say, how to respond to him right now, or if you should say anything at all. You were unable to think even one coherent thought, as you felt his strong arms around you, his firm body below you, and his hot breath against you skin.. wait. When had he gotten this close to you?

Before you could really comprehend what was happening, you suddenly felt Ivar’s lips against yours, not firm, but soft, almost shily moving against yours. In that moment, it was as if your mind just gave up, and turned itself off.

#ivar the boneless #ivar imagine #ivars heathen army #ivar x reader #vikings imagine #coffeeAU

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whereisten · 4 years ago

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ghouls just wanna have fun (A Creature Feature Story)

A Taeil fic that’s part of our Halloween Series!

Summary: After your date ends up being a dud, you stumbled upon an unusual movie theater and its most appealing visitor, Moon Taeil.

Pairing: Ghost! Taeil x female reader

Genre: romance, angst, pinch of smut, drama, fantasy, horror

Word Count: 7k

Warnings: gore mention, death mention, smut: masturbation mention

(A/N: Hi! Special shoutout to the Creature Feature readers. I love you...It’s almost one year to the day that I posted Part 1 (I know: where the hell is the rest of it?). Rest assured, the series will continue in November. This Halloween series has gotten me out of my funk. I hope you enjoy this story. And to newcomers, welcome! This story can be read alone, if you'd like, but I think you’d enjoy this more if you read my Creature Feature updates! Anyways: SHOUTOUT TO MY BEST FRIEND AND PARTNER IN CRIME/WRITING KRYS. SHE CREATED ANOTHER SPECTACULAR MOODBOARD FOR ME. SHE’S MADE SEVERAL FOR ME. AND I AM SO SPOILED. HER BRILLIANT BRAIN AND VISION DESERVE ALL OF THE LOVE. SEND IT HER WAY. We hope you enjoy this installment and our upcoming posts! Thank you for all of the love in our stories so far!

___

“Jaebum, I’m not going. Let me off here,” you demanded.

Well, tonight was just fantastic. Fan-freaking-tastic.

Your date that your friends set you up with ended up being a bust. He wanted to take you to a house party so he can get high and you could be his side piece for the night. Your friends were all in committed relationships and they thought you were bummed because you felt single and bitter.

No, you were just bummed at the fact that your friends had blown you off too many times for their significant others. That was the actual problem.

But they were doing better with you, you had to admit. They spent more time with you as their honeymoon stages with their significant others had finally dwindled. The set-up was supposed to be for fun.

They even thought that this date could open doors for you.

Doors to what? Well, it ended up being to the stench of weed in the back of Jaebum’s old Sonata.

Jaebum’s car, which included his two stoner friends Jinyoung and Yugyeom, came to a halt at a red light near a plaza.

“You want to leave, y/n? Then here’s your stop,” Jaebum said.

You raised your eyebrows. “You’re kidding me, right?”

Jaebum shrugged. “Take it or leave it. I got places to go.” His friends muttered over how uncool you were. The least this jerk could’ve done was take you back home.

You rolled your eyes. “Fine. Go to hell.”

The car sped off as you stood near the plaza entrance. It was getting colder as midnight approached. So you decided to wait outside of an abandoned Spirit Halloween store so your Uber could pick you up from there. You walked towards the plaza and suddenly…

Bright lights appeared before you that you quickly shut your eyes. You blinked them open, wondering what just transpired when you realized...

There was an active movie theater there, with a giant sign surrounded by bright light bulbs. It read “Sinema”.

What the hell, you thought.

You walked closer and closer and saw people coming in and out of the theater. And then...oh, wow, you really had lost your mind. Little human-like creatures of different colors were flying around the entrance...They were fairies! Their pixie fairy dust landed on your shoulders. You picked off the dust that had fallen on the shoulder of your dress. The texture reminded you of Cheeto dust. It was hard to get off. You were certain your black dress was permanently stained.

Then, a man walked past you and transformed into a large purple dragon before your very eyes. He blew out fire within a few feet from you, you yelped. He set off for the sky and vanished. After, another group of men walked past you, flashing their vampire teeth as they laughed about something. They were all stunning but the one with wavy electric blue hair was the real showstopper. You couldn’t think that too long as people that looked bright and transparent walked towards you.

You thought they were going to bump into you so you said. “Hello? Watch where you’re going!”

But they walked right through you and kept going. Seemed like they got that kind of comment a lot.

You blinked a few times. Did that just happen? Were those...ghosts?

A young woman in her red and navy blue uniform appeared before you. She smiled. “Welcome to Sinema, the premier theater for the supernatural! My name is Haseul. You look like you have a lot of questions. Is this your first time here?”

“I...I…” You started. “Is this really happening?”

She laughed. “Yes...All supernatural creatures and their approved companions are welcome here!”

You frowned. “There must be some mistake. I’m not a supernatural creature.”

Haseul pulled out her phone. “Your name?”

“Uh...y/n y/l/n…” You said. “Wait, why did I say that?” You answered her without even thinking. It was like she compelled you to do what she asked.

She winked. “It’s a special little skill of mine. It’s a part of the job.” She scrolled through an app on her phone. “Well, you’re not a part of the approved human companions list so...You have to be supernatural!”

You gaped. “That’s funny…This is a joke, right? Some kind of Halloween event? Well, you’re a few months too late…”

Haseul shook her head. “Oh, no, this is no reenactment. This is the real deal. Allow me to escort you inside.”

You weren’t sure if that was a good idea but you were curious. You followed her inside.

The movie theater was elegant and modern. The latest video games were available at the arcade. The concession stand was huge. It had to be with the number of creatures that were lined up for snacks. The theater was three stories high. Posters for the latest movies were up. The music that played overhead consisted of songs from the 70s, 80s, and more. Rick Astley’s “Never Gonna Give You Up” was playing. Sinema seemed like any regular theater.

Well, except for the supernatural creatures, of course.

“What is this place?” You asked Haseul. “This can’t be real...I’ve been drugged. Jaebum got something in my system and I’m hallucinating. That has to be it.”

Haseul gave you a confused look. “This place is very real, y/n. I know it might be a hard pill to swallow but you belong here. To the supernatural world. A part of you is connected to this world. I’m not sure why it took you so long to discover that but...you’re here now.”

Haseul’s phone rang and she answered. “Yeah, boss?...Okay, I’ll stop calling you that...Oh? I see. Well, have fun with your boyfriend…” She teased. She hung up and she continued, “Well, y/n, I must be going but if you need anything, you can reach out to anyone who is wearing this uniform.” She showed off her uniform. She looked like a very casual flight attendant. The navy blue skirt was very flattering on her. Her white blouse had a red tie over it. Her name tag had her name written in her own elegant cursive.

“W-wait…” You started.

Haseul gave you a reassuring smile. “You can stay or leave, y/n. No one is keeping you here. But know that you’re always welcome here at Sinema. We hope to see you again.” She walked off to resume working, you thought.

You stood there, confused over what to do. Going to the movies hadn’t been in the cards for you tonight. Much less finding out that the supernatural existed in the same world you did.

Unless this was a parallel world, which just made your head spin even more.

Deciding to stay, you went back out to the main entrance to buy tickets. You heard growls among the chatter of people that stood in line before you. All kinds of creatures stood in front of you: werewolves, selkies, fairies, kitsunes, and more. You felt like the only outsider. For everyone else seemed to know their place…

According to Haseul, the only reason you could access this place was because you were a supernatural creature. And that...that just couldn’t be true. Sure you were adopted but you never displayed any kind of power or ability that would indicate you were a creature.

It was impossible, you thought. A striking young man with long silver hair stood behind you and you could feel his eyes on the back of your head. He was tall and muscular. You wondered what kind of creature he was or if he was actually a companion like Haseul described. You turned to him and his stare never wavered. “Can I help you?” You asked.

He blinked a few times to snap out of it. “I’m sorry...I zoned out…” He tipped an imaginary hat. “It’s your turn.”

“Miss?” The employee at the ticket stand asked. Like the young man behind you, she seemed human. However, the red tint in her eyes told you otherwise. You wondered what she could be.

“Oh, uh... A ticket to ‘Spider-Man: The New Kid’, please,” you said.

“That’ll be 12.50,” the employee replied.

Even if this was a movie theater for the supernatural, they certainly charged like a regular theater did. You paid the employee and got your ticket. The ticket stub was actually very beautiful. It was holographic so you could collect these stubs like trading cards, if you wanted.

You hung around too long so the silver-haired boy approached you.

He smiled at you. “Hello.”

You smiled, a little uneasy. “Hi…”

“First time at Sinema?” He asked. The man was stunning with his high cheekbones and dangerous dark eyes. A devil-may-care smile that must have won over a few women.

You nodded. “Is it that obvious?”

“The look of horror on your face hasn’t faded,” he said, chuckling.

You sighed. “Yeah...Well, I’m still pretty stunned.”

He said, “Well, you’ll get used to it eventually. Something about you makes you belong to this world, right? Do you know what it is?” His eyes widened.

It was almost as if he knew the answer. But if you didn’t know, how could he?

You sighed. “I couldn’t tell you. Maybe I’m just a fluke.”

“Oh, I have to disagree…” He started.

A ghost materialized right beside you. He stood closer to you and stared down the silver-haired man. Even if he was a ghost, he was the most alluring man you’d ever seen. Although translucent, his features were striking and not to be ignored. His undercut that accentuated his face so well was bright red, like rubies. His ears were decorated with crescent moon studs. He wore a navy button down and black slacks, like he was dressed for a hot date. His tan skin cast an ethereal glow. “Yuta, give the girl some air. She just discovered she’s not human.”

The silver-haired man named Yuta sighed. “Do you ever stay out of people’s business?”

The ghost rolled his eyes. “Do you?”

You averted your eyes from them and looked at the concessions menu. Hmmm, the Sour Patch Bats looked promising, you thought. You started, “I’m gonna go.”

Yuta was about to call your name again but the ghost boy raised his hand to stop him. “You’re already messing around here too much. Leave her alone.”

Yuta rolled his eyes. “I don’t have to listen to you. I’m the alpha.”

The ghost boy made faces as he imitated Yuta’s voice. “I’m the alpha. I eat the hearts of my enemies for breakfast. I’m Yuta.”

Yuta growled and it was so animalistic that you wondered if he was going to transform into the creature he most likely was. Your money was on him being a werewolf.

Yuta stormed off and returned to his posse of gorgeous and muscular people. They all watched you and you wondered what was so fascinating about you.

The ghost boy followed you as you got in line for concessions. “What’s your name?”

“Y/n...Yours?” You looked into his soulful eyes.

He smiled. “I’m Taeil. The eyes and ears of Sinema. And you’re new.”

“Yup...And I have no idea who I am or what the world is anymore…Well, it’s time for a snack.”

Taeil chuckled. “The Sour Patch bats are really popular but they sell out fast.”

An employee at the concession stand announced over the intercom. “Sorry, folks. The Sour Patch Bats are sold out.”

Everyone groaned and moaned and growled and wailed. Even you couldn’t help the tiny huff of disappointment that escaped your lips.

Taeil sighed. “Well, lucky for you y/n. I’m friends with the manager of this joint.”

You raised your eyebrows. “Oh, are you?”

He smirked. “I know where she keeps her secret stash of Sour Patch Bats. Now she normally hides those away for her boyfriend but I’m sure she won’t miss one bag…”

Taeil led you upstairs to the manager’s office.

You frowned. “Are you sure we can be here?”

Taeil winked. “Nope. But she owes me.”

Taeil moved himself through the front door and unlocked the door from the inside. You entered the office and found a bouquet of flowers on the manager’s desk.

“How did you touch…”

He cleared his throat like he’d debated what he was going to say. “With most of my strength, y/n...Anything to impress the prettiest girl to set foot in Sinema.”

Although your concept of ghosts was completely debunked (ghosts could indeed touch inanimate objects), your face warmed up at that comment. You tried changing the subject. “Taeil, maybe this is a bad idea…”

He shook his head as he stuck his hand through the manager’s desk drawer and rummaged around before he grabbed a bag of the popular candy. He threw it over to you. You caught it.

You opened the bag and ate the bat-shaped sour gummies of lime, orange, lemon, and cherry. They were the best candy you’d ever tasted and until tonight, you’d been deprived of their existence.

Your eyes grew. “These are...Oh my God.”

Taeil smiled knowingly. “I knew you’d like them. See, the supernatural world isn’t so bad, is it?”

You were touched. He was being so kind and attentive. So quickly, too. “No, I guess not…”

His beautiful lips curved upwards as he watched you enjoy the candy.

“What movie are you going to see?” He asked.

“Well, Taeil, I thought you were the eyes and ears of this place. You should know,” you teased.

He laughed. “Well, I don’t. Is it an oldie? Sinema plays throwback movies every week to appease the masses.”

You shook your head. “I’m watching the new Spider-Man. The new actor they picked is supposed to be above all of his predecessors so I’m excited.”

Taeil asked. “Can I join you?”

You pretended to deliberate. “Well, you have supplied me with sustenance so how could I say no?”

Taeil usually kept to himself, occasionally confiding in his best friend. He really was the eyes and ears of the theater. He knew of all the romantic entanglements that transpired. The current feuds between species. And more.

Typically, he was stuck facing his demons and never quite got past the last thing he needed to overcome in order to ascend to heaven.

He’d sought justice so what was holding him back?

And at the sight of you, he felt an ease in his heart that he hadn’t felt since he was alive.

___

Your first night at Sinema was the first of many where you and Taeil bonded and enjoyed each other’s company. You went to the theater every weekend and met up with him. You’d see a movie together and talk about it for hours on end. He’d even sometimes accompany you back to your dorm. And even if you could see him...no one else in the human realm could. So you would have to pretend you were on the phone when you talked to Taeil. Even as he sat closely beside you. Longing to hold your hand.

You wondered just how many creatures hid from you in plain sight. Some of them could masquerade as humans and you’d never know it. That terrified and excited you.

You loved Taeil’s sense of humor, how he showered you with free movie tickets and concessions (courtesy of his best friend’s connections), his wit, his smile, the goofy, fascinated look he gave you when you spoke.

You always wanted to push back his hair and slap his arm when he teased you. And you wondered what those soft red lips would feel like on yours.

But you couldn’t.

The most wonderful person you’d ever met.

And he was an apparition.

As for Taeil, well, he loved everything about you. Your mind. Your curiosity of the world. Your inability to shut away the unknown completely. The way you adapted to Sinema so quickly. The way you looked at him.

He was convinced that you also wanted to kiss him.

It killed you both, honestly.

You told him you were in your senior year of college. You were getting a degree as a nutritionist but you felt unsure about what you would pursue after college. You felt like nothing got your heart racing. You were just going through the motions, making your parents proud. They’d given so much to you so you didn’t want to disappoint them. So you figured getting a steady paying job was a step in the right direction and maybe one day you’d figure out your passion...and how to capitalize off of it.

Taeil could tell you were frustrated and lost and he wished you didn’t feel so down. He saw the light in your eyes. You had a whole future ahead of you. You would find your dream job someday, meet a man, settle down, have his children, and grow old together.

And him? Well, maybe at that point, he would finally have moved on.

Before meeting you, he was fixated on getting even with the man who murdered him and the woman who betrayed him and got the ball rolling.

He told you all about it...Originally, he didn’t want to because the details were too gruesome. But you’d been honest with him so it was the least he could do for you. He told you about his life in the west coast town of Luna, where he aspired to be a producer and songwriter. And he told you about how his life came to an abrupt end.

Taeil’s killer had been none other than Jung Jaehyun, the man whom his girlfriend had cheated on him with. Jaehyun was a member of one of Luna’s most notorious gangs and he detested Taeil. Taeil’s girlfriend, Lexa, didn’t know how to break up with Taeil so she could be with Jaehyun. She was frustrated because Taeil was so sweet and giving. He was so good to her that Lexa chickened out and never broke up with him. She was getting frustrated and Jaehyun was getting even angrier.

One of the nights that Lexa spent with Jaehyun, she let it slip that she wished there was a way she could get rid of Taeil. And Jaehyun was more than happy to oblige.

Jaehyun and his men cornered Taeil one night. He thought he was meeting Lexa for their 300 day anniversary. He got a text from her phone saying to meet her on the rooftop of the Nectarine Hotel because she had a surprise for him.

However, she was nowhere to be seen. Jaehyun took Taeil by surprise and pushed him off of the twenty story luxury hotel.

Jaehyun’s men lingered downstairs and made sure there were no witnesses on the scene. All evidence of Taeil’s death had been covered up. Taeil’s family and friends reported Taeil as a missing person. Lexa had also disappeared off of the face of the Earth. And many wondered if she and Taeil had disappeared to start anew.

That couldn’t have been further from the truth. Jaehyun, Lexa, and his men disposed of Taeil’s body off underneath an overpass. They’d buried his body and washed their cleans of him.

Taeil always thought about whether or not an afterlife existed. When he hit the ground from his fall, everything went black. The roaring pain all over his body that hit him for one moment...Quickly vanished at the next.

Taeil opened his eyes again and instead of seeing Downtown Luna...Only white surrounded him. Surrounded by golden specks.

An angel appeared before him with stunning peach-colored wings. The angel shined so brightly that Taeil couldn’t make out their face. They spoke softly… “Moon Taeil...Born June 14, 1994...Died October 22, 2018.”

Taeil sobbed then. “Please, is there any way you can save me?”

The angel sighed. “My poor child...You’ve been wronged. I want to give you the opportunity to seek justice...And once you have seeked justice and found peace, you can ascend into Heaven and join us. Our Heavenly Father awaits you.”

Before Taeil could respond, he became a ghost. He manifested into another town he couldn’t recognize. It was the city of Mystic. Jaehyun lived a life of luxury and terrorized the new city with his gang. And who reigned right beside him in a God-awful bubblegum pink wig?

The woman he’d loved and planned to propose to: Lexa.

Lexa played around with the buttons on Jaehyun’s designed shirt as she quietly thanked him for killing Taeil. And Jaehyun murmured back a thank you for giving him the idea and for suggesting a good hiding place for his remains.

Taeil felt sick to his stomach. The love he felt for Lexa had quickly shifted into hatred. And Taeil wanted revenge. He wanted to take them both down. But how, he wondered.

It took him a few more months to figure out how exactly he could enact revenge on them. Haunting them for a few weeks was a thrill but he wanted Jaehyun behind bars. And Lexa? Well, Taeil just wanted her to drown in guilt.

And then, Taeil found Sinema, a supernatural hub in the seemingly typical town of Mystic. Taeil struck a deal with the vampires to help them dig up his body. They in turn compelled the police to find his remains and track down Jaehyun.

Taeil owed the vampires a few months of haunting humans who had deceived them when they were once humans. So both parties were happy.

Taeil decided to spare Lexa from prison. Instead, her family, her friends, and everyone from Luna shunned her for having a hand in Taeil’s murder. Although she was never charged, she was as good as guilty as Jaehyun and his men.

Lexa remained in Mystic in a run-down apartment, barely making ends meet. The luxuries she was able to afford before, because of Taeil and then because of Jaehyun, were no longer accessible to her so she lived a life full of resentment.

But Taeil visited her many nights to remind her that more than anything, she should’ve felt guilt and remorse for what she’d done to him.

How she convinced him that he’d found happiness in her. How she made him out to be a fool. And how she discarded him like a piece of trash.

Lexa’s mind slowly unraveled over time and the guilt slowly consumed her each time.

Taeil ate it all up. This felt like justice and he didn’t want to ascend just yet. He wanted Lexa to get on her knees and pray to God for forgiveness for what she’d done to Taeil.

But that day hadn’t come. So Taeil frequented her apartment at night...Having Lexa think she dreamed of him as she slept.

One late Saturday night...going into Sunday morning, Taeil waited with you at the bench for your Uber to arrive to take you back to your dorm. Sometimes he accompanied you to the dorm and talked to you. You’d have to pretend you were on the phone so your Uber driver didn’t think you were talking to an imaginary friend.

Tonight, though, he wouldn’t be taking you home.

You asked, “Are you going to see her now?”

Taeil froze. “What?”

You wondered aloud, “Lexa...Do you haunt her on the weekends too?”

“Not recently, actually...I’ve been seeing her less.”

You smiled. “Taeil, that’s great. It means you’re getting over her.”

Taeil glared. “I don’t need to get over her. I despise her.”

Your smile vanished. “I know that. It’s just-”

He shot back, “Just what?”

You looked down at your hands and played with your fingers. “It’s just...You’ve sought justice...Jaehyun is rotting in a jail cell...Lexa is guilty over what she’s done...And...I hate to say this...But I think if you stop going to see her...There’s a chance you can finally ascend.”

He looked taken aback at your words. “I can ascend whenever I want.”

You lifted an eyebrow. “Really?”

Taeil looked even more annoyed as he sneered. “Absolutely. Excuse me for wanting to spend a little more time with you before I leave forever.”

His words infuriated you. “Taeil, you...I’m not the reason you want to stay...You’re hung up on your ex. Even if it’s not in the romantic sense...You’re fixated on terrorizing her until what? She begs for forgiveness?”

“And what the hell is wrong with that?”

“Taeil, you’re meant to find peace. You have to let her go.”

“Well, y/n, thank you for your opinion. I never asked for it but it’s certainly never stopped you...Have a safe trip back to your dorm.”

“Fine! Manifest yourself back to me when you get a grip.” You crossed your arms around your chest in anger. He was unbelievable. You were right. He just wouldn’t let go. He wouldn’t give up on seeing that...that wretched bitch.

Why did you let this piss you off so much and why were you overstepping...You had no right…

Perhaps it was because you’d fallen for Taeil and seeing him jeopardize his fate over this woman infuriated you like nothing else had.

The full moon was out that night and you couldn’t help but yell in fury at the sky.

Someone crept up behind you and with his claws, he scratched deeply into your collarbone. “Hey, what the fuck?!”

You turned around to find a werewolf before you. It was a literal wolf on two legs. His muscles protruded like that of a man’s but they were so large...You knew he could easily snap your neck with a quick movement of his hands. His tawny coat shined in the moonlight. His brown eyes watched you, expectantly.

You were about to get on your knees and beg for mercy.

You saw a group of people lingering beside the werewolf. You remembered them. They were a part of Yuta’s pack.

