#gonna explore that concept a bit more & work on that

[signanothername]

penny for your thoughts on dadmare and more fandom takes??

🪙

Tbh Anon you have to be a bit more specific with what fandom takes you want my opinion on cause I genuinely can’t think of any shshhshshs

But for dadmare… hmmmmmmm

It’s… I have complicated feelings about this trope

Like on one hand, I love the exploration of dadmare as a concept and would genuinely love for it to be explored in a deep meaningful way

On the other hand… the fandom never actually explores it in a deep meaningful way so everytime I come across dadmare a part of me dies inside

Like the fandom immediately settles for “tired generic dad trying to control his rowdy kids” and i’m here like :’)

Like i’d love for dadmare to actually be explored in depth, like the shift for Nightmare from being a bitch to being “dadmare” how does Nightmare deal with MTT in a dadmare way while staying true to his character

How did Nightmare develop and change and how does he feel about being “dadmare”, does he struggle to face the consequences of the abuse he put MTT through and how does he make it up to them? but like also for the love of god you can explore this trope without having MTT act like children, they’re literally +30 old men and you don’t have to infantilize them for the trope to work

Also hot take but everytime MTT call Nightmare “dad” unironically an angel loses its wings, it just ruins the vibes for me, like dadmare is a trope yet people genuinely take it too literally, which again just plays into the infantilization of adult characters

Hell, relationships aren’t one sided, how does MTT feel about Nightmare’s shift, do they trust him or do they take it as an opportunity to escape, do they hate Nightmare but warm up to him or do they not care for his change of heart

Like here’s an example, when people write dadmare, they write his ability to absorb MTT’s negativity to relieve them of their pain right? Ok cool, I LOVE THAT! What I hate tho is the fact every single person in the gang seems to “trust” Nightmare with their life and how all of them react the same way

Basically the MTT are reduced to cardboard cutouts that are literally just duplicates of each other, they all have the exact same reaction to anything Nightmare does, like you’re actually gonna sit here and tell me that Killer trusts Nightmare with his soul????? What did Nightmare do to earn that trust, and Killer isn’t a trusting person to begin with

Hell what did Nightmare do in the first place? Even when the interpretation of Nightmare is that he’s kind from the beginning and that he “saved them”, do you honestly believe that Murder would genuinely feel saved? Are you gonna tell me Horror is gonna stay and live with Nightmare by his own volition and abandon his brother where he only goes back to “visit” him? Since when has Nightmare become more important to Horror than Papyrus?

Hell since when can Murder, Killer and Horror communicate well?? Since when were they super close to each other and since when was Murder ok with Killer’s existence considering his very dangerous Determination and Chara-like nature?

Since when was Killer super emotional in stage 2 and since when was his other stages completely forgotten to fit the perfectly happy and healthy family that the fandom is trying to force onto these obviously unhealthy characters with unhealthy relationships and destructive behaviors

Like don’t get me wrong, people are obviously allowed to explore their fave characters however they like, but my point is, I can’t enjoy the trope of Dadmare even tho i want to, cause the fandom just settles for very straight forward answers to every problem, every little problem is immediately resolved with a snap of a finger

Everything is happy and rainbows and roses and any problems the MTT have they just go to dadmare and suddenly they’re no longer self destructive cause dadmare immediately saves them cause he always has the answer!!!

And i’m here still waiting for an interpretation of dadmare that actually pulls me in and actually interests me like

[sakhafa]

something I’m realizing is I’m struggling with setting real proper intentions for whatever I’m doing…it’s definitely something I’ve been trying to work on but especially now as the new year is upon us it’s making me think

[casinoquartet]

i am SO TRIED of writing essays why can't they just let me write about block people

[tizeline]

More about that Seperation AU! (I'm just gonna tag it as Tiz Sep AU for now for the sake of organization)

Anyway, so if ya'll saw my last post, in this AU Donnie doesn't really have a battle shell, but he DOES wear prosthetics that gives him two extra fingers on each hand. Some people immedietly picked up on the implications of that (which makes me very happy) but I also wanna give a proper explanation, so here it is:

While we don't get a specific explanation in the show as to why Donnie built the battle shell, it's not unreasonable to assume that he would've compared his soft shell with his brothers' hard ones and might've felt a need to compensate. So if he grew up without his brothers, like he did in this AU, would he even feel that pressure to "improve" his shell? Sure, he'd know that most types of turtle species would have a tougher carapace than his own species, but he wouldn't be reminded of that in his everyday life. In fact, while compared to his brothers he's the most fragile one, compared to April and Splinter (who don't have shells at all) he'd be the sturdiest out the the bunch. So in this AU Donnie doesn't use any additional armour (he does still have a jetpack tho because fuck yeah)

So where does the additional fingers come in? While Donnie in this AU doesn't have any other turtles to constantly compare himself to, he WOULD inevitably compare himself to Splinter and April as well as humanity as a whole. All of which have five fingers on each hand as opposed to his three per hand. This isn't the only part of himself that he's insecure about, being seemingly the only turtle boy in a city of humans is bound to make him feel a bit isolated and lonely. He'd feel more pressure to be more human than turtle, and making himself extra fingers, in his mind, would be a way to accomplish that.

It's not JUST insecurity though, there's a practical aspect to having five fingers when you do a lot of handiwork, which is something Donnie does. In fact, I first got the idea when reading the IDW TMNT comics. I don't remember the details but there's a part when Donnie (or rather Metal-Don to be specific, I think?) comments on the fact that it'd be more beneficial to have five rather than three fingers. Ever since then, the concept of Donnie constructing extra fingers for himself to make his work easier is something I've kept in the back of my mind, and I figured this AU was the perfect oppurtunity to explore that.

[maplebellsmods]

So excited to share the mod i've been working on! Here is the Love Triangle Mod. Mapping this concept out was a bit difficult because I didn't wasn't sure how I was gonna go about creating the base structure. But I think it turned out fine in the end.

Here is everything you need to know:

Requirements for Love Triangle to appear

Romance Track with TWO Sims

Minimum 30+ Romance Score each

Once these options open up you will have the option to "Reveal Divided Heart". This would be underneath the Love Triangle pie menu (which is under the romance pie menu).

Note: Just because your Sim has revealed that they are in a love triangle, it doesn't mean that being romantic around either Sim won't result in jealousy. They can still experience jealousy; they are just aware that the Sim has feelings for them and another.

There a few interactions available for both the center and the two love interest.

Most of the interactions are pretty straight forward but that there are few that I will explain more.

The love interest also has quite a interactions available to them.

Ultimatum: The LI can also give the center an ultimatum. The options you can use after using the ultimatum interaction could be, "Open Relationship, End Relationship or Make Choice". But you do not have to. I wanted to make this as flexible as possible.

Since there are already lots of great open relationship mods, I didn't expand on that part because there are so many other ones that would be more fleshed out.

Your sim can also talk to someone they are close to about their predicament. The friendly love triangle option is available under the "Gossip/Other Sims" menu.

You also need to have a 80+ friendship level to have these interactions open up.

Explore Feelings and Reflect on Feelings are solo interactions. This basically involves your Sim think about how they feel. Depending on how high or low the relationship bar is with either sim you will can get a hint on how your sim is feeling about each Sim.

Finally there is the "Final Choice" . Once your Sim is ready to choose the SimPicker will popup. Be SURE to press on the Sim you are in Love Triangle with. Or else the game wont properly recognize that the Love Triangle is over.

No, it does not.

Credit for the pose: Here

What else do I need for the mod?

Lumpinou's Mood Pack Mod, so it is required for the mod to work properly.

You can get her mod here.

If you already have it great! But make sure it's up to date. Otherwise, it will break the UI

XML injector

I'm experiencing some weird bugs!

Let me know, please.

Report it here: Mod Bug Report

How to install the mod?

Electronic Arts/The Sims 4/Mods <--- Unzip the file and make sure it's placed in this path.

Download Here

Public April 24th

[icyg4l]

August 2024 Predictions

hello beautiful people! i am back from my break. did u miss me?? 😁😁 lol. (i am not going to be opening my personal readings yet though. maybe later or earlier next month). i want to start off by thanking you all for the birthday wishes. it is an honor to make it to the age of twenty. also, i have been very busy with trying to get everything together for my new semester of school. i am finally relocating so it’s gonna be hectic for the next month or so! i will make personal readings available as soon as possible. but i hope you guys enjoy the readings that resonate with you! without further ado, please select your pile!

pile 1-3: (left-to-right)

pile one: don’t be desperate, pile one. allow things to unfold the way they’re supposed to. you’re a bit of a control freak. do you have virgo in your chart? let the mystery be alluring! you may find that not knowing everything is actually a relief. allow yourself to be challenged. i heard “be in the nude”. now’s the time to start being kinder to your body. be more affirming to your body, treat food as it is (not as good or bad), buy clothes that are flattering to it. august will be a time of exploring what the world has to offer. don’t feel guilty for doing so either. august will bring you the best of both worlds, so if you’ve been struggling with maintaining stability in two specific areas of your life, it will come. if you’ve recently broken a bone, expect a fast recovery, especially if you smoke weed. if your family is feuding, expect for them to reconcile their differences. i see that your financial situation will improve as well because of your decision to expand beyond the norm. think big, but don’t be greedy.

cards used: queen of wands, seven of swords, two of wands, five of wands, ten of cups, nine of pentacles, two of pentacles, six of swords

extras: manga. phat girlz (2006). annihilator. gold grillz. mirror work.

