#gonna have to transcript at some point

[bookishnewt]

I had to do two clip this whole thing. 60 seconds was not enough.

No but Ren does have a nice voice so he’s all good.

[princewished]

I’ve been so productive today and it’s not even 1pm. I wish these vibes for everyone

[catboybiologist]

“As a biologist, the terms biological woman and man don’t make any sense to me” okay then you’re an idiot and a terrible biologist. I swear to god, morons like you only become biologists just so you can hold it over others, when in reality, if biology deniers like you can become biologists, then being one really doesn’t mean much anyway. But this probably just gave an autogynophile like you a boner to read, anyway.

Oh fun! Haven't gotten one of these in a while. Disregarding the fact that you somehow think the qualification for being a biologist entirely hinges on defining womanhood, I do need to ask some clarification. I know I'm feeding the trolls here, but here we go: does your definition of "biological woman" mean:

Sociological woman? Eh, context dependent, I'm not fully out of the closet, but oftentimes, I am and present femme. So let's call that one 50/50.

Psychological woman? Because I am one.

Neurological woman? Because I am one [1].

Physical woman? My soft tissue redistribution is handling that well.

Hormonal woman? My blood tests are within cis female ranges.

Transcriptional woman? As a signalling molecule, the downstream effects of estrogen have broad transcriptional effects, completely changing the profile of gene expression and functional genomics of my cells. [2]

Genetic woman? I mean, see my above point- as far as my genes that are actually active, I have all of the same transcripts being produced, controlling which genes are expressed.

Karyotypic woman? I actually have a few signs pre-HRT that might point to a non-XY chromosome pair, but I haven't had a karyotype. We'll put that down as unknown. And hell, even if its XY, there's plenty of cis women who are karyotypically XY, with suppressed sry or complete androgen insensitivity. Interestingly enough, a completely androgen insesitive woman can go her whole life without knowing- and functionally, is very similar to a trans woman, actually. Fancy that. [3]

Reproductive woman? I can't produce an egg cell, but neither can significant fractions of cis women. Also, this is all gonna change soon, which is fun. [4]

There's also a lot of understudied aspects to the biology of HRT and even pre-HRT that are emerging, largely demonstrating widespread cellular and genetic remodeling of trans individuals undergoing hormone therapy. The field is a bit behind due to constant political pressure to revoke funding, but a lot of the results are extremely exciting in both testosterone and estrogen hormone therapies. I'm sure that, as a self professed biology As someone who presumably has a lot of expertise in biology, I'm assuming that you're aware of all of this cutting edge research, and are keeping up with modern papers, including but not limited to these cool findings:

Trans men on HRT exhibit significant genetic and transcriptional changes that make them biochemically male. [5][6]. It's a good hypothesis that the same happens with estrogen treatment, but those studies don't exist yet- I'm sure you're reserving judgment until more publications exist, of course.

Trans men on HRT develop male cell types and tissues. [7]

Trans women experience muscular and blood cell changes that align with cis women moreso than cis men [8]

And many, many more! This is an exciting, underserved, and groundbreaking field of research, and I'm sure you're keeping up with the latest in scientific journals about it.

I'm sure, of course, that you understand that it becomes impossible to draw a distinct line anywhere in here, and that words like "woman" are shorthand for the myriad of traits that invisibly synthesize in our mind and in society to represent a concept? I'm sure you understand that science is fundamentally descriptive, not prescriptive? I'm sure that you understand that these findings, while really cool and interesting, actually don't mean jack shit about what the word "woman" means or not?

As someone who is the ultimate decider in what a biologist is, I'm sure you know that bioessentiallism is a childish mindset that completely ignores and disregards the constantly changing, dynamic nature of biological systems, something that extends well beyond biological sex and its relation to gender.

I'm sure that also, that you understand that beyond just this, that the role of science in society is to advise how to achieve our moral principles, not create moral principles in themselves. And I'm sure that understanding means you know that trans affirming healthcare and supportive societal treatment leads to reduced mortality and increased happiness for everyone, right?

So great to talk to someone who is surely a scientist on this. You are a biologist, if you're talking like this, I assume? I assume you're not going to spit complete misreadings of scientific language from the background sections of these papers that only reveal you've never read a scientific paper in your life if you're thinking this way? I assume you have experience interpreting data like this?

Also, imagining my genitalia while writing this? Ew. Please stop projecting your fetishes into my inbox.

Works cited:

Kurth F, Gaser C, Sánchez FJ, Luders E. Brain Sex in Transgender Women Is Shifted towards Gender Identity. J Clin Med. 2022 Mar 13;11(6):1582. doi: 10.3390/jcm11061582. PMID: 35329908; PMCID: PMC8955456.

Fuentes N, Silveyra P. Estrogen receptor signaling mechanisms. Adv Protein Chem Struct Biol. 2019;116:135-170. doi: 10.1016/bs.apcsb.2019.01.001. Epub 2019 Feb 4. PMID: 31036290; PMCID: PMC6533072.

Gottlieb B, Trifiro MA. Androgen Insensitivity Syndrome. 1999 Mar 24 [Updated 2017 May 11]. In: Adam MP, Feldman J, Mirzaa GM, et al., editors. GeneReviews® [Internet]. Seattle (WA): University of Washington, Seattle; 1993-2024. Available from: https://www.ncbi.nlm.nih.gov/books/NBK1429/

Murakami, K., Hamazaki, N., Hamada, N. et al. Generation of functional oocytes from male mice in vitro. Nature 615, 900–906 (2023). https://doi.org/10.1038/s41586-023-05834-x

Pallotti F, Senofonte G, Konstantinidou F, Di Chiano S, Faja F, Rizzo F, Cargnelutti F, Krausz C, Paoli D, Lenzi A, Stuppia L, Gatta V, Lombardo F. Epigenetic Effects of Gender-Affirming Hormone Treatment: A Pilot Study of the ESR2 Promoter's Methylation in AFAB People. Biomedicines. 2022 Feb 16;10(2):459. doi: 10.3390/biomedicines10020459. PMID: 35203670; PMCID: PMC8962414.

Florian Raths, Mehran Karimzadeh, Nathan Ing, Andrew Martinez, Yoona Yang, Ying Qu, Tian-Yu Lee, Brianna Mulligan, Suzanne Devkota, Wayne T. Tilley, Theresa E. Hickey, Bo Wang, Armando E. Giuliano, Shikha Bose, Hani Goodarzi, Edward C. Ray, Xiaojiang Cui, Simon R.V. Knott, The molecular consequences of androgen activity in the human breast, Cell Genomics, Volume 3, Issue 3, 2023, 100272, ISSN 2666-979X, https://doi.org/10.1016/j.xgen.2023.100272. (https://www.sciencedirect.com/science/article/pii/S2666979X23000320)

Xu R, Diamond DA, Borer JG, Estrada C, Yu R, Anderson WJ, Vargas SO. Prostatic metaplasia of the vagina in transmasculine individuals. World J Urol. 2022 Mar;40(3):849-855. doi: 10.1007/s00345-021-03907-y. Epub 2022 Jan 16. PMID: 35034167.

Harper J, O'Donnell E, Sorouri Khorashad B, McDermott H, Witcomb GL. How does hormone transition in transgender women change body composition, muscle strength and haemoglobin? Systematic review with a focus on the implications for sport participation. Br J Sports Med. 2021 Aug;55(15):865-872. doi: 10.1136/bjsports-2020-103106. Epub 2021 Mar 1. PMID: 33648944; PMCID: PMC8311086.

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[kuiinncedes]

how have i lost my grip on my assignments so much lmao ;-;

[starlight-bread-blog]

If Neil Gaiman and David Tennant are having Imposter Syndrome, you're good.

(Transcript Below)

Neil Gaiman: The first problem of any kind of even limited success, is the unshakable conviction that you are getting away with something, and that any moment now, they will discover you.

David Tennant: For me, that's what being an actor is about. Sort of going, this is all, it's all on one level, it's all just a bit silly. And I can't really believe I'm getting away with this. And at some point someone's gonna tap me on the sholder and go 'Come on, you've had your fun. Move on. There are some people who can actually do this. There are some proper actors in the world. Stop pretending, and move on. You're a little wee nae from Paisley. You don't really get to do this.

Neil Gaiman: In my case I was convinced there would a knock on the door, and a man with a clipboard – I don't know why he had a clipboard, but in my head he always had a clipboard – would be there and tell me it was all over, and they've caught up with me, and now I would have to go and get a real job. One that didn't consist of making things up and writing them down, and reading books I wanted to read. And then, I would go away quietly. And get the kind of job I would have to get up early in the morning, and wear a tie, and not make things up anymore.

[royalarchivist]

Fit: Bro, that's like– it's like how Tazercraft formed, how like, Pac uploaded a video, and Mike was his first subscriber, and was like, "Let's make videos together."

Phil: Awww, really? 🥹

Fit: Yeah! Oh yeah, that's– that's some Tazercraft lore!

Phil: Really? That's actually how that happened?

