#haha goodnight

[many-gay-magpies]

thing in doctor who that absolutely destroys me: whenever some character is talking about a war or losing a loved one and says something to the doctor along the lines of "how could YOU understand?" or "you'd never understand, doctor" and then it flips to a shot of the doctor just looking so. sad and knowing. rips me apart every time it's just excellent

[sentientsky]

armand is so fucking pretty. genuinely WHO allowed tbis

[lighthouseshepard]

it is. done.

[illustromic]

My thoughts on drawing wings (an unofficial tutorial)

Do you want to get better at drawing your favorite winged character? Do you have winged OCs? Just want to learn something new? I can't promise this post will help, but maybe it'll give you some helpful tips.

I know, I knowww, wing tutorials have been done to death. I don't care. This was initially inspired by a conversation on twitter, but actually I've wanted to write down my notes on the topic for a long time lol. Basically wings are one of my special interests so it's very important, for me, to draw them both nicely and also realistically.

On that note, let me first show you my resume *distant sound of floodgates opening*

Like what you see? Read on! (Oh, and I will only be covering feathered/avian wings bc those are the type I know best.)

Now, I'm not here to give you a step-by-step guide on wing anatomy and aerodynamics, because there are plenty of other resources that cover this already, and I'll list my faves at the end of the post. Right now, I'm going to give you some easy guidelines and tricks that I wish more artists knew.

1: Wings do, in fact, have bones (crazy, I know) and are actually very rigid because they have to support the weight of a living creature. There are some positions you cannot physically force a wing into irl.

2: Flight feathers are not placed willy-nilly on the wing, because then they wouldn't catch the air properly. Again, like the bones, they are rigid and strong, so don't draw them like fur or ribbons. All wings have the same pattern of feather placement, with slight variation depending on species. If you learn the feather sections, it will automatically improve your drawings a lot.

2.5: Feathers overlap each other like a handful of playing cards, and this looks different depending on which side of the wing you're drawing. They always do this unless they're extremely untidy.

3: The size of the wingspan is important if you're going for a more realistic design. There is no "scientifically accurate" measurement when it comes to fictional creatures, but my general rule is when in doubt, you probably need to make them bigger. Personally, for my original winged human species, I give them wings that can be up to 12 feet long each (the artistic sacrifice is that it's really hard to fit the wings on the dang page lmao, so make your own call).

4: Get used to drawing folded wings. Most of the time, birds keep their wings folded because it prevents them from getting damaged and it conserves energy. The trick is to get good at visualizing how the joints bend and overlap (look at plenty of photos!) In general, they can fold much tighter than you think.

5: Wings and feathers take a lot of patience to draw, but the results are worth it. I've seen so so many incredibly beautiful and skillful artworks that are---well, maybe not ruined, but still negatively affected by a pair of wings that look like an afterthought, or not even like wings at all. You have no idea how much a little extra time and practice will add to your work until you see for yourself.

Finally, some notes on "stylized" wings: Of course it's perfectly ok to draw more simplified/cartoony wings if that's your preference!! BUT there is a difference between a stylistic choice and a lack of effort/poor understanding of the subject matter. Even cartoonists have to learn the fundamentals of realism so they know how to make their designs logical and appealing. Here are some examples of more stylized wings that I feel retain the core principles of anatomy/aesthetics:

And last but not least: A list of helpful links I use personally for reference and inspiration!

I made this pinterest board for general artsy inspo, and this board to curate my very favorite tutorials/refs/information, focusing on the scientific aspect of wings and flight in general. Feel free to use both! (I also suggest pinterest in general for pose refs and such, but try to only practice using photos at first and not other drawings.)

I highly recommend this blog and this blog if you want examples of artists who draw more realism-based winged creatures!! They are both huge inspirations for me and I think you should totally follow them even if you don't plan to draw wings lol <3

If you're REALLY serious about it, my favorite ref books are: Winged Fantasy, a lovely drawing book by Brenda Lyons; Proctor & Lynch's Manual of Ornithology; and Angelus vincens by R. Spano, which is essentially an artbook by someone who (I believe) designed biologically plausible "angels" for their senior thesis.

Ok, idk how to end this lol but I hope it helped! I know it's not my normal kind of post but I'm super busy with college stuff rn and this was all I had time for. If you guys have any questions or feedback, please let me know!!!

-Aloe <3

[oakbuggy]

just a little idea! if flora and helia still met but now she has big blue bf

[mlemonnnn]

more of them :3

[rynpie]

are you coming?

[sha-biest]

[carlyraejepsans]

Halfway to the sofa, they stopped, making a small sound like a grumble of annoyance. For a second, the red glow in their eye grew faint. "Sleep," they rasped out in a low, halting whisper, "I saved you an ache in the neck." It took him a second to register that the kid wasn't talking to him. Mostly 'cause Frisk didn't speak. To him. Or ever.

