#he doesn't like serious fighting

[john-bigfeet-bigfoot]

Teen Gohan is definitely the funniest little dude I've ever seen called a teenager before getting a 'teen' in his age.

Whether it was 10 or 11 is up to the usual dumb shonen debate.

But I do sometimes think about how Dragon Ball Super got an unexpected, surprisingly really good, solid, accurate grasp of his core character for a single arc before fucking with that for weird fans and funny memes of vague Latin American origin.

[general-cyno]

apparently it's the 15th anniversary of zoro's sacrifice in thriller bark (not sure if manga or anime though) so yknow. time for more zolu of course

one of the many things about zoro and luffy is that despite how their approach to certain situations might differ at times, they're still pretty similar at their core, sometimes to a comical degree (see: their definition of what a hero is back in fish man island arc). and this understanding of how the other works is what leads to moments like jaya,

this little one in water 7/enies lobby,

and follows consistently all the way to wano arc.

and I was thinking the other day about how their childhoods too kinda mirror or parallel each other's in a way that emphasizes (to me, at least) how special zoro's particular protectiveness toward luffy is, and why luffy relying on zoro that way is just as special.

the specifics of their childhood stories are different but both luffy and zoro have a turning point of sorts that's marked with the grief and loss of sabo and kuina, respectively, which leads them to say these:

(I cropped the panels, but luffy's also crying here)

it's important to note zoro and luffy had dreams/aspirations before this, to become the greatest swordsman and luffy's secret thing that we've yet to learn about (that ace, sabo and the crew now know). however, losing kuina and sabo is what prompts them to, on top of that, strive to become stronger for other people's sake. for zoro, it's his way to honor his friend and fulfill their shared dream. for luffy, it's to avoid losing the people he loves.

throughout the story, zoro and luffy end up expressing similar frustration and sentiments due to this. there's zoro innerly chiding himself for being too weak as he trains in the aftermath of arcs like little garden, alabasta and thriller bark, where the crew get stuck in situations in which zoro isn't able to help as he wishes he could (the wax cake, the sea prism stone cell, kuma). there's luffy swearing he won't lose a single member of his crew even if it kills him (the davy back fight) and reproaching himself for not being able to save any of the straw hats in sabaody, with the worst of it right after losing ace in marineford.

(and man do I have thoughts about bon turning into zoro, out of all the straw hats, back in impel down.)

anyway. as to why all of this is meaningful - when zoro agrees to join luffy, he mentions that his goal to become the greatest swordsman is all he has. yet as the straw hats go from journey to journey, and with a certain emphasis in luffy, you can see how zoro's view slowly shifts. he's now driving himself to become strong to protect them as well, to the point he's willing to set aside his ambition and offer his own head in exchange for luffy's, if it means he can ensure luffy's life and safety. that's huge. as mihawk inwardly points out, zoro has something, someone he values even more than his ambitions and pride. and it's through his adventures with luffy and the crew that he becomes closer to achieving that initial dream of his.

whenever people wonder why zoro's as loyal as he is to luffy, aside from all the reasons why luffy as a character has earned that loyalty through his actions, I also remember that one line koushiro said to zoro in a flashback: "the pinnacle of swordsmanship is the power to protect what one wishes to protect and cut what one wishes to cut. a blade that injures all that it touches isn't really a sword." while sure, it works in the context of later power ups like haki, imo it perfectly captures zoro's character growth too and what luffy's given him. the current zoro isn't lost or directionless with only one purpose in mind or to live for, bounty hunting as a means to survive. he has a home to return to, people to cherish, to protect and keep getting stronger for, people who nurture him in turn. kuina's death is something zoro couldn't have prevented, and losing people in accidents like those is something that could happen again, but still within the limits of what's preventable - zoro can protect his friends now.