Fit: Mhmm!

Phil: Oh my fcking god, that's the most wholesome sht! [Laughs] I had no idea! I had no idea that's how they like- they found like, found each other!

Fit: Yeah. It- it's- it's humble beginnings.

Phil: Dude... Aww! Oh man, that's- that's- that's such good lore. That's such good Tazercraft lore, that's adorable.

[ Full Subtitle Transcript ↓ ]

—

[Context: Twitch was experiencing a viewer count error at the time]

Fit: My- Phil, my Twitch viewers glitched out, it says I have 2 viewers right now, you know- support small streamers.

Phil: Oh my god, it says I've got- it's g- it says I've got 15! Holy sht, it's 2019 again!

Fit: [Laughs] Support small streamers, man! Support–

Phil: IT'S 2019 AGAIN!!! YES!!! Oh my god!!!

Fit: Let's fcking go

Phil: It's a shame my chat isn't as quiet as 15 viewers- [Laughs]

Fit: [Laughs] Oh man...

Phil: Oh man, it's- it's- Oh, I still got my 5 year hardcore world...

Fit: Bro you got- you got 15 viewers? I got 2 man, send some to me!

Phil: I'm gonna raid you afterwards, Fit, I'll raid you with my 15 viewers! I hope you enjoy the- the- the extra exposure!

Fit: Thank– One or two of 'em might follow, who knows?

Phil: Hashtag follow for follow! Follow for follow!

Fit: Yeah, follow for follow- oh yeah- [Laughs]

Phil: Follow for follow, um, like and subscribe the YouTube video highlight of this crazy moment of us- of us- sharing fun times with our communities, oh my goodness!

Fit: Bro, it's- That's like- it's like how Tazercraft formed, how like, Pac uploaded a video, and Mike was his first subscriber, and was like, "Let's make videos together."

Phil: Awww, really? 🥹

Fit: Yeah! Oh yeah, that's– that's some Tazercraft lore!

Phil: Really? That's actually how that happened?

Fit: Mhmm!

Phil: Oh my fcking god, that's the most wholesome sht! [Laughs]

Fit: I know, dude.

Phil: I had no idea! I had no idea that's how they like- they found like, found each other!

Fit: Yeah. It- it's- it's humble beginnings.

Phil: Dude... Aww! Oh man, that's- that's- that's such good lore. That's such good Tazercraft lore, that's adorable, holy fck. That's like, really similar to like, Tommy and Tubbo. Like, they both were-

Fit: Oh, right.

Phil: They both were streaming to like, 5 viewers or something stupid, and then like, I forget who did it, but they raided each other at one point and that's how they became friends. They're like, "Hey, wanna come play Sky Block?" [Laughs] "Wanna come play Bedwars with me and stuff?" it was like "Aww!".

Fit: Uh-huh.

Phil: That's- awh man, Tazercraft have like, such good lore.

Fit: Oh yeah.

Phil: That's awesome.

[fernsnailz]

it's time... for the TEAM DARK FEST! 💥💥💥💥

me and @serpentineshine are hosting a little tournament to finally determine who the best Team Dark member is! this week there's gonna be goofs, bits, and even a special prize for the winner 👀

however, the most important prize of all is what awaits at the end of the festival! ...but that's a secret right now.

💥 cast your vote below! 💥

(oh also if anyone makes any propaganda for their fav character. tag me i wanna see)

video transcript below the cut! ⬇️

A blue announcement screen with scrolling text reads “SPECIAL FENSNAILZ ANNOUNCEMENT.” There’s a looping animation of Squeak the cat in the middle. It disappears, cutting to a shot of a studio space.

In the studio, SNAIL, SHINE, SQUEAK, and a VASH PLUSH all sit at a desk with a large CRT TV on it. Squeak and Vash are on top of the TV, and shelves with various items line the walls. Everyone seems to be unaware that the camera is rolling - Snail is reading the script, Shine is drinking from a mug, and Squeak is licking her butthole. Vash remains motionless.

Snail notices the camera zooming in, and throws away the script in a moment of panic. Shine and Squeak sit up to face the camera as well.

SNAIL: Coming at you pre-recorded, it’s Snail, Shine, and The Beasts!

SHINE: We’re here today to announce a special tournament we’re hosting: the TEAM DARK FEST!

SQUEAK: Eep!

VASH: weemp womp :]

SNAIL: You know ‘em, you love ‘em-

SHINE: Or hate them.

SNAIL: It’s all about TEAM DARK this week! Fellas, turn on that TV!

The camera cuts to a close-up of the TV as the screen flips on. Three shitty photos of each Team Dark member appear on the TV under the question “Who is the best member of Team Dark?” Every Team Dark member’s name is misspelled underneath the photos.

SHINE: Time for the ULTIMATE question: Who is the best Team Dark member?

SNAIL: Oof. We’re turning them against each other, huh? That’s dramatic.

SQUEAK: Meep! (HOLY SHIT)

The camera zooms out to a wide view of the studio, but zooms out much further than needed for a split second. For some reason, this is all being filmed on a green screen set, and the shelves behind the cast seem to be edited in. Not only that, but this studio is either widely over-staffed or widely under-staffed, because the boom mic is held by seven Chao stacked on top of each other. The camera zooms into a closeup of Snail before much of this information can be processed.

SNAIL: Well, it’s obviously Shadow. I told him if he won, I would get him ice cream after soccer practice!

The camera pans over to Shine.

SHINE: No way, vote for Rouge! She can carry like. Nineteen mountain lions. Give or take

The camera pans over to Squeak and Vash. Squeak points at a crude drawing of Omega that seems to say “VOTE OMEGA.” It is upside down. Vash holds a cute little sign that says “I <3 OMEGA” that he likely made himself.

SQUEAK + VASH: ?????????????? (we didn’t hire anyone to translate this part.)

Back in a wide shot, Snail and Shine stare blankly at Squeak and Vash. Squeak licks her butthole again. Vash is now Real. Someone off-screen sneezes very convincingly.

SHINE: This poll will run for ONE WEEK before we announce the winner! So little time…

SNAIL: Everyone make your vote count! The winner of this festival will have a special page in my… 

An image of a porcelain snail appears over a white background as an echo-y human voice says “SECRET UPCOMING PROJECT.”

VASH: bweep bwaa :] (Yay! Prizes!)

SHINE: The final verdict will be decided by Twitter AND Tumblr, so commit as much voter fraud as you please!

Squeak bites Vash and he screams. They both fall off the TV and make a surprising amount of noise. Snail and Shine stare in shock.

SNAIL: See you in seven days! And hey, if you want to participate… tag me in any propaganda you make to fight for your favorite Team Dark member!

Squeak and Vash explode.

[beemo-clippin]

Presentiiinngg *drumrolls* Favorite Etho + Bdubs moments of HC10! (Video length: 3:36 min)

There will most definitely be a part two at some point, so I would love to hear any of your favorite moments which I may include there ^-^

Video credit in order of appearance: Bdubs Ep.8 (23:20); Etho Ep. 2 (17:33); Bdubs Ep.6 (7:23); Bdubs Ep.2 (16:00); Etho Ep.3 (6:50); Bdubs Ep.7 (0:56); (1:53); Bdubs Ep.14 (27:19); Bdubs Ep.2 (15:23); Etho Ep.1 (7:17); Bdubs Ep.9 (2:41); Bdubs Ep.2 (16:13); Etho Ep.1 (8:41); Bdubs Ep.2 (16:58).

Bc of the length, the video description for this one is available by request, so please lmk if you would like one!!

Transcription is below cut:

*intro music*

--- 0:05 ---

[Etho] I don't know if you know RBG values but like more like a hundred green

[Bdubs] I don't know if you know HSL

[Etho] *laughs* [Bdubs] but- *laughs*

[Etho] Hue, saturation, luminescence?

[Bdubs] That would be- yeah! Yeah. So that would be a 50L

[Bdubs] "I don't know if you know RGB"

[Etho] *laughs* [Bdubs] *giggles*

[Etho] Well apparently you go HSL not- not RGB, uh huh

[Bdubs] Yeah, HSL's the, uh… that's the, uh, primary

[Etho] The artist standard, you know, yeah

[Bdubs] Yes. This is beautiful

[Etho] Someone that truly understands art

[Bdubs] That's right [Etho] Mhm

--- 0:34 ---

*mischevious music*

[Bdubs] Hullo?

[Etho] Bdubs?

[Bdubs] Woah! *laughs* You're in- you're inside?!

[Etho] Ah I was waiting for you, I decided I would just walk in, you know

[Bdubs] That's so rude, you brought the horse in?

[Etho] Does- does he not belong in here?

[Bdubs] The horse has never been in this house

[Etho] I saw the haybales in here, I thought it was like a-

[Bdubs] No, that's a carpet

[Etho] *chuckles*

[Bdubs] Out! Out. Out

[Etho] Not horse food?

