#has a lot of people trying to separate them and that only makes him react violently (and double down)

[arnie-cunningham-official]

Upon its release, the film grossed $21 million at the US box office. The film received mostly positive reviews from critics and has since become a cult classic.[3] A remake is in development.

my disappointment is immeasurable and my day is ruined

[jakei95]

This will be the last update about the accusations against Nyx and me from last year and recent months.

VERSION EN ESPAÑOL:

I cannot force everyone to forgive or believe us, but I would like to provide a closure from our part on the events following Hopeless Peaches' false accusations last year, and a few more that have been reappearing this year, once more.

In recent months, we resumed communication with CrystalFlame, one of the victims of the Glitchtale server. Crystal acknowledged that the accusations against us for allegedly being sexual towards minors and bribing her to remain silent about our "crimes" were entirely fabricated by these people. It was never our intention to hide our past mistakes with money. The separate donations Nyx and I gave to Crystal were solely intended to help her.

Regarding the conversations on Skype in 2017, neither Nyx nor I ever forced the minors present to engage in sexual behavior for our entertainment, nor did we sexualize them in any way. There were inappropriate conversations between adults, in which they should not have been involved, and we recognize our mistake in being negligent and not caring enough about them. I must admit that Veir also disgusted me, and I reacted foolishly by not confronting him or by saying things he liked just to make him leave me alone. I deeply regret this. Although we have apologized to Crystal for this, I also want to apologize to the minors who were there, even if they don't want to know about this anymore, and to the entire community for this huge mistake. Since Nyx and I stopped using that chat short after our irl meeting that same year, plus our detachment to the members of GT, we have changed our views significantly both in public and in private, creating a healthy community for everyone. I will add more details later regarding my experiences with NSFW material, for which I have also been accused of being a depraved person.

I disagree with how Nyx tried to explain how these behaviors were so normalized, but he never intended to endorse the toxicity and unpunished crimes occurring in Latin culture. Nyx acknowledges this, and we discussed it again privately with Crystal. We apologize once more to our Latin members who might have been offended by this take, which could have been better explained. Nyx and I said a lot of things out of fear and frustration, which caused more harm and distress rather than solutions due to the explosive harassment we faced because of the false accusations by Hopeless Peaches and their group. I won't go into too many details because I have chosen to keep my mental health private, but this wave of harassment severely impacted my mental and physical health, and I am currently undergoing treatment to manage the aftermath.

However, I want to take full responsibility for causing Nyx to act out of emotion rather than with a clear mind in a desperate attempt to protect me, as Crystal ended up in a very complicated situation during the harassment wave created by Peaches, making her believe that our lives were in her hands and dependent on her choices. This was not only inappropriate but also unfair, considering Crystal was going through a lot at that time. Nyx and I poorly worded many things both publicly and privately. We should never have let our emotions take over while trying to defend ourselves. We could have handled the situation more maturely. None of these mistakes will be repeated ever again. Crystal has also admitted her mistakes. Many things would have taken a different path if dialogue had been the first option instead of public statements, but both sides have learned a lot.

With all this, I don't want to hear anything about Glitchtale, its creator, or its still-active members. Nor do I want to hear about Hopeless Peaches or their community, or what's left of it. My purpose on the internet is to entertain people with my art, and on the rare occasions I interact publicly, to maintain a calm and healthy environment, as I have been doing for years. My boundaries with fans are very strict and defined. It may sound ambitious or silly to many, but for a long time, I have wanted to make a difference and show that not all artists with a large audience are people who hide dark secrets and seek to harm others. I just want to tell stories and brighten people's days.

People have become used to seeing random individuals or public figures being exposed daily for horrible acts and behavior, which is very depressing. However, when those accusations are false, it is sometimes too late to undo the damage. No one likes to be pointed at and accused of something they didn't commit, especially when those accusations are serious, like harming another human being.

Some people today are confused and believe that I am actually Camila, and that Nyx is Veir, that my husband has been dating minors despite us being married, and that I defended my "pedophile" partner and protected other groomers. People are not only mistaking us for other individuals, but we also don't have anything to do with that other than the 2017 Skype chats. We have been put in some sort of black list from parts of the fandom due to misinformation or because some people seek an excuse to justify their dislike for us by wishing we had harmed real children. This is sickening, sickeing and frustrating if you actually think about the victims not only in fandoms but everywhere. So, please, I beg you to distinguish between names and what has actually happened. Even if you don't like us, don't seek or wish for us to be monsters just to feel proud of yourselves.

I feel I could regain some peace in my heart by having the opportunity to talk to Crystal about all what happened and ending in good terms. This should be the end of the whole controversy regarding the Skype Chat and the GT Server.

Now I would also like to take the opportunity to talk about other accusations still aimed at me to this day, which I once explained on a Twitter thread that was eventually deleted due to unnecesary arguments between fans. I'm being accused of being a horrible and irredeemable person for drawing a comic in my early years in the fandom that insinuated a non-consensual act between Cross and Dream.

Before any explanation, I want to emphasize that I still feel immense regret and shame for creating that nsfw comic, even if I didn't feel comfortable doing so, I still made the decision as an adult and shouldn't have done it in a space where there were minors and people who might find that material triggering. Even though it happened many years ago, it was not right, and I will apologize as many times as necessary.

I haven't had any contact with the creator of Dreamtale since 2017, so I'm unaware of her current viewpoint about this topic in general, but one thing is certain: both of us don't want to be associated with that ship between our characters and want to move on. We want it as far away from us as possible. I don't want anybody to harass her over this situation.

During that time, I was in an unstable relationship with the creator of Dreamtale, with whom I used to roleplay privately. This, along with being pressured to make the ship "canon", led me to create the comics for that ship. Among them was the infamous scene for which I'm accused of supporting rape. This content and private interactions reached a point where the entire situation made me uncomfortable, along with the toxic attitudes in our relationship, I ended up closing the blog, though not before writing a summary of what would happen next in the story -that didn't have any other sexual moments, to clarify-, simply a closure for those who enjoyed the comic. Not long after, we broke up.

After this experience, I began to realize that any NSFW content, both fictional and real, made me very uncomfortable. This is connected to future members of the fandom, like Veir, who tried to sexualize me, and later, ex-friends whom I wanted to please for their support during my growth as a content creator by drawing them private NSFW commissions. I ignored my discomfort, believing I was doing the right thing and that I could trust them, but what happened later finally made me understand that I personally cannot tolerate any of this content.

This group of people shared these private commissions among themselves. One of these people was someone I considered a close friend and was even my Discord moderator but began abusing their power towards other members, trying to escape the consequences just because of our friendship. They even tried to offer me money to remove a character from another artist who would appear in my animation as a cameo, just because they both had personal issues. I decided to end our friendship because I saw no changes or improvements on their part and I felt i was being used as a power tool for them.

It wasn't long after this that I found an alt account of them, posting these private NSFW drawings, tagging me to attract attention as a form of revenge for cutting ties with them (They also got Nyx's phone number to trying to get in contact with me despite what they were doing). These images spread last year among a few people who, unaware of the background, used them as a reason to question me as an artist. However I explained the rest of the story before it became more public, and I appreciate that they listened to me first, however, the damage was already done.

In March of this year, I made a thread on Twitter explaining this and my reason for not supporting or consuming NSFW content. I want to stay away from this whole debate. I don't want my words to be used to attack others. My reasons for not enjoying this are because I had people around me who caused me a lot of harm with this matter, it triggers me, and I don't like any sexual topics around me, even as an adult reaching my 30s. I simply don't like it, I'm not interested, and I want my feelings to be respected. I'm very aware that more than half of my audience are minors, and I know how to behave and what to show in my art, but there are still others looking for any excuse to call me or my husband horrible things. It has happened before with accusations of transphobia for making Frisk and Chara from Xtale male instead of non-binary as they are in the canon version. I have been called a pedophile for portraying Frisk and Muffet from XTale in an innocent romantic context, even though there is no age difference, just because is not following, again, the canon (which with all honesty, I'm not aware if it has been confirmed she is a child or not). I have been accused of racism because of the characters' skin color, and so on.

Being hated in a fandom as an artist with a big following is supposed to be normal, but, to what extent?

I know I should ignore those comments and move on, but I still don't understand why it hurts so much that people want to discredit my efforts as an artist and as a person by believing they have found some dark secret in me… I really can't understand, I just want to live in peace.

My art is my only escape from negative thoughts. Nyx is my only support in real life. I have been working on how to deal with online criticism and harassment, but it is really hard when people tell lies in order to ruin a life, especially when those lies try to make us look like disgusting human beings. This puts me in a lot of distress, mostly because I hate conflict and prefer to be left alone. I want to be a role model in this community by not getting involved with problematic people and toxic environments. Even if there are people who don't like my work, I want to show that there is still a bit of decency and common sense in the art community.

For this reason, this will be the last time I talk about this because I want to focus on what makes me, my husband, and my audience happy. I want to set an example, and I want people to read this, try to understand our position, and give us a chance.

Once again, we deeply regret the mistakes we made in the past.

[pha55ed]

Diet Pepsi || F2

type :: smut! tw/cw :: size kink (ollie), corruption (paul), fem!reader (all) contains :: ollie, paul, pepe, zane summary :: certain kinks that the drivers have, - "break all the rules 'til we get caught" diet pepsi - addison rae (my first smut on this acc!)

request :: i desperately need a paul fic based on diet pepsi by addison rae i dont know why i js think its such a perfect combination 🤧 also maybe bed chem by sabrina carpenter is also perfect for him - 🧸 (thank u for the request! i love ovulation songs LOL)

f1 masterlist || f2 masterlist || more here!

Ollie Bearman | 87 size kink

He's aware that he's bigger than most people, but he loves comparing how much smaller you are to him. Hand sizes, height, weight, anything. It makes him so happy to know that he's stronger than you, it makes him feel so masculine and protective.

It's a bit rude, but honestly he doesn't care - he loves treating you like a rag doll. Using one hand to pin both of your hands down above your head so he can use you without you clawing at his back. Easily separating your thighs from each other with his strength even if you try to close them. Or his favorite, simply lifting you up into the air and fucking you while standing up - gripping your waist with two hands and lifting you up and down on him with such ease.

But don't worry, after being so mean to you he's gentle at the end. Cuddling you in his arms, he's always going to be the big spoon. Brushing your hair to the side and cupping your face, telling you that you did amazing even though you were a pillow princess.

Paul Aron | 17 corruption

There's just something about ruining your innocent image. It doesn't matter if you're a virgin or not, but the way that you're perceived by the public being so different from how he sees you. The media sees you as a sweet and quiet person, more reserved than others.

Yet he sees you in ways no one else is allowed to. And he loves that, he loves knowing that he's ruining your image, he's the one making you act so out of character.

Wearing things like a cute sweater, innocent skirts, and bows in your hair make him go crazy. He doesn't want you to take them off, he'd rather fuck you while wearing those so he can see this sweet girl get her brains fucked out.