as for luffy... zoro kinda steals the spotlight when it comes to grand gestures of loyalty/devotion and being the MC of the story means luffy fights for different people (both crew and non crew), carrying their wishes and hopes as if they were his own. he gets help and learns from others as well and all members of the crew are important for luffy to achieve his dream one way or the other, but the way he relies on zoro specifically is so subtly meaningful to me. we don't get as much insight on luffy's inner thoughts, still, we do have context.

for someone like luffy, who is at his innermost genuinely terrified of being alone and losing the people he loves, the fact that he trusts zoro to protect and keep everyone safe (even luffy himself) is so good. as shown above, luffy vowed to become strong in the first place to ensure he'd never go through loss like sabo's again and this vow is all the more renewed after ace's death. luffy has to be strong for everyone but... the fact that he can trust zoro to follow his lead even when others might not understand his reasons to do x or y, that he's so unwavering in his faith that zoro will protect the others when luffy can't, entrusting the people he cares about to zoro, whom luffy also cherishes - it's all pretty special. everyone in the crew has their strengths and zoro may not be the only fighter, but all of them, including sanji, fall under his protection whenever it's needed.

it's not only about raw strength though. zoro's also there to set luffy straight and remind him of what's important when the circumstances arise, like in water 7 or punk hazard. and even when they don't necessarily agree, like wrt vivi's situation after the reverie in marijoa, luffy knows when zoro's right and acquiesces (albeit grumbling a little) because, once again, he's also aware that zoro wouldn't just risk everyone's safety. luffy listens to him. and their reunion in wano too, luffy's sheer happiness at the sight of him again, is a very clear example of how much luffy adores zoro even beyond all that.

although luffy isn't aware of what happened in thriller bark (that we know of), zoro's actions are proof of why luffy trusts, has faith in, and relies on zoro as much as he does and why it's so important for luffy to have him by his side, considering how afraid he is of being unable to keep his loved ones safe. this is more on a speculative note, but I can imagine how comforting that must be for luffy - to not shoulder that on his own.

happy anniversary!

[cienie-isengardu]

Tomas & Liu Kang

I’m trying to put things into right perspective about Smoke, Liu Kang’s approach to Tomas and how pushed into background he was during story mode so bear with me while I’m connecting dots.

Also, to be clear, I’m not here to morally judge the characters, just to talk about the dissonance between Smoke vs Liu Kang intro dialogues and the story mode.

For one, the pre-fight dialogues imply that Tomas lost his family due to Liu Kang (Keeper of Time)’s choice: 

Smoke: "Did you intend for me to be orphaned?" Liu Kang: "Some threads must be cut to weave time’s fabric." 

and

Smoke: "I'm not sure I can forgive you." Liu Kang: "Being Keeper of Time meant making many hard choices."

When Tomas was orphaned, Kuai Liang & Bi-Han’s father adopted him and made one of Lin Kuei. If the accusation is true, then we can assume Liu Kang wanted Tomas to join Lin Kuei, as he did in the past timeline(s). So, in theory, Smoke for whatever reason was important enough for the Keeper of Time to get involved and steer events to get the wanted result. 

Which raises a question, why did Liu Kang not bother to recruit Tomas into Lin Kuei the same way he recruited Kung Lao, Raiden, Johnny Cage or Kenshi, by like, actually talking to him and taking for training? Or even why not just ask the befriended Grandmaster to take the boy (and Tomas' family) under his wings, which I think the man would do without further question.

Instead, Smoke was orphaned, taken in by Lin Kuei, adopted as son of Grandmaster and trained in magic to equalize his chances in the fight (in contrast, Bi-Han’s ice powers seems to be a natural part of him, related to specific bloodline).

Now, if Tomas was so important, if not in the greater scheme of things, then just for Liu Kang (and Kuai Liang), isn’t it weird, he is so sidelined and omitted by Fire Lord in the story mode?

Again, not judging characters, solely pointing out this choice of storyline, as this is especially visible during collecting the champions for the tournament arc.

