#good omens zombie apocalypse

[methuselah-son-of-enoch]

* a man enters the coffeeshop, pale and dressed in a hospital gown *

Welcome to Pret-A-Metatron, how may we bless you today?

Oh no...not another one...

[aziraphales-library]

Hi there! First off, thank you so much for y’all’s work here on Tumblr, def one of my main sources of fic recs.

I read Summer’s End by FeralTuxedo a while ago (lovely rec) and am definitely back in my TLOU-apocalyptic-setting-with-a-moody-but-calm/nature-esk-atmosphere-and-character-centred-plot era again. I just genuinely enjoyed the specific atmosphere that the apocalyptic setting gives works. Anyway, that being said, I would love any recs that would fit that kind of vibe (I would prefer less smut since I skip over it but honestly as long as it isn’t specifically plot-relevant its fine lol also not TOO much angst please, I cant deal with Az or Crow actually dying or something like that unless it is done in a comforting way).

ps: on a more specific request, if y’all know of any GO fics inspired by TLOU I would greatly appreciate recs (look, Bill and Frank’s episode in the tv adaptation is screaming to be written as a fic with Az and Crow instead- Bill and Frank’s deaths are wht I mean by deaths done in a comforting way I suppose, haha).

Wow, this is a long request, so sorry. Thank you so much for reading, have a great day and happy new year!

Hello! Pretty sure we've recommended almost all of these before, but there aren't loads of this kind of fic (and I could find no The Last of Us specific fics)...

Dead Genres by A_plus_platypus (T)

The end is nigh when a zombie virus ravages the world. Luckily, there is hope yet in the form of pharmaceutical scientist Anthony "Just Crowley" Crowley. With his adopted younger brother Adam, his other three kids The Them, and English teacher Aziraphale Fell, he searches for the fated military base in Tadfield. There, they — along with the rest of the world — have a chance at survival. And also Crowley is a disaster, and Aziraphale is a disaster, and everyone needs a hot cup of tea.

what's to come by PepperPrints, restlesslikeme (M)

Post-Apocalyptic AU. Even without the Antichrist, both Heaven and Hell insist on Armageddon. Aziraphale is missing and Crowley sets out to find him, driving through a scorched Earth with a witch in his passenger seat.

is there anybody out there? by theycallmeDernhelm (E)

Welcome to the zombie apocalypse. England has been overrun by walking corpses, everything's gone to hell, and the few survivors are scattered- among them, Crowley and his 11-year-old son Warlock. When Crowley's radio signal is unexpectedly picked up by another group of survivors, he finds himself falling, in a way he never thought he'd fall again, for the charming and kindly Aziraphale. Over three seasons and a tenuous radio connection, a romance develops between them, while a friendship grows between Warlock and Aziraphale's nephew Adam. Love isn't dead (or undead) after all.

Ouroboros Forever and One by iblankedonmyname (T)

An AU where the Apocalypse-Definitely-Did, Aziraphale is a cowboy and Crowley is on a mission from God to reboot the universe. “God gave you, a demon, a mission?” Aziraphale snaps his glass onto the table. “Millions of angels at Her disposal, and yet…” His eyes are sparkling again. It’s more refreshing than a glass of tequila in a waterless land. “You?” His eyes slip from Crowley’s toes up to the top of his head. “Well, I am certainly surprised.”

Zombie Apocalypse by AppleSeeds (T)

When a meteor strikes Earth carrying a virus that can 'turn people into zombies', Aziraphale finds himself responsible for a group of frightened teenagers at an airbase-turned-hospital in Tadfield. Aziraphale is terrified, but experiences some relief when the teens introduce him to Crowley, who has a plan to get them all to safety. When things don't exactly go according to plan and with the zombies closing in, Aziraphale must face his fears in order to protect the children from becoming infected.

My Favorite Ghost by cassieoh_draws, DiminishingReturns (T)

Decades after the world didn’t end, Heaven and Hell got their war — and nearly destroyed everything in the process. When Aziraphale finally manages to reacquire a corporation and return to Earth, he discovers he was gone longer than he thought and the planet has become unrecognizable. As he searches for Crowley and tries to figure out how he fits in a world that Heaven, Hell, and God have all wiped their hands of, nature works around him to reclaim the bones of an old civilization as the scraps of humanity build a new one. A lush and optimistic post-apocalypse story, told from the POV of an immortal who can't let go of the past.

And the one you mentioned...

Summer's End by FeralTuxedo (E)

2095. Britain is a post-apocalyptic wasteland ravaged by droughts, the collapse of civilisation, and hordes of the undead. Despite that, Aziraphale’s life is actually pretty good. He has his caravan, his books, and his work, offering his services to the men who stop by Tadfield on their arduous journey north. One day, a mysterious stranger knocks on his door. Crowley is charming and handsome and he appears to know his way around a vegetable garden. He comes with the tempting offer of a mutually beneficial arrangement. But it’s in Aziraphale’s best interest not to get too attached. A dystopian cottagecore sex worker AU.

- Mod D

[feraltuxedo]

Spoilers for the latest chapter of Summer's End:

🍆☕👨‍🌾🧟‍♂️🦵😏

[ximercr]

What if--?

Aziraphael and Crowley get caught in the zombie apocalypse as humans?

RUS:(А что если..?

Азирафаэль и Кроули попадут в зомби апокалипсис будучи людьми?)

P.s. I couldn't find any contacts for the author of this art

If you are and do not agree and use your drawings write me please!

Thank you!