Pepe Marti | 21 cock warming (lwk edging but it depends)

He's a busy guy with a lot of training to do. So the best way to stay close together is to simply just cock warm, it makes perfect sense. You sit on his lap, his dick in you, while he stim races for hours on ends. His bare chest is so warm and comfortable, you can't help but try to fall asleep.

But you're never able to, because the second he crashes or finishes his race - he relieves his feelings onto you. Thrusting into you by surprise, going at a rapid and fast pace. He'll only stop once he's over his anger or the next race loads in.

And once it does, he stops instantly and locks into his race. So you're left there, edged and overstimulated from the past times you've came all over him. It's confusing in your guts, but it's better to feel full than empty.

Zane Maloney | 05 overstimulation

Being a racer requires being an adrenaline junkie and good health. Perfect for you, since you get the honors of having your brains get fucked out by Zane every time he's free. He loves using all his energy and pent up anger on you. He'll spend hours fucking you without him even cumming once, to make sure that you get the best experience.

But it's never boring, as if could be with him. He loves trying new positions and adding different stimulations for you. Reverse cowgirl, doggy style, 69, every position ever made has been tried by Zane and you. Every single sex toy has also been tried by Zane and you, no matter how odd or weird.

Not only is it a good way for him to get his energy out, but he's also just a curious person. Seeing you react to certain touches, hearing you moan just a bit louder, all of it is worth it to him. It makes him so happy to know that he's making you feel good. He doesn't even care how long he has to wait till he finally cums, because any time with you is good time.

(Zane is deadass so cute like omg, why have I never looked at him??? he has tattoos? listens to podcasts for fun?? loves the US and the diverse culture??? the cutest fucking gummy smile I've ever seen????? I love him now)

f1 masterlist || f2 masterlist || more here!

[ripplestitchskein]

This is one of my favorite moments from the episode. Like from an art point of view the expression and body language is so on point. If you watch this sequence without sound it tells the story just as effectively as the dialogue, so kudos to them. A+ animation.

However, I’ve seen a few people say it doesn’t make sense for Stolas to react like this because he overheard Stella plotting to kill him. Which, I think that scene was more to highlight Stolas’s obliviousness in general more than him knowing she was trying to kill him? But that’s a separate post. This moment though has very little to do with Stolas’s worry over his personal safety or even the assassination attempt itself. He is not reacting to the reveal that Blitz didn’t warn him about an assassin from a place of “I could have prepared myself better with a warning and known what Stella was plotting earlier”.

He’s reacting to it from a place of “Someone tried to kill me and you didn’t care enough about me to even mention it”. The episode is about how Stolas is interpreting and “learning” that Blitz was showing him all along he didn’t care about him, that Blitz just does this to people, that Stolas is NOT special he’s just another in a crowd of people Blitz fucked and fucked off.

That they conveyed so well how crushing this must have been, to learn the person you love and care for not only knew months ahead of that someone was trying to kill you but you factored so little into their thoughts they just FORGOT to tell you? How he realized that he meant so little in the scheme of Blitz’s life that Blitz couldn’t even be bothered to mention it?

So yeah this isn’t a mistake, this isn’t the writers forgetting Stolas already knew, the issue here is not about the assassination at all, it’s about how Stolas is now interpreting this as “Someone tried to end my life and I meant so little to you I didn’t even warrant a heads up about it”. Like, not to be dramatic but Blitz just basically confessed that he didn’t care about Stolas’s existence at all.

We know it’s because of how Blitz sees Stolas as this untouchable immortal figure on high, but Stolas doesn’t see himself that way. He’s very clear he doesn’t recognize his own power and position.

It goes even deeper than that devastating line of thought though. It casts the whole “Am I in danger?” aspect of Western Energy into a whole different light. We interpret it as him not really believing he is in trouble, just mildly inconvenienced and wanting Blitz to play hero for his romantic fantasies. He is kidnapped by someone he recognizes as being a friend of Blitz’s, he calls him to clarify it, Blitz is then “I can’t save you today, my daughter has a thing”. During this point in the conversation Stolas has no idea Striker is sent to assassinate him persay, he thinks he’s just been kidnapped by a friend of Blitz’s. But Blitz DOES know Striker tried to kill Stolas in the past and is a credible threat. In this scene in Apology Tour Stolas finds out that Blitz knew that from the beginning, that he knew that and still couldn’t be bothered to come and was dismissive of it. That’s what Stolas saw anyway. He didn’t see Blitz driving crazy and turning around. He didn’t see his face of worry or regret. So the only information Stolas has now is “I called you telling you I was kidnapped by a man you knew tried to kill me and you said you were too busy. You knew how dangerous he was and you didn’t even care about me enough to help me.”

I’m sure it was a lot easier to deal with and excuse Blitz not being there and being busy when he assumed Blitzø didn’t know he was in real danger, now Stolas knows the truth. Blitz knew the person he identified as having kidnapped him had tried to murder him in the past and it still wasn’t enough to stir Blitz to save him.

Like that’s so fucking crushing? And important. Like critical really.

Like do the Stolas math of “Let me add up the evidence to interpret his feelings” and in addition to all the times he sneered or turned away add in “He knew a person who kidnapped me had already attempted murder and still didn’t give a shit”.

We know that’s not the whole story, that Blitz was worried and did turn around but Stolas doesn’t. This is the whole pattern of their entire relationship. He never sees when Blitz turns around in any context. He looks at Blitz and SEES him, is rebuffed by Blitz turning away and so Stolas looks away and just as he does Blitz turns back to him. It makes me want to claw my face off. This isn’t about the assassination at all, this is about them missing each other yet again.

In my head I think of it like a trapeze act. They each take the swing, they are flying through the air but they aren’t paying attention, they look away and miss the grab and both are plummeting to the ground.

[very-normal-abt-this]

I want talk about how much love was nonverbally expressed *after* their last conversation in S2 Finale.

Yes, you heard right. AFTER.

Sure, they ended the conversation completely pissed at each other. Broken hearted. But, like in any solid relationship, they don't hold grudges. Only a few short moments later, all the anger is gone from Aziraphale's face, and the only emotions left are: love, longing, fear, regret. He can barely pay attention to Metatron, because he keeps looking out the window at Crowley. I think I counted 7 times of him turning his head to look. And of course, he is close to changing his mind several times. (BTW, I would *kill* to know what thoughts were going through his mind right before he committed to leaving, right before he said "nothing at all" with that fake smile)

And Crowley. Most humans, when they feel they've been rejected and/or abandoned - they slam the door and they leave in a huff! They don't look back, they get in their car, and drive away as fast they can, possibly with a middle finger pointed in the direction of the offending party. (Unless they're the type of person who would stand by the door, cry and beg them to stay, but obviously that behavior could never be exhibited by Crowley).

But Crowley does not leave. He does not even try to hide in his car. He stands there, intentionally on display, waiting and watching. Why? Because either A) He is not viewing this as a rejection and abandonment, but as a [huge] difference of opinion, so he is not reacting like someone who has just been rejected. Or B) he IS viewing it as rejection, but he loves Aziraphale so much that his main priority is still to make sure that the Angel is safe, regardless of their current relationship status. His love for Aziraphale is literally unconditional. Crowley wants to watch him walk into that elevator with his own eyes, and make sure that he's not doing so under duress. Or there is option C) He is standing there defiantly, to communicate his disapproval and disbelief at what Aziraphale is doing, like "I can't believe you're actually doing this, I have to see this shit with my own eyes to believe it." Or option D) He is hoping to influence Aziraphale to change his mind, because he knows that its incredibly hard for Aziraphale to leave him. Standing there to send a message of "I'm still here. Are you really sure you are okay with being separated?" Or maybe even E) A small part of him wondered if he (Crowley) might change his own mind about going, once he saw Aziraphale actually walking toward the elevator, once he saw that it's actually happening.

I don't think it's option C because of Crowley's facial expression and body language after Aziraphale gets in the elevator. I don't see any anger, frustration, disgust, or judgment there. All I see is...utter despondency, numbness, melancholy, hopelessness. So, I'm thinking its a combination of reasons A, B, and D. Maybe a little E.

And, I wondered the same about Aziraphale. As he is walking to the elevator, he is not acting as someone who is angry at their significant other. I imagine that a lot of people who feel angry after a fight, and feel their partner is completely in the wrong - they would walk into that elevator without looking back at the offending party. They might put on the happiest face and try to hide all traces of negative emotions, just to "stick it to them." But Aziraphale does look back at Crowley. And, this last nonverbal communication with his partner is also very intentional; he wants Crowley to know that he is looking at him on purpose (just as Crowley's behavior of standing by the Bentley and watching him leave is very intentional). Aziraphale stops and makes eye contact with Crowley, right before he walks into the elevator. Just as Crowley, he is trying to send a message with that pause and look. What message? A) "I can't believe you're not coming with me, I'm hurt and disappointed in you." B) "I want you to know that it's very hard for me to do this, I'm torn about it, and I'm thinking about you." C) "I just found out very bad news and you're in danger." Or option D) "I just found out very bad news and I'm definitely going to need your help. I'll be back."

My opinion is that its a combo of B, C, and D. I do not think its A, based on Aziraphale's behavior and emotions right after Crowley walked out.

So, to summarize the point I am making - despite their deficits in communicating with words, Aziraphale and Crowley continue communicating their feelings nonverbally. They remain committed to each other, even in the face of the biggest rift they've ever experienced in their relationship. Their behavior shows that their first priority in the relationship is not "to be right" or "to win the argument." Their priorities are - taking care of each other. Letting each other know that, "no matter what happens, I am here, and I'm thinking about you."

Thanks for reading! please leave a comment.

[heyimdove]

More on why Persuasion is the real Jane Austen parallel to Aziracrow, and why Pride and Prejudice is not, because I can’t stop dwelling.

There’s a lot here so I’ll try to structure this in a way that makes sense. Wish me luck.

I’ve seen so many people equate Aziraphale to Lizzie and Crowley to Darcy, but these comparisons don’t make sense. Character-wise, they are far more like Anne Elliot and Frederick Wentworth, respectively.

We’ll start with Elizabeth Bennet, who I love with all my heart and is one of those characters I feel like I know (I’m delusional, it’s fine). Elizabeth is wonderfully intelligent, but she isn’t “accomplished” and isn’t a perfect specimen of Regency womanhood. Instead she’s sharp and headstrong. She wants to live how she wants and with someone she loves for a partner. She rejects a match that is, on paper, perfect and would solve all her family’s problems, because she won’t settle for unhappiness. You know who that doesn’t sound like?

Aziraphale, were he a Regency Era woman, would be considered very accomplished for the time; well-read, polite, even a music tutor. But he’s more unlike Elizabeth because he desires to “do what’s best for the family”. In other words, if Elizabeth Bennet was more like Aziraphale, she’d be married to Mr. Collins. She would’ve considered it her duty to marry him because it would protect her loved ones (see Aziraphale accepting the Metatron). For Aziraphale, his duty to protect trumps his personal desire.