In Chapter One, when the test was over and Liu Kang came to Kung Lao and Raiden to explain things, he specifically called only Bi-Han (the current Grandmaster) and Kuai Liang (Bi-Han’s blood-brother)

while Tomas was totally omitted and stayed behind with the rest unnamed Lin Kuei warriors.

Which, visually speaking, is weird, as just before that scene we could see Smoke walking alongside his adoptive brothers (with Bi-Han leading the group, Tomas and Kuai Liang walking a bit behind their leader, but before the unnamed warriors);

In the next chapter, again, only Bi-Han and Kuai Liang assisted Fire Lord in his quest to recruit Johnny Cage and Kenshi. Again, both Lin Kuei were addressed by their birth names, instead of codenames

while there is no information why Tomas was left behind. He likely was entrusted with escorting Kung Lao and Raiden to Shaolin Monks, yet the lack of proper mention emphasizes the pushing into the background.

We didn't learn officially Smoke's status as adopted brother of Kuai Liang and Bi-Han until Sub-Zero's chapter (#8). Unless I miss something, the first person on screen to actually address Smoke by his birth name was surprisingly Bi-Han.

Which makes even weirder the lack of including of Tomas from Liu Kang, as the Fire Lord and Smoke stayed allies through the story mode and intro dialogues (with some resentment on Tomas' side for death of his family) while the relationship between Bi-Han and Tomas was much more complicated to begin with.

We could make an argument that Liu Kang didn't want to antagonize Bi-Han by including adopted Tomas too much, however:

A) Bi-Han has never denied Tomas right to consider himself one of Grandmaster's sons - seen especially in Sub-Zero's speech pattern, as Sub-Zero always says just "Father", the same as Tomas and Kuai Liang, never putting emphasis on "my" as a reminder Smoke is adopted. The real conflict is not about whether Tomas is his and Kuai Liang's brother or not, but about him being a true Lin Kuei. What is also worth to keep in mind, any tension between brothers happened only in privacy (here and during the mission), never around Liu Kang.

(A similar thing can be noticed in intro dialogues. In Smoke vs Sub-Zero, Bi-Han specifically says "Because your blood is not Lin Kuei" however in Liu Kang vs Sub-Zero, when Fire Lord claims brothers (plural version!) miss him, Bi-Han doesn't correct his opponent about Tomas not being one. He instead says "Then they shouldn't have disobeyed my commands.")

B) Liu Kang did not show Bi-Han any special respect, especially not the kind of respect and friendship offered to Sindel and her husband, Jerrod. And yes, Fire Lord mentioned Bi-Han before Kuai Liang, and addressed him during the meeting before the mission (while the Sub-Zero's younger brothers - subordinates - stood together in silence)

but that basically it? Bi-Han didn't seem to be favored in any special way, I don't think he even was addressed as Grandmaster by Fire Lord at any moment in story mode.

Which is why I personally don't see why Liu Kang would omit Tomas solely to not hurt Bi-Han's ego or to not antagonize the man further - especially since Bi-Han himself didn't push the matter in any specific - openly - way nor didn't deny Tomas the right to consider himself one of Grandmaster's sons in the first place.

Frankly, as we don't see how Lin Kuei were informed about the upcoming meeting, we should ask, did Liu Kang call Bi-Han and specifically Smoke and Scorpion for the mission, or was that choice made solely by Sub-Zero? Because Lin Kuei for sure must have much more experienced warriors that Tomas (and Kuai Liang for that matter) but also sending on dangerous mission the Grandmaster AND the second* in line of succession seems impractical from the perspective of clan' inner safety.

*second and third, if Tomas was allowed at all to be the heir. Considering how neither Smoke nor Scorpion even for a moment considered that option and how Sektor & Cyrax would choose Bi-Han's corruption of the clan before accepting Kuai Liang as a new leader, the inner clan politics may not be so simple.

During the Lin Kuei mission (Sub-Zero's Band of Brothers Chapter) and during Bi-Han's betrayal (Scorpion's Civil War Chapter), the three brothers didn't address each other by codenames and as much as the situation allowed, freely interacted with each other.