pile two: you may find that you are reminiscing about the past this august. however, you should not dwell on it. the past is the past for a reason. the disappointments/setbacks you have faced will not last for longer. have some faith. it feels as though someone has been talking shit about you. let them think what they want to think. you have nothing to prove to this. this person could have gemini placements. you are not the person you once were. this month it is crucial that you do self-concept work. what people can say may really get to you. you could find yourself being ultra-sensitive to jokes and the words of other people. if it makes you feel any better, stand your ground. you are the embodiment of “sticks and stones may break my bones”. this last message is for someone who looks to be an influencer/celebrity. make sure that the way you present yourself is true to you. don’t spend time trying to appeal to others. have some boundaries. don’t let people get too comfortable/allow them to use your status against you. you’re human as well.

cards used: five of cups. queen of wands. eight of cups. knight of cups. queen of swords. king of swords. six of cups.

extras: visa. rue. sacrificial lamb. body parts. moola.

pile three: this month will be exhausting for you, pile three. i’m not going to lie, you may have already had a rough start. for some of you, you could have been in a car accident, but by the end of the month, you will receive a hefty check. some of you could receive a refund check that will help you with all of the bills you’re drowning in. you will receive some unexpected financial assistance. if you are expecting to receive a student loan, you will finally be approved. some of you will finally be eligible for government assistance as well. do not be afraid to accept help from community members. you do not have to do it all alone. i see that you will have a breakthrough before you are finally blessed with the opportunity to receive. this month will test your faith but ultimately, you will receive everything you’ve been asking for. sometimes you just have to wait on it. for those of you on anxiety medication, you will finally feel the effects.

cards used: two of swords. the hanged woman. seven of swords. king of pentacles. the hierophant. ten of swords. ten of pentacles. nine of pentacles. four of swords.

extras: pure harmony. “excellence”. “say your goodbyes”. ain’t nobody got time for that. ohana means family.

[gooppoo]

asked for filth? alright

how about jake fucking the reader in ways the na’vi dont usually do? like eating her pussy making her sit on his face, fingering her, all the ways that you think they wouldn’t do and reader is just overwhelmed and so fucked out while hes laughing at her lovingly

no this is a really interesting concept bc how does james cameron b havin these mfs get down and dirty?

Let me show you.

Requests Closed!!

mdni.

warnings: oral (reader receiving), fingering, face sitting, jake is actually being a softy (surprise surprise)

p.s. challenging myself to condense my writing bc I tend to overwrite tbh

"Yes, sit, right here." Jake giggled at your bashful nature.

You swallowed nervously, "I-I don't know Jake..."

He swished his hand nonchalantly, "Babe, I promise, you're gonna love it. When I was one of the sky people we did this all the time." Your ears flattened when he mentioned the sky people, "Listen, just try it, if you don't like it, we'll stop." He cocked a brow.

Your tongue ran over your teeth thoughtfully. Hesitantly, you shuffled toward his expression, praying that he was true to his word (his devilish smile was less than convincing).

Either side of his head, your thighs rested, one hand stuck out in front of you for stability. Jake chirped from beneath you to see if you were ready, and you sighed, unsure.

A wet, warm sensation spread across your folds and toward your clit. Your body involuntarily stiffened and jolted your hips away from his mouth.

"Woah woah hey, just my tongue. Don't worry baby." He studied your anxious stare, chewing on your bottom lip, "Only gonna use my tongue and my fingers. Promise." His wink was not as comforting as he thought, but still cute.

In your chest, your heart hammered making the rest of your body hot. It all seemed so new all at once, and it was overwhelming.

But...from the little bit you had, it felt pretty damn good.

Still, you proceeded with caution, and returned to your original position. You waited for his tongue to explore again, instead he opted to peck along your thighs. A part of you wanted to protest and whine for him to focus on your clit, but you let him show his expertise.

When his tongue made a reappearance, it was trailing toward your much wetter core. Again, the temptation crept up to force his tongue where you wanted it, but you were patient. And soon enough that patience paid off because before you could form another coherent thought, Jake was showing you that it was possibly for you to form incoherent thoughts.

It was like he was kissing you, making out with you messily, only it felt one hundred times better. All you could really do was gasp and mewl, feel Jake pull you harder down onto his character to dive deeper into you. At times, you'd both hum when you'd hips would buck out of pure pleasure.

But as soon as you adjusted to this new phenomena, another was introduced, this time you didn't pull away. There was a weak prodding at your slippery entrance - perhaps his fingers he had mentioned - sometimes penetrating through the tiniest bit just to slide back out.

It was different, and would take some adjusting, but as long as Jake kept his attention on your clit there wouldn't be any protest or insecurity. And he knew this too, he wouldn't send your body into shock and shove two fingers into you just to quicken the process. So he took his time building up to massaging your g-spot and keeping a blissful pace on your clit with his magical tongue.

Eventually, he was knuckle deep in you, stimulating your most sensitive spots and watching you gradually unfold on top of him. Feeling your thighs relax almost too much, cunt pulsing around his working digits, it was just as he had remembered it.

However, he couldn't sustain this rhythm forever, it would only get you so far, and he wanted you cumming on his face! He tried his best to be as unsuspecting while lapping at your clit and applying more vigor to your insides. And while this did send you further into your clouded mind of lust, it also quickly became too much.

"Jake - jake," you tried to warn him that you were on the cusp of overstimulation.

"Keep saying my name baby," he laughed against you. The faint tremble in your thigh and the tightening of your naval told him everything he needed to know, "I know it's a lot, it's okay. You're doin' fuckin' great." Most of his words were muffled, the vibration of his voice sending chills up your spine.

Sooner than he has expected, your thighs were stiffening, and your walls were tightening. He continued his pace with a sprinkle of passion, knowing what was waiting for him around the corner.

"Jake - oh, OH!"

There it was. That honeydew sweetness dripping down his fingers and coating his tongue. Making your sturdy legs shake and clit become too sensitive to even kitten lick. Jake was pussy whipped, no question about it.

When enough was enough, his half-damp face peaked from underneath you, an overly cocky smile plastered on his features.

"Whatcha think?" You nodded, still gasping for air, "I knew you'd like it."

[mythicmanuscripts]

Totally ok if this is not up your alley- but would you ever be open to exploring a beta!reader with her omega boys? I think there can be many ways this dynamic could be explored.

But my heart loves the concept of beta's are kinda viewed as spinsters even within highborn families.

so the Reader is enjoying their life at court while the princes are being prepared to see all the alpha's that would like to try for their hand in marriage. And they cannot stand any of their suitors. And instead opt to spend time with the newest beta brought to the court. No one ever suspects stronger feelings for the omegas to bloom but when they do it surprises everyone that they would settle with a beta over a 'stronger' alpha

Oooo brilliant question anon!! I love betas, so I'd happy write more on this!! (for future reference: I'll happily write beta!reader with omega or alpha characters as well as Alpha!reader, the only thing I won't write is omega!reader). Anyway, I'm gonna write a little bit about this concept with some different characters and we can take it from there.

As always, because it's a/b/o I'll hide it under a cut

AEMOND:

So I think this idea actually works best with Aemond, because he tries to not seem very omega like? All these alphas were trying to court him, but they were all trying to treat him like he's some useless vulnerable omega who can't look after himself. He hates every second with those alphas, hates how they make him feel. People keep on telling him how once he finds his alpha he will want to nest with them and look after him and do all those typical omega things but obviously this doesn't happen.

With you being a beta, aemond is immediately more at ease with you and enjoys talking to you more. You always listen to him, and maybe you also train with him? He loves how you are him seriously and how you roll your eyes when he complains about all the alphas that are trying to his hand.

Aemond doesn't even realise his feelings for you at first. One day he just finds himself wanting your scent in his nest, and then soon he finds that he doesn't like to talk to alphas without you. He only clocks what's happening when he hisses at one of the omega servants who try to dish your dinner for you. The poor servants drops the spoon when and runs away, and aemond has no regrets whatsoever because how dare they try to do that?? It's HIS job to feed you, no one else.

He's two seconds away from a mating before he even realises he's in love and he needs you and only you.

AEGON:

Everyone is shocked when they realise that Aegon has fallen for a beta. Out of everyone, they never imagined it would aegon that would want a beta. He's just... so very omega? From the moment he was born he had always been very much a stereotypical omega. He's emotional and sweet and he purrs and hisses and loves being pampered.

Alphas come from all over the kingdom with lavish gifts and aegon bats his eyes and thanks everyone. And sure those alphas are fine, but you're the only one who really knows how to look after him?

Hes not just a needy omega (though make no mistake he is absolutely a needy omega), he's also a little skittish? You're the only one who has mastered just how much guidance Aegon needs without controlling him. He really just melts in your presence aNnd becomes very protective of you.

JACE:

Now as we all know, Jace is easily flustered and he's ver particular about touches and fabric. Most stimuli can feel too much, no matter what they are.

For omega!Jace, I think that he's also like that with scents? He has to find a single alpha scent that he actually wants around him. At best he finds them a little off-putting and most he feels like he can't breath from how strong they are. In fact sometimes even the scents of fellow omegas can bring about that reaction?

Once they move to dragon stone, Rhaenyra sets aside one room as the designated nesting room for everyone, because of course she does she looks after her children very well. Everyone knows not to question if Jace doesn't come into the nesting room for a few days, because every often even those happy pack scents are too much.

But then he meets you, and you smile at him and shake his head and from the moment he gets your scent he's obsessed. It's much milder than alphas or omegas, and in fact many alphas can barely even smell you have any scent. Jace though? He's obsessed, he cannot get enough of it.

[digitalagepulao]

My sincere Black Myth: Wukong review

Full disclosure! This is from a recent but earnest fan of JTTW as the original novel, as well as all the social, cultural and religious layers of it. I've seen my fair share of adaptations and derivative media, from shlocky to silly to grimdark to cutesy. I'm a bachelor in visual arts, with an interest in the field of game development since high school. I am also, white and brazillian, and have talked with other jttw fans, both Chinese and not, on this game. If any of these are for some reason motive to not read further, then fair enough. Hope you have fun and continue to enjoy the game, do not let me or my opinion stop you!