So does that make Crowley our Lizzie? No, that doesn’t fit either, and not only because Aziraphale makes a terrible Darcy. Sure, Aziraphale’s status as an angel might be considered comparable to Darcy’s elevated status as a rich person, but Crowley has never hated Aziraphale, never even considered it, and wouldn’t hate him even after the rejection. Lizzie’s hatred is what spurs Darcy to grow. Darcy needed to be completely despised by her to decide to put in the work to be worthy of her.

Okay, so then is Crowley Darcy? Perhaps we could shoehorn that in somewhere because Darcy doesn’t seem good but actually is, or is considered grouchy, but it’s such a loose connection, it barely works-

-Especially when you consider how much better the two fit as the protagonists of Persuasion.

(And yes, shut up, I liked the Dakota Johnson one and I will be using the gifs.)

Where Pride and Prejudice is about two different people gradually seeing the value in the other, Persuasion is the story of two different people seeing the value in the other right from the start, but who then repeatedly make mistakes that keep them separate and in agony.

Aziraphale is *so* much like Anne. First, Anne is the only reasonable (read: likable) member of her high-born family, who believe people in other societal castes to not only be inferior, but disgusting.

Anne sees this is not true, and falls madly in love with the low-born Wentworth- only to be persuaded by outside input not to marry him. Station and familial duty play a part in this decision, and she regrets it for years. She is completely unable to move on.

Like Aziraphale, Anne is certainly more accomplished, for one thing, and she plays by the rules of women of her time and status. BUT her sense of mortality breaks often from that of her family. When she tries to impart her good morals upon them, they are dismissive and insulting, reacting as if Anne is the one who “doesn’t get it”.

She spends eight years with a family she barely belongs to, wondering why she ever thought the company of people like this was worth the loss of Wentworth.

For all of Anne’s kindness, she is a pushover. She’s rarely confident in herself. When she needs to speak up, or just have a direct conversation with Wentworth, she doesn’t. She can’t. She repeatedly makes Wentworth come to her.

Wentworth, meanwhile, is a far better match for Crowley than Darcy is. Wentworth will never be an aristocrat like the Elliots, but he carves out a life he considers valuable using new rules. Sound familiar?

Are Wentworth’s and Crowley’s morals obviously a bit different? Yes, of course. Crowley is a DEMON, after all. But Crowley conducts himself in such a way that he’s literally cast out of Heaven and removed from Hell- in other words, he’s twice been given “the rules” for how to act and has twice decided, nah, that’s not for me. Wentworth was given the rules for what he could have as a low-born man and became a wealthy, high-ranking naval officer. And Wentworth didn’t do that for love, either. He found the consideration of one’s wealth in determining whether they should be loved abhorrent. Wentworth did it for himself initially (bitterly too, maybe), just like Crowley saves the goats and the kids for himself.

And, of course, Crowley’s confession parallels Wentworth’s position in relation to Anne far more than Darcy’s position to Lizzie. Crowley says “if they (two apparent opposites) can do it, so can we,” because he knows he and Aziraphale love each other. At the start of Persuasion, Wentworth asks Anne to be his wife despite their differing societal rank because he knows they love each other. At the end of Persuasion, he asks again because he knows they have both been in agony, that they both love each other as much as they ever did.

Darcy, meanwhile, does not know if Lizzie loves him, but arrogantly believes she will accept on the basis that what he can offer her monetarily is better than what anyone else can, not knowing what she actually values. She demolishes him.

On that note, that’s really the only parallel between Aziracrow and Darcy/Lizzie, only Aziraphale is Darcy. Aziraphale believed Crowley would accept his offer because he believed Crowley would want to be an angel again. Crowley believed Aziraphale would accept his offer because he knew they loved each other.

These are all very different characters, but ultimately, I think we were gunning for Pride and Prejudice and wound up with Persuasion; the slowest, most agonizing burn with the most beautiful reunion. So we didn’t get “you have bewitched me, body and soul,” in S2. We got the events leading up to Persuasion, and will have S3 to watch them play out. Neil knows that Aziraphale and Crowley’s relationship is the most compelling part of the story, so I doubt they’ll be separated for long. But everything is so messy, isn’t it? So it makes sense to keep them, like Anne and Wentworth, in close proximity, in mutual, bitter, unspoken pining, but still not together. It will be absolutely delicious to watch. Isn’t that what we loved the most from S1?

Because we know they love each other. And whatever catalyzing event forces them to say it out loud will be all the better if every moment they don’t say it hurts. I don’t want a “you have bewitched me” moment, I want “I’m half agony, half hope.”

[gatitties]

Hi can you do yandere bonten (separately where their s/o (who knows they’re a yandere and gose a long with.) is being targeted by another gang. ( Trying to kill them and shit) and on day they see a red dot on their s/o forehead. (Coming from a laser on a gun) and then there’s gunshots everywhere. Do they manage to tackle their s/o on those and save them? ( you can pick) and what do they do to rival gang when they find them?

─Yandere!Bonten x reader (separately)

─Summary: a moment in which your life is threatened, a moment of despair for these boys

─Warnings: death, blood, mention of drugs, toxic behaivors, yandere stuff

─ It was very strange to go from not being noticed socially to having a psychopath holding your waist every second of your existence.

─ You knew that his behaviors went beyond a toxic and controlling partner, perhaps because you were aware that you knew how to cope with it in a certain way, in any case accepting his madness made many things easier, it was better to be on Mikey's good side.

─ That you were docile could only improve Mikey's condition, although sometimes it was like dealing with a capricious child, you had to at least pretend not to be uncomfortable twenty-four hours a day stuck to him in any way.

─ Although there are situations in which due to certain circumstances he needs to move away from you, it will bother him even if it is a few seconds in which he has to greet someone important, but he will always have a part of his body attached to you, whether it's his hand on your shoulder or his knee touching yours, he needs to make sure that you won't vanish out of nowhere even though it's physically impossible.

─ In the event that your life was threatened for just a measly second, it was like starting a war.

─ You didn't even know what happened before his body locked you against the floor and dragged you under one of the tables.

─ You were at a dinner with some executives and out of nowhere you found yourself being suffocated by Mikey on the floor listening to a lot of guns and screams.

─ He knew that he had enemies around every corner, but he didn't know that they were stupid enough to point a gun directly at you, at his most precious being.

─ You were lucky that he was able to react in time due to his constant fixation on always having you by his side, if it weren't for his mania perhaps your destiny would have been different.

─ Although unfortunately this event reduced your time outdoors, at least until Mikey wiped out each and every one of those involved in your near-death.

─ It wasn't a good start because it started with your kidnapping.

─ But perhaps the effect of narcotics on your body was what made you stop fighting against someone who had more power than you in society, you were condemned and you accepted it.

─ Sanzu doesn't care enough not to traumatize you and you have to get used to the fact that every time he takes you somewhere someone ends up dead because of him.

─ He doesn't require so much continuous physical contact, however whenever he wants it you will have to be on his lap without any complaints, you learned the hard way that it was better to listen the first time he wants something.

─ You're his little toy and everyone knows it, maybe, too many people know who you 'belong' to and that caught the attention of a certain gang that Sanzu had previously had problems with.

─ That's why the moment when you find yourself in a brothel having a drink with Sanzu and the Haitani brothers and a red dot forms on your forehead is not surprising to him.

─ It was the lack of reaction, the mental block and the speed with which the murder happened, it was a clean shot, your blood splashed on his stupefied face and he couldn't even catch your body before you collapsed against the elegant sofa.

─ It broke him, not the fact of your death, but the fact that another person had played with the life of his obsession, his new toy, and maybe he didn't accept so easily that you were dead, maybe he kept your inert body in his bed, your pajamas on as if it were just another ordinary night.

─ To say he was a disaster (even more) was an understatement, he was going to find those bastards and going to torture them while 'you' watched, hoping that it would entertain you, at least this time you would look and not look away like all those other times.

─ He's probably one of the most normal, if it's normal to be harassed for months and have 'unintentional' encounters with Kakucho all the time.

─ Kakucho was more of an observer and stayed in the background, he knew that his obsession was not a good thing, but at least he accepted that he was aware of it and that you would have to accept him.

─ No matter how much you ran away, what you did, you always had his eyes on your figure, you were a kind of divinity for him and he didn't even want to do anything perverse, he wanted to love you. Was he asking for much? Well, he could always resort to other methods anyway, if he wanted something, he had the power to get it.

─ He didn't ask for much, he just wanted you, and he became so sincere as to confess to you everything he had been doing, everything he would do if you agreed to be with him by hook and by crook.

─ He's not very good with romantic relationships if his last option is a threat, but you decided to take the easy way out and accept all his madness towards you.

─ He was too paranoid to let you go out on your own, to do anything without his supervision, he had lost Izana a long time ago and it was too painful and traumatic for him to happen to you.

─ It's quite rare that your life is threatened because you practically don't leave your safe place, but like any good gentleman, he always has some romantic plan for two and that means going out from time to time.

─ Don't worry, the second that red dot is on your forehead you were probably protected by a mass of muscles from several bodyguards and immediately guided out along with Kakucho.

─ He will not personally be in charge of finding and killing the gang that was behind the attempt on your life, but he will know when they are all three meters underground, which will be sooner rather than later.

─ Oh poor thing, did you really think you could escape his clutches once he met you and became infatuated with you? That's sweet of you, but Takeomi already has you under the palm of his hand without you knowing it.

─ You noticed each of his manipulation tricks and his strange fixation on you, he laughed knowing how perceptive you were and admitted to you that he had not been able to get you out of his mind since the first time he saw you and that it would be better if you accompanied him for the good ones.

─ He was good enough that you could face him and move forward despite all his toxic behaviors, and even though you missed your old life and freedom, you bitterly accepted that it wasn't that easy to get rid of a mafia executive.

─ He showered you with luxuries and praise whenever you behaved as he wanted, and he tried to make everything as least uncomfortable as possible since he was hungry for love, but he knew that forcing some things on you would make him feel as if everything was a lie (despite that it was in a certain way, he wouldn't admit it).

─ He thought that no one would be stupid enough to even think about hurting you, you were always well protected and a few threats would be enough to stop anyone from wanting to look at you.

─ Poor little gang that tried to annoy him by threatening you at gunpoint, Takeomi is not stupid and expected your life to be threatened sooner or later, he is not a saint and has enemies left and right, this devil knows more because he is old than by devil

─ The whole band died that night while he was enjoying his dinner with you without any altercation, you didn't even know and you didn't need to know, he wanted to continue in his bubble of happiness and a trauma to you would break that illusion, you were behaving so well, you didn't need to feel fear, at least not fear from other people.

─ You were smart and applied, probably what caught Kokonoi's attention, it started as a small crush that got worse when he saw how your attention was not only for him.