[saltyoaktree]

I had a weirdass dream about the Ted Lasso finale. They gave Sam a wife and kids and then killed her?? And then because of the grief he became a terrible player and got wayy too involved in conspiracy theories. Then they made royjamie canon (and felt the need to state that Roy was the bottom), there was a huge dream sequence and also Ted's mum bought wizard of oz themed pants on shein

[crowleys-hips]

Good Omens Themed Asks🐍 🍎

so last night i was trying to distract myself from The Horrors, so i thought about ducks and started wondering if they like strawberries and if so, can they eat chocolate covered strawberries? (looked it up. no they can't) and i thought how sad, but can they see the stars? (they CAN. they've got great eye sight. i went into a rabbit hole about it) so one thing led to another and i ended up making a Good Omens themed ask game 🦆 go nuts

bookshop - what's your happy/safe place? (physical or intangible)

hot chocolate - what's your comfort drink/food?

rain - have you ever been in love?

Queen - top 5 favorite bands/artists

record - a song that's very significant to you? what does it mean to you?

the Ritz - describe your ideal date

ducks - are you good with animals? could you lead a revolution with them?

sushi - have you ever eaten something illegal? by accident or otherwise

apple - what's your guilty pleasure?

Talisker - what do you do when you're sad?

ox rib - if you were some type of food, what kind of food would you be?

Châteauneuf-du-Pape - tell us about a funny/goofy time with someone

Bentley - what's your most prized possession?

french - do you and your loved ones ever get lost in translation?

plants - how do you deal with your frustrations?

laudanum - what's the craziest thing you've ever done?

prophecy - do you believe in fate?

holy water - have you ever had to do something extreme to protect yourself?

magic - what's something you suck at but absolutely love doing?

nebula - something you've done that you're really proud of?

polaroid - what's a bittersweet memory?

zombies - what are you most afraid of?

hell - what are some of your inner demons?

heaven - what has been the greatest loss of your life?

goats - if goats could speak, do you think they should be able to vote? why or why not? explain.

pot - a favorite childhood memory?

angel cake - are you a sweet tooth?

bathtub - if you could get away with murder only once, would you use that chance to take out someone? who?

falafel - what's a thought you can't ever seem to outrun

whales - what do you consider is your greatest accomplishment so far?

Jane Austen - what's your favorite book you've read recently?

fly - tell us a secret. shh it's okay we won't tell anyone (except all of tumblr)

vavoom - have you ever clicked with someone immediately? or are you more of a slow burn type? (platonic or romantic or anything)

turtleneck - show us (or draw) your hottest outfit

Alpha Centauri - where do you run off to when it feels like the end of the world?

South Downs Cottage - what is your ideal happy ending?

ball - what's something that's great in fantasy but disappointing in reality?

coffee - describe what you would do if you were in a coffee shop au with your crush and there was an apocalypse out there and all you had to defend yourself is whatever is at hand in the coffee shop (mugs, coffee machine, plates, cash register, desserts, chairs, tables, napkins, etc). the enemies are floating heads who want to kidnap your crush. go

Final Fifteen - greatest heartbreak of your life?

nightingales - what makes it all worth it for you?

tartan socks - hot or not?

[fuckyeahgoodomens]

The Good Omens Article From the TotalFilm Magazine, Issue August 2023 :)

POST APOCALYPSE GOOD OMENS The heavenly and hellish creations of Gaiman and Pratchett ride again…

Having averted Armageddon, angel Aziraphale (Michael Sheen) and demon Crowley (David Tennant) have settled down to the quiet life in London – but the arrival of a familiar face shakes things up for everyone.

Season 1 covered events in the novel you wrote with Terry Pratchett – what was the inspiration this time?

Neil Gaiman (showrunner): Terry and I were sharing a room at Seattle’s World Fantasy Con in 1989 and, by the end of one night chatting, we had a huge, apocalyptic sequel to Good Omens. Season 2 is all the stuff we had to put in place before we could get to that sequel, and it starts with the archangel Gabriel [Jon Hamm] wandering through Soho, with no memory – a mystery that doesn’t have giant consequences for the universe, even if it does for Aziraphale and Crowley.

What has changed between Crowley and Aziraphale?

David Tennant (Crowley): Aziraphale is a much more enthusiastic detective in this mystery and, as with most things, Crowley is reluctant to get involved or to exhibit any kind of energy or enthusiasm, so he’s dragged into it. They no longer have to report to head offices, so they’re in this slightly grey area – neither supernatural, nor of the Earth.

Michael Sheen (Aziraphale): They’ve always been the only two beings who could understand each other’s position, but now they’re slightly freer agents so they’re pushed even closer together. It’s an interesting dynamic.

Maggie and Nina, you’re back too – although not as satanic nuns this time…

Nina Sosanya (Nina): No – we’re two human women! Nina is slightly cynical, churlish and owns a coffee shop, Maggie runs the record shop and she’s rather sweet and hopeful. It’s an ‘opposites attract’ thing and Neil kindly gave the characters our names so we couldn’t say no.

Maggie Service (Maggie): Aziraphale is still running his bookshop, but he’s also Maggie’s landlord. She thinks he’s the best because he lets her stay on and doesn’t really mind if she doesn’t make too much money. Maggie and Nina act as catalysts in a way, when Crowley and Aziraphale get involved in their relationship.

Neil, you’ve had some writing help this year…

NG: That’s right. We have three 25-minute ‘minisodes’ within episodes. You learn Aziraphale and Crowley’s part in the story of Job, written by John Finnemore. Cat Clarke takes us to 1820s Edinburgh for a tale of bodysnatching. Finally, Jeremy Dyson and Andy Nyman reunite the League of Gentlemen, because I fell in love with Season 1’s Nazi spies and kept wondering what would happen if they came back as zombies on a mission from hell to investigate whether Crowley and Aziraphale were fraternising. That story involves the Windmill Theatre, black market whisky, and a bullet catch…

[weirdly-specific-but-ok]

pt V good omens S1E1 summarised but i understood nothing but the queer

this is me back to summarising because if i think too hard about crowley and aziraphale watching each other i'll break down and i've only watched three episodes what does this say about me

without further ado, good omens episode one:

It opens with narration by God who is morally grey and tells us Earth is a libra. I see tarot cards. It could be a hallucination.

