#have this while i get on replies

[palarien]

sketched this out at jury duty actually

[chloesimaginationthings]

Hi there ! I’ve just stumbled onto your art and I’m instantly obsessed with how you draw fnaf 🥰 I’d love to join your sticker club ! But I had a couple of questions.. do you ship to Australia by chance? And also wondering if the previous months stickers were available to buy at all? .3.

Yes I ship internationally and you can request for previous sets!! Just have to let me know on the pinned post on Patreon or shoot me a dm ^^

[sydmarch]

it's really strange to me how many people I've seen say that the substance is unsympathetic towards elisabeth & disdainful towards woman in general. idk it feels to me like the movie is really explicitly not saying "silly women, isn't it stupid that they're doing this to themselves?" but "isn't it fucked up that our culture puts so much pressure on women that they feel forced to do these things to themselves?"

[hiekka]

fuck everything else i just drew him with semi-consistent features also this is the immediate aftermath of the last sketch i posted

[poorly-drawn-mdzs]

Get Souped!

[wildstar25]

MiqoMarch Day 11 - Loss

[raiiny-bay]

some WIPs from the 80s AU i never finished

[chloesimaginationthings]

oughh.. your movie william affers design is too silly… love him ❤️

Tbh I haven’t drawn him nearly enough, gotta fix that

[pichirobi]

*passes everyone a "hard to swallow" pill bottle* i understand that dan and phil are highkey delighted by rpf fan content, but they have also expressed discomfort with conspiracy theories, speculation, and when fans have convinced themselves of a fake reality only to be disappointed when their headcanons don't come true.

not every joke about gay sex should be taken as a fact of their sex life. not every reference to the concept of marriage should be more ground for you to stand on at phwedding hill. not every improvised response to a tour pre-show question should be hyper-analyzed to have greater meaning about their affection for each other. dan and phil choose to not label themselves as boyfriends; we should not, with complete seriousness, convince ourselves that they are boyfriends.

we should not anticipate a "hard launch"—truthfully i hope they never ever make public the details of their relationship. they have already given us the knowledge that they are real best friends, companions through life, actual soulmates. and as a long-term phannie, this knowledge is more than we deserve!

continue making this community fun with ship art and gifs of heart eyes howell and fic events, but remember that we are now in a position to do so freely because of the boundaries dan and phil have set in place. we know that dan developed an ounce of bitterness towards intensive shippers who invaded their privacy and distorted reality. let's avoid another "that week in march" craze when we engage with the crumbs they feed us roombas. let's make sure we don't take their forgiveness for granted!

[choccy-milky]

(SPOILER WARNING to people who haven't read your story) I SWEAR to GOD!!!! This is borderline anon-hate with my current state of mind after finishing The Raven and The Snake over this weekend. I finished it in two days. I'm a mess. I've even started making a playlist because I feel like I can't properly enter reality again. I'm supposed to be writing my bachelors thesis right now,,,, what have you done to me!!!!

I loved it so so so much, and I am very mad I cannot have a collectors edition hardback version of it on my shelf. There are many many moments that keep replaying in my head, and scenes that I saw so vividly when reading through it. The first imperio moment and Sebs shadow and imperio-green eyes as Clora was held captive, and the entire scene in the repository and how I was physically shaking as I slowly realised that Seb had made a fucking horcrux, and when it was CONFIRMED the GASP i GUSPED. It was so perfect, and so very Sebastian; because OF COURSE he made a horcrux (lowkey hot, sue me).

And the scene where Clive realised Seb straight up just died for his daughter without knowing he would be back, oh my dear lord.

And the idea of Seb being seen as a 'Ruffian' and that little mamas boi bitch of a Henry thinking his hand-me-down-riches, muggle ass would be preferable to a powerful wizard. I secretly wished they didn't have to keep magic a secret so Henry could have known just how inferior he was. AND SEB APPARATING SO FAR UMPH the skilllll.

I could go on and on and on, and maybe I will some other time in your inbox when I have another mental breakdown.

And now I'm also almost done with the small sequel. Just taking a break to bombard you with this unhinged message of mine. And how you draw Sebastian is so fucking good. It's actually what got me reading in the first place. I see your version as being in a completely separate universe from the game, cause the way you draw him just has that something, and it's not the same anywhere else. It certainly doesn't help my obsession that my own boyfriend has the same features and colour palette as him, now I think I might even use your art as inspo for next time we need wardrobe additions.