“Yuta?” You finally connected the dots and realized the wolf who scratched you was Yuta. You hadn’t seen him since that first time.

He had been a werewolf, after all. But why had he transformed? Why was he here? Why had he done this to you?

You winced slightly at the scrapes and monitored them as they quickly vanished. You couldn’t believe your eyes.

Yuta’s fur vanished as he transformed back into his human self. He was shirtless but his pair of jeans remained on. “Y/n, I wanted to confirm something…”

You frowned. “What?”

“The scratch of the alpha is borderline lethal to any outsider of the pack...So any pack member or...descendant of that pack member can heal from his bite…”

You laughed nervously, confused. You wanted to get the hell out of here. Where the bloody hell was your Uber? “Uh...That’s interesting, I guess.”

“Can’t you see, y/n? I’m the alpha of the Nakamoto clan. You’ve healed from my scratches...Which means…”

You demanded, “What does it mean?”

“It means you are a descendant of this clan, y/n…”

You shook your head. “No...That’s...Impossible. I’m not a werewolf…”

“You were adopted at five months, y/n...Your parents perished in a war against the vampires...Your parents led normal lives as humans for as long as they could...Much to the disappointment of my father.”

“Yuta, you don’t know what you’re saying…”

“I do, y/n. The pack and I have uncovered everything about you and your family history. You’re a werewolf. An unawakened one.”

“No…”

“Explain how your bite healed. The only way you could enter Sinema of your own accord is if you possessed supernatural blood. And werewolf blood is as supernatural as it gets.”

“Yuta, please, you’ve got the wrong person...I don’t know why you bit me and why it healed. Maybe it’s some magic trick you pulled off to please your pack...I’ve had a shitty night so if you don’t mind, I’d like to go home,” you said, checking your phone for the arrival of your Uber. It was arriving.

“Y/n!”

The Uber pulled up and you turned to him. “Just leave me alone.”

___

You visited your parents the next day. You asked them about where they’d adopted you from. They’d always been very mum about the details.

“Someone told me something crazy the other day,” you said to them as the three of you shared dinner with your adopted younger siblings.

Your parents both looked at each other, concerned.

“He said my biological parents were werewolves!” You laughed in disbelief. “How crazy is that?”

Your parents eyed each other again.

Your mom started, “Who is this man?”

“Mom, I believe the proper response is ‘That man is crazy. Where did he get that kind of story?’”

You knew your parents were hiding something and you wanted to hear the truth from them.

Your father scratched his neck as he took off his glasses. Your younger siblings all eyed each other uncomfortably.

“Why aren’t you guys saying anything?” You asked.

Your dad said, “Y/n...We hoped for you to never find out.”

You shook your head in disbelief. “Dad, you’re scaring me...Find out what?”

Your parents went on to tell you about the incidents you had when you turned eleven. After you’d had your first period, you began to experience terrible mood swings and throw tantrums left and right around the time the full moon occurred. And when you turned thirteen and the first full moon following your birthday occurred…

You’d attacked a neighbor who was walking their dog.

You’d grown teeth and hair all over your body that night. You’d become a wolf, according to your parents.

Once the night had ended, you’d transformed into a human again and fallen asleep.

Your neighbors never knew that it had been you. Your parents helped your attacked neighbor get to a hospital and they reported an animal attack in the neighborhood. Your neighbor couldn’t remember anything.

But her dog never forgot and hated you.

Your parents got a hold of the adoption agency and they had no information on your birth parents besides their names. Your parents then got in touch with a psychic, who referred them to a witch. They took you to the witch and she told them you were an unawakened werewolf. You were a fledgling. Unless you received the bite of an alpha werewolf and acquired your position in the pack, you were susceptible to these monthly full moon transformations and since you hadn’t been awakened, it would be even worse and dangerous for those around you. So the witch concocted a potion that would suppress your fledgling urges but it was critical that you consumed it each month.

Which explained why your parents were always so adamant for you to come home every month for dinner. They put the potion in your dinner. So you were able to suppress your urges up until this point.

Could this be the reason why you felt so unfulfilled? Because you never explored your true nature? Your parents never gave you the choice to control it.

Your parents had good intentions but you had the option to meet the pack all of these years...And you never knew.

You’d always felt like a part of you had been missing and your trip to Sinema had done the trick to lead you to the truth.

___

Back in your dorm and without having ingested the potion your parents had given, you’d only had a few days until the full moon. You were resolved to speak to Yuta.

You’d gotten out of the shower, letting out a shaky breath from all of the bundled up nerves you carried. You were shocked to find Taeil standing in your common room that you shared with your roommates. They were all away for the day.

“Taeil!” You started as you covered your towel more tightly around you.

“I heard,” Taeil started, worry etched all over his face, “If I could kill Yuta, I would…”

“Taeil, I’m going to him,” you started.

“What?” He asked.

“I’m going to be awakened by him.”

He looked at you in disbelief. “Y/n, what are you-”

“I’m an unawakened werewolf, Taeil. My biological parents were werewolves and if I don’t receive the official bite of the alpha, I’m going to suffer by the influence of the full moon.”

“Y/n, the full moon is in two weeks!”

“I know…” You said.

Taeil sighed. “Y/n, you have a chance to be away from the supernatural world. To avoid the dangers of these creatures. I know humans are terrible, deceitful, and cruel...But the supernatural doesn’t fare better. You didn’t grow up in this world. It could consume you and spit you right back out…”

You were resolved, though. You longed to explore more of the world and to embrace the part of you that had always been neglected. “Taeil, I’ve made my decision. My family has respected it. And I hope you will, too.”

A tear escaped Taeil’s eye. “Y/n, I’m so sorry. If I hadn’t left you alone…”

You shook your head as you wished to embrace him. “Taeil, this isn’t on you. This opened my eyes. My path is more defined now...Who knows what awaits me once I awaken? That’s for me to find out.”

Taeil extended his hand out and pretended to caress your face. “There’s nothing I can say to make you change your mind, is there?”

“No,” you said, as you leaned closer to his transparent hand.

He smiled weakly. “Y/n, I’ve thought a lot about it and you were right...I’ve given up on visiting Lexa.”

You opened your mouth wide. “Really?”

Taeil avoided your stare as he stared at the potted plant by the window. “I...wanted to stay longer but...we’re both meant to part ways...And I’m not happy...Terrorizing Lexa hasn’t given me any sense of fulfillment. Temporary pleasure? Yes...But I long to find that peace.”

You cried. “Taeil, I’m so happy to hear that. And you will find that peace, I promise you.”

“In the meantime, I’ll be by your side as you head into your next chapter.”

You smiled at him and didn’t realize your towel slipped to the floor.

“Y/n…” Taeil coughed as he quickly turned red and turned around.

“What?” You frowned.

Without looking at you, he pointed to the towel on the floor.

“Shit!” You exclaimed. But then, you watched Taeil...He was blushing…

“Did it hurt that much to look at my body, Taeil?” You asked, quietly.

“What?” He asked, confused.

“It’s okay...You can look…”

Taeil turned and was shocked to see you still unclothed.

You gave him a flirty smile. “I know we can’t touch...But it doesn’t mean we can’t have fun, right?”

You got onto your bed and slowly began to tease your clit and Taeil’s jaw nearly fell to the floor. He adored every inch of you as he scanned your body and worked his hardest to commit it all to memory.

You could see his member grow in his pants. He immediately gripped his gorgeous length and pleasured himself alongside you.

“I wish I could feel your heavenly cock on my clit…” You told him.

He grunted. “Heaven can wait...This is real paradise...Here with you.”

You muttered sweet nothings to each other and imagined that you made love to each other that day.

___

You and Taeil were more inseparable than before. Because you knew your days together were numbered.

The full moon arrived and Yuta had agreed that this was the ideal time for your initiation into his pack. You would be able to absorb the moon’s power as you transformed from Yuta’s bite.

Yuta invited you to his mansion in the woods not too far outside of town. His pack members were present and they’d arranged a massive bonfire at the center in honor of your awakening.

Taeil was right beside you, much to the chagrin of the rest of the pack members. But what could they do? Drag him out? When they couldn’t even lay a finger on him?

Yuta was dressed in his best tuxedo as he recited the pack’s code of conduct to you and welcomed you into their pack. He transformed into his wolf form and at the brightest the full moon had been, you’d taken on your fledgling form. You howled at the moon and became rabid. Yuta knew what he had to do.

Taeil watched you in concern but Yuta had sworn to protect you. For you would be one of his family soon enough. So Taeil had no choice but to trust him.

Yuta bit into your collarbone and your eyes shifted from their usual color and into a bright amber. You felt yourself regain consciousness and became aware of where you were.

“Y/n, do you know who I am?” Yuta asked.

You nodded.

Yuta continued, “Good. You are now a fully awakened werewolf. Harness your abilities with honor and know that you have a family in the Nakamoto clan forever.”

“Hear hear!” The pack members yelled out.

You’d reverted back into your human form through your own accord. You were shocked at how quickly you could turn back.

You ran over to Taeil and he beamed at you. “How do you feel?”

“I feel...whole...Fulfilled...I have no idea what will happen next but it’s a new kind of uncertainty...And I like it.”

Taeil said, “I’m glad, y/n…”

He started to pixelate before you and his voice began to fade.

Your smile faded. “Taeil?”

“I think God wanted me to stick around for this momentous occasion...Before he summoned me…”

You couldn’t help the tears that escaped you. “Taeil, I love you.”

He cried with you. “I love you, too. I will see you up there...Soon. I’d better be the first person you look up when you ascend, you hear me?”

You wrapped your arms around him and to your shock. To everyone’s shock at the party...You could feel Taeil. He was muscular and the warmth of his body was like the fuzziest blanket wrapped around you after the worst day. He felt wonderful. And you never wanted to let him go.

Taeil longed for the day he could feel your body around his...And it was only at this time when you two had to bid farewell when he could feel you against him. You were strong but at that moment, he held you tenderly. Like you would break at any second. Because this moment was the most fragile. It was fleeting. So you both soaked in the feeling of each other’s bodies as you held each other.

Taeil kissed you and you reciprocated. His lips felt just like you’d imagined them. Soft. Perfect against yours. His kiss was the euphoria you would treasure for the rest of your life.

You released each other.

“Goodbye, Moon,” you teased. You made a play at his last name. Since you were a werewolf now, you’d be highly influenced by the activity of the moon.

He joked back. “Goodbye, Wolfie. Don’t forget to howl at me once in a while. It’s kinda hot...” The cliche of werewolves howling at the moon was actually a common practice for them.

You shook your head and laughed as he faded away. You cried hard that night, missing him already.

Yuta and his pack comforted you as you cried. They celebrated you and they mourned with you. This pack had become your family.

___

Taeil finally ascended to Heaven. It was a lot like Earth but idealistic. Paradise had everything at his disposal. He could go to the movies and have an unlimited supply of Sour Patch Bats. He finally knew what they tasted like. He could get a foot massage whenever he felt like it. He could play his music and sing to his heart’s content. God was a big fan of Moon Taeil.

But the thing he loved most was being able to look after the loved ones he left behind.

Now that Taeil had become an angel, he would accumulate power overtime in order to send blessings to the people he loved most.

Especially to you.

____

You’d gotten a better grip on your powers but you were still a long way from being Yuta’s right hand. You’d moved into one of Yuta’s apartment complexes that he owned. You were finishing up your last year of school, as well. Since you’d stabilized your powers, you could carry on with your day-to-day activities. It’s just nighttime that would be unaccounted for.

One day, Yuta visited you.

You greeted him as you welcomed him inside your spacious apartment. He sat down on your L-shaped couch in your living room as you gave him a glass of water. “To what do I owe the pleasure, boss?”

Yuta never visited his pack member’s homes unless it was important business. Usually, he summoned them to a common area, like one of his mansions in the city.

Yuta smiled. “I see you like your new place.”

You nodded. “It beats hearing my roommates screw their boyfriends every other night, I must admit.”

He laughed. “Well, I’m glad to hear that.”

“What’s up? You’re not usually one for small talk...Unless you want to sleep with them...And that girl isn’t here at the moment.” You knew about Yuta’s tumultuous relationship with Sinema’s manager.

Yuta blushed then. “You...Knock it off.”

You laughed heartily, then. You two had developed an older brother little sister relationship. Yuta was able to uncover more information about your parents and your extended family. He’d been extremely helpful during this time, providing financial support not only to you but your entire family.

When Yuta said the pack was a family, he really meant it.

Yuta was mulling over his next words and he gave you a solemn look. The light, breezy mood had quickly vanished.

The power the alpha held to control the room.

He said, “Y/n, prepare your things. The war is about to begin.”

[Fin...Or is it?]

Stay tuned for the next spooky story...

238 notes · View notes

sometimesiwrite · 3 years ago

Text

The Way It Is

Prompt: Fake Dating

Pairing: Lambert & Essi Other Characters: Julian (Jaskier), Eskel/Geralt

Rating: Teen Content Warnings: No Archive Warnings; platonic/queerplatonic dynamics; pressure to engage sexually; coarse language; alcohol/intoxication; modern AU.

Summary: When Essi and Lambert are setup on a blind date, they don’t expect to get along as well as they do. However, when they decide to keep their relationship platonic and non-romantic, they realize they might face some uncomfortable pressure. For the sake of simplicity, they decide to tell people they’re dating, but is it sustainable?

@witcher-rarepair-summer-bingo

Essi fidgeted with the bent corner of her cafe menu, looking around at the various styles of local artworks hanging on the walls. She was early by about ten minutes, but that didn’t stop her from checking the pearlescent dial of her watch every thirty seconds. Finally, the bell above the door tinkled and a man walked in. Essi could tell from the way he was looking around that he was there to meet someone—her. The only other people sitting alone in the cafe were working on laptops and tablets; no one else waiting for a date. And this man was most certainly looking for one.

He was handsome in a ruffled sort of way, though he’d clearly put in a bit of effort. His black casual dress shirt and slim light-wash jeans fit his lean frame impeccably, and a subtle quantity of mousse was clearly doing its best to tame his short, scruffy brown hair. Even his bristly beard appeared to have been trimmed recently. Though there was nothing particularly remarkable about his clothing, there was something striking about the way he carried himself, a devil-may-care sort of presence that Essi appreciated. For a blind date, she thought, it certainly could be worse. Allegedly, they knew each other, at least based on his abruptly out-of-the-blue text, and the closer she looked, the more her memory of him crystalized.

A loud ping! emitted from Essi’s phone and the man looked up from his own cellular device, clearly having just texted.

“Uh, Essi? Essi Daven, right?” He took a step towards her and leaned in, pointing to his phone screen.

“Yes,” Essi stood to shake his hand, “hi.”

“Nice to see you again. Lambert.”

They sat down awkwardly, both struggling to find the will for smalltalk.

“So…” Lambert had become keenly interested in a black-and-white digital photograph behind Essi’s shoulder.

“Listen,” Essi could feel the words start to tumble out of her mouth, and it was too late to do anything about it. Lambert raised an eyebrow, “I don’t really know how to say this, so I’m just going to be honest and probably regret it later: I don’t really do this. Dating. I find it strange and uncomfortable and if I’m perfectly honest I think I’d rather die.” She didn’t cringe apologetically, which would have been the expected behaviour to accompany an outpouring of disinterest. Instead she stared at him, wide-eyed, lips slightly pursed as a muscle in her neck twitched, waiting for his response.

Lambert laughed. Genuinely laughed—a joyful release of tension and dread, “Oh, thank Fuck!” Essi blinked in pleasant surprise and watched as Lambert began to relax.

“Excuse me?” Her startlingly blue eyes widened in amusement.

“No, no, I just mean—I would absolutely and one-hundred percent, without a doubt, rather die in a hole than date,” Lambert slotted the edge of the menu under his fingernails and let his eyes wander a little more freely around the cafe.

“So then… why?”

Hm. Direct, frank, amusing lack of filter… the memories were starting to come back from what limited, heavily inebriated, time they’d spent together.

There was something about the straightforwardness of this endearingly odd woman that made Lambert feel infinitely more comfortable. Usually, any kind of interaction with the potential of building mutual interest made him feel like he was playing a game he didn’t know the rules to. The signals, the code words that never meant what they said: having sex on the first date means you’re a slut; not having sex on the third date means you’re a prude; grabbing coffee means this; having dinner means that; if they your arm but don’t invite you up, it means that they’re actually a KGB operative and need to give you the launch codes for a super secret missile...

Fuck that, we have words for a reason. Say what you mean and don’t waste my time. For that reason alone, Essi was already scoring quite well in Lambert’s books.

He shrugged, “You somehow remembered me from the KM Christmas party almost six months ago, and still asked for my number. I figure that at least deserves a coffee and a conversation.”

Essi was bewildered, “I didn’t ask for your number, you texted me.”

Lambert shook his head, “Impossible. No offense, but I absolutely guarantee you I did not.” He produced their short text exchange and scrolled to the top of their conversation:

Hi, is this Lambert? From the KM Christmas party?

You might not remember me, we got talking about

the political situation in Kashmir after about…

Too many drinks. Eeep!

Anyway, I’d love to get a coffee sometime, if

you’re interested.

Sorry, this is Essi Daven.

You called me Goldilocks at one point and

seemed amused XD

Hope you’re well!

Essi snatched Lambert’s phone, shocked and slightly outraged as she reached for her own device, opening her thread with Lambert. The text at the top was not from her, but from the man across from her:

Yeah, hi, this is

Lambert-from-the-KM-Christmas-party.

As it happens, I remember you and our

conversation quite well. Not many folks

happily get into drunken political discussions

You know what, I wouldn’t mind grabbing a

coffee.

Let me know if you’re free in the next couple

weeks!

Lambert gestured emphatically at Essi’s phone screen, “In what world is this an acceptable way to ask someone out?! I wouldn’t have said yes to that!”

“I don’t know,” Essi fired back, “It was straightforward! I found it charming, okay? Is that a crime?”

“No, but I have some serious concerns about your taste in men.”

“Like you’re in such a fine position to judge after the hollow, paltry invitation you accepted—which I absolutely did not write, by the way. I want to make that perfectly clear.”

“Alright, alright, cool your jets, we’ve got bigger fish to fry.” Lambert narrowed his eyes as he passed Essi’s phone back to her, “You didn't fire the first shot, so who texted me from your phone and cleared the history?”

Essi nibbled the inside of her cheek, “I can think of a few.”

“Okay, next question,” Lambert pocketed his phone, “who added you to my contacts before you texted. Because we did not exchange numbers six months ago, but your name was already there when I received it.”

Essi shrugged, “Who has access to your phone?”

“I dunno. Really just Eskel and Geralt and neither of them would—”

“Geralt.”

“Why him?”

Essi’s bright blue eyes turned steely and murderous, “Julian… They’re working together.”

“Wait, wait, wait. Are you telling me that Geralt the-last-thing-I-need Rivia and Julian Alfred these-aren't-my-pants Pankratz think we're so helplessly undateable that they decided to secretly set us up?”

“Eskel doesn’t know me that well; he wouldn’t try to set you up with someone he hadn’t vetted. Who did you talk to first when you got that text from me?”

Lambert’s eyes widened, “Holy shit, they’re working together.”

Essi nodded, a flood of embarrassment warming her cheeks. “Sorry to waste your time. You’re very nice but, um, I should just…” she got up to leave.

“Wh-hey, hold up. I mean, if you wanna go, go, that's fine, but there's something you might want to know first.”

Essi tossed her yellow bangs out of her eyes, “Oh? What's that?”

“This,” Lambert produced an Amex credit card from his breast pocket, “is Geralt's.” The cheeky glint in his eyes was a very convincing argument.

“Fine then. Coffee and a conversation.”

The coffee was hot and decent, and the conversation meandered through the usual topics of music, movies, and television, but also dipped into deeper waters as they grew more comfortable with each other’s company. Of course, it didn’t hurt that neither of them had any stakes in the outcome of this “date”. It made it easier to be frank and open, which in turn led to them quickly enjoying their time together. So much so that coffee turned into lunch, which turned into a long walk in the pleasant weather, which finally landed them outside Essi’s apartment, just around dinner time.

“I have to say, this was actually a pleasant encounter,” she said, turning to face him with a characteristic toss of her bangs.

“Yeah, who’d’ve thought two people forced together by meddling friends would actually find it enjoyable?”

“In light of that,” Essi squared her shoulders and found Lambert’s hazel-brown eyes, “I think it’s fair to say I want to see you again.”

He cringed regretfully and scratched the back of his head, “Ahh, yeah, so… I don’t know if that’s really--”

“Oh, relax,” Essi smirked with a casual touch to Lambert’s forearm. “I don't mean like that. I just mean--you're interesting and fun and, well I don't have many close friends and I feel like we connected well today.”

“Well…”

“I'll make it even simpler: I absolutely, one-hundred percent, am not interested in dating you.”

“Easy there, you know I love it when people get all straightforward with me.”

“I mean it, I just want to be friends,” she toyed back, trying her best to look sultry. It kind of worked.

Lambert bit his lower lip in mock arousal, “Mmm, oh yeah...”

She swayed her shoulders forward and back, doing her best to emulate the seductive actresses and models of the 1950s, “I want to Netflix and chill with a documentary about Soviet propaganda.”

Her last comment prompted a playfully stern look from her companion, “Careful now, you’re wading into actual turn-on territory.”

“You're such a weirdo,” Essi chuckled, giving him an endeared shove. “Seriously, though, would you like to do this again? Friends?”

He nodded sincerely, “Yeah, I think I'd really like that. Just one problem, though.”

“If we claim not to be interested in each other but keep hanging out we’ll never hear the end of it?”

“Bingo.”

Essi hummed thoughtfully and nibbled the inside of her bottom lip, “Well… we could always… pretend?”

***

“Sounds like you two are hitting it off. I’m glad. I know Essi’s been feeling a little isolated between work and being new to the city.” Geralt closed the fridge with his foot and headed towards the sofa, popcorn in one hand, three beers in the other. “I’ll take my card back, by the way.”

Lambert reluctantly handed the Amex back in exchange for a beer and perched on the arm of the sofa. “She’s really something. We’re, uh—yeah, hitting it off is a good word.”

