#having a good time losing my mind

[thisbarbi3isobs3ss3d]

anyone else in the 911 fandom feelin like this at the moment? no? just me? ok.

[poorly-drawn-mdzs]

Trapped in a vicious cycle of pining? Try gay sex! (More things to learn over at Tiger Tiger!)

[melonsharks]

i went. insane. LOOK. i know a lot of people realllyyyy wanted crowley to be the wedding dress designer LOOK I KNOW AND ITS OK u can make ur own au i promise but in MY WORLD. you need to understand me.

crowley owning a vineyard is personal to me. he is THE snake in the garden of eden, tempting is his JOB ok. he makes wines aziraphale indulges in, aziraphale designs dresses with crowley in mind. do you hear me. are you listening to me. i have everything from the second they meet mapped out OK i know what im talking about. listen to my delusions, boy.

[ducktracy]

Blame it on the Samba (1948)

Directed by Clyde Geronimi Written by Bob Moore, Art Scott

[puppyeared]

learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way

[moonkhao]

hi.

[tough-n-dumb]

freddy carter saying “what business?” as a disheveled, bound, and strung-out looking kaz with hair hanging in his face is the single sexiest thing i’ve ever seen

[b4kuch1n]

sunstroll

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[actual-changeling]

hi. hey. it's been a hot second since my last meta post but ohhhh did i realize something while making my edits. ready? i wasn't. there's gonna be a number of screencaps so let's go

i think everyone *noticed* while watching but didn't really mentally elaborate on it because i at least was already too busy sobbing. now, during the entire confession scene, crowley is attempting to make eye contact while aziraphale does his best to avoid it.

wanna take a guess when that changes? the second he steps closer and says nothing lasts forever. suddenly crowley is the one looking away, he can no longer stand to look into his eyes because his heart just got broken into a million little pieces and he loves zira so fucking much.

aziraphale is staring straight ahead and crowley looks past him, looks out the window, up, everywhere but at him. he ends up looking down and at the glasses in his hands and guess what.

aziraphale? aziraphale FOLLOWS his eyes. FOLLOWS. look at how he moves his head to keep meeting crowley's gaze. the head tilt.

i quite literally could not decide which screencaps to use so have all of them.

what really gets me though, and this might just be me being a little bit insane and very gay, but i swear aziraphale glances at his lips. it is literally one frame but it is THERE. look!!

his eyes flick DOWN. just for a second but they move from crowley's eyes, where they have been for the last half a minute, to his mouth. and when crowley says good luck and walks past him? he STILL follows him. turns his entire head and body with him even while he is trying to catch up with what crowley is really saying.

alex, you may ask, why does this matter? because it is the other way around now, they switch roles, because crowley kept eye contact during his confession and this is aziraphale's confession.

this is HIM saying run away with me, let's go off together, let's be an us in heaven. he tries to soak up literally every single heartbeat of being able to look into crowley's eyes without any barrier between them. this is him trying. he literally moves with him just to keep looking at his pretty yellow eyes, the eyes he has come to get to know so so well over the last few years. the eyes that have been uncovered, his face bare, presumably every single time crowley was in the bookshop.

crowley hears "nothing lasts forever" and takes it as rejection.

aziraphale says "nothing lasts forever" and looks at the one thing, the one person, that IS forever to him - crowley. he cannot say the words and lets his eyes speak for him yet crowley has already closed himself off.

(side note: call me delusional which i am clinically psychotic and all but if crowley had not put on his glasses? had stayed just a bit longer? said the nightingale bit right then and there? fuck me, but i think aziraphale would have kissed him first)

aziraphale loves humanity, loves the world, but crowley is HIS world, he sees all of his creations, all his nebulas and stars, in his eyes and tries to find the joy in them that he once saw before the beginning of time.

[gingermintpepper]

I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)

SO do you have any favorites among the paintings that represent this story??

OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS

I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).

Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀

Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.

(Photo. Marie-Lan Ngyuen)

(Photo. Museo Claudio Faina)

Also the one in the Theoi.com archives is a real classic - perfect energy.

[sopuu]

I was wondering if you have any tips for your perspectives? i dont really know how to do them that well but it seems you have a great handle on them! Btw I love your art! its soft and happy, I really love your stuff :D

thank you sm!! i love hearing that my art looks happy it's such a nice description 🥺

and for the tips! you've probably heard of vanishing points and horizon lines a bunch of times so i'll try to just give a quick run down of how i understand them + their uses

[2024 edit: just wanted to clarify that this third pic isn’t like a definite rule (none of these are tbf)- the horizon line can be placed at the top and still be close to the ground if you draw the grid right, same goes vice versa!]

tbh once you get the idea of how they work it gets easier to figure out where the points should be. it might help to think that the subject is what determines where the points are instead of the other way round if that makes sense? i learned a lot just by looking at storyboards for fun bc they're everywhere in them jhfkdg

also these grids aren't restricted to being only for the walls or the floor of a room- you can rotate it, put them anywhere you think you might need clarification on where the space around them is etc. just use as many as you need for whatever you need

having multiple grids (like ^ where its above and below the character) especially close together narrows the focus to what's in the middle of them as well!

another way to do this is to think of the subjects being in a box and looking at them from an angle-

and if you want you can break them down to simpler 3D or 2D shapes to see which parts have to get smaller

if you were looking for more perspectives on poses i talk about it a little at the end here

i hope this was clear enough! it's a bit hard to explain but once i learned not to be too hung up on accuracy (ofc to an appropriate degree) and freehanded the grids it makes it a lot more fun to play around with :)

also take everything i say with a grain of salt bc i too am still learning 👍

[campbyler]

i had a free period and decided to continue my reread of acswy and i cant stop kicking my feet i just finished chapter 4

chapter 4.................what a time in our lives

[rowanisawriter]

patrochilles / fairy tale AU / complete (40k words)

There is a curse. A destiny, as his mother loves to remind him. A war. An unknown future, somewhere out there in the fighting and killing. But here, there is only the sun and the grass and Achilles’s swift feet. Here, there is Patroclus sitting in the shade. Here, Achilles pulls him closer and puts his arms around him, staining their clothes with charcoal dust from sketched out dreams. Patroclus sinks into him heavily. The sound of their breathing is the only thing they can hear, as though the clearing—their clearing— is a shield hiding them from the rest of the world. “Take me with you,” Patroclus tells him at the same time that Achilles says, “Please come with me.”

In the tiny kingdom of Phthia, a golden prince is cursed with invulnerability except for a vulnerable heel. An exile apprenticed to a shoemaker is commissioned by the palace to create a shoe the prince can fight in.

A fairy tale about a curse, a magical shoe, a war, a doomed hero, an exile, destiny, and love despite everything.

[opens-up-4-nobody]

...

[chairofchaos]

them: is this the hill you want to die on?

me: no, but it’s where I’ll leave your corpse