Cut to the garden of Eden. Crowley is a snake. I assume Adam and Eve ate the apples, but I am too busy looking at David Tennant.

They talk and say important things, but I am too busy looking at Michael Sheen. Aziraphale gives fire to the humans and adopts the gaslight gatekeep girlboss method of explaining it to Crowley and the folks at heaven.

Heaven consists of uncomfortable close-ups. I hear nothing they say any time a scene is set in heaven because I am counting skin cells on the angels. They like Sound of Music. I am growing to hate Sound of Music. Thanks, heaven.

Cut to modern day but not the present, 11 years ago. Zombies emerge from the ground, but they are not zombies, not yet. One of them looks like a dead blobfish. His face decomposes later.

Not-yet-zombies hand the Antichrist baby to Crowley, who catwalks through the graveyard with the basket swinging on his hand.

God starts talking about the ol' switcheroo, intercut with an American politician who loves the Y chromosome, as one does.

There are Satanic nuns, and they are bad at their job, but they really like toes. Not in a sexual way. We think. We hope.

There is a lot of baby switching and inaccurate wink interpretations. I understand nothing. It is fine. The plot is unimportant.

The Antichrist does not raise tropical fish. An easy mistake to make.

Crowley and Aziraphale try to balance the Satanic tendencies of their adoptive son Warlock, who is not the Antichrist. Crowley serves us more gender as she becomes the nanny. Aziraphale is the gardener. I hope it is not him. I hope it is someone else.

I hope in vain. It is him. It is always him.

They raise not-Antichrist for eleven years.

A scheduled dog delivery from hell does not arrive on time, which makes Crowley and Aziraphale realise they did not raise the Antichrist. Contrary to sensible interpretation, this is not good. They abandon their adoptive son, which is normal.

Cut to the Antichrist, whom I immediately want to adopt. There are friends, and I am told they are important, but all I know is Brian is just Brian and the others are foils for the horsemen of the apocalypse.

There is an apocalypse upcoming. I do not realise it until this point.

The Satanic dog delivery arrives as scheduled to the Antichrist, and becomes a puppy. The Antichrist, with boundless creativity, names the Satanic dog delivery Dog. I continue to love him.

Contrary to sensible interpretation, this is not good. The Antichrist naming the Satanic dog delivery Dog is such a tragic blow to the world of scientific nomenclature that the apocalypse is now set into motion.

The end.

[noneorother]

By far the dumbest movie reference no one caught in Good Omens is : The League of Gentlemen's Apocalypse

I'm working on a theory that requires many hours of movie watching, so here we are. Many people have already mentioned that the nazi zombies/Furfur is a The League of Gentlemen comedy troupe shoutout. But I'm taking it one step crazier. Remember the opening scene from the 1941 minisode of S2E4, the one with the london bombing and the Angel statue in the bottom right corner ?

Haha sorry my bad. That's the climax intro scene of the movie The League of Gentlemen's Apocalypse. Here's the opening scene of the 1941 minisode:

You can excuse the confusion after seeing both, with how they look pretty much identical (yes this is giving me The Tales of Hoffmann PTSD, thanks for asking) And it's not very coincidental when you know who helped write the minisode.

You know, just the fourth member of The League of Gentlemen and writer of the movie LG Apocalypse. So shall we tease out all the (I'm warning you) EXTREMELY dumb quotes and story beats this terrible movie has lent to the 1941 episode? There are quite a few. But there's also a potential story arc that isn't so dumb... (TW offensive comedy, including mild gore)

In order to understand this you probably have to know a bit of background on British show The League of Gentlemen. "[A] surreal British comedy horror sitcom... follows the lives of bizarre characters, most of whom are played by three of the show's four writers – Mark Gatiss, Steve Pemberton, and Reece Shearsmith – who, along with Jeremy Dyson, formed the League of Gentlemen comedy troupe in 1995." You don't need to know all of the characters or backstory of the show, just that it's a fictional town with many fictional characters played by the same three writers (and an invisible fourth).

(Also known as all these people right here) Want to know who they plays a stand-in for Jeremy Dyson in LG Apocalypse and gets murdered first with black marker on his face?

Say hello, baby Sheen!

So we've seen the bombing scene, what about the car driving through fire and Aziraphale's suggestive line at the beginning?

Yup.

Do the characters make a deal with a Reece Shearsmith character to enter the real world through a church?

HECK YEAH. Bonus points for the green background.

A gag about fake lips with Steve? Sure.

Steve Pemberton seen here as a nazi zombie, and also here playing "Herr Lipp" (also known in the actual script as "the worst pun in the world" in the movie. Groan). What about Mark Gatiss Stealing binoculars from Steve to spy on two important characters? But of course.

Surely not the arm falling off too?

Oh dang. It's a big plot point in LG Apocalypse you say? Then, in the climax, does someone in dark sunglasses who doesn't know how a rifle works fire it at a main character, and the other character who he misses says fuck? Now you're pulling off my arm..

Well I'll be damned. The only difference here being Steve's head exploding, naturally.