I love you and I hate you.

Ps. Of course I added Sarah Smiles to the playlist and also Far too young to Die, and Just One Yesterday. If you've any other songs you think match please let me knowww~~

BRUHHHHH I ALMOST FEEL NARCISSISTIC FOR POSTING/RESPONDING TO THIS ASK BC ITS JUST PRAISE BUT DAMN THANK YOU SO MUCH😭😭😭😭IM HAPPY YOU LIKED IT SO MUCH!! FORGET WRITING YOUR BACHELORS THESIS, TY FOR WRITING A THESIS ON WHY U LOVED MY FIC SO MUCH AND ALL THE LIL THINGS U ENJOYED BAHAHAHA (love the henry slander) im also glad u like how i draw seb too, and i love how thats what made u start reading it in the first place BAHAH but fr, sometimes i try drawing seb more accurately to his ACTUAL appearance and then im like... Who The Hell is this... and it may sound arrogant since im the artist but my seb is MY seb, yknow...its why i dont like drawing him with other mc's romantically. bc even tho its like, oh look, that's Sebastian Sallow™ from the hit game Hogwarts Legacy™! in my style if i draw him with another MC, its like, NO!!! THATS NOT SEBASTIAN SALLOW™, THATS CLORA'S HUSBAND🤺🤺THE FUCK ARE YOU DOING BOI??🤺🤺🤺 LMAOO but rly TY AGAIN💖💖💖 not only for reading but also taking the time to write all this and let me know how much you enjoyed it🥹🥹i (and all writers, really) always love getting stuff like this!! it also brings me back to when i was writing it, especially now that ive been finished with my fic for a few months, listening to u react to all the diff scenes is making me miss it and giving me nostalgia for my own damn fic FRRR😩 also i love that youre making a playlist LMAOO thats how u know the brainrot truly has a hold on you IM SO SORRY🙏🙏 i actually made a seb and clora playlist like last year and its somewhere in my ask tag if you look through that?? but one song that i can recommend off the top of my head (which i almost made their anthem in that OTP chart) is arms tonite by mother mother...whenever i listen to it i cant help but laugh to myself bc its SO perfect for the chap where seb sacrifices himself....YOULL SEE WHEN U LISTEN😇💖

[poorly-drawn-mdzs]

your art is absolutely amazing

i just went thru all of the poorly drawn mdzs and it was amazing seeing your art develop!

you just made my morning, thabkyou <3

Thank you so much for the kind words, and for cheering me on as I continue to learn!

[stupidlittlespirit]

im sorry to hear that you're actively losing your relationship due to being ace.. thats genuinely devastating

it's alright babe, at the end of the day I'll always have this smokin hot bod and this clean bill of mental heal-..... this smokin hot bod!

[ruvviks]

// COMMISSIONS!

opening up general commissions so i thought i'd make a new post, most info is already in the slides but i require a document with information and references before we can get started, list below!

// WHAT YOU'LL PUT IN THE DOC.

which type of commission you want (head/bust/half body + lines/color)

short description / introduction of your oc

at least one visual reference but preferably more; face claim, art, picrew (if the maker allows it), NO a/i art!

additional visual references such as pose, clothing, tattoos, and color scheme; if you don't have any preferences, you can skip this!

additional details that i need to keep in mind (freckles, scars, stuff like that)

what kind of background you'd like (solid color, gradient, dual color)

// NOTES.

DM me before paying! i would like to see references first before receiving payment, so i'll know what i'll be working on!

if there's no open slots left, i can put you on the waiting list and i'll reach out to you as soon as i've worked through my queue :D i work in batches as to not overwork myself, so i cannot give you an indication on how long you'll be on the waiting list

i'll keep you updated throughout the entire process, please keep an eye on your tumblr dms when commissioning me for smooth communication! i'm willing to move to discord for communication too, but if i don't know you well please keep it professional

i might charge extra for complicated background pattern requests, complicated armor or complicated tattoos, but feel free to request anything because we can always discuss details about stuff!

the end result is a digital artwork of your oc, you will not receive any physical goods!

you’re allowed to post the art wherever and use it for icons and such, as long as you don’t take credits for the art yourself. you are not allowed to sell it or use it for n/f/t or a/i purposes

ko-fi: ko-fi.com/nuclearvessel

[ywpd-translations]

Ride 787: The back that was pushed!!

Pag 1

1: Packed with the passion of everyone in Sohoku... a full throttle injection of will-power!!