And hitting it off, they were. The last ten days since their first “date” had been more enjoyable than all the dates he’d had in the last year combined. Essi was a fantastic companion: sharp, witty, kind, took no bullshit… They had done absolutely nothing but hang out, and no one had pried them for many details about the nature of their relationship. As far as their friend group was concerned, they were simply dating in the way that most adults dated. This also meant more time to themselves without unwanted interruptions (namely Julian barging in with his spare key to gossip about whatever fires were currently alight on twitter). The first night Lambert had been over, it took Julian all of five minutes to “grab something from the fridge” before parting with a knowing wink.

To her credit and imagination, Essi had expertly fielded her cousin’s initial barrage of questions when she first announced their “involvement.” It wasn’t that she didn’t like her cousin, Essi adored Julian, but she was also the first to admit that the man had no boundaries. What he lacked in that arena, he certainly made up for with opinions, which he was always more than happy to bestow on his younger cousin—usually dating advice, almost always unsolicited. Lambert had a much easier time convincing his side that he and Essi were taking it easy to see where things went. Between Eskel being a consummate gentleman and Geralt having his own Delicate Sensibilities, neither of them had demanded any details.

“As long as you’re both happy and everything’s healthy, that’s all that matters,” Geralt’s partner reiterated, reaching into the bowl on Geralt’s lap.

“Jesus, Eskel, you sound like my Nonna.”

“That's no way to talk to your father,” Geralt smirked into his hand of popcorn

“You're no better,” Lambert took a swig from his beer, lips popping as he lowered the bottle. “I swear, you've turned into a couple of mother hens since you two got together. Quit fussing and watch the game.”

Geralt put his arm around Eskel’s shoulders, “We have gotten a little soft haven’t we?”

Eskel huffed out a laugh, “Probably. Hey, Lambert, don't fuck it up or I'll kick your ass into next week.”

“Thank you. See? Was that so hard?”

“Eh,” Eskel shrugged, helping himself to another handful of popcorn, “I stand by my original statement. Geralt agrees.”

“It's true,” he said between mouthfuls. “Essi’s a good woman. Smart, talented, kind, attractive.”

Eskel cleared his throat.

“Eskel, she is, it's just a statement of fact it doesn't mean that she doesn’t have other…”

“I know it doesn't but I still think you could bear to be a little more…”

“Funny thing,” Lambert interrupted, “I still can’t figure out how this smart, talented, kind, attractive woman’s number programmed itself into my phone. Because I may have been drunk the night we first met, but I have never in my life forgotten a successful number grab. Fess up, fellas. Who was it?”

Eskel’s eyes widened, “Geralt, you didn’t.”

“I… may have… helped Julian gain access to Lambert’s phone.”

“Unbelievable. The betrayal,” Lambert shook his head, eyes still on the game. “If only there was some way to square things up…”

“You charged everything to my company card, didn’t you?”

“First two dates and a fresh pair of pants. Thanks, bud.” Geralt accepted a pat on the back as Eskel began gently but sternly berating him.

Lambert shook his head, smirking as he took another swig of beer, leaving the two lovebirds to bicker amongst themselves. His hip pocket buzzed and he checked his phone: Essi.

Next Wednesday? Pizza and a movie? Still can't believe you haven't seen Ocean’s Eleven.

Yeah, okay, fine. Jeez :P 7:30 my place? I'll provide beverages.

If by ‘beverages’ you mean watery beer…

Fuck off, I'll get the good stuff. Unless you prefer Arbor Mist or some shit.

*gasps* I am offended! (but also it's delicious)

*sigh* do you want me to get you some?

*turtles into hoodie* ...peach or cherry pls?

Haha okay, fine, I'll get a bottle. Can't promise I won't judge you forever, though ;)

It's okay, I deserve it. g2g, see you tomorrow! xox

***

Lambert groaned contentedly, massaging his stomach as he sprawled back on his aging brown sofa, long legs resting habitually on the coffee table. The now-empty pizza box lay abandoned on the far edge, accompanied by four empty beer bottles, and a nearly-empty, unfavourably warm Peach Arbor Mist. The toilet flushed and Essi emerged. Her dark gold hair had long ago been pulled into a messy bun, but her indigo skinny jeans had been replaced by soft-looking grey leggings.

Lambert shook his head in amusement as she settled back next to him on the couch, "I still can't believe you brought your own lounge pants"

"That's because I'm a genius," she quipped, crossing her legs and adjusting the height of her waistband. "Besides, when else will I have the opportunity to actually be comfortable during a date?"

"You took your bra off, too, didn't you?" Lambert asked without missing a beat, eyes never leaving the screen.

"Yup!" Essi confirmed, her sparkling blue eyes glinting with joy as she raised her glass to her lips.

The movie continued as the new friends settled into comfortable silence, their food-drowsy, alcohol-fuzzy states lulling them into a new level of comfortability around each other. Legs fell asleep, positions were adjusted, and shoulders leaned on as the two sought maximum comfort for minimum effort. Soon, an arm was around Essi's shoulder as she settled her cheek on a comfortable spot on Lambert's chest.

"You good?" Lambert asked, only half-irritated at her seemingly endless search for the perfect angle.

"I'm sorry, I thought I'd found a good spot, but..." A few more adjustments of her head and Lambert couldn't take it anymore.

"Jesus, woman, here. Get up for a sec."

Essi sat up as Lambert rearranged himself into a sort of semi-recline with one foot on the floor so his other leg could make room for the tiny pain-in-the-ass that was taking up the rest of the couch space. At his invitation, she wriggled up to the crook of his arm and quickly settled in. Lambert hadn't really thought about what they were doing. Not when Essi had harmlessly leaned against his arm; not when their weight settled into each other; not when Lambert had put his arm around her; not even as he was rearranging to get to where they were now. It had all just... happened. Now, though, with Essi lying still, Lambert felt the weight and warmth of her body shifting gently against his, and it dawned on him that this had the potential to be, well, weird.

But the strange thing was, it didn't feel weird. He'd fucking cuddled before, but there was always a sense of holding back, a tension in his body, being on the lookout for signals from the other person to move onto the Next Step. But now, he actually felt comfortable. There wasn't anything that was supposed to happen after this. Nobody was asking anything of him, no one sending signals he could pick up on but never read properly, no sinking feelings of dread as the other person moved in for a kiss that always felt too soon. Essi was just there, breathing, content. And Lambert was relaxed.

The woman half-on top of him gave a twitch as the credits started to roll, and Lambert let out a private laugh, "Hey, Sleeping Beauty, show's over."

Essi inhaled heavily through her nose and lifted herself up, "Hmmm?"

"Movie's over."

"Did I fall asleep? I'm sorry!" she sat and rubbed her eyes, taking a sip of water to rinse the stale taste from her mouth.

"Eh, only a little." Lambert exited Netflix and tossed the remote back on to the table. "Thought you might wanna start heading home before it gets too late."

Essi nodded in response as she grabbed the pizza box and brought it to the kitchen trash, leaving Lambert to bring the empties.

"You going to finish this atrocity of a beverage?" Lambert waggled the near-empty wine bottle at Essi as he passed on his way to the sink. She merely scowled and shook her head, letting him pour it down the drain 'where it belonged anyway'.

Essi gathered her things and met Lambert by his front door, checking her pockets for her phone and keys one last time before putting her shoes on.

"You okay to walk? Want me to come with?"

It was only 10:30 on a weeknight, and she appreciated the gesture all the same, but it was fine to walk. "Thanks, though. And thank you for tonight. I really needed to get out of the house. I hope, um..."

She trailed off, not sure how to ask. She didn't have the same physical boundaries that most others seemed to have. She was affectionate—often overly so, and it had led to more than a few misunderstandings in the past. She didn't want Lambert to feel as though she had ulterior motives when the simple fact of the matter was that she hadn't really been thinking. Between the instant relief of not actually being on a date and Lambert's easy manner all evening, she'd forgotten that most friendships didn’t generally involve that much physical contact. Would Lambert be confused now? Thinking they were onto something more than friendship? Had he been wanting more? Had she pushed past a point of no return and doomed their friendship?

She inhaled, "Were you comfortable tonight?"

For a split second, Lambert flailed, wondering whether he’d made her uncomfortable. Fuck, she'd seemed comfortable, if anything it felt like he’d been following her lead but maybe...

"I—yeah. That was, I enjoyed that. Were... were you not—?"

Essi smiled and Lambert relaxed again, "No, I was. I wanted to ask in case, that's all. Boundaries and all that. I'll text you when I'm home."

Lambert opened the door and waved her off toward the elevator, "'Kay. 'Night!"

The door clicked shut.

Okay, alright. Fine. Did they cuddle? Yes. Did he enjoy it? Fuck yes. He absolutely didn’t care what anyone might think about how he chose to enjoy his time with other people. However, this didn’t stop him from acknowledging that he was in uncharted friendship territory. More than anything, he was worried about how Essi really felt. Of course, she had no reason not to be honest with him. But the last thing he wanted to do was play fast and loose with someone’s emotions, especially not a friend, and definitely not one as close as Essi. Time would tell. As Lambert’s head hit the pillow, the memory of her warmth and weight settled over him again, and he slept soundly for the first time in months.

***

“Yes Poppet, but have you slept together yet? Honestly, you’ve been dating for almost three weeks now, what could you possibly be waiting for?”

Oh, I don’t know, hell to freeze over? You to mind your own business? Whichever comes first…

“I mean, you clearly adore one another, I’ve never seen you happier. What’s there to lose?’”

Essi scoffed.

Julian placed his hands on her shoulders, “I know it’s been a while for you, but I think you can afford to let yourself go a little, have some fun, hm? Besides, it’s better to find out sooner rather than later if you’re sexually incompatible.”

She took a deep breath, “That’s a very good point, Julian, I’ll think about that.” The dating act was starting to wear a little thin, but it was worth not having to explain to anyone that they weren’t doing exactly what it looked like they were doing.

Julian took time to give his cousin a scrutinizing look, “Well, by the look of things it won’t be long anyway. If you spend all of your time together as tangled up as you were the other night when I came over, it’ll happen sooner rather than later. Just trust your gut, and when in doubt, a little hint never goes awry.”

Needless to say, Essi more or less ignored her cousin’s advice.

As the weeks stretched on, it became evident that they were quickly becoming what most people would consider to be more than friends. The first time they pulled the covers back and climbed into bed, each on their half of the mattress, they were aware that yet another boundary of friendship had been pushed a little farther into the grey zone. But, they woke up the next morning feeling happy, content, and refreshed, and surely there was nothing wrong with two people sharing a comfortable bed. Essi had woken up with crust in her eyes and her nightgown bunched around her waist. Lambert had woken up with morning wood and his hair a mess. Neither of them cared. People wake up in the morning, big deal.

Still, it didn’t stop the questioning that oscillated in the background of Lambert’s mind. Was he unknowingly leading Essi on by allowing her so much closeness without a clearly defined relationship? She’d made her own disinterest clear enough on their first “date”, but feelings change over time. What she’d told him three weeks ago might not be true anymore…

And then there was that soft warm tingle in the middle of his chest every time she lay her head in his lap, every time he ran his fingers through her hair. He knew he wasn't in love. Not that he was an expert, but what was all that "when you know, you know" bullshit if he couldn’t trust his own feelings? He loved her, sure, but more like a... not a sister, that would be weird. He didn't know what like. Whatever. Fuck it. Eskel had said it best three weeks ago: “As long as you're happy and everything’s healthy, that’s all that matters.” Yeah, sure. We’ll stick with that.

As far as Lambert and Essi were concerned, it was what it was, and whatever it was was working… wasn’t it?

***

"Fuckin' finally!"

The door to Essi's apartment clicked closed as the tenant wilted against it, emitting an exhausted groan, "Two. Hours. It took me two hours to get home!" She toed off her penny loafers and abandoned her purse and jacket in a pile by the front door, ignoring the hook three inches to her left. She flopped heavily onto her living room carpet.

"I see you found my spare key," she added, not at all surprised that Lambert had managed to let himself in.

"Yeah, you should probably put that in a less obvious spot," he answered, crossing to the door to hang her things up. "So, I see it's a lying on the floor kind of evening. Can I interest you in a drink to start? Vodka pairs well with the general vibe of Done-With-This-Shit, or we also have tequila if you feel like shouting out the window after a couple shots. Alternatively, there's gin if you want to cry later."

Essi smiled with her eyes closed, feeling her body slowly relaxing into the spongy throw rug underneath her, "You know me so well."

"Vodka?"

"Vodka. Euch, I need to vacuum!," Essi peeled herself to a seated position as clinks and clatters began in the kitchen. She hopped in the shower to rinse the day off, and after a few minutes, there was a knock on the bathroom door.

"Yeeees?" she called, playfully.

"Drink delivery!" Lambert hollered back, "you want this now or later?"

"Why are you so good to me?"

There was a draught of cool air as Lambert opened the bathroom door, "Because you only marginally annoy me. Here," he passed his hand between the shower wall and the opaque fish-scale-patterned curtain. "What's on the docket for tonight?"

Essi groaned, "I don't know, I'm sorry. I used all my brain cells trying not to murder people on the streetcar."

"Okay," Lambert sat on the lidded toilet, "here's the thing. I kinda maybe figured that might be the case so I kinda maybe picked up a few things to make dinner."

A shampoo-piled head poked out from behind the curtain, "You're kidding."

"Nuh-uh."

"I love you."

Lambert chuckled, "Yeah, you're alright. Come on, hurry up, this bathroom's a fuckin’ sauna, and I don’t want the croutons to get soggy." Essi burbled an answer about conditioner and almost done, and Lambert took that as his cue to leave.

Dinner was simple: pan fried Salmon with crispy skin (delicate and buttery on the inside); wax beans in butter (tender and not overcooked); grilled brussels sprouts (just beginning to brown on the edges); and a fresh caesar salad. Everything done to perfection. Full, content, and ready to take their relaxation to the next step they settled themselves on Essi’s blue-grey sectional to begin the arduous task of deciding what to watch.

This was proving particularly difficult with the addition of Essi's caveat that whatever they chose not be "too plot-heavy" which so far had included Masterchef, an interior design show, and program about shepherding in the Orkneys.

"Sweetheart, you gotta give me some slack here. I thought I was on track with the sheep!"

"I know, I'm sorry!" Essi muffled into his shirt sleeve. "I do like animals..." She gasped loudly. "BLUE PLANET."

Lambert stopped the endless scrolling and pushed play as the soothing voice of David Attenborough filled the small living room.

"Hey! Why'd you pause it?"

Lambert was standing up, "If we're going to do this, then we're doing it right. Hang on."

Essi slumped on the sofa as the microwave kicked on. In a few minutes, there was popcorn in their laps and half a bottle of vodka on the table with an ice bucket and lemon wedges in a bowl. Lambert read off his phone screen.

"We will take a drink when:

-David says 'Extraordinary' -David uses a clear understatement such as 'But then again, living in an active volcano is not without its risks' -An animal is being eaten -An animal is mating -There is sped up footage of a plant growing."

"Oh no," Essi lamented, chewing her popcorn ungracefully, "I'm going to get so drunk."

"You got it, Goldilocks. Fill up."

And with that, they were off, taking it slow with their vodka twists, but nonetheless feeling the warm buzz start to tingle under their skin. The box of microwave popcorn was empty by halfway through, and the remains of Essi's exhaustion had almost dispersed entirely.

"Ooh! Understatement! Drink!!"

By ten o’clock, pink-cheeked and feeling boisterous, they had finished with their favourite parts of Blue Planet, or at least the ones they had patience for, and had moved on to Planet Earth II.

“Holy fuck, that’s a lot of snakes—Go, you little fucker! Go!”

The drama on the screen had caused the two to separate from one another while Lambert invested himself in the success of the small lizard. Once the baby Galapagos Iguana had made it to safety, they were once again able to recline without Essi risking an elbow to the face.

She bundled against him, scooting farther between his legs where he leaned in the corner of the sectional. He gathered her hair and draped it over her left shoulder so it wouldn't get caught in his buttons—they'd learned that the hard way. It was still damp, cool to the touch, and smelled like verbena sea salt shampoo. He felt a pulse of affection ripple through him as her weight resettled. He loved that feeling. It had taken some time to get used to it. But now it was high on his list of favourite things. He was happy. And it was healthy. And that really was all that mattered.

Right?

Eskel’s words turned themselves around again in his mind as he wrapped his arm around the front of Essi’s shoulders. He let himself indulge in the texture of her cotton knit nightshirt under his fingers. He relished in the peace of mind at being able to just be there with someone who meant something to him and made absolutely no demands. He let himself relax.

Essi felt a kiss land on the top of her head with a playful, "Muwah!"

She giggled quietly, "Thank you!" Then, upon further thought… Did he want to kiss her? Her mind did a double take as she tried to get on top of the ball.

It wasn’t impossible. They were close after all, and she wasn’t opposed to the idea. She’d recently found herself in a balancing act of realizing she could, in theory, have a deeper kind of feeling for Lambert. Only if, for whatever reason, it turned out he felt the same way. These weren’t the helpless uncontrollable feelings of ride-or-die infatuation; they were malleable, translatable, general feelings of affection and fondness that belonged in any number of different relationships and dynamics.

No sense risking it, she thought. They'd found a liminal space of comfort and safety that she'd never experienced with anyone else before, and if the options were between being a little confused and ruining everything, the choice was an easy one. Then again, if Lambert was developing feelings for her, she didn’t want to miss an opportunity. Shit. Her cheeks burned as she felt the question rise closer to her lips.

"Lambert?" she sat up abruptly and turned to her friend who was still moulded into the corner of the couch, watching the mating rituals of exotic birds with bewildered skepticism.

He jolted at Essi’s sudden movement, "Hello, yes."

Her bright blue eyes were now slightly unfocused, "Do you—? Nevermind." She lay back against him, suddenly skittish..

"Mm, nah, try again," he said, sluggishly. "What’s up, buttercup?"

She swayed a little when she sat up, "Are you happy with what we are?"

Lambert blinked, caught slightly off-guard. The question was easy enough to answer, "Yeah! I mean I don’t know what the fuck we are, but I’m feeling pretty good about it. Shit, why? Are you not? I can be less… whatever. Or… more?" It wasn’t like he was repulsed by the idea of anything else happening between them—in theory it was a possibility. In practice, however...

Essi put an emphatic hand on Lambert’s knee, her glassy eyes going wide, "Do you want more?"

"What? No! I dunno, I—maybe. I haven’t really thought about it. I mean…” Lambert searched Essi’s face for any clue that might help him know how to proceed, “I don’t not want anything else. Fuck, I don’t know! I’m used to doing things the other way around. You know the drill: uncomfortable date, smoosh faces together, have sex, hope feelings fall out. Lather-rinse-repeat. I dunno, do we have to… But what if we try something and...? I don’t wanna lose this."

Essi leaned in close and whispered, “I have an idea.”

"Why do I feel like I'm going to regret this?"

"We should kiss."

Lambert nearly swallowed an ice cube, "What?!"

"Just once. Quickly. Just... in case."

"You want me, Lambert, to kiss you, Essi Daven, on the lips."

She nodded sincerely, "For science."

There was a brief pause during which Essi felt the beginnings of panic brewing in her stomach, but by the time she'd finished grappling with potential consequences, Lambert was filling their glasses.

"Alright. Fine. My friend wants me to kiss her for science? Fuck it. I'll drink to that."

They downed their drinks and squared up, knee to knee on the edge of the sofa as they each prepared for their best form—or as good as they could offer given the circumstances. They counted down, 3-2-1...

The kiss was quick, over as soon as it had begun, and both friends pulled away with questioning looks. Inconclusive. They tried again for a little longer, still returning with the same quizzical expressions. They went in for a third time, committing more thoroughly, and for a brief moment it seemed they might have found the semblance of a spark. But it didn’t build. It felt… fine? But no different than if they were lying together on the sofa. It was just another thing they were doing. They each tried to find the right word for what they were feeling, but were soon distracted by the oddness of it all.

Essi started to giggle. Less than a second later, Lambert joined her, and they both pulled away, thoroughly satisfied that their experiment had yielded a strong No on the subject of More. There was a dull thud as Essi slid from the couch and onto the floor, still holding her drink in one hand and laughing hysterically.

Lambert sighed and shook his head, "I think it’s time we got you to bed."

Headaches and dry mouths greeted the two friends the next morning when they blinked awake. Essi’s hair was a cotton-candy mess, having still been slightly damp when Lambert put her to bed. The brunet himself didn’t look much different from his usual scruffy state as he gathered Essi up in an armful of duvet and squeezed tight.

“Gods, Lambert, I still need to breathe,” Essi chuckled, pressing her back into his chest.

“You’ll get over it,” he teased and self-indulgently nuzzled even closer. “You feeling alright? I mean, aside from the hangover. About last night?”

“Oh no,” Essi groaned, “I’m so sorry, Lambert. I shouldn’t have said anything. It’s just—you kissed my head and then that got me wondering about whether you might want something else, and then I didn’t really know what was happening and—”

“Hey, easy on the rambling, okay, I’m running on limited brain cells, here. Look,” Lambert sat up to find those big blue eyes, now shining brightly, “I have no idea what the fuck this is that we’ve got going on, but I like it fine just the way it is.”

“Yeah?”

“Yeah. And we can keep talking about that. Just, you know, maybe next time something’s on your mind, don’t wait ‘til we’re wasted at 2am?”

“Okay, deal. Can we go get bacon now?”

Lambert chuckled, “Yeah, alright, fine. Make me put pants on, I see how it is.”

Their conversation continued over strong coffee and eggs benedicts. Between their check-in that morning and everything that had happened the previous night, it was well-established that they were perfectly happy where they were. Rather, the main topic of conversation was their growing desire to level with their friends about the nature of their relationship. Eskel and Geralt, they both agreed, would be the easiest—Lambert could tell them that evening. Julian and Essi’s friends on the other hand would be a little more difficult.

Telling Julian together would be best, Essi thought. He was bound to have questions, and if both she and Lambert were there to answer them definitively and explain that no, they didn’t have secret feelings for one another; and yes, they really were just friends and not at all interested in exploring the relationship further thank you very much. Exactly when this discussion with Julian would occur still wasn’t clear. Realistically, they could pick any time, but they decided to wait until Lambert could tell the Old Men. At least then they were assured some less invasive support.