Now to the review proper <3

First things first, let the obvious not remain unsaid. This game, is supremely gorgeous. In every sense of the word, and I mean this fully, it's a work of art. The sound design, the character concepts and execution, the animations, the voice acting, the visual effects, the UI design, the cinematography, the 3D scanning of actual historical artofacts and heritage sites throughout China, and everything beyond and between, are phenomenal, full stop.

This was never a debate, I'm sure, but I don't think I can in good conscience not praise them for their work. It's no news that Asian talent, not just in China either, have been often hired to supplement projects on the West, and we can all agree it's about time they got to shine in their own AAA project. My issues with the international game industry notwithstanding, I hope this brings some much needed acknowledgment and appreciation for Chinese culture and arts, both traditional and modern!

Now, from this point on, THERE WILL BE SPOILERS, so proceed with caution!

(word count: +1.8k)

I also deeply enjoy their choices in arcs to revisit. Some like the Flaming Mountain arc are classic picks to adapt but still a very good match to the whole Six Senses throughline. I don't think you can do a JTTW 2 electric bogaloo without bringing up Niumowang and his family in some way (um, put a pin on that), but the other arcs like Yellowbrow or Black Wind Mountain aren't as explored imo, so it's nice to see them being given a bit of a spotlight.

(speaking of the Yellow Ridge arc, whoever made the executive decision of Lingji Bodhisattva being a Xaanxi singer is, genius!!)

I'm also kind of in love?? with Bajie's design and role in the story overall?? Gameplay wise he sticks around just enough to not feel lonely, but not too long to be a nuisance or overstay his welcome. He's no Atreus (GoW) or Ellie (TLoU) of course, but he doesn't need to be, and most importantly, he isn't trying to be, which I feel is admirable of the devs. Given the visible inspirations from the recent God of War games, it would have been easy to lean a bit too hard on it, but I'm glad they didn't overreach.

Him having a more complex love life is also a nice touch imo. It explores more his womanizer ways in an interesting way, and I appreciate it. I love when people complicate the pig! Also, the way he treats Xiaosheng (Destined One) like a nephew?? The scene on the Huaguoshan throne??? I'M GONNA CRY!!!

I think, I've run out of positive things to say.... time for the spicy takes.

I, kind of detest the premise by default. I'm not a big fan of "Superman is Dead" plots, cus it's usually either done for shock value, or taken so lightly that the weight is totally lost. I have such a love-hate situationship with the introduction cutscene because of this. On one hand, it's phenomenal cinema, and seeing Wukong stand up to the Heavenly armies in glorious 4K high fidelity graphics is delicious. On the other hand, the whole debate they are having has me going "?????", not because I don't get it but just, why?? Why did this have to be the premise?? (put another pin on that)

Also the set up and call to adventure is kind of blergh.

Now is as good a time as any to talk about the gameplay. It's, okay. If you enjoy trying to figure out the most stylish combos, or to mash buttons, then you'll definitely have fun. I was sorely disappointed that I pretty much have been going through the bosses rather easily. Chapter 1 it was mostly the struggle of learning the controls, but I never stuck to a boss for longer than seven tries (Whiteclad Noble, the snakeman that you are). Chapter 2 I only struggled on Tiger Vanguard, because I was sorely underleveled and had missed a pathway to explore before him. After that I second tried him. Chapter 3, I have and I'm not joking, gotten halfway through first or second trying every boss.

Mind you, this is not being some godtier gamer or whatever, I'm pretty average and only a recent player of soulslike games too (maybe playing Lies of P made too OP, but I sincerely doubt it lol). No, this is me saying that if you do explore the game and not rush through it, you won't struggle nearly as much as some people have and still are. Most of the final chapter bosses can be trivialized with the chapter's Obsession Realm gimmick artifact, which isn't in itself a bad thing, just feels like an odd choice personally.

Which leads me to, the level design. So far? Preeeeetty lame! It's very pretty and fancy, but so chockful of invisible walls that it feels stiffling and discourages exploration. I can never tell what is meant to be a path or just fancy scenery, and I never know when a jump will get walled or send me to my death by fall damage. When it's not being confusing, the level design is either a bunch of looping circles, or straight lines. And so far, besides a few interactables and loot, there is not much else to look at. That is, bad level design, plain and simple.

Also, the animations are glorious, but what is the point if I can't see the enemy?? That camera is my true nemesis, and I mean that. the fact that a boss can be beyond my field of vision at ANY POINT when I'm locked on and it strifes sideways, is dreadful. GameScience, FIX IT. It is also, very hard to tell what parts of a boss will damage me if I collide with them or not. The Kang-Jin Long fight was baffling on a design point of view, same for Captain Lotus-Vision. Some clearer hitboxes would be swell.

This is the point where I say my main issue with the game lies: it's very pretty, and adoringly crafted, but it lacks substance design wise. I feel like it needed to cook more, the level design polished more so I wouldn't get lost every five minutes, and clearer.... well, everything. Mechanic explanations, level progression, gimmicks, etc. It all needed to be less murky and convoluted to understand.

It also needed more meat in between bosses. I have yet to run into common enemies that give me actual trouble, so it ends up being just a jolly waltz from boss to boss. Boss rushes are fun and great, but not as the base game experience (for me at least). I had to stop one boss away from completing Chapter 1 cus I was just so exhausted. And I had been playing for like, an hour and a half?? That left a sour taste in my mouth, I'll be honest.

Okay, I'm gonna pick open those pins now.

#1 the Flaming Mountain Arc. I'm gonna be very real here chat, that was so cringe. What do you MEAN, Red Son wasn't Demon Bull King's biological son, and Princess Iron Fan was forced to drink from the Childbearing River??? And Red Son hates him????When I watched that cutscene, I had to pause and walk away for a moment, legitimately. This plotbeat is SO WILD to me, I got nothing to say. Just, why??Soooo bizarre. And that the Flaming Mountain Keeper has such a presence in Iron Fan's life is also, weird?? Not bad weird, just Weird, but that's like a nitpick more than an actual criticism. Ping Ping is fine though, I like that Bull has a daughter with Princess Fair Fox, that's cute and interesting. Wish she was in a better plot and adaptation but lol

And #2, the premise. Now we are getting to the meat of it all.

The underlying premise of the whole plot, including the true ending, is flawed by default. The premise runs on what is sometimes called as a "conspiracy theory plot", as in, "what if the gods were bad actually??". It's reddit movie theory content in very short terms, and while it had a place during the 00s grimdark years pre-Marvel, it's become quite a jaded and boring take nowadays. Now you may say that it comes from a genuine desire to show distrust and critique to insitutions and the powers than be, and I can see that.

There is a hiccup in that though.

In JTTW, Wukong is the Mind Monkey because of the religious text and subtext of the stories. Its interwoven in the whole thing, and makes it cohesive. It still offer critique and mockery to institutions, without entirely invalidating their foundations. Not only for genuine fear of prosecution, but because, shockingly, religion and belief is a major component of human society in general. But going back to my point, JTTW is *already* a critique of institutions and the power that be. Adding further layers into it feel like angst and edginess just for the sake of it, and that feels hollow to me.

To go further, this intent also clashes with their own plot. See, they bring up that Wukong's Mind, his Sixth Sense, died. Thus they need another Mind to guide his other senses and reform him, so that he may be reborn.

For one, that is such a convoluted way to do a reincarnation plot, it feels complicated just for novelty sake. Secondly, Wukong being the Mind Monkey, as I said, implies a tie to the underlying themes of the Journey as a person's path to enlightenment. If enlightenment itself is flawed because the gods are flawed/evil, then both themes are clashing. By making a "what if the gods were evil all along" plot while also going by the laws and order of said gods, then what are we even fighting against? What is the point of this whole rebellion between Erlang and Wukong??

my friend @ryin-silverfish said it best a while back, and I'm paraphrasing here (do pitch in or correct me if needed! <3), but the issue with these conspiracy narratives is the inherent anti-religion of them. They don't believe in anything, and thus they cannot properly retell the story of JTTW through a postmodern lense, because they refuse to engage with the religiosity that runs throughout the story.

It also leaves a sour taste in my mouth, because this game will likely be many people's first genuine experience with the JTTW mythos and story, and I tend to be concerned for how much this will "sour the pot" in the conversation. The novels are sadly innacessible enough as it is; the sheer size of them scare many people away, not even to mention the amount of underlying cultural context you'll miss out without proper footnotes and commentary. Most people will not engage with them directly, and certainly not most gamers.

While the narrative of someone embodying Wukong's spirit is not new in itself, I do find that it coexisting with such a poor premise and spin on it will be a sore first experience for new fans, and I can only hope that them meeting fans of the OG novels won't cause much friction in the fandom (we have enough as it is imo).

It also concerns me that, sadly, people and gamers in particular, get too swept up in the ooh-aah beauty of flashy sfx and highly detailed graphics, and fail to notice some of the underlying issues in game design. As I said, this game is a work of art, but it has flaws, and I don't think people are speaking of them enough. No, the issue is not "lack of diversity" or whatever the hell.

It runs deeper than that, and it's an issue I've come to see in recent movies as well. I'm aware it might just be different cultural expectations of the pacing and span of a story, and it may as well be! But I think if there was more care given to the bones of a media, it would bring much needed longevity and weight to these wonderful artworks.

All this said, I wanna see what acolades this game gets and see what the devs are cooking up with the DLCs (they said at one point the game was supposed to have 12 chapters and my god, that game would be TOO LONG. So glad it didn't get like that!), and further more see how this ripples in the eastern game dev scene. While this is a flawed game with a flawed story, it can be the first on a genuinely wonderful wave of new creations, not just by GameScience, and overall I'm hopeful for what might come next!