─ You were smart, but not smart enough to notice how he drugged you to kidnap you that night he invited you to dinner. If you didn't notice his obsessive behavior before, now you did.

─ The amount of luxuries and whims increased, you didn't even need to behave well, he would have you with money as he had always done with everything, and you had no choice but to accept that a crazy rich man had kidnapped you and that he wouldn't let you go unless you were his partner or something like that.

─ Sick, yes, but you didn't want to know what would happen if you refused, or maybe it was Stockholm syndrome, at this point you no longer knew how to differentiate it.

─ Kokonoi is not always with you, which gives you a false sense of freedom, false because you always have a bodyguard watching from afar, and although you don't know it, there are more eyes watching you.

─ Kokonoi is not stupid either, he knows that they will use you to get to him, but he anticipated the facts, he managed to bribe the murderer of the gang who had problems with him to make sure that you would be fine, he would break if he lost another important person.

─ Astute enough to foresee a possible murder but not enough to foresee a betrayal, his whole world collapsed when one night he found out that you had been murdered, that was not supposed to happen, he should have been there.

─ He faced your death with vengeance, despite not being the most bloodthirsty in Bonten, the only thing he wanted to do was torture the gang that had dared to take your life, that scum that decided to betray him, he would not be the one to apply violence, but he would enjoy the cries of those bastards.

─ You were a whim of the younger brother of the Haitani, a whim that he couldn't get out of his head.

─ It started out as a normal relationship, but his delusional obsession with you and his changes in behavior made you think that everything was much more complicated than a mere relationship.

─ Rindou watched every step you took, he started getting rid of 'unnecessary' people in your life and you couldn't do anything about that, you accepted it too easily, so much so that you even thought you weren't completely sane.

─ You didn't need anyone else, he is always there, literally always because he loves to be by your side, he loves to squeeze your waist and bring you closer to him while others see him, he loves to kiss you in front of everyone to make it clear that he is the one who has you and no one else.

─ He can be suffocating at times, but it's not like you can do anything, if necessary he will chain you to him to stay together until death.

─ Speaking of death… the threats don't take long to arrive, knowing that they could use you against him, he will not leave you alone even to go to the bathroom, anything can be a threat, even an innocent child could be a spy looking to kill you.

─ Locking you up and depriving you of going outside doesn't make it any less likely that you'll end up dead, even though he didn't leave you for even a second, he wasn't fast enough to throw you to the ground when the red dot on your temple became visible.

─ He saw how your gaze was lost until it was lifeless and he saw red, all the people who were close to the scene died in painful ways in the following week, whether they were innocent or those involved, Rindou needed someone to pay for his loss, maybe he wasn't cautious enough.

─ You fell for his sweet charms, charms that had a lot of corpses, blood and torture behind them, but it was all for you, why would you get angry? He thought he wasn't doing anything wrong and would make you think so too, Ran is very patient.

─ Whatever it was, you accepted all of his macabre behavior, the murders, the jealousy, the obsession, you had to put up with everything.

─ But it's okay, Ran will be generous, he will offer you a lot for little, he just wants you to pay attention to him, he needs to know that you will be there for him no matter what he does.

─ He doesn't always have time for you unfortunately, but he will always have an eye on you, he needs to make sure that no one, not even you, does anything stupid when he's not there.

─ He treats you as if you couldn't do anything on your own, as if you were weaker than him, he likes you to be like the typical character in trouble, it makes him look cooler, doesn't it?

─ He probably received some threat, he could only laugh at the band that thought could touch a single lock of your hair.

─ The problem is that your restrictions increased and your 'free' time decreased, typical, but in this case Ran will be much more paranoid, don't think about spending a single moment alone from now on until he investigates and kills all those cockroaches who dared to threaten your life.

─ The moment he sees that the shooting starts in one of his brothels when he is spending time with you he gets furious, he will get you to safety immediately, he locks you up and even gives you a gun in case some smartass find you.

─ He will personally take charge, with some help from his brother, of killing the gang that had started the destruction in his business right there and will return to you to calm you down with a session of kisses and hugs if you get scared.

─ Poor Mochizuki was never good at romance, he didn't have many partners and his position in one of the biggest mafias in Tokyo was not a positive incentive to find someone who loved him.

─ So he thought that his obsession was justified when you showed some interest in him, of course that was before you knew who he really was, but it was too late, he got his hopes up and he wouldn't let anyone break them, not even yourself.

─ If he needed to have you drugged for you to accept him, he would do it, but no one would take away what he had longed dreamed for so long.

─ Don't let his tough exterior fool you, he could be a total idiot just for you, although he didn't always use the most legitimate means to get something you wanted, you couldn't do much either.

─ He always keeps you in a close hug, squeezing your shoulder and holding your body close to his as if they were going to steal you from his hands.

─ It's impossible for him not to worry, he knows the world he moves in and he is the weakest link among the Bonten executives, the guy who is in charge of some of the dirty work and knows that he has many guns pointed at him.

─ That's why he couldn't help but get involved in a shootout when he was trying to enjoy a night walk with you, he was incredibly quick to get you out of the way of the bullet that was aimed at your head, but he didn't expect for another one to embed itself in your lung seconds later.

─ His whole world shattered because he thought he had been able to save you, but seeing you dying in pain while he tried to take you to the nearest hospital was something worse than death for him, especially because you didn't make it.

─ It's not a surprise that the day after mourning that entire band was brutally murdered with just his fists, the sound of bones breaking under his knuckles was music to his ears that day.

[one-idea]

Part three of shanks raising ASL

First - Previous - Next

This time with some Mishanks.

Going back in time a little, while Shanks was away looking for the Gomu Gomu no Mi. Mihawk made his way to the East Blue to visit his old rival turned…something more.

It’s been a while since Mihawk had seen Shanks. He knows that Shanks went to the East Blue to look for something and wouldn’t return to the grandline until he found it. But going from seeing Shanks once a week (at least) to not seeing him at all for a few months has been…trying. In short he misses him. Though he’d never admit it to the younger man. So he sets off. He’s been bored and needs a good duel. (And to kiss his boyfriend but that’s neither here nor there)

He meets up with Shanks as he’s looking for the Gomu Gomu no Mi. Just after Shanks vowed to come back for Luffy. Mihawk is shocked to see his lover without his treasured hat. He knows how much that hat means to his lover and he is more than willing to go slaughter whoever took it from him.

Shanks has to quickly explain to him that, no the hat hasn’t been destroyed, he just gave it to someone. And Mihawk is shook because Shanks would rather die then separate from his captain’s beloved hat. Who could possible be important enough that Shanks would part with his hat?

So Shanks tells him about the precious little boy on Dawn island. The little boy he’s adopting. And it didn’t occur to him until this very moment that Mihawk might not want to be involved in this. He loves Mihawk and doesn’t want to lose what they have. But he won’t break his promise to Luffy. So if this is a deal breaker he’ll understand. Mihawk didn’t sign up to have a kid with him. Shanks made a decision that will effect both of their lives without consulting Mihawk at all, and while he feels bad about it he doesn’t regret his promise to Luffy. “That kids going to change the world. I just know it”

Mihawk is shocked. He never thought about kids. He knew Shanks never wanted a kid running around the Red Force. His own childhood on the Oro Jackson might have been filled with love but was also so dangerous and chaotic and he knew Shanks didn’t want to give his own children such an upbringing. This Luffy had to be something amazing to make Shanks change his mind in that stance.

“I’ll have to meet this Luffy. See for myself if he’s as special as you say.”

Mihawk isn’t agreeing to raise Luffy (not yet) but he’s not saying no. Honestly Shanks couldn’t have hoped for a better outcome. Mihawk isn’t walking away. In fact it’s as close to a yes and he knows Mihawk is willing to give him. And now he gets to introduce his two favorite people. And Mihawk’s going to stay with them until they go see Luffy! This is great.

It takes a few months before they find the Gomu Gomu no Mi. It was great for their relationship, giving them the time to reaffirm their commitments to each other and strengthen their bond. While also giving Mihawk the chance to process that he might have a son soon. There’s no debating that Luffy is Shanks’ son. Not with the way the man talks about his baby, nor the fond way the crew talks about him. But Mihawk has time to learn about Luffy from the crew and search his own heart on what sort of role he’d be comfortable having in this child’s life. He doesn’t want to lose Shanks but a kid is a lot. It changes everything and he deserves time to process that.

He’s excited to meet the kid (though he’s not showing it on the outside) as they approach Dawn Island. But Shanks can’t sense the kid and puts himself into a panic. A panic that only worsens when they arrive at Party Bar and Makino has no idea where Luffy is. That Garp the Fist, hero of the marines, took the boy and is apparently his grandfather? (Shanks sure knows how to get them into trouble)

They start searching the island for the little boy and Mihawk hopes that they find him. He doesn’t want to think about how Shanks will react if they can’t.

Everyone regroups at Party Bar empty handed. Everyone but Shanks, who has yet to arrive. Mihawk can feel Shanks approaching the bar, but he’s not alone and Mihawk can only hope that one of the three strange presence with Shanks is Luffy.

Little did he know that Shanks would be walking up to this bar with not one, not two, but three little boys. He can safely assume that the littlest boy, who is being carried in Shanks’ arms and talking a mile a minute is Luffy. It helps that he is proudly wearing Shanks’ old straw hat. But the other two boys who are trailing close behind are a mystery. The blond one has his eyes on Shanks and Luffy, watching them with the same intensity Mihawk watches marines, a prey object that is one mistake away from losing its life. The third little boy is trailing behind, his head on a constant swivel. One moment he’s watching Shanks, the next the trail behind them, in front, to the sides, and back to Shanks. A protector is Mihawk had ever seen one, however scrawny the boy maybe.

Mihawk and Benn approach them quickly. With a quick glance at each other Mihawk can tell that Benn does not recognize the other two boys either. But that doesn’t matter once they reach them.

All three boys have been roughed up. Shanks calling for Hongo as soon as he is in range. Mihawk is quick to look the boys over. The blond seems the least injured, but the little protector and Luffy have obviously suffered a beating. A bad one. And one look at Shanks tells him his lover is about to lose it.

Hongo arrives quickly and goes to grab Luffy. Shanks instinctually pulls the little boy closer making the little protector and the blond behind him tense up.

“Let Hongo do his job.” Mihawk is quick to step in. Luffy and the other boys need care and Shanks needs to calm down. All three boys are reading and responding to Shanks emotions. If he doesn’t trust his doctor in this moment the boys won’t either.

Shanks locks in to Mihawk and calms. He knows he’s being ridiculous but in his defense he just found out Luffy has been kidnapped and beaten TWICE since he was away. It’s hard to let go, but he trusts Hongo. He lets the doctor take Luffy from him and introduces the other two boys, Ace and Sabo, telling them to go with Hongo and get checked out.

Once the boys are gone Mihawk and Benn are ready for answers. Although they are asking different questions.

“Who did this?” Benn asks wanting to know who hurt their boy.