Their reaction was easy enough to predict: Eskel reassuringly repeated his standby “As long as you’re both happy with things…” and twirled a forkful of pasta; Geralt tilted his head thoughtfully and said, “That sounds very nice. I’m happy for you.” Lambert had expected mild disapproval, concern that they were deviating too far from the norm and into a complex dynamic that would be too messy to manage. Instead, Geralt simply said it ‘sounded very nice.’ Lambert smiled into the open refrigerator on his way to get a beer.

The following weekend was Julian’s birthday, and, as per their annual tradition, the group all gathered on Friday evening at the birthday boy’s favourite restaurant—Vegelbud’s. The two decided to tell him the week after his birthday so as not to detract from his Big 3-0. Just one more week, and it would all be in the open. Easy breasy.

The afternoon of the dinner, Eskel and Geralt received a group text: Haven’t told Julian the details yet. Keep the beans to yourselves please (I’m looking at you, @Eskel).

“Why me?” Eskel turned to Geralt over his paperwork, looking a little hurt.

Geralt chuckled, “You have a slight tendency to overshare when you want to be supportive.”

“I do?” He turned on the bar stool to follow his partner on the way upstairs.

“It’s not a bad thing, but…” Geralt sighed, “Lambert has always needed to feel in control of situations like this. He doesn’t want one of us bringing this up before he’s ready to talk about it, especially in a public place, you know how he gets when he feels cornered. And Julian is Essi’s cousin…”

Eskel raised a hand, “You’re right, you’re right. All points taken. Are you showering?”

Geralt smirked as he headed for the stairs, “Come on then.”

Four hours later and halfway through dinner, everything had gone swimmingly. The food had been expectedly delicious, the company and conversation excellent, and so far no one had felt the need to bring up Essi and Lambert’s relationship on any level. That is until Julian got a few drinks under his belt, and decided it was time to document the occasion. Geralt and Eskel were the first victims.

“Aww just look at you two! So in love, so vivacious and full of adoration,” Julian held up his phone as Geralt touched the side of his head to Eskel’s. Beep-Chk! A perfect image of a happy couple was captured and posted to Instagram (#julianturns30 #dinneratvagelbuds #dinnerout #cutiesofinstagram #favoriteotp #gaycouplesofinstagram #livelaughlove…). There were a few more photos of the three of them together, the white chocolate raspberry cheesecake with the candle in it, a group shot taken by the waiter. It was all so close to being over, Essi could practically taste the refuge of the streetcar.

"Come on, lovebirds, show us a smooch!" Oh no. Oh no, oh no, oh no. Essi’s stomach lurched and she felt her cheeks start to warm. Lambert’s hand landed gently on her knee under the table, his fingers pressing firmly into her leg as she desperately tried to think of something to say.

"Oh, um..."

Across the table, Geralt and Eskel shared a wordless communication: de-escalate, distract, redirect.

“You’ll want to eat that cheesecake before it gets warm” Geralt offered. “I hear it’s so light it’ll disintegrate in a heartbeat.” Eskel nodded in encouragement, taking a bite of his own.

“I know, I know,” Julian shrugged, “Just a quick one. Say Cheese!”

"Not right now, Julian," Essi tilted her head, her eyes flashing a little.

"Oh come on, Poppet! I know you don't like PDA, it's just one little picture--"

“Don’t call me Poppet.”

Eskel cleared his throat loudly, "Doesn't seem they're that keen on it. Maybe let's try for one another time."

"It's past your one-month-a-versary, let everyone see how in love you are."

"Julian," Geralt growled, "leave it."

Julian covered his mouth in alarm, "I’m so sorry, have you not used that word yet? I didn’t mean anything by it, I just want the world to see how happy my beautiful cousin is!"

“Really Julian, it’s not necessary we—” Essi’s fingernails were starting to dig into Lambert’s palm from the sheer effort of maintaining composure. She wasn’t sure whether she wanted to cry or disappear, and with neither of those being an option, it seemed the only possible escape was for them to kiss. They’d done it before. No big deal. It would feel off, but they’d just go back to her place and drink about it after.

“Essi, what’s the matter with you, it’s just one little picture, and we all know you’re not camera-shy. On three, ready? One, two…”

"For fuck's sake we're not dating!"

The table all silently turned their attention to Essi whose cheeks had been turning progressively redder.

“What?” Her cousin laughed incredulously.

“We’re not a couple, Julian. We’re friends. We have been from the beginning, but we didn’t want to tell you because we knew you wouldn’t fucking leave us alone until you could boast about having set us up.”

Lambert shared a brief look with Eskel before lowering his eyes to the tablecloth, his hand still firmly clutched in Essi’s.

Julian gaped, “So, it was all… the cuddling, the laughing, that time I came over and you were asleep on the couch, that was all… a ruse?”

“No, Julian, that was real. I told you, we’re friends.”

“That’s not friends! Since when have friends watched a movie half-on-top of each other?”

“Two people can enjoy each other's company lying flat, Julian,” Eskel’s rich voice interjected across the table and the discussion ground to a halt.

Geralt shrugged with his tea at his lips, “It is the twenty-first century after all.”

Julian’s cornflower blue eyes flitted back and forth between the two friends, utterly bewildered. “Why didn’t you tell me?”

“Well what with your complete and utter invasion of privacy for the sake of hooking us up, we didn’t necessarily trust you to believe us,” Essi answered curtly, her hand shaking slightly.

“Poppet, you could have just told me—”

“Stop. Calling me that. And I did tell you, Julian!” she exploded. “I told you the first day I moved here. The first. Day. I said, ‘Julian, I think I want to take a break from dating until I’ve been settled for a year.’ And what did you do? Conspired with my well-meaning former mentor to hook me up with someone I had one good conversation with at a Christmas party. And do you know what? We are happy. But we’re happy in our own way. And maybe our boundaries with each other seem a little strange to you, but we’re not fooling ourselves. We don’t want to kiss each other, we don’t want to have sex, and we don’t want a relationship. And even though it’s absolutely none of your damn business, I’ll tell you anyway: we’ve talked about it. All of it. Now, if you’ll excuse me, I don’t think I want to be here anymore.”

The chair legs scraped against the floor of the restaurant as Essi stood to leave, throwing her purse over her shoulder as she went. Lambert looked hesitantly around the table, “I should probably, you know…” He gestured after Essi with his thumb. Eskel gave Lambert the go ahead and he quickly stood to follow his friend out of the restaurant, leaving a very stunned Julian with the other two. He found her perched on the parking barrier in the small lot to the left of the front doors. He called to her and she looked up. Eyes shining, mascara running...

“Ah shit, you know I’m no good with this kind of thing.”

“I’m sorry, Lambert, I just—” she blew her nose, “—he just wouldn’t stop and I didn’t know what to do or say, and it all just came pouring out. I didn’t want it to. The whole time I was begging myself to stop, but I just couldn’t, it’s been bottled up for so long and-and—but it’s his birthday, and—oh, he must feel so awful! I didn’t want to make him feel bad, but—and with Eskel and Geralt there too! They must think I’m horrible! I’m so sorry, Lambert, I didn’t want it to be like this, I wanted to have him over and sit him down and be patient, and instead I’ve just made a complete mess of things. And on his birthday! It’s his birthday, oh God, this is the worst thing I could have done.” Essi choked back bitter tears as she tried desperately to stem the flow with her soggy tissue, “Are you upset with me, Lambert? If you are, I understand. Maybe we should take a break of some kind, you know. Not see each other for a while and—”

“Whoa, whoa, whoa, hold it right there. Look, I’m probably not going to say any of the right stuff here, but I am absolutely not upset with you. You got that? And for what it’s worth, I don’t think us taking a break from spending time together is going to do anything. Unless you’re looking to punish yourself by taking away a nice thing which, okay. But the fact that you’re willing to ditch me instead of Arbor Mist says something about our friendship I’m not too pleased with.”

Essi turned her wide, pleading, bloodshot eyes to Lambert who cracked a smile, “Jesus, I’m kidding! You adorable fucking mess, c’mere.” He pulled his petite friend into a hug and rested his chin on the top of her head until she quieted down. Neither of them was quite sure how much time had gone by, but Essi found herself wishing it had been long enough for everyone to have gone home so she didn’t have to face whatever aftermath she’d left behind.

Meanwhile, Eskel and Geralt had settled the bill and offered to give Julian a lift back to their place for a night cap, not wanting to leave the evening on such an unsettled note. Essi needed space, and whatever company she needed, Lambert was clearly capable of providing. It was for the best, they suggested, and dissuaded Julian from trying to call her.

“Best to sleep on things,” Geralt said, tucking his card back into his wallet and giving the waiter a nod in gratitude. “We can meet for coffee this weekend and sort this out. For now, just let her cool down.”

Eskel clapped Julian encouragingly on the shoulder as they made their way into the damp summer night air. As they turned into the parking lot, they came face-to-face with Essi and Lambert who had clearly just turned to come back inside. Both cousins looked like they had seen better days: Essi’s eyes were puffy and red, her cheeks blotchy and streaked with inky makeup stains; Julian was perhaps less dishevelled, but the dark circles under his eyes were more pronounced, his boyish features now dejectedly weighted down with remorse and hurt.

“Juian, I’m so sorry, I didn’t—”

Essi’s cousin raised his hand, “Don’t. Please don’t. Essi, I am so, so sorry. I never meant to push you like that, I didn't realize... you both have been so happy this last month and—"

"It's okay, really, we can talk about this all another time. I'm just so sorry I ruined your birthday. We wanted to sit down with you and talk properly but..." Essi's tears welled up again, and Julian smiled weakly.

"But we both did what we always do?"

She sniffed, nodding emphatically with a tearful, "Yeah.” Julian pulled his cousin into a fond embrace while the other three clumped together to watch the reconciliation.

“Oh! Here,” Essi reached into her purse and pulled out a small, neatly-wrapped box. “Happy birthday!”

Julian opened his gift without a second thought, his face brightening instantly. The box contained a set of premium ultra-light guitar strings and a pair of concert tickets. The perfect gift. Overwhelmed with gratitude, and the atmosphere having been recovered, Julian suggested they all attend brunch together that Sunday morning, his treat by way of apology. Geralt offered to split the bill as a peace offering for his part in the initial setup, and the five made a date.

A fresh start, a promise of spending time together with fewer secrets and, Julian conceded, a few more boundaries.

#witcher rarepair summer bingo #wrsb #Platonic #queerplatonic #no romo #Geralt/Eskel #Essbert #Gereskel #Jaskier #Julian Alfred Pankratz #alcohol #drunkenness #Essi & Lambert #Essi Daven #Lambert

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incorrect-ikevamp-quotes · 4 years ago

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Do you think they would actually enjoy the modern world? Or would they want to stay in their current time period?

Hm, well, I think that may vary depending on each suitor if I’m honest! (I’ll be excluding Sebastian from this one, only because he is a modern man and I wager he would want to stay in the mansion in order to finish his thesis)

Under a cut bc it’s a long boi:

I think for people like Arthur and Theo, for instance--who always seem to live in the fast lane--it might not really prove much of a problem. They would continue enjoying the night life and move with their busy schedules. Tl;dr: (For them? Same shit, different day)

Vincent would likely be doing just fine given how Theo often provides assistance in places where he struggles; to promote his art, to spark intrigue in the general public and benefactors. He might be a little overwhelmed by the influx of stimuli that comes with the modern era, constant noise and interaction and movement--perhaps worry that people are losing their ability to live in the moment. (Not to mention what’s being done to the environment...) There might be a learning curve/adjustment, but I think Theo would help him ease in. Plus, it would be a little easier to promote his art given the less stringent restrictions on public exhibitions. He’d still have to work for his fame, but at least the van Goghs wouldn’t have to live in constant unease in the proximity of the cutthroat academy. Tl;dr: (Mixed feelings, but tries to stay positive about modern times)

Dazai is more familiar with this kind of life of quick turmoil and breakneck speed, if anything he falls back into his old coping mechanisms--hello writing, drinking, and smoking. An overwhelming influx of information and suffering would probably be hard for him to manage, despite how expertly he hides it. I think I would be worried he would lose himself in the dismal reality of diminished connection with other people. Yes I’m shoving him into therapy, I want him to start living for himself and taking care of himself ffs

That isn’t to say there aren’t happy possibilities for him, just that I think he really needs to heal first. I could see him very happy in a kind of writer’s circle with people he loves and trusts; less expending his energy in a desperate attempt to fill the void and please others, more cultivating his own happiness... Tl;dr: (Positive potential, but honestly part of me thinks the past quieter/simple/rural life suits him better...he still loves meme culture tho, he finds it so expansive and creative)

Isaac is in a similar boat as Dazai, I think! He has wonderful potential as a mentor and professor, and living in a world that has a little more patience and respect for genius might help encourage him to put himself out there. That being said, I think the pace of life would exhaust him though--he is very much the kind of person that prefers to keep to himself and just puzzle and tinker. Baby boy just wants to do equations, build little inventions, and read up on the recent discoveries in astrophysics (BRUH WHEN THE IMAGE OF THE BLACK HOLE CAME OUT HE FORGOT HOW TO B R E A T H E) Napoleon is the only reason he eats anything healthy or on any kind of regular schedule s m h. Tl;dr: (Not a lot changes, honestly? He was reclusive then, he still is now--he just has more toys/academic resources. If anything he might get a little too lost in his work because of it, somebody please make sure he’s eating/sleeping/socializing;;;)

Poor Jeanne is SUFFERING. Please release him from this nightmare he is begging. Jk jk, I don’t think it would be too bad for him--but I do think that he would have the aforementioned problem of too many stimuli and too much interaction. I think he would ease into it a little with Mozart’s help; he would just be awkward and wooden until he got the hang of it. Most people just find him quirky in an amusing way, and don’t think too hard about it. I’d wager he’d probably become literate at this point because of the abundance of resources and necessity to read/write (okay but imagine this baby with a little kid workbook iM GONNA CRY!!! TAKE ALL MY CRAYONS JEANNE).

Can you imagine this mofo at a Starbucks??? Tall and stoic, dark and debonair (EVERYONE IS S W O O N I N G), and he just asks in a light tenor “can I have a mocha with eight shots of expresso” with a completely straight face. “Sir, that could kill you” “Don’t worry, I’ve been dead a long time” And he just moves to wait for his order. 11/10 cryptid I could watch an entire show just about his daily adventures

He works with Napoleon a lot given their similar skillsets. They coach kids at high schools that have fencing teams (it’s really REALLY cute bc if they’re on the younger side, Jeanne will very dramatically lose bc he wants to encourage them and the kids are delighted--but the parents are INCHES from laughing so hard they’re in tears). Otherwise, he mostly takes up gigs as a security worker/bodyguard, only really works for the money. He prefers to spend his time in ways that feel meaningful if he can, so don’t be surprised if you see him in foster homes and in social working spaces. He has an uncanny understanding about him, a kind of silence/patience that doesn’t stifle; it makes the kids/teens calm down in milliseconds. They really listen when he does talk, and he sets good and clear boundaries--he knows how to be firm when it’s required. He gives them the structure and placid grounding they’ve never had, and really pays attention to what’s important to them. Brings them little things he notices; brings flowers to the one that likes to draw, brings CDs (he is bad with technology, but they usually only have access to older/outdated stuff anyway) to the one the one that struggles to write with white noise in the house, brings little plushies to the ones that lose theirs. He’s simple but solid, and he finds a lot of meaning in helping kids overcome the similar kind of struggles he faced. Tl;dr: (Steep learning curve, but he just sees it as all the same really--just more work to be done with the literacy requirement and adjustment to technology. Will be resistant at first, but when he gets accustomed and starts finding people who are important to him, he wouldn’t want to change anything/go back. But will admit there are some days he just wants to go to the most remote place he can access and just live there for a month with no human interaction whatsoever; people are inefficient and insufferable sometimes)

Mozart’s life honestly doesn’t change much? I feel like he would easily be able to keep composing and continue releasing his work as per usual. Given his quick capacity to schmooze and say what people want to hear when he must, he’d be more than able to network his way into success. I think the only thing he might struggle with now and again is inspiration, given the world operates on a very surface level in the modern era sometimes. Profound insight and depth are not quite as cultivated in many ways, and he can struggle to find something that just sparks motivation/novelty in his mind, makes him start composing at breakneck speed. He reads a lot and watches some TV shows/movies when he’s at really low inspiration levels, the kind of guy that sneers at Game of Thrones--but finds things like BBC’s Sherlock more passable (wants intrigue and complexity, doesn’t much enjoy the sensationalized drivel). When Arthur finds out he loves ATLA he about falls off his seat. “It’s a children’s show.” “Yes it is, with a remarkable level of depth and craftsmanship, what are you trying to say?” He begins to find a kind of rhythm in his composing, and Jeanne and Dazai often drop by with so many crazy stories he finds himself filled with music anyway LMAO Tl;dr: (Same as Isaac, really just keeps doing his thing without being impeded, and he enjoys the luxuries/conveniences of the modern era. Will be slightly resistant at first because of how alien some of the changes are, but will fall into the habits/customs slowly and surely. Fine with it, will whine a bit at the growing pains tho)

Leonardo actually canonically owns a bar, and does that really surprise anyone? He really enjoys the excitement of meeting new people and hearing about their myriad histories, the influx of cultures/languages/experiences. It’s a nice but lowkey place, people stop for a drink, listen to some good music--chat amiably and relax after a long day’s work--before heading out. There are regulars and people that just stop for that single day; tourists, vacationers, so on and so forth.

When asked, many people note a sleek black cat with sharp eyes that led them to the bar... Tl;dr: (Don’t Let the Existential Dread Set-in: The Prequel, adapts well to the modern era because of centuries of experience but also...he’s so tired...somebody please hold him I can’t watch him live like this, lord jesus)

Optimally, I see Comte filling his time with myriad pursuits; ranging from philanthropy, indulging in art/music/theatre (often a benefactor as well), and keeping track of his chirren (they may exist more independently now, but he still worries about them ;-;). Otherwise nothing much changes for him, still goes to galas and fancy gatherings, still enjoys fashion and spoiling people, still seeks to occupy himself with social interaction and care-taking--if he doesn’t have a family of his own. He’s basically just that meme that’s like DON’T LET THE EXISTENTIAL DREAD SET-IN. DON’T LET IT SET-IN!!!!!!!!! Tl;dr: (Not to repeat myself but also Don’t Let the Existential Dread Set-in: The Sequel, literally just desperately trying to fill the void please somebody help him he also just needs to be held fuck’s sake, I’m going to drag him kicking and screaming into happiness--but otherwise has no great trouble adjusting to the modern era. I feel like he would have a more minor form of what Dazai struggles with, maybe a lack of personable connection that he once had; fewer chances to be himself and relax. Also probably worried about the increasing unhappiness and turmoil building in the world in general...)

Napoleon is similar to Comte in that he often checks up on Isaac and Jeanne from time to time, and does the aforementioned fencing lessons with kids. He also takes a lot of basic security positions--for venues, concerts, museums--you name it. He dislikes the idea of sitting behind a desk a lot, so he prefers to do a lot of different things; he even cooks from time to time at the restaurants that know him very well. One gig he particularly enjoys is battle choreography for movies/theatre! He tends to stay away from anything too historically close to his era of origin, but he has fun coming up with realistic (smaller scale) hand-to-hand combat scenarios and duels. Tl;dr: (This era doesn’t feel like too much of a change. It’s a little more intensive in terms of pace, but he manages to keep up pretty well, it just exhausts him from time to time--and he usually goes on trips or hikes to unwind when he needs to like Jeanne LOL they do not go to their happy place, they go to their high lonesome place).

Shakespeare also continues to do his drama thing, organizes troupes on tons of different levels--from community level to more intense, skilled groups that re-enact his own work. His life doesn’t change all that much beyond a new form of theatre logistics, and he adjusts to the technology fairly easily out of necessity. He’ll stop by Vincent’s place from time to time to show him recordings of his latest shows, but otherwise is almost always on the move. Tl;dr: (So long as he can keep following his greatest passion, he doesn’t really mind the changes in how theatre happens--he doesn’t have any sizable issues with the modern era.)

Ability with technology (phones mostly):

Arthur: more than capable, well-versed, loves to do everything on his phone no prob--maybe lives a little too much on his phone (Vine/TikTok/Youtube can kill his productivity RIP) also yes he has a fidget spinner on his desk, no I will not be taking any constructive criticism at this time

Theo: yes but with a lot of cursing at first, had to do it for work and now looks down on anyone that can’t keep up with him (except for Vincent)

Vincent: knows the basics, taking and sending pictures, writing things in notes for later, texting (tho sending emails is a little harder for him); he does his best but he can be slow. Really really enjoys the paint programs on his iPad for when he’s on public transit, but he starts setting alarms after he gets the hang of it (he’s missed his stops before because of it LMAO)

Leonardo: what kind of stupid question? Man knows how to pick them apart and put ‘em back together for crying out loud, uses it like a pro--comes to him naturally, and he’s the guy that keeps coming up with ways to jailbreak Apple products and thwart their money-grubbing tactics. Catch him playing Minish Cap on his emulator on the way to work, brah

Comte: just vibing, keeps up with the times easily since he’s been doing it for so long, much like Theo uses it to keep in touch with the people around him--he’s the “prefers to call instead of text” sorta guy though, he worries about losing emotional subtleties and he likes to hear people’s voices. Doesn’t do anything special on phones, more just a tool; will read/listen to podcasts/does have emulators (courtesy of Leo) and enjoys playing Pokemon when he’s bored

Jeanne: types one finger at a time, it will take a while--but he’ll get there (deleted all his contacts by accident once and Mozart was just. HOW.) He barely knows how to use a phone, and it’s a steep learning curve for him

Mozart: purely functional when it comes to his phone, refuses to rely on it beyond the necessities that only tech can do (for instance, sending emails or reading articles or uploading compositions) he still writes his music before making more polished digital copies. He will sometimes listen to pieces digitally, but prefers to play them in-person; he feels that a lot of the soul in a piece is lost despite the convenience

Dazai: you absolute fools. you baboons. why would you ever give him this kind of power. it is 3AM and he has been on a wikipedia trail spanning hours, started with Cleopatra being the seventh in her line with that name all the way to cotton candy being called “daddy’s beard” in French. please help him he hasn’t slept in years. Also probably binges anime and manga lbr. He’s the one making vine references every other second, always up to date on the memes^TM

Isaac: also mostly uses it as a tool for research and calculations; it’s a way to keep track of information. He also likes to play background music while he’s working, so he finds the device nice and convenient--plus less having to go around pestering people in-person. he does start to get interested in coding and tinkering with apps/programs eventually, too

Shakespeare: finds it a delightful little contraption, so useful because it lets him jot down ideas as they come to him quickly, and he can edit his texts much more easily with digital interfaces. also likes that performances can be recorded, because now he can analyze his staging more efficiently--it gives him a good sense of what needs to be adjusted, and encourages him to keep streamlining/try new concepts

Napoleon: likes it because he can keep in touch with people more easily, the kind of guy to drop a line before checking on a friend. he really likes to look up recipes and find out more about cooking techniques he’s never encountered before. Isaac starts making an Instagram account just to show Napoleon’s impeccable plating, and Napo gets quite the following without knowing for a while

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scottymcgeesterwrites · 4 years ago

Text

Final Fantasy VII Review

Year: 1997

Original Platform: PlayStation One

Also available on: PC, PlayStation Store

Version I Played: PlayStation One

Synopsis:

The Shinra Electric Power Company rules over the city of Midgar, and the eco-terrorists AVALANCHE stop at nothing to try and prevent the life essence of the planet from being used as energy. Barrett, leader of AVALANCHE, hires a mercenary named Cloud Strife for their bombing mission on a Shinra Mako Reactor. Cloud doesn’t care much for the greater cause and only wants his pay. But then, after a mission goes awry, he meets Aerith, a flower girl who is the descendant of the Ancients. He quickly finds himself wrapped up in the greater conflict against Shinra.