I'll admit, I have trouble seeing where a giant 3 headed chimera beast that destroys a bunch of characters fits in at the end of the 1941 miniode, but I don't think 1941 is meant to be a stand in for the whole movie, because at that point in the movie the role of the main characters shifts to become the real versions of Shearsmith and Gatiss, not the characters. But even though the end of the movie doesn't track with 1941, I think the moral at the end is interesting : "In the church, Lipp says he will kill Gatiss. The other characters try to dissuade him, saying that once all the writers are dead, Royston Vasey will cease to exist and they will die. Lipp claims that they will in fact be better off, because as long as they're controlled by someone else they have no free will and can never change for the better. Tipps tells Lipp that because he saved the day and can therefore change, Lipp need not kill Gatiss. He persuades Lipp to hand him the gun, only for Tipps to accidentally fire it and kill Gatiss.

With all the writers now apparently dead, the residents of Royston Vasey prepare for the worst. Instead, everything calms down and The Apocalypse is averted. The characters realise they now have free will. Herr Lipp adopts some orphaned children, the vet, Mr Chinnery, finds a rabbit and is able to take care of it without killing it, and Bernice and Pauline become romantically involved. Tipps leaves the church, waving goodbye to Edward, Tubbs and Papa Lazarou. It appears that Royston Vasey can continue to exist independently of its dead creators." This struggle for free will outside of the plan originally set out by their creators, especially in the context of said creators not really caring about them anymore, really starts sending red flags up for me. Crowley's existential crisis at the beginning of S2E1 seems to be mulling over similar themes. The lack of any God narrator as in season 1 might be a change in storytelling technique, but might also point the the creator being absent, or having moved on without really letting her original creation know it gets to exist on it's own now. Funnily enough, this is the second movie with shot for shot quotes throughout, that places a specific set of characters at the center of their own deeper plot that has a meta level to the storytelling. I'm starting to think there's a pattern here...

_______________________________________ Here's my series on the Tales of Hoffmann, another movie hidden within the series.

[methuselah-son-of-enoch]

Hey, does your dad pay you to work in his coffee shop? Cause if you’d like to get paid, Hell can offer you $5000 a day, along with healthcare benefits and a union.

Eric

That is a generous offer, Eric, but I cannot, in good conscience, seek employment in Hell. Nor can I betray my father.

No, my father does not pay me, but t is an honor to volunteer at @pret-a-metatron. The work we do here is important. We offer food and drink to the hungry, and we assist those that have risen from the dead--as one of the returned myself, I feel it my duty to help them in any way I can.

[aziraphales-library]

hi guys!!! first I want to say that I'm so thankful for everything you're doing and I hope you have an amazing day <333 I was wondering if perhaps you knew any good zombie apocalypse AU fics? Or it doesn't necessarily need to be zombies but I'm looking for that kind of apocalyptic vibe (not the hell and heaven war tho). Thank you so much in advance!! <33

Hello! There's a bunch:

Summer's End by FeralTuxedo [E]

2095. Britain is a post-apocalyptic wasteland ravaged by droughts, the collapse of civilisation, and hordes of the undead. Despite that, Aziraphale’s life is actually pretty good. He has his caravan, his books, and his work, offering his services to the men who stop by Tadfield on their arduous journey north.

One day, a mysterious stranger knocks on his door. Crowley is charming and handsome and he appears to know his way around a vegetable garden. He comes with the tempting offer of a mutually beneficial arrangement. But it’s in Aziraphale’s best interest not to get too attached.

A dystopian cottagecore sex worker AU.

Tribute by snae_b [E]

Water is scarce, the surface is unlivable, and Eden isn’t the paradise Aziraphale once thought he knew. But for a Guardian on the run, it's out of one lion's den, into another.

is there anybody out there? by theycallmeDernhelm (onyourleft084) [E]

Welcome to the zombie apocalypse. England has been overrun by walking corpses, everything's gone to hell, and the few survivors are scattered- among them, Crowley and his 11-year-old son Warlock. When Crowley's radio signal is unexpectedly picked up by another group of survivors, he finds himself falling, in a way he never thought he'd fall again, for the charming and kindly Aziraphale. Over three seasons and a tenuous radio connection, a romance develops between them, while a friendship grows between Warlock and Aziraphale's nephew Adam. Love isn't dead (or undead) after all.

Zombie Apocalypse by AppleSeeds [T]

When a meteor strikes Earth carrying a virus that can 'turn people into zombies', Aziraphale finds himself responsible for a group of frightened teenagers at an airbase-turned-hospital in Tadfield. Aziraphale is terrified, but experiences some relief when the teens introduce him to Crowley, who has a plan to get them all to safety. When things don't exactly go according to plan and with the zombies closing in, Aziraphale must face his fears in order to protect the children from becoming infected.

~Mod N

[vidavalor]

A little theory about "no nightingales" and how it's actually not too meta...

In S1, when Crowley is trying to get Aziraphale to help him stop the apocalypse, he lists everything he can think of that will no longer exist, right? In S2, the "no nightingales" moment refers to this but more directly relating it to their relationship which is, of course, what makes it heartbreaking *but* one of Good Omens' fun tricks is presenting flashbacks out of sequence that interconnect and layer, giving more meaning to the ones that came before. Think about how much more layered it is now when Aziraphale says he wants to restart his magic act in S1 now that we know about what happened in 1941... about how the Edinburgh flashback illuminated Holy Water era, etc.? S3 will do this, too, and I'd bet hard that it'll involve this song and The Blitz again. Why The Blitz again?

Well, it's the only era we've revisited twice already and it's the big book-saving moment and also someone has to kill the Zombie Nazis since they don't appear to be wandering around still lol. "A Nightingale Sings in Berkeley Square" was first performed just prior to The Blitz and would have been a popular song of the era. It also includes the line "angels were dining at the Ritz", as we know, which is not just something they finally did in S1 but was Aziraphale's idea of a date when he gave Crowley the holy water in the '60s, in the follow up (thematically) scene to The Blitz that we've had so far. So what *else* happened in 1941?