“And are they dead?” Mihawk has spent less then five minutes in the boys presence but he can see the way the boy effects his lover. How much Shanks loves Luffy. Anything or anyone who thought they could hurt Mihawk’s loved would die for their insolence. (And isn’t it terrifying to think that that small circle is about to grow by not one but three people. Mihawk knows Shanks. Knows that the other two little boys are likely to get swept up by him as well. And what does it say about Mihawk that he’s already making room in his heart form them? What has Shanks done to him?)

Shanks explains the situation to them. That a pirate crew had attacked Luffy twice for stealing treasure from them. He doesn’t know the whole situation (At this point he doesn’t know that Sabo’s father was involved) just knows that some noble was involved and was trying to take Sabo while beating Ace and Luffy.

The crew is furious. Yasopp and Lucky Roux had come over to join them at some point and they are furious.

The two pirates are staring to shout plans for revenge and Benn is on board but wanting to hear what Shanks has planned. But Mihawk cuts them all off. “You didn’t answer my question.” He levels Shanks with a hard look, “Are they dead?”

“No.” Shanks sounds angry, he is. “I knocked them out with conquers haki.” Mihawk makes a noise that sounds unimpressed but Shanks knows he’s questioning why that was all he had done. It’s been a point of contention between them before with Shanks avoiding bloodshed when he can and Mihawk cut first and if its strong enough to survive, then ask questions later mentality. “I wasn’t about to traumatize those kids by slaughtering those men in front of them.” Shanks defends his decision but Mihawk has already turned his attention to the path Shanks had come down.

“They’re up this path?” Is all he asks. He agrees with Shanks’ decision to not traumatize the kids more. But he’s not going to say that out loud. Shanks knows. Knows from the way Mihawk is moving on with the conversation that he agrees with Shanks’ decision. 

“Ya head up the hill and take a left when the path splits can’t miss them.” Shanks responds easily enough.

“Then let’s go handle this.” Yasopp is ready to go when Mihawk starts walking.

“That won’t be necessary.” He’s already making his way up the path.

“Hey it’s our kid they hurt.” Yasopp argues. He knows Mihawk cares for the captain, and the crew to an extent but he’s never been good at reading Mihawk. No one really is except for Shanks and Benn. But Mihawk doesn’t have the same relationship they do to Luffy. This isn’t his fight.

Mihawk doesn’t even break his stride. “Which is why he will be far more comfortable with all of you around. I’ll go deal with the rift raft. You stay here and take care of the kids.” He’s right. Luffy will be far more comfortable and more importantly Save with their crew around. The boy doesn’t know Mihawk, yet, so he would be less likely to stick around in the swordsman’s care.

Plus Mihawk has been feeling the need to slice something in half since this morning, when they arrived to this island and Shanks had entered panic mode. He hadn’t been able to calm Shanks (nothing would until Luffy was found) he is not the one who found the boy, and he’s more than a little over feeling useless. This he can do. He can remove anyone who dares to harm what’s his. Plus Shanks can stay with his boy and crew and relax in the knowledge that Mihawk will take care of it. (And isn’t it nice to know that Shanks trusts him with this. As his lover isn’t calling out or trying to stop him)

Later the island shakes from his attacks. It’s over quickly but he’s quite happy with the fear he struck into these low lives hearts before he cuts them down. The noble might lead to future problems but for now his corpse brings Mihawk joy. If the Navy asks he can always deny his involvement. A noble wondered to the wrong side of the island and got cut down but pirates. How sad.

He starts to make his way back to Party Bar content that the danger is gone and he can now meet the boy Shanks adores without interference. And they can figure out the other two little boys and their parental situations. (He’s not already thinking about adoption that’s Shanks thing okay)

What he is not expecting is the pandemonium he walks into of

One very distressed red head

One cursing little boy saying things that would make marines blush

One little blond trying to not have a panic attack

And one stretchy boy sobbing on the floor about never being able to swim again

Mihawk will never know peace again.

[hamcakevaletguy]

My thoughts on the Damien situation, from the POV of someone who’s relatively uninvolved with posting on social media:

As a newer fan of Smosh myself (I watched some videos in 2012, but haven’t really kept up since, and only started regularly watching the last year or so), I went through the backlog of content that they have because I enjoyed their more recent videos. Zayna, a newer Palestinian fan, did the same and found this joke in an old TNTL disappointing and wanted him to address it firsthand and make his stance clear.

For anyone saying Damien has already made it clear that he is in support of Palestine: it’s not a given that the fan who brought up the clip would have already known about Damien’s stance on Palestine. Yes, he’s talked about it in a couple of his streams and posted Insta stories about it, but a newer fan of Smosh, not necessarily Damien himself, wouldn’t know about those unless they were looking for it because they are:

temporary (IG stories only have a lifespan of 24 hours unless you take screenshots) or

a few minutes hidden under several hours of game streams on a separate platform (he talked about Palestine several months ago and has streamed a lot since, unless you know the specific Twitch stream and the timestamp when he talked about it or had clips of it, most casual fans wouldn’t know either)

In his defense, Damien himself has recently said that more fandom stuff has reached his timeline than he would like, so maybe he thinks more people know about his activism because of that. However, even if Zayna did know, wanting a straightforward statement apologizing for the insensitive joke (because bringing up the "Israeli-Palestinian conflict" [as it was called back in 2019, not accurate to what has been going on for 70+ years and counting, which is an ethnic cleansing] for shock value, as he himself said, is insensitive) is not an unreasonable request.

More under the cut

When all you have is 240 characters per reply, the things that you do choose to say matter even more. When you parse out everything in Damien's replies, he doesn't come out looking too good. Yes, he did apologize for the original joke. In his replies, he said:

using it as shock value was in poor taste and naive of him,

it was in poor taste back in 2019 and he wouldn't make it now

(in response to his first couple of replies) he is sorry for reacting in frustration and he'll learn from it,

and, in his final reply, his parting words were "With all my heart, I hope for safety for your loved ones. Be well."

However, he also says and does things that undermine his apology in the same replies:

questioning why the clip was brought up in the first place, as if bringing up old content wasn't something fans regularly do with things they're interested about and as if it's not still a public video fans can easily find,

bringing up that the fan in question had 19K followers, a fraction of the followers he has as a public figure,

saying that this conversation could have been done in private, as if an initial DM request wouldn't be buried in his other requests as a public figure, and as if he doesn't have the capability to start a DM himself to clarify things after the initial reply/post,

saying that the original tweets tagging him should have been deleted after his first response when he never asked for that, and just assumed it would happen for some reason,

deleting his replies a couple of hours later,

and blocking Zayna and several others who were only interacting with Damien through quote tweets (I'm not sure how quote tweets work, do they notify the OP?), some who don't even say anything remotely critical of him - in his defense, blocking is not inherently a bad thing, it just means that he doesn't want any further interactions from them for whatever reason. However, silencing any Palestinian voice isn't good, to say the least.

Damien has always been a proponent of “trying to understand and see from different perspectives” so his response here surprised me, personally. I get that he has a fear of being misunderstood, but jumping to the conclusion that the other party is purposefully trying to be incendiary is the opposite of that.

I'm not going to try to make excuses for him. He knows better. He's been a content creator for years. He knows he has more influence than any normal fan would. His autism is not a part of this conversation either. Mental illness is an explanation for behavior, it doesn't absolve you of the consequences of it. If you're citing Damien's autism as an excuse for his behavior, you have to also account for Zayna's autism.

People are also bringing up the possibility of Damien getting death threats as a result of this, which we have no proof of and won't have proof of unless Damien himself decides to disclose that. He has only stated that he is taking a social media break, which has been a long time coming, not necessarily only because of this, because he has been busy and tired in recent months. What we do know has happened is that Zayna has received death threats (weird of people to want the death of a Palestinian when the original argument they're defending Damien for is that he is in support of Palestinian liberation).

This isn’t an issue of cancel culture, it’s an issue of accountability and frankly, hero worship of Damien in the part of people attacking Zayna and other people on Twitter.

When the only people who had spoken about their support of Palestine in their own words, however briefly, are two or three cast members, some people are naturally going to put them on pedestals. This hero worship of Damien has been exacerbated by his image as the most politically correct member of Smosh, and Smosh’s (until recently) silence about the issue.

While we're at it, for people saying Smosh's sudden outward support for Palestine and joining Creators for Palestine is in response to backlash about Damien, or only in response to the block list going around:

It's only been a few days since the Damien's whole ordeal. Smosh is not that fast, and historically, their response to backlash would have been either complete radio silence or unlisting or privating the TNTL that the clip is from, combined with silence.

I’m sure Shayne, Ian and Courtney have been working on it for more than a few days, based on their liked posts, to get everything straightened out with the organization themselves and adding their names to the list of creators.

People have been asking for Smosh to be more public about their views on Palestine. Some of the cast members have said their piece on their personal social media, but their views could have changed. Those posts were made shortly after the events of October 7 brought even more media attention on Palestine and the Gaza Strip, which was not necessarily in favor of Palestine because of the effects of U.S. propaganda. It's been several months since then and people have a lot more information now, and more clarity.

Up until now, the only indication of Palestinian support not from social media is a brief statement from Ian who said something along the lines of "travel watermelon", while they were talking about their rejected roasts during Anthony's Funeral After Show in December, which are codewords that were used in TikTok for Free Palestine. However, this is heavily censored, behind a paywall, and temporary, because of the nature of their live shows. This support of CFP is the bare minimum of what Smosh could do, but the bare minimum is more than they were doing before.

They listed Smosh as the name under their $15,000 donation to CFP, not just Shayne, Courtney and Ian, which could be intentional, referring to Smosh as a whole company, or just referring to the three that have posted about it as a collective. Unless Smosh makes a full statement about it, themselves, it's still up in the air.

The timing of it is unfortunate. Damien has been silent about it so far, making his original posts about Palestine seem performative to some. However, it’s only been a few hours and he is on a social media break. The only thing he has briefly gone back online for is to promote something he's doing with Nintendo, which he could have been contractually obligated to do. He may or may not say something when he fully comes back from his social media break, but for now, that's everything we know. People can make their own conclusions based on all of this.

I am being very intentional with every single word I say on here, as to not be misconstrued in any way, however, if I missed anything or anyone else has anything to add (constructively, like images of either the actual conversation had by Damien and Zayna, or the cast and crew's support of Palestine prior to CFP, not outright anger and disagreement), please do. If anyone has any genuine questions about the situation, please feel free to message me directly and not bring it into this post, which is supposed to be a civil discussion surrounding more facts and events, less speculation. If I feel those questions have relevant points to add on here, I will add on in reblogs.

[manicpixiedreamedwins]

I know we all joke about Charles Rowland having these over-exaggerated people pleasing tendencies, but I just want to say they make a lot of sense for someone who grew up in the hell hole of a home that he did.