[max1461]

only tangentially related but sometimes I wonder if survivorship bias makes us view modern art as less than older art, that time and cultural memory acts as a natural bullshit filter, that actually people were just as vapid and pretentious back then, but none of the vapid and pretentious work had enough cultural value stick around to be examined now

I think it's partly this, but it's partly something else.

This is probably gonna piss a lot of people off, but I think in a particular sense, contemporary art is just... straightforwardly more advanced than older art. I know, I know, but hear me out: I don't mean that as a value judgement. What I mean is like...

Ok, take math as an example. Math started out talking about things that everybody's heard of: triangles, circles, whole numbers. But as those concepts were better understood, they got abstracted more and more. Symmetries of shapes where abstracted to symmetry groups, numbers abstracted to rings and fields, eventually it was all abstracted to category theory, and so on. And now if you look at major research topics in modern math, things like e.g. the Langlands program, as a non-expert, it often looks like a bunch of fucking nonsense about bullshit objects that don't have anything to do with the real world! But even though I don't understand the Langlands program itself, I know enough math to understand why all the levels of abstraction that I have understood are meaningful and valuable, and I can see why going even further would be too. And math is useful enough that the results often speak for themselves.

So I think contemporary art is much like this. If you read contemporary art theory, you will immediately see that it is all very meta. Art used to be made about very concrete things—people and nice looking vistas and so on—that anyone could understand. And then theorists came along and built up frameworks for thinking about art, because they wanted to understand why that art worked, why it was powerful and emotive. And then new, avant-garde artist came along and made art about the frameworks, pushing at their edge-cases or exploring their unintuitive implications. And then new frameworks were built up to understand that art, rinse and repeat. This account is, as I understand it, a little bit ahistorical—the building and the pushing of frameworks was often simultaneous and often not clearly articulated. Although, frankly, the same could be said for the history of math. But in retrospect I think a pretty undeniable picture emerges.

So, to put it bluntly, I think one of the reasons so much contemporary art looks vapid is that it isn't for you. It's about things you've never heard of, in the same way that category theory is about spaces and morphisms, and explaining that to someone who's never heard of groups or topological spaces is basically impossible. And I think there are some differences—art is obviously, you know, totally vibes based in a way that math isn't. If a big wire sculpture with styrofoam cups on it or whatever doesn't speak to you then it doesn't speak to you, no one can defend it on "objective" grounds. And art isn't useful in the way that math is, so it doesn't demonstrate its validity to people who don't get it in any way. But what I wish people understood is that there are people, who know a bunch of art theory and art history, who that wire sculpture with styrofoam cups on it does speak to. It makes them go "oh, I love how it plays off of X and contrasts with Y" etc. etc. And that isn't going to happen for you because, like, you don't know what X or Y even are! But that doesn't make it valueless, it just makes it insular. Which, you know, contemporary art really is! I think there are a lot of contemporary artists who claim to not be doing what I just described, who claim to be making art "for everybody", but I think if you read their artist statements and stuff it often becomes pretty clear that this is not the case. And this is a valid criticism of contemporary art! But "vapid" is mostly not.

Pretentious, definitely. It's pretentious as fuck.

[writeyouin]

Mirage X Reader - Falling

Description (This was a request but it got sent to my PMs instead of my inbox by accident): When Alison Moyet's song Falling comes on the radio, Mirage is forced to think about you and his feelings towards you.

A/N – Yep, so another Mirage one for all of you desperately waiting for the film to come out on a good pirating site in top quality.

Warnings – None.

Rating – T

You stood at the sink washing dishes, a tune on your lips that you mumbled quietly to yourself, only half singing with your mind on other things like lost loves, failed relationships, and someone new in your life; Mirage.

“She said something like, I’m tired of me,” You sang Alison Moyet’s ‘Falling’, and then transitioned to whistling part more of the tune which had only come out a year prior.

Then, without the radio to follow, you reset to an earlier part of the tune, singing whichever little bits came to mind.

Little did you know, Mirage was spying on you, trying his best to imitate the stealthy way Arcee moved. Alas, subtlety wasn’t Mirage’s strong suit and he had already knocked over a row of garbage cans, and crushed some kid’s bike; he could only hope the bike wouldn’t be missed. Fortunately, among the usual noise and squalor of New York, nobody had cared about the sound or come out to explore.

Mirage wasn’t trying to be a creep by observing you. He just wanted to know more about your life and what you did. It seemed that in your day-to-day routine, you were obsessed with music. Bumblebee had already introduced Mirage to the concept of human music which was vastly different from the stuff that used to exist on Cybertron and Mirage liked it.

It was different from what he was used to for sure, but there were some songs he just couldn’t resist. The Twisted Sister song ‘We’re Not Gonna Take It,’ seemed to be a great Frag You to any Decepticon scum that attempted battle with him. And there was that one Bumblebee had introduced to him, ‘I Can’t Drive 55’, by that Sammy Hager fella. That was great, but Mirage was more than capable of beating that set speed and regularly did so when he wanted to bait the local authorities into a fun chase.

Still, he wasn’t sure he saw the appeal of this song. It sounded happy and sad at the same time, and he couldn’t decide which it was supposed to be with its New Wave vibe. Was it about falling, like it said? Falling for what? Mirage wasn’t sure, but you seemed to enjoy it. You hummed it quite a lot when you were thinking; he wasn’t sure you realised that you did that. It was one of the things he liked about you. It felt like you were letting your guard down when you hummed along to half a tune, and he enjoyed that you could feel so relaxed around him and the other Autobots.

Mirage might have called on you that night to ask you out on a drive; he liked your company. Alas, he got a message from Optimus telling him to return for the evening so they might meet the humans that Noah had been found by. Apparently, the new humans wished to discuss the possibility of an alliance with the Autobots.

Either way, Optimus’ message ended with, “Return to the rendezvous immediately.”

“Mirage, return,” Mirage mocked, impersonating Optimus. “Mirage, meet the humans. Mirage, I choose you.”

“Did I ask for your backtalk?” Optimus’ gravelly voice came through the radio.

“Scrap!” Mirage hurried to end the communication, having not realised that the line was still open when he had been joking around.

He transformed and raced off to the rendezvous point, any thoughts of you temporarily forgotten.

The next night, the Autobots stood in a unified line as they stared at their new base, a fully functional warehouse, with technology that they could use, even if it was primitive Earth tech.

“Optimus, can we trust these humans?” Arcee asked, her optics never leaving the building.

“We must try, Arcee. I see now that we have spent too much time working only for ourselves when we should have been working together.”

“Any way you want it, that’s the way you need it,” Bumblebee played from his speakers, using Journey’s immortalised words to convey his point.

Arcee looked past Optimus to catch a glimpse of Mirage, “You’ve been awfully quiet, Mirage. Thoughts?”

Mirage marched himself in front of the trio, clapping his servos together as he began his speech, “Well, I mean, clearly there’s a lot to think about here. There are the new humans we know, we have to check the place for bugs, and of course, there’s the most important matter of all-” He took a few slow steps backwards, “- who gets the biggest room. I call dibs!”

With that Mirage spun on his heel and pelted towards the base. Bumblebee, unwilling to let Mirage have all the fun joined in the race and chased after his ally, though when he had just about caught up, Mirage jumped backwards, crashing into Bumblebee and knocking him over. Before he could sprint off again, Bumblebee grabbed Mirage’s ankle and the two began brawling on the floor.

Optimus walked past the wrestling bots with dignity befitting his position and a dismayed shake of his head.

Arcee took a few steps closer to her allies, resting her servo on her hip as she took in the show.

‘Scouts will be scouts,’ She thought mirthfully.

Eventually, the competition was over, with Bumblebee the clear victor, and after sitting on top of Mirage for ten minutes, he finally let him get up, but only after Mirage admitted that Bumblebee was the best Autobot and the supreme Earth expert.

After that, they raced through the base, checking out every nook and cranny, and wondering which exits they could exploit and sneak out of, should Optimus try to ground them from the drive-in again.

Eventually, Bumblebee and Mirage settled down, each picking out a portion of the warehouse that was just for them. All rooms had been modified with individual entrances so they could come and go as they pleased. Mirage had even been hooked up with some sweet racing posters. He set about decorating the room to his liking, letting his internal radio play as he did so. After switching channels, he stumbled across the song you liked so much.

Curiously, he let it play, trying to really listen to what the lyrics meant.

She said something like I want to go Down where the river's wild He said take me then I want to drown Deep in your violent eyes

Deep in your violent eyes? Was it a love song? If it was, it was the strangest one he had heard before.

He continued listening.

But I want to be sure of one thing That I'm getting into something peaceful I want to fly in on your wing Way, way up here I don't care for anything It's all in, and I'm not afraid I don't fear Falling

There was no doubt about it. The song was indeed about falling in love.

Mirage felt a sharp prick of indignation. Were you in love with someone? He had to assume so, considering that you didn’t seem to sing anything else. It was always this song. Who were you in love with, and why did he care so much?

He wasn’t sure, but the idea of you with someone else made Mirage’s engines rev and his face contort disgustedly. You were his buddy, his pal, his partner in crime. Why did you need some stupid, boring human, when you could hang out with him? Speaking of which, when was the last time the two of you had hung out of late? You hadn’t been together much since he’d been repaired. Well, with his room claimed and little else to do, Mirage decided that tonight was as good as any to get in some bonding time.

He transformed, revving his engine loudly as he waited for the automatic garage door to open for him. His wheels spun on the spot in a move that would have burned rubber on any ordinary car. Finally, after what felt like an eternity, the door opened enough for him to slip through and he sped off, ignoring every speed limit he came across; if Prime gave him the third degree about laying low later, he would claim ignorance and take whatever punishment he was given.

