KIM KITSURAGI - “Is that. My kineema.”
COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.
EMPATHY - And it’s not going to be pretty, do something!
- DRAMA [Formidable] - Everything is fine!
- “Sure is.”
DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?
YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”
DRAMA - Pause, my liege! Ixnay on the Ineemakay!
YOU - “It could even be our *mysterious* joyrider!”
KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.
INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…
PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.
ENDURANCE - This is the shuffle of a tired, tired man.
HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!
VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.
KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”
YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”
LOGIC - He's not stupid, he knows that it's not that.
KIM KITSURAGI - “57.”
YOU - “What about 57?”, you brace yourself.
KIM KITSURAGI - “Precinct 57.”
YOU - You wince. “Kim, look-”
KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."
He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”
EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.
YOU - “People are more valuable than machines, Kim.”
KIM KITSURAGI - “Not people like me.” He rasps.
YOU - “…”
KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.
YOU - “Kim?”
KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.
YOU - “KIM!!!!”
uhhh bonus stuff? sorry i have swap au brainworms pfttt
(im not sure what skills kim has at the moment so rn he only has narration as his inner monologue ok whoops, i would like to keep harry as the guy who thinks in dialogue trees so im still figuring it out pfttt)
also, this was done bc i wanted to expand on these old scribbles of mine, just like an idea, i just think that he'd be having an even worse time wheezes
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After seeing about 50 'Dumbledore is evil' and 'everything is Dumbledore's fault' and 'but why didn't Dumbledore did this or the other' posts in a row, I find myself wishing Dumbledore just fucked off to somewhere nice and sunny in '81, early retirement (or is it early if he's already 100?) and washed his hands off magical Britain entirely.
Some of y'all sound like Fudge with your Dumbledore bashing. I wish, at least, Dumbledore would have left when Fudge and that corrupt as hell Ministry did their best to ruin his name and his image.
Pack up his ancient shit and move to a nice beach somewhere, with his pet bird and a huge bag of candy.
This way, my man Voldemort could have won in like five minutes, and Harry would be dead, Voldemort would rule supreme, Bella would keep being the queen she is, and my little Voldemort shaped heart would be happy.
But no, Dumbledore stayed, orchestrated Voldemort's downfall by giving Harry step by step instructions, gave up his own life in the process, made sure Harry would keep his, because apparently that's what 'evil men' do instead of retiring in comfort.
Not only Harry wouldn't have survived without Dumbledore, but he most likely wouldn't even exist without Dumbledore. Because, you know, this evil man is also the one that took down another dark lord back in the day; if Grindelwald would have won, there would be no Lily, most likely. Thus no Harry.
But yes, go get your 'Dumbledore is evil' badges- I hear Fudge and Umbridge are leaders of the hate club, I'm sure they'll receive new followers with open arms. Draco is probably the secretary, because he hates Dumbledore, too, and he likes making badges.
Also, can someone explain to me how Dumbledore, the only gay man in canon, became the fandom's resident homophobe? That's just weird, my friends. Very weird, to say the least. It gets even nastier when you say he 'groomed' students. That's an awful thing to throw around about a gay dude, you know?
There are so many reasons one can dislike Dumbledore for, but you do have the option to not like a flawed character without turning them into a ridiculous caricature of themselves.
P.S: I am not talking about fics. Write your fics and your characters however you want, whatever makes you happy. Your fic is your domain, and you do whatever you want in there, hopefully with no asshole to attack you in the comments. Same with reading- read what you want, bashing or no bashing. Have the best of fun!
I am talking about these 'meta' type posts on social media, tagged with "Albus Dumbledore", where they act as if canon Dumbledore was legit evil, incompetent or homophobic.
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Not disputing you ofc but do you remember the exact line about ron looking like bill perchance? I would love it for referencing purposes
thank you very much for the ask, anon!
and i am afraid that you're getting a more long-winded answer than you may have been hoping for...
male weasleys are split down the middle into two camps, physically:
charlie, fred, and george are described as being short and stocky [although "short" is doing a lot of heavy lifting here, since they're all taller than harry: fred and george shrink when they take polyjuice potion to transform into him in deathly hallows].
the implication - i think - is that charlie and the twins look like molly, who is described several times as short and plump in build. ginny is also described numerous times in the books as short and is said in chapter thirty-three of order of the phoenix to resemble fred and george facially, which, since's she's described in deathly hallows as having her mother's brown eyes - which probably triggered some sort of freudian shudder in harry - means i think we can conclude that this half of the family all look their mam.