When Crowley says "no nightingales" in S2 is he actually referring to a night he and Aziraphale had after offing some Zombie Nazis during the war? Maybe they went to a jazz club. Maybe it was a date. Maybe they heard this song then and it became something of a code for them when talking about how they felt about one another and this thing they didn't quite think they could have but wanted and now they both knew the other wanted it, too.

So, in the '60's scene, Aziraphale isn't just randomly like maybe one day we could dine at the Ritz-- he'd love to, objectivity-speaking, sure-- but he's actually referring back to 1941 and "A Nightingale Sings in Berkeley Square". It was already a thing between them by this point. So when Crowley says "no nightingales" in the present, he's actually referring to their Blitz/Soho/S1 shorthand for their relationship and the romance it can and does have. He's not referring to the song or the bird that only we and God heard in S1. It's also why The Bentley plays the song when, to date, we've only ever heard it play *over* the show, not inside it. It's because we don't yet know the full history of it existing in their relationship yet.

[laiqualaurelote]

2023 Fic Round-up

This year I wrote seven fics and 108,512 words, which is more than I thought! Here's a round-up

maybe everything that dies someday comes back (The English | Cornelia/Eli | M | 14k)

The post-apocalyptic Mad Max Fury Road zombie AU where David Melmont hires bounty hunter Eli Whipp to track down and retrieve a fugitive called Cornelia Locke.

wins this year's award for: Fic That Fulfils My Childhood Dream (writing a zombie apocalypse)

ain't practical, a world you can't touch (The English | Cornelia/Eli | G | 5k)

The Pushing Daisies AU in which Eli can bring people back to life with his touch, but has tried his best not to until Cornelia.

wins this year's award for: Deepest Cut, Zagged

The Lady With The Recorder Asks The Questions (Miss Fisher's Murder Mysteries | Phryne/Jack | T | 6k | WIP)

Modern-day newsroom!AU - Phryne is a star investigative journalist who breaks news as easily as she breaks hearts; Jack is just trying to do his best in the war on error.

wins this year's award for: Fic I Most Regret Not Finishing (I'm sorry!)

constant as a northern star (constantly in the dark) (Ted Lasso | Ted/Trent, past Trent/OFC | T | 10.5k)

The saga of Trent Crimm and his independent ex-wife.

wins this year's award for: Most Surprisingly Popular Fic

all the men and women merely players (Ted Lasso | Ted/Trent, Roy/Keeley/Jamie | T | 50k)

The Station Eleven!AU where the Richmond Players are a travelling Shakespearean company performing in the ruins of a post-pandemic England, and Trent is, despite the apocalypse, still a journalist.

wins this year's awards for: Longest Fic, Fic That Survived The Most Hiatuses, Fic I Am Proudest Of

well-versed in etiquette, extraordinarily nice (Good Omens, Historical RPF | Aziraphale/Crowley | G | 3k)

The Regency heist fic in which Jane Austen, criminal mastermind and aspiring novelist, pulls off the 1810 Clerkenwell Diamond Robbery with the help of a certain demon.

wins this year's award for: Quickest Fic (I wrote it in four days)

speak easy, swing hard (Marvel Cinematic Universe | Steve/Tony | T | 13k)

The 1920s Prohibition era!AU in which Tony runs a nightclub empire, Steve is an aspiring artist and/or questionably undercover agent, Sam and Bucky are bootlegging their way through America and nobody knows what Natasha is up to.

wins this year's award for: Most Historical Research (I watched two seasons of Boardwalk Empire and had to figure out multiple characters' speech patterns, then transpose these to the 1920s. Also I listened to so much vaudeville)

I don't think I will be around as much in 2024, barring unexpected hyperfixations, but I wish you all a glorious year anyway! May your WIPs be finished, your ships prolific and your fandoms full of joy.

[tylered-up-in-blue]

Response to “The Magic Trick You Didn’t See” / The Coffee Theory

I, like many people in the Good Omens fandom, have already read the big essay “The Magic Trick You Didn’t see” –which blows up the coffee theory that’s been circulating on my twitter page to greater heights and big claims. I have some thoughts.

First of all: I think that the original essay has a few details wrong, essentially because it falls into a kind of utilitarian perspective with the whole magic show metaphor. The thing is –sometimes details which are left hanging, or themes which are shown to be important, don’t always tie up somewhere. Sometimes they’re there because they’re interesting, or poking at intrigue –trying to get you to notice and note down for later, rather than evidence of one ultimate solution that’ll be revealed as a holistic great plot. Also “I didn’t think the writing was good in this moment” isn’t very convincing to me, I’m sorry.

But –I do think that they were onto something. I hesitate to make any grand claims, like “Maggie isn’t real,” or “The Metatron is editing the book of life,” because -to be honest- I don’t trust myself to put my name to something as big as that, and I don’t want to erase my favourite thing about Good Omens: its whimsicality. But I will say that there are themes and notable elements which I think will be important later and hint at some larger fuckery (if you’ll excuse the OFMD reference) going on, so consider this a kind of rejigging of the theory to be a more thematic approach that lays out things I just thought were interesting under an more open-ended (or flip-floppy, depending on how you take it) idea:

Something was going on this season which will be revealed as a Heavenly plot to split Aziraphale and Crowley up by the end. It worked. And the person to reveal the greater plot will be Muriel.

I’ll write down first of all a list of things that have been introduced to the world of Good Omens which I think are important, and highlight why one of them sticks out to me. Then I’ll work on a thematic basis of what things are shown to be worth narrative focus/presuppose S3. The first two themes are very much commentary drawing on the essay I’m responding to, and the second two are more my own ideas –certainly the fourth.