However once Bi-Han is removed from the story mode, Smoke is even more pushed into the background. When asked, he will answer and make some (one?) observation however he barely interacted with other characters, mainly sticking to his brother. The most important exception is the scene when the heroes were wondering what to do after the big revelation and Tomas on his own talked about Lin Kuei and Bi-Han.

The story mode at that time was focused on other characters (like Mileena & Shang Tsung) so understandably, Lin Kuei brothers were put aside however even then Scorpion played a vital part, as it was Kuai Liang making the plan of attack, when Liu Kang wasn't around, while Tomas for most part was just there.

Again, no moral judging of characters just a mere observation how Tomas interacted the most freely with his brothers while was omitted by Liu Kang - and like, never(?) addressed by him in story mode, either by name or codename, even if the intro dialogues strongly imply Liu Kang was the one pushing Tomas into Lin Kuei in the first place.

Which makes an interesting contrast to Bi-Han & Smoke’s relationship but also shows how without intro dialogues, the relationship between Tomas and Liu Kang seems… non existing? I mean, even at the end of story mode, Liu Kang mentions Bi-Han

and his brother Kuai Liang building a new clan,

yet there is literally no mention of Tomas and his participation in the creation of Shirai Ryu and training its members (something confirmed in Scorpion and Smoke's endings).

Which only add to the weird feeling of alienating Tomas in story mode, not by Bi-Han but Liu Kang of all possible people?

[malk1ns]

1st sentence ask - "It's gameday so you better not knot me"

Zhenya blushes when he says it, but with the way Sid's been following him around all morning, from the weights room to video review and even into the trainer's despite Zhenya's protests, he thinks it needs to be said.

The team is already on tenterhooks, watching them like hawks—with Zhenya's heat approaching like a freight train and the way Sid's been haunting his footsteps, they're ready to pull the plug on the whole experiment if it looks like it's going to negatively impact the on-ice product, and Zhenya thinks both of them missing a game because Sid pinned him down and tied them together would definitely qualify.

"Hmm," Sid says, crowding into Zhenya's space; he's shorter, but the width of his body makes Zhenya feel small, even younger than he is, like he wants to curl up in the protective crush of Sid's arms and let Sid do whatever he wants.

Omega instincts are a real bitch, but Zhenya's made it to the NHL on nothing more than will and grit, and he's determined that he won't be.

Sid's voice is hypnotic when he puts his lips to Zhenya's year and murmurs, "I think you don't mean a word of that," and Zhenya shivers, because it's true.

first line ask game!

[goddessofroyalty]

One Piece Supernova trio Omegaverse idea my brain is milling over instead of letting me sleep:

Alpha!Kid challenging/goading Beta!Luffy in order to 'impress' the unmated Omega!Law, possibly not even wanting to attract Law as a mate just dumb hindbrain posturing kind of stuff.

Luffy not caring about designations or romantic/sexual relationships but fully responding to the challenges/goads because he's dumb and competitive like that.

Law being completely aware of the actual intent behind Kid's challenges/goads but now Luffy's turned it into a 'who's the better captain' thing he's also responding to them in a competitive way.

[mcgrillzdumpinc]

i feel like we as a fandom don't talk about this panel enough. the man is actively brainwashing himself.

[torgawl]

everytime i think about the new chapter the more and more i like it, it really consolidated yuuta and gojo's characters. the revelation of how the higher-ups were taken down and the set-up for the scene with gojo and yuuta's conversation about what their plan was for gojo's body, in case he lost, might just be the part i find most interesting. all in all, the chapter really highlights the underlying difference between the violence of oppression and the violence of resistence and revolution.