[Bdubs] No. [Etho] Okay, okay

[Bdubs] No, stop it see! Look what happened

--- 1:07 ---

*gentle piano*

[Bdubs] I love this area

[Etho] You got the pink tree

[Bdubs] Yeah

--- 1:11 ---

[Bdubs] This might be pushing it for you, a little bit. I don't want to push you too hard

[Etho] Mhm. You thinking about texturing the floor?

[Bdubs] *laughs*

[Etho] But I can texture too like, I know how to texture

[Bdubs] Yeah yeah yeah! Oh I know you can. I- I know. I know that too much is uncomfortable

[Etho] Mhm

[Bdubs] Right?

[Etho] I- I don't know what it is

[Etho] Like I like it when you do it

[Bdubs] Sure, yeah. But it can be too much.

[Bdubs] Yeah. It's more for advanced H- *laughs* HSL type people

[Etho] *laughs*

--- 1:44 ---

*chill music*

[Bdubs] That roof, It's less than a forty-five degree angle. It's like a-

[Etho] It's flatter right?

--- 1:51 ---

[Bdubs] I'm soo… puffed up as a builder. Okay

[Etho] Mhm

[Bdubs] that you can say anything and it won't hurt me. I can take it

[Etho] I feel like you need, like, some… semi-rooves lower down like, like at the four-five block height… kinda thing. You know what I mean? Like those little overhangs to something underneath

[Bdubs] I thought I could take it and I can't

[Etho] *laughs* Oh no, I crushed him

[Bdubs] *laughs*

--- 2:21 ---

*inspired piano music*

[Etho] Look at that build

[Bdubs] Come on now

--- 2:25 ---

*gentle piano and distant chatter*

--- 2:31 ---

[Bdubs] Jevin, Ethan, I'm coming. er, Etho. Ethan? Ethan

[Etho] Ethan? [Jevin] Ethan!

[Etho] Ethan hunt! [Jevin] Ethan I'm coming!

--- 2:36 ---

*silly music*

[Etho] Okay connected. *laughs* What??

[Bdubs] Oh noo!!

[Etho] *laughs* I have never seen anything like that before

[Bdubs] It's worse!

[Etho] *laughing* How is that possible?

--- 2:49 ---

*wither shriek*

[Bdubs] Wait! You hear that?

[Etho] Is that cub? Oh I think Cub's after you

[Bdubs] It could be Hypno *wither shriek*

[Etho] Oh my goodness *wither shriek*

[Etho] Oh my goodness, they're coming Bdubs *wither shriek*

[Etho] They're coming!

[Bdubs] It could be Hypno!

*wither shriek*

[Bdubs] Oh it's you!!

[Etho] *laughs*

[Bdubs] Ohhh!

[Etho] *laughs* [Bdubs] *laughs*

--- 3:09 ---

[Etho] Alright, we're gonna go by seniority here. Bdubs

[Bdubs] Yea- hahaha. *whispers* youu. You!! [Jevin] Wow

[Etho] *laughs*Lead the way [Jevin] Woww

[Bdubs] *laughs* [Jevin] *laughs*

[Bdubs] Ohh

[Etho] Was that not respectful? I thought that was a respectful thing to do

[Bdubs] No it's very respectful to your elders. It was very good

[Etho] I don't understand some things about social dynamics, I tell you

[Bdubs] *laughs*

--- 3:31 ---

[Etho] If you're ever bored or- or lonely on the server Bdubs, come hit me up

[Bdubs] Oh yes. Okay. Thank you

<end transcription>

[ham1lton]

another day, another drama.

pairing: lando norris x fellow driver’s sister!reader.

summary: the one where you think o/s is hiding something from you, so with the help of your boyfriend and his friends, you try to figure it out. too bad you find more than you bargained for.

author’s note: part of the nepo sister universe. i fear we might be coming to the end of the nsu soon…. also there is a poll at the end, help a struggling writer out and vote pls mwah.

— part one | part two (coming soon).

————————————————————————

liked by oldersistersbff, yourbff and 287,737 others.

yourusername: just saw these pics of my bf and burst into tears. fuck f1 for taking my bf and my sister away from me….

oscarpiastri: ur welcome ☺️

-> yourusername: SICK SICK MAN!!!! 😒😒

user1: not u acting like a war widow 😭

-> yourusername: my husband (boyfriend) has been taken as a prisoner of war (forced to do his job) thousands of miles away (no this part is actually real).

user9: i’m new to this. are they lovers?

-> user8: worse.

*liked by oscarpiastri.*

formula1: we apologise yourusername! but you’ll see him soon we promise! :)

-> yourusername: RETURN MY BF IMMEDIATELY….

-> user5: girl what about your sister??

-> yourusername: she’ll be fine 😘

user6: girl um did u see ur sister’s newest interview???

-> yourusername: no??!! BRB!

————————————————————————

liked by zendaya, simonebiles and 3,288,728 others.

vogue: the paddock’s princess came to talk to us about being our newest cover girl, winning her most recent championship, going viral, her love life and what her favourite smoothie combination is.

user3: shes so cute 🥺🥺

user1: o/s has been notoriously single since her breakup with paul like five years ago… why is she giggling and smiling when asked about a man???

-> user2: no i noticed that… omg is she seeing someone?

user7: face card never declines!

user4: when gav told her that she’d won and the first thing she did when she left the car was hug him and cry??? she’s so cute. i’m so glad i live in the y/n domination era.

-> user5: the edits with that video are sick… o/s is keeping the tiktok editors in business.

-> user9: have you seen the ones about her and lando to the song lacy??? INSANE…

-> user5: DM ME RN

user31: her saying she doesn’t ever want to be defined by her wins and rather by who she is a person. we love a charitable queen!

yourusername: love life… hmmm….

-> user4: oh no….. she’s plotting 😭

————————————————————————

————————————————————————

liked by oldersistersbff, user72 and 2,833,617 others.

oldersister: family reunion.

yourusername: no credits for the pics??

-> oldersister: no. you take enough credit from my card.

-> yourusername: … fair.

user1: she’s deadass married wth.

-> user6: family reunion out of nowhere? talking about her love life suddenly after years of not even having one? photographed with two separate men?? shopping with o/s/bff in a bridal boutique and cordoning off the area?? it’s adding up sis ur not even delusional for this one….

user9: WHO’S UR MAN @/oldersister

user5: stop with the married jokes y’all…. i can’t lose my queen to some MAN….

user3: are you planning on changing ur surname from l/n.

-> oldersister: never.

-> user16: oh so you do see these comments…

————————————————————————

————————————————————————

SPYING TRANSCRIPT - THURSDAY, 6PM.

- written by LANDO NORRIS, for his boss Y/N L/N.

LANDO NORRIS - i think she’s dating carlos. i’m putting my cards out there.

OSCAR PIASTRI - put your cards back. no way that’d happen. i think she’s dating someone else. look at these photos. that guy isn’t carlos.

DANIEL RICCARDO - just tell y/n she’s dating me and we can all go to sleep. i mean look at my incredible good looks, it would be sacrilegious to not want me.

PIASTRI - if she was gonna go for the hottest driver on the grid she’d go for lewis or charles.

CHARLES LECLERC - oh thank you oscar! very nice.

NORRIS - you’re moving away from the point. wait… is someone knocking on the door?

(everyone looks at each other concerned)

RICCIARDO - oh i ordered pizza. i forgot. my bad!

LECLERC - how about her dating another athlete? someone who understands this life but won’t affect her position here.

NORRIS - smart… what athlete has she been seen with recently?

PIASTRI - according to social media, simone biles?

NORRIS - isn’t she married? nah, who else.

RICCIARDO - she was telling me the other day that she went to the psg game. i asked her why and she said she had a friend who played for them.

LECLERC - kylian mbappé? that makes a lot of sense actually….

NORRIS - do you feel a kin to him? i mean, you’re both frenchmen after all.

(OSCAR PIASTRI would like the transcript to include the following: — after this, charles hit lando. i laughed.)

PIASTRI - it could be that this is all a big misunderstanding. she could have been shopping for a bridesmaid dress. why would she get married and not tell her sister who she’s incredibly close to? that makes no sense to me.

RICCIARDO - anyways….

NORRIS - what about leonardo dicaprio!

LECLERC - she is under 25….

————————————————————————

————————————————————————

taglist: @23victoria @luckyladycreator2 @mxdi0 @booksandflowrs @charlesleclercsonlywife @casperlikej @nichmeddar @decafmickey @evie-119 @ironmaiden1313 @d3kstar @blupblupfish @demvnsriot @raevyng @namgification (don’t see yourself or wanna be removed? send an ask!)

— don’t wanna miss an update? join my taglist!

[superhaught]

Gym Class Heroes (Chapter Two)

Pairing: Regina George x Reader

Warnings: homophobia

Word Count: ~2300, Part 2/?

Part 1

Regina pursues her interest in protecting reader as she recovers from the basketball to the head.

Turns out, you did indeed have a mild concussion from the basketball incident, so you took the weekend and the following Monday off of school to rest and recuperate.

You were napping when your mom knocked lightly on your bedroom door and then came in. You woke up and saw that she had an armful of things.