When Mirage got to your house, he honked his horn loudly, waiting for you to open your window and see him. He couldn’t transform into his root-mode while a few seedy humans lingered about, so he had to wait for you to get to him… presuming you weren’t with someone lame, like a crush you hadn’t mentioned.

At the commotion, you poked your head out of the window, grinning when you saw Mirage. You held up two fingers, indicating that you would be two minutes and then hastily got changed from your pyjamas back into your day clothes. Grabbing your keys, you ran outside and climbed into Mirage’s passenger seat, buckling up in case he decided to take off before speaking as he was prone to do; buckling up was indeed a wise choice as Mirage took speedily to the streets.

“So,” You asked casually, “Business or pleasure?”

“Have you ever seen me do business? Business is for the big guy, you know, never smiles, never shows me that underbite, the big OP,” Mirage sassed you.

“I dunno, you seemed pretty business when you fought Scourge for me.”

“For you? No, no, no, I was fighting Scourge just for the sake of being the tri-planet champion.”

“Tri-planet champion?” You repeated incredulously. “You only fought him on Earth.”

“Yeah, but he’s from Galvatron, the living freaking planet. He fought on the Maximals’ planet, and he came here. Count ‘em – One, two, three. So, I digress, Tri-planet Champion.”

“Well, technically Noah was the one to face off with him, so-”

“Yeah, while he was inside me.”

“Okay, but Optimus was the one who took him offline.”

“Look, Optimus is always gonna be the champion of frowning and hard stares, a class I can’t compete in, so this is my thing.”

“All right,” You held up your hands in mock defeat. “You’re the champion.”

“Damn straight.”

“…Is the Champion going to tell me where we’re going?”

“Nowhere. Everywhere, Anywhere the road takes us. Just sit back and relax. We could listen to some music,” Mirage suggested innocently, his hidden agenda on his processor.

“Sure, then I can be the champion of karaoke,” You bragged.

“Against my voice? In your dreams.”

“Oh, so you can fight, race, and sing? Triple threat.”

Mirage laughed and turned on his radio. He let a few songs play, letting you sing along while he distractedly kept his inner workings tuned on finding the Alison Moyet hit. It would likely play soon, considering its popularity.

After a few good tunes, Mirage managed to find the song and he switched channels.

“Oh hey, I’ve heard this one before,” He said nonchalantly, “This is that sappy love song, right?“

“I don’t think it’s that sappy,” You defended with a smile.

“Oh yeah? Why? Does it make you think of someone special or something?”

You imagined how easy it would be to tell Mirage the the ‘someone special’ was him; as it turned out, it wouldn’t be easy at all. You clamped your mouth shut, a blush peppering your cheeks.

“So there is someone!” Mirage said all too accusingly. “You won’t be needing me anymore then, when this new person comes into your life.”

“You sound angry.”

“No I don’t!” Mirage replied huffily, proving your point. “You know what? I don’t think I like this song after all.”

He turned the radio off and the two of you sat in awkward silence. He kept on driving, slamming down on the accelerator. There was a lot of noise from honking cars as he sped in and out of their way.

“Just tell me who it is!” Mirage demanded petulantly when the silence finally got to him. “Is it Noah? He’s probably your type, right?”

“Why do you care?” You asked, annoyed and upset by the turn of events from nice drive to speedy interrogation.

“I don’t.”

“Then why are you asking so many questions?”

“I just feel I deserve to know who it is.”

“NO YOU DON’T!” You yelled back. “THEY’RE MY FEELINGS”

“AND I’M YOUR FRIEND,” Mirage countered as if that ought to give him the right to know everything you thought.

“This is so stupid,” You breathed, shaking your head.

“Come on!” Mirage insisted. “Tell me!”

“No.”

“Tell me!”

“No!”

“Tell me, tell me, tell me-”

Against Mirage’s frustrating onslaught, you finally yelled, “IT’S YOU!”

Mirage slammed hard on the breaks and you lurched forward, hissing as the seatbelt bit painfully into your collar bone. Fortunately, you were in an area with no cars on the road, having got off the interstate some time ago.

“What?” Mirage asked.

“It’s nothing, just… take me home, please,” You begged, scared now that you had said too much.

“You like me? Like romantically? You like me romantically? You romantically like me?”

“You done with the combinations?” You said bitterly.

“But I’m- I’m an alien.”

“Yeah,” You threw your hands up. “That’s why I didn’t tell you. Now will you please take me home?”

Mirage transformed his arm, pulling you out of his chassis as the rest of his body followed suit. From his palm, you looked down to the floor, wondering whether it would be better to jump and get a concussion rather than have the embarrassing conversation that was about to follow.

“I don’t get it,” Mirage said, staring at you as if you were a complicated mathematics problem.

“I know,” You said, wrapping your arms tightly around yourself as if it might protect you from the sorrow you were feeling.

“No, but like, I really don’t get it. I thought you were just a friend, and kind of cool but I think- I think I feel the same way, maybe?”

You watched Mirage guardedly, unsure as to why he was asking you when it was his feelings that were scrambled.

“Look, Mirage, you don’t have to pity me, okay? Please don’t test yourself on me. I know I’m not what you’d look for and-”

Mirage pressed his lips against yours then hastily pulled away. You stared at him, too scared to speak.

He nodded to himself, pecked your lips again, and then vented a quick puff of air from his systems.

“Yeah, yep, yes,” He stammered. “That- That was a feeling. A-ha. Yeah, so I just found out I have a thing for you too.”

“You serious?” You asked, making sure that Mirage was alright as he stumbled through a barrage of new feelings.

“Yeah, I uh- I get the song now. Still don’t love it, but I get it.”

“Seriously? You’re still thinking about the song?”

“Hey, I’m thinking about a lot of things at once here (Y/N), mostly how I’m going to explain this to Prime later, a little bit about how this is going to work, and yeah, the song slipped in there. Frankly, I think we need to get you more into Bon Jovi, but I guess this could be our song or whatever.”

You pinched the bridge of your nose and sighed. “This was not how I pictured any of this going.”

“Yeah,” Mirage nodded, pacing back and forth, the motion rocking you on his palm, “But at least we got a song, right? Most new couples got nothing.”

Despite your tiredness, you couldn’t help smiling at his straightforward manner of thinking, “Sure, Mirage. At least we have a song.”

[lazypapers]

do you have any HCs about how Arthur reacted to John being distant to Abigail when Jack was born? /how Arthur reacted when John showed up after a year

Oh definitely, my HC is similar to Roger Clark (the actor for Arthur). I think Arthur resented John for being distant and leaving her and his baby for a year. I imagine a couple years before Jack was born that's when he lost Isaac and that tragedy never left him and deeply effected him. He hated John for running away and taking things for granted from the very thing Arthur always sought and wanted. So when John returns, Arthur is just livid and their relationship is broken.

Arthur seemed like a character who wanted to be loved and belong in a family. He tried that with Mary, but I felt like Mary toyed with his feelings in the most wishy washy way (I get it. Like what future would you have with an outlaw). Obviously Eliza was a rebound from him breaking up with Mary. And that one night stand led to the conception of Isaac. He still chose to stay with Dutch's gang cause that was his family and he wasn't gonna stay with a girl he barely knew and didn't love. He probably tried to bring her along but she most likely didn't want to. I have this headcanon that their relationship was getting better and had potential to work. Arthur would have wanted to stay with them more often as his son got older with each visit. I would say maybe his son was like 4-5 years old the last time he saw him (since it's hinted in the game he taught a little boy fishing during the Jack fishing mission). However, this is when Dutch would manipulate Arthur severely.

He likely pressured Arthur to choose his loyalty to him and the gang over Arthur's son and Eliza. Think about it. When Hosea left to make a life with Bessie, Dutch got really messed up about it. Which explains his disgruntlement with John's loyalty and Abigail. For a bit he lost his family unit and control. He wasn't going to lose Arthur through the same thing. So he starts tightening that leash around Arthur through his low self-esteem and self-worth. He didn't want to lose his best dog. Definitely a red flag, that a lot of the gang members felt obligated that they owed Dutch just because he saved their asses (weird savior complex going on there 😬🙄).

As for why, he didn't seem all that bothered that John left. Maybe he kind of learned from his mistake with Arthur. Under his manipulation, Arthur completely broke when Isaac died (I feel like Arthur never fully recovered from that and Dutch noticed that he wasn't the "same" anymore). So not wanting to break his 2nd Golden Boy he loosened the leash. I'm pretty sure Dutch cared deeply about Arthur and John, and he isn't this evil selfish guy the way I'm describing him. That would be later in RDR1 😆, Dutch is complete bonkers in 1911. He is just incredibly flawed and super weird and a messed up way of showing he cares in 1899 prior.

Anyways I want to draw a storyline focused on the year John left and returned in the Golden Hour. Since the Golden Hour comics are basically about the close bond and eventual collapse of the gang. It would be fun to explore that part of the era of the gang. But once my wrist stops hurting and I have more time. All I can do is talk about it instead of drawing it.

[redshoes-blues]

Emotional Time Travel: How Will Byers Controls Time in the Upside Down

"We are all time travellers, if you think about it."

Buckle up, everybody, this is gonna be a long one! :)

Over a year ago I wrote an analysis on the references to clocks throughout Stranger Things, and looked at how this connects to the show's specific form of time travel. This post is a bit of a redo of that original analysis, but this time I'm focusing on the idea that emotions have the power to alter the movement of time. And not only this, but Will Byers specifically has the power to control time in the Upside Down.

From the clock symbolism throughout the show to the time travel references, it’s clear that S5 is going to delve fully into the way the Upside Down operates; more specifically, I suspect we'll finally get answers to the question raised last season—why is the UD stuck on the day Will vanished?

I have some ideas on how that might work, and it has to do with emotions, which are described in ST as a way to time travel, as El says it best herself in the opening of S4: "We are all time travellers, if you think about it."