when it comes to yuuta and the archetype of his character he is the pure embodiment of love in the series. if yuuji is able to reach sukuna because he was one with him (love as oneness), yuuta's entire exitence has sorrounded love and, specifically, love as a curse. sukuna's surprise at yuuta's antics come from a place of not understanding love and therefore being unable to conceptualise that yuuta would go so far as betray his own humanity for it. he can't conceive how love can drive a person like yuuta, who's sweet and kind-hearted, to a place as cursed as this - emphasised by the sheer horror and heinosity that is seeing the usage of gojo's dead body with yuuta's innocent expression. but we know that yuuta's journey has always been marked by this concept of love as a curse, starting all the way back in jjk 0 where yuuta's unwillingness to let go of a deceased rika caused her to linger in the world in the form of a cursed spirit. one that yuuta learns to let go of by the end of the story. a lot of what he learns in that moment is about consent and mutuality in love (hence his domain expansion name), and although rika's soul passes and gets freed she is able to manifest her will into her vessel that continues to protect yuuta until this day. yuuta asking gojo for consent to use his body not only consolidates this mutual exchange and respect that he has for those he cares for - which are his main driving force - but is also exactly what separates him from someone like kenjaku, who body hops with total disregard for who they were originally. so there's that layer of irony behind yuuta having rika consume kenjaku to copy his technique and make use of it in a equally disturbing but more compassionate way. which in itself can serve to both question if intent plays a role in absolution and introduce, once again, the idea that humans and curses are not so different, as explored between mahito and yuuji in shibuya with them mirroring each other.

in regards to gojo i think his aknowledgement of his own inertia when it came to the revolution that he was leading was the cherry on top to consolidate who gojo really was as a person. gojo's greatest character flaw was arguably that he simply wasn't radical enough, allowing his students to be targets under the influence of the higher-ups. he had reasons not to kill them, as he explained before in the series, but he still failed to weight the consequences of his own actions and how no one is rewarded by working under a broken system. and i feel like having the youth he guided watching as he killed them is also quite significant as they're followers of this new revolutionary ideology.

i think the shock or impact these violent or twisted acts by the hands of those forced to survive within the status quo (like maki slaughtering her clan, gojo killing the higher-ups, yuuta taking over gojo's body) as a reaction to the violence they're subjeted to by this same system serves some purpose. and i think this is the reason the higher-ups are these anonymous faceless figures, barely-there personalities who have such a big influence in the lives of so many people. even in the real world, and we can think of systems like capitalism and how it exploits people in such a casual way and it relies on that exploration to survive, we sort of take for granted that violence coming from those institutions, having our attention driven away from the minority that's upholding these systems to other things instead. that violence is more "acceptable" because we've been conditioned to it whereas the violence in response to those acts is always met with more scrutiny. and that kind of contextualises why shoko and nanami, for example, much like gojo, aren't really revolutionary with their ideals either - or rather, do not get that priviledge. the difference being gojo was someone these higher-ups were actively afraid of, because if he wanted to, he could have done more. and that's exactly why the instant he was sealed it was the perfect opportunity for them to do whatever they could to prevent him from coming back and place new-drawn targets on the backs of the people gojo was protecting. the gruesome nature of maki slaughtering her clan or the off-putting way people react to yuuta discarding his own humanity and going against what he believes is right to make sure gojo's legacy continues is almost forcing this question of what are people willing to stomach in the name of survival and change.

gojo remembering geto in that crucial moment ("i was falling behind" or "i have to catch up") and just having in mind how they were both so young and naive is so incredibly bittersweet. geto had radical ideals, no matter how misguided. he looked at the world and he had this unshakeable conviction that things couldn't continue to be the way they were. he reached incredibly misplaced conclusions, yes, which came from a place of great pain and alienation, but gojo finally stepping forward to follow that same path, to be more radical, also sort of confirms that things could have been so different if only gojo had the same level of consciousness back then; that they could have found a way better solution together instead of the tragedy that ensued. the parallels between them add an extra layer of wistfulness to their bond, too. their fates have and always will be so intertwined, in such a beautiful and tragic way. and i think geto's unwillingness to force gojo to take a certain path will always be one of the biggest proofs of his love towards him. at the end of the day, even knowing gojo was who he was, geto always seemed to want to protect gojo's path from being stained like his.

at the core, jjk really is a story about revolution and humanity; a story about love and curses and how love is the most twisted curse of all (which has been reinforced over and over again). the fact some are rewarded and some are punished for taking certain paths under the same system is there to convey a very specific message. i really love the incorporation of eastern philosophies within the story and the role horror plays, too. the usage of the genre to deepen the impact of these themes and the way things are introduced with the intention to provoke almost visceral reactions in the readers (much like yuuta's own reaction) also makes the message much more impactful. i think this chapter was great!!!