“One of your school friends stopped by and brought your homework from today plus a card and some snacks, how sweet!”

You sat up and rubbed the sleep from your eyes, “one of my friends? Do you know who?”

“Oh I don’t know, sweetheart. She was blonde and tall and pretty.”

You couldn’t help your face from lighting up, “gimme the card!”

Your mom handed you everything and you tore open the envelope. It was a simple “get well soon” card but what you were most interested in was the handwritten note. The writer’s penmanship was exquisite, not that you were particularly surprised by that fact. The card smelled like her perfume, as if she had spritzed some on. She’s unreal, you thought. Fragrant notes of orange blossom and rose filled your nostrils and it was addictive. 

The note read: Hey you, I hope you’re doing okay and aren’t too worried about getting behind on schoolwork. If you need help getting your homework done, I know a guy. Anyways, Shane got three days of suspension, which isn’t enough, imo. Text me if ur bored <3 R

She wrote her phone number at the end. You giggled and reread it in full, going as far as kicking your feet excitedly under your blankets. 

“She seems like a sweet girl,” your mom pointed out.

Her voice brought you back to reality. You cleared your throat, “mom, my head is kind of hurting, can I go back to sleep?”

“Oh yeah, of course honey! Get some rest.”

“Thank you,” you set the card down next to you and laid back down as your mom left and once she closed the door behind her, you grabbed your phone and began typing a message to Regina’s number. 

“Hey, ‘R’” you wrote. 

The message delivered and the little typing-indicator dots showed up right away, then her message back came through, “I’m glad you didn’t keep me waiting ;)” then she sent a second message, “how are you feeling?”

[Text Message Transcript: Reader: I’m feeling okay. I got a concussion like you thought, but I should be back tomorrow. Thank you for the snacks, btw. How did you know cheez-its are my fav? | Regina: My lips are sealed | Reader: You must have gone to a lot of effort to discover my favorite snacks and my home address… | Regina: It’s nothing someone with my social power can’t handle. | Reader: Well, I owe you. For this and for taking care of me yesterday. | Regina: You don’t owe a thing | Reader: Come on, you’ve gotta let me repay you somehow. | Regina: I won’t allow it | Reader: -_- | Regina: :P | seriously. don’t worry about it. | Reader: But why are you being so nice to me? | Regina: because | Reader: That isn’t an answer | Regina: must I have a reason?? | Reader: People usually do | Regina: cynical of you | I guess I feel bad. MY idiot ex gave you a concussion and was an asshole | also | I think ur cute | Reader: It’s not like you own him. | Regina: are you just gonna ignore that last part | Reader: I was getting there! how do you type so fast when you have acrylics?? | Regina: ... | i blame your concussed brain | Reader: You thought about making a dirty joke, didn't you? | Regina: no | maybe | Reader: So... you think I'm cute? | Regina: Not anymore. I take it back because you embarrassed me. | Reader: No take backsies | Regina: Well now I really take it back because that was dumb | Reader: I don't believe you! | Regina: good | you're going to have to see through my bitch act if we keep going along this path | Reader: "if we keep going along this path" meaning...? | Regina: meaning... if you let me take you out on a date | when you're all recovered of course | Reader: Like... a date date? | Regina: yeah dumbass | what other kind is there?| Reader: Sorry!! I've just... never been asked out before | Regina: okay well... I am asking you out | End of transcript]

Being stunned, you didn’t respond to Regina’s text right away. Your heart was pounding. You couldn’t believe that Regina, the queen bee of the school, the most popular girl, the previously-believed-to-be-completely-and-totally-straight-girl, was asking you out. 

Another text from her popped up, “well don’t leave me hanging”

You decided that you wanted to call her. Maybe you felt like you needed to in order to confirm that this was actually real. You called and it rang twice and then you heard her voice through the phone.

She chuckled as she spoke, “hi…”

“Hi…” you said back, suddenly forgetting what words were. 

“What did you want to say that couldn’t have been sent over text?”

“I just… you really want to date me?”

“Yes. I do. Is that really so shocking?”

“A little, yeah.”

“Well listen, I’ve had my eye on you for a while now. And, as I’m sure you are aware, I’m used to getting what I want.”

You shuddered and then replied, “Regina… I’d love to go out with you.”

The two of you continued to talk on the phone well into the night. It was Regina who insisted that you hang up and go to bed to get some good sleep before coming to school tomorrow. The blonde also offered to pick you up in the morning and drive you to school herself. You, of course, accepted. 

You went to sleep feeling lighter than air. 

In the morning, you got ready for school with more zeal than you ever had in your life. Your mother wondered out loud whether you had been replaced overnight by an entirely different person. You just smiled and said that you were happy and feeling better. 

There was a car horn honk from your driveway and your mom kissed your cheek goodbye as you left your home. 

Regina was sitting in her black Jeep, using her mirror to fix her hair. She smiled at you as you came out of your house and approached the passenger side of her car. She leaned and reached over, cracking the door open for you and then offering you her hand to hold as you stepped up into the car.

You sat down and tossed your backpack into the backseat. 

She smiled again, looking you over, “you look so cute!” Regina then gently caressed her thumb over the bruise on your forehead from the basketball, “and this is looking much better.”

You looked her up and down as well and smiled, “you look incredible…”

“Thanks, baby.” 

She had called you ‘baby’ on the phone the night before as well. The affection made your heart flutter.

She continued, “get buckled, let’s go.”

Regina drove you both to school and parked in her spot in the student lot. It wasn’t an assigned parking spot or anything, it was just the closest spot to her preferred entrance and it was hers by way of having scolded anyone who had ever dared to park there.

When you got out of the car, Regina walked over to you and took your hand in hers. 

Surprised, you said, “you know, we haven’t actually gone out yet…”

“I know that. Do you mind if I hold your hand anyway? Do I have to wait before I can show you off?”

“I don’t mind,” you smiled. 

Regina walked you into the school and immediately, all eyes were on the two of you. You half expected Regina to drop your hand but she didn’t. You glanced over at her and she was proud. Beaming even. 

She squeezed your hand a little tighter and looked at you, “you okay?”

You nodded your head, “I am.”

Regina went with you to your locker and leaned against the adjacent locker while you put your backpack away. Then Regina noticed that you had a small magnetic mirror in your locker and she came up behind you and wrapped her arms around you from behind and looked into the mirror.

“We look good together, don’t we?”

You looked at the image in the mirror and thought she was right. With her bright blonde locks draped over your shoulders, her manicured fingers touching your neck, her cheek pressed against yours, it was a dream come true. 

“It’s way too easy for me to get lost in you…”

“I feel the same way, baby.”

At that point, Gretchen and Karen approached, locating Regina as if they had a homing beacon to her. Gretchen flashed you a polite smile and said, “you look mostly recovered!”

Karen stared at you with wide eyes and said, “don’t worry, I’ve been knocked out by a basketball too! It happens to everyone.”

You thought about objecting to her statement in some way but then you just nodded. 

Regina grabbed your hand again and touched your cheek, turning you to face her, “you’ll sit with us at lunch, right?”

“Oh sure! If you want me to…”

“Of course, silly! Well, you know where to find me, then. I’ll see you later.” Regina pulled you into a hug and squeezed you tightly against her chest. And for the first time in your life, you felt genuinely wanted.

The next two days went by fast. Regina took over driving you to and from school and your mom thanked her profusely for giving her a break. You joined Regina, Gretchen and Karen for lunch, sometimes you were also joined by Cady, Janis and Damien, now that things had gotten less tense between those two trios in the aftermath of the junior year dramatics. 

Regina was extremely attentive to you. You naturally fell into habits of taking care of each other, Regina looking out for you as you continued to recover from your concussion, and you paying attention to her chronic pain flare ups and making sure she was monitoring her POTS symptoms. 

You and Regina agreed to go on your first official date together that weekend, but she certainly was not hesitating to claim you as hers in the meantime. In those 48 hours, there was already an instagram and twitter account dedicated to shipping the two of you and you overheard a lot of talk about your sudden closeness and Regina’s obvious protection over you. 

It all came to a head the day that Shane Oman was back at school.

At lunch, Regina showed up to the table a few minutes later than what was typical for her, and she was dragging Shane by his shirtsleeve until she shoved him right in front of you. 

You set your lunch down and looked at him, then Regina, who shoved him again and said, “well, go ahead.”

Shane rolled his eyes, “fine… I’m sorry…”

Regina’s arms were crossed but she smirked a little, clearly proud of herself. 

“Sorry that you’re a disgusting fucking carpetmuncher!” Shane finished, yelling loud enough for the entire cafeteria to hear and immediately cease their conversations, turning all of their attention to your table. 

Gretchen covered her own mouth in shock. Janis and Damien's jaws both dropped open. Karen was staring at something on the ceiling. Cady whispered “oh my gosh” under her breath. 

You just froze and stared. 

Regina lurched forward and gripped the back of Shane’s shirt collar, pulling him backwards by it in a swift motion and basically choking him with the fabric, “what the fuck did you just say?” she growled.