(Now's the time to dip if you don't want to read something kind of heavy and also really messy, sorry. CW for mentions of Charles' home life)

The night nurse gave us some insight into what Charles' home life looked like (that, and we can piece together how he must have been feeling from his reactions to the Devlin house). We know he had a volatile, objectively abusive parent. We know he and his mother were terrified of this man, enough that he keeps checking in to try and make sure that his mom is still okay all these years later.

Alright. Still with me?

There's this thing that happens to kids who grow up in households like this (trust me).

Because one parent is so volatile, they learn to model after the other parent who is constantly keeping the peace. They're constantly walking on eggshells, they have to be hyper-vigilant of even slight differences in the atmosphere to prevent a catastrophe. If they have needs or wants, then those needs and wants are not being met. If there are problems (there are) then they are not being talked about (ever, and if they try then all hell breaks loose and there are consequences).

These kids form a facade of "everything is fine, there are no problems and we are happy here". You know, what we would call a people pleaser.

This is Charles. This is very much a survival instinct, it kept him reasonably safe in life (truly, he only died once he deviated from it and "rocked the boat" so to speak).

In all fairness, it has worked out fine for him in death too- Edwin responds well to it. Edwin actually does react very well to Charles' attempts at merry making, deep breathing, even his playful ideas like boardgames and boxing. What he knows works, actually. It works so well he's stuck around for thirty years, so in his mind he probably doesn’t think he should change anything.

The second time he deviated from people pleasing, in all fairness, even when he had to or else he would get separated from Edwin, also didn't work out well. He reacted on genuine, earnest feelings. He was fucking angry when the night nurse showed him his trauma. He was pretty raw when he pushed her over the bridge and into the fish. That was all earnest, uncensored emotion, not a measured act.

Edwin reacted poorly. Everyone reacted poorly. Back to people pleasing.

Charles is really only confused when people pleasing doesn't work. When he reaches out to try and befriend Monty and gets snubbed, I think he's genuinely confused. He can't figure what's wrong. This always works. It always works with Edwin at least. So what's wrong?

That continues on when he's doing everything he'd typically do to engage Edwin while he's reading and it's just... not working (because remember the hyper-vigilance- he knows something is different and so he's unsettled).

This continues onto the roof scene. He knows something is completely and utterly fucked (he just doesn't know it is between Monty and Edwin, or that Crystal’s powers are gone) and he's uncomfortable. In a previous life, he'd be waiting for the other shoe to drop and something to hurt.

He's relieved when Edwin finally starts opening back up a little and trying to talk to him. Yes, he misinterprets what's happening at first (he assumes Edwin is coming out in general, as opposed to trying to tell him he likes him), but things are going back to normal in his mind.

They're reconnecting. He does get a little uneasy because there's still one wall between them (the cat king) that he can't manage, joke, or talk his way out of yet because Edwin hasn't explained yet.

This gets interrupted anyway. (At least there's no more cat bracelet, lol. A win for Charles).

There's more pressing issues, though- he needs to rescue Edwin from hell. He literally cannot be separated from him. Their whole thing has been not being separated from each other since... well since the start. So he keeps his promise, sloughs through the depths of hell, and goes to get him. Easy enough! He disarms the babydoll spider with a bomb, a moltov cocktail, and Edwin's journal. This was probably the least of his problems.

Success. He's got Edwin back. His afterlife is good again. Now things can go on as normal.

Only FUCK! Now Edwin is asking him to express... his... feelings...

-Well. Look how well it went the last time Charles did anything on his own volition. First he died, then he pushed Edwin away. This seems kind of important. He can't fuck this up, but they are literally running out of hell, but he can't fuck this up because that would mean he pushes Edwin away-

He comes up with something that feels close to right, measured, things that Edwin has responded well to before (and under all of that he asks him to stay, please stay, be patient, but it comes out as a declaration because that seems more certain). He cannot lose Edwin here.

They run back up the stairwell together. Charles hopes maybe Edwin understood.

Charles wishes he had better words on the roof. He doesn't, other than to reassure Edwin they're okay-- he would have wanted that. The last time he said anything, it was too extreme. He says nothing and hopes maybe Edwin will give him some sort of clue on what to do again, eventually.

Idk, maybe I'll write more later but... this is so fascinating to me because it's like so obvious as someone who grew up in the absolute tar pit that Charles did. He's not dumb, or making arbitrary choices with what he's doing here. He is doing what he knows works to keep what's important to him close to him. He's just wildly out of his depth when that doesn't work.

[urmichiee]

This love

:: Things that make them fall in love deeper (If that was even possible)

With: Suna Rintarō, Akaashi Keiji, Iwaizumi Hajime x gn!reader (separately)

! reblogs are appreciated | wc: 0.7k+

➵ Suna Rintarō

He loves the way his lovesick gaze makes you flustered. 

It’s almost sickening, the way every “imperfect” feature you have, every insecurity, everything about you seemed to be perfect in his eyes. It’s when he knows he picked the right person to love.

Every time you make eye contact, he stares shamelessly, love present in his eyes. It makes you blush. A lot. He just can’t help but fall in love every time like it was the first time he’s met you. He doesn’t believe it when you, of all people, chose him. 

Every “I love you” you’ve said was for him. Wow.

When you’re in class and just seated a few seats in front Suna, by the window, the sunlight hitting your face just right to make you the most ethereal being to him. The way he paid no mind to the teacher’s lectures and just stared at you is almost unreal to you. 

Times when you would look behind only for him to be staring at you, his head on the desk and his arms acting as his pillows, makes you go red. You don’t know why, but it just does. When he sees your reaction, he can’t help but smile so sweetly– so innocently.

It doesn’t take a genius to know that he’s fallen. Deep. 

—

“Hey, Suna?” Osamu whispers to his seatmate. “You’re staring,” he stated the obvious.

“How can’t I?” Suna utters, not bothering to look at the boy beside him. “They’re gorgeous.” 

➵ Akaashi Keiji

He loves the way you compliment him. 

“You’re so pretty, Keiji… D’you know that?” It seemed to just roll off your tongue. He gets many compliments from other people many times. But, when it’s you, he can’t help but hide his face wherever he can just so you won’t tease him about him being a blushing mess, his calm demeanor diminishes in mere seconds. 

Why’d you make him like this? An easy victim to your words. He groans, hiding his red face in the book in his hands.

“Awh, don’t hide your pretty face, Keiji,” you say, getting a grip of the book and slowly lowering to reveal a blushing Akaashi and you’re cuddled form around his torso certainly wasn’t helping.

“Heh, you’re the cutest,” another praise from you. You just don’t know when to stop, do you?

“Ahm, t-thank you?” It’s clear he doesn’t know what respond. You giggle at his response. He loved hearing you laugh, it was as if it was music to his ears. A sound he could play on loop and never get tired of. “You’re really cute too, [Name],” he quietly says, trying to compliment you back.

“Hm, what was that?” You ask him as you heard him mutter something.

“Nothing,” he almost immediately says. God, why is he so shy around you? 

“Keiji?”

“Yes?”

“I love you.”

Just what are you doing to him?

➵ Iwaizumi Hajime

He loves the way you have supported him all throughout high school.

From staying after school to watch him practice and walk with him and Oikawa home, to watching him play in games and being so proud of him for doing his best. Even when they lost, you were still there to congratulate him and comfort him when he doesn’t react quite well.

The love he has for you is unreal, he’s so happy that he gets to love someone as amazing and perfect as you. 

“Woww! That was so cool, Haji!” You tell him on his water break. You praise him on how good his hits were, how you were so awestruck by it. He couldn’t help but smile at you, you’re adorable when you’re like this.

“You were just really really amazing, Haji! I don’t think anyone can match up to you!” You continue your frenzy of flattery towards the man in front of you. He only scratched his nape.

“[Name]?” 

“Yeah?”

“Thank you, for everything,” you’re confused. Why was he thanking you?

“You know how it’s my last year here?” He says, reminding both of you of the sad truth.

“Hm, yeah? Why?” 

“You’ve been here, with me and… Crappykawa, and the whole team. I’m happy that you’re still here, so I thank you for that, [Name],” your heart melted at his words. Was this really the Iwaizumi Hajime talking to you?

“Aww! I’m glad I was able to be by your side. Yours, Oikawa’s, and your team’s,” you hug him, suddenly feeling a bit emotional. The sudden physical contact made him surprised, but nonetheless, he returned it, muttering the words “I love you” only for your ears to hear.

—

“Hey, look. They’re being lovey-dovey again,” Matsukawa tells Hanamaki as he wipes the sweat of his forehead.

“Oh, damn. We are so lonely.”

A/n: I have my favorites

© all rights reserved to @urmichiee June 2023. any reposts, acts of plagiarism, and modifying of my works are strictly prohibited.

[itsabouttimex2]

Platonic yandere monkey family finding out y/n is dating redson

Monkiefam reacts to dating Red Son

(Alternate Scenario)

MK will no doubt be the calmest about this situation... depending on the season. In the start, he’ll be incredibly upset (even somewhat betrayed) about you dating his very dangerous rival. Let’s not forget that Red Son was once very willing to harm innocent people in his quest to take over the world/please his father.

Once Early!MK learns about your relationship with Red Son he’s genuinely worried for you, thinking you might have been coerced into the relationship in some way. This fear sets him on the war path, racing off to the Demon Bull King’s fortress. He’ll unhesitatingly smash through hordes of Bull Clones, ripping apart the metal of the drones like wet tissue paper. Each machine-shattering swing of the Ruyi Jingu Bang brings him a step closer to you, a step closer to the dining hall that serves as the center room of the armored fortress.

Where he finds you and Red Son sitting across from one another, happily sharing a meal together.

His heart is struck with anger and relief in unison, his diametric emotions spread between the both of you. He’s furious at Red Son, for daring to try and court his precious sibling, but also eased by the fact that you’re clearly unharmed and here by your own will and volition. By nature of being someone very precious to him, you garner far less anger from MK than his rival does, but he’s still upset. His voice takes on a gruff edge as he angrily scolds you, sounding much like Pigsy does when the chef flips his lid.

“You came here?! Without telling me?! To go on a date with my rival?!”

Any protests, excuse, or explanations from you are summarily dismissed as he grabs you by the wrist, swinging his golden staff against the ground. Bits of tech and clutter from around the house gather together, forming a small mech with the both of you in the cockpit. Red Son can only stare in shock as MK’s brand new mech stomps out of the fortress, each angry step shaking the ground.

The ride home is tempestuous, his emotions flaring as he pilots the gold and red mech, biting his tongue to keep himself from yelling at you. He’s angry, sure, but he still loves you. MK doesn’t want to drive you away or hurt your feelings, after all. He just wants to keep you safe.

Even if it means cutting you off from your ‘boyfriend’. He’s only doing it for your own good, of course.

Sun Wukong has seen people make a lot of bad decisions in his time. Even as knowledge and resources grow wider spread and more readily available, people stay foolish, small-minded, reckless. Sometimes by circumstance. Sometimes by choice. And one of the greatest motivators for foolish decisions, staying consistent through the centuries-

is love.