[bonetrousledbones]

yknow i try to not actively hope for specific things for deltarune’s story because who KNOWS wtf toby’s plans are for that but if there’s one thing i genuinely really really hope for its that papyrus gets to be treated as an actual serious character instead of just comic relief or whatever

[possessable]

Mmm future for bozzy for the evil oc asks

Actually a bit of a difficult question to answer because i didn't think much about Bozzy's future aside from "he's doing Pretty Well" [SORRY BOZZY YOUR MEMORY GOT TURNED INTO A SYMBOL OF GUILT HAUNTING THE NARRATIVE EVEN THOUGH YOU WENT OFF TO HAVE A RELATIVELY GOOD LIFE] so the only worst outcome i can think of for him is something he already largely avoided,

i think the worst thing for him would be if he got stuck in that transitional lull when the hurt is no longer actively happening but the healing has not begun yet , like if after he had to leave his home he became too wary to ever let himself be hopeful for fear of it being taken away [again] . in my mind [in the narrative too, i guess?] he has always represented hope [for some reason] so i think the worst thing would be if he didn't let himself believe he could be okay again

It's okay though because he does end up okay again and he also helps Rowan be okay again

[nemesis-is-my-middle-name]

every time i remember "ingo is an ascian/ancient who literally forgot everything about that" it still kills me. so much staying power in the idea of the protagonists rocking up to ishgard having the worst day of their lives and there's a fucking ASCIAN just chilling waiting for them and they're like fucking dammit now we have to deal with THIS. and then he's not. like he's literally just chilling. he is so very much just some guy. and they're like why the fuck are you dressed like an evil wizard then and he's like they're comfy robes :(

[didderd]

my brain unintentionally defaulting to reading Tic's dialogue in Fell's voice ('s not his voice. he sounds like Classic lol) got me thinking.

what if... Fell Tic?

already havin ideas abt this lmao.

[sysig]

We are both exhausted

[inamindfarfaraway]

Perhaps the funniest League of Legends character interaction that's also highly plausible in-universe, thematically appropriate and emotionally charged is Rell and Veigar teaming up.

They’re both extremely magically strong and skilled. Rell controls metal, a product of the earth from which she can directly rip ore. Veigar draws his celestial magic from the stars.

They both have dark, tragic backstories: because of their magical talent, they were taken into custody by powerful, corrupt Noxian authorities, isolated, abused and forced to use their magic harmfully for a long time, at least relative to their respective lives. This traumatized and broke them so much that they now see inflicting pain as the only thing they’re good at, even capable of. They have no friends. They've never known or have forgotten what it feels like to be loved, joyful or carefree. All they were left with once free was so much guilt and grief and so much power. From that, they have forged new identities - roles to play - built around singular, combative ambitions that they cannot imagine lives or futures beyond. Rell identifies as a gritty, edgy antihero, having noble intentions but using brutal, destructive and downright gruesome methods. Veigar identifies as a villain, but is good at heart despite not comprehending this himself.

They’re both currently roaming around the Noxian countryside in order to find and defeat as many powerful, corrupt Noxian authorities who mistreat people as they can. Rell does this to make the guilty pay for their crimes and liberate and protect the oppressed. Veigar does it to replace the authority and prove that his evil is greater and cooler than theirs, but in practice doesn’t really bother hurting anyone innocent and just ends up making the guilty pay for their crimes and liberating and protecting the oppressed.