Shane coughed, “I… I… said… carpetmuncher… and I’m not sorry… and I don’t believe for one second… that you’re falling for this… this… dyke!”

“Oh? You don’t?” Regina pushed Shane down to the ground and he collapsed to his knees and rubbed his neck as Regina let him go. Regina walked over to you and took your face in her hands. One second, her face was red with fury, but when she looked down at you, she immediately softened. She pulled you close to her and then pressed her lips to yours.

It wasn’t how you imagined how your first kiss with Regina would have gone, but you wouldn’t have changed anything about it. 

She kissed you so tenderly. Your senses were completely overwhelmed by the softness of her lips, the taste of her lip gloss, the smell of her hair, the feel of her tongue just teasing your bottom lip. Regina held the kiss for a long time and you held her waist. 

You knew everyone’s eyes (and cameras) were on you, but you couldn’t have cared less. You had Regina, and that’s all that mattered. 

When Regina pulled away, she kept eye contact with you for a moment and smiled, assuring you that she kissed you because she wanted to, not just to prove a point. She came back to give you one more quick and gentle kiss before returning her attention to the pathetic man on the ground. 

“Next time you want to say anything derogatory to my baby here, you better be fucking prepared to say it to me, too, Shane. And I don’t think I need to spell out the absolute shithole you will find yourself in if you do that.” 

Shane stared at her with wide, terrified, eyes.

“Now get the fuck out of my sight.” Regina added. 

Shane scrambled to his feet and sprinted out of the cafeteria as Regina took her seat next to you with closed eyes and exhaled a breath through her nose to calm herself.

You leaned your head on her shoulder and whispered, “thank you, Gina.”

She turned her head and kissed your temple, “of course, baby.”

[elliespectacular]

Hi! I'm sure you probably get asked this a lot given your long-time standing with the YTP community, but I was curious if you had any beginner tips for a newer YTPers hoping to learn the trade? I've been on and off editing videos for a couple years now using whatever free-ish programs I can work with until I have a steady income, but I'd love to hear any suggestions you may have about editing videos YTP style in general as well! So far sentence-mixing has been my favorite part of the process. Been a huge fan of your channel since I was a little kid, my older bro introduced me with the 'Lord of Da Things' video ages ago. To this day I can't watch The Fellowship of the Ring without falling out in laughter. It makes me so happy to see that you're still doing your thing, all these years later too. Take care and have an awesome day!

Tips for beginners:

Make any* joke that pops into your head. Did you laugh out loud at any point while editing the joke? Keep it in. No? Cut it.

Make "random" edits, like edits where you don't have a specific goal. Reverse stuff for the hell of it, make cuts in unintuitive spots, throw in some effects you've never tried before. Experiment and get inspired by what happens!

YTP is as low-stakes as it gets. Sometimes it can be rewarding to challenge yourself a little bit and make a joke more complex than usual, but there's nothing wrong with cutting some corners**. It can add to the charm in a way.

Post what you make and don't get too bogged-down by whether it's "good" or whatever. Show it to people, find out what makes them laugh, what they find interesting, and think about why those things connect with people.

For sentence-mixing, it's handy to have a transcript of the source video handy so you can ctrl+f for words/phrases/syllables

*Don't do anything distasteful or make people say things you'd be ashamed to repeat. I'm not gonna stop you or anything, but don't do anything you think you might eventually regret.

**Shortcuts can be things like reusing a piece of sentence-mixing or an animation you've already done, or repeating a joke that applies in multiple contexts. If you use AI in the current year I *will* wag my finger and nod disapprovingly.

[ineffableteeth]

So I was rewatching Good omens and I realized something.

Season 2 brings up Memory. A lot

Specifically Crowleys memory

In every episode something is said about it and I find this really interesting

I’m only going to bring up what I think are major, I want to note there are more instances than this. This is gonna be messy and a little disorganized since I’m just throwing my words on this post as I think of them and read the episode transcripts but I had to write it out.

In Episode 1 we see pre-fall Crowley and are introduced to our amnesiac archangel. This will be important later

We don’t see much of Crowleys memory loss in this episode but the biggest example I could find was the way Beelzebub had said Extreme Sanctions after Crowley misunderstood

It was as if they were expecting him to remember

In Episode 2 we get the first blatant hint of Crowleys memory loss

When Gabriel said he couldn’t remember, Crowley doesn’t say “Well try anyway”

He says “Yes you can.”

Crowley knew Gabriel could remember, he knew he could make himself remember. As if he knew it from experience.

Also in this episode we get Crowleys “I’m a demon, I lied.” As well as several other instances where he lies in this episode.

I also feel like his “Lonliness” is important to point out, because I feel like that goes much much deeper than “[I’m on] my side”

In Episode 3 we get Crowley and Gabriel’s Conversation about “Gravity”

Crowley knows what gravity is on a base level. But he says “I don’t remember” when asked why gravity exists and proceeds to give a very nondescript explanation

Now for Episode 4. This episode is actually what triggered me to start looking for these instances.

Because of Furfur

Near the end of the episode when Furfur enters the dressing room he mentions that him and Crowley were directly next to eachother during the Great War, as well as the fact Crowley used to jump on his back “Like a little monkey in a waistcoat”

And Crowley didn’t remember

All he remembered was going to war

Why does Furfur — A demon — remember but Crowley doesn’t?

In Episode 5 we get one of the most crucial ‘memory’ scenes imo

The aftermath of Crowley threatening Gabriel

When Gabriel tells Crowley “It hurts to remember, my head isn’t built for that” Crowley replies with “I know, do it anyway”

Again it sounds like Crowley is speaking from experience

The most important quote to me though is when Crowley says “I know, looking at where the furniture isn’t.”

Because after the fact he proceeds to ask Gabriel if he wants a hot chocolate

This wasn’t a sympathetic action. It was Empathetic.

He feels for Gabriel, he knows what it’s like to not know

Finally in Episode 6 we get context.

This is where the whole amnesiac archangel comes into play.

Before I get into that though I want to bring up Crowleys meeting with Saraquael. Because something interesting stood out to me while reading her voicelines. After Crowley asks “Do we know eachother?” Saraquael says “When you were an Angel” and pauses before she says the following voiceline “We worked together on the horsehead nebula”

Those were two different sentences. I’m definitely looking too far into this but to me it sounded like she knew he wouldn’t remember so she gave unnecessary context. This as well as the fact she didn’t respond when Crowley essentially said he didn’t remember her.

Back to my original point though, during this episode we finally learn how (and why) Gabriel lost his memories. Angels can remove their own memories as well as have their memories removed by other angels.

But clearly Furfur still has his memories, as well as Shax, Dagon, and Beelzebub

And anytime Crowley mentions “remembering” something it’s post-fall

Adding on Neil’s post about “Crowley not being a reliable narrator on his fall” as well as showing Crowley pre-fall in episode one leads me to believe there’s some foreshadowing in there and something happened to Crowleys memory.

But What?

Why doesn’t he remember?

What did they do to him?

[stone-stars]

happy 6 years of naddpod everyone <3 (alt title: the dragon pussy podcast making me cry for 6 minutes straight)

Transcript:

Mee Maw: That's true, but… there's also somethin' else. Murph: And you see she pushes her cloak to the side, and you see she has black scabs-- Caldwell and Jake: Oh, no! No no no! Moonshine: Oh, Melora! Murph: --and deep crick rot all over her chest and neck.

Marabelle, weakly: Jolene? I-- I didn't realize I was gonna get to-- say I was sorry. Moonshine (pretending to be Jolene): Thank you, of-- of course you're forgiven! I love you so much! You're my big sister!

Melora: You're not cursed. You were born like this.

Hardwon: (desperately) Gemma? Gemma? Gemma wake up. Gemma baby. Hey. Murph: You see she's-- she's-- she's cold and dead. Hardwon: Fuck!

Balnor: I couldn't help them. I can barely swing a sword. Alanis: There's a war coming, and everyone needs to fight. Even old men who don't know how.

Beverly, crying: No, he's-- he's my light. He's my Pelor! He always was! I strayed!

Bev Sr: You tell her the truth, Bev. You tell your mom that I died in the Feywild. Beverly: (crying) You know I'm bad at lying. Bev Sr: It's not a lie, Bev.

Deadeye: Yeah, I know I'm down a hand. And an eye. And a life. But I got a soul, and a family. And I finally know which is worth more.

Deadeye: I hate to think about what woulda happened to me, but maybe more I hate to think about who I still would've been if I had never met you.

Rosa: JV, I can't-- I can't find my lantern. JV: Aw, well look at that? There's a lantern right here. Rosa: Are you sure that's mine? JV: Yeah. Yeah, I'll-- I-- I'm gonna go look for mine.

Hardwon: --interpretation. I-- I-- Moonshine: Hardwon, I really don't want you to want to die, because I want you to live so much and I don't want to be alone in that feeling.

Lydia: Elias, is that you? Hardwon: It's uh-- It's still little Elias. You saved the child, ma.