Love, whether fleeting and passionate or slow and drudging, changes people. It inspires them to perform grand gestures, to better themselves, to grow and learn. Love makes people into artists, writers, sculptors, all so that they can share with the world with the white-hot beat of their hearts.

And then, equal and opposite, it drives them to violence and bloodshed. Blood-red hands born of green-eyed envy driven to take up sharp knives and heavy cudgels. It breeds wicked plots and gruesome schemes, tricking people into throwing their lives away for a fleeting flame that’s destined to burn out.

Love is beautiful and dangerous in equal amounts, something to be both cherished and feared.

Sun Wukong has seen both outcomes. He’s personally dealt with tragedies born of love, many times over. Not every coupling ends with marriage and children, a ring and a promise.

His own sworn brother, Zhu Baije, was cast out of heaven for attempting to seduce Guanyin, being reborn as a pig demon. Then, he never returned to the maiden in Gao village that he fell for, instead spending his life as a cleanser of altar leftovers.

Kui Mulang was separated from his lover for his crimes, and forced to become a furnace keeper. Tang Sanzang refused to marry the queen of the Women’s Kingdom, and then rejected the scorpion demon that stole him away.

He doesn’t tell you all of that, of course. He nudges you with an elbow and gives you a cheeky grin, saying that: “It doesn’t always end well, bud. Trust me, I’ve seen more than a few things in my time that would have you running for a cloister.”

He doesn’t warn you off of love entirely, or threaten you to not start dating. In fact, he’s not entirely opposed to the idea of you having a significant other. He’s a pretty easy-going guy, even when he’s staring down his enemies or cracking skulls open.

In fact, depending on who you go after, he might be entirely supportive of you!

Red Son is not a decision he will abide by, unfortunately. There’s just too many flaws to count, in Wukong’s opinion. Short-tempered, egotistical, elitist, violent, power-hungry… nothing that qualifies him to be your partner, honestly.

So the Great Sage goes about trying to casually split the two of you up, whether it’s finding his way “by coincidence” into your dates, or crashing any meetings you and the demon have. What can he say? He gets around a lot more these days, doesn’t he? It’s not strange to meet up in popular places around Megapolis.

Even though he continues to show up wherever you and Red Son meet, no matter how “off the beaten path” or “hole in the wall” it may be. He’ll never justify himself or explain why he’s there. But he will grab a table and join the two of you.

He might not be outright sabotaging the relationship, but he sure makes it hard to maintain and grow. He won’t candidly ruin it, but he keeps pushing and pushing, slowly fraying your nerves. It’s a trap, where he’s trying to push you into snapping at him. And if you do fall for it?

It does get worse.

Try to lash out at him, or demand that he go away. Yell at him, or push him away. Try it, and he’ll throw you over his shoulder and hop onto his flying cloud, racing you back to Flower Fruit Mountain. From there, he’ll forbid you from being with Red Son again, grounding you for the outburst he intentionally provoked.

Watching you grow upset with his decree, Wukong will wipe away the tears gathering up in your eyes, and pull you into a hug to comfort you. He doesn’t want you upset. He just wants you to himself.

“It’s alright, bud. Don’t worry about that fire guy. He’s pretty awful, honestly. Let’s sit down and watch something fun to take your mind off him, alright?”

And; for now at least, he’s got you.

No. Absolutely not. Macaque refuses to allow it. He doesn’t want to see you with anybody, but least of all a “hot-headed demon with daddy issues,” as he puts it. Where Wukong will show restraint by never outright ruining your dates and outings together, Macaque crosses that line unhesitatingly. Once he learns that you’re openly and happily dating a dangerous demon, he sets out to find you and rectify this little issue.

He stalks out to the park that you and Red Son are walking through, quietly following along as his glare burns into the demon’s back. His fury reaches a boiling point when the two of you settle onto a bench, Red Son’s hand slowly reaching out to yours.

He furiously stomps through the park, coming up behind the both of you. The shadows writhe and roil with each step he takes, coming alive to lash at the ground around them with ice-cold tendrils.

He summons up his shadow staff and swings it down, smashing the middle of the bench you and your boyfriend are sitting on to announce his presence, cleaving the metal cleanly and easily. You and Red Son both scramble to your feet, shocked and more than a little scared.

You specifically.

If there’s anything that gives him reason to pause, anything that stops him in his tracks, it’s the look of outright fear in your eyes. He takes a moment to catch his breath, dispelling his staff and quieting the rioting shadows. He’s still angry, sure. But he doesn’t want you to be afraid of him. So, even though he’s seething with fury, he stops short of actually harming Red Son, instead settling for dragging you away by your ear as you argue and protest his rough hold on you.

Macaque pulls you over to a shadow portal, still gripping your quickly-reddening ear between his thumb and pointer finger, pushing you in before him. He whips around to shoot Red Som a death glare, then turns back and jumps in after you.

You both pop out inside your shared house, Macaque’s foot tapping impatiently as he folds his arms, staring at you disapprovingly. You rub at your sore ear, glaring right back.

“No dating. I already told you this. One, you’re too young. Two, anyone could be an opponent in disguise. Three, he’s dangerous. Seriously, bad call. I thought you were smarter than this, kid.”

He goes silent when he sees the tears beading up in the corners of your eyes, maybe from pain, maybe from his lecture. He did just technically call you stupid. Macaque sighs, and pats your head.

“Look, just… go lay down. See if you can’t get some shut-eye, alright? I’ll check up on you when it’s time to eat.”

He sends you off to your room, spinning you around and nudging you off, sighing as you go. His powerful ears make it impossible to ignore your quiet sniffles and the sound of tears hitting the hardwood floors.

He’s not the bad guy here, he reminds himself. The bad guy is whoever’s trying to corrupt you or steal you away from him. Them, not him.

Never him.

[ewingstan]

So one of Ward's main themes has been asking what's needed to change as a person. Its the whole setup for Breakthrough: People who've done horrible things trying to become better. There's been lots of sub-themes within that—accountability, punishment and repentance, separating yourself from your past. There's been a constant counter to it, with most of the foils or antagonistic forces expressing the idea that you can't get better and might as well let yourself get worse. Lisa does this through her pessimism about things getting better. A lot of the minor career villains have represented it through their willingness to "be more brutal" rather than stick to the old rules we're pretending anyone followed. Cradle represented it through how he blamed Rain for not letting him stay good, and before that the rest of the cluster represented it through blaming Rain for their own bloodthirstiness via bleedthrough. "This isn't my fault, the world is making me bad" has repeatedly been positioned as the obstacle to "Regardless of why I did wrong before, I can put in work to get better."

I do think that "others are too quick to judge agents for reacting to bad circumstances imperfectly" is a bigger problem then "people are too willing to blame their circumstances for their behavior." Mostly because those unfair judgements of moral character has been the justification for uncountable cruel punishments throughout history, lead to untold people being paralyzed by the fear of Hell, lead to children being treated like they needed evil beaten out of them and convicts being treated like they're being disrespectful for daring to continue drawing breath. It can be hard for me to overcome my gut reaction towards anything that seems to be arguing for moral responsibility, because I genuinely think our ethical systems would be better without that concept being included.

But, that's not quite what Ward is doing, at least not when its at its best. "You need to take responsibility" in the sense of recognizing that you could act differently in the future is, strictly speaking, different from "you need to be held responsible" in the sense I find harmful. So as far as central themes go, its not bad. I have resistances to finding it astounding, but it's not an inherently terrible angle or anything.

That said, Ward has framed the opposing theme in counterproductive ways. While "the world wouldn't let me change" can work as a good beat, its not something that people are consciously thinking and being motivated by. We can talk about "they thought I was a monster, so they stripped me of all means to live honestly, so I had to live as a monster" or even "they thought I was a monster, so none would speak with me except others they considered monsters, and we made each other our worst selves," but in neither of those cases is the character's actions driven by their own belief that people wont let them be good—its driven by the actual external circumstances of how people treat them and restrict opportunities. So the way Cradle suddenly starts behaving horribly, not because others are treating him in ways that affect his material circumstances, but because of his reaction to the cluster bleedthrough—it just feels mistaken to even invoke "you made me a monster" as a trope. It doesn't work as a critique of pushing the blame for your actions onto others, because Cradle's reasoning for pushing the blame onto others feels written as an afterthought.

My problem with how this is treated in Amy are related, but not identical. A few chapter's ago, Amy complained about the world not letting her change. I don't think it made much sense for her, not only because her becoming someone who externalizes her issues feels like an unsatisfying direction for her after Worm, but more directly because it doesn't make sense in the context she's in. And sure, she's someone who makes poorly thought-out excuses for herself, so I'm not gonna ding the writing for that. It just feels like it makes more sense as just a parroting of what some commenters have said about Victoria and Amy, rather than something that Amy would herself think.

The same thing seems true for the above passages. A lot of things that readers have said about Amy are now being said, by Amy. Amy is of course voicing the rhetorically worst possible version of those claims, but I think the interesting thing is that the context Amy's saying it is the main thing making it reprehensible. Because as much as Amy is repeating the thin substance of what some readers have argued, fans arguing with other fans that "you shouldn't hate this character because X," is just substantially different than a rapist telling her victim "you shouldn't hate me because of X." Even if the strict words spoken were the same, they aren't at all the same claim, because one is what the audience should feel and the other is how Victoria should feel.

You could argue against this by saying "if its right for Victoria to hate Amy, its right for the audience to hate Amy, because hate is right when it reflects an accurate judgement of someone's moral character." I won't pretend that conception of justified hate isn't somewhat widespread, but I don't think it stands up to scrutiny. Especially not applied to fictional characters.