Gameplay:

Final Fanatasy VII utilizes magic spells via Materia – little orbs that come in a variety of colors pertaining to the natural elements. You can mix and match them on your weapons and equipment, which gives you access to different spells and stats. All your equipment varies with the number of slots for how many Materia orbs you can put in. Leveling up not only upgrades the character but the equipped Materia as well.

Final Fantasy VII also uses an ATB system but is known for introducing Limit Breaks – finishing moves that build up after the character gets hit over time. Final Fantasy VI had a prototype called Desperation Attack – but it was very rare as it only appeared when your character had 1/8 of their total HP, and there was a 1 in 6 chance of performing the Desperation Attack after selecting Attack. I actually had no idea that was a thing until long after I finished the game, and never experienced it when I played Final Fantasy VI.

Graphics:

Out of all the Final Fantasy games, I have to say that this one has not aged well. It has the worst graphics of the entire series. The battle and cinematic graphics are passable.

(Most of the graphics power seemed to be put in Tifa’s, uh, bosom.)

But the characters in towns, the overworld, and in-game cutscenes are incredibly blocky. PC versions are supposedly sharper, but the PlayStation One version makes it nigh impossible to see any facial expressions.

The graphics are definitely a product of its time. I always say that the beginning of 3D gaming was essentially like puberty – awkward and full of zits. It wasn’t yet at that stage where it could be aesthetically pleasing. We marveled about it when it was first released, yes, but then we cringed in retrospect.

The environment backdrops however are probably the strongest points, where they capture the industrial nature of Midgar, the reactors and other such buildings.

Story:

Final Fantasy VII became legendary the minute Square released it. Every aspect was memorable. Part of it could be due to the fact that it was the first Final Fantasy game to enter the 3D realm. Another part was Tetsuya Nomura’s character designs, which hit the cool meter to the point of sub-zero.

The cinematics blew our minds. The opening action scene with Cloud, Barrett, and the rest of AVALANCHE attacking Shinra’s mako reactor is the most memorable opening to a Final Fantasy game. Period. Final Fantasy games really do know how to start at the right spot, no matter how good or bad the overall game is. The opening is always the best part.

Then there was the motorcycle chase. Cid’s airship. The gun fights. Battles with Sephiroth. The extra stuff to find, like summons and extra bosses. So much was jam-packed into the game.

But the story was the primary factor in making VII famous. It’s definitely one of the better ones. Man, the story became so famous that even gamers who haven’t touched a Final Fantasy game knew the major spoilers. It is the equivalent to knowing Darth Vader’s line, “I am your father” without having actually watched Star Wars.

Aerith (Aeris in the English releases) Gainsborough – the innocent flower girl who holds the secrets of the Ancients – develops a romance with Cloud and fucking dies at the end of Disc 1 by the main villain – Sephiroth. The scene shocked everyone and practically made headlines. Everybody has seen the horrible image in one way or another.

It seems to me that since Final Fantasy V, the stories have gotten more and more used to main character deaths, ultimately transforming into a heavy-hitting TV series rather than simply a video game series. In other words – it matured. Looking back, Final Fantasy IV appears to be child’s play and a prototype of later dramatic storylines with fully realized worlds.

Final Fantasy VII was also the first Final Fantasy game to create a world much like ours – one with cars and trains and airplanes and machine guns and even cellphones. The main city of Midgar reflects industrialization at its worst, with miles of slums and claustrophobic cities. Shinra Electric Power Company is a reflection of capitalism at its worst - a single entity in charge of so much that it’s pretty much the government. For the first time in a Final Fantasy game, you play as characters who dance between the morally ambiguous line of terrorism and activism. Funny enough, the theme of neglecting the planet resonates with us now more than ever. This game ended up being rather prophetic about the uncontrollable growth of corporations.

While the story is memorable with many intriguing elements, the plot itself is a tangled web. In my opinion, they really hashed in so many things that it’s easy to forget crucial details. It’s not straightforward, but at the same time everything does connect by the end. While Shinra is the driving force as a whole as the villain, Sephiroth takes over, then you learn about his backstory and then with the evil scientist Hojo and the extra-terrestrial Jenova and then “Weapon” and then the planet’s history and this and that and the other thing.

If I were to put Final Fantasy VI and Final Fantasy VII together and contrast them, as many gamers do, I would find that Final Fantasy VII is the summer blockbuster and Final Fantasy VI is the Oscar winner. Final Fantasy VII started introducing the sappy romance subplot to the series. A love triangle forms among Aerith, Cloud, and Cloud’s childhood friend Tifa. While there’s nothing inherently wrong with having a love triangle, the writing is like watching middle schoolers trying to express their feelings. Final Fantasy VI and Final Fantasy IV treated any romance with dignity and realism.

But maybe I’m being a bit harsh. After all, Cloud Strife did go through some suffering as an adolescent. His backstory clearly drives his antisocial behavior, so that becomes a good arc.

The goofiest but memorable part of the story deals with Don Corneo and Wall Market and running around store to store doing tasks in order to free Tifa from Don Corneo. It ends with Cloud needing to cross-dress as a woman to get inside Don’s mansion. Because, you know, it’s not like Cloud can just break in with his sword and Aerith’s magic or anything like that. But whatever. It’s anime.

The recent Final Fantasy VII Remake for the PS4 seems to streamline the story, and actually enhances the emotions they were trying to deliver in the original. I will be talking about the remake in a separate post altogether since I’m almost done with it at the time of this writing. But there’s a lot that I want to say about comparing and contrasting the remake and the original.

The latter half of the plot takes a couple weird turns. At one point, Cloud became catatonic and confined to a wheelchair.

That part of the game became the sluggish part for me. Sephiroth also tries to confuse Cloud, which confused me. Cloud apparently suffers from some alternate subconscious mumbo-jumbo and like. . .ungh. I get an aneurysm thinking about it sometimes.

Complicated plotlines like Final Fantasy VII start showing up from here on out in the Final Fantasy series. The trend of bishonen characters also begin here, bishonen being the Japanese term for “beautiful boy.” Cloud and Sephiroth have that look. The series starts hashing in sappier romances and much more of an anime feel.

Final Fantasy VII ultimately marked the start of a new era for the series – introducing both cool and overused tropes.

Music:

Hands down the best Final Fantasy soundtrack of all.

The entire soundtrack of this game is memorable. The opening tune, with its light twinkle when the stars show up, is enough to make any gamer know exactly what that’s from.

With a story set in a more modern world, we have music that is more modern. After Final Fantasy VI had a more serious and operatic score, Uematsu displayed his love of progressive rock here. The motorcycle chase incorporates a lot of synth, which was fitting for zipping through the streets of Midgar. However, Final Fantasy VII is the first Final Fantasy game without that familiar starting bassline for the battle them. The battle theme is instantly recognizable but also radically different from its predecessors. It’s dramatic and displays danger.

Meanwhile, the boss theme is one of the best boss themes in the series, or any video game really. It’s an electrifying progressive rock piece, and it’s my personal favorite boss theme.

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The more instrumental pieces are somber, given the dreary atmosphere of the planet. The world map music is very different from its predecessors. It’s romantic one moment, soaring the next, and then dips into foreboding terror. I guess that sums up the story of Final Fantasy VII.

And we cannot leave out One-Winged Angel, which I will talk about below.

Notable Theme:

Without a doubt, One-Winged Angel – played during the terrifying final battle against Sephiroth – is the most memorable piece of music in Final Fantasy VII.

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It may very well be the most popular song of the entire series. Nobuo Uematsu was inspired by Stravinsky’s Rite of Spring. It’s a whopping 30 something minute classical piece. If you look it up on YouTube and browse through it, you can definitely note the similarities. However, Uematsu didn’t want some boring classical introduction to the piece. He wanted to add the destructive impact of rock. The theme has a very distinct stamping-your-foot-down quality to it.

I had noticed a certain piece-by-piece feel of the song and that’s exactly how Uematsu composed it. This is the only song that Uematsu has composed where he created several tunes in his head and then rearranged them to make a single comprehensive song.

If you want to get technical, One-Winged Angel is the first Final Fantasy song with lyrics. The chorus sings in Latin about Sephiroth’s burning anger, with some lyrics actually taken from the medieval poem Carmina Burana. It sounds fantastic when fully orchestrated.

In Advent Children, the animated sequel to Final Fantasy VII, the music is accompanied by hardcore metal. This new rendition really illustrates the destructive power of Sephiroth. Uematsu changed the lyrics for Advent Children. They are more original now. I specifically noticed the lyrics “Veni, veni, mi fili”, which translates to “Come, come, my son.” Sephiroth is inviting you so he can kill you.

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Uematsu has stated that the original orchestration didn’t sit well with him. As I suspected, Advent Children’s hardcore metal version is the one he preferred, the one he would have composed had he the technology at the time of Final Fantasy VII.

Verdict:

Another must-play for any RPG fan, even if you think it’s overrated. It’s a must-play because of its popularity, in the same way that people are wide-eyed when you say you haven’t seen Star Wars or such-and-such other popular movie. It’s a whole lot of fun, especially in the scenes that involve other forms of gameplay, such as the motorcycle chase and even a battlefield strategy game in protecting Fort Condor.

Direct Sequel?

Yes – first there was the CGI movie Final Fantasy VII: Advent Children.

I actually watched Advent Children before playing Final Fantasy VII. I had already known most of what happened in the game and Advent Children became a monumental craze when it first came out. Everybody was talking about it. Watching the sequel before playing the game skewers your interpretation of things. My first impression of Cloud was that he was always whiny and angsty, and meanwhile Tifa kept nagging him to move on. I felt really bad for Cloud losing Aerith.

Then when I actually played Final Fantasy VII, I saw that Cloud starts as this badass mercenary. Tifa is spunky and clearly is the better choice (IMO) but Cloud is enamored by Aerith after only meeting her briefly. WHAT? Cloud. Bro. Make a move on Tifa, you nitwit. Tifa is AMAZING.

Square Enix then continued the story with Dirge of Cerberus – Final Fantasy VII. This video game sequel focuses on Vincent Valentine, a fan favorite of the original game.

Let me remind you about something – the original game revealed Shinra’s inner deep secret experiments, namely with Sephiroth and Jenova. Dirge of Cerberus introduces an even deeper research team within Shinra called Deepground. I don’t know about you, but it already sounds like the start of a terribly redundant string of sequels, like how the Jason Bourne movies keep revealing an even deeper level of conspiracy theories. Vincent’s mysterious background is now fully revealed. He is defined by – guess what? – another angsty lost lover story, this time with a woman named Lucrecia. Now, okay, look, maybe I’m just being a dick about these types of love stories. But when it keeps popping up within the same series in the same manner, I start asking if you have anything else to offer on your menu.

Lastly, there is the prequel for the PSP – Crisis Core: Final Fantasy VII. Of all the games in the Compilation of Final Fantasy VII, Crisis Core has received the most positive reception. If anything, play that after playing Final Fantasy VII before bothering with anything else.

Oh, and of course there is the Final Fantasy VII Remake, which we thought wasn’t going to happen for the longest time but they finally released it in April 2020. More on that later after I finish it, and after I post my entire series of Final Fantasy reviews!

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aion-rsa · 3 years ago

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Scarface’s Tony Montana vs. Michael Corleone: Which Al Pacino is the Boss of Bosses

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Scarface hadn’t been made when Pete Townshend’s 1974 song “The Punk and the Godfather” came out, but The Godfather certainly had. The Who’s anthem was a musical allegory about the rock scene, but the lyrics might as well be interpreted as a conversation between Michael Corleone and Tony Montana. Possibly right before they rumble.

Al Pacino played both men in both movies, and in each film, he begins the story as a punk. But in The Godfather, at least, he grows into the establishment. Michael becomes don. Tony was a shooting star on the other hand, one on a collision course with an unyielding atmosphere. Both roles are smorgasbords of possibilities to an actor, especially one who chased Richard III to every imaginable outcome. Each are also master criminals. But which is more masterful?

The obvious answer would seem to be Michael Corleone because he turned a criminal empire into a multi-billion-dollar international business, and lived to a ripe old age to regret it. Cent’anni, Michael. Tony Montana doesn’t live to see the fruits of his labor, but his career in crime is littered with the successes of excess.

Montana is a hungry, young, loose cannon, just like real-life’s “Crazy” Joe Gallo, who went up against the Profaci family in the street fight which Mario Puzo and Francis Ford Coppola used as inspiration on The Godfather. Gallo stand-in Virgil “The Turk” Sollozzo (Al Lettieri) did a lot of damage while he was trying to muscle in on Don Vito Corleone’s territory, selling white powder. Montana leaves a larger body count in the wake of his cocaine empire career.

Scarface is Pacino’s film. The whole movie is about Tony Montana and his meteoric rise through money, power and women. The Godfather is a mob movie, crowded with top rate talent in an ensemble case, but it belongs to Marlon Brando. While Michael inherits the position by The Godfather, Part II, he shares Godfather roles with Robert De Niro there, and people come away feeling a little sorry for Fredo. Michael isn’t the focus of an entire film until The Godfather, Part III, and by then folks were only distracted by his daughter. Tony Montana owns the screen from the moment it opens until his last splash in the fountain under the “World Is Yours” sign. The picture was his.

Making Your Bones on First Kills

Pacino brings little of the wisdom of his Godfather role to Scarface’s title character. This is by design. Every crime boss has to make his bones. In mafia organizations, real and cinematic, the button men on the street are called soldiers. And every soldier has to go through basic training before they’re ready to earn their button. Michael gets assassination training from his father’s most trusted capo, Pete Clemenza (Richard S. Castellano) before he goes out to enjoy the veal.

Scarface doesn’t give us many details of the crimes Tony was involved in while still in Cuba, so he makes his cinematic bones executing General Emilio Rebenga in the American detention camp for Cuban refugees. The two scenes are polar opposites in all ways but suspense.

When Michael is sitting at the dinner table with Sollozzo and Police Captain McCluskey (Sterling Hayden), he lets Sollozzo do all the talking, easing him into comfort before pulling the trigger. Tony barely lets Rebenga get a whimper in during his first onscreen hit, which plays closer to an execution. Tony covers the sounds of his own attack with a chant he himself begins. It is a brilliant overplay, especially when compared to another scene that resembles The Godfather, with Tony killing a mid-level gangster and a crooked cop towards the end of Scarface.

A major difference between the two roles is best summed up in a line Tony says in Scarface. He learned to speak English by watching James Cagney and Humphrey Bogart. Montana comes from the Cagney tradition of broad gangster characterizations. In The Godfather, Kay Adams (Diane Keaton) asks Michael if he’d prefer Ingrid Bergman. The young soldier has to think about it. This is because Pacino is miles removed here from Bogart, who played Bergman’s lover in Casablanca. Pacino’s two gangster icons approached their criminality differently, and Pacino gets to play in both yards.

Pacino remains on an even keel in the Godfather films, but gives a tour de force of violent expression in Scarface, which burns like white heat.

The Handling of Enemies and Vices

In Scarface, Pacino gets to be almost as over the top as he is in Dick Tracy. His accent would never make it past the modern culture board at The Simpsons, but he pulls it off in 1983 because he says so. Pacino bullies the audience into believing it. It’s that exact arrogance which makes us root for Tony Montana. We don’t want to be on his bad side. But the chilled reptilian stare of Michael Corleone is a visual representation of why Sicilians prefer their revenge served cold.

Michael is diabetic, and is usually seen drinking water in The Godfather films. Sure, he has an occasional glass or red wine, and possibly some Sambuca with his espresso, but Michael always keeps a clear head. Tony, not so much. He makes drunken scenes at his favorite nightclubs, and not only gets high on his own supply, but gets so nose deep in it he develops godlike delusions of superheroic grandeur.

Montana is impulsive, instinctive, and decisive. Tony kills his best friend Manny Ribera (Steven Bauer) immediately upon finding him with his little sister Gina (Mary Elizabeth Mastrantonio). Michael waits until his sister Connie (Talia Shire) is on a plane to Tahoe before he has her husband killed in a hit years in the planning. Later Michael hangs his head silently as the shotgun blast which kills his brother, Fredo (John Cazale), echoes in the distance.

Tony, meanwhile, continues yelling at Sosa’s right-hand man long after his brains are all over the automobile’s interior.

Clothes Make the Man

Tony is written to be charismatic. Even coked out of his mind, he’d be a better fit in Vegas with Fredo’s crowd than with wet blanket Michael in Tahoe. Tony sports white suits, satin shirts, and designer sunglasses. Michael accessorizes three-piece ensembles with an ascot. This isn’t to say Michael had any issues with getting somebody’s brains splattered all over his Ivy League suit.

Designed by Theadora Van Runkle, Michael preferred dupioni silk. That’s smart. The dark navy wool chalk-stripe suit Tony wears in his death scene was designed by Tommy Velasco and carries the class of a tuxedo. It was after 6pm. What do you think he is, a farmer?

“I’m the guy in the sky, flying high, flashing eyes. No surprise I told lies, I’m the punk from the gutter,” Roger Daltrey belts out on “The Punk and The Godfather.” This is exactly against the no-flash advice Frank Lopez (Robert Loggia) tries to impart on his young protégé in Scarface. Tony was raised not to take any advice other than his own. He also ignores his consigliere’s advice on several occasions. When Manny reminds Tony the pair of them were in a cage a year ago, the rebel gangster says he’s trying to forget that, he’s going after the boss’ girl.

“I come from the gutter,” Montana proudly contends. “I know that. I got no education but that’s okay. I know the street, and I’m making all the right connections.”

By contrast, Michael attended Dartmouth College and then dropped out to join the Marines after the attack on Pearl Harbor. Michael is both intelligent and well-connected, loosely modeled on Joseph Bonanno and Vito Genovese. He also accepts the wisdom of his father, who most closely resembled “The Prime Minister” of New York’s Five Families in the 1950s, mafia boss Frank Costello.

The Better Family Man

Pacino’s Don Michael Corleone has access to all his family’s connections, stretching back to the old world. He learns to expertly pull the strings of powerful men, like his father did, but as he grew, he bent. Michael is friends with senators, meets with the President of Cuba, has money in the Vatican, and confesses his sins to a Pope. Michael was insulated throughout his childhood and criminal career. If Tony gets in trouble, he has to get out of it himself, or with the help of a handful of low-level operatives.

Michael is the family rebel, risking his life and getting medals for strangers. He also gets to be both the prodigal son and the dutiful son. He gets the fatted calf and pays the piper. He even tips the baker’s helper for the effort. Michael comes back to both of his families, crime and birth, with a vengeance. He is there for his father the moment he is needed. Michael is the better family man. Tony’s mother is ashamed of him, and he completely ruins his sister’s wedding. Michael’s family means everything to him, and while he still manages to lose them, he actually maneuvers his two families well over rough waters for a very long run.

Tony Montana is the rebel’s rebel. Even before he tosses off his bandana at the dishwasher job to make a quick score, we knew. He was born bad, in the cinematically good way. This also makes Montana a natural at crime. In The Godfather, Michael has it in his blood as a Corleone, but has his heart set on college, a straight career, and a shot to bring his whole family into the American Dream, which for Montana only exists as a wet dream.

Tony never gets past the hormonal teenage phase of his love of America. He wants to love his new country to death. He is turned on by the dream. He wants to take it. Not earn it. No foreplay necessary, as he claims his latest victim’s wife as his own.

Managerial Skills

Michael is pretty good with his underlings, when he’s not having them garroted on the way to an airport or advising them to slit their wrists in a bath. He promises Clemenza he can have his own family once the Corleones relocate to Las Vegas. He lets Joe Zaza (Joe Mantegna) get away with murder as the guy he sets up to run his old territory in The Godfather, Part III. Michael doesn’t keep turncoats like his trusted caporegime Tessio (Abe Vigoda) around for old times’ sake, and he doesn’t suffer fools at all. It may seem he cuts Tom Hayden (Robert Duvall) loose a little fast, and without warning or due cause. But if he was a wartime consigliere, he would have seen it coming.

While Tony Montana may have a competitive and fast-tracked entry program for new workers (“hey, you got a job”), he’s also the guy who shoots his right-hand man Manny for marrying his sister. Tony exacts a brutal and dangerous revenge for the death of his friend Angel Fernandez in the Miami chainsaw massacre, but doesn’t lift a finger when his cohort Omar Suarez (F. Murray Abraham) is hanged to death from a helicopter by drug lord Alejandro Sosa (Paul Shenar). Michael does have a tendency to have his soldato kiss his ring, but he’s not entirely a .95 caliber pezzonovante.