Lydia: I don't know what I've been these past few years, I don't know what I've been these past few decades. But I want you to know that when I was your mother that... you were wanted.

Murph: Somebody who felt they could never have a child… um, is holding their child. Moonshine: I-- I didn't want to need you, dad, but… now that you're here… it-- it's kinda nice.

Murph: Your father has given you... a strategy guide on how to beat him. Caldwell: I have to look away so that the tears don't ruin the pages.

Beverly: (tearful) I don't want to go. I don't want to go. But I have to. It's my duty. I have to do this. Moonshine: Okay, youngin, I want you to know. I will love you whatever you choose to do. But, here's my two cents: A child has a duty to his father, but a hero has a duty to the world. Now, I've got my opinion of which you are. But it's time for you to decide.

Bev Sr: Thanks, Bev. I always-- I knew I could make the deal, because I knew you'd stop me.

Moonshine: (tearful) I-- I've been wanting to tell you about this for so long, and I just didn't get a chance to. And I don't know if I will, so I just wanted to make sure I told you.

Moonshine, crying harder as she goes on: Paw Paw. You are… You are my best friend. And you are the best part of me. (sobs) And I am so grateful. For-- (sobs) the fact that so much of our lives have been braided together. But… where I'm going, next-- after we beat Thiala, which we will-- you can't come, mmkay? So I just need to make sure that you are taken care of, and I need to make sure that you take care of some people, okay?

Pendergreens: This time, you picked me up. And you were nice to me for no reason.

Pendergreens: If when you come back... if I'm different? Moonshine: Mhm? Pendergreens: Just, remember me as I am now. 'Cause I like who I am when I'm around you.

Death: I will take everything from you-- Hardwon: Quit pointing at people! Death: --until you come with me. Hardwon: Ok-- I'll go! I'll go. Beverly: Hardwon, no! Hardwon: Bring her back, and I'll come. Bring her back.

Lydia: All my life, people told me what I had to be. You don't have to be anything other than what you are.

Lydia: I think you should talk to your friends. Not because you owe them an explanation, but because you deserve to be heard.

Melora: Beverly. Beverly: Yes? Melora: I wish you could grow up in a normal world, but the Gods have not blessed you with a normal life. You are… afflicted with duty. Things thrust upon you far beyond your years.

Melora: The world should have protected you, but you have been asked to protect it. What an honor, what an injustice.

Moonshine: How long do Half-Elves live? Mee Maw: You talkin' bout Hardwon? Moonshine: I mean-- It's on my mind.

Moonshine: I guess, if I'm being honest, I don't know what it's gonna be like to know Bahumia without Hardwon Surefoot. (tearful) And there's a part of me that doesn't want to find out what that feels like.

Moonshine: There is something sour I probably need to swallow, though. It is-- There's people you meet that are once in a timeless body lifetime kinda people, right? Mee Maw: Oh, yeah. Moonshine: Okay. Mee Maw: And you keep 'em with ya. Moonshine: Okay.

Moonshine: (crying) It's okay, Balnor. Like all the most powerful things in this world, I knew I was only borrowing you.

Hardwon: Moonshine, when-- When I left Irondeep, I-- I didn't know where I fit in. And then I met you, and you didn't just let me in. You brought me in, and you thought I was good.

Balnor: I hope that you all get to leave this world with the same comfort that I had: knowing that it's in good hands. I love you. Murph: "Your knight, Balnor."

[honestlyvan]

ALAN WAKE 2 ANNOTATED: WHAT THE FUCK IS THAT WEIRD FINNISH GUY SAYING

(This post is also available on Dreamwidth)

Preamble: What is this?

There’s a lot of Finnish shit in Alan Wake 2. I speak Finnish. I’m really annoyed about how wrong about some of the things that are in Finnish in the game people actually are. @drdarling is an Ahti fan. We’re mutually annoyed about how wrong about Ahti people are, because in general the trend is people thinking Ahti is spooky and mysterious because they don’t know what he’s saying, rather than thinking he’s spooky and mysterious because of the things he’s saying.

So Autumn went through the entire game, transcribing Ahti’s dialogue, and I went through the transcript, translating everything untranslated in the game, and providing cultural context for the rest of it (with some saves from @saikkunen, @rhpurasu-blog, and my mum), because truly this dude is not nearly as cryptic as people make him out to be, and is actually twice as weird as people think he is as a result.

Disclaimer: Finnish is very regional, and even with people from all over pitching in, some of the shit Ahti says might still be idioms we’re not familiar with. If you’re a Finnish person reading this going “HOW DID YOU NOT KNOW WHAT THAT MEANS”, trust me that I had many moments like that while putting this together, and please leave a comment so I can add your insight :D

This post is going to go through all of Initiation, followed by all of Return. There's unmarked spoilers past the cut -- enter at your own risk.

INITIATION 1: LATE NIGHT

First meeting with Ahti as Alan:

Ah, (no niin) there you are, Tom. Not so much evil that not a bit of good as well. Not one without the other. Good to see you.

“No niin” -- utterance, roughly the same as “alright” or “now then”. “No” is a common filler word like “well.”

“Not so much evil that not a bit of good as well.” – “ei niin paljon pahaa ettei jotain hyvääkin”, a common Finnish turn of phrase. Broadly has the same meaning as “silver linings.”

Alan asks Ahti to point him towards the exit:

(No totta helvetissä.) Of course, Tom. The work will instruct its maker. I was gonna get something from the basement for you, but you can get it yourself now. The more cooks the worse the soup.

“No totta helvetissä” – “(in Hell), of course”, a variation on the phrase “totta kai”, meaning “certainly” or “of course”

“The work will instructs its maker” – “työ tekijäänsä opettaa”, common proverb. “You learn things by doing them.”

“The more cooks the worse the soup” – “mitä useampi kokki, sitä huonompi soppa”, common proverb, same as “too many cooks spoils the broth”

Alan asks Ahti what Ahti wants him to get from the basement and clarifies that his name is Alan, not Tom:

(No joo, mutta katopa kun) a man’s a man but a man with a tool makes two, Tom. (Eikö niin?) And a man with a tool can build his own exit. It’s in a shoebox in the basement where you left it. Safe as in the Lord’s purse. Here’s the key.

“No joo, mutta katopa kun” – “see, here’s the thing (with that) is”

“a man’s a man but a man with a tool makes two” – this may be an obscure saying, my whole gaggle of Finnish friends were equally stumped by it. Entirely possible it’s just those little shits from Espoo fucking with us, entirely possible that it’s a variation on a saying that we’re just not picking up on.

“Eikö niin?” – “isn’t it so?”/”Right?” a filler phrase. (It is very common for people to say this right after saying something that makes no fucking sense.)

“Safe as in the Lord’s purse.” – idiomatic, comes from the Bible (1 Samuel 25:29)

Alan asks Ahti if they have met before:

You remember Ahti. The janitor. You can’t be lost if you don’t worry about where you are headed. So don’t worry Tom, the sun will shine even into a heap of twigs. Just remember to turn on the lights. It won’t take long when you get to work.

“You remember Ahti. The janitor.” – the intonation of this line implies to me that in Finnish he’d be using emphatic -han/-hän for it

“You can’t be lost if you don’t worry about where you are headed.” – may be an obscure saying, none of us recognised it.

“the sun will shine even into a heap of twigs” – “paistaa se päivä risukasaankin”, everyone has their little successes, “every dog has its day”

“It won’t take long when you get to work” – “ei mene kauaa kunhan pääsee alkuun”, “as long as you get started it won’t take long (for the matter to resolve)”

Alan asks Ahti if he knows a way to escape The Dark Place:

He who moans about his troubles, is the prisoner of his troubles. It’s not easy to get out. But don’t you worry, Tom, the home is still there, where the heart is. I often think about it when I mop the floor and look into the puddle. Water is the memory of the world. Water finds its way.

“He who moans about his troubles, is the prisoner of his troubles.“ – “Joka murheistaan valittaa, on murheidensa vanki”, common proverb. Finnish people love telling other people to stop complaining.

INITIATION 4: WE SING

After the musical sequence, when you walk past Ahti in the studio:

My Swedish brothers, (perkele). (Ai että nyt on kyllä joo). (Lattoi pojat jenkkakoneet soimaan, saatana).

“Perkele” – “(by) the Devil”, one of the most common Finnish swear words.

“Ai että nyt on kyllä joo” – Untranslatable, can be approximated as “now we’re talking”, “that’s more like it”, or “a hell of a thing”. I love this phrase because it means fuck-all even in Finnish, and conveys a sense of deep appreciation regardless.

“Lattoi pojat jenkkakoneet soimaan, saatana” – literally “Those boys really made the jenkka machine ring, (by) Satan.” “Jenkkakone” refers to the band, playing a song for people to dance “jenkka”, a fast-paced folk dance to. (Addition from @sluiba: jenkkakone is a colloquial term for a jukebox, nowadays more commonly used to refer to audio equipment more broadly e.g. speakers; so he's basically saying, "those boys really turned it up to eleven".)