[shigayokagayama]

The Beach Omake And Authorial Intent

initially i was going to save this for a big teru analysis i had cooking however i eventually ended up deciding that it would feel like a really long tangent in its original context and probably deserves a separate post.

when it comes to the whole "teru's parents" thing i generally see two competing ideas on it

a. terus absent parents are the real villains of mob psycho and are the direct cause of everything wrong with his life and any and all teru analysis must center around this fact

b. terus parents being absent in the first place is only revealed in an omake and only exists for plot convenience and is not something that should be focused on at all when writing him

and whenever i see either of these my mind always drifts to the question of authorial intent. i know how people are reading this information, but how are we supposed to? i know death of the author is becoming more of a common thing in fandom spaces (albeit usually misused) but i feel like a better understanding of why this omake exists and how we're supposed to read it might help to better synthesize two takes that seems to be completely at odds with each other.

okay first i want to go over the actual placement of the beach omake in the update schedule of the manga because, unlike most other omakes, i feel like this ones placement in the schedule of page releases is actually super relevant

the vast majority of omakes come at the end of weekly updates. you finish reading the usually 15-20 pages ONE put out and then you get a little bonus comic at the end, usually something funny or a slice of life but but occasionally more serious. multi part omakes are usually spread out over multiple updates, making you wait a couple weeks for a punchline.

beach omake is not that. between chapters 99 (mob gets hit by a car) and 100 (the whole rest of the omake) there was a 6 week hiatus from normal pages and in this hiatus is where we get beach omake. reading it all together immediately cuts away the sort of "slice of life sunday paper comic" tone other multi part omakes have and make you read it as a part of the actual main story, since that's how you're used to reading these weekly updates.

now the actual tone. generally the multi part omakes exist to be long punchlines and the rare emotional ones are a single page for maximum impact. beach omake has a very different structure compared to, say, the haunted doll omake or the pot of happiness.

off the bat from the first two pages there's not really a joke. the tone mostly seems kind of melancholic. mobs expression for the middle section of the second page (maybe purposely) is obscured by the panel breaking off, it's hard to tell his reaction, all our attention is directed at teru. with all of the panels taken up by dialogue (primarily his own), we're being asked to focus on what he's saying:

-teru lives alone

-he lives alone because his parents live overseas

-he hasnt seen them in a while

-he doesnt like having nothing to do

-he doesnt like being alone

all of this information is delivered with an extremely casual expression from him, implying that it's not something that seems ll the out of the ordinary for him. mob, on the other hand...

the hesitation before he says anything and the way his expression is obscured seems to imply something is... off... about this information to him. this isn't a handwaved "oh mob is walking home from school after passing out because he needs to for plot reasons", we're reacting to this information like it's weird.

the next two pages are, mostly, a lot more of what we expect out of a mob psycho omake. the first one works as a standalone joke page, teru is bad at identifying animals which leads to him showing reigen a roach, something reigen is terrified of, instead of a beetle.

the second page starts similarly, we get a dumbass joke about reigen trying to pick up women at the beach (note: i think this is the singular time we get an indication reigen is even into women) but then the next two panels take on a more melancholic tone again. we get a small panel of mob and ritsu playing on the beach and a much, much larger panel of teru sitting on the beach, watching them. the dialogue bubble forces us to pay attention to the fact that he is silent.

the ending of this omake is where we bring it home. generally the last panel centers the punchline of the page, or of the whole omake, but the final panel of this isn't really what was being built to in this case.

we start our second page on teru. his expression is obscured, reigens speech bubble is shoved to the side so we can see that teru's hat is being held in his hands.

when we see his face in full view he looks... confused. he looks like he doesn't know how to react to someone going through all this trouble for him. teru is a character who, up to this moment, we have seen as extremely independent. he always rushes into things alone, he always has to be the hero, he always has to be the one to save the day. hell, this omake is immediately followed by the confession arc. where... you know.

so what are we supposed to get out of this omake?

teru's been doing everything on his own up to this point

but he doesn't have to anymore

[miamochi-writes]

Hi! I’m the one who requested the Vash x reader and Wolfwood x reader scenarios of them having nightmares. Thank you so much! You wrote it so beautifully, my heart couldn’t handle how cute and sweet it was! 💖

I wanted to request if you could do the same thing but how would Vash and Wolfwood react separately to the reader getting hurt by someone? Bonus if you write for Knives too? The way you write him is so beautiful too 😭💖

I'm so glad you liked it! <3 And I can definitely take a shot at this :) Hope you like it :)

The Guys Being Protective

Vash

The minute this man finds out you're injured, your well-being is his first priority. He needs to know that you're okay before he decides his next move. If it is a minor injury, like a bruise or no bleeding, he'll probably let out a sigh of relief or give you a quick kiss. Vash is more likely going to caress your face or hold you very close to him without hurting you. He's thankful that you're still breathing and still by his side. Yet, he will remind you to be more careful next time. Vash has already lost many important people in his life, and he's not going to lose you too.

Although, if this injury is serious, Vash's fight-or-flight is going to kick in. He is going to make sure you're out of harm's way and that you get the necessary treatment possible. If anything, he'll try to patch you up with what he has available or rush to find someone to take care of you immediately. Vash is already restless that you're hurt, but would be devastated if your condition got worse.

If you even dare try to brush off your injuries as nothing, you're going to make him feel worse. He's only okay with him doing that to others, not when you do that. He's already beating himself up that you got hurt under his watch and that he didn't prevent it. So be sure to give him lots of cuddles and kisses to reassure him before he spirals. Make sure you tell him that he's not at fault and that you stay by him no matter what he says. He's been through so much, so you comforting him and showering him with kisses should do the trick.

Afterwards, he's going to ask you who did this to you. This man will find and go after whoever hurt you. Because if Vash finds the culprit, this person needs to run for their life. Vash may be Love and Peace, but that goes out the window if anyone hurts the people he loves and cares about, especially when it comes to you. He values you way too much. If he catches the culprit, Vash will make sure they don’t hurt you again. If this person gave you minor injuries, Vash will try to warn them not to do it again. But if that fails or if this person gave you serious wounds, Vash will use his fighting skills or his gun, (no killing obviously) I’m sure of it.

Let me just remind you, this is the same man who took out a good chunk of the Badlands Boys when the people in the Sand Steamer were under attack. Don't forget, this is also the same man who threatened E.G. Mine to disarm the bombs or else he'd make sure he wouldn't get away unscathed. Have you seen Vash angry? He may be babygirl, but he will punch, fight, chokehold, and bite whoever hurts you. Period. Vash will fight for you and your safety until the end of time.

Nicholas D. Wolfwood

If Wolfwood finds out you got injured there's a bunch of scenarios of what could happen. But they all to lead one thing, him beating the hell out of whoever laid a finger on you. It doesn't matter if you got a bruise, scratch, cut, wound, or mark, this man is going to be worried sick about you. Despite how cold, stoic, or teasing he is, Wolfwood has a big heart for you. He's cares way too much to brush off your injuries. Although after a minute or two, this man will be seething with rage. No one hurts you and walks away it.

Of course he's going to check up on you and see how bad the damage is. If Wolfwood finds out you're lying about the pain or hiding any other injuries, his anger is going to boil over. Not at you, but at the person who did this to you. But, he would rather you tell him honestly. Wolfwood has the biggest soft spot for you and would hate it if you lied about being fine. This man has already lost Livio, and he refuses to lose you too.

This man is invincible, but you're not. He knows you only have one life and he's going to make sure you live it to the fullest with him. Once Wolfwood is done looking you over, he's hunting down the person who did this to you. He's going to give you the: "I just want to talk to the person is all." Which means, "I'm going to beat the living shit out of this person."

No one messes with The Punisher and his loved ones. Just remember that this man carries the heaviest and deadliest cross weapon in No Man's Land. So imagine the beating this person gets once Wolfwood finds them. It doesn't matter how much they run, Wolfwood will find them and make sure they know what happens if they hurt you or anyone else again. Let's face it, Wolfwood is not going to let this person live unless you or Vash stop or convince him.

Once Wolfwood settles things with the person who hurt you, you're not leaving his sight. He's going to be taking care of you to the best of his abilities and making sure you get plenty of rest. This man will need lots of reassurance from you that you're doing okay so he'll be sticking by you a lot more. Probably going to cling onto you with hugs and kisses and giving you his lollipops. Call him Nicholas from time to time in private and this man will be putty in your hands.

Knives Million

Knives is someone who rarely wears his heart on his sleeve. But if it involves you, he'll only show his feelings in private with you. So imagine what is going on with Knives internally when he finds out someone hurt you. That stoic face? Gone. Composure? Shaken up. His blades? Ready to cut someone up with no hesitation.

If you're a human, Knives knows that humans are delicate and don't live long compared to him. If he sees a cut or a minor scratch, he'll tell you to be mindful of your actions. He knows those kinds of wounds will recover in no time. However, if he even sees a bruise, any deep cuts, or bleeding, Knives is not going to let that pass.

If you're a plant and Knives finds out someone hurt you as mentioned above, there's no stopping him from seeking revenge. Knives will send Con'rad to tend to your wounds. If Con'rad doesn't do a good job of patching you up, the plant will have a long and menacing talk with him alone. If you can bring joy, solace, or even fill the lonely void Knives has within him, of course he's going to hold you in high regard. You are beyond special to him and will make sure no one lays a finger on you. Or rather, make sure no one takes you away from him.

Knives will demand you tell him who did this to you. If it was someone from outside his humble abode or lower ranking men that hurt you, he's going to off them immediately. Plus he never liked most humans, so less people for him to worry about. However, if he finds out it was one of the more important men like Legato, Con'rad, or any other high ranking follower...good luck. He's probably going to make their punishment slow and painful. Knives will reiterate what happens if they dare even hurt you and that they should consider themselves lucky that he's keeping them alive. He’ll probably make an example of someone if he catches them hurting you again.

Once he's done taking care of things, Knives will go check up on you to see how you're doing. He will take time out of his schedule, more importantly his alone time, to see you. Knives needs to know that you're doing okay and healing from your injuries. If you visit him while he's playing piano, he'll beckon you to sit with him and play you a song. If you try to play along with him, you're going to brighten this man's day.

[justsomeoneintoomanyfandoms]

hello! i was wondering if you could make Hotarubi x s/o who always praises them please 🙏

thank you very much ☺️

Hi Anon! Thank you for your your request! Sorry it took a while. I hope you like the headcanons!

Fandom: Tokyo Debunker

Characters: Subaru Kagami, Haku Kusamagi, Zenji Kotodama x gn! Reader (separate)

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You like dishing out praise liberally so what do the Hotarubi characters think of this and how will they react when that praise is directed towards them?

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Subaru is always a bit of an enigma and it’s often fifty-fifty on how he’ll react when you praise him.

Sometimes when you give compliments, he’ll get super blushy and try to deny it. Other times, he’ll take it in his stride and return the praise.

He enjoys your praise but, having been a child actor, praise can sometimes feel fake to him, even if it’s coming from someone that he knows is genuine.

It might take him a while to come around to accepting compliments and praise and taking them seriously but with how much you praise him, he’s sure to come around eventually.

Haku’s actually a lot like Subaru in that he has two different reactions to you praising him. But the difference is that Haku will experience both at the same time.

Externally, he’ll smile, accept your praise, and compliment you back, acting suave and dashing. Internally though, he’s a blushing mess.

He really likes being praised by you, especially since his relationship with his family is complicated and he likely didn’t receive a lot of genuine affection from them.

Much like Subaru, it might take him a while to realise that you’re being genuine in your compliments. He’s so used to people praising him just to get their way that you’re a nice breath of fresh air.

Zenji’s completely different to both Subaru and Haku. He loves your praise and it’s afraid to show it clearly.

He was quite taken aback at first though. Even though he likes his music and creativity, he’s surrounded by people who see him more as a nuisance. For you to praise him so much catches him a bit off guard.

As soon as he’s regained his footing through, he’s returning to favour to an equal extent. It almost becomes a praise war. As soon as one of you compliments the other, the praise gets returned.

He won’t get blushy or flustered but Zenji can’t imagine going without your praise. He can hardly remember a time when he didn’t get to hear your sweet words every day.

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