Movies

Scarface: Where Tony Montana Went Wrong

By Tony Sokol

Movies

The Godfather Coda: The Death of Michael Corleone Proves a Little Less is Infinitely More

By Tony Sokol

One of the most important skills a boss must exhibit is how to delegate, and Corleone is a minor Machiavellian master at his delegation. He whispers orders from behind closed doors. Tony is more hands-on. The only reason he tells Manny to “kill that piece of shit” Frank is because he’s already humiliated his former boss into a shell of a real man.

Montana is in the trenches with his soldiers and sets standards by example. He shoots a guy on a crowded Miami street in broad daylight. Montana is a born triggerman and only reluctantly delegates the duty. He has 10 bodyguards when Sosa men raid his mansion fortress. He takes the invading force with one little friend, an M16A1 rifle with a customized grenade launcher. But it sure doesn’t help the employees getting murdered outside.

A Handle on Finances

We don’t know what kinds of criminal activities the Corleone family were involved in between 1958 and 1979. Still, Michael had proven himself a traditionalist and a bit of a prude, so he spends most of his career shaving his take from harmless vices and avoiding drugs, which he sees as a dirty business. But through whatever means, by The Godfather, Part III, Michael has earned enough capital to buy himself out of crime.

Michael gambles successfully on Wall Street, keeps the Genco olive oil company going, and invests in hotels, casinos, and movie studios. He’s got to be pulling in a billion dollars a year in legitimate business. He makes enough to pad the coffers of the Vatican, and his share of Immobiliare stocks pulls in another $1 billion.

Tony looks like he’s earning about $15 million a month. But it doesn’t look like he puts much stock in his future. He makes no investments, only purchases. His only visible holding is the salon his sister works in. But we also have to take into account that he built his empire from scratch. Michael inherited his. And while the head of the Corleone family can blackmail a U.S. senator with a tragic sex scandal, Montana fares no better than Al Capone with tax evasion.

Who Would Win in a Mob War?

Scarface is as violent as the 1932 Howard Hawk original. Blood is a big expense, and 42 people are killed in the 1985 film. It came out amid other over-the-top action blockbusters like First Blood and the contemporary reality of the South American drug trade. So, it would seem, the film has far more violence. But they are easily matched.

The Godfather has a horse’s head, Scarface has a chainsaw. Michael’s brother Sonny (James Caan) gets machine gunned to smithereens at the toll booth, Tony blows the lower limbs off his would-be assassins at a nightclub. Omar is lynched in a chopper, the upper echelon of the mob is taken out by helicopter fire in The Godfather, Part III. Tony and Michael each get to kill a cop.

Both mob figures survive assassination attempts. Michael loses his wife Apollonia in Sicily in a car bombing meant for him. He also avoids the trap Tessio sets at the meeting with Emilio Barzini (Richard Conte), on his turf, where Michael “will be safe.” Tony lives through his initial professionally ordered hit, as well as being saved by Manny from certain death by chainsaw.

While Michael Corleone is able to take care of Barzini, Victor Stracci, Carmine Cuneo, and Phillip Tattaglia – the leadership of the five families – at the end of The Godfather, Tony Montana can only put up a good fight. The Corleone family would win in a protracted war against Montana’s cartel, but there is a possibility Tony would have outlived Michael while the battles raged. Expert swordsmen aren’t afraid to duel the best in the field, but they’re scared of the worst.

As far as crime tactics and strategic villainy, Michael Corleone plays a game of chess. Tony Montana plays hopscotch. He wins by skipping cracks in the street, but he only rises as far as the pavement.

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xanderwithanx · 3 years ago

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Chloe does night-time diary posts on HER tumblr, so I'm going to start doing them here, sometimes. It would be nice if you read it, but, please, don't feel obligated! This is more for me to write.

(I got tired of my normal journal, I guess. It's full of bad poetry anyway. Besides, where's the thrill of losing anonymity in a physical notebook?)

I've basically been asleep and depressed for several days, because I had withdrawal after not being able to get my adhd meds. But, I got it today, and DID THINGS. (This is SO much better than before!)

Today, I went to a small café or restaurant (focused on tea) called Alice's Teacup that was Alice in Wonderland themed! My long-standing obsession with Alice in Wonderland knows no bounds. It was a really cute place. I got pumpkin pancakes, and some really good iced tea. Like... REALLY good iced tea.

Still, it seemed like the entire place was geared towards having a pot of tea and snacks with your friends, which left me a bit lonely. The person I asked couldn't come, and by the time I heard back, I was more than halfway there. Still, I read Rosencrantz and Guildenstern are Dead and watched Monty Python on my phone, so I still had a good time!

I dressed pretty eccentricly and effeminately all day, but, with my facial hair, I was ALWAYS coded as a man, even by people on the street! Pastels, a stupid hat, a crop top, and facial hair was a winning combination.

On my way, I was stopped by some guys soliciting for charity. I don't make a habit of stopping for strangers on the streets of Manhattan. What if it's a scam? What if I'm being pressured to buy something? What if it's a strange political rant? But, I had already taken my earbuds off, I wasn't in a hurry, and I'm terminally polite. The first guy said he liked my energy, which seemed to come from a genuine place, because I liked his too!

They were asking for donations for a breast cancer charity, the United Breast Cancer Foundation. After a discussion, it seems like the charity helps pay medical debt, medical bills, and other practical needs, which is much better than *some* others I could name. I regretted not being able to give their minimum there, as it was pretty high, but told them I'd give what I could when I got on the website.

I... did not. Money is tight, because I'm bad and irresponsible with money, even though this is more than a worthy cause. I didn't NEED to go to that tea place, and I don't NEED to spend so much money on food. Sure, I can justify it: I wanted to go to that place for so long, and it was near the college anyway! But, if I was responsible with money, you KNOW my friends direct fundraising drives would go first, worthy charities second. Still, I feel bad about it.

Then, I went to the college library, to get books to start my thesis research. I have literally been unable to go to the college itself, aside from getting my ID, so this was great! There just wasn't a reason. It was... very empty. I went to the library stacks, which was deathly quiet and deeply haunted by the old books. I half expected something to pop out at me, as I turned the stacks, but I wasn't even paranoid or anxious. It was like I was in something else's house. I was welcome, but on thin ice.

I picked up an irrelevant psychology book on the "schizophrenia problem" from the 1930s, out of morbid fascination, and quickly put it down when it threatened to shatter in my hands.

Some students walked past (which was a suprise in those monastic basement library stacks), and I added something to their conversation, in a totally natural and casual way. But, omg the poor girls, I made them jump! Luckily, I'm the least threatening person on earth, and we laughed it off.

After a lot of hunting, I got 5 out of my 10 books (for the most part)! (The rest are, sadly, online. I like to read physical copies.) Strangely, I only came in with a list to get 3 books out of 6.

Most of the books I got are about art in the AIDS crisis, which is the core of my thesis, I think, all with different value. One about exhibitions, one about the larger narrative of those gay artists, and another contradicting the larger narrative.

I also got a book about "Art and Homosexuality". Just, the parallel construction of both "art" and "homosexuality" across cultures and times, from earliest history to the modern age. It wasn't on my initial list, but I'm really excited to read it.

Finally, I got a book called "The Thief, the Cross and the Wheel", about the pain and spectacle of punishment in Medieval and Renaissance European art. I'm mainly interested in Italian Renaissance art of the crucifixion--and its masochism--for the second quarter of my thesis.

The rest are online, and Should mostly focus on Bacchus in the Italian Renaissance (especially through art) and what I call the art of "gay liberation", concurrent with the AIDS crisis (i.e. The Cockettes). These two topics make up the last half of my thesis.

I'm SO excited to get started!!

I even got to cross the college's sky-bridges! (The college is a few skyscrapers.) Still, the loneliness and novelty were kind of the same thought. Imagine if I had been here before COVID, or, if COVID hadn't happened. Who would I have been able to meet? What would the college buildings mean to me? Because, for now, they're just buildings. But, I got to see the street from above, and that was amazing!

Just walking through New York--the Upper East Side--on a cool, sunny day was beautiful. It takes 20-30 minutes to get from my place to the college (and the tea place), but it was great being able to listen to my music (a lot of They Might Be Giants on the playlist today) and see the city. You know, people, super cool old architecture being pushed out by terrible new architecture, and pigeons.

Oh my god, the pigeons. I took pictures, but none of them are good. I kept thinking about how pigeons and doves are functionally the same. We domesticated pigeons, which is why they're here, and no one is stopping to notice them? Even the ones that were splotched with pure white, like doves? There's only so many pigeons you can take until they're just white noise and a nuisance, I know, so don't think I'm blaming anyone! But it's so hard to look away from these quirky little birds.

Also, at one point my walk, I was vaping very strategicly. The mental task of searching through library stacks will do that to you, when you already have an addiction to nicotine. I made sure no one was around, and no one would be affected. I stopped on a corner next to an old, ornate Catholic church while the traffic light changed, and I almost juuled right next to a priest! I'm glad I stopped. I don't believe in Hell, but, I would have walked down there myself had I vaped at a priest. Still, the church advertised itself as LGBT+ friendly, so maybe they aren't so trigger happy on the damnation. Either way, I DIDN'T vape at a priest today, which is good.

Once I got back, I spent a few hours watching things with my amazing girlfriend Chloe, who you may know here as @cisphobiccommunistopinions. She is so beautiful, and I love her more every day, every time I see her. God, it's almost been 5 years!

I just wish I could spend more time with her. She's in Virginia, and I'm in New York. Like she said to me earlier, I'm flighty at the best of times, and, with my lack of object permanence for the digital world, I find myself not giving her the attention I deserve, or, the full connection I long to have with her. We used to live together. Luckily, someday we will live together again! All these problems won't be forever, and we can live together again.

We watched a lot of things, but we're pretty deep into Serial Experiments Lain right now. It's a postmodern anime from the 90s, and, wow, do I have no idea what's going on in it. It's about the internet, and potentially schizophrenia as well. However, I'm obsessed! One day I'll be able to crack this artistic code, and it's unreality, thematic knots, and double-meanings. I will probably understand it better on the second watch. I don't see myself in Lain, but I see my 14 year old self in her, when I had just developed schizophrenia. Her cyberpunk fate seems like it's railroaded towards tragedy, but I want to save her, even if it's silly and irrational.

I told Chloe that I was scared about spilling apple cider on my library books, and she referred to it as "The Great Apple Juice Disaster of September 11, 2021." To which I said that it was the second worst thing to happen in New York on that date. It was funnier if you were there, and also were in my brain at the time.

Anyway, tomorrow I'm meeting some online acquaintances from the college's "Queer Srudent Union" at a Japanese Culture Fair in a park. (I do not know which park.) It emphasizes "fun"! I don't know them very well, but they're friends with the one person I know irl, so it should be good.

Tomorrow night, I should Probably head downtown to check out a gallery show by MFA (masters of fine arts) students at Hunter! After all, I was in a group project with one of them, and they're absolutely brilliant. I missed the Thursday gallery opening by a landslide, because of the aforementioned lack of adhd meds and Being Asleep, which I infinitely regret. I could have listened to all the artists and curators talk about their art and exhibition! Maybe I could have even talked with the artists and curators. But, it's best for me to go sooner, rather than later, so I don't forget. And, I REALLY want to go.

It's "This dialogue which happened to be present in all other dialogues" at the Alyssa Davis Gallery. From the email I got, "Each of these works observes a threshold of transition. [...] [These] intimations [are] of a frame of mind shared by the artists. These works perform, record, access, engage, document, and entrap, embalming the viewer within the gallery space."

sgp is a really good artist, by the way. Their work is just next-level. Be sure to check out their art, if you have a chance. Let me link their portfolio: https://saragracepowell.com/

(I highly suspect spg and the other member of my group project ghosted me afterwards, but I understand. I was really in over my head. Still, they're both really sweet and kind people, don't get it twisted!)

I ALSO really want to see The Cake Boys. They're performing at the 3 Dollar Bill in Brooklyn on September 26th. (It's only $15!) They're the only all drag king collective in NYC! (Are... there any Other all drag king collectives out there?) Other than the fact that a lot of them are trans or nonbinary, which I love, this show is a totally non-judgmental competition for over 40 drag kings! I've heard their shows are hilarious and unique.

I just have to wait until I have $15 to spare. I... didn't eat dinner tonight, because I'm irresponsible with my money and don't want to ask my parents for money... again. Don't worry, it's literally fine, and I don't make a habit of doing this!

Which reminds me! For my birthday, my parents gave me a gift card to Lush! I'm definitely going to Lush tomorrow, which will be great. I would describe my personality as "Lush store employee acosting you about a bath bomb demonstration", so I'll fit right in.

I also made a transition timeline, to show how much I've changed on testosterone. For the better, I hope! I really believe I'm becoming, if not Have Become, the man I was always meant to be. It's so strange to look back at who I was not too long ago, and to know the absolute pain I was in. It's also strange, in a good way, to see the man looking back at me in the selfies. I'm so much happier now! Much more candid in my pictures, at least. But, I know that I'm so much more comfortable as myself than I was even 6 months ago. It's strange. Sometimes I think to myself, "I don't pass yet; I'm not who I Need To Be yet." Then, I look at my selfie from today, and... I'm THERE. My mind just hasn't caught up with my amazing, natural, normal reality.

The end. I have to get ready for bed, (even though I could be partying on a Saturday night in the city. I'm lame.) If you actually read this, I am kissing you on the mouth right now. I hope it made you calm down tonight, like a terrible bedtime story. If you didn't read it and just skipped to the end, don't worry: you did the rational thing.

#long post #diary entry

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monochrome-in-madness · 4 years ago

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My Top 10 Favourite Horrors

Within this top 10 list, some will include the prequels, sequels and any other follow ups as 1 ranking number. Some may be considered thriller, sci-fi, suspence etc, however, I do regard these as horrors myself.

I have take many aspects into account, such as videography, actor quality, SFX makeup quality, soundtrack, directors, CGI etc.

Note : this is my personal opinion. You do not have to agree with it, though if you haven't seen these, I highly reccomend them.

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1. The Conjuring

(1 & 2)

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The Conjuring 1 :

The Perron family moves into a farmhouse where they experience paranormal phenomena. They consult demonologists, Ed and Lorraine Warren, to help them get rid of the evil entity haunting them.

The Conjuring Trailer :

youtube

The Conjuring 2 :

Peggy, a single mother of four children, seeks the help of occult investigators Ed and Lorraine Warren when she and her children witness strange, paranormal events in their house

The Conjuring 2 Trailer :

youtube

My Opinion :

The Conjuring was the start of an incredible series of horrors that beat any other horror to the ground. It is absolutely fantastic and I basically worship these films. James Wan is my favourite director and he never ceases to amaze me.

Paranormal horror is my favourite and as someone who actually believes in the paranormal and who has had paranormal experiences, I can confirm that The Conjuring is much more realistic than any other paranormal films, which just makes it extra spooky.

The actors, camera angles, music, sfx makeup and storyline is just - chefs kiss -. I've been waiting for the 3rd one for so long, but they keep extending the release date. (R. I. P)

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2. Annabelle

(all of them)

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Annabelle :

John and Mia Form are attacked by a Satan worshipping couple, who uses their doll as a conduit to make their life miserable. This unleashes a string of paranormal events in the Forms' residence.

Annabelle Trailer :

youtube

Annabelle Creation :

Samuel and Elle embed their daughter's spirit into a doll, only to realise it is a demon. Years later, they open their home to a nun and six orphan girls, one of whom finds the doll.

Annabelle Creation Trailer :

youtube

Annabelle Comes Home :

Judy and her babysitter are left alone in her house after her parents leave to investigate a case. However, an unexpected guest sets Annabelle free, unleashing demonic activity in the house.

Annabelle Comes Home Trailer :

youtube

My Opinion :

Another great film series that was birthed form The Conjuring. Definitely less realistic, with many more jumpscares and spooky characters, which is appreciated in the horror world. Many people find dolls far more creepy than ghosts, myself included, so that's another perfect aspect that adds to the suspense.

I prefer Annabelle 3 over the others, mainly because I found that one to be more scary overall, even though Daniela is an idiot and she makes me so frustrated 😂

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3. Saw

(all of them)

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For the totally unindoctrinated, the Saw movie franchise revolves around the Jigsaw Killer (a.k.a. John Kramer), who tortures victims he believes are complacent or guilty, in order to make them appreciate their time on Earth.

All Saw Trailers :

youtube

Obviously I'm not going to list every Saw movie, because there are 7 (Jigsaw aka number 8, does NOT count. It is a disgrace).

My Opinion :

A classic for horror and gore lovers of all kinds. Of course I need to list this as number 3. I simply adore these movies. I even have the DVD set, so I am definitely a long term fan haha.

The obstacles and creativity regarding Saw as a whole needed a lot of thought put into it, plus it has a happy little side note of "make sure you don't cause harm to others in life and don't take anything for granted" which some may have not even noticed while being overwhelmed by the amount of fake blood.

Yes, a lot of characters are annoying, but that just makes us enjoy seeing them tortured even more (shh it's not real). Some of the blood doesn't look very realistic, the sfx can lack attention, BUT... It's still great and I can overlook these few flaws to appreciate the movies to the max.

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4. Blair Witch

(2016)

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A young man and his friends venture into the Black Hills Forest in Maryland to uncover the mystery surrounding his missing sister. Many believe her disappearance 17 years earlier is connected to the legend of the Blair Witch.

At first the group is hopeful, especially when two locals act as guides through the dark and winding woods. As the night wears on, a visit from a menacing presence soon makes them realize that the legend is all too real, and more sinister than they could have ever imagined.

Blair Witch Trailer :

youtube

My Opinion :

I love the camerawork. Not because it's perfect, because it's the opposite. It's a documentary style and this makes it feel more realistic, as if you are within the film yourself. I enjoy how they skip to the action at just the right time after a mild buildup.

The visuals are great as well and there were definitely some parts where I was disgusted and claustrophobic, which is good to experience while enjoying these types of films.

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5. Under The Skin

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Disguising itself as a human female, an extraterrestrial drives around Scotland attempting to lure unsuspecting men into her van. Once there, she seduces and sends them into another dimension where they are nothing more than meat.

Under The Skin Trailer :

youtube

My Opinion :

I would classify this as horror, but many won't. Either way, this is an amazingly artistic film with beautiful imagery and silent awe. It definitely makes you feel the suspense in a calming manner and it has some really dark moments. Without reading the description, one might be confused as to what is going on, but how art is supposed to be interpretated is by the imagination of individuals.

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6. Veronica

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During a solar eclipse, young Verónica and her friends want to summon the spirit of Verónica's father using an Ouija board. However, during the session she loses consciousness and soon it becomes clear that evil demons have arrived.

Veronica Trailer :

youtube

My Opinion :

A Spanish masterpiece, to put it simply. It's hard to find proper horrors like this in English. I really enjoyed this one and I watched it subbed not dubbed, because I feel like voiceovers tend to ruin the art of the original film. The buildup is perfect and unlike many horrors, it barely shows you the face of the "monster". That leaves it to the imagination, which in general makes it far more scary.

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7. Underwater

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Disaster strikes more than six miles below the ocean surface when water crashes through the walls of a drilling station. Led by their captain, the survivors realize that their only hope is to walk across the sea floor to reach the main part of the facility. But they soon find themselves in a fight for their lives when they come under attack from mysterious and deadly creatures that no one has ever seen.

Underwater Trailer :

youtube

My Opinion :

This movie was released quite recently and I didn't know what to expect. I was definitely blown away by how good it was. Being trapped underwater gives most people a sense of anxiety. Add being trapped underwater and being hunted by creepy sea monsters and you've got yourself a good horror. Kristen Stewarts general anxious personality definitely suits this film well.

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8. Split

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Kevin, who is suffering from dissociative identity disorder and has 23 alter egos, kidnaps three teenagers. They must figure out his friendly personas before he unleashes his 24th personality.

Split Trailer :

https://youtu.be/84TouqfIsiI

My Opinion :

An incredible film with phenomenal acting on the part of James McAvoy. You can get lost within his character and almost feel as if you are the character itself. Suspense is built up slowly and the climax of the film is released rapidly. People I know who do not enjoy horror, love this film themselves, which is saying something. It's definitely one of the best modern films that draws you in from the start.

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9. A Quiet Place

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A family struggles for survival in a world where most humans have been killed by blind but noise-sensitive creatures. They are forced to communicate in sign language to keep the creatures at bay.

A Quiet Place Trailer :

https://youtu.be/WR7cc5t7tv8

My Opinion :

As you can tell by now, I love anything alien related. This film has some of the most amazing looking aliens I've seen, I was honestly in awe by how great they looked. Another silent film, but in a different sense to the previous one. Instead of being the hunter, this family is being hunted and this adds more to the fear factor.

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10. Unfriended - Dark Web

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When a teen finds a laptop with a cache of hidden files, he and his friend discover that the previous owner has access to the dark web and is watching over them.

Unfriended - Dark Web Trailer :

https://youtu.be/XenTM_C9fxM

My Opinion :

A modern take on horror. Involving the actual dangers of the dark web and the use of technology and turning it into a horror was a magnificent idea. It definitely had me at the edge of my seat.

Due to another film type that is not often explored (thus being that most of the movie is equal to what it would be like to look at your computer and video chat), it makes it different and therefore more compelling than the usual videography styles.

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Thank you for reading, if you've made it this far! Feel free to share your top 10 in the comment section, I am definitely interested in your opinions and finding new movies to watch myself. Any questions are also welcome.

Until next time, take care and stay spooky!

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ratingtheframe · 4 years ago

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Everything wrong with... Ep 3 - Pretty Woman

*sigh* *big sigh*. I’m back here giving you another politically charged review of a film I like to call a femmeçade:

Femmeçade /fɛm//fəˈsɑːd/ noun noun: femmeçade; plural noun: femmeçades; 1. A genre of films directed by men that forefront yet misinterpret the female narrative and representation on screen. "Pretty Woman is the worst femmeçade of them all in the way it depicts women as the lesser gender" (definition by yours truly).