INITIATION 7: MASKS

When Alan runs into the janitor’s closet:

Hurry, Tom! Here is the light at the end of the tunnel. (Jumalauta), that held you close, Tom. (Ei muuta kun) onwards, said the granny in the snow. When the panic is biggest, the help is also near.

“Jumalauta” – “god help us/you”, a common swear word

“that held you close” – “otti läheltä”, meaning about the same as “a close call”. A more literal translation would be “that took close”.

“Ei muuta kun” – “nothing else to do about it, but”

“onwards, said the granny in the snow.” – “eteenpäin, sanoi mummo lumessa”, a common turn of phrase, an motivational expression of perseverance and sisu

“When the panic is biggest, the help is also near” – “kun hätä on suurin, on apukin lähellä”, a common turn of phrase, broadly means the same thing as “there is light at the end of the tunnel”, can be thought of as a more optimistic companion to “things will get worse before they get better”

(I like this block of dialogue a lot because it demonstrates that a lot of Ahti’s Finnish is just filler words and a tonal component to what he is actually saying.)

Alan mentions that Door didn’t seem happy to see him this time:

Fearing the master is the root of wisdom. But don’t let the game get you down. He is playing his role. Maybe put him in your films, Tom, like you have put me. (Perkele! Sehän olisikin).

“Fearing the master is the root of wisdom.” – “herran pelko on viisauden alku”, the fear of the lord (or rather, The Lord) is the beginning of wisdom. It’s an interesting choice to omit the reference to the Christian god, because it’s preserved in other phrases.

“Perkele! Sehän olisikin” – “(by) the Devil! Wouldn’t that be something.”

Alan asks what films Ahti is talking about:

I’m a fan of your masterworks. There is “Tom the Poet”, my favorite. And “Yötön Yö” is the most famous one, of course. And is it true what I hear, that it’s coming back to cinemas soon? Is there a bottom to this rumor?

“Is there a bottom to this rumor?” – “olla pohjaa”, to have a bottom, means “to have a factual basis”.

Alan says he needs to get back to his apartment, asks if Ahti can help:

Well-planned is half-done. You asked me to make sure you won’t forget the… (mikä se valokuva oli) light pictures, the photos that your artist wife took. They are waiting in the shoebox in the basement. What you leave behind, you find in front of you.

“Well-planned is half-done” – “hyvin suunniteltu on puoliksi tehty”, a common turn of phrase. What it says on the tin.

“mikä se valokuva oli” – “what was the word for ‘valokuva’ again”, a relatable bilingual moment. The Finnish word for photograph is literally just a compound word that directly translates to “light picture”.

“What you leave behind, you find in front of you.” – “minkä taakseen jättää, sen edestään löytää”, what goes around comes around.

He also has incidental dialogue, if you hang around after the conversation

I am looking forward to seeing “Yötön Yö” in the cinema, but first I work. And the work won’t end even when you do it (perkele). (No ei siinä), one potato at a time. Just remember, Tom - the brave will eat the pea soup.

“No ei siinä” – “well, nothing else to it”

“the work won’t end even when you do it” – “ei työ tekemällä lopu”, common proverb, warning against rushing and working too hard (because you won’t run out of work through hard work)

“one potato at a time” – “yksi peruna kerrallaan”. This one is so funny to me because he could have just said “one thing at a time”, since that phrase translates literally, and instead he says this just so sound slightly more Finnish.

“the brave will eat the pea soup” – “rohkea rokan syö”, a common proverb, used the same way as “fortune favours the bold”

RETURN 5: OLD GODS

At Valhalla Nursing Home, after Rose tells Ahti that he doesn’t need to clean, this is his home, and threatens to take his mop away even though she knows he would just find it again:

(Kyllä, kyllä mutta) once after being told no. Why rest, when you are born to work. (Eikö niin?)

“Kyllä, kyllä mutta” – “yeah, yeah, but”, exactly as “yeah yeah whatever” as you’d think it is.

“once after being told no.” – “kerta kiellon päälle”, a common idiom, to do something one last time before stopping for good. “One for the road”

“Why rest, when you are born to work” – possibly an obscure saying, the version I grew up with is “why rest when you are born to work hard (like a farmhand)”.

Rose tells Ahti to go pick a song from the jukebox, as a treat:

Yes box, holiday. Just thinking about it makes my dance foot waggle. (Kyllä näin on).

“Yes box, holiday” – This is a reference to Pirkka-Pekka Petelius, a Finnish sketch comedian from the Eighties. “Jees” is a loanword from the English “yes”, meaning “good, decent, alright”. The original append was far more vulgar, translating more properly to “yes box, dick face”

“makes my dance foot waggle” – “tanssijalka vipattamaan”, a common turn of phrase, means “makes you want to dance/makes you start dancing” depending on the context.

“Kyllä näin on.” – “That’s the way it is”, common filler phrase.

Saga introduces herself:

(No eipä siinä). Name won’t make the man worse, even a Swedish name. I’m Ahti.

“No eipä siinä” – filler phrase, same as “No ei siinä”

“Name won’t make the man worse” – “ei nimi miestä pahenna”, a common proverb, similar in meaning as “don’t judge a book by its cover”

Saga asks if there’s anything good on the jukebox:

We try to do good, but only prime comes out. Music from my Swedish brothers, Old Gods of Asgard. My pals, the (perkeleen) vikings, (perkele).

“We try to do good, but only prime comes out.” – “Hyvää koitetaan tehä mut priimaa tuloo”. This is a very specifically Bothnian turn of phrase, he’s just bragging about the Old Gods making good music.

“(perkeleen) vikings” – “Perkele” being used as an adjective for emphasis.

Saga asks where to find the Andersons:

You can never know where. Only a seaman can know that, but even the seaman can’t know everything.

“Only a seaman can know that” – this is also an honest to god pop culture reference, to a song called “Vain merimies voi tietää” (“Only the sailor knows”) by Tapio Rautavaara.

Saga asks if Ahti was in the band:

(Minäkö?) No no. (Perkele, saatana, en ollu en). Not so much sweet that it fills the whole stomach. But we have shared a stage or two.

“Minäkö? Perkele, saatana, en ollu en.” – “Me? (Perkele, saatana), absolutely not.” “Me” in the interrogative has a slightly dismissive/diminutive vibe in Finnish.

“Not so much sweet that it fills the whole stomach.” – “ei makiaa mahan täydeltä”, a classic turn of phrase about not overindulging.

Ahti’s incidental dialogue, hanging out by the jukebox as Saga:

Rain is coming down like from the ass of Esteri. (Vaikka vettähän ne kyllä lupasikin, että…)

“Rain is coming down like from the ass of Esteri” – “vettä tulee kuin Esterin perseestä”, same as “raining cats and dogs”

“Vaikka vettähän ne kyllä lupasikin, että…” – “Although (they, the weather forecast) did promise it would rain, so…”

Rushing is not good for you and hurry is not an honor. (Lietkö olet tämmöistä kuullut.)

“Rushing is not good for you and hurry is not an honor” – “ei ole hoppu hyväksi eikä kiire kunniaksi”, a very common idiom. What it says on the tin.

“Lietkö olet tämmöistä kuullut” – “I wonder if you’ve heard (of) such a thing”, he’s just making fun of Saga for being “hasty.”

(Joo näinhän se menee, että…) the lazy man gets sweaty when he eats and gets chilly when he works. (Se oli kyllä hyvin sanottu.) The song revives the soul.

“Joo näinhän se menee, että” – a filler phrase, similar meaning as saying “as they say”.

“the lazy man gets sweaty when he eats and gets chilly when he works” – “hiki laiskan syödessä, vilu työtä tehdessä”, a common proverb excoriating people for laziness.

“Se oli kyllä hyvin sanottu” – “That was well said”. This whole exchange comes across as Ahti trying to impart some words of wisdom to Saga.

After the power goes out, Ahti has dialogue upstairs:

No use crying in the dark place. What has been, has gone. But trouble doesn’t look like this! You can go to the basement and check the generator. But look out - you can never know in which tree the devil sits.

“No use crying in the dark place.” – This is most likely a deliberate play on words from Ahti. The relevant Finnish proverb is “ei auta itku markkinoilla” (there’s no use crying at the marketplace) which means it’s pointless to waste time feeling sorry for yourself.

“What has been, has gone.” – “ollutta ja mennyttä”, usually this phrase is used the same way as “water under the bridge”

“But trouble doesn’t look like this!” – “ei hätä ole tämän näköinen”, common turn of phrase communicating that the situation is not as bad as it seems.

“you can never know in which tree the devil sits.” – “ei sitä koskaan tiedä missä puussa piru istuu”, common proverb. The word used for devil, “piru”, refers to a folk devil or an evil spirit rather than a capital-letter Devil the way “Saatana” and “Perkele” do.

Ahti jumpscare at the Spiral door:

Getting in is forbidden, for your own safety. Time is long for those who wait. But in the end, stand the thanks.