[CW: this will delve into the various forms of trauma and abuse faced by Vecna's targets in the show]

The Vanishing of Will Byers: Time Travel and Dimension X

First of all, let's deal with the obvious. The Upside Down, aka Dimension X, is a dimension that is stuck in the past. This is tied directly to Will Byers, given that it exists perpetually as the date he vanished. Therefore, entering the Upside Down is a form of interdimensional time travel.

To me, this could work in one of three ways, although a combination of these factors could also be at play here.

First, the UD could be a fixed point in time. A place where time doesn't work. It acts as a set piece, where characters can move around and exist within, but otherwise, it remains the same. In this case, it is quite literally frozen from the moment Will is taken. However, there are some things in the UD that do change. The weather, for example. Or vines that move and grow. So it's really hard to say how the fixedness would work. Perhaps, if this is the case, time is fixed and frozen, even non-existent, but space isn’t.

Second, is the idea that the Upside Down exists as a time loop. How long the loop would be, we don't know for sure. All we know is that the UD is stuck, somehow, on November 6, 1983. Maybe the loop is a single day long. Maybe it goes on for the entire duration of Will being missing. Either way, the time loop is certainly a plausible theory for how time operates in the UD.

Another important thing to consider is S5's use of A Wrinkle in Time as a source for inspiration, which brings me to the third way that time could operate in the Upside Down. Now, it has been awhile since I read AWIT, but there's an important concept in that novel called a tesseract. This is basically a way of travelling through time and space, to a fourth dimension. Looking at ST, this seems like a likely culprit for what's going on with the UD, which would be a sort of fourth dimension in this case. Vecna as much as says the UD is a fourth dimension himself:

"I became an explorer. An explorer of a realm unspoiled by mankind. I saw so many things, and one day, I found the most extraordinary thing of all."

But Vecna isn’t the only one to explicitly refer to the Upside Down as another dimension/realm. The government call it “Dimension X,” and the Party refer to it as the “Shadow Realm” pretty early on, an analogy to D&D’s location of the same name.

Now, I went googling for a description of the Shadow Realm, and I found this one that is very telling: “The Shadow realm is a realm caught between the realms of the living and the dead, a place where the boundaries of time and reality blur.” [link to article]

Looking at the UD, this absolutely makes sense as the location of choice that the Party (aka, the writers) chose to compare it to. As we’ve discussed, time does blur in the UD, and things don’t always happen as they would in Hawkins (there are strange storms, cosmic horror style monsters, etc.). Perhaps, in this realm, time itself doesn't even exist in a way that makes sense to us.

Now, going back to Vecna, we see that this sort of fourth dimension where time doesn’t exist as it should is exactly what he wishes to achieve.

On his motivations, Henry Creel says this: "Seconds. Minutes. Hours. Days. Weeks. Months. Years. Decades. Each life a faded lesser copy of the one before. Wake up. Eat. Work. Sleep. Reproduce. And die."

Clearly, he feels burdened by the limitations of how time functions in the real-world. This is why, he explains, "I became an explorer."

Now, the Upside Down we see him enter is very different from the one that Will is taken to, and the one we see from S1 onwards. There are two people we know that may be responsible for this change in appearance. Either Vecna shaped the world to his liking, or Will did.

Maybe it's a both/and situation. After all, we know Vecna has powers and has been communicating with the Mind Flayer (who seems to be a sort of eldritch/cosmic god/force of the UD) for years. However, it is Will's vanishing that shapes the "time" of the Upside Down.

Will vanished on November 6, 1983, which is the same day that the UD is stuck on. This means that the Upside Down is inexplicably tied to him. Why it's tied to him is hard to say. He's the first kid Vecna kidnapped, and it is very interesting that he didn't just kill Will like he does his other victims: there's something different about Will.

I'll get into that later, but for now, what does this mean for Hawkins, where the UD is beginning to leak out of the gates?

As I mentioned previously, it's clear that one of Vecna's goals is to create a world that is "unburdened" by time's constraints. As the gates open up, we see a clock turning backwards (see: gif above), which may represent how time is slowing down or ceasing to exist the same way it always has.

If we want to get metaphorical about how time functions in Hawkins vs. the Upside Down and Vecna's mind lair, just look at the first sign of someone's Vecna vision, which is represented by a chime of the Creel house clock. For Vecna's targets, time is literally running out. Not only because they're about to die in Hawkins, but because they're about to enter a dimension where the passage of time does not exist.

"We Are All Time Travellers": Emotions Alter Time

Let's back things up a little bit.

Last spring, I was rewatching S4 to look for any references to time travel (turns out there's a lot of them when you go looking for them). It didn't take long for me to get a reference. In fact, there's one in El's opening monologue, as part of her letter to Mike.

"Dear Mike. Today is day 185. Feels more like ten years. Joyce says time is funny like that. Emotions can make it speed up or slow down. We are all time travellers, if you think about it. For example, this week is going very fast because I am so busy..."

In one sense, El's line here is describing how time can literally feel fast or slow depending on how we feel. For example, if we're busy and happy, time often goes by fast, but it we're upset, time can feel slow. Of course, I believe this line also has a deeper meaning that foreshadows what we later learn about the Upside Down being tied to Will’s vanishing.

It's no coincidence that in the season whose villain is represented by clocks, who is tied to a dimension where time is wonky, and who feels burdened by the existence of time, this opening scene mentions time travel directly. It's also important that El says this line. She's the one who opened the gate in the very first scene of the season, after all. She's also the one who goes through the NINA program, which is essentially sending her back into time (through her memories) to access her powers again. Isn’t it interesting that revisiting her traumatic experiences is what restores her powers?

If we take what El says literally, emotions actually have the power to speed up or slow down time, and not just our perception of it, depending on which emotions are felt. This bit about emotions is vital. As we know, the UD is shaped around Will's vanishing, which is a traumatic experience that he continues to deal with for years after it has occurred.

Now, this begs the question: did time in the UD slow down because Will left an emotional imprint on the landscape via his childhood trauma?

Again, it isn't a coincidence that Will's vanishing is the day that the Upside Down is stuck on. The "demogorgon"—which is pretty obviously going to be revealed to be Vecna—took Will into this fourth dimension, traumatizing him in the process.

All of Vecna's victims in the 80s timeline are also victims of trauma and/or abuse in their childhoods. Chrissy and Patrick have an abusive parent, and Fred has trauma from the car accident. Max has mental health issues and a complicated family life that we see in detail—an abusive brother whose death she blames herself for, suicidal ideation, a dad who isn't in the picture, a mom who becomes an alcoholic, and that's not to mention the inherent traumatizing circumstance of living in poverty. Will is also implied to have been abused by Lonnie, who called him homophobic slurs and turned into an awful deadbeat who doesn’t accept that his son doesn’t follow traditional masculine gender norms; he's also bullied at school for being different.

Each of these victims of abuse and/or trauma are all targets by Vecna. They have that in common. And we know that Vecna is targeting these kids on purpose because we see him sifting through his mind lair to select his next candidate. How does he do this? By looking at these kids' experiences and selecting someone vulnerable.

After Patrick is killed, Lucas and Max say as much when they discuss Vecna's motivations. To them, to be hurt us to be haunted:

Lucas: "It's like everyone Vecna targets has something in their life...something that's—"

Max: "Hurting them. Haunting them."

With this in mind, it begins to look as if Vecna is using the trauma and hurt of these kids because their emotions are strong enough to create gates, and therefore to alter—or even slow down—time.

Interestingly, the psionic powers of the lab kids seem to be impacted by their emotions as well.

Dr. Brenner tells the kids in the NINA memory to not use their emotions, but it’s One’s advice to El—to focus on something that makes her angry and sad—that helps her win the battle against Two. Brenner is so angry at One’s interference here that he tortures him for it. We know that Henry Creel was the original kid with telepathic powers who was experimented on. Somehow, Dr. Brenner learned to develop powers in these other kids, but it’s Henry/One who first received his powers from the Mind Flayer. Even as a kid, he understands that channeling negative feelings makes his powers grow stronger.

Before we look at why I believe Will is the only one truly capable of restoring the Upside Down to the way it was before, aka Dimension X, I want to dive a little bit deeper into Vecna’s targets themselves.

The Trauma of Vecna's Targets

There isn't a single main character in this show who isn't traumatized, hurting, haunted, or a victim of various societal pressures and/or forms of oppression. This isn't an accident. These themes are built into the show on purpose. Sometimes they aren't handled as well as they could or should be, but they're certainly present.

When we look at Vecna's victims, the reason they were his "perfect" targets is because of their vulnerability.

Lucas suspected Patrick was dealing with abuse at home, but Patrick never talked about it with anyone. Same with Fred's guilt about the hit-and-run. He's terrified of the idea that he'll be found out, so he never tells anyone about his visions. In the case of Chrissy, her own boyfriend has no idea about what she's going through, and she turns to drugs for an escape from her pain. If Max hadn't confided in her friends about her visions, equipped with her knowledge of Vecna and the Upside Down, then she would have had the same fate as them.

So, not only are Vecna's victims people who have something in their life that is hurting or haunting them (trauma, abuse, mental health issues, etc.), but they are also actively repressing these emotions. With this, I think the writers are trying to say that opening up about what you're going through with other people who care about you is vital to your survival and well-being.

Healing from trauma requires you to confront the emotions and/or experiences many people would rather suppress. I think El is a good case study for this. She is very clearly a traumatized character who is a victim of child abuse. Much of it is stuff she doesn’t actively remember, because she has repressed it, as we see in the NINA project. But despite her repression, the trauma, those memories, are still with her. She believes she's a monster, and she carries this guilt around with her for years. But El is also very resilient.