They’re both connected to Mordekaiser, and would be primary enemies of him holding personal grudges if his plot about trying to dominate Runeterra is ever developed. Rell was such an important project for the Black Rose because they hoped that she would be able to defeat Mordekaiser. He embodies everything she stands against. Mordekaiser was Veigar’s captor and abuser, responsible for who he is today. Rell can manipulate metal; Veigar wields incredible cosmic magic; and Mordekaiser is a magical suit of armour, so if anyone can finish him off, it’s these two working together.

Rell is practical, pragmatic, cynical and consumed by bloodthirsty, vengeful rage. Veigar clings to and imitates an immature ideal of Villainy, fashioning his outfit after Mordekaiser’s stereotypical fantasy evil overlord aesthetic, his behaviour after all the most theatrical tropes that archetype can be associated with and having very dramatic and flashy magic, but inwardly lacks the cruelty (not to mention dignity) to back that presentation up.

They both want the Noxian people to respect them as a threat. Rell has wanted posters and become widely feared by the elite army less than a year since her escape. Veigar has been ‘conquering’ for centuries and is still not taken seriously.

Their respective magic colours are yellow and purple, and the rest of both of their colour palettes is grey, silver and black.

Everything about Rell is played completely straight. Almost everything about Veigar is played for comedy.

Rell could come across a village that Veigar has seized and accidentally benefitted, like Boleham in his story on the website, and try to challenge him. Or they could both arrive to kill the same tyrannical warlord at the same time. She realizes that he is a) really bad at being bad, b) just a silly little guy and c) an extremely useful asset to her quest.

So she directs him at the Black Rose and they go and utterly fuck Noxis up while helping the downtrodden. There's so much comedy to get out of their contrasting personalities and perspectives. Rell always acts like the protagonist of a grim, action-packed young adult dystopian series and Veigar is standing right next to her emanating campy children's cartoon villain energy; they both think the story is a different genre and the acting and tone should reflect that. This premise is hysterical with the proper execution.

But it isn't just funny! They can genuinely bond and learn, or in Veigar's case remember, what loving and being loved is, and begin to process their trauma and help each other cope with their C-PTSD and be kinder to themselves and have fun and become fulfilled. And then kill Mordekaiser, whose return is one of the subplots. And then live happy, safe, peaceful lives together, because they were never meant for all this violence.

Other subplots besides Mordekaiser include LeBlanc, Rell's mother and the Black Rose's operations; the wider Noxian politics they tie into; Samirah hunting Rell; Annie also wandering around Noxis causing trouble and eventually getting adopted by Rell as a little sister (they deserve it); maybe the story of a Yordle who knew Veigar before and thus can supply some of his backstory that he's forgotten, a 'normal Yordle' foil to him; and generally lots of Noxian and Yordle worldbuilding and lore.

While I'm talking about Veigar, here are my ideas for a redesign of him, because his design is... not that great:

As yordles are generally animalistic or at least furry, he strongly resembles a black cat, with gold eyes with slit pupils and a dark purple nose. Black cats are associated with the supernatural, magical arts and misfortune, they're bad omens to some, but they're also fluffy little babies. He is covered in fur. You want to scratch his checks. You want to kiss his little forehead. He's so adorable and he hates it. His large pointy ears, visible under the brim of his hat, move to signal his emotions for more expressive animation. They both have notches, which help him look pitiable and allude to his past as a prisoner and victim of abuse. He has big 'weathered street cat hissing and growling at you when you try to pet it because it's reflexively afraid of people and shows that through aggression' energy.

@ohnoitstbskyen's idea in his "What's the deal with Veigar?" video that Veigar's face (his cute kitty face!) is never fully in the shadow of his hat despite him trying to look mysterious and ominous is brilliant. He’s very lively, since he acts like a classic cartoon villain who’s so excited and gleeful about being evil, so he has a habit of jostling his hat or lifting his head to reveal his whole face and then hastily pulling the hat back down.