[and also that molly is a hottie herself. she often gets turned by the fandom into a fairly sexless being - even though she didn't have those seven children immaculately, did she? - with a strict, prudish vibe. and - to do some discourse for a moment - we all know that the fact that she's described as fat is the direct cause of this. but several men are canonically ready to risk it all for ginny - and it's time we all acknowledged this is because she inherited her bonafide baddie powers straight from molly.]
percy and ron - on the other hand - are, like arthur, described as being tall, thin, and gangly. bill is never explicitly said to be slender, but he is described in the fifth chapter of goblet of fire as "tall" immediately after harry has stated that charlie is short[ish] and broad - which allows us to reasonably infer that he's on the arthur-weasley-skinny-legend side of the family.
and we can also assume - since ron is never said to resemble molly, nor [to harry's great relief] ginny, facially - that his features - his long nose and blue eyes - come from his father, who is also the source of percy's short-sightedness.
and, while harry [the narrative perspective] never says that he thinks arthur is hot - because why would he? - nor percy and ron [although i think it's worth noting that he doesn't consider it ridiculous that both of them manage to pull - and it's never suggested that penelope clearwater and lavender brown aren't cuties] it's actually possible to justify the idea that they are canonically fit using more than pure hot air...
[harry does - obviously - think bill's a babe. he sees fleur checking him out and immediately thinks... same.]
because a very striking narrative choice that the series makes is the idea that all pureblood nuclear family units look identical to each other - which serves as a visual metaphor for the importance of blood-status and lineage within the wizarding world. this is why narcissa malfoy is as pale and blonde as lucius and draco [even though bellatrix and andromeda are dark haired] and why molly is a redhead even though red hair and freckles are stated in the text to be weasley - rather than prewett - traits. harry's resemblance to his pureblood father eases his passage through wizarding society. voldemort's lack of resemblance to his pureblood mother does the opposite.
the weasleys and the malfoys are narrative mirrors within the series - with the fact that ron and draco are both so near-identical to arthur and lucius as to be immediately identifiable as each man's son by anyone who meets them part of this mirroring. it makes sense, then, that since the non-ron weasley children don't have a specific malfoy mirror, the same general principle applies, and the three weasley brothers who are built like arthur also strongly resemble him facially - and that bill also has a long nose [and a long something else, i'll wager!] and a cracking pair of baby blues.
or that if bill is hot, arthur is hot - and therefore if arthur is hot, ron is hot.
[where bill outpaces his brothers, i fear, is that he clearly has rizz - whereas ron's seduction skills are famously weak before he gets his hands on a copy of twelve fail-safe ways to charm witches - i.e. when he cockblocks harry spectacularly by beefing with cho unprovoked about the quidditch team she supports, which always sends me - and percy is... percy.]
[if ron had simply played it cool he could have finessed going to the ball with fleur, and i'll die on that hill...]
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CINDY THE SKULL — “Evening, officers. It’s a bit late to be skulking about, don’t you think?” Though she’s lounging around the coal room door as languidly as ever, her pale eyes ringed with coal dust seem to bore a hole in your skull.
YOU — “I’m looking for a place to sleep.”
CINDY THE SKULL — She lifts an eyebrow at you and Kim. “Did the cafeteria man finally decide he wasn’t interested in keeping a pigsty?”
YOU — “No, Kim is still staying there. I just can’t pay my bill.”
KIM KITSURAGI — The lieutenant clears his throat slightly. “Let’s not give people the impression that officers of the RCM make a habit of dodging their tabs, detective.”
CINDY THE SKULL — She glances at Kim, lips pursing just slightly.
EMPATHY — His little comment irritated her. Curious.
CINDY THE SKULL — “Tough luck, officer.” She shrugs, the faux fur collar of her coat brushing her cheeks. “There’s a perfectly good garbage bin in the courtyard. It’s got a lovely view. Real prime real estate.”
YOU — “I know. Garte said I could sleep there, but I’d rather find somewhere else.”
CINDY THE SKULL — She blinks her coal-smeared eyes at you. Then, she turns to the lieutenant. “Is he joking?”
KIM KITSURAGI — “No,” he says drily. “He is not. If you know of any… more *comfortable* places to sleep, we would be much obliged.”
CINDY THE SKULL — She stares openly at the two of you, as if in disbelief.