In fact, she confronts her trauma head-on in the NINA project. She relives her abusive childhood, the bullying she experienced, and the massacre, and she comes out of it a stronger person—even though she doesn't beat Vecna this time around, because she’ll require the help of someone else who is deeply tied to the UD if she wants to beat him.

Looking back at what Henry Creel knew from a young age, that his pain and experiences could be a source of his power, it becomes clear why he’s killing all of these traumatized kids. He’s doing so to harness the power in those experiences, perhaps because their emotions will affect the UD and cause time to slow down.

However, when El talks about emotions as a way to time travel in the beginning of S4, she isn’t just referring to negative emotions like boredom or sadness, etc. She also refers to positive emotions which make time move faster. If Vecna used his targets’ trauma to slow down time—originating with Will’s arrival in the UD—then maybe it is positive emotions, like love, acceptance, and healing, that will undo the changes Vecna has made in the UD.

Will The Wise: Why Will Byers is the Antidote

Will's connections to the UD are my main reason for believing he is the key to defeating Vecna. It began with Will, and it will end with him, too.

This is also supported in the text.

D&D always forms a direct analogy to the events that happen in any given season of Stranger Things, and it's through the lens of D&D that the Party describe the happenings in the Upside Down. For example, Will rolls a 7 in the first episode of the show, and tells Mike that "it [the demogorgon] got me." Later, the creature we're told is a demogorgon does get Will.

So, that's why the D&D campaign run by Eddie in S4 is very interesting, as it serves as foreshadowing for the rest of the season. An 11 is rolled first. This is a miss. It isn't until Erica—who is an unlikely hero in this campaign—rolls a 20 that Vecna is defeated.

It's crazy foreshadowing that an 11 is rolled, which isn't enough to defeat Vecna, in the season where Eleven is not able to defeat Vecna on her own, despite her powers being stronger than they've ever been. That's because power isn't the only thing at play, here. And we don't know yet who will be the Erica in this story, the underdog who will swoop in and join the fight, being the unlikely hero to defeat Vecna, but I think the missing piece will be Will.

It's like Dustin said in reference to his drawing skills (interesting, because when Will drew to solve the puzzle before, it was directly related to his connection to the Upside Down): "we need Will."

This brings me back to the main point of this analysis. If emotions alter time—with traumatic memories causing time to slow down, and causing Vecna to gain power—and if the Upside Down is shaped around Will's trauma, then confronting Will's trauma is crucial to Vecna's defeat.

Everything goes back to Will. To the moment he entered the UD on November 6, 1983. The very day the Upside Down is frozen on is the same day that Will's trauma began. By experiencing his trauma and imprinting those emotions onto the dimension, did Will quite literally grind time to a halt in the UD?

I certainly think so. And we've already seen a little bit of how positive memories can be used to fight against Vecna. Music is shown to carry positive memories and emotions, almost forming a shield around a person, as was the case for Max and Will, who were able to fight back through the power of music. If we take this a step further, it makes sense that healing from his Upside Down trauma, would work as a sort of antidote to Vecna, who feeds off of people's trauma. He only targets people, haunts them, if they are hurting. Heal the hurt, and he has no use for you any longer.

Functionally, this could work a number of ways. I think it could work by Will re-entering the UD and bringing positive emotions with him. Maybe the UD would reshape itself again, this time in a more positive way, removing the "rot" that has existed there since Will first entered. After all, Dimension X does not appear to be inherently evil like the Upside Down, it’s only when it begins to shape around trauma that it changes and rots.

Some Final Thoughts

If we consider that it was Vecna who took Will, then it’s clear that Vecna's goal isn't to kill Will. In fact, in S2, Dr. Owens asks Will if the evil wants to kill him, to which Will responds that the Mind Flayer wants to kill "everyone else."

Why? Because Will has powers that Vecna wishes to exploit for his plan. Because, by keeping Will and his strong connection to the Upside Down alive, he caused the Mind Flayer to enter Will, giving him the ability to feel what it feels—and later, in S4, to feel what Vecna feels.

My speculation, given all of the similarities between Will and Henry Creel, is that Vecna hopes Will will come to see his view as the correct one. He recognizes that Will is treated differently, that he’s an outsider, and he wants to exploit this to have Will join his side. Like the Emperor to Anakin, and later Luke, Vecna doesn’t actually care about Will: he’s manipulating his emotions to access his power. He didn’t keep him alive out of the goodness of his heart. He kept him alive because he knows that Will’s emotions have the power to alter time in the UD.

Killing Will simply wouldn’t serve his purpose of using his trauma to keep the UD stuck in time, grinding it to a halt.

Because, if Will’s emotions have the power to imprint on the Upside Down to the degree that he shapes the way an entire dimension appears and operates, everything begins to make sense. That’s why Vecna kept him alive: to continue his plan of removing the burden of time from the world. That’s why the UD is shaped around him. And that’s why Eleven could not defeat Vecna on her own.

Will controls time in the Upside Down. He shapes it through his emotions and experiences. His fear and trauma slowed down the movement of time, so, if Vecna is to be defeated, it only seems plausible that healing from his trauma, learning that he is loved and accepted for who he is—that he’s not a mistake—will have the opposite impact. By doing so, time will speed back up in Dimension X, healing it in the process.

In the end, everything began with Will. It was his vanishing that kicked off the story we’ve followed for what’ll be five seasons. And it’ll be him that brings an end to everything, as well.

Author’s Note

Thank you to everyone who stuck around and read this whopper of a theory/analysis! Writing it has been a long (but very fun) process. I started writing this about three weeks ago, as a rewrite of my old clock theory with more of a focus on how I think the UD functions, but then it grew into a beast of its own. I just couldn’t help it! When I get a meta idea about Will in my head, I can’t not write thousands of words about it lmao.

That said, I always love to read other people’s thoughts on these theories—it’s truly the best part of our little community on here. So please, feel free to add onto this if you have any ideas! :)

—Em

[autisticlalna]

don’t have the braincells to do anything with this, so i figure i could just throw this out there for, like. the five people who’d know what this is.

anyway: sbk shadow people au 👀?

YOU HAVE GIVEN ME INFINITE POWER

a quick recap of what Shadow People AU is: alternate universe where 1.15, on top of everythin else it Actually added, included a poorly-documented new mechanic where you could summon a black-and-yellow shadow copy of yourself. if you killed your shadow you would get a copy of everything you had in your inventory when you summoned it, but it would also be stronger with each death. if a shadow dies enough times, they can evolve to the point of being able to strategize, to build, and to communicate. oops! theyre self-aware!

there's a lot more to it than that, but ill explain as we go. because my favorite thing to do ever is apply this concept to different mcyt series and explore what might happen, and ive been toying with makin a variant for sbk. SO LETS GOOOOOOO

Viking would use his shadow to dupe materials and as an extra hand when buildin farms, so his shadow would develop to be more work-focused i think. zeroes in hard on a task and will not give up until its done. leave him alone he's got Shit To Do. either Viking gives him a cool mythology name, he continues the season nicknamin scheme to match Summertime, or Avid calls him somethin dumb and it sticks.

Vintage gets Antique. bottom text. i can actually just point at Antique as-is and go "yeah that's her shadow" LMAO. recolor the colored bits yellow and give her her eyes back and Antique is good to go. fun fact: the only* thing that can kill a shadow is their summoner or another shadow. run.

(* theres more than that but this post is already pretty long. spau is Big.)

Ruby is probably where we first run into the idea of "entity corruption", because god knows whats going on with Cherruby. basically if you've gotten corrupted by an entity in any way (eg Scar and Cub havin Vex magic, Watcher Grian, Karl Jacobs gettin put in the time travel blender), that bleeds over to your shadow and can cause... problems. i have a lot of thoughts about how this applies to TSMP specifically, but im squintin at Cherruby going what is your deal because there is SOMETHING messin with zhem and whatever it is is gonna mess with xis shadow too.

Avid would not risk havin a shadow. the most obvious reason is bc his shadow would be Super corrupted bc of basically everythin that happened in Nightmares, but the actual reason is that it would look like Avoid and that would freak Avid out too much :,D

rose suggested Marmalade would have the Old Shadows and OOGHGHHHHH FUCK . that goes hard. basically there's an associated dimension called the Shadowlands, and you can royally screw up your shadow's data by goin there before theyve finished forming for the first time. the outcome is a maxed-out shadow with a god complex that is capable of whatever you think its capable of. Marm might've drawn a connection between the Shadowlands and the Void, tried to use it as another way to get down to the Limbo border when the Void wasn't lettin her in, and instead got the Abyss equivalent. probably just named Void because of initially assuming theyre an extension of the Void itself.