Pag 2

1: Iitsuka-san!!

Goo Fukuoka!!

Oh, Tomaribata!!

Fukuoka, take the mountain!!

2: What about Hakogaku's Manami!?

3: Don't worry about him. He did catch up to me but then suddenly stopped

When I shouted at him, he closed his eyes and fell silent!!

4: Is it because he found out that Iitsuka-san is Fukuoka Josei's “mountain shogun”?

Yeah, probably!!

Amazing!!

5: Let's take the lead now!!

Ahead there's also Fujiwara-san from the Kyuushu team Kumadai!!

6: But anyway for a moment I was so scared....

Pag 3

1: When Hakogaku sent ahead their ace Manami!!

2: I can hear it

4: The first day's mountain prize!! Let's take it, at our hometown's Inter High!!

5: Wait....!!

6: “The sound of wheels”? “He's catching up”?

Could it be that Manami is waiting for someone?

Pag 4

1: And that's why he slowed down....!?

2: Raise your pace, Tomaribata!!

4: We're still at the start of the mountain, if we use up our legs here....

It's fine, we'll establish a good distance now

Huh!? But

Think, idiot!! If you think about it, you'll get it!! The person Manami slowed his legs down to wait for....

Pag 5

1: It's Sohoku's “Mountain King”!!

Pag 8

1: Mountain King!!

2: Fo-fo-for the first day's mountain!?

Why even the Mountain King, even the Mountain King!!

I don't know!! I don't know but that doesn't change the reality!!

3: Last year so many times we couldn't race each other

So I thought that maybe this year too...

4: What do I do if he doesn't come, I thought....

5: I was scared

6: For a while I couldn't even open my eyes

Pag 9

2: I caught up

4: Thank god it's real!!

Pag 10

1: You came, Sakamichi-kun

Yeah!! Manami-kun!!

Pag 11

1: Can we race?

2: Yes!!

Pag 12

3: Everyone in the team pushed my back!!

Pag 13

1: Onoda-kun!!

2: He should have caught up with Manami around now!!

3: Onoda-san!!

4: Hahaha!!

5: Back-gate slope-senpai!!

6: At full throttle!!

At full throttle!!

Run!!

Please run!!

Pag 14

1: Nghh...!!

2: “Nghhh” it's right!!

3: Ahaha

Hahaha

They're suddenly laughing, let's raise our pace!!

Yes!!

4: It was during your training camp on our first year

5: When we raced for the first time

6: I remember I was so excited when I heard that our names were “Sakamichi” and “Sangaku”

It's the perfect combo!!

Pag 15

1: I was surprised you didn't even have your feet fastening on

We stopped at the summer house and talked

2: We were so free back then!!

We didn't have any responsibility, not teams nor jerseys!!

3: Ahaha

4: When you're in second and third year the things you have to do increases so much....

5: I'd throw this “captain” title away anytime!!

Hahaha I get it, it's difficult for me too

Pag 16

1: If someone on my team heard that they would get angry

Doubashi-kun especially would get angry!!

Sounds scary...

4: You're wearing the number “3”

Ah, yeah, uhm, we talked with everyone on the team

Huh.... on official races the winner of the previous year should wear the number “1”

5: I see, leave it to me then

I'll push through, hahaha!!

Thank you!!

Is.. is that alright?

Waa, Pierre-sensei is so reliable!!

6: Your teacher....!!

Then...

7: Yeah, “3” like Makishima-san's “173”

Pag 17

1: I'm also wearing Toudou-san's number “13”

2: “Sleeping beauty”!!

Kuah!! Toudou!!

Pag 18

1: That day, the first day of the Inter High two years ago

2: While we were pulling the team, I imagined those two fighting for the mountain prize....

3: I'm sure they must be having fun

Fighting until you're empty

It can't not be fun!!

4: We can't go right now, but let's do it

A fight until the last drop, until our limits!!

Yeah!!

5: We promised to race

Today may be the day to truly make that wish....

Pag 19

1: come true!!

Pag 20

1: Our third year, the last Inter High

2: The first day.... a fight to compete only for the colored bib

3: The purity of this race is infinitely high!!

4: Yeah!!

Pag 21

5: Let's do it, Manami-kun!!

Pag 22

2: I've been waiting to hear those words!!

[canon-gabriel-quotes]

you made it onto a gianni stream did you know this.

INEEDTOLEAVE IGOTTAGETOUTTAHERE

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2