I have to say, I have never felt more compelled, more angry in my entire life to write such a review and tear this film down until there is nothing left but the underlining, prominent misogynistic aspects of this film. I am talking about the 1990s classic, Pretty Woman starring Richard Gere and Julia Roberts. Now a musical, the film has survived three waves of feminism (if you count MeToo), and yet is still available to access for our entertainment. Even though censorship is less common in the Western World, the only good thing about watching Pretty Woman would be to see how vile and unacceptable it is in the eyes of our modern and ever changing society. It truly brought tears of anger to my eyes to watch such a film and see how its lead was shoved into the spotlight for a round or two of humiliation and prodding by the fingers and eyes of the male gaze. There is A LOT to go through here, so grab a snack and buckle in as I put Pretty Woman to shame.

Let's just start with the title itself Pretty Woman, a pretty lazy title for a film if you ask me. I understand it does what it says on the tin, like any title should, however the irksome thing about the film and title is what it’s selling. The lust and beauty of Julia Roberts as opposed to her character or story for that matter. Stood alongside Richard Gere in thigh high boots with her legs for days, months and years on show. We get it, Julia Roberts is a beauty, but why does a film have to focus on that sole part of her? By doing this it creates the idea that it’s her only asset and BOY does this film do a good job at reminding us just that. They’ve got the man’s vote and supposedly the woman’s seeing as the story is about them or who they’d like to be. WRONG, seeing as the crew behind Pretty Women were mostly men themselves. The writers, cinematographer, director, producers, best boys and gaffers, you name it. So who was this film for if it wasn’t to satisfy at least it's mostly male crew members?

Male satisfaction are the appropriate words to use when we are introduced to our leading lady in close up shots of her bra and knickers. Vivian is played by the highly talented and ordained Julia Roberts. Ever since seeing Erin Brodkovich which bagged her an Oscar in 2001, I’ve been in love with her spirit and confidence on screen. As we all know she is certainly one of Hollywood’s shiniest stars, up there with the elites like Meryl Streep, Viola Davis and Angelina Jolie. Why she decided to sign onto such a film, I would hate to speculate seeing as Feminism was more of a dirty secret than a positive movement back in the 1990s. Many (mostly men, though women too, especially those in the film business) would accuse the movement of threatening the comfortability and fun out of life’s pleasures, like women wearing makeup, dresses and being groped at office parties (sarcasm). However, as we now know, feminism isn’t the demon that the 1990s tried to make it out to be and I hope that Julia Roberts was unaware of feminism back then rather than being a strong opposer of it.

Vivian Ward is a hooker living and working on the streets of LA, the city of dreams as some may brandish it. She lives with her roommate Kit (Laura San Giacomo) and between them they spend their nights trying to scrape enough money for their rent. I’m glad that sex work isn’t as scrutinised as it was back then and another arresting aspect of Pretty Woman is the way it depicts the so called “atrocities” of being a sex worker. The propriety and haughtiness of those who laid eyes upon Kit or Vivian was degrading and dehumanising, simply because they choose to lead a different lifestyle to those around them. It seemed so archaic, almost Victorian like the way people ogled and gazed upon Vivian at the hotel where she was taken in by her male counterpart. Pretty Woman again proves itself to be an anti-feminsit horror show for shaming women on choosing what to do with their own bodies and how they dress. We need to cut this BS out of society ASAP that women dress in certain ways to attract the attention of the opposite sex. Clothes are a form of expression and 9 times out of 10, that expression hasn’t anything to do with wanting to be leered at in public. Enough with the victim shaming as well; asking women what they wore when they were sexually assaulted. Instead let's ask what the attackers were THINKING when they decided to prey on an innocent victim....

One night whilst Vivan is looking for clients, she meets the so called delectable and mouth droppingly handsome male lead that is Edward Lewis, played by Richard Gere. I didn’t get the hype at all as I felt Vivan to have enough personality and lust for life to fill both of her and Richard Gere’s character. Edward Lewis was wooden, stern and boring, and despite this, Vivian seems to see more in him beyond her usual hookups. That’s another irritating thing about Pretty Woman. Edward Lewis didn’t have to do FUCK ALL to prove his love or worthiness in the life of Vivian.

He didn’t have to (nor did) change one thing about himself throughout the entire film and that’s not only extremely sexist, but shit filmmaking. Did the writer of completely forget or give up on Edward Lewis’ character arc whilst he was too busy making drooling over Vivian? All Edward Lewis had to do was wave his card around and POOF Vivian was at his knees. No wonder the 1990s shamed feminists because this is the exact sort of crap they were trying to prevent from happening on screen. It may seem like fun and games when Edward Lewis tells Vivian to go shopping, buy herself a new dress for dinner, but in reality this is just a fresh case of misogyny, served up with a side of degradation and bigotry for dessert.

Edward Lewis goes as far to hire Vivian for the week as his...escort? His actual motive isn’t known and we are left as an audience to conclude that it’s because she’s pretty. Again, selling the film title through and through and deminishing the worth of women with each scene. Vivian is never actually asked what she wants, nor do we get to know her seeing as Edward’s inflated ego and wallet covers up most of the screen time whilst watching this film. If you didn’t think this film could get any more horrific is the age gap between Julia Roberts and Richard Gere at the time of filming, to which Roberts was 22 and Gere, 40.

One moment in particular that proved this film to have zero substance to it, is when Vivian eventually gets down on Edward and to my absolute horror, her bra strap is INCREDIBLY and shockingly inauthentically loose. Like falling off loose. Not one woman in the world who chooses to wear a bra; not in China, India, Pakistan, the U.S, Ukraine, Hooker, doctor, astronaut, teacher, hairdresser or not would ever EVER wear their bra strap so loose. An impractical and uncomfortable choice, this tiny infinitesimal yet significant part of this film showed that this film doesn’t care or know how to show accurate female representation on screen and goes against any sense of providing women with strong characters they can use as role models. And all from one bra strap.

The shopping and transformation part to this film had to be the big red thumb that stood out the most from the eternity of this film as AGAIN for the fifteenth time this film has proved itself to be in favour of entertaining those who like to ogle at Vivian as opposed to getting to know her. Edward thrusts his card at her once again (without giving her much choice, a common behavioural pattern associated with sociopaths and abusers) and she goes to Rodeo Drive to essentially pretty herself up for him so that Edward isn’t judged by those he introduces Vivian to.

When Vivian had attempted to go shopping alone on Rodeo Drive in her casual attire, the female employees of one of the stores behaved abominably towards her, classing her as someone who didn’t have the means or appearance to shop in such a place. This film just got even worse as not only do we have the opposite gender dictating the appearance of women, we’re having our own sisters do the same whilst investing in the patriarchal narrative of the way women should be seen in public. At this point you may think I’m going crazy and repeating myself, of which I am doing both, however once you’ve fully taken the time to wake up and smell the patriarchy’s cup of coffee, there’s no turning back. These details become smoke signals that turn into epiphanies and realisations that have you questioning is this really okay? And a Pretty Woman is NOT okay.

Once Vivian has had her transformation (so kindly afforded by the dominant Edward Lewis) she seemingly begins to enjoy her new life as a piece on the side, until she is presented with Edward’s lawyer, Philip Stuckley.

So here’s what we have so far on our checklist of misogyny and anti-feminsit motifs to Pretty Women

A poster and title created in the eye of the male gaze CHECK

A female character whose worth is based on her desirability and propriety CHECK

A mediocre white man who doesn’t progress and gets his way through charm, money and power CHECK

Women who take unkindly to other women because they don’t fit the normalised standards of the patriarchy CHECK

Shaming women for their dress sense and career choices CHECK

Lack of women in general, most of which don’t speak throughout the film CHECK

The list could go on but another motif to add to the list from this film that acts as big shiny wrecking ball that smashes up feminism and leaves its values in the dust is sexual assault. Or attempted sexual assault at that, as when we see Phillip Stuckley’s first interaction with Vivian he says right out that he knows she’s a hooker, whilst running the edge of his sunglasses down Vivian’s arm and suggesting they get together after Edward’s demise back to wherever he came from. EW, this was one of the many moments of the film where I had to swallow my vomit. Phillip attempts to rape Vivian back at Edward’s penthouse suite, when luckily Edward comes in to stop it happening, which was the most decent thing he did the entire film. Edward’s lawyer represented a hoard of men that existed back then and now who feel entitled to a woman’s body, hooker or not. Even though Pretty Woman had dug itself a big enough hole, by the time I got to this part of the film I had been sold on the idea that this film is completely out of line with women’s liberation and empowerment. It’s just one big game to prod and poke at women, seeing how far they can go, which in itself is a metaphor for sexual assault.

I’ll wrap up on the lack of diversity in Pretty Women. Because the world affords white men and women more luxuries and privileges than people of colour, they were at the forefront of this story whilst black and asian minorities were put in the background as butlers, maids and chauffeurs. It makes me so angry that on top of being a whirlwind of misogyny and sexism that such a film would have the audacity to misrepresent minorities entirely and highlight their so called use as servicing white people. IT. IS. GETTING. OLD.

Hopefully you’ve made it to the end of this “review” (kinda) and seen the damaging implications such a film has on our society. On reading Feminists Don’t Wear Pink and Other Lies curated by Scareltt Curtis, I read that “Books and things reflect what’s happening in the world, Hollywood movies DICTATE IT and MOULD what people think”.

You may think movies don’t matter or a film of the 1990s doesn’t matter, but if we are to learn from our mistakes and progress our movements, we must unpick the past and see it for how it was. Movies are our culture, our representation of what we’ve learnt or seen in the world. I don’t want to see women as sexual objects without their permission. I don’t want to see them being moulded by the patriarchy or by women who support it. I don't want to see women only good enough to be hookers, wives or mistresses. I want women to be the strongest versions of themselves and for films to buckle up and show that shit on screen.

Pretty Woman can kiss my ass and if it’s a film you like in unlike it. Pronto.

#prettywoman #julia roberts #richardgere #movies #hollywoodmovies #90smovies #romcom #cinema #feminism #everyday feminism #feminist

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illuminatvm · 4 years ago

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INTRODUCE YOURSELF

Hello! I’m V, she/her, 25, EST, aquarius sun with an aries moon and rising. dumb as hell, illiterate as fuck. hobbies include buying books and never reading them, crying over the fact that i can't travel right now, and being consistently inconsistent with a hyperfixation.

DESCRIBE YOURSELF AS A WRITING PARTNER

oooh! okay, so i like to think i’m pretty laid back but that’s when i’ve gotten through all the nitty gritty of plotting. I love figuring out details and timelines, trading headcanons back and forth and really digging deep into a character and pushing their morals and beliefs and connections to others. I’m also a hoe for the aesthetique and love sending off musing inspo or instagram posts and quizzes between heart-wrenching angst. My writing style tends to veer towards the introspective prose at its best and at its most direct will focus on actions instead— which makes sense when my favourite threads to write are either emotionally harrowing or big fight scenes.

WHO ARE YOUR CHARACTERS?

𝐀𝐧𝐧𝐨𝐫𝐚 𝐆𝐫𝐚𝐳𝐢𝐞𝐥𝐥𝐚 𝐀𝐧𝐭𝐨𝐢𝐧𝐞𝐭𝐭𝐞 𝐋𝐞𝐢𝐠𝐡

Faded mauve and golden gray // a soft voice in a nearly-gone memory // perfectly made earl gray tea // long-gone chateaus and gilded walls // heavy silk and creamy marble // eyes so blue you’ll drown // the safest you’ve felt in years // curated clutter // chiffon cake and pearls // peony-fragile wings // breathless laughter // subtle power // smiles are merely animals baring their teeth

Species: guardian angel

Age: Appears to be in her early/mid-thirties, dates back to the 1400’s

Occupation: real estate developer. 1% for the planet board member. LVMH shareholder

Spoken languages: The better question is, what language does she not know?

Current place of residence: a penthouse suite in downtown seattle

Time in Seattle: 10 years

𝐅𝐞𝐫𝐚𝐲 𝐀𝐲ş𝐞𝐠ü𝐥 𝐂𝐞𝐥𝐚𝐥

welcome to the club // deep crimson and glittering gold // the overwhelming ache of melancholia // neon lights and leather jackets // a life in the shadows // golden rings twisting with worry // sharp eyeliner or none at all // longing to belong // lithe hands of creation // more blankets than you need // starlight is the best light // half-truths and sharp knives // laughter that shakes your being // not dead yet barely alive

Species: shadow-graced

Age: 28. became shadow-graced at 24.

Occupation: jeweler. small-business owner

Spoken languages: English, Turkish, Italian

Current place of residence: apartment in capitol hill

Time in Seattle: four years

𝐂𝐚𝐫𝐦𝐢𝐧𝐞 𝐅𝐢𝐨𝐫𝐞𝐧𝐳𝐨 𝐑𝐨𝐦𝐚𝐠𝐧𝐨𝐥𝐢

half-finished lattes // black t-shirts // empty mirrors // cracked book bindings // piles of coffee beans // hair pomade // lingering hugs // tired eyes // chocolate fondue // cloud couches // a labyrinth in human-form // a smoke filled chest // mulberry and cedar // old leather // messy hair // a watch glinting in the light // wolfish grins // early mornings and late nights // commanding attention

Species: vampire

Age: appears to be in mid-thirties. At the age of 35. Born in 1820.

Occupation: owner of Regime du Matin, independent bookstore + cafe

Spoken languages: English, Italian, French, German, Russian

Current place of residence: top floor of Regime du Matin

Time in Seattle: two years

PLOT IDEAS / WANTED CONNECTIONS

Annora’s plot/wanted dynamics page

Feray’s plot/wanted dynamics page (coming tonight, i’m just being finicky)

Carmine’s plot/wanted dynamics page

PRESENT HEADCANONS

𝐀𝐧𝐧𝐨𝐫𝐚

To have lived for so long is both a blessing and curse. She remembers when palaces were built and bitterly recalls wars, can never hide the regret upon her features when she thinks of the fall of kingdoms and losses of beauty and majesty and brilliant minds. Devotion, steadfastness has matured, has evolved in the modern world and so too has Annora. Nowadays, you might see her working not merely to protect the people, but the place they inhabit. Technology and the divine have never been meant to mingle, but within her limits she involves herself with innovation— for the good of humanity. Of course, she is careful to remain in certain obscurity. Annora Leigh to mortals is a name forgettable and a face hardly seen. The world can not be saved by a single guardian angel, but she has not lived for so long that she can not try.

She likes to be busy, and she is. It isn’t uncommon for Annora to be in one city one day, then another the next. How she’s in Seattle continues to confuse the many as most of her real estate projects are on the eastern coast of the United States and Europe. But, she is here, and so far there are no signs of her leaving. An angel such as she isn’t so afraid of roaming the streets alone, not when her angelic lineage is so potent. If she isn’t working, she’s often volunteering, or spending time with those she considers her family— mortal or otherwise. If she could split herself into a legion, she could. Unfortunately, however, she is only one. Though that’s never quite stopped her from getting her way.

𝐅𝐞𝐫𝐚𝐲

She’d nearly died at the age of twenty-four while in London. In the years since, she and the entity she is bound to have settled here in Seattle, reverting to her birth-given name as she rediscovers herself in this new life, refining a new hobby of jewelry-making as she continues with a more quiet and subdued existence. Her workshop exists above the place where humans and supernatural-alike mingle, a club known for pleasure and indulgence. Lovers do no exist, friendships are distant if not fleeting. A love like her parents’ seems like an impossibility to her now. Her sins are her own, and watching love be wiped away by rage and betrayal was more than enough to cast herself away from the intimacy of knowing and being known. People couldn’t lose you, nor could you lose people if you weren’t present long enough for it to matter.

Though she lives in Capitol Hill, there are many days (and nights) that she’ll not stumble home until late. Her ties to the being that saved her from the brink of death are strangely pulled taut— so while her jewelry workshop (think brands like Sofia Zakia or Tippy Taste or Borcik Jewelry) and small storefront exists on the street level, an exclusive club of debauchery and sin exists below, its hours running until nearly dawn. Sometimes, you’ll find her posing as a bar girl, rarely will you see her indulging with or without the one who chose her for a life of the shadow-graced. But, she is loyal and indebted to them, and luckily in Seattle, everything is within arms reach.

𝐂𝐚𝐫𝐦𝐢𝐧𝐞

Within him lies the great desire of perpetual warmth, and the ability to give that same warmth to others. That is what the cozy walls of his cafes evoke, what seeps from the man that seems wrapped in tarragon and cinnamon. No, he doesn’t have a girlfriend. Not when the last had left him so cold that he’d felt frozen from the inside out. The past few decades have been spent perfecting his craft, doing everything to feel warm and alive — from coffee, to spontaneous relocations, Carmine’s pursuit of never ending fire is never over. Perhaps there will be something, someone that will finally cause him to burn, to smolder brightly even in the light forever, something that’ll bring the restlessness within him to settle into sincere warmth. Or maybe he won’t, and he’ll lose his spark and suffer from an endless cold for the rest of his days.

Business as usual. The cafe caters to both humans and supernatural beings alike. However, humans only know of the main floor and upper two floors of the building. Supernatural creatures are able to access the two lower levels and the second-highest level of the cafe. Carmine lives on the uppermost floor, although all visitors have access to the roof. He’s far more content with his life here in Seattle than he assumed he would be. Although it’s largely in part to the environment he’s created for himself: not a bar, but a place to enjoy drinks and be with friends, curl up by a fire and get lost in a book that either you’d brought yourself or have pulled off of a shelf. He’s been known to be found lazing in the plush couches instead of returning to his own floor, but all staff members suggest you run when he picks up the guitar. The man has absolutely no musical talent. Please don’t ask him to sing.

DO YOU HAVE ANY INSPIRATIONS FOR YOUR MUSES

𝐀𝐧𝐧𝐨𝐫𝐚'𝐬 𝐏𝐢𝐧𝐭𝐞𝐫𝐞𝐬𝐭 𝐛𝐨𝐚𝐫𝐝

𝐅𝐞𝐫𝐚𝐲'𝐬 𝐏𝐢𝐧𝐭𝐞𝐫𝐞𝐬𝐭 𝐛𝐨𝐚𝐫𝐝

𝐂𝐚𝐫𝐦𝐢𝐧𝐞'𝐬 𝐏𝐢𝐧𝐭𝐞𝐫𝐞𝐬𝐭 𝐛𝐨𝐚𝐫𝐝

#bw.intro #[ whew ok this is HERE. ]

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nerianasims · 4 years ago

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Billboard #1s 1983

Under the cut.

Toto -- "Africa" -- February 5, 1983

This song becoming massively popular recently sort of mystifies me. But maybe it shouldn't; the music is very pretty, and we've been short on popular music that goes for "pretty" for a long time. The lyrics... I really don't know. The best explanation I've seen was someone joking on Tumblr that maybe the narrator's a werewolf. I'm sure that wasn't the intent, but it's what I'm going with. It is a good song, entirely because of the music.

Patti Austin and James Ingram -- "Baby, Come to Me" -- February 19, 1983

I'm not sure I've ever heard this song before. It's a romantic duet. It's not annoying or anything, it's fine, but now that I've heard it I think I'm probably about to forget it again immediately.

Michael Jackson -- "Billie Jean" -- March 5, 1983

This song, I've heard. A whole hell of a lot. Like everyone else, we had the Thriller album (or tape, rather.) Actually I had it -- for some reason, Thriller was seen as some kind of child's first pop album. Every kid I knew had it. (And since seeing Leaving Neverland, that has been very creepy to me.) As for me, I'd put it on and dance, especially to this song. I pretty much understood what the song was about, and even got the "His eyes looked like mine" line. I didn't have an opinion on whether or not the kid was his son. It didn't matter; it was entirely about the music. Which is truly great.

Dexys Midnight Runners -- "Come On Eileen" -- April 23, 1983

Until the last couple years, I didn't entirely know what this song was about, because I couldn't understand Kevin Rowland's weird singing outside the chorus. I got that he wanted Eileen, and that this was about the combination of arrogance and horniness of youth. I did not know about all the references to the previous generation's pop culture, with an obvious inference that they felt the same way at one time. Also about Margaret Thatcher's intentional destruction of her own country's society. You don't have to think about any of that to enjoy the song if you don't want to, though. It's a fun dance song as well as being complex lyrically.

Michael Jackson -- "Beat It" -- April 30, 1983

This is the Michael Jackson song I remember being played on the radio by far the most when I was a child. It's basically the main background song of a couple years of my childhood. It's a hard-driving song about how you should run away from a physical fight rather than die. "It doesn't matter/ Who's wrong or right." Yes. It's rock, and it's dance, and it's... probably really great? I don't know, some things are too formative.

David Bowie -- "Let's Dance" -- May 21, 1983

"Put on your red shoes and dance the blues" makes no sense. But this is David Bowie; he knew that. It's part of the point. While this song is perfectly feasable to dance to, it's not really a dance song. It's achingly romantic and not the tiniest bit soppy, with music that's both accessible and fascinating. And my god Bowie could sing. I love it so much.

Irene Cara -- "Flashdance... What A Feeling" -- May 28, 1983

I didn't see Flashdance until college, when my roommates decided we would watch a bunch of cheesy 80s movies because it seemed a brilliant thing to do. It was, actually. Some of them even turned out to be good. Not Flashdance. Flashdance is memorably stupid, at least -- it doesn't hold back. It's extremely entertaining because it's deeply unintentionally hilarious. This song, though, I've heard a lot since it came out. The song is much better than the movie. It's got a wide-eyed optimism that's appealing, and the music is fun.

The Police -- "Every Breath You Take" -- July 9, 1983

I remember people periodically insisting that many, many women don't understand this song and think it's just romantic. I have never met any of these women. I have a feeling it was only a few, and that got blown up into some kind of crisis, as things do. Especially when people can imagine angelic airheaded women being dumb and somehow inviting abuse from those scary scary men. That's a favorite hobby for many. Anyway. It's a really good song that gets into the mindset of a really bad man -- or of a man who's currently imagining being really bad but is going to wake up, deal with his hangover, and get on with life. It's not a comfortable song, and that is good. Also Sting's hot.