Trog would be the runner-up for the Old Shadows, i think, but also they probably thought about it and went "nah" and forgot to warn anyone else that thats a thing. continues the trend with my Trog hcs of lookin perfectly normal and Not Being Normal At All. not entity corruption, just, like. corruption corruption. somethin broke here.

wait lmao i just realized something really funny and its that Fool's shadow would literally just look like him but all shadow-y. bc Fool already normally has the yellow/gold cracks. solar probably will have more ideas on what to do with this guy but i am proudly announcing that it is now Two Of Them Thursday

i cant decide if Leon's shadow shows signs of ender-ification before he does, or if he stays Completely Normal while Leon mutates. the latter is probably more interestin bc shadows gettin messed with is a pretty common trait in the au so havin a situation of "the shadow is normal while their summoner gets more and more fucked up" is fun. also: shitpost incarnate. this penguin cannot be stopped by any mortal means

i dont know how the tube thing would affect the shadows, is the fun part. like, "mechanically" the way the shadows work is they're tied to playerdata, so the likely idea is that Cloneby would have Cherruby's shadow. that's fun and fucked up!

fun side note: shadows are ground bound. they can do the kingdom hearts heartless thing of going flat to travel up surfaces and fit through spaces but they cannot jump over gaps. skyblock is maybe the worst experience for a shadow ever LMAO

[openphrase123]

hey hi hi i've read everything of curtain call (except, obviously, what hasn't been posted yet) and i HAVE to ask you to share your lost country/skywatcher language thoughts so i can devour them immediately please.

hiiiiiiii so like 90% of the language worldbuilding i did for curtain call was like. very simple sentences and words since i didn't want to make an entire conlang for this fanfiction. what i have written in-fic would fall apart in two seconds if i tried to expand it to any of the lines outside of what i wrote. HOWEVER i have a lot of thoughts about how it WOULD work if it had the capacity to expand outward

putting under a readmore both for curtain call spoilers and because this is going to get long and insufferable for anyone except ME

also if you're not reading curtain call. this is still a fun little analysis about how siffrin's native language influences their behavior. you might have fun with it wheeeee just know that the actual language i'm talking about is not canon. i made it up.

disclaimer: i speak a couple of languages but my knowledge of languages is VERY limited to what i know. so you're going to see a lot of instances of me calling back to japanese or other english dialects. other languages exist and also have these features but i'm just not gonna say anything if i'm not sure of what i'm saying. if you are interested in these concepts in a more academic setting i am NOT the place to find that

second disclaimer: in curtain call, the name for qilaksut comes from greenlandic/kalaalisut which is an endangered indigenous language. this is an open invitation to go learn who, historically, lived in and supported the land you're living on. consider supporting them whatever way you can.

number ONE. dude is it that serious??

nah.

again, i built this for like ten sentences out of a 100k+ fic. so like. there's some inconsistencies, there's some weird stuff. and i know i could have just written all of the curtain call qilaksut in english but italicized, there would have been nothing wrong with that. but i did not because i thought it would be a good exercise in character exploration

because the language you speak has some measure of how you act and carry yourself in the world. (sorry elizabeth if you're reading this. i'm not going full noam chomsky i swear i don't believe in linguistic determinism i'm using this as a literary device) and since siffrin is the only speaker of the forgotten language we see (loop never engages with that in-game as much) and i was a little bit like. okay. why is he like that. how much of that is siffrin and how much of that is the home they don't know

in odile's friendquest she remarks that she only finds similarity in herself within vaugarde because vaugarde is so welcoming to travelers. however odile never went to vaugarde until she was an adult - siffrin presumably lived on the island until he was a teenager, and your personality is fairly Formed by then (at least enough for people to put iterations on it in adulthood) so as much as i could have gone the route of "siffrin it's okay that you don't see yourself in your past" i thought for the themes of this fic it made more sense to go "oh THAT'S why siffrin is Like That"

so as you're reading through this: yes i'm worldbuilding language. but MOSTLY as a siffrin character study. okay! okay.

number TWO. situational meanings.

so ✦‧₊ is "you" and ✧‧₊ is "me/i". but "hello" is ❇✧ which - hang on, isn't that the word for universe and me? no, actually, there's no pronoun suffix (‧₊ denotes when a person is being talked about) so in this context ✧ means "inside". which means ✦ means "outside" in some contexts.

(but harrie, why does "hello" mean "inside universe"?? well i imagine it's the difference between older medieval greetings and the modern "hi". languages morph and drift. this kind of just suggests that without me having to write an Entire Language Family Background. probably a shortening of some corny shit like "within the universe i find you" or whatever. semantic drift.)

and part of the reason i did that was for unicode constraints - there are only unicode characters that look like stars. but the other half is because in japanese and i THINK also in chinese each character has a few different meanings. take 本, in japanese. it has a lot of meanings on its own but let's look at it in situational context. 本棚 is bookshelf. 本物 means real. 本土 is mainland.

so in qilaksut i think these kinds of multi-use words are common. ERGO. why siffrin has trouble thinking of very situational words in vaugardian. if your native language is built up of tangential mnemonic connections, of course you're going to have trouble remembering the word kiln!!

number THREE. reduplication and repetition

take the phrase "✦‧₊ »»⟢" from ch10. in my head, » means "fast" and doubling it gives you "really fast". this happens in AAVE (e.g. "he's RICH rich") and japanese (there is an entire kanji expressly used as a repetition mark so that you don't have to draw complicated kanji twice, it's 々(noma) and as an example, person is 人 but people is 人々)

reduplication is slightly different from this but i think it shows up for words like »», where you're not literally saying the word twice but the vowels double themselves. kind of in a trilling way. i actually say this in inutile and not curtain call but i think the Siffrin Accent wavers a lot and feels like a twinkling star. because i think it's cute

alsooo repetition. wish craft. do u see the vision

number FOUR. pronouns and clusivity

i don't get into the he/she/they or any other third person pronouns in the fic because. well i think the lost country would go so hard on pronouns. there are child pronouns. adult pronouns. pronouns denoting somebody's job or status. hell loop is SO casual about offering to use the "royal we" i genuinely think pronoun usage in the lost country is more tied to interpersonal relationships than gender. but of course that plays a role too

because i think there's a huge amount of gender concoction you could brew in there. i think it would be really fun if siffrin uses he/they because in qilaksut siffrin is mainly referred to as the neutral pronoun mashed together with the masculine one. i think that would be fun.

and then for funsies. clusivity. i definitely think there is a difference between "we" (me+one other person, excluding you) and "we" (me+others+you) in qilaksut. would be fun if this is why siffrin automatically assumes they're getting excluded from things. "where is the vaugardian inclusive we and why has nobody said it to me???"

number FIVE. structure

i don't have a lot of Full Sentences in qilaksut in the fic but in general it follows the pattern place - > noun - > adjective - > verb. and you might be going "harrie, you weeb, that's japanese again" well. i didn't want it to be like french or english. and that's the one i know. so. shut up!!!!

"well why can't it be the same syntax as vaugardian then?" i'm glad you asked. i wanted it to feed again more into the idea that siffrin is more susceptible to getting "lost" in a conversation. hard to focus when your normal syntax anchors are not there!!

but at the same time. i write siffrin as a polyglot in curtain call. they're pretty equipped to learn and absorb new languages. once you learn a second language, in general, your third/fourth/fifth gets easier

number SIX. things i can't do in the fic except for once or twice because of unicode restrictions

well i could do it ONCE. with two sentences that are coming up in tomorrow's chapter: but i think in qilaksut writing, changing the rotation/orientation of the word also changes the meaning. slight spoilers for tomorrow's chapter but siffrin has two ways of saying "love you" for two different people - for odile, it's ❥✦‧₊ and for isabeau it's ❤✦‧₊

this isn't for any particular reason, i just think it's neat in the context of how i do names and titles for the rest of the fic. getting called different names based on your relationship to somebody, using altered terms of endearment for someone. two extra rotations of the heart could exist in theory so one of them is probably "loving your kid" and the other issss i dunno. maybe a closer platonic love nearer to a qpr or something. or what you use for your parents/guardians or your betters. i didn't think that far!!

also word opposites. ✷ doesn't have another version with just the lines, but that means "yes" and i think a hollowed out version of that would mean "no." obviously the ✦/✧ shift goes here too. and i think the inverse of ✪ (little) would mean big. but i couldn't find those in unicode so they do not exist in this fic oops

if you made it this far into the post. hi. thank you for reading :) that was probably a lot more than you were asking for. i won't apologize. anyway this post doesn't even TOUCH how i do name stuff in the fic but that also feeds into this. (and the name stuff was something i took out of an old dnd campaign anyway) (of which i have a DIFFERENT altered version for my original fiction but shhhh)

[magical-grrrl-mavis]

Games you can play instead of D&D

Pathfinder/Pathfinder 2e: Same concept as D&D but by a better company. You are an adventurer in a high fantasy setting. Character creation combines a race and class.

Mutants and Masterminds 3e: Action-focused superhero RPG, uses starting points to buy equipment and skills and build powers by combining effects. Character creation can take a bit to get used to but there are many sourcebooks with helpful examples to use, there are countless pre-built characters online, and a slew of official books containing just about every DC Comics character you can think of to play and interact with.

Vampire: the Masquerade: You are a vampire in the shadowy gothic underbelly of modern society, struggling against any number of threats, kindred or otherwise, while trying to keep the existence of vampires a secret and struggle against your own bestial nature. Will you retain your humanity? Or give in to the beast. High focus on roleplay and social intrigue.

Monster of the Week: A rules-light game based on the Powered By the Apocalypse system that recreates the experience of shows like Buffy, Supernatural, X-Files and Warehouse 13. You play as a Hunter investigationg supernatural mysteries and fighting monsters. Player characters are based on archetypes from this genre (Professional, Monstrous, Spell-Slinger etc) (this one's my favorite! :D)

Masks: A New Generation: Play as a young superhero finding their place in the world. The game creates a coming-of-age story as you grow and change in response to your actions and the people and events around you. Character creation reflects this by focusing on your characters personality, struggles and strengths while being more loose about your actual powers.

Girl by Moonlight: Magical Girls (boys, enbies etc) through a queer lense. You play a magical guardian grappling with destiny, love and the heartbreaking duality between who you are and who the world says you are. Split between four genres you can choose from-classic magical girls, dark magical girls, psychological conspiracy and... mecha. I guess. (I'm gonna be honest I haven't looked super deep into those last two yet). Characters are based on archetypes from magical girl stories, some with very obvious inspirations.

Scum and Villainy: Play as a roguish outlaw in a galactic society run by an oppressive force. You are the Han Solo of this story, smuggling and doing crimes and mercenary work aboard your own starship.

Killer Ratings: You and the other players are the insufferable cast of a cheap ghost-hunting show and have found yourselves in over your heads as you've wandered into an actual haunted location. Play as you explore the site and are most likely taken out one-by-one, returning as vengeful spirits to further terrorize your former cast-mates.