Okay, so: there are introductions to the Good Omens-verse which are clearly there to expand our world for later use. I don’t know if all of these things will come up again, but by the end of this season we know:

There are Nazi (and possibly more) zombies running around London.

There is a gun in Aziraphale’s bookshop -in case it’s needed. 

Heaven is interested in keeping things quiet, and they will fiddle with memories to do so. Erased memories can be “stored” in things/creatures.

There is a thing called “The Book of Life” that if you’re written out of, you NEVER EXISTED. (It can be edited, too, presumably.)

Crowley is possibly the most powerful being in the show. “Half a tiny miracle” ends up being enough to resurrect someone 25 times over, and his attempt to stay calm after a little tiff with aziraphale results in draining the street of electricity. Also he created the entire universe. (coming back to amend this with the fact Neil said he got going just "that tiny corner of space" -but I still feel there is significant evidence to say he is very powerful:) )

I lay these out because they’re just good to have noted down, really, and because they’re definitely GOING to be important. ALSO because the last one makes sense for the greater aim to be breaking up the ineffable husbands. Emphasis on Crowley’s power –and for their shared power– sets up a REAL threat for what we KNOW will be the basis of s2: The Second Coming. If you’re Heaven, and you want the second attempt at an apocalypse to be successful, you’d be stupid to let the two celestial beings who were meddling in the whole averted-apocalypse ordeal last time to just be AROUND for it. Especially when one has the ability to stop time!!! You’ve GOT to break them up. 

Theme 1: Investigation (Muriel!)

Investigation is a fun little theme in s2: Aziraphale goes full detective mode. He loves the clues, he’s in his little trilby investigating. All the marketing was very investigative and invites the audience to pay close attention. And there are SO many little easter eggs. From The Colour of Magic appearing to Gabriel reading the first lines of Good Omens –even as small as a Terry Prattchet impersonator speaking over the tannoy in Hell, or the film in The Resurrectionist being chosen specifically to play because there’s a scene where Jimmy Stewart talks to a fly. 

So! Investigation is fun! It’s important. And my favourite part of the essay I’m responding to is definitely that about Muriel. I think that all this build up to the detective-vibe is going to cumulate in their s3 role. Essentially: I entirely agree that they are coded as the one to blow open this whole case in S3. The police costume and giving them The Crow Road are certainly suggestive–but more than anything, leaving them in charge of the bookshop (full of Aziraphale’s diaries and books and everything) props them up perfectly to earn the promo they got for s2. Because I’m not sure about you, but my mutuals and I were shocked that the NYCC scene (“hello hello hello, I’m a human police officer!”) didn’t happen until episode three. From the way the promo was going (character profiles, trailer etc.) I thought Muriel would be in s2 WAY more.

They also make a HUGE point of how Muriel is considered “nobody.” They say it themselves, they’re called “the dull one” by Metatron.

They set them up perfectly to solve this later.

Theme 2: Memories and Stories:

Memory! Another theme! –memory that can be tampered with, contained, erased and returned.

Heaven is willing to meddle with and erase memories if necessary. They are, then, SUBTLE.

There is no God narrator.

There is a statue immortalising a very real Gabriel (somehow/for some reason –Gabriel was also involved in its making?) 

My favourite part of season 2 was definitely the minisodes. The costumes, the settings –I was so surprised to find the horses and carts in ep 3 were CGI in the X-Ray! They look so good! I loved how every single flashback was incredibly vital and interesting to expand on Aziraphale and Crowley’s relationship –that convo on the rock in ep 2? WOW. Stunned. Anyway, not to go on.

I completely disagree with the conviction that these were edited. I think that, to the contrary, these memories are (IF there’s something going on with temptation/persuasion (more on that later) and The Book of Life) are ENTIRELY real. And the reason for that is highlighted in the very essay: each memory is tied to a physical record of it happening. The Book of Job; the Polaroid in ‘41, and Aziraphale’s diaries. This is not to say that there aren’t still gaps: where was the “I’m sorry” dance of ‘41? If Aziraphale wasn’t drinking in 2500 BC then when did he start? Just little things like this.

This is the thing: stories, words, are vital. The challenge that they gave the guy who did Sherlock (I can’t remember his name I’m sorry!) –it’s talked about in the X-Ray– was to have words pop out in 4 different ways across S2. This a fun stylistic choice, but it also gives words narrative attention, so ties in with all this. Without God to narrate, narratives and accounts are left to the characters within the world. It’s fun and important both. So is the spelling stuff. Maggie can’t spell, neither can the demons. (She may be a demon herself –I’m not entirely convinced it’s this simple, tbh, but Aziraphale’s miracle not working on her in ep5 is definitely a red flag.) Anyway – it’s also interesting.

With all this, my idea that Heaven/Metatron had been planning the aziracrow divorce from the beginning might mean they’re tampering with The Book of Life –it also could mean that they’re ABOUT to do something weird with Aziraphale’s memories, or all these pieces are going to become very very helpful for Muriel’s investigation.

I really do wonder what this role of records, memories and narratives will come to, but I have a feeling it’ll bleed into s3.

Theme 3: Food

Crowley was the reason Aziraphale tried food in the first place. I just wanted to put that down because of course he was, but also it is deeply INSANE that he INTRODUCED AZIRAPHALE TO THE CONCEPT OF EATING. God, David was right. They really don't exist without each other.

This is kind of the point I make with food here: it’s a HUGE theme in s2, largely just to emphasise the fact that it’s powerful.

For some reason (jokey or otherwise) eccles cakes can “calm you down.”

Aziraphale becomes significantly bonded to Crowley by eating the Ox in ep2. Later, Crowley is “as strong as an Ox." –fun little echo.)