Eurythmics -- "Sweet Dreams (Are Made of This)" -- September 3, 1983

Usually repetitive songs drive me nuts. This song is incredibly repetitive lyrically. I love the lyrics, though. And musically, it changes up just enough to keep my interest. It's almost hypnotic. Apparently, Annie Lennox can do whatever she likes with me. Speaking of "some of them want to be abused"...

Michael Sembello -- "Maniac" -- September 10, 1983

The original demo of this song was about a serial killer, and it sounds like it, with the Psycho-like musical parts. It's not a dance song at all. Michael Sembello worked with Stevie Wonder during his best years, but he's no Stevie Wonder. He has that 70s light rock white guy voice, and it doesn't fit this song. If he'd handed this to another singer, it would have been better. Though still goofy, because it's music about a serial killer wedded to a story about a dancer. Many of the lines don't seem to have been changed either: "On the ice-blue line of insanity/ Is a place most never see." And okay, that's a good line; I wouldn't want to leave it out either.

Also my aunt is a professional dancer (mostly choreographer now), so I've seen quite a bit into the professional dance world, and it is seriously unhealthy. It seems to be getting better, at least in modern dance, but the reason my aunt didn't go farther as a ballerina and switched to modern dance is that she could not get skinny enough for the fashion in ballet, no matter what she did. We're a muscular family with solid bones, and she couldn't get rid of that. She's got an eating disorder still though. Professional dance is harsh and terrible, and probably kills more women than serial killers do.

That's what I think of when I hear this song.

Billy Joel -- "Tell Her About It" -- September 24, 1983

Billy Joel's best songs didn't make it to #1, but that's almost always the way. This bouncy throwback of a song is still fun. With most excellent advice: "Tell her about it/ Tell her everything you feel/ Give her every reason/ To accept that you're for real." (It occurs to me that my husband is the first guy I dated who did that actually while we were dating, as opposed to waiting until after we broke up. Most of the guys I dated did not take in "I will not get back together with you if we break up." Not my fault; I told them about it.) Anyway, this isn't as good as "Big Shot," or "You May Be Right," or "My Life," or a whole lot of other Billy Joel songs I like a lot better, but it's pretty good.

Bonnie Tyler -- "Total Eclipse of the Heart" -- October 1, 1983

Melodrama, I love it. This song is so Great -- big, fantastical, unembarrassed, and awesome in both meanings of the term. Bonnie Tyler knows her strengths and has no hesitation about using that huge voice, and yet she doesn't oversing, either. The lyrics? Hell if I know. To me, it sounds like that part of a relationship where you're losing yourself and can't think about anything but the other person, and especially about having sex with the other person. But whatever else it is, it's poetry. And big thunder crashes. Which is a lot like falling in love. It's not necessarily happy. It just is.

Kenny Rogers and Dolly Parton -- "Islands In the Stream" -- October 29, 1983

Going from "Total Eclipse of the Heart" to this song induces emotional whiplash. The opening goes "Baby, when I met you/ There was peace unknown." That's the exact opposite of "Total Eclipse of the Heart." What is the same as "Total Eclipse of the Heart" is that the lyrics make no actual sense -- but of course they don't, this thing was written by the Bee Gees. Nonsensical lyrics can be poetic, but the Bee Gees didn't do poetry, at least not good poetry. Oh well, it's probably their most tolerable song. It's a sweet and light song, and I'm sure the narrators will be very happy together. They sound exceedingly "emotionally healthy." But as art, I prefer the "Total Eclipse of the Heart" take. Also I think this song might have been better with just Dolly Parton. Kenny Rogers was good, but he couldn't match Dolly.

Lionel Richie -- "All Night Long" -- November 12, 1983

Lionel Richie puts on a fake Jamaican accent for this thing. Also he makes up pseudo-African chants. I'm not going to go all "j'accuse!", at least not of problematicicity. No, I am accusing him instead of being annoying. Also dull. This is a party song, but an extremely boring one. Also Richie kind of tries to do an "ow" thing, obviously inspired by Michael Jackson, but of course it doesn't work. It's still not terrible. Unlike all the gloop Richie made, I can listen to the whole thing. The drums -- or drum machine, rather -- have a neat beat, and there are some good horns and other musical touches.

Paul McCartney and Michael Jackson -- "Say Say Say" -- December 10, 1983

Well this is weird. I can't remember ever having heard this song before. The song is about begging someone not to "play games with my affection." And it sounds like the two men are singing to each other, regardless of the lyric about getting through to a "girl." It's not bad -- Michael Jackson gives Paul McCartney the musical edge that he'd lost as soon as he left the Beatles. Strong beat, harmonica and all. But I'm not going to seek it out, either. I think the beat's too repetitive. Also it feels too busy.

BEST OF 1983 -- "Let's Dance" by David Bowie, "Total Eclipse of the Heart" by Bonnie Tyler, and "Sweet Dreams" by The Eurythmics. Great year for the pop charts. WORST OF 1983 -- There aren't any that I think are truly terrible this year, so I guess I'll go with "Baby, Come to Me," because as predicted, I have already forgotten it.

#billboard number ones

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cincinnatusvirtue · 4 years ago

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On this day in history: Battle of Leuthen (1757): Frederick the Great perfects his oblique order.

The Seven Years War (1756-1763) is regarded by many as the first true world war. It was fought on five continents and in many oceans, it was at its heart a battle of supremacy for worldwide influence, namely between Britain and France. Its origins were in colonial conflict between these two powers in North America which became known as the French & Indian War. However, it was also fought with a particularly ferocity in Europe. Britain was not a main participant involved in the European theater, instead this sector of fighting largely centered around their two main allies in this conflict and question of continental supremacy in Central Europe. it was the seeds to the so called German Question, would German speaking lands of Europe, then divided into the many entities of the Holy Roman Empire, be lead by the continual leadership of the Hapsburg Realm known based in the Archduchy of Austria or would it follow the Kingdom of Prussia?

Prelude: The German Question

-By the 18th century, the Holy Roman Empire, Central Europe and the German speaking peoples of Europe had largely been under the leadership of Vienna and the Hapsburg dynasty, then known as the Archduchy of Austria with its rulers serving as Holy Roman Emperor. A title that conveyed certain ceremonial & political weight with it. The Holy Roman Empire was a collection of mostly German speaking states that was concentrated in modern day Germany mostly alongside other parts of Central Europe. The Hapsburgs were its leading family and also held sway directly over parts of Italy, Bohemia, Hungary, Poland, Romania, Croatia, Italy and other parts of the Balkans. In the past its traditional enemy was the Ottoman Empire, long seen as the last bastion between Christendom and the spread of Islam throughout Europe.

-Its success against the Ottomans in the Great Turkish War (1683-1699) alongside Russia, Poland, Venice and other nations has essentially reversed the trend of Ottoman encroachment. Instead, the Turks now found themselves on the defensive and largely having to compete at against an expansionist Russia. Meanwhile, Austria challenged its longtime enemy France, now run by the Bourbon dynasty for control over influence within continental Europe.

-Austria sought Britain and the Dutch Republic’s assistance in containing French supremacy in Western and Central Europe, all these nations had a mutual interest in containing the expansion in French power which was coupled with the Bourbon’s taking over Spain and its empire too.

-Austria and France clashed in the War of the Spanish Succession (1701-1714) and the subsequent War of the Austrian Succession (1740-1748).

-It was in the last 17th and early 18th century and the aforementioned wars, that the Kingdom of Prussia, centered in northeastern Germany and run by the Lutheran Hohenzollern dynasty looked to gain power and influence.

-Prussia was comparatively small relative to Hapsburg lands but it built its reputation on its military prowess, starting with Frederick WIlliam, Elector of Brandenburg. As a member state of the Holy Roman Empire, it had a vote in the election of the Holy Roman Emperor, who was not a direct rule of other members of the fragmentary “empire” but a “first among equals” and one who held the most sway over the collective.

-Frederick William, his son and grandson (Frederick I) & (Frederick William I) were recognized Electors of Brandenburg and in the latter two’s case as Kings in Prussia and they made many military reforms that improved Prussia’s army.

-Under Leopold I, Prince of Anhalt-Dessau who served as Prussia’s royal military overseer a number of key reforms which set it apart from all other European armies were implemented. Firstly, he replaced the traditional wooden ramrod of muskets with which a soldier must plunge the musket ball into the barrel with an iron ramrod. The difference was stark, a more durable iron ramrod had a longer shelf-life than wood, was less prone to breaking and therefore was quicker for reloading. Secondly, he introduced the goose-step march which slowed the march of the army, conserving their energy when going into battle and providing for more uniform cohesion. Thirdly, he increased the role of the fife and drum musicians, making musicians out of some soldier and increasing the size of military marching bands, which was seen to boost morale. Fourth, he introduced relentless drilling with emphasis on the rate of fire and the maneuverability of units in formation. Fifth, the officer corps were directed and limited to the Junker (Prussian nobility) class which had a good miltary education and was firmly loyal to the Prussian nation and King. Additionally, firm but harsh corporal punishment was introduced to instill discipline and deter desertion. Finally, politically the introduction of mandatory conscription was more enforced in Prussia.

-All these elements left in place the Prussian Army becoming perhaps the most well oiled war machine in Europe at the time with only Austria, France, Britain and Russia being competitors, in time they would come to find out just how well trained and efficient this force was.

-As Prussia’s military reputation grew, so did its influence in the world of German politics and Austria clearly began to see it as a rival. Though initially, in the War of the Spanish Succession, both nations were together to curb French influence, with the Prussians serving with distinction as mercenaries under the Holy Roman Empire’s banner.

-1740, however changed things when two new rulers came to rule over Prussia & Austria. It started with Frederick II, the new King of Prussia. Frederick had a troubled relationship with father, Frederick William I. His father was well educated in government and military affairs and had hoped his son and heir would be inclined towards such matters too. Frederick was instead, prone to the burgeoning trends of the Enlightenment then coming into full flourish and sweeping Europe’s philosophy circles. Frederick was more interested in music, the arts and philosophy. His father also physical and mentally abused him, beating him with a cane and calling him many insults. To add to the strain, he appears to have been a homosexual, something punishable by death even for a royal during that time. Famously, he attempted to flee to Britain with his tutor/lover Han Hermann von Katte to escape the abuse by his father. However, both Frederick & Katte were caught in 1730 during their flight. Katte and Frederick were technically army officers and Frederick William I wanted to make an example of them for their flight as a betrayal of the nation. Though Katte’s initial sentence was imprisonment until the King’s death, Frederick William I instead ordered his execution. He made his son watch his friend and lover die by beheading, Frederick is said to have passed out at the sight of his lover’s execution by his father’s order. Frederick himself was also imprisoned by his father for the next two years.

-Eventually, father and son somewhat reconciled. In part, because he got Frederick to marry a woman, Elizabeth Christine of Brunswick-Wolfsbuttel. However, Frederick remained a semi-closeted gay man and never had children with his wife nor had any physical intimacy with her, though appears to have had no affairs with other women either. Instead, he always maintain an interest in the military and quite probably had male lovers & confidantes. Instead, the couple maintained separate residences over the course of their lives and Frederick knew full well the marriage was for political purposes. It was to last from 1733 until his death in 1786.

-Frederick came to the throne in 1740, having inherited a Prussia with a stable economy, efficient administration & most important of all, well trained and sizable army relative to its population. All things despite their often strained relationship he owed to his father. Of his father after his death he said:

“What a terrible man he was. But he was just, intelligent, and skilled in the management of affairs... it was through his efforts, through his tireless labor, that I have been able to accomplish everything that I have done since.”

-1740, also saw accession to the Austrian throne, Maria-Theresa, daughter of Charles VI, Holy Roman Emperor and Archduke of Austria. She had married, Francis, Duke of Lorraine, a Franco-German, portion of the Holy Roman Empire. Together, they would co-rule the Hapsburg Empire & give rise to the Hapsburg-Lorraine branch of the family, as Maria-Theresa was the last in the senior line of the Hapsburg family, which is declared to “die out” due to no more direct male heirs. Their subsequent branch would head the family and rule Austria in its many iterations through World War I in the form of the Austro-Hungarian Empire.

-The issue of Maria-Theresa’s gender came to be the powder keg for growing Austro-Prussian conflict. However, it was a smokescreen to expand Prussian power at Austrian expense, being just a convenient excuse other rulers needed to undermine Hapsburg rule as Holy Roman Emperors. Charles VI, aware of the problems caused by having no male heirs and relying on a system of primogeniture, where the eldest surviving legitimate male son or nearest male relative was given to rule, was forced to spend much of his reign using diplomacy and concessions to the other Electors of the Holy Roman Empire and great powers of Europe, to recognize his daughter as his heir and as Holy Roman Empress and ruler of Hapsburg lands. The Pragmatic Sanction of 1713 was the recognition by the other powers of Europe of her succession to these lands.

-However, looking to weaken the Austrians and get the balance of power set about in a more favorable fashion, France & Prussia backing the relative of Maria-Theresa, Charles-Albert of Bavaria, proclaimed his right to become Holy Roman Emperor. Making him in effect Charles VII, Holy Roman Emperor. He was of the House of Wittelsbach and his reign interrupted the Hapsburg claim to the title for the preceding 300 years. Citing, Salic Law, from the Middle Ages, neither France nor Prussia could truly “respect” a woman’s claim to hold the title of Holy Roman Emperor or to rule over the Hapsburg lands. For France it was about controlling the balance of power, for Frederick of Prussia, now Frederick II, it was a chance to increase Prussia’s profile. So launched the 8 year long War of the Austrian Succession. The war saw Frederick II invade Austrian Silesia in modern day Poland. With this Maria-Theresa & Frederick II were ever after archrivals.

- By 1745, Frederick’s army time and again surprised the Austrians and Europe at large and had more or less secured its war aims, Silesia. He secured for himself a reputation as a great tactician and for the Prussian army, a sense of true respect for their performance. The treaty of Aix-la-Chappelle in 1748 ended the war, Maria-Theresa was declared to be Holy Roman Empress and ruler of all Hapsburg lands with her husband who became Francis I as Holy Roman Emperor. Their family would continue to succeed them ever after. However, Frederick got to retain control of Silesia and this caused simmering tension and resentment with Maria-Theresa.

Diplomatic Revolution:

-In the years following the Treaty of Aix-la-Chappelle, the political goals of Europe’s great powers realigned. Britain and France still retained colonial rivalries the world over and both sought to have a favorable balance of power on the continent as well. Austria & Britain had been traditional allies for decades but with British support for Prussian claims to Silesia, Maria-Theresa no longer felt Britain could be a dependable ally in what she sought, a reclaiming of Silesia, she needed help to achieve this and turned to an unlikely place, its former rival...France.

-Meanwhile, Britain felt Austria itself was too weak to take on France and therefore was willing to subsidize other powers to contain French ambition on the continent while the Royal Navy & British Army took French colonies elsewhere. So a partner switch developed. Prussia & Britain signed an alliance in January 1756.

-Meanwhile. France at first declared neutrality thanks to diplomacy from Austria which no longer had borders on France’s natural borders and this lead to a thawing of icy relations. A series of treaties was signed between Austria and France in 1756-57 which formed an anti-Prussian coalition between the two and later supplemented by Russia & Sweden. France agreed to support Austria regaining Silesia, and subsidies for Austria to maintain a large army against the Prussians. In exchange at the war’s end, France would gain the Austrian Netherlands (Belgium). This would allow France new ports to threaten Britain.

War:

-War had broken out 1756 officially between Britain and France though their North American colonies had been fighting since 1754.

-Frederick II, sensing the growing alliance against him wanted to preempt any Austrian attack against Silesia and thusly invaded the Austrian ally, the Electorate of Saxony in August 1756, this kicked off the war and lead to many back and forth battles over the next 7 years.

-The war shifted in 1757 to Austrian Bohemia (Czech Republic) and left Prague under siege by the Prussians at one point. Frederick garnered many important early victories but was forced to withdraw in this instance.

-By late 1757, the French were providing Austria the long awaited support for its thrusts into Silesia. Prussia was gradually pushed back following the retreat from Prague and now was facing pressure from multiple approaches.

-This approach culminated in the November 1757 Battle of Rossbach, the only physical battle to involve both France & Prussia against each other. Frederick caught the Austro-Franco army by surprise and inflicted 10,000 casualties to his less than 1,000. France essentially remained a non-entity in this theater for the next several years, though they did continue to fund the Austrians. Austria’s real support would come later from Russia & Sweden against Prussia.

Battle of Leuthen:

-Meanwhile, another and even larger Austrian army was looking to engage Frederick, this one was lead by Maria-Theresa’s brother in law, Prince Charles Alexander of Lorraine. He sought to engage the Prussians and defeat Frederick decisively. Indeed he did defeat the Prussians, not under Frederick’s command at the Battle of Breslau in late November 1757 which threatened all of Prussian Silesia in December with 66,000 soldiers under his command.

-Frederick meanwhile had 33,000 meaning his troops would be outnumbered 2 to 1. Learning of the fall of Breslau, he moved his troops, 170 miles in just 12 days, a very accomplished maneuver given the roads and transport of the times.

-Prince Charles, aware of Frederick’s approach’s toward Breslau, the provincial capital of Silesia. He sought to stop the advance 17 miles west at the town of Leuthen.

-The Austrians hoped to check any Prussian countermove with a force running north to south spread out around Leuthen, knowing the Prussians would come from the west.

-Charles had placed his command in the village church tower to give him more of a vantage point over the rolling countryside displayed before his army. This meant he should be able to anticipate any move Prussia made.

-Frederick however, was quite familiar with the land, having used the Silesians countryside around Leuthen as parade and drilling grounds for the Prussian Army during peace time. Rarely one, to do the expected Frederick wanted to use his tactical prowess against the Austrians.

-His first step was to survey the land and hatch a plan. Austria’s strongest concentration of troops was on the left wing (south end) and their front stretched five miles north to south. Frederick, decided he would make the Austrians think he was in one place and then show in an unexpected place. His goal was to get the Austrians to react to this deceit which would provide an opening to his advantage.

-Realizing a series of low lying hills running almost parallel to the Austrian line lie in front of both armies. Frederick planned to use these hills to cover his troops movements for the main strike. First however, a force of cavalry would would launch an attack to distract the Austrians on the north end of the battlefield, the more lightly concentrated side. The Austrians thinking the attack was now coming from the north instead of the south would transfer the greatest concentration of troops from the south to north and check the Prussian attack. Meanwhile, Frederick employing his favorite tactic, oblique order would march from behind the hills to the now weakened south end of the Austrian line, perform a right angle turn and blast volleys into the weakened line, and roll it up from the south end, essentially performing a bait and switch on the Austrians.

-On the morning of December 5th, 1757, fog came onto the field, making it hard to see either side, this helped the Prussians more than the Austrians.

-Prince Charles saw Frederick’s initial moves early in the morning but interpreted them possibly as a retreat at first Meanwhile, Prussian cavalry attacked the north end of the Austrian line from the woods, indeed it seemed as if the Prussians were attacking the north end, having expected a southern end attack initially hence the greater concentration of troops. The worry was this attack coming from an unexpected direction could contribute to the Prussians rolling up the Austrian line.

-Charles reacted by shifting his entire southern flank’s reserve to reinforce and extend the line to the north. His transfer of troops drew out the line’s length and weakened the southern flank. They would in fact be facing the weaker Prussian attack, while the stronger attack would hit their originally anticipated southern flank, now weakened by deception. Little did he realize, he had fallen in Frederick’s trap.

-Indeed, Frederick marched his troops quietly in the fog and behind the hills before the Austrians, before he performed a right turn and executed oblique order, essentially moving the bulk of one’s forces against the weakened flank of the enemy and pushing them back so as to create an opening that forces the enemy line to shift, contort and break. His troops were well timed and disciplined to pull off such a maneuver.

-The main Prussian force marching south behind the hills was in two parallel columns. They moved past the length of the Austrian line and out of sight totally before veering eastward until they formed virtually a right angle with the Austrian line who was surprised by the sight of the Prussian army emerging from fog in battle line formation. The Prussian infantry opened fire with devastating volleys, keep in mind, the rate of five for Prussian infantrymen was 5 shots a minute per man compared to the 3-4 averaged by other European armies of the time. Their hard training had paid off with a faster and consequently more damaging rate of fire than their enemy.

-The Prussians now pushed forward against the confused and bedazzled Austrian army, which ironically, seeking to avoid being rolled up in the opposite direction, weakened their originally stronger side only to be rolled up anyway from a now completely unexpected direction.

-The Austrians had a few regiments try to check the Prussian advance from the south and indeed some artillery pointed south held them at bay but Frederick ordered some artillery of his own to be placed on one of the hills to the west of Leuthen, which in turn enfiladed the Austrian guns and forced them to withdraw.

-Meanwhile the Austrians tried to shift everything south in order to maintain control of the situation but the Prussian cavalry which had launched the screening attack on the Austrin north flank intially had withdrawn until was called into action by Frederick once more, causing more confusion for the Austrians who ultimately withdrew from the field, heading northeast.

-Frederick wanted to pursue but snowfall made him call off the pursuit. That night, Frederick arrived at the castle at nearby Lissa, occupied by both Austrian officers and refugees from villages caught near the battle. He politely surprised the Austrians by acknowledging they did not expect his presence their that night but did ask for lodging. Subsequently he went on to besiege Breslau and force an Austrian surrender.

-The war was far from over and Frederick and indeed Prussia’s fortunes fluctuated until its conclusion in 1763, in which Prussia would technically be the winner, retaining Silesia, in exchange for the recognition of Maria-Theresa’s son, Joseph as her heir. Though the war exhausted both sides in terms of manpower but ultimately, Frederick stopped Austrian +other Germans, French, Russian & Swedish armies from ending Prussia and his reign altogether.

-As a result of his tactical & strategic performance in this war and the preceding War of the Austrian Succession, he earned the historical moniker, Frederick the Great. The Battle of Leuthen was one illustration of the man’s tactical prowess, perhaps the most perfect example of this and more broadly of how far Prussia’s army had come from a comparative German backwater to the premier army on the European continent.

#on this day #military history #Seven Years War #third silesian war #prussia #tactics #oblique order #austria #Frederick the Great #maria theresa #holy roman empire #18th century #military tactics

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