His robe no longer has the spiked metal hem and is of a soft, loose, flowing fabric. It’s dark indigo with silver sparkles all over it like he’s wearing the night sky, in homage to the stars he draws his power from. Except the beautiful pattern is interrupted and partly obscured by a leather belt - not spiked and black, a bolder and more ‘evil’ colour than brown and a Noxian colour - with a tasteless spiky silver buckle that clashes with the stars. I love what TB Skyen said about the armour and spikes working best as a parody of Mordekaiser’s aesthetic, so I want those aspects to look tacked on and out of place. To feel wrong. Inadvertently on Veigar’s part, but deliberately in a meta sense. Between the robe, his big purple wizard hat matching his nose that also makes his body look smaller and cuter and the black cat associations, you’ve got a perfectly good yordle celestial mage design; but the influence of Mordekaiser is intruding on it, corrupting it, even. That is the clear conflict of this design. While the robe is comfortable, the armour doesn’t appear to be. This impression is helped by it all being at least a little oversized, because Noxian armour doesn’t come in yordle size and therefore Veigar has cobbled his together out of scraps he scavenged (I mean, he STOLE, how wicked) and he isn’t really a great blacksmith. His boots aren’t clown shoes or anything, but they’re big enough that his attempt at an imposing villainous stride is awkwardly clunky. They could have black leather straps on them to hold them tighter than their metal fasteners will allow. His spiked pauldrons were cut out of human ones and still jut out too much, one of them having an irregular shape that gives him a dash of Noxian asymmetry and marks him further as a flawed imitation of a fantasy supervillain. The message that he’s incompetent at something and did it anyway out of passion, perhaps not even realizing his mistakes or at least too proud to acknowledge them, makes him come across as comedic and yet an endearingly earnest, hardworking underdog, and adds to the surprise of his genuine incredible cosmic power - he couldn’t learn to smith properly before forging his own armour, but he can command the energy of the stars to smite you? Yeah. That’s Veigar. There’s one silver ring around the base of his hat that has five spikes on it, thick, long and evenly positioned so that from above, they form a star shape. Specifically, an inverted star with one spike pointing directly forward. Symbolism! His belt buckle could also be an inverted star to establish that as a motif of his; it’s spiky, but more personal and iconic than just spikes themselves.

Moving onto Rell... she has her sigils. I don't know why she doesn't in her model or artwork, they're such a crucial part of her character design! Her biography and short story both bring them up. There are even bare sections of her arms, which would only make sense if her sigils were visible in them because it's impractical and she's so averse to vulnerability, but the sigils are missing? What? Why, Riot? So yeah, in my redesign she has sigils right down both her arms. A few more recent ones are on her back (symbolic of her betrayal by her family, the Black Rose and the government). They're always hidden, even in her lighter armour on horseback, as she's deeply uncomfortable around the concept of being exposed and seeing them herself. We and Veigar only see them in dramatic character exploration scenes when a) she feels safe enough to take her armour off, b) she needs to due to injury or to hide her identity or c) someone else damages or removes her armour. Taking TB Skyen's advice again, her outer armour and therefore horse are spikier and less polished and regular, products of her undiluted heartbroken rage in the moment she destroyed the academy. They're highly distinctive, almost organic-feeling and definitely don't look like the work of a smith.

[marc--chilton]

(mgv) for all of the "amber is a female house" comparisons amber is an alpha in my au while house is an omega, so when the "oh my god. you're sleeping with me" moment hits it stings a bit for him

[bylertruther]

for a group of people that like to say "this is a sci fi show, why are you so hung up on realism 🙄" y'all sure seem to harp on about and get hung up on finn's weight and your assumptions about his physical strength waaaay more than the duffers do when they're writing for mike's character but i'm 😴😴😴

[hauntingblue]

LUFFY!!!!!!!!! I HAVE BEEN CONVERTED!!!! LUFFY BELIEVER FULL TIME!!!!! LET US WORSHIP THE SUN!!!!