“Time is long for those who wait” – “odottavan aika on pitkä”, common turn of phrase. Same meaning as “time is slow for those who wait”.

“in the end, stand the thanks.” – “lopussa kiitos seisoo”, common turn of phrase. Similar meaning as “good things come to those who wait.” The word for “thanks” can also be used to mean “reward”.

Saga asks Ahti is he knows anything about the Cult of the Tree:

Yes, yes! He who reaches for a spruce tree will stumble into a juniper. Blum was one of them. He has kicked empty. I wouldn’t want to be in his shoes. But I like his shoes.

“He who reaches for a spruce tree will stumble into a juniper.” – “joka kuuseen kurkottaa se katajaan kapsahtaa”, a common proverb about (edited by suggestion from Sluiba again) the dangers of excessive ambition and greed.

“He has kicked empty.” – “potkaissut tyhjää”, common idiom, "kicked the bucket"

Saga asks Ahti how he knows Blum was in the Cult:

A fox never runs out of tricks. Tease a crazy man and he will show his ways. Blum liked to talk.

“A fox never runs out of tricks “ – “ei ketulta keinot lopu”, proverb. Foxes are traditionally tricksters in Finnish folklore.

“Tease a crazy man and he will show his ways “ – “härnää hullua, saat tapansa tietää”, proverb. In essence, “fuck around and find out.”

Saga asks Ahti if he knows where Anger’s Remorse is, after finding the empty record sleeve:

The matter is not my business, (mutta niin, sanotaanko vaikka, että) but she who steals a needle, steals a nail. Wonders of the modern world - music captured on vinyl, on tape. What will they come up with next? (Mitähän ne vielä keksii) I’m a man of the old union.

“mutta niin, sanotaanko vaikka, että” – “but, yeah, let’s just say”

“but she who steals a needle, steals a nail.” – “Joka varastaa neulan, varastaa naulan”, an old proverb. I’d like to note that Finnish does not have gendered pronouns, so Ahti is deliberately giving a hint here. (Addition from @sluiba: "[the proverb] suggests that someone unscrupulous enough to steal small things will likely also steal something bigger.")

“Mitähän ne vielä keksii” – “what (else) are they going to come up with”

“I’m a man of the old union.” – “Vanhan liiton mies”, a biblical reference to the covenant in the Old Testament. He’s basically calling himself older than Christ. The phrase itself is used to mean "old-fashioned" in a positive sense.

Weird idle dialogue in Ahti’s room after this:

There are pieces of george on the floor everywhere. The black stuff. Shitty thing. Very bad. I need to clean it all away. (Perkele, kun sotketaan joka paikka)!

“pieces of george” – very sneaky, he’s saying it look like someone threw up (yrjötä, the name “Yrjö” being a Finnish form of George) on the floor.

“Perkele, kun sotketaan joka paikka” – “(Perkele), what a mess they’ve made of everything!”

(Kulkaapa nyt, mikä…) (Mitäs, mikä paikka tämä on?) (Voi helvetti soikoon). Where am I? (Tämä ei ole minun koti). This is not my home. (Minä haluan…) I want to go home now. What is this place? (Ei saatana. Ei saatana!) How did I get here? I’m lost… lost at sea. No lighthouse anywhere, and a storm is coming. (Voi jumalauta).

“Kulkaapa nyt, mikä… Mitäs, mikä paikka tämä on?” – “listen here, what… Where, what is this place?”

“Voi helvetti soikoon” – cursing, literally translates to “oh, how Hell rings (like a bell)”

“Tämä ei ole minun koti. Minä haluan…” – “This is not my home. I want…”

RETURN 8: DEERFEST

Alan goes to the Spiral Door in the Dark Place and sees Ahti there:

We loop around, and come together, Tom. I have put everything ready for the visitors. I’ll come to wash the floor of your room next. All you need is water and Vileda. Water is the oldest balm. Water finds its way. What water brings, it takes away. It can be clean or dirty, it can give life or drown it.

“We loop around, and come together” – “ympäri käydään, yhteen tullaan”, a common turn of phrase. “What goes around comes around.”

“All you need is water and Vileda.” – Vileda is a popular cleaning supplies brand. He’s quoting an advertisement.

“Water is the oldest balm.” – “vesi vanhin voitehista”, from Kalevala. What it says on the tin.

Alan asks if Ahti can help him find his way one last time:

Now there’s a devil in the fish trap. Don’t be spooked by it so that shit won’t start beating your underpants. Okay, I’ll get the door open for you, Tom. There you go. The matter is a steak. Now comes the end of the rhyme.”

“there’s a devil in the fish trap” – “olla piru merrassa”, an idiom. It means that there’s unfortunate consequences for something you did, similar to “a devil to pay”

“Don’t be spooked by it so that shit won’t start beating your underpants” – “älä säiky ettei lyö paskat housuihin”, would be more properly translated as “so that shit doesn’t drop hard into your pants”. Means the same thing as it does in English.

“The matter is a steak.” – “asia on pihvi”, idiom meaning that something has been exhaustively dealt with, the way you make steak out of a cow.

“Now comes the end of the rhyme” – “tuli lorun loppu”, idiom with a similar meaning and implication as “end of the line”, the expected end of the current circumstances.

And that’s a wrap! If there’s interest, and if I can get an assist from Autumn again, I might go back to Control and do the same thing for Ahti there. The point is to do justice to our collective weird uncle from the Remedy Connected Universe. Hope you had fun and learned something new :D

[reddpenn]

The current state of the Rock Wall!

Video transcript:

Who wants a tour of my rock collection?

I guess we’ll start over here; this is the newest shelf. I just added it. A lot of stuff from the other shelves have now joined this shelf. It’s got a nice little sliding glass door to protect my more high-end specimens. On this we have a lot of my thumbnails, including some of the more delicate, or some of the more valuable thumbnails. Some of my more high-end specimens over here, like that beautiful wulfenite.

I have started labeling the stones now, so some of the stones have these neat little labels, and some of them do not. But everything in this case does.

And then of course some of the larger high-end specimens down here. And I’m not sure what I’m gonna put on those lower shelves yet.

Up above that I have a new display case, and this is where I’m putting all of my cabochons.

So here I’ve gotten it down and we’ll open it up. This is all velcro. I made this myself out of a normal shadowbox that I got at the store. These are all attached by velcro so that I can take them out and rearrange them and add more to them and move them around.

This case is lighted. The case next to it is technically lighted, but the lights are out of battery right now. Eventually I want to switch that to something more permanent that can be plugged in all the time so I don’t have to constantly swap out the batteries.

This is the Original Rock Shelf, so it is crammed full of some of my oldest specimens. I recently did a project where I added these acrylic risers to it to kinda make a little bit of space, which made it a bit less crammed, which is nice. A lot of specimens on this shelf. Buch of geodes down there. That’s Geode Territory.

Next to it, below the North American giant ground sloth bone, we have more of my thumbnail specimens. Just a bunch of little guys. I’d like to light this shelf too. I think that would help them show up better. The meteorite collection is over here. We got some rust on this guy, but I think he’s doing okay. And then over here, my opal collection. So here is the Ethiopian opals, we’ve got an Australian opal, we’ve got a Honduran opal back there. That one up there is also Ethiopian opal, right in the middle.

Down below that, just more of the really tiny stuff, and some miscellaneous stuff.

The spheres and eggs are under that. The one under a cloth is a reconstituted quartz. If I leave it where sunlight can hit it, it’ll burn my house down so I just keep it covered because I’m a little bit paranoid about that.

Miscellaneous stuff: I got some tumbled stones, I got some palm stones. Just… stuff gets thrown down on that shelf.

The shelf next to it. This was at one point my large specimen and high-end shelf, and at this point is just the large specimen shelf because the high-end shelf is now over here. Which has made this shelf a lot less crowded, to move all that stuff over. Again, I’ve got my acrylic risers on there. I have a bunch of my big specimens. I’d like to light this shelf too. You can see how the shadows are kind of a problem like on the halite in the back there.

And then below those are the agates. This shelf is the bane of my existence. I have so many agates that I physically cannot cram any more agates onto this shelf. I’m gonna need to get some more risers and see if I can clear a little bit of space for the agate collection.

Down below that, some more miscellaneous large things. Got a jade, got a labradorite, got a kambaba stone. In the box is vivianite, but it can’t be exposed to light, so it lives in a box. And then here I have another one of these shadowboxes that opens up, and it’s got a bunch of gem jars inside of my very very small stuff.

And then over here, this is the shelf where my newest stuff starts living. Stuff that I’ve added to my collection most recently. This is also where all the fossils are living currently. And in that box is all the crinoids I just pick up off the ground. We have a ton of them around here.

Underneath that we’ve got this big desert rose, fills the whole shelf.

Next to that I have this tiny shelf that has some of my rock-adjacent things like my mineralogy puzzles. Tully lives here. Some of my mineralogy books but not all of them. They don’t all fit.

And that’s the short and sweet tour of the current state of my rock collection!