They drink the same wine as always in ‘41 –they share no wine in s2, just the sherry and whiskey respectively. They also don’t share a meal, which seems interesting. I personally think that it’s to do with consumption being a metaphor for queer desire, and the absence of it being a sign of C/A being on “their own side” in s2. Crowley abandons temptation as Aziraphale abandons attempts to “save” Crowley. –-Or it may mean something else!

Crowley drinks laudanum and it makes him go lala. It ALSO makes him turn tiny, then giant, and he does something kind –kind enough to get him dragged off to hell and tortured so badly that he’s asking for holy water as “insurance” 40 years later.

That fucking oatmilk almond coffee. Okay. So if food is powerful, this has weight. From the colour of it being weird against the background to the fact (to quote my dear friend Jey) “nobody fucking drinks almond syrup!!” –I’m sure you’ve see all this going around. Almonds are obviously very poison-coded, and considering the above point I smell something strange. (I don’t believe it was quite a case of drugging per say, but more metaphor: Aziraphale is being tempted. He’s being manipulated, and drawn back into the culty office world of heaven.)

So what we know here is that food is powerful. An important metaphor and force (especially for aziracrow.)

Theme 4: Resurrection

OKAY: so, this is the most original of my listing in these themes. I am so interested in this resurrection thing they’ve got going.

The Resurrectionist pub: where Gabriel and Beez come to their plan. We see that The Dirty Donkey is a lift to heaven (which NOT enough people are talking about) –so what about The Resurrectionist? What power does it hold as a space? Why is the legacy of Mr Dalrymple important?

Why did (wee) Morag’s eyes glow briefly? Is she a zombie now?

Zombies exist. We know this. They’re also tied to the concept of consumption, which is cool.

Heaven measures miracles by Lazarii.

Gabriel, in one of his flashes of prophecy, says: “there will come a tempest (...) the dead will rise from their graves and wander the earth once more.”

These are all cool. Thematically, it seems that being raised from the dead is going to be something big. I’m interested in this, considering that after Gabriel said the above mentioned prophecy my good friend Jey said “hold on, is this going to be about The Rapture?”

Now: we know that “668: Neighbour of the Beast” was supposed to be set in America. Whether it actually is or not, I don’t know, but I think that if it is about a second coming on American soil, The Rapture feels VERY pertinent. The dead are the first to rise and be with God in The Rapture, but all believers join them: and they join them permanently. In some versions, there is a period in which Christ rules the earth. All very fun and interesting prospects for s3!

Where this leaves us:

S2 is the “bridge” between 1 and 3, in Neil’s words. It’s the “romantic filling” of the sandwich.

I would argue that some seriously tough bread started with “oh Crowley, nothing lasts forever,” but hey ho, that’s the very ending of the season. I just want to talk about coded language/draw on what I’ve just said to talk about how we’re set up for the structures of s3:

Heaven is a CULT. A serious cult. From the (temptation) manipulation of the coffee, to the man at the pub calling Gabriel a “mason” –which I’m assuming he means freemason– to the frankly INSANE smile on Michael Sheen’s face as the credits roll (also sickening lighting there)– they are a big threatening cult, and that is going to be important. I think it’ll just get increasingly so.

FurFur and Shax have it OUT for the ineffable husbands. Like they are NOT fans. And they seem to also be buddies now so… not great news.

In The Scene </3 Crowley stops himself short of saying he’d like to spend eternity with Aziraphale, and instead asks him to “go off together,” just like s1 –I think their language is going to develop hugely in s3. It’ll go back to being the space they “carved out for themselves,” only further.

And finally: a bet. The last time we see Crowley, he’s in a car full of plants because he’s carrying “their side” away with him. I am willing to bet –not that this is a hottake or anything– that it’ll end, as it began: in a garden. S3 will end in the garden of their South Downs Cottage !!!

[the-meta-tron]

Good Omens Theory: Matchbox Foreshadowing

Did anyone wonder why there was so much emphasis on this matchbox?

We know that it was later connected to Gabriel's disappearance since it's from The Resurrectionist in Edinburgh, and it's where he stored his fly from Beelzebub. The Resurrectionist, of course, was a double entendre to the body snatchers that were an essential part of Victorian medical research as well as Jesus himself. Knowing at the end of the season that Heaven is planning the Second Coming, all the references to the Resurrectionist seemed like some pretty basic foreshadowing. But I think it goes deeper than that.

THE QUOTE

Why is there a quote from the Book of Job on a matchbox from a place named after Jesus? Surely, there would have been other scripture that was more relevant to JC. No, instead we get this from the book of Job.

Job 41:19 Out of his mouth go burning lamps, and sparks of fire leap out

Upon the first watch, the first thing that immediately sprung to mind when that quote floated on screen was the last time fiery sparks leaped out of someone's mouth in Heaven. Who did that again?

Oh yeah!

Crowley, wearing Aziraphale's face.

I've always wondered exactly what the relevance of this particular quote from the Book of Job meant. After all, references to The Book Of Job were everywhere in season 2. There are some excellent metas out there as to why Job is so important to season 2, but I want to actually analyze what the scripture that's been referenced is describing.

The whole point of the Book of Job is most of it is about God's conversation with Job. Chapter 41 is titled: The Lord's Power Shown in the Leviathan. And I really don't think that is a coincidence.

The Leviathan, as described in Chapter 41 of the Book of Job... is a giant snake that breathes fire. Literally.

Basically, God is talking to Job about all of their creations, and they bring up The Leviathan as one of the most fearsome things they ever created. It's basically God saying to Job: look at my big scary sea snake that breathes fire. Do you think you can fight this big scary sea snake that breathes fire? You can't. He's so powerful. No weapons can harm him. He's stronger than anything. Everyone's terrified of him. But he's not more powerful than ME because I'm God.