COMPOSURE — The absurdity of your plight has nearly broken right through her veneer of youthful detachment.
CINDY THE SKULL — “Maybe I’m the one who should be a detective. I can solve your little case for you right now.” She points to the lieutenant. “Your room.”
KIM KITSURAGI — His face is solid stone. “No.”
ESPIRIT DE CORPS — There are so many reasons why he does *not* want to do that. He has neither the time nor any desire to share them with Cindy. Or with you, for that matter.
-1 MORALE
CINDY THE SKULL — She whistles softly. “Damn. Must be true what they say about pigs and cannibalism.”
KIM KITSURAGI — The lieutenant does not rise to her bait.
EMPATHY — But there is something playing at the downturned corners of his mouth and the furrow of his brow. Something like guilt.
YOU — “What about the coal room, Cindy?”
CINDY THE SKULL — She outright laughs at you. “Fuck no! You want in my room, get a warrant, piggo!”
LOGIC — While drug possession is not a crime in Revachol, it doesn’t stop most cops from confiscating substances from vulnerable civilians for their own personal use. Including yourself, most likely.
ELECTROCHEMISTRY — Hey, good idea! Cindy’s an artsy type, she’s probably got all kinds of shit to get her creative juices flowing.
PAIN THRESHOLD — And to get her through the cold and the hunger and the cruelty.
VOLITION — No. Don’t make things any worse than they already are.
YOU — “But then… where do I go?”
CINDY THE SKULL — She shrugs again. “It’s not my problem, is it? Ask your partner, here. Or maybe you should take a hint and go back home to the farm.”
YOU — “I don’t know if I have a home… I think I lost it.”
KIM KITSURAGI — The lieutenant’s frown deepens. He stares down at his boots rather than meet your or Cindy’s eye.
CINDY THE SKULL — A long, almost uncomfortable silence. Her eyes are hardening as they take you in— you and your bloodshot eyes, your slightly labored breathing, your clothes that are certainly too thin to keep you warm tonight.
EMPATHY — She feels sorry for you, and she resents herself for it.
CINDY THE SKULL — She lets out a long sigh, closing her eyes and shaking her head. “All right, piggy. Just quit looking at me all pitiful… You saw the foreclosed apartment in the hall, right? If you wait for the cleaning lady to go to sleep, and you don’t stay long, it’s not a bad place. Better than the trash, anyway.”
REACTION SPEED — She seems to regret it as soon as the words leave her mouth. She’s not thrilled at the idea of trusting your honor not to rat out or even arrest your fellow squatters. But it’s too late now.
SUGGESTION — Wait. Is it really that simple? What if she expects something in return for the information? Or she could be setting a trap for you!
YOU — “Hang on. What’s the catch?”
CINDY THE SKULL — A wry smile breaks out across her face. It almost looks pained. “No catch, officer. I’m no snitch. Nor a pig.”
RHETORIC — You’ve insulted her more deeply than she cares to let on. She helped you because she knows your struggles intimately. Struggles that have claimed the lives of people she cared about. But now you’ve reminded her of the difference between you: she calls you pig because you sold your humanity for the power to strip others of their own.
EMPATHY — She’s sad. She was born sad and she will die sad. You are the one making her sad.
YOU — “Hey, Cindy?”
CINDY THE SKULL — “What?”
“I’m sorry. Thank you for helping me.”
“You shouldn’t judge me. We’re the same. We do what it takes to survive. You have the Skulls, I have the RCM.”
“Can’t we just get along?”
“I’ll pay you back somehow. I’ll make things right.”
“I don’t want to be this kind of animal anymore.”
KIM KITSURAGI — The lieutenant looks up at you, startled. Concerned, even. He almost looks as though he wants to say something, but nothing comes to him. He just stares at you, at a loss.
CINDY THE SKULL — She levels you with a steady gaze. Even without the coal dust, her eyes would look sunken into her wan face. If it weren’t for the roundness still clinging to her cheeks, she would have lost nearly all trace of her youth by now.
“I don’t think you even understand what kind of animal you are,” she says coolly.
ENCYCLOPEDIA — Homo sapien.
CONCEPTUALIZATION — A tiny, violent ape.
AUTHORITY — Predator.
HALF LIGHT — Prey.
VOLITION — You’re a human, Harry. Nothing more or less.
INLAND EMPIRE — The saddest and cruelest animal of them all.
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