Sans wakes up late into the night and sees something he shouldn't have.

[heart-of-the-morningstar]

I just wanted to share this cuz this is the second best thing I wrote in this one shot, I just find it extremely fucking funny lol

[questor-thews]

hello cabinet of dr caligari fans I invite you to watch this totally normal spongebob clip

[muckyschmuck]

zzzzzzzzzzzzzz

[delicatetaysversion]

so many thoughts but i CANNOT stop laughing that all that time we thought louis had some elaborate mind control type reason for staying with armand and it was really just.. HIM TRYING TO MAKE HIS EX JEALOUS SLSKSKKSKSKS

[threepoint14art]

Yo cuando freddy eres el mayor culpable de mis actos tan infames

skill issue

[fearandhatred]

Hehehehehe for the one word thing: theft (or words related to that)

i'm so sorry for this it could be five sentences if you squint real hard. also me when writing absolutely anything at all: how do i make this about angel crowley

the dollmaker

the teeth went first, which you lined up with extreme care onto curved wires caressing a plain, wooden pole. they say teeth are what make a face, and i guess that must be true—you would know. i hadn't known yet what you were going to do, so i just watched with my bare, gaping mouth as you chipped my teeth into asymmetrical shapes, carving them into a beast's.

the tongue was next, the larynx too—just as well. i wasn't much keen on speaking anymore, anyway, what with all the blood in my gums. i wasn't keen on smelling anymore, either, the tang of iron and wood flecks that surrounded you like a visible aura. the silence must have been music to your ears, now that i couldn't scream through the pain, could hardly even take a breath.

there were the lips, the nose, the cheekbones. you took it all off my face, like a sculptor trying to return their creation to a clean marble slab, and all i could do was watch. and maybe, along the way, i was even resigned. that settling that inevitably came with constancy.

but then the panic surged back up and out of my body along with my eyes, which you scooped out with ease, and i could scream again, only it wasn't coming from me—no, maybe it was me, the other me, if it was me. i didn't know which way was left, couldn't comprehend what my eyes were seeing: it's one thing to see fragments of yourself scattered around like an unfinished painting; it's another to see the remains of where those fragments were stolen from—oh god, it would have been kinder to be less methodical, to have had gnarled and brazenly sliced pieces of flesh and marrow exploded off of my face, rather than the precise and surgical peeling away of skin, all in one piece like wool from a shearer's hand.

and you painted them a lurid, reptilian yellow, slitted pupils like a knife's scar. i saw this, i saw my eyes only through yours, gold reflected off blue, and for a moment there was something so intimate, so complementary in that gaze, you with your deceitfully gentle smile and weightless hair, that i forgot what you were doing to me. just for a moment. but then it came into focus again, that garish, nauseating colour of my eyes, and that moment was gone. the colour of sick, one more step away from the angel i was, if an angel was defined only through construct; if an angel was defined by spirit, by grace, by acts… you're the farthest thing from an angel i could possibly fathom, and yet here you are.

i closed my eyes, then, and one by one you took, and you took, and you took, stealing everything from me, stealing myself from me. when you lifted my brain out of my cleaved skull, the pain finally quietened, if only for the few seconds it took to rewire it, but it was a reprieve, and i was grateful. and i didn't feel it when my limbs were hacked off at their stems, tourniqueted and cauterised. i didn't feel it when you ripped out the nails from my fingers and toes and replaced them with claws.

and so even as you took, and you took, and you took, i didn't struggle, no, and soon i couldn't struggle. but i didn't want it, i didn't, i didn't. but one by one by one, it got easier, with every limb and organ and joint, with every side sweep of my hair; you've changed that, too. because i thought—oh, i thought that with every piece of me you changed and fit into this new mold, i thought you would at least take it all. i thought you would complete me at the end, so that even changed, this new thing may still be me.

but we're at the final stages now. here come my lungs, my intestines, my stomach, fitting into this new me so perfectly it's as if i'd never changed at all. you've taken the stray clumps of my meat and stuffed them back into me, you've fed me back my blood, and it all works, as if i'd never changed at all. there's just my heart now, resting on the stool you'd propped me up on like a doll, nothing left but stray splotches of blood, but you're not taking it, you're not taking it, what are you doing?

i feel each individual stitch now as you sew me up around my joints and from my pelvis to my neck, a long line like snake vertebrae, weaving in and out of my skin. and still my heart remains untouched, outside of my body, discarded like waste. i start to beg now, because i can, and i didn't want this, but now i'm so close to reformation, to being whole, and oh, i feel so empty, you left the hole in my chest there where something is supposed to fit, and now my centre of gravity is off, and i can't be expected to live this way.

please, all i'm asking for is my heart, just this one thing. i know i haven't been good, i know i struggled, i know i screamed, i'm sorry, i'm sorry, i'm sorry. oh, but please, won't you take it?

[spiderware]

day 15 - extra space!