So where else does the Leviathan appear in theology?

In the Book of Enoch, The Leviathan is a female giant chaos serpent that lives deep in the ocean, while her mate, Behemoth, is a male giant chaos beast (based off of a hippopotamus or water-ox) who lives in the mythical desert of Duidain, East of Eden.

In the Book of Revelations, The Leviathan is associated with The Devil (a lot of things get associated with the Devil in Christianity. Read my Crowley isn't Lucifer, But... theory for more context). It is also strongly associated with being The Serpent of Eden ("this is the dragon that was cast out of Paradise, that beguiled Eve and is permitted in this world to make sport of us" - Jerome of Stridon), aka our good friend Crowley. In the prophecy of Revelations, the Leviathan, also known as The Seven-Headed Dragon, is kind of important in the final battle between Heaven and Hell.

So, I think Crowley is The Leviathan, and he's going to have a much more important role in the Second Coming than he thinks he does.

The Resurrectionist(s).

I think Season 3 is going to be a biblical zombie apocalypse.

Let me explain.

In the Episode 2 Minisode, we see Aziraphale find out that God is going to let Satan destroy everything Job owns, including his children. Aziraphale thinks killing children is wrong, so he tries to stop Crowley from killing Job's children, only to find out, surprise! Crowley never planned to kill the children and was always scheming behind Hell's back to find a way to protect them. Aziraphle helps Crowley by working together to trick Heaven into thinking Job's old children are dead and they have new ones now, saving the children's lives.

In the Episode 3 Minisode, we see Aziraphale and Crowley get involved with a body snatcher named Elpseth. Aziraphale thinks digging up corpses for money is wrong, so he stops Elpseth from selling the body to a resurrectionist, only to find out, surprise! The medical community actually really needs these human corpses to study anatomy and potentially reduce human suffering. He tries to help Elpseth dig up another body, but Wee Morag gets shot and killed, and Crowley stops Elpseth from killing herself with Laudanum by drinking it instead and makes her agree to live a better life.

In the Episode 4 Minisode, we see Aziraphale and Crowley flirt do a little magic show together so Aziraphale can repay Crowley for saving his books by doing a West End show to cover Crowley's alcohol smuggling debts. Meanwhile, there are literal zombie nazis who have been hired by hell to try to find evidence that the two of them are working together. Aziraphale and Crowley trust each other when their miracles aren't working, and they pull off the magic trick. Backstage, when Furfur rubs the proof in their faces, Aziraphale tricks him by doing sleight-of-hand so Furfur returns to hell without proof.

In the minisodes, we see several consistent themes popping up. We see Aziraphale struggling with morality. We see Aziraphale and Crowley working together to help humanity or each other. We see them saving human lives at great personal risk. We see deception and sleight-of-hand against Heaven, Hell, and Humanity. Lastly and most importantly, we see a lot of death and resurrection. We see the not-death and not-resurrection of Job's children, the deaths of resurrectionists of Victorian Scotland, and the literal death and resurrection of the Nazi Zombies.

Outside of the minisodes, we see Crowley and Aziraphale's combined miracle be worth 25 Lazarii, aka bringing 25 people back from the dead. We see Gabriel, in his purple-eyed prophetic trance, warn of a great storm that will raise the dead. And we see Crowley bring a man who was ripped apart by demons back to life(?).

Not to mention we know Jesus, The Resurrectionist, is going to be around for season 3. And the Second Coming, aka Judgement Day, is going to happen. And the Last Judgement in Abrahamic Theology is the Day of Resurrection; it is "The Resurrection of the Dead, both Just and Unjust" (Acts 24:25); it is Life to the Dead so they may live eternally in the Kingdom to Come. (That's why, in Abrahamic Theology, the Book of Life is so important. You can see my Book of Lies theory for more on that).

The dead are going to rise. It is established that it's possible for the dead to become zombies with the nazi zombie episode. Why devote an entire minisode to the concept of zombies if it isn't important? It's foreshadowed time and time again throughout season 2.

I also anticipate that we're going to see the other themes that were present in the minisodes. I don't think anyone will be surprised if next season Aziraphael will struggle with morality. Aziraphale and Crowley are going to have to learn to communicate properly so they can work together and trust each other again (being able to do miracles of immense power together is a huge Chekov's Gun). We're going to see them do some kind of deception again to trick Heaven and Hell into thinking they're getting their way with the apocalypse when they actually aren't.

In Summary

So, in conclusion, based on that little matchbox and the wider plot of Season 2, we're going to see Crowley be the giant fire-breathing chaos serpent, aka Leviathan (literally or metaphorically), with some kind of essential role at the end of the world. And I think we're going to see a zombie apocalypse or mass resurrection of some sort. I also think we're going to see Aziraphale and Crowley have to learn to trust each other again so they can do A Big Miracle and also trick Heaven and Hell with some really clever deception.

[zomblorbs]

ok! here i go!

HI GOOD OMENS TUMBLR!!

i write a lot of fics about a lot of fandoms and my favorite to write for a while has been our dear ineffable husbands.

for the past three months i’ve been working on a passion project of mine. a Zombie Apocalypse Au.

Today i get to announce that i am starting to post this work now! it’s still a big wip but this thing is my baby so if you like zombies and like good omens you should give it a chance!

(15k+. E-Rating. 3/?)

Fifteen years since the apocalypse started and Crowley has carved out a life for himself that helps him survive the best he can via taking up a job as a gardener. Gardening for others was fairly easy, most had half of the garden already sorted out for him and he got paid well not to complain. When he stumbles upon a man named Aziraphale and his garden-if you could even call it that-he certainly has his work cut out for him and his life derails itself entirely from the comfort he was accustomed to.